When you stir your rice pudding, Septimus, the spoonful of jam spreads itself round making red trails like the picture of a meteor in my astronomical atlas. But if you stir backwards, the jam will not come together again. Indeed, the pudding does not notice and continues to turn pink just as before. Do you think this is odd?
It was under English trees that I meditated on that lost labyrinth: I pictured it perfect and inviolate on the secret summit of a mountain; I pictured its outlines blurred by rice paddies, or underwater; I pictured it as infinite—a labyrinth not of octagonal pavillions and paths that turn back upon themselves, but of rivers and provinces and kingdoms....I imagined a labyrinth of labyrinths, a maze of mazes, a twisting, turning, ever-widening labyrinth that contained both past and future and somehow implied the stars. Absorbed in those illusory imaginings, I forgot that I was a pursued man; I felt myself, for an indefinite while, the abstract perceiver of the world. The vague, living countryside, the moon, the remains of the day did their work in me; so did the gently downward road, which forestalled all possibility of weariness. The evening was near, yet infinite.
Everything that comes together falls apart. Everything. The chair I’m sitting on. It was built, and so it will fall apart. I’m gonna fall apart, probably before this chair. And you’re gonna fall apart. The cells and organs and systems that make you you—they came together, grew together, and so must fall apart. The Buddha knew one thing science didn’t prove for millennia after his death: Entropy increases. Things fall apart.
Keeping things stable takes energy. I guess it's a little counter-intuitive, since you think of Newton's first law: a body at rest will stay at rest. But the reality is different. Think about an old water tank you find in the woods. It's sitting there, doing nothing, and yet it's slowly falling apart. Eventually the rust eats away at it beyond a certain threshold, and it collapses under its own weight.
He saw two stars collapse against one another and a nova form; it flared up and then, as he watched, it began to die out. He saw it turn from a furiously blazing ring into a dim core of dead iron and then he saw it cool into darkness. More stars cooled with it; he saw the force of entropy, the method of the Destroyer of Forms, retract the stars into dull reddish coals and then into dust-like silence. A shroud of thermal energy hung uniformly over the world,over this strange and little world for which he had no love or use.It's dying, he realized. The universe. The thermal haze spread on and on until it became only a disturbance, nothing more; the sky glowed weakly with it and then flickered. Even the uniform thermal disbursement was expiring. How strange and goddamn awful, he thought. He got to his feet, moved a step toward the door.And there, on his feet, he died.They found him an hour later. Seth Morley stood with his wife at the far end of the knot of people jammed into the small room and said to himself, "to keep him from helping with the prayer". "The same force that shut down the transmitter," Ignatz Thugg said. "They knew; they knew if he phrased the prayer it would go through. Even without the relay." He looked gray and frightened. All of them did, Seth Morley noticed. Their faces, in the light of the room, had a leaden, stone-like cast. Like, he thought, thousand-year-old idols.Time, he thought, is shutting down around us. It is as if the future is gone, for all of us.
The economy of early hominids and that of twenty-first century society have enormous differences, but they do share one important feature: in both of these economies, humans accumulate information in objects. Our world is different from that of early hominids only in the way in which atoms are arranged.
One thing seems certain. Our galaxy is now in the brief springtime of its life—a springtime made glorious by such brilliant blue-white stars as Vega and Sirius, and, on a more humble scale, our own Sun. Not until all these have flamed through their incandescent youth, in a few fleeting billions of years, will the real history of the universe begin.It will be a history illuminated only by the reds and infrareds of dully glowing stars that would be almost invisible to our eyes; yet the sombre hues of that all-but-eternal universe may be full of colour and beauty to whatever strange beings have adapted to it. They will know that before them lie, not the millions of years in which we measure eras of geology, nor the billions of years which span the past lives of the stars, but years to be counted literally in the trillions.They will have time enough, in those endless aeons, to attempt all things, and to gather all knowledge. They will be like gods, because no gods imagined by our minds have ever possessed the powers they will command. But for all that, they may envy us, basking in the bright afterglow of creation; for we knew the universe when it was young.
As it often did when I thought about chicken wings and entropy, my mind turned to Emerson. "Life is a journey, not a destination." Now that was one stone-cold motherfucker who was not afraid to deliver the truth: After the torments of the journey, you have been well-prepared for the agonies of the destination.
Franz said 'Your picture, Viki, suggests that sense of breaking-up we feel in the modern world. Families, nations, classes, other loyalty groups falling apart. Things changing before you get to know them. Death on the installment plan – or decay by jumps. Instantaneous birth. Something out of nothing. Reality replacing science fiction so fast that you can't tell which is which. Constant sense of deja-vu - 'I was here before, but when, how?' Even the possibility that there's no real continuity between events, just inexplicable gaps. And of course every gap – every crack – means a new perching place for horror.
You are exporting disorder [in the form of heat into the Universe] now as you read this book. You are hastening the demise of everything that exists, bringing forward by your very existence the arrival of time known as the heat death, when all stars have died, all black holes have evaporated away and the entirety of creation is a uniform bath of photons incapable of storing a single bit of information about the glorious adolescence of our wonderful Universe.
It is very desirable to have a word to express the Availability for work of the heat in a given magazine; a term for that possession, the waste of which is called Dissipation. Unfortunately the excellent word Entropy, which Clausius has introduced in this connexion, is applied by him to the negative of the idea we most naturally wish to express. It would only confuse the student if we were to endeavour to invent another term for our purpose. But the necessity for some such term will be obvious from the beautiful examples which follow. And we take the liberty of using the term Entropy in this altered sense ... The entropy of the universe tends continually to zero.
Gordon Van Wylen, Chairman of the Dept. of Mechanical Engineering at the University of Michigan commented that, “The question that arises is how the universe got into the state of reduced entropy in the first place, since all natural processes known to us tend to increase entropy?” (Gordon Van Wylen and Richard Edwin Sonntag, Fundamentals of Classical Thermodynamics, 1973). He concludes by saying, “The author has found that the second law [of thermodynamics] tends to increase conviction that there is a Creator.
Oceans recede and coastlines wither and crack. Nations lapse; others soon swagger in their places. Mountains crumble to dust, rains vanish into the sea, winds return whence they came, and every city men build has but a jumble of bones for its foundation. What is your need to me? I am the Watcher in the Dark.
Artists are agents of chaos. It is the artistsjob to encourage entropy, to promote chaos. Idols must be killed, icons crushed, beliefsshattered. It is the artists job to encourage legitimate, unadulterated, raw thought andemotion. Art that does nothing new, that simply fills an established role, is not art.It is a product. A stale, stagnant product of a disgustingly mundane process that has beendone so much it is assumed mandatory. Little different than feces. The last thing the world needs is to get shittier.
I’d begun to think of the Immortality Bus as the Entropy Bus, and of ourselves as trundling across Texas in a great mobile metaphor for the inevitable decline of all things, the disintegration of all systems over time.
We all behave like Maxwell’s demon. Organisms organize. In everyday experience lies the reason sober physicists across two centuries kept this cartoon fantasy alive. We sort the mail, build sand castles, solve jigsaw puzzles, separate wheat from chaff, rearrange chess pieces, collect stamps, alphabetize books, create symmetry, compose sonnets and sonatas, and put our rooms in order, and all this we do requires no great energy, as long as we can apply intelligence. We propagate structure (not just we humans but we who are alive). We disturb the tendency toward equilibrium. It would be absurd to attempt a thermodynamic accounting for such processes, but it is not absurd to say we are reducing entropy, piece by piece. Bit by bit. The original demon, discerning one molecules at a time, distinguishing fast from slow, and operating his little gateway, is sometimes described as “superintelligent,” but compared to a real organism it is an idiot savant. Not only do living things lessen the disorder in their environments; they are in themselves, their skeletons and their flesh, vesicles and membranes, shells and carapaces, leaves and blossoms, circulatory systems and metabolic pathways - miracles of pattern and structure. It sometimes seems as if curbing entropy is our quixotic purpose in the universe.
Information, defined intuitively and informally, might be something like 'uncertainty's antidote.' This turns out also to be the formal definition- the amount of information comes from the amount by which something reduces uncertainty...The higher the [information] entropy, the more information there is. It turns out to be a value capable of measuring a startling array of things- from the flip of a coin to a telephone call, to a Joyce novel, to a first date, to last words, to a Turing test...Entropy suggests that we gain the most insight on a question when we take it to the friend, colleague, or mentor of whose reaction and response we're least certain. And it suggests, perhaps, reversing the equation, that if we want to gain the most insight into a person, we should ask the question of qhose answer we're least certain... Pleasantries are low entropy, biased so far that they stop being an earnest inquiry and become ritual. Ritual has its virtues, of course, and I don't quibble with them in the slightest. But if we really want to start fathoming someone, we need to get them speaking in sentences we can't finish.