Makana stared up at the stars and marvelled at how clear they were out here, so far from human habitation. It was remarkable, just how many there were. They felt comforting, despite his situation. They took him back to his life with Muna, the happiest time he could remember, when the world had been simple. Sitting out in the yard in the evenings, watching the sky revolve slowly around them. It seemed like another world.
She had been lying there, facedown in the water long before the tide had turned at 3.04 that morning. Her eyes were staring into the river, her blonde hair first fanning out, then drawing back under her head with the wash of the water, like a pulsating jellyfish. The belt of her raincoat was caught on the branches of an overhanging tree and she’d been hooked, destined to forever flap against the corner of the broken pier with outstretched arms. She wasn’t going anywhere now; she was simply bobbing up and down with the rhythm of the water - and she hadn’t blinked in a long while.
He began as a minor imitator of Fitzgerald, wrote a novel in the late twenties which won a prize, became dissatisfied with his work, stopped writing for a period of years. When he came back it was to BLACK MASK and the other detective magazines with a curious and terrible fiction which had never been seen before in the genre markets; Hart Crane and certainly Hemingway were writing of people on the edge of their emotions and their possibility but the genre mystery markets were filled with characters whose pain was circumstantial, whose resolution was through action; Woolrich's gallery was of those so damaged that their lives could only be seen as vast anticlimax to central and terrible events which had occurred long before the incidents of the story. Hammett and his great disciple, Chandler, had verged toward this more than a little, there is no minimizing the depth of their contribution to the mystery and to literature but Hammett and Chandler were still working within the devices of their category: detectives confronted problems and solved (or more commonly failed to solve) them, evil was generalized but had at least specific manifestations: Woolrich went far out on the edge. His characters killed, were killed, witnessed murder, attempted to solve it but the events were peripheral to the central circumstances. What I am trying to say, perhaps, is that Hammett and Chandler wrote of death but the novels and short stories of Woolrich *were* death. In all of its delicacy and grace, its fragile beauty as well as its finality.Most of his plots made no objective sense. Woolrich was writing at the cutting edge of his time. Twenty years later his vision would attract a Truffaut whose own influences had been the philosophy of Sartre, the French nouvelle vague, the central conception that nothing really mattered. At all. But the suffering. Ah, that mattered; that mattered quite a bit.
Every time he studied this instrument, with its slender, gleaming steel rod that tapered down to such needle-like sharpness, he wondered why it was necessary to have things like this in the world. If it were truly only for chopping ice, you'd think a completely different design might do. The people who produce and sell things like this don't understand, he thought. They don't realize that some of us break out in a cold sweat at just a glimpse of that shiny, pointed tip.
To catch the bad guys, you've got to think like a bad guy - and that's why all the best detectives have a dark side...
I’ve sometimes regretted the women I’ve been.There have been so many: daughter, sister, cop, tough broad, several kinds of whore, jilted lover, ideal wife, heroine, killer.I’ll provide the truth of them all, inasmuch as I’m capable of telling the truth.Keeping secrets, telling lies, they require the same skill. Both become a habit, almost an addiction, that’s hard to break even with the people closest to you, out of the business.They say never trust a woman who tells you her age; if she can’t keep that secret, she can’t keep yours.I’m fifty-nine.
Dialogues must appear as natural as if coming from effortless writing. It must not sweat. Your beloved readers must not sweat. But here am I, literally sweating, because my characters are literally talking dirty in a steamy sweaty and bloody scene.