Art invariably grows out of a period when, in general, the artist admires his own nation and wants to win its approval.

Artistic temperament is like a king with vigor and unlimited opportunity. You shake the structure to pieces by playing with it.

He [F. Scott Fitzgerald] had learned to theorize, to think, although he was always less interested in the dissection of his reading than in the enjoyment he received. (About F. Scott Fitzgerald)

The clean book bill will be one of the most immoral measures ever adopted. It will throw American art back into the junk heap.

Now, Max, I have told you many times that you are my publisher, and permanently, as far as one can fling about the word in this too mutable world....The idea of leaving you has never for one single moment entered my head.

Whenever any of these new writers come up who are brilliant, I always realize that you have more talent and more skill than any of them;---but circumstances have prevented you from realizing upon the fact for a long time. [About F. Scott Fitzgerald]

Communism as I see it has no place in the United States, and the American people will not stand for its teachings.

The important thing is that you should not argue with them [Communists]....Whatever you say, they have ways of twisting it into shapes which put you in some lower category of mankind, ‘Fascist,’ ‘Liberal,’ ‘Trotskyist,’ and disparage you both intellectually and personally in the process.

Communism...muat of necessity be a saddening process for anyone who has ever tasted the intellectual pleasures of the world we live in.

I could never be a Communist. I could never be regimented. I could never be told what to write.

My generation of radicals and breakers-down never found anything to take the place of the old virtues of work and courage and the old graces of courtesy and politeness.

I have lived so long within the circle of this book [Tender Is The Night] and with these characters that often it seems to me that the real world does not exist but that only these characters exist, and, however pretentious that remark sounds....it is an absolute fact---so much so that their glees and woes are just exactly as important to me as what happens in life.

I think the novel is a wonder....it has vitality to an extraordinary degree, and glamour, and a great deal of underlying thought of unusual quality....And as for the sheer writing, it's astonishing. [About The Great Gatsby]

The amount of meaning you get into a sentence, the dimensions and intensity of the impression you make a paragraph carry, are most extraordinary.... You once told me you were not a natural writer—my God! You have plainly mastered the craft, of course; but you needed far more than craftsmanship for this. [about The Great Gatsby]

Fitzgerald has charm. It's a silly word, but it's an exact word for me. I like 'The Great Gatsby' and it's sad, gay nostalgia.

A writer must find his own grain, way, bent. ...He aspires to create new and original works. His way is alone. If he succumbs to ideologies, he turns into a mouthpiece. He must hang on to his identity for dear life. In the end he must rely on his own judgment. It’s the only way to survive as a writer and an artist.

This general eclipse of ambition and determination and fortitude, all of the very qualities on which I have prided myself, is ridiculous, and, I must admit, somewhat obscene.

Understand now, I'm purely a fiction writer and do not profess to be an earnest student of political science, but I believe strongly that such a law as one prohibiting liquor is foolish.

We have reached a censorship barrier in Infidelity, to our infinite disappointment. It won’t be Joan’s [Joan Crawford's] next picture and we are setting it aside awhile till we can think of a way of halfwitting halfwit Hayes and his legion of decency. Pictures needed cleaning up in 1932-33...but because they were suggestive and salacious. Of course the moralists now want to apply that to all strong themes—so the crop of the last two years is feeble and false, unless it deals with children.