So for now,I will miss you like I’ll never see you again,And the next time I see you,I will kiss you like I’ll never kiss you again,And when I fall asleep beside you I will fall asleep as if I’ll never wake up again,because I don’t know if I will.I don’t know if I will.- I Will Love You Like The World Is Ending
I am almost a hundred years old; waiting for the end, and thinking about the beginning.There are things I need to tell you, but would you listen if I told you how quickly time passes?I know you are unable to imagine this.Nevertheless, I can tell you that you will awake someday to find that your life has rushed by at a speed at once impossible and cruel. The most intense moments will seem to have occurred only yesterday and nothing will have erased the pain and pleasure, the impossible intensity of love and its dog-leaping happiness, the bleak blackness of passions unrequited, or unexpressed, or unresolved.
If this turns to friendship, it only meansThat one of us will suffer.That when we meet after the worst of endings,There will only be this skein of words between us—Most of them for boredom, fewer for loneliness—Rising out of our mutual space of breath, leavingBehind a bluer sky each moment of departure.And one of us will cling on to its blue,Hung on partings like a muted cloud, whileThe other rides on a wing of word away from here.
When a country is defeated, there remain only mountains and rivers, and on a ruined castle in spring only grasses thrive. I sat down on my hat and wept bitterly till I almost forgot time.A thicket of summer grassIs all that remainsOf the dreams and ambitionsOf ancient warriors.
Have you thought of an ending?""Yes, several, and all are dark and unpleasant.""Oh, that won't do! Books ought to have good endings. How would this do: and they all settled down and lived together happily ever after?""It will do well, if it ever came to that.""Ah! And where will they live? That's what I often wonder.
Despite the fact that I have no regrets about how things turned out in my life, I still can't help wanting to understand my intense relationship with Leo, as well as that turbulent time between adolescence and adulthood when everything feels raw and invigorating and scary-and why those feelings are all coming back to me now.
And then I knew that despite all the pain and hard work all of us had gone through, despite the sadness and anger we felt, in the end, everything was going to be fine. But I did not know when the end was, or if it was even near. But that did not matter. I preferred to look towards it in anticipation rather than worry about it. One new day equalled to one new adventure. And right now, I still had plenty of days left in my life. So I did not decide to sit down and plan out my life. Instead, I decided to sit back, relax, and see where life would take me.
October knew, of course, that the action of turning a page, of ending a chapter or of shutting a book, did not end a tale. Having admitted that, he would also avow that happy endings were never difficult to find: "It is simply a matter," he explained to April, "of finding a sunny place in a garden, where the light is golden and the grass is soft; somewhere to rest, to stop reading, and to be content.
The silence. End of all poetry, all romances. Earlier, frightened, you began to have some intimation of it: so many pages had been turned, the book was so heavy in one hand, so light in the other, thinning toward the end. Still, you consoled yourself. You were not quite at the end of the story, at that terrible flyleaf, blank like a shuttered window: there were still a few pages under your thumb, still to be sought and treasured. Oh, was it possible to read more slowly? - No. The end approached, inexorable, at the same measured pace. The last page, the last of the shining words! And there - the end of the books. The hard cover which, when you turn it, gives you only this leather stamped with old roses and shields.Then the silence comes, like the absence of sound at the end of the world. You look up. It's a room in an old house. Or perhaps it's a seat in a garden, or even a square; perhaps you've been reading outside and you suddenly see the carriages going by. Life comes back, the shadows of leaves. Someone comes to ask what you will have for dinner, or two small boys run past you, wildly shouting; or else it's merely a breeze blowing a curtain, the white unfurling into a room, brushing the papers on a desk. It is the sound of the world. But to you, the reader, it is only a silence, untenanted and desolate.
Losing something happens in a day. An end takes one day. We all seem to focus on that one day, on that ending, rather than on the beautiful story that was created before the end came. We are obsessed with endings, so much so, that we would rather not live at all, than live and then lose. So, we have two choices: to not create our stories because we know that one day they have endings, or, to build our stories and therefore to live, filling the many years with memories and moments! An end takes one day to happen, but life takes place in the moments and in the memories that we choose to feel, to build, to hold. Don't miss out on the years, for the fear of one day.
Exiting from any long-term relationship comes at great personal expense, which explains why so many people are understandably reluctant to endure the cost of severance. Beginnings and endings are always dramatic and occasionally traumatic. Youthful brio allows us to engage in transformation. As we age, we carefully weigh the spectacle of continuing enduring harrowing situations or seeking melodramatic renovation of our core being. Analysis of the respective cost benefit ratio, consideration of the known versus the unknown, can delay or permanently deter us from altering our environment, leading our persona to become more rigid as we mature. Transformations in life are disconcerting to people who resist change.
Some people can’t be in your life because they don’t have the power to help you improve it. That doesn’t mean you don’t wish them well, it just means that you are on Chapter ten of your life, when they are on Chapter five. Maybe, it is just enough to meet at the crossroads in life and agree to take separate paths, then with a cheshire grin you both look back and shout, “Beat you to the top of the mountain”, followed by the funnest sprint of both of your lives.
Spring is proof that there is beauty in new beginnings.
We must be conscious of this; one day, the life we have, will be gone.
As I witness the dead of beloved ones, it makes be become more conscious that life indeed has an end.
As it peaks over the horizon, does not a sunrise whisper the opportunity to try again. And if the day passes and our efforts were stunted by the bane of our insecurities or blunted by the challenges of life, does not a sunset invite us to rest before it whispers the same message the next morning?
It doesn't matter if you never see someone again, I told myself. There are millions of people in the world, and most of them never see each other in the first place. You hoped to know Ellington Feinr forever, but there's no such thing as forever, really. Everything is much shorter than that.
We may be different, but in this moment we're feeling the exact same thing: the sad kind of bliss where you realize, suddenly, how perfect your life really has been all along. So perfect it hurts, and you could let yourself weep if you wanted. So perfect that even though everything you know is ending, you truly believe life will continue to be beautiful, even—or maybe especially—in those pure moments of loss.
The cross unerringly exposes this stunningly marvelous and abruptly exquisite declaration that God will not let this single life of mine, with all of its grotesque maladies and pathetic filth pass into oblivion without unflinchingly declaring that my life carries a value worth the expenditure of His. And if I dare look upon the cross, I am utterly perplexed but wholly enraptured by the immensity of such a love as this.
Jason knew his life would never be the same again. British intelligence now had an ace up their sleeve, and Jason had to overcome his fears and deal with the secret world he was now a part of. He would have to grow a tough shell around himself. Despite his many friends, his grandparents and love of his father, he was painfully aware he was very much alone in this world. When it came down to it, there was only one person he could really rely on in the world,and he was called Jason Steed.
All's well that ends well.''Assuming there's an end somewhere,' Aomame said.Tamaru formed some short creases near his mouth that were faintly reminiscent of a smile. 'There has to be an end somewhere. It's just that nothing's labeled "This is the end." Is the top rung of a ladder labeled "This is the last rung. Please don't step higher than this'?"Aomame shook her head.'It's the same thing,' Tamaru said.Aomame said, 'If you use common sense and keep your eyes open, it becomes clear enough where the end is.'Tamaru nodded. 'And even if it doesn't' -- he made a falling gesture with his finger -- 'the end is right there.
With us, there were always too many false starts. I believe that what's meant to be usually has a way of working out... and with us, it never did. Call it timing, call it fate, call it what you want. It is what it is. Sometimes in the end, the girl doesn't always get the boy--and that's ok. Life goes on. You know better than anyone that some love stories never get their happy ending... but it doesn't make them any less of a love story though, does it? It doesn't make the love the two shared any less relevant.
He got up and ran on, pitching himself down the hill, flying through the branches of the firs, leaping roots and rocks without seeing them. As he went, the hill got steeper and steeper, until it was really like falling. He was going too fast and he knew when he came to a stop, it would involve crashing into something, and shattering pain.Only as he went on, picking up speed all the time, until with each leap he seemed to sail through yards of darkness, he felt a giddy surge of emotion, a sensation that might have been panic but felt strangely like exhilaration. He felt as if at any moment his feet might leave the ground and never come back down. He knew this forest, this darkness, this night. He knew his chances: not good. He knew what was after him. It had been after him all his life. He knew where he was - in a story about to unfold an ending. He knew better than anyone how these stories went, and if anyone could find their way out of these woods, it was him.("Best New Horror")
I choose to love you in silence, for in silence I find no rejection.I choose to love you in loneliness, for in loneliness no one owns you but me.I choose to adore you from a distance, for distance will shield me from pain.I chose to kiss you in the wind, for the wind is gentler than my lips.I choose to hold you in my dreams, for in my dreams you have no end.
It’s hard to say where a story begins and ends. You have to draw an arbitrary line somewhere. Somewhere between perception and reality. Between what is spoken and what is heard. Between what is written and what is edited out. I know this, you can’t have an ending without a beginning. Even if they are really just random pieces of the middle that tend to stand out. Staccato notes on the page. Points on a circle.
Khattam-Shud,' he said slowly, 'is the Arch-Enemy of all Stories, even of language itself. He is the Prince of Silence and the Foe of Speech. And because everything ends, because dreams end, stories end, life ends, at the finish of everything we use his name. "It's finished," we tell one another, "it's over. Khattam-Shud: The End.
I have a story to tell you. It has many beginnings, and perhaps one ending. Perhaps not. Beginnings and endings are contingent things anyway; inventions, devices. Where does any story really begin? There is always context, always an encompassingly greater epic, always something before the described events, unless we are to start every story with “BANG! Expand! Sssss…,” then itemize the whole subsequent history of the universe before settling down, at last, to the particular tale in question. Similarly, no ending is final, unless it is the end of all things…
The irony of lifeIs our greatest fear is to forget,Yet it's the only certain fateThat anything has ever met.We know one day our earthWill find itself victim to time,That nothing will be leftTo tell of your story or mine,And still through life we rushScrambling for something to remember,Perish the thought that ash be ashAnd not the memory of an ember.
It's possible to find order in chaos, and it's equally possible to find chaos underlying apparent order. Order and chaos are slippery concepts. They're like a set of twins who like to swap clothing from time to time. Order and chaos frequently intermingle and overlap, the same as beginnings and endings. Things are often more complicated, or more simple, than they seem. Often it depends on your angle. I think that telling a story is a way of trying to make life's complexity more comprehensible. It's a way of trying to separate order from chaos, patterns from pandemonium.
How we begin and how we end any relationship is a product of planning, fortuity, and personality. Many enterprises commenced in good faith spiral into confusion, discord, and disarray, generate turmoil and corruption, sunburn the sensitive parties, and conclude in a cesspool of regret and animosity.
The inimitable stories of Tong-King never have any real ending, and this one, being in his most elevated style, has even less end than most of them. But the whole narrative is permeated with the odour of joss-sticks and honourable high-mindedness, and the two characters are both of noble birth.
But there was a fire waiting. And there was a little meal laid out on a blanket. And there was a whole world beyond that shoreline, beyond the forest, beyond the knuckle mountains, beyond, beyond, beyond, not beneath the surface at all, but beyond and waiting.
To blithely discard the spent kernels of something that has ended is to discard the very resources that have painstakingly been harvested from that ending from which a spirited new beginning will be cultivated.
It's a lot easier to say when something ended rather than when it began. Most of us can recognize the end from a mile away, but the beginning always slips up on us, lulling us into thinking what we're living through is yet another moment, in yet another day.
The hour of spring was dark at last,sensuous memories of sunlight past,I stood alone in garden bowersand asked the value of my hours.Time was spent or time was tossed,Life was loved and life was lost.I kissed the flesh of tender girls,I heard the songs of vernal birds.I gazed upon the blushing light,aware of day before the night.So let me ask and hear a thought:Did I live the spring I’d sought?It's true in joy, I walked along,took part in dance, and sang the song.and never tried to bind an hourto my borrowed garden bower;nor did I once entreata day to slumber at my feet.Yet days aren't lulled by lyric song,like morning birds they pass along,o'er crests of trees, to none belong;o'er crests of trees of drying dew,their larking flight, my hands, eschewThus I’ll say it once and true...From all that I saw, and everywhere I wandered,I learned that time cannot be spent,It only can be squandered.
The great miraculous bell of translucent ice is suspended in mid-air.It rings to announce endings and beginnings. And it rings because there is fresh promise and wonder in the skies.Its clear tones resound in the placid silence of the winter day, and echo long into the silver-blue serenity of night.The bell can only be seen at the turning of the year, when the days wind down into nothing, and get ready to march out again.When you hear the bell, you feel a tug at your heart.It is your immortal inspiration.
The anxiety, which in this state of their attachment must be the portion of Henry and Catherine, and of all who loved either, as to its final event, can hardly extend, I fear, to the bosom of my readers, who will see in the tell-tale compression of the pages before them, that we are all hastening together to perfect felicity.