Oh, he did look like a deity – the perfect balance of danger and charm, he was at the same time fascinating and inaccessible, distant because of his demonstrated flawlessness, and possessing such strength of character that he was dismaying and at the same time utterly attractive in an enticing and forbidden way.

... there was no need for him to hasten towards the attainment of a happiness already captured and held in a safe place, which would not escape his grasp again.

It slowly began to dawn on me that I had been staring at her for an impossible amount of time. Lost in my thoughts, lost in the sight of her. But her face didn't look offended or amused. It almost looked as if she were studying the lines of my face, almost as if she were waiting. I wanted to take her hand. I wanted to brush her cheek with my fingertips. I wanted to tell her that she was the first beautiful thing that I had seen in three years. The sight of her yawning to the back of her hand was enough to drive the breath from me. How I sometimes lost the sense of her words in the sweet fluting of her voice. I wanted to say that if she were with me then somehow nothing could ever be wrong for me again. In that breathless second I almost asked her. I felt the question boiling up from my chest. I remember drawing a breath then hesitating--what could I say? Come away with me? Stay with me? Come to the University? No. Sudden certainty tightened in my chest like a cold fist. What could I ask her? What could I offer? Nothing. Anything I said would sound foolish, a child's fantasy. I closed my mouth and looked across the water. Inches away, Denna did the same. I could feel the heat of her. She smelled like road dust, and honey, and the smell the air holds seconds before a heavy summer rain. Neither of us spoke. I closed my eyes. The closeness of her was the sweetest, sharpest thing I had ever known.

No one needed to say it, but the room overflowed with that sort of blessing. The combination of loss and abundance. The abundance that has no guilt. The loss that has no fix. The simple tiredness that is not weary. The hope not built on blindness.

In the absence of a formally agreed, worldwide dictionary definition of 'Quotography' (in 2016), here are my two cents worth: 'Quotography is the art of pairing unique quotations with complementary images in order to express thought-provoking ideas, challenging concepts, profound sentiments'.

In writing. Don't use adjectives which merely tell us how you want us to feel about the thing you are describing. I mean, instead of telling us a thing was "terrible," describe it so that we'll be terrified. Don't say it was "delightful"; make us say "delightful" when we've read the description. You see, all those words (horrifying, wonderful, hideous, exquisite) are only like saying to your readers, "Please will you do my job for me.", 26 June 1956]

A synonym is a word you use when you can't spell the other one.

Description is what makes the reader a sensory participant in the story. Good description is a learned skill,one of the prime reasons you cannot succeed unless you read a lot and write a lot. It's not just a question of how-to, you see; it's a question of how much to. Reading will help you answer how much, and only reams of writing will help you with the how. You can learn only by doing.

There is little more I can add short of dissecting the man, or going into intimate details such as the modest proportions and slight southeasterly curvature of his manhood.

It’s not about describing someone as that’s typically an attempt to make whatever they are comfortable for whoever we are. Instead, we may wish to skip the agenda of the description and embrace the wonder of the person.

I was shown into a room. A red room. Red wallpaper, red curtains, red carpet. They said it was a sitting-room, but I don’t know why they’d decided to confine its purpose just to sitting. Obviously, sitting was one of the things you could do in a room this size; but you could also stage operas, hold cycling races, and have an absolutely cracking game of frisbee, all at the same time, without having to move any of the furniture.It could rain in a room this big.

Mankind has uncovered two extremely efficient theories: one that describes our universe's structure (Einstein's gravity: the theory of general relativity), and one that describes everything our universe contains (quantum field theory), and these two theories won't talk to each other.

The house is seventies modern with sliding windows, gas-effect and a giant TV in the living room. There are almost no books. I'm not making any judgement. It's just the sort of thing I can't help but notice.

The only thing that comes close to defining me correctly is my love.

However gross a man may be, the minute he expresses a strong and genuine affection, some inner secretion alters his features, animates his gestures, and colors his voice. The stupidest man will often, under the stress of passion, achieve heights of eloquence, in thought if not in language, and seem to move in some luminous sphere. Goriot's voice and gesture had at this moment the power of communication that characterizes the great actor. Are not our finer feelings the poems of the human will?

Everything about her was sweet, pale like honey. You would not have been surprised to see a bee caught in the tangles of that yellow hair.

All the objects which he contemplated with as much curiosity and admiration as gratitude, for if, in absorbing his dreams, they had delivered him from an obsession, they themselves were, in turn, enriched by the absorption; they shewed him the palpable realisation of his fancies, and they interested his mind; they took shape and grew solid before his eyes, and at the same time they soothed his troubled heart.

The man is angry, the manIs destructive, the man wants more.The woman is more, the woman is all.

The full moon, well risen in a cloudless eastern sky, covered the high solitude with its light. We are not conscious of daylight as that which displaces darkness. Daylight, even when the sun is clear of clouds, seems to us simply the natural condition of the earth and air. When we think of the downs, we think of the downs in daylight, as with think of a rabbit with its fur on. Stubbs may have envisaged the skeleton inside the horse, but most of us do not: and we do not usually envisage the downs without daylight, even though the light is not a part of the down itself as the hide is part of the horse itself. We take daylight for granted. But moonlight is another matter. It is inconstant. The full moon wanes and returns again. Clouds may obscure it to an extent to which they cannot obscure daylight. Water is necessary to us, but a waterfall is not. Where it is to be found it is something extra, a beautiful ornament. We need daylight and to that extent it us utilitarian, but moonlight we do not need. When it comes, it serves no necessity. It transforms. It falls upon the banks and the grass, separating one long blade from another; turning a drift of brown, frosted leaves from a single heap to innumerable flashing fragments; or glimmering lengthways along wet twigs as though light itself were ductile. Its long beams pour, white and sharp, between the trunks of trees, their clarity fading as they recede into the powdery, misty distance of beech woods at night. In moonlight, two acres of coarse bent grass, undulant and ankle deep, tumbled and rough as a horse's mane, appear like a bay of waves, all shadowy troughs and hollows. The growth is so thick and matted that event the wind does not move it, but it is the moonlight that seems to confer stillness upon it. We do not take moonlight for granted. It is like snow, or like the dew on a July morning. It does not reveal but changes what it covers. And its low intensity---so much lower than that of daylight---makes us conscious that it is something added to the down, to give it, for only a little time, a singular and marvelous quality that we should admire while we can, for soon it will be gone again.

Words can be honed to crafted perfection by the finest wordsmiths. Yet, if we trust solely in the expanse of them to explain this God of ours or articulate our experience of Him, we will have brutally destroyed the very things we are attempting to explain. And if I should do that, no words can describe how badly I wish I had no words.

I look out at the reservation, still and glittering with casinos, and think of all the death dried up and buried in its dirt.

Serving humanity is fulfilling the description of Christ

The moon hung over the planet Earth, a dead thing over a dying thing.

The crow flew closer, as if to hear its praises.

A few blossoms float into the room. They drop like frayed yellow ribbons on the gray carpet.

I see foxes often, but always they are crossing fallow fields in the distance. Gold flecks on faraway expanses of green. Magnetic to the meandering eye. Enigmatic, unreachable.

I hiked up a path and into the woods, thinking about what I should be thinking about and almost having a real feeling—a feeling like, this is really sad, this is a sad place to be, a sad part of my life, maybe just a sad life. The woods were not particularly beautiful. I was not impressed by the trees.

The sky was low and broody, but from here, near the treeline, you could see the forest rolling down into the valley, the lake tucked away like a pocket mirror.

Dark spruce frowned on either side of the frozen waterway.

It is not enough to say the crow flies purposefully, or heavily, or rowingly, or whatever. There are no words to capture the infinite depth of crowiness in the crow's flight. All we can do is use a word as an indicator, or a whole bunch of words as a general directive. But the ominous thing in the crow's flight, the bare-faced, bandit thing, the tattered beggarly gipsy thing, the caressing and shaping yet slightly clumsy gesture of the down-stroke, as if the wings were both too heavy and too powerful, and the headlong sort of merriment, the macabre pantomime ghoulishness and the undertaker sleekness - you could go on for a very long time with phrases of that sort and still have completely missed your instant, glimpse knowledge of the world of the crow's wingbeat. And a bookload of such descriptions is immediately rubbish when you look up and see the crow flying.

Gula and Cali lie on their sides, their tiny adder-mouths showing the pink of their palates, their bodies throbbing with lustful and obscene dreams. The sky releases its burden of sun and color. Eyes closed, Catherine takes the long fall that carries her deep into herself, down where some animal stirs gently, breathing like a god.

Dr. Morris soon recognized that the difference between successful and unsuccessful marriages can often be traced to how well couples are able to "bond" during the courtship period. By bonding he referred to the process by which a man and woman become cemented together emotionally. It describes the chemistry that permits two previous strangers to become intensely valuable to one another. It helps them weather the storms of life and remain committed in sickness and health, for richer or poorer, for better or worse, forsaking all others until they are parted in death. It is a phenomenal experience that almost defies description.

It was long past midnight. Laura's music played on. It was composed in the language of stars, tinkling in a crystal pool suspended from constellations. She used chimes now and then, the chimes that characterized every patio in Arizona, the piano, the trees combed by wind. A prelude to a storm. It was like discovering the secret room in a dream of your house that holds all the magic. It was music I wished I lived inside. Around us, cactus, hills filled with jumping cholla, the heat of August like another animal heaving over us.

The music as always had a dark sweet luster, but it was more than ever like an endless beginning-a theme ever building to a climax which would never come.

Art is the reflection of pure emotion and mind, the nature of sensation. An artist illustrates that.

The minute grains of sand slipped silently down the curved hourglass, no matter how many times the people of Earth willed them not to. Time, fate and the actions of others were out of their control.

My mother likes odd numbers and is suspicious of the even ones. She reads a new book every week and is bewitched by black holes in the universe. She describes herself as an optimist but she worries about everything—worries incessantly—worries on behalf of others when she feels they are not worrying adequately for themselves.And my mother misses her own mother, my grandmother, immensely, who only has a past now; who is only allowed to be as we remember her.

The viscountess had raised the forefinger of her right hand and made a pretty gesture toward a stool at her feet. There was such intense tyrannical passion in the gesture that the marquis relinquished the doorknob and came back.

The chronicle of a man, the account of his life, his historiography, written as he lived out his life formed part of the rituals of his power. The disciplinary methods reversed this relation, lowered the threshold of describable individuality and made of this description a means of control and a method of domination.

The world always says the same thing. And in that patient truth which proceeds from star to star is established a freedom that releases us from ourselves and from others, as in that other patient truth which proceeds from death to death.

Living above the world, each discovering his own weight, seeing his face brighten and darken with the day, the night, each of the four inhabitants of the house was aware of a presence that was at once a judge and a justification among them. The world, here, became a personage, counted among those from whom advice is gladly taken, those in whom equilibrium has not killed love.

The child-like, gum-chewing naïveté , the glamour rooted in despair, the self admiring carelessness, the perfected otherness, the wispiness, the shadowy, voyeuristic, vaguely sinister aura, the pale, soft-spoken magical presence, the skin and bones…

...she felt as if her entire body were glowing with the taste of sunlight, of wind blowing in wide spaces and trees reaching their burdened arms to boundless skies.

Your personality should be described in poem not in paragraph.

We awoke to a fabulation of ice, the sun shining like a weapon, light rocketing off every surface except the surfaces of the Army's clean streets and walks.

My dears, laugh at me if you like; it is not conventionally beautiful, but there is something in its quaint old face which pleases me. If it could play the piano, I am sure it would really play.

... they imagine that the life they are obliged to lead is not that for which they are really fitted, and they bring to their regular occupations either a fantastic indifference or a sustained and lofty application, scornful, bitter, and conscientious.

At the moment when, ordinarily, there was still an hour to be lived through before meal-time sounded, we would all know that in a few seconds we should see the endives make their precocious appearance, followed by the special favour of an omelette, an unmerited steak. The return of this asymmetrical Saturday was one of those petty occurrences, intra-mural, localised, almost civic, which, in uneventful lives and stable orders of society, create a kind of national unity, and become the favourite theme for conversation, for pleasantries, for anecdotes which can be embroidered as the narrator pleases; it would have provided a nucleus, ready-made, for a legendary cycle, if any of us had had the epic mind.

All this happened in much less time than it takes to tell, since I am trying to interpret for you into slow speech the instantaneous effect of visual impressions.

Words are pale shadows of forgotten names. As names have power, words have power. Words can light fires in the minds of men. Words can wring tears from the hardest hearts.

Using words to talk of words is like using a pencil to draw a picture of itself, on itself. Impossible. Confusing. Frustrating ... but there are other ways to understanding.

The moon was up now and the trees were dark against it, and he passed the frame houses with their narrow yards, light coming from the shuttered windows; the unpaved alleys, with their double rows of houses; Conch town, where all was starched, well-shuttered, virtue, failure, grit and boiled grunts, under-nourishment, prejudice, righteousness, inter-breeding and the comforts of religion; the open-doored, lighted Cuban boilto houses, shacks whose only romance was their names

Rap in its form is poetry, meaning the point of convergence is words.

The sky was like ebony and the only illumination was the harsh white light of the central streetlamp, which cast shadows so hard it seemed you might cut yourself on them.

…although her mouth uttered fond words, her eyes spoke only venom.

In the deep, wet tangled, wild jungle where even natives won't go is a mystical, dangerous river. The river's got no name because naming it would make it real, and no one wanted to believe that river be real. They say you get there only inside a dream-but don't you think of it at bedtime, now, 'cause not everyone who goes there be able to leave! That jungle canopy, it so leafy true daylight can never break in the riverbank, it be wet muck thick with creatures that eat you alive if you stay still too long. To miss that fate, you gots to go into the black water. But the water be heavy as hot tar; once you in, it bind you and pull you along, bit by bit, 'til you come to the end of the land, and then over the water goes in a dark, slow cascade, the highest falls in the history of the world ever. There be demons in that cascading water, and snakes, and wraiths that whisper in your ears. They love you, they say. You should give yourself to them, stay with them, become one of them, they say. 'Isn't it good here?' they say. 'No pain, no trouble.' But also no light and no love and no joy and no ground. You tumble and tumble as you fall, and you try and choose, but your mind be topsy-turvy and maybe you can't think so well, and maybe you can't choose right, and maybe you never wake up. "It felt like that," I tell Tootsie, "even after you got me out and Scott moved me to Highland. I couldn't choose. I couldn't shut out the wraiths...But you would say, 'Hang on, sweetie,' and Scottie would say, 'I miss you, Mama,' and Scott would hold me, just hold me and say nothing at all." Tootsie snorts. "Scott was useless the whole while." "Scott was in the river, too.

It was still early, and the sun's lower limb was just free of the hill, his rays, ungenial and peering, addressed the eye rather than the touch as yet.

Inside the building, the sun lights up segments of the rotting wooden floor through the many holes in the roof. As I look for her, I register things: the soggy floorboards. The smell of almonds, like her. An old claw-footed bathtub in a corner. So many holes everywhere that this place is simultaneously inside and outside.

The color palette is confined to that of a Gustave Dore' engraving, greys and blacks, and subtle shadings of these rendered in harrowing crosshatches and highlighted with sudden glaring areas of nothingness, like splotches of vitiligo sent to haunt the dead with memories of what real light did to the eyes.

Brother Row you could trust to make a long shot with a short bow. You could trust him to come out of a knife fight with somebody else's blood on his shirt. You could trust him to lie, to cheat, to steal, and to watch your back. You couldn't trust his eyes though. He had kind eyes, and you couldn't trust them.

He was a small, chubby little man with a perpetual air of sadness about him, making him look like a baby that has dropped its rattle.

She has no memories of her mother but imagines her as white, a soundless brilliance. Her father radiates a thousand colors, opal, strawberry red, deep russet, wild green; a smell like oil and metal, the feel of a lock tumbler sliding home, the sound of his key rings chiming as he walks.

It was grotesque and eerie, too strange of a dream.

He wasn't that good looking, he had the social skills of a wet cat and the patience of a caffeinated hummingbird

The flowers which played then among the grass, the water which rippled past in the sunshine, the whole landscape which served as environment to their apparition lingers around the memory of them still with its unconscious or unheeding air;...

Time, I think, is like walking backward away from something: say, from a kiss. First there is the kiss; then you step back, and the eyes fill up your vision, then the eyes are framed in the face as you step further away; the face then is part of a body, and then the body is framed in a doorway, then the doorway framed in the trees beside it. The path grows longer and the door smaller, the trees fill up your sight and the door is lost, then the path is lost in the woods and the woods lost in the hills. Yet somewhere in the center still is the kiss. That's what time is like.

On the floor beside the spare pillow that had tumbled from the bed in her sleep was a single yellow flower. Five heart-shaped petals. As fresh and as pure as if it were in full bloom in a summer meadow.Drowsy and mind-fogged, she crept downstairs to look for a book on Irish wildflowers. It took her a while to find anything that resembled the yellow flower, but eventually she found an image and description that matched: "Cinquefoil, a flower renowned for its healing properties and a flower also said to be favored by fairy folk. Meanings associated with it include money, protection, sleep, prophetic dreams, and beloved daughter.

Among all the methods by which love is brought into being, among all the agents which disseminate that blessed bane, there are few so efficacious as the great gust of agitation which, now and then, sweeps over the human spirit. For then the creature in whose company we are seeking amusement at the moment, her lot is cast, her fate and ours decided, that is the creature whom we shall henceforward love. It is not necessary that she should have pleased us, up till then, any more, or even as much as others. All that is necessary is that our taste for her should become exclusive. And that condition is fulfilled so soon as - in the moment when she has failed to meet us - for the pleasure which we were on the point of enjoying in her charming company is abruptly substituted an anxious torturing desire, whose object is the creature herself, an irrational, absurd desire, which the laws of civilised society make it impossible to satisfy and difficult to assuage - the insensate, agonising desire to possess her.

... Odette seemed a fascinating and desirable woman, the attraction which her body held for him had aroused a painful longing to secure the absolute mastery of even the tiniest particles of her heart.

Under the glass porte-cochère of a theatre Amory stood, watching the first great drops of rain splatter down and flatten to dark stains on the sidewalk. The air became grey and opalescent; a solitary light suddenly outlined a window over the way; then another light; then a hundred more danced and glimmered into vision. Under his feet a thick, iron-studded skylight turned yellow; in the street the lamps of the taxicabs sent out glistening sheens along the already black pavement. The unwelcome November rain had perversely stolen the day’s last hour and pawned it with that ancient fence, the night.

To the left, just past the painting, on the other side of the hall, is the bathroom, the sort of open door that if cameras found it as they passed through the house in a horror movie would trigger a blast of synthesizers.

The king who stepped into the ballroom wearing a green velvet robe and bejeweled crown was none other that the tiger-man who'd prowled through my nightmares and nearly every waking moment for the past two days. Chorda.

When he lifted his head, the sun seemed impossibly close. Science-fictionally close.

I stumble across the sea of tarmac, finding pavement, concealment and a brick wall. Palms brace against the scrubby surface. My stomach churns and then bubbles over, burning my throat as acrid yellow acid spills from my lips in frothy discomposure. It splatters the pavement like a spray of blood.

A good story or a book is all about it's power to hold it's readers still till the very last word of it's climax - complexity in language, dialogues, descriptions, everything else is secondary!

The lines of her face, turned up to the sky, would have broken your heart.

Max always mumbles; not in a shy way, but rather as if he's telling you what it will cost to take out your worst enemy, or how much you'd have to pay to rig a horse race.

But a man's beauty represents inner, functional truths: his face shows what he can do.

She told him that he had the most beautiful voice she'd ever heard, that it sounded like whiskey and wood smoke.

Alex Barrow’s broad face, with the roughened skin that gave him an air of experience. His powerful, packed, wrestler’s body. The thick black fur at the base of his throat. It was wrong to call him handsome, although all the women did. Really he was almost ugly, but in a stirring, thrilling way that made her shift in her seat as she thought about him.

Hot weather opens the skull of a city, exposing its white brain, and its heart of nerves, which sizzle like the wires inside a lightbulb. And there exudes a sour extra-human smell that makes the very stone seem flesh-alive, webbed and pulsing.

The nature of atheism merits clarification on two further points which involve less common ideas about theism. The first involves the idea of 'God' which is metaphorical — for example, a theist who believes in 'God' as a principle of conscience or morality. This 'God' exists in a person’s mind and it is not something which atheists will dispute. Atheists agree that gods exist as ideas in people’s minds; the disagreement lies over whether any gods actually exist independently of human beliefs. Those are the gods which atheists disbelieve in or deny.The second type of theism involves gods that exist as physical objects: stones, trees, rivers, or even the universe itself. Believers treat these objects are their gods, but do atheists reject their existence? Of course not — but how do they then remain atheists? The point of disagreement here is whether the label 'god' communicates any information beyond the more common label of 'stone,' 'tree,' or 'universe.' If not, then as far as atheists are concerned, those objects don’t merit the extra label 'god' and they remain atheists.

A solitary finger of light fell upon it, illuminating motes of golden dust floating in the air.

To label myself is similar to thinking that I can come up with a single phrase to explain the universe.

The desert at night was black and a strange madder-tinted silver; the sky was black, and the great contorted cliffs, and the vast expanses of sand that stretched out in all directions. But the red moon cast a pale crimson-tinged luminescence over everything, and far above the stars were glittering points of silver.

The city was asleep, and the bookshop felt like a boat adrift in a sea of silence and shadows.

The house was silent, but somewhere in the garden was a swimming pool filled with unsettled water.

While the bible is GOD because the word of GOD is GOD, please understand that GOD cannot be contained in the bible. To believe otherwise is to make an infinite GOD finite.

Naming can satisfy a need, it can shorten a conversation that otherwise might go on for hours.

They cleared swiftly, dramatically, like a stage set or a movie; we went from black to stunning blue, the day emerging at once wet and crisp, the trees dripping jewels, the flowers drunk on drinking, their heads lolling with dizzy delight, rivulets etched into our earth, showing us which way the rain ran, downhill, of course, heading, all water, straight for our yet-to-be-pond.

He's the navigator, he could probably find you a route to Hawaii underwater.

The immense accretion of flesh which had descended on her in middle life like a flood of lava on a doomed city had changed her from a plump active little woman with a neatly-turned foot and ankle into something as vast and august as a natural phenomenon. She had accepted this submergence as philosophically as all her other trials, and now, in extreme old age, was rewarded by presenting to her mirror an almost unwrinkled expanse of firm pink and white flesh, in the centre of which the traces of a small face survived as if awaiting excavation. A flight of smooth double chins led down to the dizzy depths of a still-snowy bosom veiled in snowy muslins that were held in place by a miniature portrait of the late Mr. Mingott; and around and below, wave after wave of black silk surged away over the edges of a capacious armchair, with two tiny white hands poised like gulls on the surface of the billows.

A 'real' person, profoundly as we may sympathise with him, is in a great measure perceptible only through our senses, that is to say, he remains opaque, offers a dead weight which our sensibilities have not the strength to lift.

She had always wanted to do every thing, and had made more progress in both drawing and music than many might have done with so little labour as she ever would submit to... She was not much deceived as to her own skill either as an artist or a musician, but she was not unwilling to have others deceived, or sorry to know her reputation for accomplishment often higher than it deserved.

Her flesh was powdery and voluptuously weary, as if tenderized by all the different beds and arms in which she had lain. Her face was as soft as the pulpy flash of an overripe banana, her breasts like two tiny bunches of grapes. She exuded a certain seedy charm, a poetry of premature corruption and decay. She breathed the air as if it burned her palate, baking her small, hot, whorish mouth. It was as if she were sucking a sweet or slurping champagne.

She had an evil face, smoothed by hypocrisy; but her manners were excellent.

He went farther; agonised by the reflection, at the moment when it passed by him, so near and yet so infinitely remote, that, while it was addressed to their ears, it knew them not, he would regret, almost, that it had a meaning of its own, an intrinsic and unalterable beauty, foreign to themselves, just as in the jewels given to us, or even in the letters written to us by a woman with whom we are in love, we find fault with the 'water' of a stone, or with the words of a sentence because they are not fashioned exclusively from the spirit of a fleeting intimacy and of a 'lass unaparalleled.

His voice gave out and he made several wavy motions with his hand, indicative of the shape of a woman who would probably be unable to keep her balance.

The 'Wild West' is a good description of law enforcement in the desert southwest USA.

Those eyes had seen people weep, and had cared, and had hurt them again anyway. It’s a look that no human eyes should ever have.

I saw Sonora before me, so otherworldly, so desolate, some cast-out mistress on the pale blue planet, and longed suddenly to stay.

Somewhere int he flesh of the earth the dreadful earthquake shuddered, the tide walked to and fro on the leash of the moon, rainbows formed, winds swept the sky like giant brooms piling up clouds before them, clouds which writhed into different shapes, melted into rain or darkened, bruised themselves against an unseen antagonist and went on their way, laced with forking rivers of lightning, complete with white electric tributaries. Out of this infinite vision an infinity of details could be drawn, but Sonny had settled on one, and from the endless series a particular beach was chosen and began to form around Laura - a beach of iron-dark sand and shells like frail stars, and a wonderful wide sea that stretched, neither green nor blue, but inked by the approach of night into violet and black, wrinkling with its own salty puzzles, right out to a distant, pure horizon.

Eloquence is painted thought, and thus those who, after having painted it, add somewhat more, make a picture, not a portrait.

There is no moon. The stars have risen and fallen and given way to a new spread, to the smeared heart of our Milky Way.

... the kiss, the bodily surrender which would seem natural and but moderately attractive...

Gansey clucked at his bedraggled reflection in the dark-framed mirror hanging in the front hallway. Chainsaw eyed herself briefly before hiding on the other side of Ronan's neck; Adam did the same, but without the hiding-in-Ronan's-neck bit. Even Blue looked less fanciful that usual, the lighting rendering her lampshade dress and spiky hair as a melancholy Pierrot.

...only more keenly aware of how her soul starved within her, its wings wasting with the despair of disuse.

There was this hot, yellowy stillness the air always got in the minutes before the last bell, as if it were stiffening itself to be shattered.

He had the beginning of wrinkles and the easy manner of one who has already made his mistakes.

She had short curls and her face had so many wrinkles it looked as if someone had been trying to draw her for a very long time and every line put in had made the face more like her.

At last he said, "Did you come out of the big mountains?"Gitano shook his head slowly. "No, I walked down the Salinas Valley."The afternoon thought would not let Joey go. "Did you ever go into the big mountains back there?"The old dark eyes grew fixed, and their light turned inward on the years that were living in Gitano's head.

Night would settle in like slow blindness, sucking the color from the trees and the low sky and the rocks and the frozen grass and the frost white hydrangeas until there was nothing left in the window but her own reflection.

Outside the windows, everything is getting darker. First the yellow dies from the light, then the green and pink. The world is a blue version of itself, momentarily, before the blue snuffs out, too and it is all night.

Something moved on the grounds down beneath my window — cast a long spider of shadow out across the grass as it ran out of sight behind a hedge. When it ran back to where I could get a better look, I saw it was a dog, a young, gangly mongrel slipped off from home to find out about things went on after dark. He was sniffing digger squirrel holes, not with a notion to go digging after one but just to get an idea what they were up to at this hour. He’d run his muzzle down a hole, butt up in the air and tail going, then dash off to another. The moon glistened around him on the wet grass, and when he ran he left tracks like dabs of dark paint spattered across the blue shine of the lawn. Galloping from one particularly interesting hole to the next, he became so took with what was coming off — the moon up there, the night, the breeze full of smells so wild makes a young dog drunk — that he had to lie down on his back and roll. He twisted and thrashed around like a fish, back bowed and belly up, and when he got to his feet and shook himself a spray came off him in the moon like silver scales.

Night was fading over the fields as if the rain had washed the darkness out of the hem of its garment.

Sometimes it's as if I can shrink away to nothing. Sometimes I feel as pure and perfect as a ghost. The hunger, the headaches, the dizziness—these are the only things that are real.

Nippers was a whiskered, sallow, and, upon the whole, rather piratical-looking young man of about five and twenty. I always deemed him the victim of two evil powers — ambition and indigestion.

Salander was an information junkie with a delinquent child's take on morals and ethics.

A 'sadist' of her kind is an artist in evil, which a wholly wicked person could not be...

Swann, with that almost arrogant charity of a man of the world who, amid the dissolution of all his own moral prejudices, finds in another's shame merely a reason for treating him with a friendly benevolence...

Zachariah, Zachariah,' whispers Rachel, casting a practised eye over the back of his head and down the length of him, from the shoulder blades where his wings once grew, epochs ago, in some other guise: angel—guardian, avenging—or great vagrant bird—Daurian Jackdaw, Chimney Swift, Pacific Loon!

I should've known the eyes. Wide, bright blue, and something about the delicate arc of the lids: a cat's slant, a pale jeweled girl in an old painting, a secret.

His eyes reflected the open grey of the autumnal sky.

Those who are long on logic, definitions, abstractions, and formulas are frequently short on a sense of the concrete.

She gave a shiver, and suddenly clutched her arms about her body. She spoke, Gascoigne thought, with an exhilarated fatigue, the kind that comes after the first blush of love, when the self has lost its mooring, and, half-drowning, succumbs to a fearful tide. But addiction was not love; it could not be love. Gascoigne could not romanticize the purple shadows underneath her eyes, her wasted limbs, the dreamy disorientation with which she spoke; but even so, he thought, it was uncanny that opium's ruin could mirror love's raptures with such fidelity.

Is it the smoke?' the boy said, shivering slightly. 'I've never touched the stuff, myself, but how it claws at one...like a thorn in every one of your fingers, and a string around your heart...and one fees it always. Nagging. Nagging.

At the edge of the still, dark pool that was the sea, at the brimming edge of freedom where no boat was to be seen, she spoke the first words of the few they were to exchange. ‘I cannot swim. You know it?” In the dark she saw the flash of his smile. ‘Trust me.’ And he drew her with a strong hand until the green phosphorescence beaded her ankles, and deeper, and deeper, until the thick milk-warm water, almost unfelt, was up to her waist. She heard him swear feelingly to himself as the salt water searched out, discovered his burns. Then with a rustle she saw his pale head sink back into the quiet sea and at the same moment she was gripped and drawn after him, her face to the stars, drawn through the tides with the sea lapping like her lost hair at her cheeks, the drive of his body beneath her pulling them both from the shore. They were launched on the long journey towards the slim shape, black against glossy black, which was the brigantine, with Thompson on board.

And out the bus window, here is my dead world come true, my whole dead world in motion.

... it was with an unusual intensity of pleasure, a pleasure destined to have a lasting effect upon his character and conduct...

Lady Moon rose an' gazed o'er my busted'n'beautsome Valleys with silv'ry'n'sorryin' eyes, an' the dingos mourned for the died uns.

Through my sudden tears, the train lights smeared like shooting stars. Lying before the rippling blue window, below the slurred lights of the world above, it was as if we were underwater.

She was strong and stubborn but loving. She was an untouchable angel with a devil’s mark. She was beautiful.

Famous revolutionary,' you say, and the laughter pumps out of your chest like blood, great almost painful spurts of it splashing up the building faces toward the marquee moon.

The fruition of the year had come and the night should have been fine with a moon in the sky and the crisp sharp promise of frost in the air, but it wasn't that way. It rained and little puddles of water shone under the street lamps on Main Street. In the woods in the darkness beyond the Fair Ground water dripped from the black trees.

The sky is grey, with a thin TV-static drizzle that hangs in the air like it's been freeze-framed.

It was a chilly morning after the night's rain, and the sun hung in the sky like a pale coin lost by someone high up in the clouds.

The sun was deaf'nin' so high up, yay, it roared an' time streamed from it.

String theory is an attempt at a deeper description of nature by thinking of an elementary particle not as a little point but as a little loop of vibrating string.

The evening sky was awash with peach, apricot, cream: tender little ice-cream clouds in a wide orange sky.

Photographers tend not to photograph what they can’t see, which is the very reason one should try to attempt it. Otherwise we’re going to go on forever just photographing more faces and more rooms and more places. Photography has to transcend description. It has to go beyond description to bring insight into the subject, or reveal the subject, not as it looks, but how does it feel?

But the lies which Odette ordinarily told were less innocent, and served to prevent discoveries which might have involved her in the most terrible difficulties with one or another of her friends. And so, when she lied, smitten with fear, feeling herself to be but feebly armed for her defence, unconfident of success, she was inclined to weep from sheer exhaustion, as children weep sometimes when they have not slept. She knew, also, that her lie, as a rule, was doing a serious injury to the man to whom she was telling it, and that she might find herself at his mercy if she told it badly. Therefore she felt at once humble and culpable in his presence. And when she had to tell an insignificant, social lie its hazardous associations, and the memories which it recalled, would leave her weak with a sense of exhaustion and penitent with a consciousness of wrongdoing.

Swann could at once detect in this story one of those fragments of literal truth which liars, when taken by surprise, console themselves by introducing into the composition of the falsehood which they have to invent, thinking that it can be safely incorporated, and will lend the whole story an air of verisimilitude.

Even the kids, behind the slice of streetscape floating in the glass, had mastered the art of pretending not to see.

A vast field opened like a blossoming tulip, flowers blooming in the rippling airs of spring. High and frothy trees hugged air and sun as they gallantly cast a shade over the earth. On the horizon a florid vessel of mountains trailed to the never-ending, blue as memories distant, poised as statues embroidered into time’s eternal drift.

This morning, I see the lead in my glass tumbler. A slim, bright glint, a silverfish. I feel it collecting in my blood, papercutting the lining of my veins.

Dark-bright fire lit eyes

... it had arrested for all eternity the moment which it had been trying to make pass more quickly.

... the cattleyas especially (these being, with chrysanthemums, her favourite flowers), because they had the supreme merit of not looking in the least like other flowers, but of being made, apparently, out of scraps of silk or satin.

She grew up in the ordinary paradise of the English countryside. When she was five she walked to school, two miles, across meadows covered with cowslips, buttercups, daisies, vetch, rimmed by hedges full of blossom and then berries, blackthorn, hawthorn, dog-roses, the odd ash tree with its sooty buds.

Meantime the clang of the bows and the shouts of the combatants mixed fearfully with the sound of the trumpets, and drowned the groans of those who fell, and lay rolling defenceless beneath the feet of the horses. The splendid armour of the combatants was now defaced with dust and blood, and gave way at every stroke of the sword and battle-axe. The gay plumage, shorn from the crests, drifted upon the breeze like snowflakes. All that was beautiful in the martial array had disappeared, and what was now visibke was only calculated to awaken terror or compassion.

It was June, and the world smelled of roses. The sunshine was like powdered gold over the grassy hillside.

The castle grounds were gleaming in the sunlight as though freshly painted; the cloudless sky smiled at itself in the smoothly sparkling lake, the satin-green lawns rippled occasionally in a gentle breeze: June had arrived.

In describing a protein it is now common to distinguish the primary, secondary and tertiary structures. The primary structure is simply the order, or sequence, of the amino-acid residues along the polypeptide chains. This was first determined by [Frederick] Sanger using chemical techniques for the protein insulin, and has since been elucidated for a number of peptides and, in part, for one or two other small proteins. The secondary structure is the type of folding, coiling or puckering adopted by the polypeptide chain: the a-helix structure and the pleated sheet are examples. Secondary structure has been assigned in broad outline to a number of librous proteins such as silk, keratin and collagen; but we are ignorant of the nature of the secondary structure of any globular protein. True, there is suggestive evidence, though as yet no proof, that a-helices occur in globular proteins, to an extent which is difficult to gauge quantitatively in any particular case. The tertiary structure is the way in which the folded or coiled polypeptide chains are disposed to form the protein molecule as a three-dimensional object, in space. The chemical and physical properties of a protein cannot be fully interpreted until all three levels of structure are understood, for these properties depend on the spatial relationships between the amino-acids, and these in turn depend on the tertiary and secondary structures as much as on the primary. Only X-ray diffraction methods seem capable, even in principle, of unravelling the tertiary and secondary structures.[Co-author with G. Bodo, H. M. Dintzis, R. G. Parrish, H. Wyckoff, and D. C. Phillips]

He had a prince's looks but a pirate's eyes.

Tricky was a plain-faced man with a very handsome voice - a voice like the sound of a clarinet, at once liquid and penetrating, and lovely to listen to.

Since its sudden birth the city had expanded, swallowing up acre upon acre of the surrounding grasslands and drawing thousands into its domain. Hardly built on the most advantageous ground, miles from the open waters, decades from the mines at the mountain summits, it yet remained the only settlement of note on the isle. This sprawling mass of a city, once a compact kingdom, was now the keystone of the Castilian Empire.

Mirabelle sat down, dropping into the cushions like a ball being caught in a large leather glove.

He was a compact, clearcut man, with precise features, a lot of very soft black hair, and thoughtful dark brown eyes. He had a look of wariness, which could change when he felt relaxed or happy, which was not often in these difficult days, into a smile of amused friendliness and pleasure which aroused feelings of warmth, and something more, in many women.

The bowler approached the wicket at a lope, a trot, and then a run. He suddenly exploded in a flurry of arms and legs, out of which flew a ball.

He suddenly exploded in a flurry of arms and legs, out of which flew a ball.

Admirable, however, as the Paris of the present day appears to you, build up and put together again in imagination the Paris of the fifteenth century; look at the light through that surprising host of steeples, towers, and belfries; pour forth amid the immense city, break against the points of its islands, compress within the arches of the bridges, the current of the Seine, with its large patches of green and yellow, more changeable than a serpent's skin; define clearly the Gothic profile of this old Paris upon an horizon of azure, make its contour float in a wintry fog which clings to its innumerable chimneys; drown it in deep night, and observe the extraordinary play of darkness and light in this sombre labyrinth of buildings; throw into it a ray of moonlight, which shall show its faint outline and cause the huge heads of the towers to stand forth from amid the mist; or revert to that dark picture, touch up with shade the thousand acute angles of the spires and gables, and make them stand out, more jagged than a shark's jaw, upon the copper-coloured sky of evening. Now compare the two.