A kind of northing is what I wish to accomplish, a single-minded trek towards that place where any shutter left open to the zenith at night will record the wheeling of all the sky’s stars as a pattern of perfect, concentric circles. I seek a reduction, a shedding, a sloughing off. At the seashore you often see a shell, or fragment of a shell, that sharp sands and surf have thinned to a wisp. There is no way you can tell what kind of shell it had been, what creature it had housed; it could have been a whelk or a scallop, a cowrie, limpet, or conch. The animal is long since dissolved, and its blood spread and thinned in the general sea. All you hold in your hand is a cool shred of shell, an inch long, pared so thin that it passes a faint pink light. It is an essence, a smooth condensation of the air, a curve. I long for the North where unimpeded winds would hone me to such a pure slip of bone. But I’ll not go northing this year. I’ll stalk that floating pole and frigid air by waiting here. I wait on bridges; I wait, struck, on forest paths and meadow’s fringes, hilltops and banksides, day in and day out, and I receive a southing as a gift. The North washes down the mountains like a waterfall, like a tidal wave, and pours across the valley; it comes to me. It sweetens the persimmons and numbs the last of the crickets and hornets; it fans the flames of the forest maples, bows the meadow’s seeded grasses and pokes it chilling fingers under the leaf litter, thrusting the springtails and the earthworms deeper into the earth. The sun heaves to the south by day, and at night wild Orion emerges looming like the Specter over Dead Man Mountain. Something is already here, and more is coming.

All at once, something wonderful happened, although at first, it seemed perfectly ordinary. A female goldfinch suddenly hove into view. She lighted weightlessly on the head of a bankside purple thistle and began emptying the seedcase, sowing the air with down. The lighted frame of my window filled. The down rose and spread in all directions, wafting over the dam’s waterfall and wavering between the tulip trunks and into the meadow. It vaulted towards the orchard in a puff; it hovered over the ripening pawpaw fruit and staggered up the steep faced terrace. It jerked, floated, rolled, veered, swayed. The thistle down faltered down toward the cottage and gusted clear to the woods; it rose and entered the shaggy arms of pecans. At last it strayed like snow, blind and sweet, into the pool of the creek upstream, and into the race of the creek over rocks down. It shuddered onto the tips of growing grasses, where it poised, light, still wracked by errant quivers. I was holding my breath. Is this where we live, I thought, in this place in this moment, with the air so light and wild? The same fixity that collapses stars and drives the mantis to devour her mate eased these creatures together before my eyes: the thick adept bill of the goldfinch, and the feathery coded down. How could anything be amiss? If I myself were lighter and frayed, I could ride these small winds, too, taking my chances, for the pleasure of being so purely played. The thistle is part of Adam’s curse. “Cursed is the ground for thy sake, in sorrow shalt thou eat of it; thorns also and thistles shall it bring forth to thee.” A terrible curse: But does the goldfinch eat thorny sorrow with the thistle or do I? If this furling air is fallen, then the fall was happy indeed. If this creekside garden is sorrow, then I seek martyrdom. I was weightless; my bones were taut skins blown with buoyant gas; it seemed that if I inhaled too deeply, my shoulders and head would waft off. Alleluia.

Today is the winter solstice. The planet tilts just so to its star, lists and holds circling in a fixed tension between veering and longing, and spins helpless, exalted, in and out of that fleet blazing touch. Last night Orion vaulted and spread all over the sky, pagan and lunatic, his shoulder and knee on fire, his sword three suns at the ready-for what? I won’t see this year again, not again so innocent; and longing wrapped round my throat like a scarf. “For the Heavenly Father desires that we should see,” says Ruysbroeck, “and that is why He is ever saying to our inmost spirit one deep unfathomable word and nothing else.” But what is the word? Is this mystery or coyness? A cast-iron bell hung from the arch of my rib cage; when I stirred, it rang, or it tolled, a long syllable pulsing ripples up my lungs and down the gritty sap inside my bones, and I couldn’t make it out; I felt the voiced vowel like a sigh or a note but I couldn’t catch the consonant that shaped it into sense.

In the forty minutes I watched the muskrat, he never saw me, smelled me, or heard me at all. When he was in full view of course I never moved except to breathe. My eyes would move, too, following his, but he never noticed. Only once, when he was feeding from the opposite bank about eight feet away did he suddenly rise upright, all alert- and then he immediately resumed foraging. But he never knew I was there.I never knew I was there, either. For that forty minutes last night I was as purely sensitive and mute as a photographic plate; I received impressions, but I did not print out captions. My own self-awareness had disappeared; it seems now almost as though, had I been wired to electrodes, my EEG would have been flat. I have done this sort of thing so often that I have lost self-consciousness about moving slowly and halting suddenly. And I have often noticed that even a few minutes of this self-forgetfulness is tremendously invigorating. I wonder if we do not waste most of our energy just by spending every waking minute saying hello to ourselves. Martin Buber quotes an old Hasid master who said, “When you walk across the field with your mind pure and holy, then from all the stones, and all growing things, and all animals, the sparks of their souls come out and cling to you, and then they are purified and become a holy fire in you.

The color-patches of vision part, shift, and reform as I move through space in time. The present is the object of vision, and what I see before me at any given second is a full field of color patches scattered just so. The configuration will never be repeated. Living is moving; time is a live creek bearing changing lights. As I move, or as the world moves around me, the fullness of what I see shatters. “Last forever!” Who hasn’t prayed that prayer? You were lucky to get it in the first place. The present is a freely given canvas. That it is constantly being ripped apart and washed downstream goes without saying; it is a canvas, nevertheless. But there is more to the present than a series of snapshots. We are not merely sensitized film; we have feelings, a memory for information and an eidetic memory for the imagery of our pasts. Our layered consciousness is a tiered track for an unmatched assortment of concentrically wound reels. Each one plays out for all of life its dazzle and blur of translucent shadow-pictures; each one hums at every moment its own secret melody in its own unique key. We tune in and out. But moments are not lost. Time out of mind is time nevertheless, cumulative, informing the present. From even the deepest slumber you wake with a jolt- older, closer to death, and wiser, grateful for breath. But time is the one thing we have been given, and we have been given to time. Time gives us a whirl. We keep waking from a dream we can’t recall, looking around in surprise, and lapsing back, for years on end. All I want to do is stay awake, keep my head up, prop my eyes open, with toothpicks, with trees.

Xerxes, I read, ‘halted his unwieldy army for days that he might contemplate to his satisfaction’ the beauty of a single sycamore. You are Xerxes in Persia. Your army spreads on a vast and arid peneplain…you call to you all your sad captains, and give the order to halt. You have seen the tree with the lights in it, haven’t you? You must have. Xerxes buffeted on a plain, ambition drained in a puff. Your men are bewildered…there is nothing to catch the eye in this flatness, nothing but a hollow, hammering sky, a waste of sedge in the lee of windblown rocks, a meager ribbon of scrub willow tracing a slumbering watercourse…and that sycamore. You saw it; you will stand rapt and mute, exalted, remembering or not remembering over a period of days to shade your head with your robe. “He had its form wrought upon a medal of gold to help him remember it the rest of his life.” We all ought to have a goldsmith following us around. But it goes without saying, doesn’t it, Xerxes, that no gold medal worn around your neck will bring back the glad hour, keep those lights kindled so long as you live, forever present? Pascal saw it; he grabbed pen and paper and scrawled the one word, and wore it sewn in his shirt the rest of his life. I don’t know what Pascal saw. I saw a cedar. Xerxes saw a sycamore.

And under the cicadas, deeper down that the longest taproot, between and beneath the rounded black rocks and slanting slabs of sandstone in the earth, ground water is creeping. Ground water seeps and slides, across and down, across and down, leaking from here to there, minutely at a rate of a mile a year. What a tug of waters goes on! There are flings and pulls in every direction at every moment. The world is a wild wrestle under the grass; earth shall be moved. What else is going on right this minute while ground water creeps under my feet? The galaxy is careening in a slow, muffled widening. If a million solar systems are born every hour, then surely hundreds burst into being as I shift my weight to the other elbow. The sun’s surface is now exploding; other stars implode and vanish, heavy and black, out of sight. Meteorites are arcing to earth invisibly all day long. On the planet, the winds are blowing: the polar easterlies, the westerlies, the northeast and southeast trades. Somewhere, someone under full sail is becalmed, in the horse latitudes, in the doldrums; in the northland, a trapper is maddened, crazed, by the eerie scent of the chinook, the sweater, a wind that can melt two feet of snow in a day. The pampero blows, and the tramontane, and the Boro, sirocco, levanter, mistral. Lick a finger; feel the now. Spring is seeping north, towards me and away from me, at sixteen miles a day. Along estuary banks of tidal rivers all over the world, snails in black clusters like currants are gliding up and down the stems of reed and sedge, migrating every moment with the dip and swing of tides. Behind me, Tinker Mountain is eroding one thousandth of an inch a year. The sharks I saw are roving up and down the coast. If the sharks cease roving, if they still their twist and rest for a moment, they die. They need new water pushed into their gills; they need dance. Somewhere east of me, on another continent, it is sunset, and starlings in breathtaking bands are winding high in the sky to their evening roost. The mantis egg cases are tied to the mock-orange hedge; within each case, within each egg, cells elongate, narrow, and split; cells bubble and curve inward, align, harden or hollow or stretch. And where are you now?

You are God. You want to make a forest, something to hold the soil, lock up energy, and give off oxygen. Wouldn’t it be simpler just to rough in a slab of chemicals, a green acre of goo? You are a man, a retired railroad worker who makes replicas as a hobby. You decide to make a replica of one tree, the longleaf pine your great-grandfather planted- just a replica- it doesn’t have to work. How are you going to do it? How long do you think you might live, how good is your glue? For one thing, you are going to have to dig a hole and stick your replica trunk halfway to China if you want the thing to stand up. Because you will have to work fairly big; if your replica is too small, you’ll be unable to handle the slender, three-sided needles, affix them in clusters of three in fascicles, and attach those laden fascicles to flexible twigs. The twigs themselves must be covered by “many silvery-white, fringed, long-spreading scales.” Are your pine cones’ scales “thin, flat, rounded at the apex?” When you loose the lashed copper wire trussing the limbs to the trunk, the whole tree collapses like an umbrella. You are a sculptor. You climb a great ladder; you pour grease all over a growing longleaf pine. Next, you build a hollow cylinder around the entire pine…and pour wet plaster over and inside the pine. Now open the walls, split the plaster, saw down the tree, remove it, discard, and your intricate sculpture is ready: this is the shape of part of the air. You are a chloroplast moving in water heaved one hundred feet above ground. Hydrogen, carbon, oxygen, nitrogen in a ring around magnesium…you are evolution; you have only begun to make trees. You are god- are you tired? Finished?

Say you could view a time-lapse film of our planet: what would you see? Transparent images moving through light, “an infinite storm of beauty.”The beginning is swaddled in mists, blasted by random blinding flashes. Lava pours and cools; seas boil and flood. Clouds materialize and shift; now you can see the earth’s face through only random patches of clarity. The land shudders and splits, like pack ice rent by a widening lead. Mountains burst up, jutting and dull and soften before your eyes, clothed in forests like felt. The ice rolls up, grinding green land under water forever; the ice rolls back. Forests erupt and disappear like fairy rings. The ice rolls up-mountains are mowed into lakes, land rises wet from the sea like a surfacing whale- the ice rolls back.A blue-green streaks the highest ridges, a yellow-green spreads from the south like a wave up a strand. A red dye seems to leak from the north down the ridges and into the valleys, seeping south; a white follows the red, then yellow-green washes north, then red spreads again, then white, over and over, making patterns of color too swift and intricate to follow. Slow the film. You see dust storms, locusts, floods, in dizzying flash frames. Zero in on a well-watered shore and see smoke from fires drifting. Stone cities rise, spread, and then crumble, like patches of alpine blossoms that flourish for a day an inch above the permafrost, that iced earth no root can suck, and wither in a hour. New cities appear, and rivers sift silt onto their rooftops; more cities emerge and spread in lobes like lichen on rock. The great human figures of history, those intricate, spirited tissues that roamed the earth’s surface, are a wavering blur whose split second in the light was too brief an exposure to yield any images. The great herds of caribou pour into the valleys and trickle back, and pour, a brown fluid. Slow it down more, come closer still. A dot appears, like a flesh-flake. It swells like a balloon; it moves, circles, slows, and vanishes. This is your life.

Last year I had a very unusual experience. I was awake, with my eyes closed, when I had a dream. It was a small dream about time. I was dead, I guess, in deep blank space high up above many white stars. My own consciousness had been disclosed to me, and I was happy. Then I saw far below me a long, curved band of color. As I came closer, I saw that it stretched endlessly in either direction, and I understood that I was seeing all the time of the planet where I had lived. It looked like a woman’s tweed scarf; the longer I studied any one spot, the more dots of color I saw. There was no end to the deepness and variety of dots. At length I started to look for my time, but, although more and more specks of color and deeper and more intricate textures appeared in the fabric, I couldn’t find my time, or any time at all that I recognized as being near my time. I couldn’t make out so much as a pyramid. Yet as I looked at the band of time, all the individual people, I understood with special clarity, were living at that very moment with great emotion, in intricate, detail, in their individual times and places, and they were dying and being replaced by ever more people, one by one, like stitches in which wholly worlds of feeling and energy were wrapped in a never-ending cloth. I remembered suddenly the color and texture of our life as we knew it- these things had been utterly forgotten- and I thought as I searched for it on the limitless band, “that was a good time then, a good time to be living.” And I began to remember our time. I recalled green fields with carrots growing, one by one, in slender rows. Men and women in bright vests and scarves came and pulled the carrots out of the soil and carried them in baskets to shaded kitchens, where they scrubbed them with yellow brushes under running water. I saw white-faced cattle lowing and wading in creeks. I saw May apples in forests, erupting through leaf-strewn paths. Cells on the root hairs of sycamores split and divided, and apples grew spotted and striped in the fall. Mountains kept their cool caves and squirrels raced home to their nests through sunlight and shade. I remembered the ocean, and I seemed to be in the ocean myself, swimming over orange crabs that looked like coral, or off the deep Atlantic banks where whitefish school. Or again I saw the tops of poplars, and the whole sky brushed with clouds in pallid streaks, under which wild ducks flew with outstretched necks, and called, one by one, and flew on. All these things I saw. Scenes grew in depth and sunlit detail before my eyes, and were replaced by ever more scenes, as I remember the life of my time with increasing feeling. At last I saw the earth as a globe in space, and I recalled the ocean’s shape and the form of continents, saying to myself with surprise as I looked at the planet, “yes, that’s how it was then, that part there was called France.” I was filled with the deep affection of nostalgia- and then I opened my eyes. We all ought to be able to conjure up sights like these at will, so that we can keep in mind the scope of texture’s motion in time.

I am sitting here, you are sitting there. Say even that you are sitting across the kitchen table from me right now. Our eyes meet; a consciousness snaps back and forth. What we know, at least for starters, is: here we- so incontrovertibly- are. This is our life, these are our lighted seasons, and then we die. In the meantime, in between time, we can see. The scales are fallen from our eyes, the cataracts are cut away, and we can work at making sense of the color-patches we see in an effort to discover where we so incontrovertibly are. I am as passionately interested in where I am as is a lone sailor sans sextant in a ketch on an open ocean. I have at the moment a situation which allows me to devote considerable hunks of time to seeing what I can see, and trying to piece it together. I’ve learned the name of some color-patches, but not the meanings. I’ve read books; I’ve gathered statistics feverishly: the average temperature of our planet is 57 degrees F…The average size of all living animals, including man, is almost that of a housefly. The earth is mostly granite, which is mostly oxygen…In these Appalachians we have found a coal bed with 120 seams, meaning 120 forests that just happened to fall into water…I would like to see it all, to understand it, but I must start somewhere, so I try to deal with the giant water bug in Tinker Creek and the flight of three hundred redwings from an Osage orange and let those who dare worry about the birthrate and population explosion among solar systems. So I think about the valley. And it occurs to me more and more that everything I have seen is wholly gratuitous. The giant water bug’s predations, the frog’s croak, the tree with the lights in it are not in any real sense necessary per se to the world or its creator. Nor am I. The creation in the first place, being itself, is the only necessity for which I would die, and I shall. The point about that being, as I know it here and see it, is that as I think about it, it accumulates in my mind as an extravagance of minutiae. The sheer fringe and network of detail assumes primary importance. That there are so many details seems to be the most important and visible fact about creation. If you can’t see the forest for the trees, then look at the trees; when you’ve looked at enough trees, you’ve seen a forest, you’ve got it. If the world is gratuitous, then the fringe of a goldfish’s fin is a million times more so. The first question- the one crucial one- of the creation of the universe and the existence of something as a sign and an affront to nothing is a blank one…The old Kabbalistic phrase is “the Mystery of the Splintering of the Vessels.” The words refer to the shrinking or imprisonment of essences within the various husk-covered forms of emanation or time. The Vessels splintered and solar systems spun; ciliated rotifers whirled in still water, and newts laid tracks in the silt-bottomed creek. Not only did the Vessels splinter; they splintered exceeding fine. Intricacy then is the subject, the intricacy of the created world.

Astrid felt a towering wave of disgust. She was furious with Sam. Furious with Little Pete. Mad at the whole world around her. Sickened by everyone and everything.And mostly, she admitted, sick of herself.So desperately sick of being Astrid the Genius.“Some genius,” she muttered. The town council, headed by that blond girl, what was her name? Oh right: Astrid. Astrid the Genius. Head of the town council that had let half the town burn to the ground.Down in the basement of town hall Dahra Baidoo handed out scarce ibuprofen and expired Tylenol to kids with burns, like that would pretty much fix anything, as they waited for Lana to go one by one, healing with her touch.Astrid could hear the cries of pain. There were several floors between her and the makeshift hospital. Not enough floors.Edilio staggered in. He was barely recognizable. He was black with soot, dirty, dusty, with ragged scratches and scrapes and clothing hanging in shreds.“I think we got it,” he said, and lay straight down on the floor.Astrid knelt by his head. “You have it contained?”But Edilio was beyond answering. He was unconscious. Done in.Howard appeared next, in only slightly better shape. Some time during the night and morning he’d lost his smirk. He glanced at Edilio, nodded like it made perfect sense, and sank heavily into a chair.“I don’t know what you pay that boy, but it’s not enough,” Howard said, jerking his chin at Edilio.“He doesn’t do it for pay,” Astrid said.“Yeah, well, he’s the reason the whole town didn’t burn. Him and Dekka and Orc and Jack. And Ellen, it was her idea.

Remembering that only a few years ago men, women, and even children, were imprisoned, tortured and burned, for having expressed in an exceedingly mild and gentle way, the ideas entertained by me, I congratulate myself that calumny is now the pulpit's last resort. The old instruments of torture are kept only to gratify curiosity; the chains are rusting away, and the demolition of time has allowed even the dungeons of the Inquisition to be visited by light. The church, impotent and malicious, regrets, not the abuse, but the loss of her power, and seeks to hold by falsehood what she gained by cruelty and force, by fire and fear. Christianity cannot live in peace with any other form of faith. If that religion be true, there is but one savior, one inspired book, and but one little narrow grass-grown path that leads to heaven. Such a religion is necessarily uncompromising, unreasoning, aggressive and insolent. Christianity has held all other creeds and forms in infinite contempt, divided the world into enemies and friends, and verified the awful declaration of its founder—a declaration that wet with blood the sword he came to bring, and made the horizon of a thousand years lurid with the fagots' flames.

(This is from a tribute poem to Ronnie James Dio: Former lead vocalist of the band Rainbow, Black Sabbath. This is written with all the titles of the hit songs of DIO. The titles are all in upper case)You can “CATCH THE RAINBOW” –“A RAINBOW IN THE DARK”Through “ROCK & ROLL CHILDREN”“HOLY DIVER” will lurk“BEFORE THE FALL” of “ELECTRA”“ALL THE FOOLS SAILED AWAY”“JESUS,MARY AND THE HOLY GHOST”-“LORD OF THE LAST DAY”“MASTER OF THE MOON” you areWhen my “ONE FOOT IN THE GRAVE”With our “BLACK”, “COLD FEET”,“MYSTERY” of “PAIN” you craveYou’re “CAUGHT IN THE MIDDLE”,“BETWEEN TWO HEARTS”When “HUNGRY FOR HEAVEN”“HUNTER OF THE HEART” hurts“FALLEN ANGELS” “FEED MY HEART”“FEVER DREAMS” “FEED MY HEAD”“I AM” “ANOTHER LIE”“AFTER ALL (THE DEAD)”Not “GUILTY” if you “HIDE IN THE RAINBOW’’With your perfect “GUITAR SOLO”“DON’T TELL THE KIDS” to “DREAM EVIL”Don’t “GIVE HER THE GUN” to follow“DON’T TALK TO STRANGERS”Those “EVIL EYES” can see“LORD OF THE NIGHT” “MISTREATED”;“MY EYES” hate to fancy“SHAME ON THE NIGHT” “TURN UP THE NIGHT”Now it’s “TIME TO BURN”“TWISTED” “VOODOO” does “WALK ON WATER”And today its our turn“BLOOD FROM A STONE” “BORN ON THE SUN”I’m “BETTER IN THE DARK” “BREATHLESS”The “PRISONER OF PARADISE” you are!Forever you are deathless“SACRED HEART” “SHIVERS”Laying “NAKED IN THE RAIN”“THIS IS YOUR LIFE”- “ WILD ONE”!Your “GOLDEN RULES” we gain“IN DREAMS” “I SPEED AT NIGHT”I’m “LOSING MY INSANITY”“ANOTHER LIE”: “COMPUTER GOD”Your “HEAVEN AND HELL”- my vanity!By “KILLING THE DRAGON”“I COULD HAVE BEEN A DREAMER”I’m “THE LAST IN LINE” To “SCREAM”Like an “INVISIBLE” screamerNow that you are gone“THE END OF THE WORLD” is here“STRAIGHT THROUGH THE HEART”“PUSH” “JUST ANOTHER DAY” in fear“CHILDREN OF THE SEA” “ DYING IN AMERICA”Is it “DEATH BY LOVE”?“FACES IN THE WINDOW” looking forA “GYPSY” from aboveDear “STARGAZER” from “STRANGE HIGHWAYS”Our love “HERE’S TO YOU”“WE ROCK” “ONE MORE FOR THE ROAD”The “OTHER WORLD” anew“ONE NIGHT IN THE CITY” with “NEON KNIGHTS”“THE EYES” “STAY OUT OF MY MIND”The “STARSTRUCK” “SUNSET SUPERMAN”Is what we long to find“THE MAN WHO WOULD BE KING”Is the “INSTITUTIONAL MAN”“SHOOT SHOOT” to “TURN TO STONE”“WHEN A WOMAN CRIES” to planTo “STAND UP AND SHOUT”before “ THE KING OF ROCK AND ROLL”Though “GOD HATES HEAVY METAL”“EAT YOUR HEART OUT” to reach the goal.From the poem- Holy Dio: the Diver (A tribute to Ronnie James Dio)

Yeah, let’s get John here. That way we can stall for a while longer. We can keep on doing nothing for just a little while longer.”Albert said, “Take it easy, Howard.”“Take it easy?” Howard jumped to his feet. “Yeah? Where were you last night, Albert? Huh? Because I didn’t see you out there on the street listening to kids screaming, seeing kids running around hurt and scared and choking, and Edilio and Orc struggling, and Dekka hacking up her lungs and Jack crying and…“You know who couldn’t even take it?” Howard raged. “You know who couldn’t even take what was happening? Orc. Orc, who’s not scared of anything. Orc, who everyone thinks is some kind of monster. He couldn’t take it. He couldn’t…but he did. And where were you, Albert? Counting your money? How about you, Astrid? Praying to Jesus?”Astrid’s throat tightened. She couldn’t breathe. For a moment panic threatened to overwhelm her. She wanted to run from the room, run away and never look back.Edilio got to his feet and put an arm around Howard. Howard allowed it, and then he did something Astrid never thought she would see. Howard buried his face in Edilio’s shoulder and cried, racking sobs.“We’re falling apart,” Astrid whispered for herself alone.But there was no easy escape. Everything Howard had said was true. She could see the truth reflected in Albert’s stunned expression. The two of them, the smart ones, the clever ones, the great defenders of truth and fairness and justice, had done nothing while others had worked themselves to exhaustion.

I have long been of the Opinion, says he, that the Fire was a vast Blessing and the Plague likewise; it gave us Occasion to understand the Secrets of Nature which otherwise might have overwhelm'd us. (I busied my self with the right Order of the Draughts, and said nothing.) With what Firmness of Mind, Sir Chris. went on, did the People see their City devoured, and I can still remember how after the Plague and the Fire the Chearfulnesse soon returned to them: Forgetfulnesse is the great Mystery of Time.I remember, I said as I took a Chair opposite to him, how the Mobb applauded the Flames. I remember how they sang and danced by the Corses during the Contagion: that was not Chearfulnesse but Phrenzy. And I remember, also, the Rage and the Dying -These were the Accidents of Fortune, Nick, from which we have learned so much in this Generation.It was said, sir, that the Plague and the Fire were no Accidents but Substance, that they were the Signes of the Beast withinne. And Sir Chris. laughed at this.At which point Nat put his Face in: Do you call, sirs? Would you care for a Dish of Tea or some Wine?Some Tea, some Tea, cried Sir Chris. for the Fire gives me a terrible Thirst. But no, no, he continued when Nat had left the Room, you cannot assign the Causes of Plague or Fire to Sin. It was the negligence of Men that provoked those Disasters and for Negligence there is a Cure; only Terrour is the Hindrance.Terrour, I said softly, is the Lodestone of our Art.

As Sam came to a panting stop, a jet of orange flame burst from a high window.Several dozen kids were standing, watching. A crowd that struck Sam as very strange, until he realized why it was strange: there were no adults, just kids.“Is anyone in there?” Astrid called out. No one answered.“It could spread,” Sam said.“There’s no 911,” someone pointed out.“If it spreads, it could burn down half the town.”“You see a fireman anywhere?” A helpless shrug.The day care shared a wall with the hardware store, and both were only a narrow alley away from the burning building. Sam figured they had time to get the kids out of the day care if they acted fast, but the hardware store was something they could not afford to lose.There had to be forty kids just standing there gawking. No one seemed about to start doing anything.“Great,” Sam said. He grabbed two kids he sort of knew. “You guys, go to the day care. Tell them to get the littles out of there.”The kids stared at him without moving.“Now. Go. Do it!” he said, and they took off running.Sam pointed at two other kids. “You and you. Go into the hardware store, get the longest hose you can find. Get a spray nozzle, too. I think there’s a spigot in that alley. Start spraying water on the side of the hardware store and up on the roof.”These two also stared blankly. “Dudes: Not tomorrow. Now. Now. Go! Quinn? You better go with them. We want to wet down the hardware—that’s where the wind will take the fire next.”Quinn hesitated.People were not getting this. How could they not see that they had to do something, not just stand around?Sam pushed to the front of the crowd and in a loud voice said, “Hey, listen up, this isn’t the Disney Channel. We can’t just watch this happen. There are no adults. There’s no fire department. We are the fire department.”Edilio was there. He said, “Sam’s right. What do you need, Sam? I’m with you.”“Okay. Quinn? The hoses from the hardware store. Edilio? Let’s get the big hoses from the fire station, hook ’em up to the hydrant.”“They’ll be heavy. I’ll need some strong guys.”“You, you, you, you.” Sam grabbed each person’s shoulder, shaking each one, pushing them into motion. “Come on. You. You. Let’s go!

Imagine what it's like to be (untouchable)Better not take a chance on me (untouchable)I'm the bad boy your mama told you aboutI'm dangerous, without a doubtEven coming off a ten-year droughtUntouchableI'm the rose with hidden thorns (untouchable)Don't tell me that you haven't been warned (untouchable)I'm pretty poison under the skin, The bite of the apple that's a mortal sinIn a game of love you'll never winUntouchableMy reputation's fairly earned (untouchable)If you play with fire, you will get burned (untouchable)Stay out of the kitchen if you can't take the heat, My kisses are deadly as they are sweet, I'm a runaway bus on a dead-end streetUntouchableFools rush in, that's what they say(untouchable)But angels fall, too, most every day (untouchable)I'm the snake in the garden, the siren on the reefI have the face of a saint and the heart of a thiefI'll promise you love! And bring you nothing but griefUntouchable Hearing Jonah sing like this was like watching him slice himself open and show off his insides. Why would he do that? Why would be write such a song? And then Emma answered her own question. Because good music always tells the truth, no matter how much it hurts. Emma couldn't be the only one who felt the bite of the blade, but everyone else seemed to take it in stride. Did they know? Did they all know about Jonah? Of course they did. They were there when it happened. They'd allow Jonah to keep the secrets that were most important to him. She knew she shouldn't resent that, but she still did. They must have known she was falling for him. They must have.

It's a poem about moths. But it's also a poem about psychopaths.I get it copied. And stick it in a frame. And now it glowers redoubtably above my desk:an entomological keepsake of the horizons of existence.And the brutal, star-crossed wisdom of those who seek them out.i was talking to a moththe other eveninghe was trying to break intoan electric bulband fry himself on the wireswhy do you fellowspull this stunt i asked himbecause it is the conventionalthing for moths or whyif that had been an uncoveredcandle instead of an electriclight bulb you wouldnow be a small unsightly cinderhave you no senseplenty of it he answeredbut at times we get tiredof using itwe get bored with routineand crave beautyand excitementfire is beautifuland we know that if we gettoo close it will kill usbut what does that matterit is better to be happyfor a momentand be burned up with beautythan to live a long timeand be bored all the whileso we wad all our life upinto one little rolland then we shoot the rollthat is what life is forit is better to be part of beautyour attitude toward lifeis come easy go easywe are like human beingsused to be before they becametoo civilized to enjoy themselvesand before i could argue himout of his philosophyhe went and immolated himselfon a patent cigar lighteri do not agree with himmyself i would rather havehalf the happiness and twicethe longevitybut at the same time i wishthere was something i wantedas badly as he wanted to fry himself