Nevertheless the severance is rather casual and it drops a stain on our admiration of Nora. Ibsen has put the leaving of her children on the same moral and emotional level as the leaving of her husband and we cannot, in our hearts, asssent to that. It is not only the leaving but the way the play does not have time for suffering, changes of heart. Ibsen has been too much a man in the end. He has taken the man's practice, if not his stated belief, that where self-realization is concerned children shall not be an impediment.

I could settle for being a man, or I could struggle to become a human being.

Frankly, Pedro Almodóvar's recent box office hit, Volver, is the first movie I've seen in which a young woman's retaliation against sexual violence doesn't ultimately boomerang around to destroy her