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The problem with having friends was that you might lose them. Or they might get hurt.

Gwenda Bond , em Fallout
friendship friends angst comics lois-lane fallout dc-comics losing-friends

My problem was that I had bad luck. And I spoke up when I saw something wrong. I did it because I could, without having to worry about the fallout lasting years. And yes, there was always fallout.

Gwenda Bond , em Fallout
young-adult comics lois-lane superman bad-luck reporter fallout dc-comics

If someone's personhood is in doubt (or seen as lacking), all the easier to direct death wishes at them. When a tiny minority of them transgresses, their crimes of violence only confirm their abjection from the human [. . .] Anxiety, threat, dread, fear, and prejudice feed into the explanatory mechanisms that construct them as somehow beyond human, beyond mercy.

José Alaniz , em Death, Disability, and the Superhero: The Silver Age and Beyond
violence superhero crime literary-criticism personhood transgression dc-comics abjection-from-humanity beyond-human disability-studies jose-alaniz marvel-comics physical-disability physical-impairment silver-age-comics

The thrill of working in this building, with its iconic globe on top, would never fade.

Gwenda Bond , em Triple Threat
journalist journalism lois-lane newspaper globe reporter gwenda-bond triple-threat dc-comics daily-planet thrill-of-the-chase

We should bear in mind the supercrip stereotype as a figure obsessively, indeed maniacally, over-compensating for a perceived physical difference or lack, since, as we shall see, this aspect ties in quite neatly with the genre specificities and narratival concerns of so much Silver Age superhero literature.

José Alaniz , em Death, Disability, and the Superhero: The Silver Age and Beyond
obsession body-image superhero literary-criticism dc-comics disability-studies jose-alaniz marvel-comics physical-disability physical-impairment silver-age-comics perceived-physical-difference

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