First draft blues:"He tested the stick and glanced at the set handbrake. With his feet he felt the accelerator, the brake, the clutch. Backwards, but otherwise just the same, and comforting in a solid, mechanical way. It even smelled right, oil, petrol, lubricated warm metal, and the polished windshield seemed transparent in the night’s silver flood.

Toni Morrison said, "The function of freedom is to free someone else," and if you are no longer wracked or in bondage to a person or a way of life, tell your story. Risk freeing someone else. Not everyone will be glad that you did. Members of your family and other critics may wish you had kept your secrets. Oh, well, what are you going to do? Get it all down. Let it pour out of you and onto the page. Write an incredibly shitty, self-indulgent, whiny, mewling first draft. Then take out as many of the excesses as you can.

Your first draft is a petulant teenager, sure it knows best, adamant that its Mother is wrong. Your third draft has emerged from puberty, realising that its Mother was right about everything.

Writing a first-draft battle scene is akin to real combat—chaos, confusion, and you must keep your cool as you fire word bullets downrange.