Vulnerability is the birthplace of love, belonging, joy, courage, empathy, and creativity. It is the source of hope, empathy, accountability, and authenticity. If we want greater clarity in our purpose or deeper and more meaningful spiritual lives, vulnerability is the path.
Productiveness is your acceptance of morality, your recognition of the fact that you choose to live--that productive work is the process by which man's consciousness controls his existence, a constant process of acquiring knowledge and shaping matter to fit one's purpose, of translating an idea into physical form, of remaking the earth in the image of one's values--that all work is creative work if done by a thinking mind, and no work is creative if done by a blank who repeats in uncritical stupor a routine he has learned from others--that your work is yours to choose, and the choice is as wide as your mind, that nothing more is possible to you and nothing less is human--that to cheat your way into a job bigger than your mind can handle is to become a fear-corroded ape on borrowed motions and borrowed time, and to settle down into a job that requires less than your mind's full capacity is to cut your motor and sentence yourself to another kind of motion: decay--that your work is the process of achieving your values, and to lose your ambition for values is to lose your ambition to live--that your body is a machine, but your mind is its driver, and you must drive as far as your mind will take you, with achievement as the goal of your road--that the man who has no purpose is a machine that coasts downhill at the mercy of any boulder to crash in the first chance ditch, that the man who stifles his mind is a stalled machine slowly going to rust, that the man who lets a leader prescribe his course is a wreck being towed to the scrap heap, and the man who makes another man his goal is a hitchhiker no driver should ever pick up--that your work is the purpose of your life, and you must speed past any killer who assumes the right to stop you, that any value you might find outside your work, any other loyalty or love, can be only travelers you choose to share your journey and must be travelers going on their own power in the same direction.
Go into yourself. Find out the reason that commands you to write; see whether it has spread its roots into the very depths of your heart; confess to yourself whether you would have to die if you were forbidden to write. This most of all: ask yourself in the most silent hour of your night: must I write? Dig into yourself for a deep answer. And if this answer rings out in assent, if you meet this solemn question with a strong, simple “I must,” then build your life in accordance with this necessity; your whole life, even into its humblest and most indifferent hour, must become a sign and witness to this impulse. Then come close to Nature. Then, as if no one had ever tried before, try to say what you see and feel and love and lose......Describe your sorrows and desires, the thoughts that pass through your mind and your belief in some kind of beauty - describe all these with heartfelt, silent, humble sincerity and, when you express yourself, use the Things around you, the images from your dreams, and the objects that you remember. If your everyday life seems poor, don’t blame it; blame yourself; admit to yourself that you are not enough of a poet to call forth its riches; because for the creator there is not poverty and no poor, indifferent place. And even if you found yourself in some prison, whose walls let in none of the world’s sounds – wouldn’t you still have your childhood, that jewel beyond all price, that treasure house of memories? Turn your attentions to it. Try to raise up the sunken feelings of this enormous past; your personality will grow stronger, your solitude will expand and become a place where you can live in the twilight, where the noise of other people passes by, far in the distance. - And if out of this turning-within, out of this immersion in your own world, poems come, then you will not think of asking anyone whether they are good or not. Nor will you try to interest magazines in these works: for you will see them as your dear natural possession, a piece of your life, a voice from it. A work of art is good if it has arisen out of necessity. That is the only way one can judge it.
There are not more than five musical notes, yet the combinations of these five give rise to more melodies than can ever be heard. There are not more than five primary colours, yet in combinationthey produce more hues than can ever been seen.There are not more than five cardinal tastes, yet combinations ofthem yield more flavours than can ever be tasted.
The thing I hate the most about advertising is that it attracts all the bright, creative and ambitious young people, leaving us mainly with the slow and self-obsessed to become our artists.. Modern art is a disaster area. Never in the field of human history has so much been used by so many to say so little.
To be an outlaw you must first have a base in law to reject and get out of, I never had such a base. I never had a place I could call home that meant any more than a key to a house, apartment or hotel room. … Am I alien? Alien from what exactly? Perhaps my home is my dream city, more real than my waking life precisely because it has no relation to waking life…
Everyone is born creative; everyone is given a box of crayons in kindergarten. Then when you hit puberty they take the crayons away and replace them with dry, uninspiring books on algebra, history, etc. Being suddenly hit years later with the 'creative bug' is just a wee voice telling you, 'I'd like my crayons back, please.
One does not have to be a philosopher to be a successful artist, but he does have to be an artist to be a successful philosopher. His nature is to view the world in an unpredictable albeit useful light.
Rainer Maria Rilke greeted and wrestled with the angels of his Duino Elegies in the solitude of a castle surrounded by white cliffs tall trees and the sea. I greeted most of mine in the solitude of a house that still vibrated with the throbs of a singular life that had helped shape many lives and with the ache of attempts to render useful service to that life. The River of Winged Dreams was therefore constructed as a link between dimensions of past and future emotions and intellect and matter and spirit.
Accomplishments don’t erase shame, hatred, cruelty, silence, ignorance, discrimination, low self-esteem or immorality. It covers it up, with a creative version of pride and ego. Only restitution, forgiving yourself and others, compassion, repentance and living with dignity will ever erase the past.
Where we fall are the stepping-stones for our journey.
The public make use of the classics of a country as a means of checking the progress of Art. They degrade the classics into authorities.... A fresh mode of Beauty is absolutely distasteful to them, and whenever it appears they get so angry and bewildered that they always use two stupid expressions--one is that the work of art is grossly unintelligible; the other, that the work of art is grossly immoral. What they mean by these words seems to me to be this. When they say a work is grossly unintelligible, they mean that the artist has said or made a beautiful thing that is new; when they describe a work as grossly immoral, they mean that the artist has said or made a beautiful thing that is true.
I was not sure where I was going, and I could not see what I would do when I got [there]. But you saw further and clearer than I, and you opened the seas before my ship, whose track led me across the waters to a place I had never dreamed of, and which you were even then preparing to be my rescue and my shelter and my home.
Change is not always a good thing. What I need is not change from one thing to another but transformation from who I am into who I was meant to become. Only when God's transforming power touches me can I begin to live the simpler, freer, fresher, more creative, more patient, more passionate, more sacrificial, riskier, rawer, more real, more love-driven life God intended for me all along. That transformation is what awaits all who dare to enter the story of God. As Paul wrote, 'Let God transform you into a new person by changing the way you think' (Romans 12:2)
Enlightenment is at the source of everything. From it, flows our Intuition and our creative energy. It is the delta of the human spirit ~ what we innately seek to return to, as we find ourselves lost in this world.
Basic Principles:1. Creativity is the natural order of life. Life is energy: pure creative energy.2. There is an underlying, in-dwelling creative force infusing all of life -- including ourselves.3. When we open ourselves to our creativity, we open ourselves to the creator's creativity within us and our lives.4. We are, ourselves, creations. And we, in turn, are meant to continue creativity by being creative ourselves.5. Creativity is God's gift to us. Using our creativity is our gift back to God.6. The refusal to be creative is self-will and is counter to our true nature.7. When we open ourselves to exploring our creativity, we open ourselves to God: good orderly direction.8. As we open our creative channel to the creator, many gentle but powerful changes are to be expected.9. It is safe to open ourselves up to greater and greater creativity.10. Our creative dreams and yearnings come from a divine source. As we move toward our dreams, we move toward our divinity.
It is hard to see how a great man can be an atheist. Without the sustaining influence of faith in a divine power we could have little faith in ourselves. We need to feel that behind us is intelligence and love. Doubters do not achieve; skeptics do not contribute; cynics do not create. Faith is the great motive power, and no man realizes his full possibilities unless he has the deep conviction that life is eternally important, and that his work, well done, is a part of an unending plan.
Solitude with God is a place for pregnancy. Solitude is also a place to receive great ideas and creative ideas from God. The power of imagination is strongest in the place of solitude.
I'm not trying to tell you," he said "that only educated men are able to contribute something valuable to the world. It's not so.But I do say that educated and scholarly men, if they're brilliant and creative to begin with--which, unfortunately, is rarely the case--tend to leave infinitely more valuable records behind them than men do who are MEREly brilliant and creative.
The closer you come to knowing that you alone create the world of your experience, the more vital it becomes for you to discover just who is doing the creating.
The greater puzzle of universal wisdom and beauty that we have strived to honor through our work includes the profound legacies of world artistic and spiritual traditions, the innate integrity of human communities where people seek to live in social harmony, and that regenerative stream of life sustained upon the earth itself as it spins through the cosmos to the music of the spheres.
All the tools, techniques and technology in the world are nothing without the head, heart and hands to use them wisely, kindly and mindfully
You become more divine as you become more creative. All the religions of the world have said God is the creator. I don’t know whether he is the creator or not, but one thing I know: the more creative you become, the more godly you become. When your creativity comes to a climax, when your whole life becomes creative, you live in God. So he must be the creator because people who have been creative have been closest to him. Love what you do. Be meditative while you are doing it – whatsoever it is
Everywhere we shine death and life burn into something new…
(about William Blake)As for Blake's happiness--a man who knew him said: "If asked whether I ever knew among the intellectual, a happy man, Blake would be the only one who would immediately occur to me."And yet this creative power in Blake did not come from ambition. ...He burned most of his own work. Because he said, "I should be sorry if I had any earthly fame, for whatever natural glory a man has is so much detracted from his spiritual glory. I wish to do nothing for profit. I wish to live for art. I want nothing whatever. I am quite happy."...He did not mind death in the least. He said that to him it was just like going into another room. On the day of his death he composed songs to his Maker and sang them for his wife to hear. Just before he died his countenance became fair, his eyes brightened and he burst into singing of the things he saw in heaven.
Just becauseyou feel lostdoesn't meanthat you are.Sometimes youjust have to relax,breathe deep,and trust the pathyou're on.
Self-observation is simply the observation of an internal state and an external event. It is pure awareness, which gives one the ability to choose one's actions. Only by having the choice can one perform what is right.
LIFE - Death's Very Emissary
Everybody needs to be good-natured with a good heart, because in this way we can solve our own problems as well as those of others, and we can make our human life meaningful.
We do not recognize that we are addicted to some negative psychological habit, some terribly self-destructive patterns of thinking...
We are living a fantasy life in our heads, and our real life is passing by, moment by moment.Life is only lived in moments: anything else is a fantasy, a lie, an illusion.
Karma is a balance sheet of life which debits and credit all your deeds.YourWhich is audited by our creator and actions are based on what we accumulated in it.
Karma is the balance sheet of life which debits and credit all your deeds.YourWhich is audited by our creator and actions are based on what we accumulated in it.
We create karma by all kinds of selfish actions.The first thing we must understand is that we are psychologically asleep.It is very difficult for us to be conscious of ourselves. We are not very aware. We must come to recognize that we do not pay attention.
Desires and Karma are the worst enemies living in the same soul together. It depends on us whom we choose and feed.
Love wins when reflections win over reflexes.
In the end, you will realize most friendship is feigning, most loving mere folly.
Every person has his secret; in reverie, unbeknown to others, he finds peace, freedom, sorrow and love.
It’s so easy to lose faith and become lost in all of the politics of the world. That’s why we need the arts. To sublimate our frustration and anger into something beautiful. Freud called sublimation a virtuous defence mechanism because it is in the arts that we can find our humanity.
Now is not the time for bigots and racists. No time for sexists and homophobes. Now, more than ever, is the time for ARTISTS. It’s time for us to rise above and to create. To show humanity. To spread hope. We must prevent society from destroying itself, from losing its way. Now is the time for love.
Patriarchy doesn't get yet that 'hope' is a powerful force that drives creativity. Otherwise words like 'false' and 'hope' would never be forced into this unconscious coupling....Hope is not false. And never has been... Rather, hope is part of the often forgotten feminine contribution to the creative process.
Then Deborah stood at the wicket gate, the boundary, and there was a woman with outstretched hand, demanding tickets."Pass through," she said when Deborah reached her. "We saw you coming." The wicket gate became a turnstile. Deborah pushed against it and there was no resistance, she was through. "What is it?" she asked. "Am I really here at last? Is this the bottom of the pool?""It could be," smiled the woman. "There are so many ways. You just happened to choose this one."Other people were pressing to come through. They had no faces, they were only shadows. Deborah stood aside to let them by, and in a moment they had gone, all phantoms."Why only now, tonight?" asked Deborah. "Why not in the afternoon, when I came to the pool?""It's a trick," said the woman. "You seize on the moment in time. We were here this afternoon. We're always here. Our life goes on around you, but nobody knows it. The trick's easier by night, that's all.""Am I dreaming, then?" asked Deborah."No," said the woman, "this isn't a dream. And it isn't death, either. It's the secret world."The secret world... It was something Deborah had always known, and now the pattern was complete. The memory of it, and the relief, were so tremendous that something seemed to burst inside her heart."Of course..." she said, "of course..." and everything that had ever been fell into place. There was no disharmony. The joy was indescribable, and the surge of feeling, like wings about her in the air, lifted her away from the turnstile and the woman, and she had all knowledge. That was it - the invasion of knowledge. ("The Pool")
Creativity without discipline will struggle, creativity with discipline will succeed.
Cowards say it can't be done, critics say it shouldn't have been done, creator say well done.
I became an artist because I wanted to be an active participant in the conversation about art.
O' melancholy,hectic chill for human soul,herewith dismal presence,any spirit does descent.
... so this is for us.This is for us who sing, write, dance, act, study, run and loveand this is for doing it even if no one will ever knowbecause the beauty is in the act of doing it.Not what it can lead to.This is for the times I lose myself while writing, singing, playingand no one is around and they will never knowbut I will forever rememberand that shines brighter than any praise or fame or glory I will ever have,and this is for you who write or play or read or singby yourself with the light off and door closedwhen the world is asleep and the stars are alignedand maybe no one will ever hear itor read your wordsor know your thoughtsbut it doesn’t make it less glorious.It makes it ethereal. Mysterious.Infinite.For it belongs to you and whatever God or spirit you believe inand only you can decide how much it meantand meansand will forever meanand other people will experience it toothrough you.Through your spirit. Through the way you talk.Through the way you walk and love and laugh and careand I never meant to write this longbut what I want to say is:Don’t try to present your art by making other people read or hear or see or touch it; make them feel it. Wear your art like your heart on your sleeve and keep it alive by making people feel a little better. Feel a little lighter. Create art in order for yourself to become yourselfand let your very existence be your song, your poem, your story.Let your very identity be your book.Let the way people say your name sound like the sweetest melody.So go create. Take photographs in the wood, run alone in the rain and sing your heart out high up on a mountainwhere no one will ever hearand your very existence will be the most hypnotising scar.Make your life be your artand you will never be forgotten.
Relate comic things in pompous fashion. Irregularity, in other words the unexpected, the surprising, the astonishing, are essential to and characteristic of beauty. Two fundamental literary qualities: supernaturalism and irony. The blend of the grotesque and the tragic are attractive to the mind, as is discord to blasé ears. Imagine a canvas for a lyrical, magical farce, for a pantomime, and translate it into a serious novel. Drown the whole thing in an abnormal, dreamy atmosphere, in the atmosphere of great days … the region of pure poetry.
The birth of a true poet is neither an insignificant event nor an easy delivery. Complications generally begin long before the fated soul carries its dubious light into whatever womb has been kind enough to volunteer the intricate machinery of its blood and prayers and muscles for a gestation period much longer than nine months or even nine years.
The first inkling of this notion had come to him the Christmas before, at his daughter's place in Vermont. On Christmas Eve, as indifferent evening took hold in the blue squares of the windows, he sat alone in the crepuscular kitchen, imbued with a profound sense of the identity of winter and twilight, of twilight and time, of time and memory, of his childhood and that church which on this night waited to celebrate the second greatest of its feasts. For a moment or an hour as he sat, become one with the blue of the snow and the silence, a congruity of star, cradle, winter, sacrament, self, it was as though he listened to a voice that had long been trying to catch his attention, to tell him, Yes, this was the subject long withheld from him, which he now knew, and must eventually act on.He had managed, though, to avoid it. He only brought it out now to please his editor, at the same time aware that it wasn't what she had in mind at all. But he couldn't do better; he had really only the one subject, if subject was the word for it, this idea of a notion or a holy thing growing clear in the stream of time, being made manifest in unexpected ways to an assortment of people: the revelation itself wasn't important, it could be anything, almost. Beyond that he had only one interest, the seasons, which he could describe endlessly and with all the passion of a country-bred boy grown old in the city. He was beginning to doubt (he said) whether these were sufficient to make any more novels out of, though he knew that writers of genius had made great ones out of less. He supposed really (he didn't say) that he wasn't a novelist at all, but a failed poet, like a failed priest, one who had perceived that in fact he had no vocation, had renounced his vows, and yet had found nothing at all else in the world worth doing when measured by the calling he didn't have, and went on through life fatally attracted to whatever of the sacerdotal he could find or invent in whatever occupation he fell into, plumbing or psychiatry or tending bar. ("Novelty")
(about William Blake)[Blake] said most of us mix up God and Satan. He said that what most people think is God is merely prudence, and the restrainer and inhibitor of energy, which results in fear and passivity and "imaginative death."And what we so often call "reason" and think is so fine, is not intelligence or understanding at all, but just this: it is arguing from our *memory* and the sensations of our body and from the warnings of other people, that if we do such and such a thing we will be uncomfortable. "It won't pay." "People will think it is silly." "No one else does it." "It is immoral."But the only way you can grow in understanding and discover whether a thing is good or bad, Blake says, is to do it. "Sooner strangle an infant in its cradle than nurse unacted desires."For this "Reason" as Blake calls it (which is really just caution) continually nips and punctures and shrivels the imagination and the ardor and the freedom and the passionate enthusiasm welling up in us. It is Satan, Blake said. It is the only enemy of God. "For nothing is pleasing to God except the invention of beautiful and exalted things." And when a prominent citizen of his time, a logical, opining, erudite, measured, rationalistic, Know-it-all, warned people against "mere enthusiasm," Blake wrote furiously (he was a tender-hearted, violent and fierce red-haired man): "Mere enthusiasm is the All in All!
How could poetry and literature have arisen from something as plebian as the cuneiform equivalent of grocery-store bar codes? I prefer the version in which Prometheus brought writing to man from the gods. But then I remind myself that…we should not be too fastidious about where great ideas come from. Ultimately, they all come from a wrinkled organ that at its healthiest has the color and consistency of toothpaste, and in the end only withers and dies.
Sometimes in composition class, when I have been confronted by someone who simply cannot get the first word written on paper, I give the following advice: Say your essay into a tape recorder and then write it down.
When he was in college, a famous poet made a useful distinction for him. He had drunk enough in the poet's company to be compelled to describe to him a poem he was thinking of. It would be a monologue of sorts, the self-contemplation of a student on a summer afternoon who is reading Euphues. The poem itself would be a subtle series of euphuisms, translating the heat, the day, the student's concerns, into symmetrical posies; translating even his contempt and boredom with that famously foolish book into a euphuism.The poet nodded his big head in a sympathetic, rhythmic way as this was explained to him, then told him that there are two kinds of poems. There is the kind you write; there is the kind you talk about in bars. Both kinds have value and both are poems; but it's fatal to confuse them.In the Seventh Saint, many years later, it had struck him that the difference between himself and Shakespeare wasn't talent - not especially - but nerve. The capacity not to be frightened by his largest and most potent conceptions, to simply (simply!) sit down and execute them. The dreadful lassitude he felt when something really large and multifarious came suddenly clear to him, something Lear-sized yet sonnet-precise. If only they didn't rush on him whole, all at once, massive and perfect, leaving him frightened and nerveless at the prospect of articulating them word by scene by page. He would try to believe they were of the kind told in bars, not the kind to be written, though there was no way to be sure of this except to attempt the writing; he would raise a finger (the novelist in the bar mirror raising the obverse finger) and push forward his change. Wailing like a neglected ghost, the vast notion would beat its wings into the void.Sometimes it would pursue him for days and years as he fled desperately. Sometimes he would turn to face it, and do battle. Once, twice, he had been victorious, objectively at least. Out of an immense concatenation of feeling, thought, word, transcendent meaning had come his first novel, a slim, pageant of a book, tombstone for his slain conception. A publisher had taken it, gingerly; had slipped it quietly into the deep pool of spring releases, where it sank without a ripple, and where he supposes it lies still, its calm Bodoni gone long since green. A second, just as slim but more lurid, nightmarish even, about imaginary murders in an imaginary exotic locale, had been sold for a movie, though the movie had never been made. He felt guilt for the producer's failure (which perhaps the producer didn't feel), having known the book could not be filmed; he had made a large sum, enough to finance years of this kind of thing, on a book whose first printing was largely returned.
Rejection is an opportunity for your selection.
The professor leaned forward. “But there’s nothing more profound than creating something out of nothing.” Her lovely face turned fierce. “Think about it Cath. That’s what makes a god—or a mother. There’s nothing more intoxicating than creating something from nothing. Creating something from yourself.
The writer's only responsibility is to his art. He will be completely ruthless if he is a good one. He has a dream. It anguishes him so much he must get rid of it. He has no peace until then. Everything goes by the board: honor, pride, decency, security, happiness, all, to get the book written. If a writer has to rob his mother, he will not hesitate; the 'Ode on a Grecian Urn' is worth any number of old ladies.
To me, all creativity is magic. Ideas start out in the empty void of your head - and they end up as a material thing, like a book you can hold in your hand. That is the magical process. It's an alchemical thing. Yes, we do get the gold out of it but that's not the most important thing. It's the work itself.
Every story has already been told. Once you've read Anna Karenina, Bleak House, The Sound and the Fury, To Kill a Mockingbird and A Wrinkle in Time, you understand that there is really no reason to ever write another novel. Except that each writer brings to the table, if she will let herself, something that no one else in the history of time has ever had."; Mount Holyoke College, May 23, 1999]
From now on I hope always to stay alert, to educate myself as best I can. But lacking this, in Future I will relaxedly turn back to my secret mind to see what it has observed when I thought I was sitting this one out. We never sit anything out.We are cups, constantly and quietly being filled. The trick is, knowing how to tip ourselves over and let the beautiful stuff out.
The artist is a servant who is willing to be a birthgiver. In a very real sense the artist (male or female) should be like Mary who, when the angel told her that she was to bear the Messiah, was obedient to the command....I believe that each work of art, whether it is a work of great genius, or something very small, comes to the artist and says, "Here I am. Enflesh me. Give birth to me." And the artist either says, "My soul doth magnify the Lord," and willingly becomes the bearer of teh work, or refuses; but the obedient response is not necessarily a conscious one, and not everyone has the humble, courageous obedience of Mary.As for Mary, she was little more than a child when the angel came to her; she had not lost her child's creative acceptance of the realities moving on the other side of the everyday world. We lose our ability to see angels as we grow older, and that is a tragic loss.
This imaginary gift is a journey for your imagination.I send you...A luxury train ride. On this train are all the inspiring people you've ever wanted to meet or talk to. You glide from car to car, sitting or lying down on velvet lounge chairs, listening and asking questions. There is also a voluminous library on the train, with every book you've ever wanted to read or look at. Kind people bring you delicious tidbits to eat and nourishing liquids to drink. If you take a nap, time stands still until you return so you never miss anything. You receive a large journal filled with photographs, drawings and descriptions of your journey to take with you when you leave. You realize that you can board this train at any time.
Create a guidebook of creative dreamsYou can use a blank book or just blank paper clipped together. Put photographs or scraps from magazines in that represent your creative dreams. Draw, scribble, or paint in between the images. Make a list of creative dreams you've thought of or admire in others.
Books aren’t made in the way that babies are: they are made like pyramids, There’s some long-pondered plan, and then great blocks of stone are placed one on top of the other, and it’s back-breaking, sweaty, time consuming work. And all to no purpose! It just stands like that in the desert! But it towers over it prodigiously. Jackals piss at the base of it, and bourgeois clamber to the top of it, etc. Continue this comparison.
Swoopers write a story quickly, higgledy-piggledy, crinkum-crankum, any which way. Then they go over it again painstakingly, fixing everything that is just plain awful or doesn’t work. Bashers go one sentence at a time, getting it exactly right before they go on to the next one. When they’re done they’re done.
Initially, I feel expansive when I try something new, and then contract as soon as I encounter difficulty or the unknown. I am learning to experiment with my tolerance of difficulty and the not knowing, in order to go further with my creative dreams.Whenever I experience contraction, I explore it by asking, "Where did I stop and why?" Building a creative dream life is not just about achieving, succeeding, or "meeting goals." It is also about floundering, stumbling, tripping and failing.
A creative writing teacher at San Jose State used to say about clichés: 'Avoid them like the plague.' Then he'd laugh at his own joke. The class laughed along with him, but I always thought clichés got a bum rap. Because, often, they're dead-on. But the aptness of the clichéd saying is overshadowed by the nature of the saying as a cliché.
You know, they ask me if I were on a desert island and I knew nobody would ever see what I wrote, would I go on writing. My answer is most emphatically yes. I would go on writing for company. Because I'm creating an imaginary — it's always imaginary — world in which I would like to live.)
A writer or any artist can’t expect to be embraced by the people. I've done records where it seemed like no one listened to them. You write poetry books that maybe 50 people read. And you just keep doing your work because you have to, because it’s your calling.But it’s beautiful to be embraced by the people.Some people have said to me, “Well, don’t you think that kind of success spoils one as an artist? If you’re a punk rocker, you don’t want to have a hit record…”And I say to them, “Fuck you!” One does their work for the people. And the more people you can touch, the more wonderful it is. You don’t do your work and say, “I only want the cool people to read it.” You want everyone to be transported, or hopefully inspired by it.When I was really young, William Burroughs told me, “Build a good name. Keep your name clean. Don’t make compromises. Don’t worry about making a bunch of money or being successful. Be concerned with doing good work. And make the right choices and protect your work. And if you can build a good name, eventually that name will be its own currency.
The act of writing itself is much like the construction of a mirror made of words. Looking at certain illuminated corners of or cracks within the mirror, the author can see fragments of an objective reality that comprise the physical universe, social communities, political dynamics, and other facets of human existence. Looking in certain other corners of the same mirror, he or she may experience glimpses of a True Self sheltered deftly behind a mask of public proprieties.
Everything in art depends on execution: the story of a louse can be as beautiful as the story of Alexander. You must write according to your feelings, be sure those feelings are true, and let everything else go hang. When a line is good it ceases to belong to any school. A line of prose must be as immutable as a line of poetry.
It had been startling and disappointing to me to find out that story books had been written by people, that books were not natural wonders, coming up of themselves like grass. Yet regardless of where they come from, I cannot remember a time when I was not in love with them -- with the books themselves, cover and binding and the paper they were printed on, with their smell and their weight and with their possession in my arms, captured and carried off to myself. Still illiterate, I was ready for them, committed to all the reading I could give them ...
A Gift for YouI send you...The gift of a letter from your wise self. This is the part of you that sees you with benevolent, loving eyes. You find this letter in a thick envelope with your name on it, and the word YES written boldly above your name.My Dear,I am writing this to remind you of your 'essence beauty.' This is the part of you that has nothing to do with age, occupation, weight, history, or pain. This is the soft, untouched, indelible you. You can love yourself in this moment, no matter what you have, or haven't done or been. See past any masks, devices, or inventions that obscure your essence.Remember your true purpose, WHICH is only Love.If you cannot see or feel love, lie down now and cry; it will cleanse your vision and free your heart.I love you; I am you.
Why Dream?Life is a difficult assignment. We are fragile creatures, expected to function at high rates of speed, and asked to accomplish great and small things each day. These daily activities take enormous amounts of energy. Most things are out of our control. We are surrounded by danger, frustration, grief, and insanity as well as love, hope, ecstasy, and wonder. Being fully human is an exercise in humility, suffering, grace, and great humor. Things and people all around us die, get broken, or are lost. There is no safety or guarantees.The way to accomplish the assignment of truly living is to engage fully, richly, and deeply in the living of your dreams. We are made to dream and to live those dreams.
A deadline is, simply put, optimism in its most kick-ass form. It's a potent force that, when wielded with respect, will level any obstacle in its path. This is especially true when it comes to creative pursuits.
A Gift for YouI send you...A cottage retreat on a hill in Ireland. This cottage is filled with fresh flowers, art supplies, and a double-wide chaise lounge in front of a wood-burning fireplace. There is a cabinet near the front door, where your favorite meals appear, several times a day. Desserts are plentiful and calorie free. The closet is stocked with colorful robes and pajamas, and a painting in the bedroom slides aside to reveal a plasma television screen with every movie you've ever wanted to watch. A wooden mailbox at the end of the lane is filled daily with beguiling invitations to tea parties, horse-and-carriage rides, theatrical performances, and violin concerts. There is no obligation or need to respond. You sleep deeply and peacefully each night, and feel profoundly healthy. This cottage is yours to return to at any time.
The mind travels faster than the pen; consequently, writing becomes a question of learning to make occasional wing shots, bringing down the bird of thought as it flashes by. A writer is a gunner, sometimes waiting in the blind for something to come in, sometimes roaming the countryside hoping to scare something up.
Building your "dream life" is filled with things that can feel like the opposite of a dream:MistakesDelaysStarting overFailureThe building part is actually more of a rebuilding that is a continual process. The building is not linear in nature but far more interesting. You might start a creative dream, take the "next step", and find yourself completely bored, dissatisfied, or just not inspired.
Identifying Your DreamSome people can easily identify one primary dream. For others, a dream is more elusive. These people often have many dreams at once, or a general idea of a dream that never takes a specific shape.
Inside CriticsThe critical voices in our own heads are far more vicious than what we might hear from the outside. Our "inside critics" have intimate knowledge of us and can zero in on our weakest spots. You might be told by the critics that you're too fat, too old, too young, not intelligent enough, a quitter, not logical, prone to try too many things...It's all balderdash!Some elements of these may be true, and it's completely up to you how they affect you. Inside critics are really just trying to protect you. You can:Learn to dialogue with them.Give them new jobs.Turn them into allies.You can also dismantle/exterminate them.
People wonder why so many writers come to live in Paris. I’ve been living ten years in Paris and the answer seems simple to me: because it’s the best place to pick ideas. Just like Italy, Spain.. or Iran are the best places to pick saffron. If you want to pick opium poppies you go to Burma or South-East Asia. And if you want to pick novel ideas, you go to Paris.
Obviously, a rigid, blinkered, absolutist world view is the easiest to keep hold of, whereas the fluid, uncertain, metamorphic picture I've always carried about is rather more vulnerable. Yet I must cling with all my might to … my own soul; must hold on to its mischievous, iconoclastic, out-of-step clown-instincts, no matter how great the storm. And if that plunges me into contradiction and paradox, so be it; I've lived in that messy ocean all my life. I've fished in it for my art. This turbulent sea was the sea outside my bedroom window in Bombay. It is the sea by which I was born, and which I carry within me wherever I go.
This is the other secret that real artists know and wannabe writers don’t. When we sit down each day and do our work, power concentrates around us. The Muse takes note of our dedication. She approves. We have earned favor in her sight. When we sit down and work, we become like a magnetized rod that attracts iron filings. Ideas come. Insights accrete.
Fueled by my inspiration, I ran across the room to steal the cup of coffee the bookshelf had taken prisoner. Lapping the black watery brew like a hyena, I tossed the empty cup aside. I then returned to the chair to continue my divine act of creation. Hot blood swished in my head as my mighty pen stole across the page.
Don't always be appraising yourself, wondering if you are better or worse than other writers. "I will not Reason and Compare," said Blake; "my business is to Create." Besides, since you are like no other being ever created since the beginning of Time, you are incomparable.
Inside" ChildrenInside each of us are the children we were at each developmental stage. With regard to our creative dreams, these inside children can prevent us from living them by "acting out" in order to try to get our attention. Your inner 5-year-old is not going to patiently wait as you learn intricate metalworking techniques or study impressionist painting. Yet, your inner 10-year-old may be perfectly suited to learn and observe new skills.What's really needed is parenting of these inside children so that we bring them to age-appropriate activities.
I know that life is busy and hard and that there's crushing pressure to just settle down and get a real job and khaki pants and a haircut. But don't. Please don't. Please keep believing that life can be better, brighter, broader because of the art that you make. Please keep demonstrating the courage that it takes to swim upstream in a world that prefers putting away for retirement to putting pen to paper, that chooses practicality over poetry, that values you more for going to the gym than going to the deepest places in your soul. Please keep making your art for people like me, people who need the magic and imagination and honesty of great art to make the day-to-day world a little more bearable.
You have to find your own shtick. A Picasso always looks like Picasso painted it. Hemingway always sounds like Hemingway. A Beethoven symphony always sounds like a Beethoven symphony. Part of being a master is learning how to sing in nobody else's voice but your own.
When talented people write badly, it's generally for one of two reasons: Either they're blinded by an idea they feel compelled to prove of they're driven by an emotion they must express. When talented people write well, it is generally for this reason: They're moved by a desire to touch the audience.
The best thing to do is to loosen my grip on my pen and let it go wandering about until it finds an entrance. There must be one – everything depends on the circumstances, a rule applicable as much to literary style as to life. Each word tugs another one along, one idea another, and that is how books, governments and revolutions are made – some even say that is how Nature created her species.
The best literature is always a take [in the musical sense]; there is an implicit risk in its execution, a margin of danger that is the pleasure of the flight, of the love, carrying with it a tangible loss but also a total engagement that, on another level, lends the theater its unparalleled imperfection faced with the perfection of film.I don’t want to write anything but takes.
The imagination doesn’t crop annually like a reliable fruit tree. The writer has to gather whatever’s there: sometimes too much, sometimes too little, sometimes nothing at all. And in the years of glut there is always a slatted wooden tray in some cool, dark attic, which the writer nervously visits from time to time; and yes, oh dear, while he’s been hard at work downstairs, up in the attic there are puckering skins, warning spots, a sudden brown collapse and the sprouting of snowflakes. What can he do about it?
Very well then! I'll write, write write. He let the words soak into his mind and displace all else.A man had a choice, after all. He devoted his life to his work or to his wife and children and home. It could not be combined; not in this day and age. In this insane world where God was second to income and goodness to wealth.
he best thing to do is to loosen my grip on my pen and let it go wandering about until it finds an entrance. There must be one – everything depends on the circumstances, a rule applicable as much to literary style as to life. Each word tugs another one along, one idea another, and that is how books, governments and revolutions are made – some even say that is how Nature created her species.
To be playful is not to be trivial or frivolous, or to act as if nothing of consequence will happen. On the contrary, when we are playful… everything that happens is of consequence, for seriousness is a dread of the unpredictable outcome of open possibility. To be serious is to press for a specified conclusion. To be playful is to allow for unlimited possibility.
Because of the earth’s roundness, Genghis Khan, in the fever of possession and destruction, hastened his own overthrow by invading lands that he had already razed and conquered. Not only is it impossible to know from where we come, but also from whom we come: nothing in common, in any case, with those who pass for being the “authors of our days” – which days? Better to invent a genealogy based on pure whim and the leanings of our hearts, but what if they don’t agree?
The internet is killing the art of writing. The big "publish" button begs you to publish even before you go back and make one single edit, and as if this was not enough, you have instant readers who praise your writing skills!-
... The Book is more important than your plans for it. You have to go with what works for The Book ~ if your ideas appear hollow or forced when they are put on paper, chop them, erase them, pulverise them and start again. Don't whine when things are not going your way, because they are going the right way for The Book, which is more important. The show must go on, and so must The Book.
Editors can be stupid at times. They just ignore that author’s intention. I always try to read unabridged editions, so much is lost with cut versions of classic literature, even movies don’t make sense when they are edited too much. I love the longueurs of a book even if they seem pointless because you can get a peek into the author’s mind, a glimpse of their creative soul. I mean, how would people like it if editors came along and said to an artist, ‘Whoops, you left just a tad too much space around that lily pad there, lets crop that a bit, shall we?’. Monet would be ripping his hair out.
If you get stuck, get away from your desk. Take a walk, take a bath, go to sleep, make a pie, draw, listen to music, meditate, exercise; whatever you do, don't just stick there scowling at the problem. But don't make telephone calls or go to a party; if you do, other people's words will pour in where your lost words should be. Open a gap for them, create a space. Be patient.", 25 February 2010]
It is the most fun I’m ever going to have. I love to write. I love it. I mean, there’s nothing in the world I like better, and that includes sex, probably because I’m so very bad at it. It’s the greatest peace when I’m in a scene, and it’s just me and the character, that’s it, that’s where I want to live my life.
She preferred the quiet solitary atmosphere, to create in her own world of paint and colour, the thrill of anticipating how her works would turn out as she eyed the blank sheets of paper or canvas before starting her next masterpiece. How satisfying it was to mess around in paint gear, without having to worry about spills, starch or frills, that was the life!
Imagine in vibrant, wonderful detail your heart’s desire—a reality only you can envision, an adventure only you can direct.Then cradle your creation. Caress it. Mold it. Coddle it until it comes to life.And when your precious treasure grows so grand as to steal your breath away, set it free for all the world to experience. For that is how you live your dreams.
When reading a book, one hopes it doesn’t turn into a painful process. Predictable is bad enough. Laborious is acceptable if the labor produces fruit. But with painfully bad writing, all one can do is grab a hatchet, slice off its head, and bury it.
How dare I presume to say: He is my friend, or even, more cautiously, I think I know him? At the very most we are like two strangers meeting in the white wintry veld and sitting down together for a while to smoke a pipe before proceeding on their separate ways. No more.Alone. Alone to the very end. I… every one of us. But to have been granted the grace of meeting and touching so fleetingly: is that not the most awesome and wonderful thing one can hope for in this world?
Nothing is original. Steal from anywhere that resonates with inspiration or fuels your imagination. Devour old films, new films, music, books, paintings, photographs, poems, dreams, random conversations, architecture, bridges, street signs, trees, clouds, bodies of water, light and shadows. Select only things to steal from that speak directly to your soul. If you do this, your work (and theft) will be authentic. Authenticity is invaluable; originality is non-existent. And don’t bother concealing your thievery - celebrate it if you feel like it. In any case, always remember what Jean-Luc Godard said: “It’s not where you take things from - it’s where you take them to." #53 - Winter, January 22, 2004 ]
Steal from anywhere that resonates with inspiration or fuels your imagination. Devour old films, new film, music, books, paintings, photographs, poems, dreams, random conversations, architecture, bridges, street signs, trees, clouds, bodies of water, light and shadows. Select only things to steal from that speak directly to your soul.
Marijuana enhances our mind in a way that enables us to take a different perspective from 'high up', to see and evaluate our own lives and the lives of others in a privileged way. Maybe this euphoric and elevating feeling of the ability to step outsidethe box and to look at life’s patterns from this high perspective is the inspiration behind the slang term “high” itself.
Is being burnt a requisite for the making of art? Personally, I don't think it is. But art is poultice for a burn. It is a privilege to have, somewhere within you, a capacity for making something speak from your own seared experience.
Novelty and Security: the security of novelty, the novelty of security. Always the full thing, the whole subject, the true subject, stood just behind the one you found yourself contemplating. The trick, but it wasn't a trick, was to take up at once the thing you saw and the reason you saw it as well; to always bite off more than you could chew, and then chew it. If it were self-indulgence for him to cut and polish his semiprecious memories, and yet seem like danger, like a struggle he was unfit for, then self-indulgence was a potent force, he must examine it, he must reckon with it.
The words of his various writing instructors and professional mentors over the years came back to him at times like these, and he found a new understanding in their advice: Writing is rewriting. The rough draft is just that. You can’t polish what you haven’t written. Things that made for a normal life—like a daily routine that followed the sun—took a back seat to times like these, and he exulted in that change because it served as proof that his writing was indeed the most important thing in his life. It wasn’t a conscious choice on his part, like deciding to repaint the bathroom or go buy the groceries, but an overarching reallocation of his existence that was as undeniable as breathing. Day turned into night, breakfast turned into dinner, and the laptop or the writing tablet beckoned even when he was asleep. He would often awake with a new idea—as if he’d merely been on a break and not unconscious—and he would see the empty seat before the desk not as his station in some pointless assembly line, but as the pilot’s seat in a ship that could go anywhere.
I don't sit around waiting for passion to strike me. I keep working steadily, because I believe it is our privilege as humans to keep making things. Most of all, I keep working because I trust that creativity is always trying to find me, even when I have lost sight of it.
A definition of a term indicates its original meaning from the language the person reads, writes and speaks in daily life settings. However, an intellectual persons interpretation and perspective can modify its context so he or she can sound creative and compelling when he or she educates his or her audience by forming a connection with a particular vocabulary word scholars/ innovative thinkers would use specifically in a particular field of study.
In every possibility of a mind May you travel, yet not blind. As a head filled with imagination, Goes a heart full of gold creation, It's never late to have a dream. Nor is it so far away as it seems, And, like a rearview mirror reveals, Thus a fantasy soon becomes real. It may be closer than it appears. Or at least it will show up clear. Never give up a dream for fear!
With Bruford, the album was One Of A Kind. All-instrumental, it possessed the kind of focused vision that allowed for no ifs or buts. With the unnerving confidence of youth, it had This Is What We Do And This Is How We Do It stamped all over it.
Creativity is paradoxical. To create, a person must have knowledge but forget the knowledge, must see unexpected connections in things but not have a mental disorder, must work hard but spend time doing nothing as information incubates, must create many ideas yet most of them are useless, must look at the same thing as everyone else, yet see something different, must desire success but embrace failure, must be persistent but not stubborn, and must listen to experts but know how to disregard them.", December 6, 2011)]
Your Core Values are the "glue" that holds your business together.
Be creative while inventing ideas, but be disciplined while implementing them.
Knowledge was scattered treasure, education organized it into art, commerce and science.
As Aristotle said, 'Excellence is a habit.' I would say furthermore that excellence is made constant through the feeling that comes right after one has completed a work which he himself finds undeniably awe-inspiring. He only wants to relax until he's ready to renew such a feeling all over again because to him, all else has become absolutely trivial.
Get off the treadmill of consumption, replication, and mediocrity. Begin lifting the weights of creativity, originality, and success.
Every man has a specific skill, whether it is discovered or not, that more readily and naturally comes to him than it would to another, and his own should be sought and polished. He excels best in his niche - originality loses its authenticity in one's efforts to obtain originality.
Leaders don’t hide good news from their followers. As long as they discover knowledge, they share knowledge. They leave part of them with people they meet; hence they are hardly missed when they are gone.
You don’t miss great leaders because their impacts and footprints are always staring at you in the face.
Human beings have an extraordinary capacity to imagine possibilities and then turn those possibilities into realities. Evident in the gifts of civilization—in our arts, languages, sciences, technologies, businesses, governments, and so on—it is clear that we are a profoundly creative species. Yet many of us only access a smidgen of our creativity.
It is, in fact, nothing short of a miracle that the modern methods of instruction have not yet entirely strangled the holy curiosity of inquiry; for this delicate little plant, aside from stimulation, stands mainly in need of freedom. Without this it goes to wrack and ruin without fail.
We have to go from what is essentially an industrial model of education, a manufacturing model, which is based on linearity and conformity and batching people. We have to move to a model that is based more on principles of agriculture. We have to recognize that human flourishing is not a mechanical process; it's an organic process. And you cannot predict the outcome of human development. All you can do, like a farmer, is create the conditions under which they will begin to flourish.
The fact that they were there as students presumed they did not know what was good or bad. That was his job as instructor...to tell them what was good or bad. The whole idea of individual creativity and expression in the classroom was really basically opposed to the whole idea of the University.
Memories of the past are what drive us, whether to a life of beauty or a life of insanity is up to us.
In the end all the puzzles of your life will be solved ,until then... laugh at the scepticism, live for the moment and remember everything happens for a reason.
Strong people don't put others down. They lift them up and slam them on the ground for maximum damage.
Every interaction is an opportunity to learn, Only if we are interested in improving rather than proving.
Life is a university, you will keep learning new things all the time. The tombstone will be your degree.Make sure it's worth a fortune for those who admire you.
Life's too short to wake up in the morning with regrets, So ... Love the people who treat you right and pray for the ones who don't. Life is 10% what you make it 90% how you take it.
Life is about the moments you create, that you can keep it with you FOREVER. After everything is over,That is what we have or what we are left with.
A person with good heart is always happy. However its a myth because most of the time his heart is full of wounds as it except only good thing from others still he love the people who treat it right & pray for the ones who don't
Life is about the moments you create,that you can keep with you forever.After everything is over,That is what we have or what we are left with.
Love is what makes two people sit in the middle of a bench when there is plenty of room at both ends. Love means nothing in tennis,But it's everything in life
If someone talks bad about us, we feel bad. If someone talks good about us we feel good. The question is ,Have we given our remote to others for the way we feel?Live your life in your way!!!!!!!!!!!!!!
For a happy life,it's best we should ignore &overlook things,people,incidents,affairs & matters.It is not necessary that we show a reaction to everything. Step back & ask yourself if the matter is really worth responding to.
If we try to see something positive in everything we do, life won't necessarily become easier but it becomes more valuable.
A lot of pain that we are dealing with are really only THOUGHTS.
The most important subject in the curriculum in the future years will be how to love ourselves and be content.
Literacy rate tells us about the section of society who can read and write, but do we have a tool which can share the stats about out how many educated illiterates we have in our society.
Tenderhearted people are silent sufferers they just learn the art to fly with broken wings.
There's a story behind every "I don't believe in love""Period
Its not your fault for not being there.Its my fault for thinking you would be
We live in a society where every business has a huge scope. Even if you open a shop selling snakes people will buy it. Thinking they will direct them to their neighbors house.
Through most of human history, our ancestors had children shortly after puberty, just as the members of all nonhuman species do to this day. Whether we like the idea or not, our young ancestors must have been capable of providing for their offspring, defending their families from predators, cooperating with others, and in most other respects functioning fully as adults. If they couldn't function as adults, their young could not have survived, which would have meant the swift demise of the human race. The fact that we're still here suggests that most young people are probably far more capable than we think they are. Somewhere along the line, we lost sight of – and buried – the potential of our teens.
As long as high schools strive to list the number of Ivy League schools their graduates attend and teachers pile on work without being trained to identify stress-related symptoms, I fear for our children’s health. I am not mollified by the alums of my daughter’s school who return to tell everyone that the rigor of high school prepared them for college, making their first year easier than they’d anticipated.If they make it that far.
The trouble with you is that the only way you can communicate is through art. You’ve never learned to communicate your feelings to a man. You don’t even want to communicate in a relationship. You think that if you open up to love, you’ll lose your independence or your self-expression or creativity or whatever you call all that passionate, wonderful stuff that makes you feel alive inside.
I had a day when I was busy in the world, where the activity created a turmoil on the surface of my consciousness like waves on the surface of the ocean, which made it difficult to see through the waves to the inner silence. It reminded me that we need to develop both the capacity to use the mind when engaged in activity and social relations, and to be able to let go of the activity and to come in contact with the deep inner silence. The relationship between being active in the world and in social relations and the inner silence is like the relationship between the waves on the surface of the ocean and the deep inner silence on the bottom of the ocean.
Create your own path.Don't blindly follow the massess... because most of the time the "M" is silent.
Your friends can be double-edged knife thy can either nurture you or destroy you. Choose them Wisely......
Growing older doesn't mean that you are more mature than everyone who is younger than you. Maturity is a lot of things, and age has nothing to do with it.
Imagination can turn any situation into a positive situation. Let your creativity run wild. Let yourself create new worlds, new times and new thoughts. Don't think yourself immature for having fun in dull times. Let that creativity flow into your everyday life and create beautiful new experiences.
His body and his soul appeared to have the strange ability to repel the hours, just as, inversely, a magnet attracts metal. Everything spun about him and fled; he was always the sole centre of an enormous circumference. He kept moving forwards, body and soul, in the hope of coming close to what fled at his approach. The same thing happened with time – his position remained constant in relation to the thing which, however hard he tried to clasp it to him, stole away from him and bounded into the distance. He was the one who had no incriminating papers in his drawers, who could show his diary to anyone. He was a creator. Perhaps that was why his life did not exist
Lyotard develops and extends Weber's argument regarding the disenchantment of art to suggest the Western culture increasingly obeys an instrumental logic of performance and control, one that imposes order on the free play of the imagination and subordinates creative thought to the demands of the capitalist market. And, for Lyotard, the effects of this process are consistent with those outlined in Weber's work, namely the progressive elimination of ritual or religious forms of art, the restriction of creative forms by an instrumental (capitalist) rationality, and with this the denigration of value-rational artistic practice.
The neural processes underlying that which we call creativity have nothing to do with rationality. That is to say, if we look at how the brain generates creativity, we will see that it is not a rational process at all; creativity is not born out of reasoning.
[One way] researchers sometimes evaluate people's judgments is to compare those judgments with those of more mature or experienced individuals. This method has its limitations too, because mature or experienced individuals are sometimes so set in their ways that they can't properly evaluate new or unique conditions or adopt new approaches to solving problems.
Cultural wisdom says 'Don't quit your day job.' Yet I think these desires represent our psyche's stretch toward wholeness. And to be whole, as many religious tranditions teach, is to make manifest a unique face of God in the world. We don't want to be irresponsible, yet for every accountant who deserts his family and sails for Tahiti, ten American men have heart attacks at their desks, after hours.
Creativity is one of your greatest gifts. It resides deep inside you impacting your every thought. It is attached to a never ending source and is one of the main aspects of who you are. Your very essence is as a creator. No one creates exactly like you do. Your thoughts and actions color the world.
There is the inner life, which is the world of final reality, the world of memory, emotion, imagination, intelligence, and natural common sense, and which goes on all the time like the heartbeat. There is also the thinking process by which we break into that inner life and capture answers and evidence to support the answers out of it. That process of raid, or persuasion, or ambush, or dogged hunting, or surrender, is the kind of thinking we have to learn and if we do not somehow learn it, then our minds lie in us like the fish in the pond of a man who cannot fish.
There is no excuse good enough to ever be out of alignment with love. You’re going to get hurt, and you will feel pain. Yet your purpose is to keep loving, anyway. Keep moving forward with an open heart. Love is a Divine gift given to humanity. Wasting it is no longer an option. Love is what brings light to a dark place. Love is what transforms a dying world into a thriving planet.
If I could remove one thing from the world and replace it with something else, I would erase politics and put art in its place. That way, art teachers would rule the world. And since art is the most supreme form of love, beautiful colors and imagery would weave bridges for peace wherever there are walls. Artists, who are naturally heart-driven, would decorate the world with their love, and in that love — poverty, hunger, lines of division, and wars would vanish from the earth forever. Children of the earth would then be free to play, imagine, create, build and grow without bloodshed, terror and fear.
No! I don't want to speak of that! But I'm going to. I want you to hear. I want you to know what's in store for you. There will be days when you'll look at your hands and you'll want to take something and smash every bone in them, because they'll be taunting you with what they could do, if you found a chance for them to do it, and you can't find that chance, and you can't bear your living body because it has failed those hands somewhere. There will be days when a bus driver will snap at you as you enter a bus, and he'll be only asking for a dime, but that won't be what you hear; you'll hear that you're nothing, that he's laughing at you, that it's written on your forehead, that thing they hate you for. There will be days when you'll stand in the corner of a hall and listen to a creature on a platform talking about buildings, about the work you love, and the things he'll say will make you wait for somebody to rise and crack him open between two thumbnails; and then you'll hear people applauding him, and you'll want to scream, because you won't know whether they're real or you are, whether you're in a room full of gored skulls, or whether someone has just emptied your own head, and you'll say nothing, because the sounds you could make - they're not a language in that room any longer; but you'd want to speak, you won't anyway, because you'll be brushed aside, you who have nothing to tell them about buildings! Is that what you want?
Creativity takes courage. Not just once, but consistently. Without courage we cannot be creative. Without feeling fear at some point we will not reach our creative potential. From first putting paint on paper through to selling our work on a worldwide stage there is plenty to be scared of. But this is where creativity lives – on the edge of our comfort zones.
Many of us learned to repress our creativity. We were told it was secondary to more important skills. The good news is that many of us have untapped gifts just waiting to be expressed. You owe it to yourself to uncover and express your gifts
Wisdom is knowing the right thing to do and doing it at the right time to get the desired result. It is also the correct application of knowledge.
There is no gift of principles, you must apply them if you want to move forward.
You cannot occupy a proper place on earth without wisdom. It is the principal thing you must have.
Every crisis is a wisdom crisis. If you have no peace around you then you lack wisdom.
A lot of people pray for power, house, financial breakthrough, wealth etc. But only few ask God for wisdom. There are so many great power pack man and women of God who lack wisdom.
That you are a born again Christian does not mean you will automatically succeed except you follow God's principles. Never forget faith without good work is dead.
You cannot have a dream and expect someone else's faith to make it a reality for you. Habakuk 2:4
Have you ever reached to a point where you asked God if the assignment is really from Him. In your account you have just 100 dollars and He is asking you to execute a 400 million dollar project. Have you reached to the point that you consider going further will make no sense? Have you reached the point where you asked God are you sure you are still with me?I just found myself in that Junction now. Turning back ....to realise I have gone too far for Him to forsake me. Moving forward I heard the voice saying ...be still and know that I am your God. Giving up.....Couldn't find it in my dictionary.Moral of the lesson. God cannot give you an assignment that is equal to your pocket. If it suits your pocket it is definitely not from God. Remember God will not take glory where nothing happen.
God's word will produce with your level of understanding. The much you can understand it, the more wisdom you are privileged to have.
The money you are looking for is not in any country, phd or your designer outlook, it is in wisdom. Solomon never prayed for wealth but he asked for wisdom.
Wisdom cannot be bought from the walmart, it can only come from the Holy Spirit of God.
A man with wisdom will always have a solution no matter how big his challenges may be. Wisdom makes you a problem solver.
There are too many stars in the sky and none of them is overshadowing the other. Don't let anybody be a threat to your growth.
School does not make people, it is learning that makes people great, that is why you see first class students fail and poor. The world is not ruled by those who went to school, it is ruled by those who learn everyday.
Understand something people, we will be hated by many in the name of Christ, ridiculed, mocked, stoned, slaughtered. We will be fined, jailed and killed for our love for Christ. You are supposed to see better with your eyes today, how close this is happening, just prepare your heart and soul to be braver than Peter and not deny Christ in the moment your life might be in jeopardy for Him and what you believe. Apostle Pauls says to live is Christ to die is gain.
If you want to see the beauty of any fish, throw it into the water, you will see how best it can swim because that is its source. Do you want to see the beauty in you? Don't look in the mirror, don't put on makeups, no jewelleries or expensive designer clothes, just go back and reconnect to your source and I bet, the best of you will show up. Until you return back to God, your best won't come out because He is your source.
Wisdom is the mother of solutions. You cannot upgrade in wisdom and lack solutions and you cannot have a wisdom and be stranded in any challenge you face.
If want to become a person with vision, get back and reconnect to your source.
Negative prophecies are reversible. The Lord reveals to conquer. You are created to reverse any negative with your prayers and the word of God.
Even with fasting and prayers you still need wisdom. At the root of every great accomplishment is wisdom. In all your getting get wisdom first.
You cannot use another man's leg to run your race. Wives stop waiting for your husbands to do everything. For God's sake make an impact. Nobody is a threat to your development.
I am the most important person to me. I am the most important person in the entire universe to me. I am the centre of my own universe.
Faith is never connected to safe. There is no faith without tension. For a rubber band to function to it's elasticity, it has to experience a tension. Saints of God who has no tension has no function.
People would want to get safe and come to Christ because they see the evidence in your life not because you quote the scriptures to them.
There's supposed to be more value in your life than spending more than sixty hours in a week in a place you don't care about and in an environment they don't care about you.
If satan succeds in blinding your mind, he has succeeded in arresting you because anything that can stop you from believing can stop your future.
No satan can unsettle what God has settled.
Without you discovering your true picture, it will be hard to have a glorious future. It is the discovery of what you have inside and the pursuit of it that can guarantee a glorious future
If knowledge is lacking, your destruction is inevitable. Hosea 4:6
It is impossible to enjoy divine protection without the word of God. You must be a word addict.
The church preach so much about power in the kingdom of God but we don't talk about wisdom. Everybody goes for power forgeting that power without wisdom can be disastrous.
Blind minds are worst than blind eyes. That you have eyes does not mean that you have vision. Visionaries do not look they see whlie people look.
Do you want to acquire God's own wisdom? Relate with the Holy Spirit. Be a seeker of divine guidance by the Holy Spirit. You can't be a man or woman of solution without God.
The world is full of problems and I bet you the problems will continue to exist but what will make you relevant to the world is when you have answers to the questions the world asks. You can only be useful when you have the answers to the questions of the world. The best way you provide solutions and answers to those challenges is through wisdom.
People with vision sees opportunity where there is problem. They see money not problem.
I think it will be better if we can live our life as if Christ is going to return today and plan our live as if it is hundred years off. Keep living, serving and most of all be prepared.
Wherever problem persist, wisdom is lacking. There is no problem anywhere except wisdom problem. Wisdom provides solutions where there is complications.
The devil comes to steal, kill and destroy and his followers do the same. Be watchful and keep that in mind.
When wisdom comes, transformation comes. Wisdom makes the difference between the succeeding man and the failing man.
Even though it may look like the wicked is gaining ground, God is still in control. We need to pray for our nations, pray for others, pray for forgiveness and mercy over people. We need to love no matter who we are talking to, whether they are Atheist, Moslems, Lesbians, Homosexuals or Pagans. We need to love them and share the love of God with them and not judge and see if we can rebuild our broken nations.
Poor means when we lack things in our lives. There are two types of poverty. ...those that need food and shelter and those that need God in their lives. We are called to service to help both group of people as much as we can.
Hope, strive and try to be more like Christ until the day we will see Him. Let Him find you faithfully and in obedient serving Him. He is coming quicker than people think.
I have the mind of Christ. The best life you could ever live is the one that your creator destined you for. The one He made you for. He has given us everything we need ......... to become like Him. To reach to your potentials. Worship Him in spirit and in truth.
Rebuilding is something that is practically difficult than starting over from nothing.
No man's advice can change you unless you speak to yourself. Bible school or seminars can't change you, going to church can't change you except you decide to change.Psalm 139:23 - 24
This day is full of extraordinary things that you are missing. Wonderful sights, like the sun on your counterpane, the hairs on your cat's tail, the cracks in the paint on your radiator, the leaves piling up against the curve. Wonderful smells, wonderful sounds. Wonderful people. Wonderful opportunities. Today is wonderful. But perhaps you have lost your sense of wonder.
An artist is someone who sees and feels realty very intensely. Creativity doesn't mean just making things up out of thin air. It means seeing and feeling the world so vividly that you can put together connections and patterns that help to explain reality. It means you see the beauty in the world rather than trying to hide from it.
Create. Not for the money. Not for the fame. Not for the recognition. But for the pure joy of creating something and sharing it.
I write because the security of your love allows me to develop my craft without concerning myself with trivialities — as if your love could be any more complete. But I write, in the first place,because of you, my muse. I write for your green eyes to glance at my humble words and for the pleasure of hearing you utter them.
We must account for the life that we lived. A person inevitably will ask himself or herself on their deathbed, ‘what was the aim of my life,’ ‘what did I accomplish,’ ‘what did I not accomplish,’ ‘what would I alter if I could live my life all over again’? What we discover on our deathbeds is that material luxuries afford no solace. We cannot purchase, possess, or legally acquire what is pure: love, beauty, truth, goodness, and imagination.
It's is not enough just to follow your heart. Use it in every breath and in each step. Meet and greet everyone with it. Put it into all you do, every dish you eat and all you create. Then your life and those of those you come into contact with will be truly rich - beyond material and transient things.
There are two kinds of people. One kind, you can just tell by looking at them at what point they congealed into their final selves. It might be a very nice self, but you know you can expect no more suprises from it. Whereas, the other kind keep moving, changing... They are fluid. They keep moving forward and making new trysts with life, and the motion of it keeps them young. In my opinion, they are the only people who are still alive. You must be constantly on your guard against congealing.
I see this as the central issue of our time: how to find a substitute for war in human ingenuity, imagination, courage, sacrifice, patience...War is not inevitable, however persistent it is, however long a history it has in human affairs. It does not come out of some instinctive human need. It is manufactured by political leaders, who then must make a tremendous effort--by enticement, by propaganda, by coercion--to mobilize a normally reluctant population to go to war.
We need to cease allowing the past to define us. We are evolving as a human race, and just because war and aggressive competition has always been a part of our heritage, that doesn’t mean we are forever destined to war and engage in aggressive competition.We are moving forward to a time when the heart will guide us. We once had to fight to survive, and some still do. Yet now it is time to lay down our weapons and open our hearts to the expansive potential of human compassion and creativity.Where our attention goes, energy flows. Do we continue to focus on opposition and give it our energy? Or do we begin to focus our energy on our own authentic freedom to shine and help to illuminate the world? The choice is ours.There are no mistakes – you are exactly where you need to be, and you were born with the precise gifts needed to transform a dying world into a thriving planet.
Ha-ha!' the fox laughed. '*Just* stories, you say, as if stories mean nothing? Stories are the stuff that sticks the world together. Stories are the mud from which we're all made. The power to imagine stories is the power to remake the world as we dream it.
But the great artists like Michelangelo and Blake and Tolstoi--like Christ whom Blake called an artist because he had one of the most creative imaginations that ever was on earth--do not want security, egoistic or materialistic. Why, it never occurs to them. "Be not anxious for the morrow," and "which of you being anxious can add one cubit to his stature?"So they dare to be idle, i.e. not to be pressed and duty-driven all the time. They dare to love people even when they are very bad, and they dare not to try and dominate others to show them what they must do for their own good.
When the woman you live with is an artist, every day is a surprise. Clare has turned the second bedroom into a wonder cabinet, full of small sculptures and drawings pinned up on every inch of wall space. There are coils of wire and rolls of paper tucked into shelves and drawers. The sculptures remind me of kites, or model airplanes. I say this to Clare one evening, standing in the doorway of her studio in my suit and tie, home from work, about to begin making dinner, and she throws one at me; it flies surprisingly well, and soon we are standing at opposite ends of the hall, tossing tiny sculptures at each other, testing their aerodynamics. The next day I come home to find that Clare has created a flock of paper and wire birds, which are hanging from the ceiling in the living room. A week later our bedroom windows are full of abstract blue translucent shapes that the sun throws across the room onto the walls, making a sky for the bird shapes Clare has painted there. It's beautiful. The next evening I'm standing in the doorway of Clare's studio, watching her finish drawing a thicket of black lines around a little red bird. Suddenly I see Clare, in her small room, closed in by all her stuff, and I realize that she's trying to say something, and I know what I have to do.
Be very attentive towards the child’s evolving World of Senses that needs Stability, Routine, & Structure, World of Emotions that needs Love, Freedom & Creativity and World of Thoughts that needs Discrimination as an Ability to choose Right Thinking, Emotions, Behaviour.
Absolute freedom comes when we make the choice to wake up and master our individual minds, bodies, hearts, and spirits. When we have this true freedom, we no longer act upon our impulsive thoughts or emotions. We gain the capability of controlling them within ourselves, which unlocks our greatest potential to create, transmute, and transcend the Mundane reality.
Unhappiness and dissatisfaction with life are common themes in the American culture today.Folks sometimes mistake my meaning when I say, “You have the freedom of choice and the ability to create your best life”, because they all too often rush to drop everything that is weighing them down. They quit the job, ditch the unhappy marriage, cut out negative friends and family, get out of Dodge, etc. I do not advocate such hastiness; in fact, I believe that rash decision-making leads to more problems further down the road. Another unsatisfying job manifests; another unhappy relationship results. These people want a new environment, yet the same negative energy always seems to occupy it. This is because transformation is all about the internal shift, not the external. Any blame placed on outside sources for our unhappiness will forever perpetuate that unhappiness. Pointing the finger is giving away your power of choice and the ability to create our best life. We choose: “That person is making me unhappy” vs. “I make myself happy.” When you are in unhappy times of lack and feelings of separation – great! Sit there and be with it. Find ways to be content with little. Find ways to be happy with your Self. As we reflect on the lives of mystics past and present, it is not the things they possess or the relationships they share that bring them enlightenment – their light is within. The same light can bring us unwavering happiness (joy). Love, Peace, Joy – these three things all come from within and have an unwavering flame – life source – that is not dependent on the conditions of the outside world. This knowing is the power and wisdom that the mystics teach us that we are all capable of achieving. When I say, “You have the freedom of choice and the ability to create your best life”, I am not referring to external conditions; I am referring to the choice you have to look inward and discover the ability to transform the lead of the soul into gold. Transformation is an inner journey of the soul. Why? Because, as we mentioned above, wherever we go, ourselves go with us. Thus, quitting the job, dumping relationships, etc. will not make us happy because we have forgotten the key factor that makes or breaks our happiness: ourselves. When we find, create, and maintain peace, joy, and love within ourselves, we then gain the ability to embrace the external world with the same emotions, perspective, and vibration. This ability is a form of enlightenment. It is the modern man’s enlightenment that transforms an unsatisfying life into one of fulfillment.
I am wealth, prosperity, and abundance. God multiplies this and I give thanks I AM receiving more and more money everyday.
It seems obvious, looking back, that the artists of Weimar Germany and Leninist Russia lived in a much more attenuated landscape of media than ours, and their reward was that they could still believe, in good faith and without bombast, that art could morally influence the world. Today, the idea has largely been dismissed, as it must in a mass media society where art's principal social role is to be investment capital, or, in the simplest way, bullion. We still have political art, but we have no effective political art. An artist must be famous to be heard, but as he acquires fame, so his work accumulates 'value' and becomes, ipso-facto, harmless. As far as today's politics is concerned, most art aspires to the condition of Muzak. It provides the background hum for power.
It is hard to think of any work of art of which one can say 'this saved the life of one Jew, one Vietnamese, one Cambodian'. Specific books, perhaps; but as far as one can tell, no paintings or sculptures. The difference between us and the artists of the 1920's is that they they thought such a work of art could be made. Perhaps it was a certain naivete that made them think so. But it is certainly our loss that we cannot.
I have never seen battles quite as terrifyingly beautiful as the ones I fight when my mind splinters and races, to swallow me into my own madness, again.
If art is not to be life-enhancing, what is it to be? Half the world is feminine--why is there resentment at a female-oriented art? Nobody asks The Tale of Genji to be masculine! Women certainly learn a lot from books oriented toward a masculine world. Why is not the reverse also true? Or are men really so afraid of women's creativity (because they are not themselves at the center of creation, cannot bear children) that a woman writer of genius evokes murderous rage, must be brushed aside with a sneer as 'irrelevant'?
Women have sat indoors all these millions of years, so that by this time the very walls are permeated by their creative force, which has, indeed, so overcharged the capacity of bricks and mortar that it must needs harness itself to pens and brushes and business and politics.
Still, I wonder if more women artists, musicians and writers aren't household names because we don't have enough faith in our own pursuits to give ourselves the time we desperately need to be transformed by a creative vision. Maybe that glass ceiling isn't really made of glass at all, but of sticky little fingers, dishes piled in the sink, and mortgages that demand two incomes.
Anyway, there is an essential difference in gender that isn't politically correct to mention these days. Women are the ones to bear the children after all. They are the ones to nurse. They are the ones, traditionally, who care for the infants. That takes a huge amount of time.'He smiled, waiting for the applause, but something had gone wrong. There was a cold silence from the crowd...'Did you just say that women aren't creative geniuses because they have babies?''No," he said, 'No. Not because. I wouldn't say that. I love women, and not all women have babies. My wife, for one, at least not yet. But listen, we're all given a finite amount of creativity, just like we;re given a finite amount of life, and if a woman continues to spend hers creating actual life and not imaginary life, that's a glorious choice. When a woman has a baby, she's creating so much more than just a world on the page, she's creating life itself, not just a simulacrum. No matter what Shakespeare did, it's so much less than your average illiterate woman of his age who had babies. Those babies were our ancestors, necessary to make everyone here today, and no one could seriously argue that any play is worth a single human wife. I mean the history of the stage supports me here. If women have historically demonstrated less creative genius than men, it's because they're making their creations internal, spending the energies on life itself. It's a kind of bodily genius. You can't tell me that isn't at least as worthy as genius of imagination. I think we can all agree that women are just as good as men, better in many ways. But the reason for the disparity in creation, is because women have turned their creative energies inward not outward.
Art isn't only a painting. Art is anything that's creative, passionate, and personal. And great art resonates with the viewer, not only with the creator.What makes someone an artist? I don't think is has anything to do with a paintbrush. There are painters who follow the numbers, or paint billboards, or work in a small village in China, painting reproductions. These folks, while swell people, aren't artists. On the other hand, Charlie Chaplin was an artist, beyond a doubt. So is Jonathan Ive, who designed the iPod. You can be an artists who works with oil paints or marble, sure. But there are artists who work with numbers, business models, and customer conversations. Art is about intent and communication, not substances.An artists is someone who uses bravery, insight, creativity, and boldness to challenge the status quo. And an artists takes it personally.That's why Bob Dylan is an artist, but an anonymous corporate hack who dreams up Pop 40 hits on the other side of the glass is merely a marketer. That's why Tony Hsieh, founder of Zappos, is an artists, while a boiler room of telemarketers is simply a scam.Tom Peters, corporate gadfly and writer, is an artists, even though his readers are businesspeople. He's an artists because he takes a stand, he takes the work personally, and he doesn't care if someone disagrees. His art is part of him, and he feels compelled to share it with you because it's important, not because he expects you to pay him for it.Art is a personal gift that changes the recipient. The medium doesn't matter. The intent does.Art is a personal act of courage, something one human does that creates change in another.
Women, he would say, are not Muses. Muses are Muses. To confuse one with the other is to mistake the Devouring Void for the Seminal Light. Earthly Women and the Muses are ancient, sworn enemies. The battlefield is the Creative Male. On the one side is the encampment of Discordia, of Diana, of Venus located in his Heart and in his Groin. On the other is the Bastion of Calliope, Clio, Erato, Euterpe, Melpomene, Polyhymnia, Terpsichore, Thalia and Urania, in his Brain and in his Mind. The Muses are tolerant and understanding of border raids, skirmishes, and harassing maneuvers. Throughout the history of the Male Light, there have been few painters, few writers, who have not had a She Who Must Be Accommodated. For some it was their mothers. For many their wives, their mistresses, their girlfriends. For many it was their daughters, a favourite waitress, a stripper, a whore. To the Muses, they are all one. Mother, whore, wife, daughter, stripper, waitress, mistress, girlfriend.
The SECRET to unravelling Life's MYSTERIES is thinking.
Thinking makes man to be god & GOD to dwell in Man.
Think not of the fragility of life, but of the power of books, when mere words can change our lives simply by being next to each other.
A central administration enervates the nations in which it exists by incessantly diminishing their public spirit. If such an administration succeeds in convincing all the disposable resources of a people, it impairs at least the renewal of those resources.
Just because a door appears closed it does not mean that it is locked - nor that it will not open with the right heart, call or touch
While the egg yolks cooled, he directed the beaters at the egg whites, setting the mixer on high speed that sent small bubbles giggling to the side of the bowl, where a few became many until they were a white froth rising up and then lying down again in patters and ridges, leaving an intricate design like the ribs of a leaf in the wake of the beaters
As long as your work remains unwritten in your head, it has no effect on anyone. Except you. And not in a good way. Once you let your idea out of the hermetically sealed vault of your brain and out into the fresh air, it will immediately start to evolve. The minute you get it down on a piece of paper, it will change.And once you let it out of the house — once someone else gets to experience it — everything is changed.You are changed. The project is changed. The audience is changed.That’s the alchemy of art.
Individuals often turn to poetry, not only to glean strength and perspective from the words of others, but to give birth to their own poetic voices and to hold history accountable for the catastrophes rearranging their lives.
Are we creating and cultivating things that have a chance of furnishing the New Jerusalem? Will the cultural goods we devote our lives to - the food we cook and consume; the music we purchase and practice; the movies we watch and make; the enterprises we earn our paychecks from and invest our wealth in - be identified as the glory and honor of our cultural tradition? Or will they be remembered as mediocrities at best, dead-ends at worst? This is not the same as asking whether we are making "christian" culture.
A person’s work allows their character to form and provides a creative outlet for their inner world of imaginative thoughts and creative impulses. A person whom fails to find suitable work that allows their soul room to grow will quickly begin eroding into a withered and desiccated being.
As a woman lives them, she will understand more and more of these interior feminine rhythms, among them the rhythms of creativity, or birthing psychic babies and perhaps also human ones, the rhythms of solitude, of play, of rest, of sexuality, and of the hunt.
Who told you that you were naked? Who have you been listening to?..'This is a tragic reminder that we humans have the strange capacity to live a soulless life. Our inner voice was never supposed to be simply an echo. Our inner voice was always to resonate with the voice of God. Every other voice will either make us less than we were intended to be or convince us that we are more than we really are. Neither self-loathing nor self-worship helps us find our authentic voice. It is only when our inner voice responds to the voice of God that we begin to truly find to find our own voice. As critical as it is for us to understand that art is always an extension of ourselves, the creative act is also an expression of our essence. It is equally important for us to realize that our guiding narrative determines the story we tell through our lives. Our inner voice not only informs us of who we are, but affects everything we touch. And in the end, becomes the driving force through which we strive to shape the world around us. The principal creative act described in Genesis chapter 1 begins with God speaking the universe into existence. God speaks out of who He is and everything in creation is a declaration of His glory.
If you must walk in someone's shadow make sure it's your own
The only principle which will make you more content, less bitter is to live a life that has "Less excuses, more results. Less distraction, more focus. Less me, more we. Live with "Gratitude" not with "Greytitude
If critics say your work stinks it's because they want it to stink and they can make it stink by scaring you into conformity with their comfortable little standards. Standards so low that they can no longer be considered "dangerous" but set in place in their compartmental understandings.
Remember: It costs nothing to encourage an artist, and the potential benefits are staggering. A pat on the back to an artist now could one day result in your favorite film, or the cartoon you love to get stoned watching, or the song that saves your life. Discourage an artist, you get absolutely nothing in return, ever.
I am an obscure and patient pearl-fisherman who dives into the deepest waters and comes up with empty hands and a blue face. Some fatal attraction draws me down into the abysses of thought, down into those innermost recesses which never cease to fascinate the strong. I shall spend my life gazing at the ocean of art, where others voyage or fight; and from time to time I’ll entertain myself by diving for those green and yellow shells that nobody will want. So I shall keep them for myself and cover the walls of my hut with them.
We can never be entirely original, as artists or as people. The genius and vision of those who came before us is too great for us to digress from entirely. Though, as creatures that are compelled to test and surpass our own creative abilities, we must always strive for that originality in everything we do in order to move the world forward.
You love your work. God help you, you love it! And thats the curse. That's the brand on your forehead for all of them to see. You love it and they know it, and they know they have you. Do you ever look at the people in the street? Aren't you afraid of them? I am. They move past you and they wear hats and they carry bundles. But that's not the substance of them. The substance of them is hatred for any man who loves his work. That's the only kind they fear. I don't know why
There’s a temptation in our networked age to think that ideas can be developed by email and iChat. That’s crazy. Creativity comes from spontaneous meetings, from random discussions. You run into someone, you ask what they’re doing, you say ‘wow,’ and soon you’re cooking up all sorts of ideas.
O Divine Poesy, goddess, daughter of Zeus, sustain for me this song of the various-minded man who, after he had plundered the innermost citadel of hallowed Troy, was made to stay grievously about the coasts of men, the sport of their customs, good and bad, while his heart, through all the sea-faring, ached with an agony to redeem himself and bring his company safe home. Vain hope – for them. The fools! Their own witlessness cast them aside. To destroy for meat the oxen of the most exalted Sun, wherefore the Sun-god blotted out the day of their return. Make this tale live for us in all its many bearings, O Muse.” – from Homer’s Odyssey, translation by T.E. Lawrence (Lawrence of Arabia)
This is a perfectly good picture. And if I didn't know you, I would be impressed and charmed. But I do know you."He thought some more, wondering whether he dared say precisely what he felt, for he knew he could never explain exactly why the idea came to him. "It's the painting of a dutiful daughter," he said eventually, looking at her cautiously to see her reaction. "You want to please. You are always aware of what the person looking at this picture will think of it. Because of that you've missed something important. Does that make sense?"She thought, then nodded. "All right," she said grudgingly and with just a touch of despair in her voice. "You win."Julien grunted. "Have another go, then. I shall come back and come back until you figure it out.""And you'll know?""You'll know. I will merely get the benefit of it.
After two or three stanzas and several images by which he was himself astonished, his work took possession of him and he experienced the approach of what is called inspiration. At such moments the correlation of the forces controlling the artist is, as it were, stood on its head. The ascendancy is no longer with the artist or the state of mind which he is trying to express, but with language, his instrument of expression. Language, the home and dwelling of beauty and meaning, itself begins to think and speak for man and turns wholly into music, not in the sense of outward, audible sounds but by virtue of the power and momentum of its inward flow. Then, like the current of a mighty river polishing stones and turning wheels by its very movement, the flow of speech creates in passing, by the force of its own laws, rhyme and rhythm and countless other forms and formations, still more important and until now undiscovered, unconsidered and unnamed.At such moments Yury felt that the main part of his work was not being done by him but by something which was above him and controlling him: the thought and poetry of the world as it was at that moment and as it would be in the future. He was controlled by the next step it was to take in the order of its historical development; and he felt himself to be only the pretext and the pivot setting it in motion....In deciphering these scribbles he went through the usual disappointments. Last night these rough passages had astonished him and moved him to tears by certain unexpectedly successful lines. Now, on re-reading these very lines, he was saddened to find that they were strained and glaringly far-fetched.
Of course Tucker Crowe was in pain when he made [the record], but he couldn't just march into a recording studio and start howling. He'd have sounded mad and pathetic. He had to calm the rage, tame it and shape it so that it could be contained in the tight-fitting songs. Then he had to dress it up so that it sounded more like itself.
Nevertheless, what was made in the hope of transforming the world need not be rejected because it failed to do so – otherwise, one would also have to throw out a good deal of the greatest painting and poetry of the nineteenth century. An objective political failure can still work as a model of intellectual affirmation or dissent.
As an artist she finds Dick's work hopelessly naive, yet she is a lover of certain kinds of bad art, art which offers a transparency into the hopes and desires of the person who made it. Bad art makes the viewer much more active. (Years later Chris would realise that her fondness for bad art is exactly like Jane Eyre's attraction to Rochester, a mean horse-faced junkie: bad characters invite invention.
Life is a collection of memories and feelings. Mawkish sentimentally urges us to engage in artistic overtures, we yearn to share with other people a melody of rudimentary experiences and respond to a stabilizing tune strung together with a shared ethos. We walk in parallel strides with our brethren seeking out equivalent affirmations of our being. We long to shout out to the world that we once walked this earth; we seek to leave in our wake traces of our pithy habitation. Our unfilled longing propels us into committing senseless acts of self-sabotage and then we desperately seek redemption from our slippery selves by building monuments to the human spirit. We employ a bewildering blend of conscious and unconscious materials to construct synoptic testaments to our temporal existence. We labor on the canvas of our choosing to scrawl our inimitable mark, fanatically toiling to escape a sentence of total obliteration along with our impending mortality.
Intellectual work sometimes, spiritual work certainly, artistic work always — these are forces that fall within its grasp, forces that must travel beyond the realm of the hour and the restraint of the habit. Nor can the actual work be well separated from the entire life. Like the knights of the Middle Ages, there is little the creatively inclined person can do but to prepare himself, body and spirit, for the labor to come — for his adventures are all unknown. In truth, the work itself is the adventure. And no artist could go about this work, or would want to, with less than extraordinary energy and concentration. The extraordinary is what art is about.
A person does not reach the pinnacle of self-realization without relentlessly exploring the parameters of the self, exhausting their psychic energy coming to know oneself. Without society to rebel against and to sail away from, there would be no advances in civilization; there would be no need for healers and mystics, priests and artist, or shaman and writers. It is our curiosity and refusal to be satisfied with the status quo that compels us to challenge ourselves to learn and continue to grow. We only establish inner peace of mind with acceptance of the world, with the recognition of our connection to the entirety of the universe, and understanding that chaos and change are inevitable. We must also love because without love there are no acts of creation. Without love, humankind is a spasmodic pool of brutality and suffering. Love is a balm. It cures human aches and pains; it unites couples, families, and cultures. Love is a creative force, without love there is no art or religion. Art expresses thought and feelings, an articulation of adore and reverence.
Art doesn’t give rise to anything in us that isn’t already there. It simply stirs our curious consciousness and sparks a fire that illuminates who we have always wanted to be.
All great talents are never found in rich exquisite locales with perfect setting that enhance their creative works, but on the contrary are found in the most obnoxious circumstances yet are unaffected by them and create masterpieces at the most unpredictable situations, just like a lotus flower blossoming in a muddy pond!
An artist adopts a radically different view regarding the importance of time than a businessperson does. Instead of perceiving time as a merchantable facet doled out incrementally according to marketplace demands, an artist portrays time as an agent of destruction. The irrevocability of time frames the human condition. Time might the medium of all human experience, but its passage obscures and eventually obliterates all human endeavors. Time unchecked leads to a blank slate of nothingness. Time’s destructive march towards meaningless is arrested through memory and art depicting humankind’s struggles and accomplishments.
Making art requires a degree of intentionality. All works of art require a contemplative individual drawing from their bank of knowledge and immersion into the realms of memory and imagination in order to make an outward, communicative expression. Only human beings can draw upon the dialectical tension between memory and imagination to create artistic renderings.
Poetry isn’t an island, it is the bridge. Poetry isn’t a ship, it is the lifeboat. Poetry isn’t swimming. Poetry is water.
The true purpose of illustrated journaling [is] to celebrate your life. No matter how small or mundane or redundant, each drawing and little essay you write to commemorate an event or an object or a place makes it all the more special.
We are all born as storytellers. Our inner voice tells the first story we ever hear.
There are no bad drawings.Drawings are experiences.The more you draw, the more experienced you'll get.In fact, you'll learn more from bad or unpredictable or weird experiences than from those that go exactly as you'd hoped and planned.So let it go.Release your ego's desire for perfection.Take risks.Stretch.Grow.Create as much as you can, whenever you can.
The artistic life is a long and lovely suicide precisely because it involves the negation of self; as Highsmith imagined herself as her characters, so Ripley takes on the personae of others and in doing so metamorphoses himself into a 'living' work of art. A return to the 'real life' after a period of creativity resulted in a fall in spirits, an agony Highsmith felt acutely. She voiced this pain in the novel via Bernard's quotation of an excerpt from Derwatt's notebook: 'There is no depression for the artist except that caused by a return to the self'.
Any person whom seeks to live a historical existence must devote their efforts to learning about the world, care about people and nature, and seek to express their thoughts in the artistic methodology most appropriate to their particular talent. A person cannot fake self-awareness or imitate an artistic nature. A person must honestly earn a heightened level of conscious awareness.
Creating art is paradoxical because an artist seeks to express truth by penetrating and destroying illusions. Art is always the outpouring of a mind striving to achieve the impossible reconciliation of all the fragmented shards that make people human: frivolous amusements, idle moments, feelings of tenderness and pain, stored memories, future expectations, and unquenchable thirst to experience love and witness beauty.
Technology is important to Art because it connects creativity with innovation and the spirit of inventiveness. Whether we are using technology to create our art, or to share our art, it challenges artists to explore new realms of aesthetic experience and cultural relevance. But, on the other hand, Art is important to Technology for the most important reason of all. Art gives Technology its humanity. And our humanity is the driving force behind every new technology we design and every product we manufacture. We are all makers. Without creativity, we don’t make anything. If we don’t make anything, we don’t progress.
Creativity is a work of the hand of God, and is therefore an art of Love. If we want to create something in our lives, we have to allow God’s hand to weave through our hearts, so we can carry out the work of the soul – our Divine purpose in life.
People are fond of spouting out the old cliché about how Van Gogh never sold a painting in his lifetime. Somehow his example serves to justify to us, decades later, that there is merit in utter failure.Perhaps, but the man did commit suicide. The market for his work took off big-time shortly after his death. Had he decided to stick around another few decades he most likely would’ve entered old age quite prosperous. And sadly for failures everywhere, the cliché would have lost a lot of its power.The fact is, the old clichés work for us in abstract terms, but they never work out in real life quite the same way. Life is messy; clichés are clean and tidy.
Design is a fundamental human activity, relevant and useful to everyone. Anything humans create—be it product, communication or system—is a result of the process of making inspiration real. I believe in doing what works as circumstances change: quirky or unusual solutions are often good ones. Nature bends and so should we as appropriate. Nature is always right outside our door as a reference and touch point. We should use it far more than we do.
All life is death. You don't fool yourself about this anymore. You slash at the perfect canvas with strokes of paint and replace the perfect picture of your imagination with the reality of what you are capable of. From death, and sorrow, and compromise, you create. This is what it means, you finally realize, to be alive. ("The Chambered Fruit")
The data on the economic utility of artists is really, really strong. Artists and entrepreneurs are the same people...and of course entrepreneurs are the people who provide all of the vision for the entire capitalist system. They're absolutely necessary.But conservatives tend to be so blind to art that they can't even see that the artists are the ones who drive the economy forward!
The assertion that only sex is power and the arrogation of creativity to the masculine sex and the rendering of all creativity as sexual—this is patriarchal aesthetics. Patriarchal passion sees violent sex as the essential creative act, even aesthetically, through a sort of metaphysical transubstantiation. This is their romantic belief that sex with the Master can produce the artistic spirit in the student. Male creativity is thus born in another, her work is given depth through the violent transgression of her boundaries.
Long before being artists, we are artisans; and all fabrication, however rudimentary, lives on likeness and repetition, like the natural geometry which serves as its fulcrum. Fabrication works on models which it sets out to reproduce; and even when it invents, it proceeds, or imagines itself to proceed, by a new arrangement of elements already known. Its principle is that “we must have like to produce like.” In short, the strict application of the principle of finality, like that of the principle of mechanical causality, leads to the conclusion that “all is given.” Both principles say the same thing in their respective languages, because they respond to the same need.
One day a young daughter was watching her mother make a roast for the family. She watched as her mother cut off the two ends of the roast and put it in the pan, along with the potatoes and vegetables. Perplexed by the procedure, the child asked why her mother cut off both ends. The mother smiled and answered, “Because that’s the way grandma always did it.” The next time the child saw her grand- ma, she asked her why she did this. Her grandma answered that she had cut off the ends of her roasts and baked them in a small pan because the stove she had was so small.Like the girl’s mother, many of us do things a certain way be- cause that’s the way they have always been done, and we never nd out if those things are still relevant today. So let’s take a moment and think outside the box of what has been done in the past, asking God to reveal Himself to us afresh.
But Hannah's friend didn’t understand the volatile balancing act between art and sanity, that the act of creation was like walking a tightrope during an earthquake. She didn’t understand Hannah’s stupid need for validation, or that the size of the audience increased the stakes and multiplied the fear. She didn’t understand that creativity was dangerous, that, yes, there were some people who could stand before a canvas, paint a sunset that would bring the world to its knees, and return to their loved ones as a complete person who didn’t hurt, didn’t cry, didn’t spill blood to appease the host of fickle muses. But Hannah did. Hannah’s best ideas—sometimes her only ideas—were buried beneath the skin.
Feedback doesn’t tell you about yourself. It tells you about the person giving the feedback. In other words, if someone says your work is gorgeous, that just tells you about *their* taste. If you put out a new product and it doesn’t sell at all, that tells you something about what your audience does and doesn’t want. When we look at praise and criticism as information about the people giving it, we tend to get really curious about the feedback, rather than dejected or defensive.
A writer gets to live yet another life every time she creates a new story.
Writing a story is like going on a date—you will spoil it if you aren't living in the moment.
Don’t break the rules when you haven’t fully figured them out yet.
Dreams are good at playing with your memory. They love leaving no trace behind and hate to show up once again in the morning.
The good writing ideas don’t have to be about political turmoil, mass killings, capitalism, racism, injustice, etc. Find that one idea that has deep roots in your heart.
Create a world in front of your readers where they can taste, smell, touch, hear, see, and move. Else they are likely going to move on to another book.
A writer can do without food for a few hours, but not without the sight of books.
Turn those deep feelings and obsessions of your heart into captivating pieces of literature.
Ideas either age like fine wine or rot like potatoes over time.
If you are a singer, you must sing. If you are a dancer, you must dance. If you are a writer, you must write. Don’t suffocate your heart.
As you become a better writer, the writing becomes more difficult. You toil harder to tell a story in a lesser number of words.
Don’t interrupt when your characters take a flight of their own.
If you think there is no time to write now, there would never be.
If certain aspect needs to be inconsistent, it must better be consistently inconsistent throughout the story.
I used to be afraid about what people might say or think after reading what I had written. I am not afraid anymore, because when I write, I am not trying to prove anything to anyone, I am just expressing myself and my opinions. It’s ok if my opinions are different from those of the reader, each of us can have his own opinions. So writing is like talking, if you are afraid of writing, you may end up being afraid of talking
I am not a supporter of burning books; but like poison, some books should be kept away from simple minds who can't take in the strong content they provide
When you’re in love, you want to live forever. You want the emotion, the excitement you feel to last. Reading in Italian arouses a similar longing in me. I don’t want to die, because my death would mean the end of my discovery of the language. Because every day there will be a new word to learn. Thus true love can represent eternity.
Close your eyes and trust; go in the direction of what makes you feel authentically lighter and brighter. There is no good or bad. Retribution feels vibrationally better than desperation. It’s better than sitting still because your energy has movement. Frustration is better than retribution, because now you’re not projecting negative energy outward, you’re processing it within. Apathy is better than frustration; at least you’ve reached some form of detachment. Optimism is better than apathy. Optimism becomes happiness. Co-creative inspiration follows… and then comes joy.
Power up your intelligence. Hit that creativity button.
I AM come of a race noted for vigor of fancy and ardor of passion. Men have called me mad; but the question is not yet settled, whether madness is or is not the loftiest intelligence--whether much that is glorious--whether all that is profound--does not spring from disease of thought--from moods of mind exalted at the expense of the general intellect. They who dream by day are cognizant of many things which escape those who dream only by night. In their gray visions they obtain glimpses of eternity, and thrill, in waking, to find that they have been upon the verge of the great secret. In snatches, they learn something of the wisdom which is of good, and more of the mere knowledge which is of evil. They penetrate, however, rudderless or compassless into the vast ocean of the "light ineffable", and again, like the adventures of the Nubian geographer, "agressi sunt mare tenebrarum, quid in eo esset exploraturi".We will say then, that I am mad.
To be a scholar study math, to be a smart study magic.
They say certain people aren’t good soldiers because if they’re in a foxhole all night—you know, if you’re creative and smart, you’re thinking about all the different ways someone is going to blow your head off. But if you’re not that smart, you’re just like chilling out. And I feel like that in life. I’m just in the foxhole all fucking day thinking about everything that’s going to go wrong in every possible way.
We've reached a point in human history where higher education no longer works. As a result of technology, higher education in its traditional college setting no longer works. It will never be effective or progressive enough to keep up with the growing needs of employers who look to college institutions for their future employees.I can appreciate the good intent the college system set out to achieve. For previous generations, the formula actually worked. Students enrolled into universities that were affordable, they gained marketable skills and they earned good jobs. Since there was a proven track record of success, parents instilled the value of college in their children thinking they would achieve the same success story they did, but unfortunately Wall Street was watching. Wall Street, the federal government and the college system ganged up and skyrocketed the cost of tuition to record highs. This was easy to do because not only did they have posters blanketing high schools showing kids what a loser they would be if they didn't go to college, they also had Mom and Dad at home telling them the same thing.This system - spending 4+ years pursuing a college education when the world is changing at the speed of light - no longer works and it's not fixable. We now have the biggest employer's market in human history, where employers have their pick of the litter, and because of this employees will get paid less and less and benefits will continue to erode.
One author said "I write because I want to live a footprint in the sands of history.” It's hard to live a footprint in the sands of history when giants are passing through the same sands unless you are one of the giants
Stop explaining to others, people will only understand from their level of discernment.
Fear is the most prodigious enemy of our soul
Respect is reverence out of love, Fear is reverence out of hate.Choose Wisely
Every person is a creator. We create with our ideas and beliefs. Our daily labor creates a worldly cocoon that enfolds us. We mold out of a granite substance not yet hardened the tutelary angels whose ideological formation will guide our passageway through the jungle of life.
How to earn a viable standard of living while giving vent to their desire to perform creative activities is the quintessential challenge for modern humans. Some people settle for jobs filled with drudgery and in their free time immerse themselves in hobbies that provide them with personal happiness. Other people prefer to find work that makes them happy, even if this occupation requires them to live a more modest standard of living. The greater their impulse is for curiosity and creativity, the less likely that a person will exchange personal happiness for economic security.
Your purpose, and its specific expressions, expands and accelerates as it becomes more similar to Nature’s purpose. The tools you need to apply it you collect along the path in discovering what that is. Time is there to provide you with the “opportunities” to find more creative responses to things like frustration, confusion and self-righteousness. As you gently, oh so gently and delicately, adjust to the requirements that exist in your actual circumstance, you are given the tools needed to surpass them.
...Religious observances, once so full of suffering and awe, have become accommodating and benign. Teachers go out of their way to avoid embarrassing, insulting, overworking, or otherwise vexing their students. Each year public language is further purged of impurities that might injure sensitive groups. Prime-time television series seem dedicated to the comforting message that things are really okay.Indeed, modern society's war on pain has been vastly more successful than its war on pain's causes.
Pain will never leave us. Instead of putting energy into destroying pain, we need to put energy into creating pleasure.
All I need to dois place my pen against paperand your lovewrites for me.
A poetess is not as selfishas you assume.After months of agonising over her marriage of words—the bride—and spaces—the groom,she knows that as soonas she has penned the poem,it’s yours to consume.So, without giving it a think,she blows on the inkand the letters fly awaylike dandelions on a windy day,landing on hands and lips, on hearts and hips.But more often than not,you can easily spotthem trodden and forgotten,becoming sodden and rotten.Yet, she will continue to makewhat’s others to takebecause selfishness is not the mark of a poetess.
Sometimes even a "Yes" can be fatal for our Souls
Its all about perception in life, For some One minus One = One & for some its Zero.That's the only difference.
In the end it will be your “Actions” “Convictions” & “Thoughts” which will determine how you shaped your life.
How long you will live in your dreams? The time is now, it's better to go and follow them..
Opportunity comes to everyone it depends on you whether you take it or leave it. Learn to take risks and play hard because at the end you'd be thankful for your struggle.
When you are stressed and challenged by hardships just smile through it as frowning won’t help in changing the situation
We all have this perfect little image of who we want to be, but it is unnecessary. Throw the image away. You're already you just be the best version of yourself.
No matter how much struggle you face in your journey towards success, someday you will look back and realize your struggles changed your life for the better.
Don’t keep those people in your life who are completely negative in approach. Eventually these people will stress you out and be the source of your downfall.
Don't ask creator to guide your footsteps if you're not willing to move your feet.
I ask to be made beautiful like the trees are beautiful, each growing according to a unique plan. Lop off a limb and and the tree will accommodate it's loss, still growing and still beautiful. It is my hope to be able to flourish in a similar fashion, taking on the shape and dimensions that is intended for me.
She's thinking that what she's been doing all these years isn't what she wants to do anymore. Sometimes music flows to her and from her, but sometimes it doesn't. Lately that happens more and more, and she can't seem to find what she had and what made her special. But she can't tell her father because he'd be so disappointed in her, so disappointed to find out she's not extraordinary after all.
We are all beautiful instruments of God. He created many notes in music so that we would not be stuck playing the same song. Be music always. Keep changing the keys, tones, pitch, and volume of each of the songs you create along your journey and play on. Nobody will ever reach ultimate perfection in this lifetime, but trying to achieve it is a full-time job. Start now and don't stop. Make your book of life a musical. Never abandon obligations, but have fun leaving behind a colorful legacy. Never allow anybody to be the composer of your own destiny. Take control of your life, and never allow limitations implanted by society, tell you how your music is supposed to sound — or how your book is supposed to be written.
Musicians do not get on stage without hearing the song singing inside of them. Poets do not write as if they are jotting down a sermon, they see everything in their subconscious before presenting it to the conscious, which they later turn to readable materials. Artist do not draw and paint without painting in dream states, trance, or see an art form that others do not see. Being creative does not calls for being any supernatural entity, but in creating with the entities inside of you.
There are 2 kinds of artists, essentially: those who want to make something popular, and those who want to make something dignified. But then there is still that rare hybrid case, and perhaps by that unintentional stroke of genius, in which one's work uncontrollably becomes both popular and dignified yet beyond its time.
... and I realise the only way to tell the others is through the way my voice can take these broken wordsand turn it into music. Turn it into poetry.And I sing to make myself come alive, but also for you,because I’d like this to mean something.To not disappear with the dark I will enter one day and so now I will tell.If not for you, then for my own heart, because it tells me to,and I'm learning to listen.
Three miles from my adopted city lies a village where I came to peace.The world there was a calm place, even the great Danube no more than a pale ribbon tossed onto the landscapeby a girl’s careless hand. Into this stillness I had been ordered to recover. The hills were gold with late summer;my rooms were two, plus a small kitchen, situated upstairs in the back of a cottage at the end of the Herrengasse. From my window I could see onto the courtyard where a linden tree twined skyward — leafy umbilicus canted toward light, warped in the very act of yearning —and I would feed on the sun as if that alone would dismantle the silence around me.At first I raged. Then music raged in me, rising so swiftly I could not write quickly enough to ease the roiling. I would stop to light a lamp, and whatever I’d missed — larks flying to nest, church bells, the shepherd’s home-toward-evening song — rushed in, and Iwould rage again. I am by nature a conflagration; I would rather leap than sit and be looked at.So when my proud city spread her gypsy skirts, I reentered, burning towards her greater, constant light.Call me rough, ill-tempered, slovenly— I tell you, every tenderness I have ever known has been nothing but thwarted violence, an ache so permanent and deep, the lightest touch awakens it. . . . It is impossible to care enough. I have returned with a second Symphony and 15 Piano Variationswhich I’ve named Prometheus,after the rogue Titan, the half-a-god who knew the worst sin is to take what cannot be given back.I smile and bow, and the world is loud. And though I dare not lean in to shout Can’t you see that I’m deaf? —I also cannot stop listening.
I can honestly say that I have never gone into any business purely to make money. If that is the sole motive then I believe you are better off not doing it. A business has to be involving, it has to be fun, and it has to exercise your creative instincts.
Even then, I could still appreciate the moment of simply making sounds with a group of people. There is another place you go to in those instances, and it feels vast, refreshing, like you're creating your own air to breathe. And even though it's never going to happen again and there's a palpable sense of mediocrity, there's still a connection that you wouldn't have otherwise, to the sound, to the people.
Step into the center of the center of the center - right into your Now - and see: how elegant and honest this moment is. Just being yourself, a world to hold your feet, a universe to lift your gaze, a heart beating - constant, in the center of it all.
The best art is not always the most popular art, and the most popular art is never truly the best art. The best art is that which is streamed through God. And the worst art is that which is void of God. The master artist of the universe is the Creator of All Things, and his reflection is in all of us. Only the artist who is aware that he is a reflection of that greatness, and that creativity is supreme love, is a true divine artist. Even if he is not the most popular artist, he will be very popular among the stars of His universe. That is the master artist, one who uses his talents to serve as a vehicle of God. In his work, you hear God's voice and see with His eyes.
Love is the reflection of a broken heart in a shattered mirror...
Smiling is not a choice It’s a Lifestyle Pass it on
Stay upbeat and keep your head held high. There is no end to the power of positive thinking. I AM looking forward to all the wealth, success, and abundance speeding my way!
To be successful in life , Plan, Implement, Revise, Update, and Build on Change.
Passion + Vision +Skill + Mentoring = Success.
Start wherever you are! Low hanging fruit really tastes as good as the high stuff.
A lie near to truth is always difficult to catch
Pray GOD by HEART, Not by HABIT.
To enjoy a peaceful & Beautiful Life We should open our 'EYE' and Close our 'I
Have and show motivation to do and learn. That's the key for a good career. Everything else is an extrapolation of that.
Theres no competition in DESTINY. Run your own RACE and wish others WELL!!!
The only enemy which stands between the talent you posses and success you achieve is known as "EGO" in our Society
The most important principle for self discovery and to taste success is rather than changing other's attitude changes your own. And always remember same sun which melts the butter also hardens the clay
The only way to be content in life is to make sure your NEED don't become GREED.
No body is a looser either he is a Winner or a Learner
Being Wise & Being Smart are two different things anyone can be smart but those who master the art of knowing what to overlook in this journey called life deserves to be called Wise
The only goal in life is to be happy, genuinely, intensely and consistently , regardless of what it looks like to others.
Find answers in your weakness and surprise in your strength and always remember the golden rule every failure has HOPES
The only principle of Success in Life :"You must be present to win.
It’s all about “Priorities” There's No Such Thing as "Busy
Don’t be afraid of failures it takes courage to try new things & only those who try create History.
Live a life that leaves a memory, nobody can steal.
If you are depressed, you are living in the past. If you are anxious, you are living in the future. If you are at peace, you are living in the present.
The only unreachable dream is the one you don’t reach for.
The thing about our choices is that after we have made them, they turn around and make us.
True Relations never break and relation which breaks were never true
Living your life is a task so difficult it has never been attempted before.
What seems like the right thing to do could also be the hardest thing you have ever done in your life
Always follow your dreams with confidence and conviction, don’t fall for the trap of dream killers
Life is too short to be anything but happy. So kiss slowly. Love deeply. Forgive quickly. Take chances and never have regrets. Forget the past but remember what it taught you.
Time change - Moments don't.
Life is a do-it-yourself project.
THE Biggest enemy of Truth is known as Facts in our Society
A wise man is someone who knows how to convert obstacles into resources.
For all those who say its a Man world. Respect Women Its their World we are just guest here
MISUNDERSTANDING" arises only when you see the things with Closed Eyes
The only difference between success and failure is Lack of Vision
Two powerful factors which creates difference between destroying your relationship and deepening it are EGO and Attitude
TAKE Risk because you never know how absolutely perfect something could turn out to be..
As long as we have MEMORIES, yesterday REMAINS and as long as we have HOPE, tomorrow AWAITS...
YOU have to design your own Price tag for the world.
Only Boiled Seeds are afraid of failure.
No matter what goals you set to accomplish always remember there is a thing known as Life which you should never forget to live and enjoy
Don’t be afraid of failures it takes courage to try new things & only those who try create miracles.
If you are depressed, you are living in the past. If you are anxious, you are living in the future
IF you want to be a winner than follow one simple rule and feed it in your mind. Take each task and work as " Do it yourself project.
Sometimes life is like living in a chamber of Liquid Oxygen. Liquid don't allow you to live and Oxygen don't let you die.
Every great athlete, artist and aspiring being has a great team to help them flourish and succeed - personally and professionally. Even the so-called 'solo star' has a strong supporting cast helping them shine, thrive and take flight.
Don't expect others to hand success to you. Create it - with heart, energy and enterprise - and you'll make it come true
... that same hardware and tackle shop his dad got lost in for hours while Kache waited in the truck, writing lyrics on the backs of old envelopes his mom kept in the glove compartment for blotting her lipstick. Kache had written around the red blooms of her lip prints.
I treat my thoughts like an old person treats their valuables: I cannot for the life of me proceed to throwing them out.
Dance your Soulful path / and you shall know the magic / of your mind & heart / and all the beauty laughing / to fill your rising self.
You can Transform into a Super-Soul! If you align your physical and mental (logical/emotional) self with your core self (or soul being), then you will know your personal path, and find ways to follow it to fulfillment. You can learn how to best nurture your body, plus train your mind as an empowering tool to enhance your overall balance, strength, and unique skills, so that you achieve your goals, as well as optimise your well-being.
When peace has thoroughly permeated our brain, mind, and body, we can create it as our reality. I firmly believe that every person is a peacemaker, once thy have developed their self-awareness and creativity. Peace must not be left to government leaders or gurus. It must spring from the brains, hands, and minds of the people.
Creative minds don't follow rules, they follow will.
The difference between impossible and possible is a willing heart.
Purpose drives the process by which we become what we are capable of being.
A true leader leads for the sake of love and his knowledge of the path, a bad leader redirects his followers to the path of destruction.
I'm convinced that the best solutions are often the ones that are counterintuitive - that challenge conventional thinking - and end in breakthroughs. It is always easier to do things the same old way...why change? To fight this, keep your dissatisfaction index high and break with tradition. Don't be too quick to accept the way things are being done. Question whether there's a better way. Very often you will find that once you make this break from the usual way - and incidentally, this is probably the hardest thing to do—and start on a new track your horizon of new thoughts immediately broadens. New ideas flow in like water. Always keep your interests broad - don't let your mind be stunted by a limited view.
I "love" reading.It makes me feel like I am swallowing up Christ, Homer, Confucius, Newton, Franklin, Socrates, Caesar, and the whole world into one gigantic invincible Sir Moffat. Mine is creative reading. I read building empires in mind. I pray I won't read and read and forget to marry.
In order to protect their good names for posterity, many writers never wrote what they thought or the truth as it stood. That's why truth still lies hidden in matters of power, sex and religion. No wonder they chose to do so, many who dared paid with their heads
Made from divinity must mean mindstate to create is intrinsic - no fiction. Stop playin' with your power, your inner 'G', and build on purpose - accordingly. Being free is for free, so force the issue.
How To Be An Explorer Of The World1. Always Be LOOKING (notice the ground beneath your feet.)2. Consider Everything Alive & Animate3. EVERYTHING Is Interesting. Look Closer.4. Alter Your Course Often.5. Observe For Long Durations (and short ones).6. Notice The Stories Going On Around You.7. Notice PATTERNS. Make CONNECTIONS.8. DOCUMENT Your Findings (field notes) In A VAriety Of Ways.9. Incorporate Indeterminacy.10. Observe Movement.11. Create a Personal DIALOGUE With Your Environment. Talk to it.12. Trace Things Back to Their ORIGINS.13. Use ALL of the Senses In Your Investigations.
When I speak about Jesus Christ, I do not speak about Christianity. Christianity has basically nothing to do with Jesus. The spirit of Christ can not be organized. Then it will not liberate you.Christ is the very essence of religion. Christ is the culmination of all human aspirations. In Christ all the aspirations of humanity are fulfilled.Christ celebrates life, he loves life, he is a song and a dance. He is also transcendental. When you come closer to him, you will find that his inner being is transcendence. You will meet the unknown, where the world disappears and God appears. You can trust him, because he is like you. He is part of your suffering, pain and sorrow, but he is also transcendental. That is why Jesus became a mile stone in the history of human consciousness. Jesus lived and loved with truth and grace. Jesus being was truth and grace. Whenever truth is there, grace is there. And whenever grace is there, truth is there. To come closer to Jesus, you have to find your own inner being, the kingdom of God. That is the whole message of Jesus. Then you will find that God is eternal. God is the whole existence. His creativity is eternal. God is creativity. God is not a person. God is existence, being. God is the energy that underlies all life, which is in the stones, in birds, in animals, in human beings and in the stars.
Good story' means something worth telling that the world wants to hear. Finding this is your lonely task...But the love of a good story, of terrific characters and a world driven by your passion, courage, and creative gifts is still not enough. Your goal must be a good story well told.
The message of love or beauty or hope needs to be said by a hundred thousand different voices, written by a hundred thousand different pens, at a hundred thousand different times in history, different places in the world, different sectors of society, in different genres and registers, simply to be heard by the billions of ears and hearts that lie waiting for a truth which fires their soul, answers their question, speaks to their heart.
When we have the courage to claim space for ourselves. When we risk creativity. When we relish our sensuality. When we honor our lives and their experiences as valuable. When we create from a female body, expressing ourselves in a woman’s voice, using a woman’s language. We begin to bloom.
It takes courage to dream, to face our futures and the limiting forces within us. It takes courage to be determined that, as we slow down physically, we are going to grow even more psychologically and spiritually. Courage, the philosopher Aristotle taught us, is the most important of all the virtues, because without it we can’t practice any of the others. Courage is the nearest star that can guide our growth. Maya Angelou said we must be courageous about facing and exploring our personal histories. We must find the courage to care and to create internally, as well as externally, and as she said, we need the courage “to create ourselves daily as Christians, as Jews, as Muslims, as thinking, caring, laughing, loving human beings.
True strength. There is no conflict with vulnerability or humility. Indeed, vulnerability and humility are essential here, and ultimately what makes strength true. One does not don the mask of strength in response to fear, which is a con, like those crazy small reptiles that stand up on their hind legs and spread useless wings to intimidate as a last resort. You stand there in self-respect for Christ’s sake and take it with some courage, responding in accordance with your honest values, taking sincere responsibility for them. Stand up for who you truly are, not the image you would like to sell, nor shrink to fit into the false harmony around you.
The Art of Living is to be yourself. It is to be true to yourself. The Art of Living is learning to live with love, awareness and truth. Meditation is the way to learn The Art of Living. Being is you. To discover your being is the beginning of life.You can live in two ways:1. Ego - effort and desire and 2.Being - no-effort, being in a let go with existence. Religion is The Art of Living.Five keys to The Art of Living: 1. Be life-affirmative. Life is synonymous with God.Live with reverence, great respect and gratitude for life. Feel thankful and prayerful. 2. Make life an heartful, aesthetic experience.Become more sensitive, sensuous and creative - and you will become more spiritual.3.Experience life in all possible ways.Experience all dualities and polarities of life: good/bad, bitter/sweet, summer/winter, happiness/sadness and life/death.Do not be afraid of experience, because the more experiences you have, the more spiritually mature you become. 4. Live in the present.Forget the past and the future - this moment is the only reality.This moment has to become your whole love, life and death.5.Live courageously.Do not become too result-oriented, because result-oriented people miss life. Do not think of goals, because goals are in the future - and life is in the moment, in the here and now.
If you want to be happy you have to study people who are happy. You have to hang out with people that are happy. Life won't go in the direction you want, by simply trying to stay positive in a life you're not happy with. You have to know what you want and why you truly want it so badly. When you figure that out then you need to change your current identity, in order to fit the type of person you envision would make those dreams come true. Happiness is not reliant on the actions or inactions of other people. It is your “courage in motion” toward your dreams.
We keep waiting to be crowned,Waiting for the world to judge us worthy of offering our brightest, most empowered and beautiful stuff. But that won’t happen. Your next certification or ordination or degree will do nothing for your expression in the world until you accept how unspeakably worthy and valuable you already are to be here and share yourself with us.
Writing has become more than just a profession, and hobby…it has become a way to express my feelings and pour my entire soul into the pages of my books. Thank God for the little things in life that makes us feel infinite and tranquil…the little things that make way for us to escape reality and enter new worlds that we create. -Nina Jean Slack
A mistake is the name we give to any action in which we perceive a difference between what we intended and what has occurred. Intention fuels every dramatic action, including the writing of dramatic stories, which involves a series of dramatic actions. In the course of writing, or finding, the story that wants to get itself told, it behooves the writer to liberate the characters by finding the faith and courage necessary for setting aside one’s own conscious needs and expectations. Not to do so promotes ‘mistakes’ - i.e: confusion born of some incoherence in the emotional logic of the story). As the writer abandons his/her intentions - no matter how noble they may seem - only then does that most strange and ineffable quality we so casually refer to as ‘the magic’ have a chance of entering the story, and rendering even the ‘mistakes’ stimulating, daring and provocative.
Cooking like a Michelin star chef without a recipe requires high intuition but only a little skill, a lot of imagination, and willingness to be curious and innovative. Kitchen to me is one of the art studios, but here only creating new dishes and drinks. Creativity is not just a job position or function but it is the attitude to life. From the office to kitchen or streets, anything, anytime should able to move you, inspire you, touch your emotions and others. After all Once you love what you do, you will eventually become a master of it, the only way to master of something be real with it.
Without curiosity and passion, the world will seem to lack possibility and everything in life will appear pre-ordained. It is important for a person to spend the majority of the day pursuing their passionate interests and enlisting their innate inquisitiveness. Life is so much sweeter when we contemplate pleasant as opposed to distasteful thoughts. We feel most alive when we create an apt channel for our creative impulses, and engage in thoughtful discourse relating to our concordant values.
Face each day with radiant, nurturing love, confidence, a bright vision and creativity with enduring determination and strength matched with a breathing courage as you happily embrace your responsibility and growth in many areas of life. Combine your energy and joy, your passion and vision in creating a brighter day.
It is not possible to be original by trying to be original - those who attempt this in the arts will be merely avant-garde. Originality is the product of an impulse to intense and overwhelming that it bursts the conventions and produces something new - again more by accident than design.
When you imagine and clearly articulate your goals in writing, you access the creative energy of your right brain. Imagination and creativity allow you to find solutions to problems that were not previously available to you and give your left brain an opportunity to be receptive to new ideas.
Passion. As you can see, I've lived quite a long time, which is to say I've been working for quite a long time, which is the same thing. And you know what? In the whole silly business, the only thing that really matters is passion. It comes and it goes. At first it just comes to you free of charge, and you don't understand, and you waste it. And then it becomes a thing to nurture.
The moments of nature's universal, triumphant silence had come, those minutes when the creative mind works harder, poetic thoughts seethe more ardently, the heart's passion blazes more brightly and its longing aches more painfully, the grain of criminal thought ripens in a cruel soul more imperturbably and powerfully.
Being infinite, the whole of reality is too much for the conscious human mind to grasp. The best any one of us can do is to take the biggest slice of Infinite Reality we can hold - intellectually, spiritually, and emotionally - and make that slice our personal sense of what is real. But no matter how broad it is, any human perception of reality can be no more than a tiny sliver of Infinite Reality.Civilization also has a limited perception of Infinite Reality. And with a haughty self-assurance, it imposes that perception on us until we think it is our own.
Last night I thought about all that kerosene I've used in the past ten years. And I thought about books. And for the first time I realized that a man was behind each one of the books. A man had to think them up. A man had to take a long time to put them down on paper. And I'd never even thought that thought before." He got out of bed."It took some man a lifetime maybe to put some of his thoughts down, looking around at the world and life and then I come along in two minutes and boom! it's all over.""Let me alone," said Mildred. "I didn't do anyt
Life when one first arrives is a continual mortification as one's romantic illusions are successively shattered and the musical treasure-house of one's imagination crumbles before the hopelessness of the reality. Every day fresh experiences bring fresh disappointments.
If only mankind could hold its own fertility in awe, which is one and the same whether it manifests itself in the spirit or in the flesh. For creativity in the spirit has its origins in the physical kind, is of one nature with it and only a more delicate, more rapt and less fleeting version of the carnal sort of sex.
After each of his books, the writer, for a while, feels once again that he can now die happy.
Healing is the way of the heart. This book is an invitation to open our heart. Healing is a love affair with life.Healing is pure love. Love is what creates healing. Spiritual healing is to be one with ourselves. And to be one with ourselves is to be in joy.Healing is to develop our inner being. Healing is to discover that which is already perfect within ourselves. It is to rediscover our inner life source. Spiritual healing is to be one with life. We are never really alone, it is our idea of a separate "I" that creates the feeling of being separate from life, from the Whole.In reality there is only one heart, a pulsating Existential heart. Our own heart pulsates in unity with the Existential heartbeats. We are all notes in the Existential music, and without our unique note the music would not be complete. We are all needed in the Whole; we all have our unique fragrance, quality and gifts to contribute to the Whole.More than 30 years ago, I had an individual consultation with a spiritual teacher. I did not have time to sit down before I got the question: "You are interested in healing, are you not?" It was the first time that I encountered the topic that would become my way and deep source of joy in life. This spiritual teacher finished the consultation saying: "You will be a fine healer."The art of healing is the psychology of being, the science of inner transformation. The psychology of being begins where Western psychology ends. It goes beyond Skinner, Freud, Jung, Rogers, Maslow and humanistic psychology. The psychology of being is the psychology of consciousness, a psychology for inner transformation. It is not basically a question of psychology, it is a question of being. The psychology of being begins where we are, and take us to everything that we can be.The underlying theme the psychology of being is meditation - but not meditation as a static technique - but as the capacity to BE with ourselves and others in a quality of watchful awareness, acceptance and realization.The art of being is a search beyond the personality. It a search beyond the thoughts, the emotions and the learned attitudes of the personality, to the inner being, to the depth within, which is hidden in ourselves.The inner being is a deep acceptance of ourselves as we are; the inner being is to be available to life. The inner being is to be in unity with life. This book is an invitation to meet the inner being, our inner source of love, joy, acceptance, humor, intuition, understanding, wisdom, truth, silence and creativity.
Working with people is basically not a question of formal education; working with people is a question of energy and awareness. Everyone can basically work with people. It is a question of developing a presence and a quality to work from. It is also about discovering our own unique way to be and work with people from our authentic inner being.The most important healing- and therapeutic ability is the capacity to be present. To be present means to develop a presence and a quality to work from. It means to be present with an open and relaxed heart, and to be grounded in our inner being, in the meditative quality within.Presence means to work from a meditative quality, from an inner "yes"-quality, from a state of non-doing. It is to be present for another person as a supporting light, as a supporting presence.Meditation is the way to deepen our capacity to be present, and explore how to bring the meditative presence into the healing- and therapeutic process. It is about developing a meditative presence and quality, to develop the inner "yes"-quality, the silence and emptiness within ourselves, the inner source of healing and wholeness, the capacity to surrender to life.
Henry had written a novel because there was a hole in him that needed filling, a question that needed answering, a patch of canvas that needed painting—that blend of anxiety, curiosity and joy that is at the origin of art—and he had filled the hole, answered the question, splashed colour on the canvas, all done for himself, because he had to. Then complete strangers told him that his book had filled a hole in them, had answered a question, had brought colour to their lives. The comfort of strangers, be it a smile, a pat on the shoulder or a word of praise, is truly a comfort.
Sadly, many storytellers and artists are still addicted to the old delusions (happy is boring, evil is interesting) about the risks of good mental health. Even those who don’t view peace of mind as a threat to their creative power often believe that it’s a rare commodity attained through dumb luck….It’s possible to define a more supple variety of happiness that does not paralyze the will or sap ambition….the number one trait of happy people is a serious determination to be happy. Bliss is a habit you can cultivate, in other words, not an accident.
His music gave no lesser joy than a vacation. Creativity in his music and its success stood out as an example to all kinds of artists, in the lectures of business speakers, engineers, and to anyone who built or constructed something in their respective profession.
If you stay open to the wisdom of your Muse, you may discover you’re a playwright, a sculptor, a kitchen-table comedian, a beacon of creative kindness, or a person who chooses grace over ego and contentment over greed. And in that choice you will create an world of joy within yourself, you’ll truly be an artist of being alive.
Use your youth to do something useful or unique or ultimate.
Before you get bored of yourself try creativity in your life.
The creative adult is the child who survived after the world tried killing them, making them grown up. The creative adult is the child who survived the blandness of schooling, the unhelpful words of bad teachers, and the nay-saying ways of the world. The creative adult is in essence simply that, a child.
If you are writing fiction, think like a god. Release all the power of your imagination; create worlds and destroy them at your will, create as many miracles as your story needs
Teachers should not fear going off plan if a better learning opportunity presents itself. Plans are plans, but children are living, breathing, creative people, who deserve to have their questions answered and original ideas explored.
He pressed bravely ahead with his story, the outlines and preliminary versions of which by now filled two thick notebooks, reorganizing, redrafting, and obsessively re-polishing lines and paragraphs with a jeweler's precision.But it was not good enough.He wanted the pages to sing with ideas that had once seemed so important to him, all and everything he knew, and yet they did not, and no amount of diligence was able to bring them to life. The story came to be a burden and weighed more heavily in his hands each time he lifted it out of the drawer. After a few weeks he was reluctant to open the desk at all.("Talking In The Dark")
The preliminaries were out of the way, the creative process was about to begin. The creative process, that mystic life force, that splurge out of which has come the Venus de Milo, the Mona Lisa, the Fantasie Impromptu, the Bayeux tapestries, Romeo and Juliet, the windows of Chartres Cathedral, Paradise Lost - and a pulp murder story by Dan Moody. The process is the same in all; if the results are a little uneven, that doesn't invalidate the basic similarity of origin.
It’s a struggle for me to remain open," she admits. "To not shut down because I’m defensive or scared or maybe my ego is getting in the way. And the other side of that is just believing that I belong where I am and deserve to take up space. I fight constantly between those two things, between not apologizing for what I want and staying vulnerable and creatively supple and not thinking I know better than everyone else.
If little else, the brain is an educational toy.The problem with possessing such an engaging toy is that other people want to play with it, too. Sometime they'd rather play with yours than theirs. Or they object if you play with yours in a different manner from the way they play with theirs. The result is, a few games out of a toy department of possibilities are universally and endlessly repeated. If you don't play some people's game, they say that you have "lost your marbles," not recognizing that, while Chinese checkers is indeed a fine pastime, a person may also play dominoes, chess, strip poker, tiddlywinks, drop-the-soap or Russian roulette with his brain.
The most important thing that is happening in the world right now is the emerging of the new man.Since the monkeys, man has remained the same, but a great revolution is on it's way. When monkeys became man, it created the mind. With the new man, a great revolution will bring the soul in. Man will not just be a mind, a psychological being, he will be a spiritual being.This new consciousness, this new being, is the most important thing, which is happening in the world today. But the old man will be against the emerging of the new man, the old man will be against this new consciousness.The new man is a matter of life and death, it is a question of the survival of the whole earth. It is matter of survival of consciousness, of survival of life itself.The old man has become utterly destructive. The old man is preparing for a global suicide right now. Rather than allowing the new man, the old man would rather destroy the whole earth, destroying life itself.The old destructive man is preparing right now for a third world war. The global economical and political elite and the war industrial complex in the U.S, which runs the foreign policy of the U.S, is right now promoting for a third world war.The U.S. has over thrown the democratically elected government in Ukraine in an secret operation by the CIA, the world's largest terrorist organization, and replaced it with a fascistic regime, a marionette for the U.S.The war industrial complex is now desperately trying to promote the third war by demonizing, lying and blaming Russia. We see the same aggression and lies from the U.S. that we have seen before against Iraq, Afghanistan, Libya, Syria, Venezuela and Iran.President Eisenhower warned against the war industrial complex, which he considered the largest threat to democracy. President John F. Kennedy also warned against a "secret conspiracy" against democracy. The war industrial complex consists of the international banks, oil companies, war industry, democratically elected politicians, conservative think tanks, international mainstream media and global companies, who make profits from human suffering and wars.The European governments and the mainstream media also cooperate with the war industrial complex to bring the world into disaster.But this time it will not work as the time for wars is over, and peace loving people and people who represent the new man are working against this kind of aggression.
Most people believe it is only by constraint they can get any good out of themselves, and so they live in a state of psychological distortion. It is his own self that each of them is most afraid of resembling. Each of them sets up a pattern and imitates it; he doesn't even choose the pattern he imitates: he accepts a pattern that has been chosen for him. And yet I verily believe there are other things to be read in man. But people don't dare to - they don't dare to turn the page. Laws of imitation! Laws of fear, I call them. The fear of finding oneself alone - that is what they suffer from - and so they don't find themselves at all. I detest such moral agoraphobia - the most odious cowardice I call it. Why, one always has to be alone to invent anything - but they don't want to invent anything. The part in each of us that we feel is different from other people is just the part that is rare, the part that makes our special value - and that is the very thing people try to suppress. They go on imitating. And yet they think they love life.
It seems a bad thing and detrimental to the creative work of the mind if Reason makes to close an examination of the ideas as they come pouring in -at the very gateway, as it were. Looked at in isolation, a thought may seem very trivial or very fantastic; but it may be made important by another thought that comes after it, and in conjunction with other thoughts that may seem equally absurd, it may serve to form a most effective link. Reason cannot form any opinion on all this unless it retains the thought long enough to look at it in connection with the others. On the other hand, where there is a creative mind, Reason -so it seems to me- relaxes its watch upon the gates, and the ideas rush in pell-mell, and only then does it look them through and examine them in a mass.
There was no need for a term like ‘magical thinking’ in the Golden Age of Man...there was only genuine everyday magic and mysticism. Children were not mocked or scolded in those days for singing to the rain or talking to the wind.
The crazy creatives are the creatives who never go completely mad. They aren't so easily disheartened by the seemingly endless amounts of scrutiny that creative individuals tend to receive because they, like insanity, are the ones who feed off of opposition and negative feedback and manage to continue along with a healthy ambition. It is the crazy that teaches us to use our gifts wisely and own all the attackers.
Astray from a deep sleep chronic as I write by phonics, like insomnia I will always live the onyx night for revealing, and, upon it, still I'll steal the bright light of day right away just to keep building at speeds hypersonic.
Do you want to be in your own story or on the outside writing about it? Everyone battles fear and uncertainty every day. However, the only failure in life is believing that your value relies on other people's approval or resources. The reality is this: When you are living your authentic self and not how people want you to act, then you are free to use the full spectrum of your creativity and gifts. People don't need resources to get out of any life situation. They need creativity to create resources. When you realize that, becoming stuck is impossible.
It has always been simple, but making it hard was always your way of avoiding pain. If you want to change your life, you have to change what you are doing. It wasn't his fault, her fault, their fault or the circumstances. It was your inability to choose. So, life chose for you. Somewhere in that crazy mind of yours time stopped. You thought someone would rescue you, but they didn't. You have to rescue yourself. This is not a fire you can put out; you have to walk through it, in order to reach life. Getting burned is apart of growth, didn't you know?
Being an innovator is something that most people just won't get. It's still yummy doing this thang over here though. The older I get I've come to place where I just love to create so much that I do me regardless of what it looks like to anyone else. Just think: The people in the world who just know they'll make it (In their way) regardless- Always make it to their chosen destinations. It's wonderful to see. So DO you always, And do so unapologetically with happiness! Peace and love.
Love is the bee that carries the pollen from one heart to another.
Why does everyone think a guy who prefers love to people is missing something in his life?
I am part of everyone I ever dated on OK Cupid.
Don’t try to present your art by making other people read or hear or see or touch it; make them feel it. Wear your art like your heart on your sleeve and keep it alive by making people feel a little better. Feel a little lighter. Create art in order for yourself to become yourselfand let your very existence be your song, your poem, your story.Let your very identity be your book.Let the way people say your name sound like the sweetest melody.
Nothing is original. Steal from anywhere that resonates with inspiration or fuels your imagination. Devour old films, new films, music, books, paintings, photographs, poems, dreams, random conversations, architecture, bridges, street signs, trees, clouds, bodies of water, light and shadows. Select only things to steal from that speak directly to your soul. If you do this, your work (and theft) will be authentic. Authenticity is invaluable; originality is non-existent. And don’t bother concealing your thievery - celebrate it if you feel like it. In any case, always remember what Jean-Luc Godard said: “It’s not where you take things from - it’s where you take the
The truly creative mind in any field is no more than this: A human creature born abnormally, inhumanly sensitive. To him... a touch is a blow, a sound is a noise, a misfortune is a tragedy, a joy is an ecstasy, a friend is a lover, a lover is a god, and failure is death. Add to this cruelly delicate organism the overpowering necessity to create, create, create -- so thatwithout the creating of music or poetry or books or buildings or something of meaning, his very breath is cut off from him. He must create, must pour out creation. By some strange, unknown, inward urgency he is not really alive unless he is creating.
In the world of the dreamer there was solitude: all the exaltations and joys came in the moment of preparation for living. They took place in solitude. But with action came anxiety, and the sense of insuperable effort made to match the dream, and with it came weariness, discouragement, and the flight into solitude again. And then in solitude, in the opium den of remembrance, the possibility of pleasure again.
Our species is the only creative species, and it has only one creative instrument, the individual mind and spirit of man. Nothing was ever created by two men. There are no good collaborations, whether in music, in art, in poetry, in mathematics, in philosophy. Once the miracle of creation has taken place, the group can build and extend it, but the group never invents anything. The preciousness lies in the lonely mind of a man.
If you get stuck, get away from your desk. Take a walk, take a bath, go to sleep, make a pie, draw, listen to music, meditate, exercise; whatever you do, don't just stick there scowling at the problem. But don't make telephone calls or go to a party; if you do, other people's words will pour in where your lost words should be. Open a gap for them, create a space. Be pat
But unless we are creators we are not fully alive. What do I mean by creators? Not only artists, whose acts of creation are the obvious ones of working with paint of clay or words. Creativity is a way of living life, no matter our vocation or how we earn our living. Creativity is not limited to the arts, or having some kind of important career.
Every story has already been told. Once you've read Anna Karenina, Bleak House, The Sound and the Fury, To Kill a Mockingbird and A Wrinkle in Time, you understand that there is really no reason to ever write another novel. Except that each writer brings to the table, if she will let herself, something that no one else in the history of time has ever
He is a great enough magician to tap our most common nightmares, daydreams and twilight fancies, but he never invented them either: he found them a place to live, a green alternative to each day's madness here in a poisoned world. We are raised to honor all the wrong explorers and discoverers - thieves planting flags, murderers carrying crosses. Let us at last praise the colonizers of dreams.
Because of the routines we follow, we often forget that life is an ongoing adventure. . . Life is pure adventure, and the sooner we realize that, the quicker we will be able to treat life as art: to bring all our energies to each encounter, to remain flexible enough to notice and admit when what we expected to happen did not happen. We need to remember that we are created creative and can invent new scenarios as frequently as they are needed.
DeathWish: You spent some time working with Courtney Love and Billy Corgan on a creative level, how did this experience help your growth as an artist?EA: It didn't -- it stunted it entirely. I gave up over a year of my life and career helping Billy with his flop of an album and designing and building all of the costumes for his music video. With Courtney, we were friends, but I spent years working to record and promote her flop of an album only to find that my value increased every time I peed in an orange juice bottle so that she could fake her way through a drug test. Not exactly a haven for artistic growth.
The old ways are dead. And you need people around you who concur. That means hanging out more with the creative people, the freaks, the real visionaries, than you're already doing. Thinking more about what their needs are, and responding accordingly. Avoid the dullards; avoid the folk who play it safe. They can't help you anymore. Their stability model no longer offers that much stability. They are extinct, they are extinction.
I've never believed that they're separate. Leonardo da Vinci was a great artist and a great scientist. Michelangelo knew a tremendous amount about how to cut stone at the quarry. The finest dozen computer scientists I know are all musicians. Some are better than others, but they all consider that an important part of their life. I don't believe that the best people in any of these fields see themselves as one branch of a forked tree. I just don't see that.People bring these things together a lot. Dr. Land at Polaroid said, "I want Polaroid to stand at the intersection of art and science," and I've never forgotten that. I think that that's possible, and I think a lot of people have tried.
You know, they ask me if I were on a desert island and I knew nobody would ever see what I wrote, would I go on writing. My answer is most emphatically yes. I would go on writing for company. Because I'm creating an imaginary — it's always imaginary — world in which I would like to
Creativity is paradoxical. To create, a person must have knowledge but forget the knowledge, must see unexpected connections in things but not have a mental disorder, must work hard but spend time doing nothing as information incubates, must create many ideas yet most of them are useless, must look at the same thing as everyone else, yet see something different, must desire success but embrace failure, must be persistent but not stubborn, and must listen to experts but know how to disregard
If you’re creative, if you can think independently, if you can articulate passion, if you can override the fear of being wrong, then your company needs you more than it ever did. And now your company can no longer afford to pretend that isn’t the case. So dust off your horn and start tooting.
The middle path makes me wary. . . . But in the middle of my life, I am coming to see the middle path as a walk with wisdom where conversations of complexity can be found, that the middle path is the path of movement. . . . In the right and left worlds, the stories are largely set. . . . We become missionaries for a position . . . practitioners of the missionary position. Variety is lost. Diversity is lost. Creativity is lost in our inability to make love with the world.
You cannot reconcile creativeness with technical achievement. You may be perfect in playing the piano, and not be creative. You may be able to handle color, to put paint on canvas most cleverly, and not be a creative painter...having lost the song, we pursue the singer. We learn from the singer the technique of song, but there is no song; and I say the song is essential, the joy of singing is essential. When the joy is there, the technique can be built up from nothing; you will invent your own technique, you won't have to study elocution or style. When you have, you see, and the very seeing of beauty is an art.
The palace started as a single vaulted room and grew in proportion to my despair. It began as an exercise to keep my mind from its melancholy, then it became a dream and a necessity. . . . I built a temple in my head. . . . Its hallways were as lofty as a cathedral, and the arch of each window as supple as a bow. Its corridors were the passages of my own brain.
After joyfully working each morning, I would leave off around midday to challenge myself to a footrace. Speeding along the sunny paths of the Jardin du Luxembourg, ideas would breed like aphids in my head—for creative invention is easy and sublime when air cycles quickly through the lungs and the body is busy at noble tasks.
There is at the back of every artist’s mind something like a pattern and a type of architecture. The original quality in any man of imagination is imagery. It is a thing like the landscape of his dreams; the sort of world he would like to make or in which he would like to wander, the strange flora and fauna, his own secret planet, the sort of thing he likes to think about. This general atmosphere, and pattern or a structure of growth, governs all his creations, however varied.
He thought his detective brain as good as the criminal's, which was true. But he fully realised the disadvantage. "The criminal is the creative artist; the detective only the critic," he said with a sour smile, and lifted his coffee cup to his lips slowly, and put it down very quickly. He had put salt in it.
Even when alternative views are clearly wrong, being exposed to them still expands our creative potential. In a way, the power of dissent is the power of surprise. After hearing someone shout out an errant answer, we work to understand it, which causes us to reassess our initial assumptions and try out new perspectives. “Authentic dissent can be difficult, but it’s always invigorating,” [Charlan] Nemeth [a professor of psychology at the University of California at Berkeley] says. “It wakes us right up.
If we allow our "high creativity" to remain alive, we will never be bored. We can pray, standing in line at the super market. Or we can be lost in awe at all the people around us, their lives full of glory and tragedy, and suddenly we will have the beginnings of a painting, a story, a song.
In the white man's world, language, too -- and the way which the white man thinks of it--has undergone a process of change. The white man takes such things as words and literatures for granted, as indeed he must, for nothing in his world is so commonplace. On every side of him there are words by the millions, an unending succession of pamphlets and papers, letters and books, bills and bulletins, commentaries and conversations. He has diluted and multiplied the Word, and words have begun to close in on him. He is sated and insensitive; his regard for language -- for the Word itself -- as an instrument of creation has diminished nearly to the point of no return. It may be that he will perish by the Word.
I had fallen into a profound dream-like reverie in which I heard him speaking as at a distance. 'And yet there is no one who communes with only one god,' he was saying, 'and the more a man lives in imagination and in a refined understanding, the more gods does he meet with and talk with, and the more does he come under the power of Roland, who sounded in the Valley of Roncesvalles the last trumpet of the body's will and pleasure; and of Hamlet, who saw them perishing away, and sighed; and of Faust, who looked for them up and down the world and could not find them; and under the power of all those countless divinities who have taken upon themselves spiritual bodies in the minds of the modern poets and romance writers, and under the power of the old divinities, who since the Renaissance have won everything of their ancient worship except the sacrifice of birds and fishes, the fragrance of garlands and the smoke of incense. The many think humanity made these divinities, and that it can unmake them again; but we who have seen them pass in rattling harness, and in soft robes, and heard them speak with articulate voices while we lay in deathlike trance, know that they are always making and unmaking humanity, which is indeed but the trembling of their lips.
Creativity is a magic wand that works two ways. When you set it in action and seek to create something, it does not just brings into existence that object or work, it also raises in your heart a dream, a hope, and a will to achieve that creation. And when all else seems lost and steeped in hopelessness, the magic of creativity can still keep you going. For when all else seem dark, an urge to create something would still give you an aim to look forward to. And if you just take hold of this urge, it will take hold of you and see you through even the darkest times. Like it did to me.
Sometimes I don’t understand why my arms don’t drop from my body with fatigue, why my brain doesn’t melt away. I am leading an austere life, stripped of all external pleasure, and am sustained only by a kind of permanent frenzy, which sometimes makes me weep tears of impotence but never abates. I love my work with a love that is frantic and perverted, as an ascetic loves the hair shirt that scratches his belly. Sometimes, when I am empty, when words don’t come, when I find I haven’t written a single sentence after scribbling whole pages, I collapse on my couch and lie there dazed, bogged down in a swamp of despair, hating myself and blaming myself for this demented pride that makes me pant after a chimera. A quarter of an hour later, everything has changed; my heart is pounding with joy.
Creativity is not so much a boundless well, but an all-you-can-eat buffet of elements for your creative endeavor.Eventually you've eaten your fill, and it's time to digest and then make something.But at some point, it will be time to return to the restaurant.
Within the universe of the extraordinary, those qualities we designate to human concepts of gender are often shared, exchanged, or even completely obliterated. Because of this mixture of traits, these twins called Genius and Madness often appear to be the same thing. They both have a tendency to blur the lines of what we call norms, or established reality. They both, when we study that grand tapestry known as history and modern-day society, tend to stand out in much bolder relief than other figures.-- from Dancing with Madness, Dancing with Genius
It turns out that indecision is a path itself; but figuratively, a vertical path - up or down - meaning it isn't always a fruitless path. One is forgotten, but the other is glorified. To be what they call 'middle-of-the-road' in most cases just means you have a hard time figuring out who between options is dumber. So quite often those who refused to decide were, after all, the bold individuals, the influential ones, the creative ones, those who snatched their own authority.
What would you do if you saw something nobody else could see?”The tape gun fell out of Luke’s hand, and hit the tiled hearth. He knelt to pick it up, not looking at her. “You mean if I were the only witness to a crime, that sort of thing?”“No. I mean, if there were other people around, but you were the only one who could see something. As if it were invisible to everyone but you.”He hesitated, still kneeling, the dented tape gun gripped in his hand.“I know it sounds crazy,” Clary ventured nervously, “but…”He turned around. His eyes, very blue behind the glasses, rested on her with a look of firm affection. “Clary, you’re an artist, like your mother. That means you see the world in ways that other people don’t. It’s your gift, to see the beauty and the horror in ordinary things. It doesn’t make you crazy—just different. There’s nothing wrong with being different.
We can’t turn our true selves off and on situationally and expect them to carry and sustain us. Rationing creativity results in bipolarism of the spirit. Our creativity is also our life force. When we turn it off and on like a spigot, we start to become less and less able to control the valve.
Indeed, very few people are aware that in each of our fingers, located somewhere between the first phalange, the mesophalange, and the metaphalange, there is a tiny brain. The fact is that the other organ which we call the brain, the one with which we came into the world, the one which we transport around in our head and which transports us so that we can transport it, has only ever had very general, vague, diffuse and, above all, unimaginative ideas about what the hands and fingers should do. For example, if the brain-in-our-head suddenly gets an idea for a painting, a sculpture, a piece of music or literature, or a clay figurine, it simply sends a signal to that effect and then waits to see what will happen
The fatal misconception behind brainstorming is that there is a particular script we should all follow in group interactions.... [W]hen the composition of the group is right—enough people with different perspectives running into one another in unpredictable ways—the group dynamic will take care of itself. All these errant discussions add up. In fact, they may even be the most essential part of the creative process. Although such conversations will occasionally be unpleasant—not everyone is always in the mood for small talk or criticism—that doesn’t mean that they can be avoided. The most creative spaces are those which hurl us together. It is the human friction that makes the sparks.
We mustn't be afraid of inventing anything...Everething there is in us exists in nature. After all, we're part of nature. If it resembles nature, that's fine. If it doesn't, what of it? When man wanted to invent something as useful as the human foot, he invented the wheel, which he used to transport himself and his burdens. The fact that the wheel doesn't have the slightest resemblance to the human foot is hardly a criticism of it.
Oh God how subtle he would have to be, how cunning... No paragraph, no phrase even of the thousands the book must contain could strike a discordant note, be less than fully imagined, an entire novel's worth of thought would have to be expended on each one. His attention had only to lapse for a moment, between preposition and object, colophon and chapter heading, for dead spots to appear like gangrene that would rot the whole. Silkworms didn't work as finely or as patiently as he must, and yet boldness was all, the large stroke, the end contained in and prophesied by the beginning, the stains of his clouds infinitely various but all signifying sunrise. Unity in diversity, all that guff. An enormous weariness flew over him. The trouble with drink, he had long known, wasn't that it started up these large things but that it belittled the awful difficulties of their execution. ("Novelty")
Should he make a note? He felt for the smooth shape of his pen in his pocket. 'Theme for a novel: The contrary pull ... " No. If this notion were real, he needn't make a note. A notion on which a note had to be made would be stillborn anyway, his notebook was a parish register of such, born and dead on the same page. Let it live if it can. ("Novelty")
Consciously or not, we feel and internalize what the space tells us about how to work. When you walk into most offices, the space tells you that it's meant for a group of people to work alone. Closed-off desks sprout off of lonely hallways, and in a few obligatory conference rooms a huge table ensures that people are safely separated from one another.
All that remains of the garden city in our own day are traffic-free enclaves, islands in a sea of traffic where the pedestrian leads a legally protected by languishing existence, comparable to that of the North American Indians on their reservations...In reality the modern urbanist regards the city as a gigantic centre of production, geared to the efficient transport of workers and goods, to the accommodation of people and the storage of wares, to industrial and commercial activity. The rest, that is to say creativity, life, is optional and comes under the heading of recreation and leisure activities.
He had thrilled to his own power only in the throes of sex, when he didn't have the presence of mind to know that pleasure wouldn't last forever, and in the flush of freedom, when he was too innocent to know he wasn't free.Now he seized the power that came from that collision of sex with freedom called love.
The real importance of automatism lay in the fact that it led to a different relation between the artist and the creative act. Where the artist had traditionally been seen as someone who invents a personal world, bringing into being something unique to his own 'genius', the surrealists conceived themselves as explorers and researchers rather than 'artist' in the traditional sense and it was discovery rather than invention that became crucial for them.
Neither parents nor schools are very effective at teaching the young to find pleasure in the right things. Adults, themselves often deluded by infatuation with fatuous models, conspire in the deception. They make serious tasks seem dull and hard, and frivolous ones exciting and easy. Schools generally fial to teach how exciting, how mesmerizingly beautiful science or mathematics can be; they teach the routine of literature or history rather than the adventure.
For he has faith enough, he feels, if he were really to delve into himself, faith enough to move mountains, but he cannot manage to put his back into it. Once in a while the need to create wells up in him, the longing to see a part of himself set free in a work by him, and for days at a time his being can be tensed with joyous, titanic efforts to mold the clay into his Adam. But he is never able to shape him into a semblance of his image, he does not have enough stamina to maintain the self-discipline that it demands. It make take weeks for him to give up the work, but he does give it up, and irritably asks himself why he should keep on: what more does he have to gain? He has enjoyed the pleasure of creation, the tedium of upbringing remains, to nurse, nurture, and support entirely - why? for whom? He is no pelican, he says. But whatever he says, he is still ill at ease and feels that he has not done justice to the expectations he has of himself. It doesn’t help him to confront these expectations and try to doubt that their demands on him are justified. He is faced with a choice, and he must choose; for life is such that when the first youth is gone, sooner or later - depending on the natural disposition of the person - sooner or later a day dawns when resignation comes to you like a seducer and tempts you, and you have to say farewell to the impossible and accept it.
After curiosity, this quality of concentrated attention is what creative individuals mention most often as having set them apart in college from their peers. Without this quality, they could not have sustained the hard work, the ‘perspiration.’ Curiosity and drive are in many ways the yin and the yang that need to be combined in order to achieve something new.
Creative people are constantly surprised. They don’t assume that they understand what is happening around them, and they don’t assume that anybody else does either. They question the obvious—not out of contrariness but because they see the shortcomings of accepted explanations before the rest of us do. They sense problems before they are generally perceived and are able to define what they are.
Most agree that a useful definition of creative work is that it includes a combination of novelty and value. Creativity requires novelty because tried-and-true solutions are not creative, even if they are ingenious and useful. And creative works must be valuable (useful or illuminating to at least some members of the population) because a work that is merely odd is not creative. This two-pronged definition of creativity also provides an explanation of why the creative can lie close to the insane (unusual but valueless behavior).
Writing and other efforts to produce an enduring piece of artwork is a gallant response to the prospect of death. Every person knows that they must die, and consequently people build elaborate symbolic defenses mechanism to shield themselves from knowledge of their impermanence. Every person possesses autonomy of the will, the ability to choose how to conduct their life. The freedom to act towards objects is ultimately useless; it provides a person with no sense of meaning and supplies no purpose to life because a mere collection of objects will not transcend their physical demise. An artist does not deny their impermanence but embraces the prospect of their death by laboring to create a monument of their existence that will survive their expiry.
Question everything, including your questions. Don't be afraid to ask questions. Why are you asking? Why are you asking in this particular way? Is it really the right question for the answer you are seeking? Are there additional questions you need to be asking? Don't be afraid to think outside of the box. Don't be afraid of creativity and innovation.
The train will not find you. You must find the train, its pulse, its way of being beyond obvious rock and sway. The train’s pulse is deeper than movement. If you listen, you will hear the song of the train, and when you find the song, you will find the engine, the heart, the blood, the pulse. This is how we create.
All the while that Jean was listening to him, he was vaguely conscious that what gives literature its reality is the result of work accomplished by the human spirit, no matter what the material facts that may have stimulated it (a walk, a night of love, a social drama), of a sort of discovery in the world of the spirit, of the emotions, made by the human intelligence, so that the value of a book is never in the material presented by the writer, but in the nature of the operation he performs upon it.
Each woman has potential access to Rio Abajo Rio, this river beneath the river. She arrives there through deep meditation, dance, writing, painting, prayermaking, singing, drumming, active imagination, or any activity which requires an intense altered consciousness. A woman arrives in this world-between-worlds through yearning and by seeking something she can see just out of the corner of her eye. She arrives there by deeply creative acts, through intentional solitude, and by practice of any of the arts.
The Fourth Sign of The Zodiac (Part 3) by Mary OliverI know, you never intended to be in this world.But you’re in it all the same.So why not get started immediately.I mean, belonging to it.There is so much to admire, to weep over.And to write music or poems about.Bless the feet that take you to and fro.Bless the eyes and the listening ears.Bless the tongue, the marvel of taste.Bless touching.You could live a hundred years, it’s happened.Or not.I am speaking from the fortunate platformof many years,none of which, I think, I ever wasted.Do you need a prod?Do you need a little darkness to get you going?Let me be as urgent as a knife, then,and remind you of Keats,so single of purpose and thinking, for a while,he had a lifetime.Mary oliver
By the early-afternoon hours, if your brain is normal, it's running strictly on inertia and reflex. All you can do during those hours are the things that are exactly like other things you've done in similar situations. Creativity is out of the question. You might argue that you don't notice any difference in your thinking during the afternoon. That's because you're too dazed to notice anything during those hours. I'm sure it's true for me; I believe you could set my eyebrows on fire during the afternoon and I wouldn't notice until sometime the next morning.
There is this one thing that makes a big difference: creativity! There is this one thing that gives birth to great things: imaginations! The world we see is a product of creativity and imaginations, and they that know the power of creativity and how to give life to their imaginations live and leave distinctive footprints!
I simply vowed to the universe that I would write forever, regardless of the result. I promised that I would try to be brave about it, and grateful, and as uncomplaining as I could possibly be. I also promised that I would never ask writing to take care of me financially, but that I would always take care of it - meaning that I would always support us both, by any means necessary. I did not ask for any external rewards for my devotion; I just wanted to spend the rest of my life as near to writing as possible - forever close to that source of all my curiosity and contentment.
Teaching is a dialogue, and it is through the process of engaging students that we see ideas taken from the abstract and played out in concrete visual form. Students teach us about creativity through their personal responses to the limits we set, thus proving that reason and intuition are not antithetical. Their works give aesthetic visibility to mathematical ideas.
Driving a car provides a person with a rush of dopamine in the brain, which hormonal induced salience spurs modalities of creative and critical thinking regarding philosophical concepts such as truth, logical necessity, possibility, impossibility, chance, and contingency.
There are two gradations of cold that are always acceptable: Mild Frost, which is preferable for reading and writing and any other activity done indoors, and Absolute Zero, which is the only temperature suitable for sleep. There is nothing more delicious than being swathed in a cocoon of blankets and awaking with a nose frosted over with rime, and once I do achieve vampiric heights and fall asleep with the mastery of a corpse lately dead, I am best left alone until I wake up at my usual time. I do tend to bite when rattled out of my flocculent coffin, and everyone in my building knows never to disturb me during the early morning hours. Authors, being crepuscular creatures, should never be roused before 11am: the creative mind is never turned off; it only dies momentarily and its revived by the scent of coffee at the proper time.Bacon is also an acceptable restorative.
Turn your thoughts to novel writing—narrative, let it be about what it will, is read, because the mind quietly acquiesces, and it requires no trouble to think about it. On your part it will demand much less care in the composition. Never mind improbabilities—put together a sufficient number of facts—the more unlikely the better. If you are too idle to choose the trouble of inventing, collect eight or nine of the most popular works of that sort; take a piece of one, and a piece of another, and put them together, only a little altered, just to disguise them: never mind whether what the painters call keeping, can in this motley assemblage be attended to; nobody thinks about that: sprinkle the whole plentifully with horrors of some sort or other, to stimulate the languid attention, and you will have a certainty of a sale at least among the circulating libraries, which, after all, is the principal sale that can be expected; for who buy novels?—Who indeed buy books at all in these times?
Creativity is just about connecting things. A whole lot of nonsense put together, and diluted with a creative passion can eventually make sense. Keep thinking. Exploring. Keep trying out new ways and methods of doing things and just when you least expect, you may stumble on that next great world-changing idea that will make all the difference.
Most of us are still in some small way victims of the Industrial Revolution. Whether through our grandparents, our parents, or our own experience, we were raised to believe that our place in life required compliance and conformity rather than creativity and uniqueness. We have been raised in a world where information is deemed far more important than imagination. Adults replaced dreams with discipline when they were finally ready to grow up and be responsible for their lives. Whether this contrast was reinforced on an assembly line, in a cubicle, or in a classroom, the surest path to acceptance in society is accepting standardization. And we more than willingly, relinquish our uniqueness.
Love is a felt force when we become aware of it. Our cognition must be added to the reality of existence. This is the dance of love. We must cultivate our seeds that we plant in each other's lives. Only then we will enlarge our view of love, beauty, creativity, and purpose.
Together we are learning to move from raw emotion and frozen muscles into a flow which emerges deep from within. We are learning to dance our prayers, bleed our words onto the page, laugh our images onto canvas, build our dreams in the world – to transmute and transmit the energy of the Feminine through our bodies and out into the world.
This is the crux of being a Creative Mother. It is more than how many jumpers you have knitted, or having an exhibition in a fancy gallery, or a bookshelf of your own books. It is about the act of living authentically whilst honoring your mother self and creative self. About saying yes to life, every part of your life, and finding how to weave them all together.
Catching creativity is like catching butterflies – fast-flying, bright-colored sparks darting here and there, it requires quick wits, good eyes and desire to net them. And once you have them, you need to act fast. An idea, like a butterfly doesn’t last long: it is ephemeral. It is here, and now it is gone – so quick, grab your laptop, your pen and paper, your Dictaphone, your sketch pad, whatever your mode of expression or recording, swoop and catch.
What I am going to propose is that you write a novel.As you know, the practical advantages of being able to write out your thoughts fluently are very great. For one thing, when you are used to writing them out, they present themselves, one after another. When you are not used to writing them out, they mill around among themselves usually and you see nothing but heads and tails of them when you sit down to get them on paper. I know from my own experience that the first two or three hours of every exam I ever took were spent simply getting my pen warmed up, and by then it was too late.
There is a juiciness to creativity, a succulence that comes up from within, a sensuality which both produces and is soothed by the act and product of creativity. Creativity is pleasing to us on a deep level. Be it the feel of clay in our hands, the colors that make us feel alive as we knit or sew, the meaning that we find in the words that we write, the energizing feel of movement as we dance and the music moves through our bodies. Taking part in creativity helps us to be more fully alive on every level, it asks that we engage with life in a visceral, and interactive way.
If you were writing a book to be published, you might be restrained by the fear that your wild imaginings might drive some people crazy. As it is, you are free, you can go off in any direction whatsoever, so long as the flame in your mind burns that way.
When Dr. Jung said we must be able to look forward in old age to the next day and to look forward to the great adventure that is ahead, he was making life’s “imperative to grow” personal. As long as we are alive, we must be able to dream of the future, of a better world or better ways of life. We are also invited by our greater Self to dream new dreams of creativity and fresh ways of expressing ourselves, as many great artists have into their nineties.
All genuinely creative ideas are initially met with rejection, since they necessarily threaten the status quo. An enthusiastic reception for a new idea is a sure sign that it is not original.
It's a silly argument, and unnecessary. Creativity doesn't happen "in here" or "out there" but in the spaces in between. Creativity is a relationship, one that unfolds at the intersection of person and place.
Einstein's secretary once said that if Einstein were born among the polar bears, he would still be Einstein. But unless polar bears were well versed in theoretical physics, that is not true. Einstein would not be Einstein. Which is not to take anything away from Einstein, or the polar bears, but simply to point out that he was part of a creative ecology, and trying to isolate him from it is not only silly but futile.
The world would have been a better place if some men had just shut their mouths.
I am what I have ever read
We each possess the ability creatively to respond to the ontological mystery of our existence.
We write, not because we claim to know more than others, but perhaps because we want to know more than others. Writers are explorers
Words disappear in the air, but writing remains. If you want something to be remembered about you, write it down
Our personal story has many chapters that reconnoiter universal themes. We each struggle to understand ourselves and aspire to make ourselves known to the world. We struggle to win the love of other people. We seek to pick all the low hanging fruit that we come across in our journey through the corridor of time. We write our story in the Niagara of emotional experiences that flowing watercourse makes us human. We use a profusion of words, symbols, and the nuances pulled from a rich library of language to depict the cascade of our visions, sounds, smells, tastes, feelings, dreams, and infelicitous thoughts. We use logical and dialectal thought processes when communing with our inner self. We use self-speak along with the esemplastic powers of poetic imagination, sprinkled with the fizz of creativity, to cohere disparate chapters of our life into a unified whole and relay the effervescence of our story to other people.
A writer is never alone, he is always with himself
You say you have nothing to write about? How do you find things to talk about? You can write about those things you like to talk about, that's your area of expertise
. If you want to write, just write anything that comes into your mind. You will be surprised at how you can force inspiration to stand on your side.
You can edit what you write. Why not edit what you say? If it hurts somebody, you can still offer an apology or withdraw your statements
Able writers let us into their minds and show us how they think and by that open our minds to ourselves
Sometimes I have a good idea, something I wish I could remember, and instead of writing it down, commit it to my memory only to disappear when I needed it. Write your ideas as they come, if you wait it will be too long and you may not recover it. It may get destroyed as it is to seed to and fro in the ever rushing river of our thoughts
If you are afraid of the critics you will never write a word
You never know what you will write until you write it
Write it as you see in your own perspective, you may be right or wrong but then what, that's how you see it
How do you feel when you read stuff written by dead authors? A visit by a ghost?
You cannot write if you are not angry
You cannot write if you are not on fire
Writing is sharing. You share what you have. Great writers have more to share
People speak even after their death. Only do speak those who have recorded their speech in writing before they die, the rest go silent forever
The power of a writer is that he is a god of sorts. He can create his own worlds and populate them with his own people, all by the powers of his imagination. It's the closest a man can come close to the gods. No wonder the most successful writers are considered immortals
Self-censorship is more efficient than any police. You write and say not what you really think, but what you believe is acceptable. By that process we lose those revolutionary ideas that could change society for the better
Many writers write because they’ve been there, seen that, did it and burnt their fingers
A writer reports on the universe. When he presents his credentials, the gates of heaven and hell are equally opened to him. He can hear the devil’s defense and god’s accusations. The guards at the king’s heart let him in. The writer can be anything and any one he wants. When he writes he is a god, he creates.
If I can write, who possibly can’t. Even drawing a line in the sand is writing
Creativity alone, for those who follow God, isn't sufficient. Not even ongoing creativity. Our creativity, like God's, must be aimed at something good. We need redemptive creativity - creativity that aims not just for success, but freedom; and not just for ourselves, but for others and for the good of creation as a whole.
The power of the writer is to capture the thoughts live and present them as they appeared in his mind
Writing is self-pleasure
Writing is all about self-expression, we want to speak up, to get it off our chest. Whether we make an impact or not that is not for us to decide
If I had time, money and knowledge I could write about everything; but no problem, Google is already doing it
Writing is magic happening on paper
Every book is worth reading. If it cannot make you wiser it will make you a critic
Today almost everybody is a writer, the enormous publish button on blogs and websites begs you everywhere to click on it! And bam you are a writer. To hell with agents and publishing houses and rejection letters. Immortality for you is on the click of a mouth! We are advancing at the speed of light! You can become an author at 140 characters. To hell with long winding sentences and long hours of scratching the head, the immortals of today instantly get a "like" and they instantly enter the pantheon! They seat side by side Plato, Socrates, Aristotle, St Paul, Buddha, Martin Luther, Rousseau, Bangambiki…
When I write sometimes I strike gold, sometimes I labor in vain and keep producing rubbish
Don't believe in everything that is written. Not everything that is written is true
When I say I must write, I don't mean I must publish. There is a great difference. the important thing is the chaotic form given to my chaotic experience, which is, as it was for James Joyce, my kind of religion, and necessary for me...as the confession and absolution for a Catholic in church.
All of us [writers] failed to match our dream of perfection. So I rate us on the basis of our splendid failure to do the impossible. In my opinion, if I could write all my work again, I am convinced that I would do it better, which is the healthiest condition for an artist. That’s why he keeps on working, trying again; he believes each time that this time he will do it, bring it off. Of course he won’t, which is why this condition is healthy. Once he did it, once he matched the work to the image, the dream, nothing would remain but to cut his throat, jump off the other side of that pinnacle of perfection into suicide. I’m a failed poet. Maybe every novelist wants to write poetry first, finds he can’t, and then tries the short story, which is the most demanding form after poetry. And, failing at that, only then does he take up novel writing.
When people say writers spend a lot of time staring, rather than writing, do not be fooled. A writer does not blankly stare. Instead, she sees everything before her. Millions of plotting paths, endless words to choose from, and every possible outcome. Writers see their world as it is, as it could be; as it will be. And in the end make it as it should be.
Most Christian teachers would profess to believe that their students are made in the image of God. . .Classroom practices, however, often reveal that students are not treated accordingly. They are not challenged to think through issues and carefully examine the various positions relevant to the issue. Instead they are simply given information as correct answers to be remembered and reproduced on a test or in some other written form. Rather than create an art project that reveals something about the way they view the world, they are given specific instructions for completing each step of the project and criticized, for example, if the trees are not green. While verbally teaching Johnny that he is an important person, a teacher may employ a learning model or classroom discipline system that clearly treats him as on object to be shaped and controlled by a system. . . (p18)
We can all be clockmakers, or astronomers. But if we all wanted to be Pushkin. . .if the question is, how do you make a poem by Pushkin?- or, what exactly makes one poem or painting or piece of music greater than another?- or, what is beauty?, or liberty?, or virtue?- if the question is, how should we live?. . . then, reason gives no answer or different answers. So something went wrong. The divine spark in man is not reason after all, but something else, some kind of intuition or vision, perhaps like the moment of inspiration experienced by the artist . . .
I am not covetous, but as ambitious as ever any of my sex was, is, or can be; which makes, that though I cannot be Henry the Fifth, or Charles the Second, yet I endeavour to be Margaret the First; and although I have neither power, time, not occasion to conquer the world as Alexander and Caesar did; yet rather than not be mistress of one, since Fortune and Fates would give me none, I have made a world of my own; for which nobody, I hope, will blame me, since it is in everyone's power to do the like.
According to Christ, the pathway to revelation, the heart of revival, and the fullness of the Kingdom of God is becoming child- like. Becoming dependent as children in our relationship with our heavenly Father forces us to lose our religious mindsets and protocol. Staying in a place of wonder and trust will keep us from becoming easily offended by the ways God chooses to manifest Himself in our lives.
Your creativity is way older than you are, way older than any of us. Your very body and your very being are perfectly designed to live in collaboration with inspiration, and inspiration is still trying to find you—the same way it hunted down your ancestors.
Physicists have yet to find anything capable of exceeding our known speed of light. The Tao cannot be named, and so I say there is one thing that out-paces all things: we call it “thought.” I can fill a room a with light before I’m anywhere near the switch.
Bringing a novel to light - revealing the form and cadence, shadows and demeanor of a protagonist constructed from thin air - linking scenes and synchronicity across translucent time - holding up a glass brimming with chilled, never-tasted liquid, then sipping from it with intoxicated focus - allowing lovers to make a perilous mess of things, fall apart and nakedly come back together again - looking through conjured windows deep into someone else’s snow-bound solitude, feeling utterly alone yet being all-connected: this is not writing. It’s world-creating.It’s raw, exposed dreaming. It’s humbling. At first too personal and intimate to share, it evolves like a child into a life of its own until I have no say in what comes next. It’s what I wake at 4am to say Yes to, the spinning possibility of a new story relentlessly commanding me to write it down so it can whirl in your experience.
Someday they would discover that the stars were not sacred, but made from the same material as their bodies. They would learn it was the stars that created their worlds, that worlds created their minds, that minds created tools, and tools could create stars. Growing, sprawling, thriving until they too became masters of their own understanding, chasing enlightenment with the fervor of having nothing to lose, launching from their homelands like fireworks with glorious yellow tails.
Whereas literalists and fundamentalists tend to choose one pole of any dilemma or opposition, whereas modern political parties and religious groups tend towards demonizing each other, the creative individual must be born again and again in the crucible created by the tension between opposing instincts, conflicted feelings, and contrasting ideas.
Owning something also means owning up to something. It means accepting responsibility, which means, literally, responsibility. When we write about our lives we respond to them. As we respond to them, we are rendered more fluid, more centered, more agile on our own behalf. We are rendered conscious. Each day, each life, is a series of choices, and as we use the lens of writing to view our lives, we see our choices.
The concept of encounter also enables us to make clearer the important distinction between talent and creativity. Talent may well have its neurological correlates and can be studied as “given” to a person. A man or woman may have talent whether he or she uses it or not; talent can probably be measured in the person as such. But creativity can be seen only in the act. If we were purists, we would not speak of a “creative person,” but only of a creative act.
Mr. Lawrence drank from his beer. Do you know how I figure out what to do? I look under rocks for slime. I lick the slime with my own tongue. I see the problem for what it is, not what a consultant's methodology says it should be. I find people who are working on something that no one told them to work on, who solve a problem because they can't let it stay unsolved, who don't eat or bathe because it takes too much time. I find the ones selling their ideas to customers without going through the marketing department first. I've gotten good at picking molds off cheeses and turning them into penicillin. People used to wonder where my ideas came from. It was simple: I looked for slimy rocks and moldy cheese, and I watched the bank account like a hawk. It worked well for this company for a long time.
These poets and other creative persons are the ones who express being itself, he held. As I would put it, these are the ones who enlarge human consciousness. Their creativity is the most basic manifestation of a man or woman fulfilling his or her own being in the world.
It tugged at his soul not to talk to other writers about his work. He loved the bank, keeping it secure and compliant with the laws and regulations. People assumed these things happened by magic. They did not. Hauer never talked about it outside the office. He didn't want to make the other writers uncomfortable. If he developed a reputation as someone who brought his work with him to writers conferences they would all turn away, to sip and swizzle their drinks without him.
And since creativity is still the most effective way for me to access wonder, I choose it. I choose to block out all the external (and internal) noise and distractions, and to come home again and again to creativity. Because without that source of wonder, I know that I am doomed. Without it, I will forever wander the world in a state of bottomless dissatisfaction—nothing but a howling ghost, trapped in a body made of slowly deteriorating meat
Perhaps creativity’s greatest mercy is this: By completely absorbing our attention for a short and magical spell, it can relieve us temporarily from the dreadful burden of being who we are. Best of all, at the end of your creative adventure, you have a souvenir—something that you made, something to remind you forever of your brief but transformative encounter with inspiration
Be wild; that is how to clear the river. The river does not flow in polluted, we manage that. The river does not dry up, we block it. If we want to allow it its freedom, we have to allow our ideational lives to be let loose, to stream, letting anything come, initially censoring nothing. That is creative life. It is made up of divine paradox. To create one must be willing to be stone stupid, to sit upon a throne on top of a jackass and spill rubies from one’s mouth. Then the river will flow, then we can stand in the stream of it raining down.
You call a star a star, and say it is just a ball of matter moving on a mathematical course. But that is merely how you see it. By so naming things and describing them you are only inventing your own terms about them. And just as speech is invention about objects and ideas, so myth is invention about truth.
The mind I love most must have wild places, a tangled orchard where dark damsons drop in the heavy grass, an overgrown little wood, the chance of a snake or two, a pool that nobody fathomed the depth of, and paths threaded with flowers planted by the mind.
If a man were to look over the fence on one side of his garden and observe that the neighbor on his left had laid his garden path round a central lawn; and were to look over the fence on the other side of his garden and observe that the neighbor on his right had laid his path down the middle of the lawn, and were then to lay his own garden path diagonally from one corner to the other, that man's soul would be lost. Originality is only to be praised when not prefaced by the look to right and left.
Given the freedom to create, everybody is creative. All of us have an innate, instinctive desire to change our environment, to put our original stamp on this world, to tell a story never told before. I’m absolutely thrilled at the moment of creativity – when suddenly I’ve synthesized my experiences, reality, and my imagination into something entirely new. But most people are too busy working on survival to find the opportunity to create. Fortunately, I’ve been freed by reputation, by the economics of success, and by emotional contentment to turn my ideas into reality. I’ve discovered that the more freedom I have to be creative, the more creative I become.
It often feels like a tremendous amount of work is required to get an idea moving forward, like pushing a train uphill. But at a certain point, the thing takes on its own momentum, and takes unexpected turns. So it's that feeling of holding on, rather than pushing it, that is the most exciting thing. It's that need to occasionally bounce off the walls, letting anything happen for any reason, and having nothing to guide you that is the joy.
**New business concepts are always, always the product of lucky foresight.**That's right - the essential insight doesn't come out of any dirigiste planning process; it comes form some cocktail of happenstance, desire, curiosity, ambition and need. But at the end of the day, there has to be a degree of foresight -- a sense of where new riches lie. So radical innovation is always one part fortuity and one part clearheaded vision.[first-line bold by author][2002] p.23
The misfortune of a young man who returns to his native land after years away is that he finds his native land foreign; whereas the lands he left behind remain for ever like a mirage in his mind.However, misfortune can itself sow seeds of creativity.---- Afterword to "Hothouse" Brian Aldiss
But I should caution that if you seek to plot out all your moves before you make them—if you put your faith in slow, deliberative planning in the hopes it will spare you failure down the line—well, you’re deluding yourself. For one thing, it’s easier to plan derivative work—things that copy or repeat something already out there. So if your primary goal is to have a fully worked out, set-in-stone plan, you are only upping your chances of being unoriginal.
Many articles and books on creativity encourage us to 'think out of the box' and get rid of all the restrictions on our thinking. The trouble with this advice is that it is almost entirely wrong. It is very difficult to be creative when 'anything goes' and you have no limitations, because it is the limitations that actually encourage creativity.
They spell-caught the sounds of cat paws, the breath of fish, the spittle of birds, the hairs of a woman's beard, and the roots of a mountain, and spun them around the sinews of a bear. That made a bond that looked as fine as a ribbon of silk, but, since it was made of things not in this world, it was so strong nothing in the world could break it.
There is new research showing that our creative potential increases with age. Our creativity is a product of our inner and outer experience, and as we get older, we have all kinds of experience to draw on. Also, research tells us that creativity brings energy, vitality and good health.
You cannot simply tap your creative nature once and then expect to be done with it. It is a lifelong process: a continual commitment to being open to possibility, trusting your instincts, experimenting, taking risks, and revising.
A lesson in bringing about true changes of mind and heart comes from a Japanese functionary. By day, he crunched numbers that showed his country was approaching imminent energy crisis and helped to craft policy. By night, he weaved a novel in which a bureaucrat-hero helps see the country through to new energy sources. When the crisis came faster than he expected, he actually put the novel away because he did not want to make the burden of his countrymen worse. When the short-term crisis passed, he published his novel. It's phenomenal and well-timed success fueled the vision that inspired difficult change and maintained a sense of urgency.
Of all the words that exist in any language only a bare minority are pure, unadulterated, original roots. The majority are "coined" words, forms that have been in one way or another created, augmented, cut down, combined, and recombined to convey new needed meanings, The language mint is more than a mint; it is a great manufacturing center, where all sorts of productive activities go on unceasingly.
Humans are often credited with having real foresight, in distinction to the rest of biology which does not. For example, Dawkins compares the 'blind watchmaker' of natural selection with the real human one. 'A true watchmaker has foresight: he designs his cogs and springs, and plans their interconnections, with a future purpose in his mind's eye. Natural selection . . . has no purpose in mind'.I think this distinction is wrong. There is no denying that the human watchmaker is different from the natural one. We humans, by virtue of having memes, can think about cogs, and wheels, and keeping time, in a way that animals cannot. Memes are the mind tools with which we do it. But what memetics shows us is that the processes underlying the two kinds of design are essentially the same. They are both evolutionary processes that give rise to design through selection, and in the process they produce what looks like foresight.
The culture of making is more about a mindset than a lifestyle. Makers have a curiosity for the built world around them. Understanding where things come from, how they are made, the potential of their function now and beyond, and what it takes to make something not only provides a context to appreciate the object at hand but is essential to imagining infinite possibilities for the future.
...innovation is highly context-dependent. It is a response to a particular problem at a particular time and place. Take away the context, and you remove both the spur to innovation, and its raw material.
This is not a how-to book.It is a how-to-think-about-how-to book.In it I bombard you with images and metaphors with never a photograph or diagram in sight. Your mind's eye will create all the images in this text, and each mind is unique. Getting these, and other images, down on paper will provide you with fun, frustration, joy and despair. Like life,
The intelligence that shaped the universe, shaped you. There is an inner part of us, for ever obscured, for ever mysterious, which is most alive during the process of composition. And that inner part, that inner glow, is timeless, and it functions beyond time. It drinks from deep waters. It has the stillness and the dance and the radiance of firmament. When one is most absorbed in the act of creation one almost feels that one is wandering in the great corridors of all minds. Creativity makes us part of it all.
The most important thing is to be excellent, interesting, authentic, or useful. To be the thing, not the thing that sells the thing. That's fantastic news for creative people, who specialize in the stuff. Thanks to toomuchness, creativity, once exclusively the province of poets, has suddenly become a business imperative.
When I was a boy I felt that the roll of rhyme in poetry was to compel one to find the un-obvious- because of the necessity of finding a word which rhymes. This forces novel associations, and almost guarantees deviations from routine chains or trains of thought. It becomes, paradoxically, a sort of automatic mechanism of originality.
It was during the Renaissance that creativity was first seen, not as a matter of divine inspiration, but as a gift of a great learned man to imitate God’s ability to create. As Prometheus stole the fire of the Gods and brought it to the mankind, humanity needed to steal the secret of ‘creation’ from Gods and understand its essence.
A thought weaves into another thought, seeking the other. The thought world has its-own Inner Life. A rose acts upon us through its symbolism, through its beauty, through our conscious & sub-conscious mind.Meditating we tap into the thought form of ‘rose adoration’.
Because I came to seeThat I should never have been a first-rate potter.I didn't have it in me. It's strange, isn't it, That a man should have a consuming passion To do something for which he lacks the capacity? Could a man be said to have a vocation To be a second-rate potter? To be, at best,A competent copier, possessed by the cravingTo create, when one is wholly uncreative?I don't think so. For I came to see, That I had always known, at the secret moments,That I didn't have it in me. There are occasionsWhen I am transported- a different person,Transfigured in the vision of some marvellous creation,And I feel what the man must have felt when he made it.But nothing I made ever gave me that contentment-That state of utter exhaustion and peaceWhich comes in dying to give something life...
[Beware of] the fallacy of misplaced concreteness [mistaking an abstraction for concrete reality, for actuality] In the inescapable flux, there is something that abides; in the overwhelming permanence, there is an element that escapes into flux. Permanence can be snatched only out of flux; and the passing moment can find its adequate intensity only by its submission to permanence.Error is the price we pay for progress.In the real world it is more important that a proposition be interesting than that it be true. The importance of truth is that it adds to interest.Creativity is the universal of universals characterizing ultimate matter of fact. It is that ultimate principle by which the many, which are the universe disjunctively, become the one actual occasion, which is the universe conjunctively. It lies in the nature of things that the many enter into complex unity.The aim of science is to seek the simplest explanations of complex facts. We are apt to fall into the error of thinking that the facts are simple because simplicity is the goal of our quest. The guiding motto in the life of every natural philosopher should be, "Seek simplicity and distrust it."It requires a very unusual mind to undertake the analysis of the obvious.[From various of Whitehead's books, not only PR]
...the preparations for working put him simultaneously in the right frame of mind for creating... that collectedness and presence of mind...the right frame of mind for the artist is only reached when the preparing and the creating, the technical and the artistic, the material and the spiritual, the project and the object, flow together without a break.
Things wabi-sabi have no need for the reassurance of status or the validation of market culture. They have no need for documentation of provenance. Wabi-sabi-ness in no way depends on knowledge of the creator's background or personality. In fact, it is best if the creator is no distinction, invisible, or anonymous.
When there's no stimulus to be found on the outside, you have no option but to look inside yourself for inspiration, and when I did it set off a creativity that had always been inside of me, It mixed with my environment and life experiences to make something tangible,something that expressed me.
Here’s something to think about: the only thing you really own is what you create. And the only thing you can create without needing someone else to give you the raw materials first… is intellectual property.You can write a book, or draw a picture, or compose some music.Everything else is borrowed. It belonged to someone else before you and it will belong to someone else after you.
You think an idea's bad but to others, it's a brilliant idea. Instead of thinking that an idea is bad, look at it differently and the final outcome of this "bad" idea will shock you. Rules should be followed. It is a tradition to know what can and can't be done. But innovation doesn't require the boundaries rules provide. It is when you stop following that you start having unexpected fun.
New freedoms surface old habits. I haven't left sin behind, only discovered a new medium for my treachery. My real trouble as a writer isn't trying to mean the words that I write. It's living into the words that I mean. Nonfiction writing can feel like the high art of hypocrisy.
Let’s end the notion that ideas have no value unless they turn into a business or have some other practical use. Save them all in a beautiful book like Leonardo did. You might want to give them away someday, perhaps to someone who needs an idea. Or your great-great-grandchildren might love knowing what a fascinating mind you had. Or your biographer might be very happy after you’re gone.
Why write poetry? For the weird unemployment. / For the painless headaches, that must be tapped to strike / down along your writing arm at the accumulated moment. / For the adjustments after, aligning facets in a verb / before the trance leaves you. For working always beyond / your own intelligence.
There’s plenty of room in this vehicle for all of us, so make yourself at home, but understand this: Creativity and I are the only ones who will be making any decisions along the way. I recognize and respect that you are part of this family, and so I will never exclude you from our activities, but still—your suggestions will never be followed. You’re allowed to have a seat, and you’re allowed to have a voice, but you are not allowed to have a vote.
It starts by forgetting about perfect. We don’t have time for perfect. In any event, perfection is unachievable: It’s a myth and a trap and a hamster wheel that will run you to death. The writer Rebecca Solnit puts it well: “So many of us believe in perfection, which ruins everything else, because the perfect is not only the enemy of the good; it’s also the enemy of the realistic, the possible, and the fun... The most evil trick about perfectionism, though, is that it disguises itself as a virtue.
Stop treating your creativity like it’s a tired, old, unhappy marriage (a grind, a drag) and start regarding it with the fresh eyes of a passionate lover. Even if you have only fifteen minutes a day in a stairwell alone with your creativity, take it. Go hide in that stairwell and make out with your art.
I have never created anything in my life that did not make me feel, at some point or another, like I was the guy who just walked into a fancy ball wearing a homemade lobster costume. But you must stubbornly walk into that room, regardless, and you must hold your head high. You made it; you get to put it out there. Never apologize for it, never explain it away, never be ashamed of it. You did your best with what you knew, and you worked with what you had, in the time that you were given. You were invited, and you showed up, and you simply cannot do more that that. They might throw you out - but then again, they might not. They probably won't throw you out, actually. The ballroom is often more welcoming and supportive than you could ever imagine. Somebody might even think you're brilliant and marvelous. You might end up dancing with royalty. Or you might just end up having to dance alone in the corner of the castle with your big, ungainly red foam claws waving in the empty air. that's fine, too. Sometimes it's like that. What you absolutely must not do is turn around and walk out. Otherwise, you will miss the party, and that would be a pity, because - please believe me - we did not come all this great distance, and make all this great effort, only to miss the party at the last moment.
I never set out to create a technique. I started out on the floor to find myself, to find what the body could do, and what would give me satisfaction - emotionally, dramatically and bodily. But I did not ever dream of establishing a technique. I still can't believe anything like that happened.
But when I accept the call of creative passion, I am a bold stroke of vermilion, a renegade hyperbole, or the wild fury of jazz violin. The world is a canvas to explore, a blank page to fill, and an arpeggio of waiting experiences. This moving masterpiece called “life” becomes intoxicating when it’s lived as if it were art.
Laughter has got to be the single healthiest activity one can perform. Just think how healthy you would be if you could sincerely laugh at that which now oppresses you.
Recovery through sleep isn’t going to happen if the majority of the components of your being aren’t getting enough stimulation or resistance to work against. Your brain may be tired after work, but if your body and emotions haven’t been challenged through the day, they’re going to keep irritating you even if you’re asleep. They don’t need rest; they need work for real recovery to take place.
The typical image of a depressed, lazy and tired person is someone hunched over and inert. Often, the assumption is that if one had more enthusiasm and inspiration, he would then stand up straight and move. In many cases, this equation is backward. But, as with everything related to one’s physicality, balance is the key. An overly erect and rigid posture may convey confidence and power to some, but it also causes a subtle accumulation of tension and rigidity on various levels, including psychological and emotional.
On the great canvas of timeWe all create our own masterpiece.Choreographing our steps across minutes and hoursDancing over the daysPainting pictures over months andWriting our stories on the years.Singing our songs that echo across eons.We are all a thread in the talent tapestry.A snapshot in the cosmic, collective collage.
No one will improve his health significantly without accurately perceiving priorities, knowing clearly what is at stake if those are not attended to and what is to be gained if acted on correctly. That’s the basic homework before any change can come about. Then that knowledge has to be transformed into a sustainable motivation.
Well-being, or wholeness, implies integrity and harmony between all existing elements, providing freedom for the whole.
Ironically, many of the institutions that run the economy, such as medicine, education, law and even psychology are largely dependent upon failing health. If you add up the amounts of money exchanged in the control, anticipation and reaction to failing health (insurance, pharmaceutical research and products, reactive or compensatory medicine, related legal issues, consultation and therapy for those who are unwilling to improve their physical health and claim or believe the problem is elsewhere, etc.), you end up with an enormous chunk. To keep that moving, we need people to be sick. Then we have the extreme social emphasis placed on the pursuit and maintenance of a lifestyle based on making money at any cost, often at the sacrifice of health, sanity and well-being.
Physical well-being necessitates listening to what you already know, and then taking it seriously enough to act accordingly. When you wake up and feel the impulse to arch your back, stretch and exhale with a loud sigh, for God’s sake, do it.
In my experience, most people are actually seeking recovery from the monotony and anxiety of qualitative repetition. This applies to body, emotions and mind. And that monotony and anxiety involves inertia just as much as over-use, meaning inertia in some areas and over-use in others.
Yearning often does not provide a sense of attainment or “peace,” as it is fuel for one’s personal purpose, to in some specific way give or create; to do that is not necessarily easy or peaceful.
If I were to make a list of focus for well-being, I would begin with lifestyle (the totality of one’s circumstance and how that is engaged, including job and relationships, and proximity to nature), attending to the physical functions correctly (posture, breathing, exercise, food, rest, etc.), consistent expression of your natural range of qualities, working and playing well and hard, and designing things so that you are doing what compels you. Obviously, you can’t give this list out as a prescription for physical problems and diseases, but then again, it is probably the correct prescription. If one were to follow it, any specific problem, even extreme, would almost certainly resolve itself.
It’s highly refined stuff—holding to one’s purpose and focus, but also intuiting the value of being a piece in a larger design and evolution. The balance between these two rhythms is where and when true harmony is achieved and magic happens. Often, just the release of the obsession for personal preferences and to personally gain opens the door.
The essential dynamic underlying almost every elite and esoteric physical art is work with the breath, so there’s information available. I would only add that it’s unfortunate that so much work is done with it, and not much play. Laughter has got to be the single healthiest activity one can perform. Just think how healthy you would be if you could sincerely laugh at that which now oppresses you. I’ve mentioned before that one good measure of someone’s depth of spirituality is how long it takes before they become offended. Imagine laughing hysterically at the criticisms, complaints and impositions you receive. At the least, you’d be breathing well.
People generally believe that stress is responsible for depletion, but apathy and uninspired systematic repetition are equally responsible. Or rather, systematic repetition produces as much or more stress and anxiety as anything else.
Getting down to the gym a couple days a week and having low-fat milk in your morning latte isn’t going to make much of a dent in a system or lifestyle that is essentially, well, unwell.
If you’re ignoring a high percentage of the elements of your entire being, and the range of qualities they can naturally engage, there will be no real recovery or progress until you do. The typical relentless worker is just as lazy as the typical indulgent idler; they’re both just going through the habitual motions. To break the repetitive pattern, and discover more energy and effectiveness, one simply must stretch out in all directions, rotating focus and application of the qualities that make up one’s natural versatility.
The human body, like the human mind, is best at versatility and adaptability. This is our greatest skill and our greatest chance to unlock natural potential. What that means in terms of physical movement is that a fairly equal amount of time and effort should be allocated to the widest possible range of activity. That includes strength, flexibility, precision and endurance, but it certainly doesn’t stop there.
As I’ve mentioned too often before, we are governed, and specifically our physicality is governed, by fairly strict rules, which are easily observable in nature. We have some freedom to manipulate some of these, but really not by very much. Everyone knows, or at least has the information, about the horrors of ignoring health issues and expecting your body to do what you want it to do with the least investment in it. Another “authority” telling you what you should do is not the answer.
Besides having been identified recently as the single most important factor in what men find sexy in women, the list of how correct posture influences internal organs and systems, and also mood and general energy, is very long indeed. Your internal environment depends on the efficiency of the flow of elements within it. Obviously, this includes oxygen, blood, hormones and nutrients, but also all interaction between nerves and the brain. The spine, which is your foundation and support, has a natural position that guarantees the efficiency of movement and interaction of the related elements. Your internal organs are all right alongside the spine and depend on its correct position to function well. Any prolonged restriction or deviation from this natural position will result in some, at least partial, dysfunction. Over a long time, the results can be devastating.
I look at the idea of rest as rotating one’s qualitative focus, not just doing less or changing activity. The role of rest is recovery. If you keep pushing the same quality button (fast or slow, concentrated or dispersed, hard-working or lazy…) for the same component all the time, of course it’s going to become depleted, just like if you keep working a single muscle in the same fashion or don’t use it at all.
The trick is in genuinely appreciating the elements of apparent resistance while you are engaging them. Not to oppose or remove them as much as to creatively fold them into one’s linear line of movement, exploiting them and making the necessary adjustments as you go.
A balanced diet” is not so much about protein/fat/carbohydrate ratios. The real ratios to consider, at least for the typical American or European, are energy consumption/expenditure, pleasure/actual need, food/everything else.
Storytelling is inherently dangerous. Consider a traumatic event in your life. Think about how you experienced it. Now think about how you told it to someone a year later. Now think about how you told it for the hundredth time. It's not the same thing. Most people think perspective is a good thing: you can figure out characters' arcs, you can apply a moral, you can tell it with understanding and context. But this perspective is a misrepresentation: it's a reconstruction with meaning, and as such bears little resemblance to the event.
If one follows what is in one’s heart (let’s leave out mind for the moment), one ends up with what one truly values and loves in life—and one acts accordingly. One’s own private indulgent cyclic habitual reactive subjective transitory feelings are, hopefully, not at the head of that list.
But, really, why does anyone create? You feel a...a restlessness inside, a need to make something new, something no one has ever seen before. You want to add to the beauty and the richness of the world with a gift, an offering that is uniquely yours. It's an act of selfishness and generosity, all rolled into one.
If you, one, loves something or someone, that means that one is willing to, and does, sacrifice for it. That is, one chooses to do and give what is better to the being or thing one loves than to sacrifice the loved one for the personal emotion that is unrelated to or even hinders the giving. In other words, the way to transform an emotion is with a deeper one. This involves discernment and, yes, discipline, which are both frowned upon and seen as emotionless and less important. Which is immaturity, plain and simple, and is the fundamental aspect of human growth from child to adolescence to adult.
Appreciation, affection, focus and intention fill up the space of self-reflection, and one loses oneself in the engagement. And what a relief it is when you get there.
Everyone claims to want the truth. If you really want it, I’d suggest investing seriously in humor and this mysterious skill of transforming bad news into good. Otherwise, you’ll only get more frustrated.
Truth, or mystery basically, seeks the expression of itself. That is, evolution exists to create more mystery, not to answer or end the existing mysteries. This is why with every “truth” revealed, or every answer given, all that actually occurs is the creation of yet a more complex and mysterious question.
Every brilliant theory in physics, for example, has been proven mainly wrong, except for the most recent ones, which will be. The big players, like Newton and Copernicus, gave us answers that were later proved more wrong than right. What they did—and why they are valued—is direct our attention to more piercing and compelling questions or possibilities. (I’d suggest the same holds true for the big spiritual players, but that’s a different letter.)
The depth and complexity of the questions we’ve recently been engaging tend to ignite associated questions very quickly. The family members of these subjects—purpose, responsibility, devotion, commitment, trust, yearning—and their neighbors—frustration, jealousy, ambition, sloth, etc.—get all excited and have things to say to each other. Because of the pressure and tension between them, one has to negotiate the dialogue carefully and use a lot of patience, tolerance and other unsexy qualities. Otherwise, we’ve got another war on our hands.
The nature of yearning is urgent so as to guarantee evolution, change.
As we move through time, we age, with the general speed of everything and the chaos that that produces in us in the form of anxiety, fear, confusion and negotiating an already-existing war, there is little time and space left to adjust to our developing relationship to yearning. In other words, as our needs are met, the question answered, we don’t then move on to the next question.
There exists a direct link, or harmony, between the past, the present and the future. This has been misinterpreted, or exaggerated in both directions, either by the assumption that everything is random, or that there is already a predetermined destiny. There is an actual link, and there is a lot of mystery or room to play and invent.
The experience of yearning is a composite of Nature’s purest impulse in you (the need for radical movement; think of all the analogies in all the religions and philosophies concerning the truth and beauty of light; if you take it literally, that means to become truth, beauty, light, get moving at 299,792,458 kilometres per second) combined with your unique qualities and talents of past/present/future (experiences, potentials, attractions and distractions, imagination, etc.). Simply put: need for radical movement in a definite direction.
The essential war within, and the cause of suffering, begins with the presumption that yearning, impulse and curiosity, desire and question, exist so as to end them. To attain, to acquire, to answer.
Like all things organically formed, there does exist a harmony, interrelated patterns, intuitive logic, and purpose, but these are subtle and you can’t find them exclusively by emotional or intellectual analysis. At first glance it’s all too complex and liquid-like, and our minds and emotions look for control and relief. To know water, you have to get wet; you can’t just sit back and analyze its components. So, do try to enjoy the swim, and don’t be afraid to just sit back and drink now and then—the water’s clean.
Traditionally, true contemplation involves an act of devotion, wherein self-consciousness is removed by transferring consciousness onto the thing at hand. The better you perceive it, the less you observe yourself doing that. In other words, you could say that, at least for the extended moments of engaging it, you love it more than yourself.
Nothing stands still, even if it looks as though it does. Look at a light in the room you are in right now. It appears to be stationary, while the fact is that millions of rays are moving towards you at the speed of light (299,792,458 kilometres per second). Even in every “inanimate” object, particles are moving rapidly and constantly. Nothing within or outside of you remains completely still.
On a psychological and physiological level, the habits of contraction are often caused by the desire to control or acquire, even to acquire generosity or devotion or emptiness. These are subtle and take time to identify and release. Under this is the desire for self-gain or improvement, to win something or better something. Those intentions are healthy enough up to a point, but to really see and engage what you have in front of you, you have to intend that it gains or wins.
There is an actual and palpable hierarchy of emotional, mental and physiological intensity that corresponds to the actual capacities and limitations of human beings. In other words, there does exist a real and definable scale of suffering, and of joy.
Although each of us has the right to believe we are suffering, I suppose, there is a definite and ultimately essential distinction to be made between actual suffering, its cause and resolution, and invented or imagined suffering.
The subjective experience of intense pain (“That’s all I can take”) corresponds exactly to one’s subjective experience in relation to truth (“That’s all I can take”).
The transitory and random quality of emotions (“Well, that’s just the way I feel about it”) is deeply connected to, and largely the cause of, random engagement of one’s values and priorities. This very randomness and inconsistency is actually the cause of deeper suffering, primarily through the accumulation of addictions and the indulgence in reactions that are disproportionately small in comparison to what is really being sacrificed for them. Curiously—and a major theme in my own work over decades—the casual association of emotions to love is part of the insanity in all this.
True balance, and harmony, necessitates finding a way to override the addictive, reactive emotions that are the fabric of one’s subjective illusion, and discover emotions that correspond to actuality.
On the high-end spectrum of emotions, which are innately connected to intuition and direct comprehension as well as imagination and creativity, meaning true empathy and knowledge, appreciative realization, transformation and invention, one finds a richer and more voluptuous combination of experience. Unfortunately, to “get there,” one has to be willing to sacrifice what is known for what is not.
The experience of frustration comes from the separation we impose between our yearning and our fear. Generally, we yearn for that which we fear, or at least fear the unknown (mystery, and therefore and paradoxically, truth) that will be caused through the pursuit of yearning. The more the separation between these two, yearning and fear, the more frustration if you are conscious, or the more neurosis if you are not (literally, “I can’t stand the frustration, I’m going crazy”).
By its nature, what you yearn for is most often intimidating. It produces, and itself is, a question, and one that is not easy to engage or answer.
Mastery of anything is, more than anything else, the transformation of work into play. Giving orders and answers, never making mistakes, and having around you others with the opinion that you are great has nothing at all to do with it. Read carefully: to yearn for, to be compelled by, is being called to play.
My intention is not to define a perfect life and then cause an unhappy analysis of what you are not doing correctly or are incapable of doing.
The question under all this: How to get the idler to accept and engage the yearning? And that, my friends, is a deep and subtle question that will take a while to master, and the mastering of it will require redefining the presumption of what mastery even is. It is certainly not control. Mastery of anything is, more than anything else, the transformation of work into play. Giving orders and answers, never making mistakes, and having around you others with the opinion that you are great has nothing at all to do with it. Read carefully: to yearn for, to be compelled by, is being called to play.
This pace and rhythm I speak of is constantly adjusting through discernment and sensitivity to all aspects of our life and being. As you notice more joy and resolution in your life through the movement toward what you yearn for, you naturally adjust in such a way that you invest more in that direction. If the idea of yearning and acting on what you yearn for causes more aggravation and suffering, you’re not looking at the elements accurately, or the idler is fighting against it.
If you are “playing” too much or “working” too much, you will have a reaction on the other side, which indicates your pace is off, too slow or too fast.
Relax your expectations, in fact, purposely lower them so low that you feel excitedly naughty about showing up to perform your work with reckless abandon. If that’s hard, open to doing it that way just 5%. Deliberately perform below your skill-level to get started and to see what ideas fall out of a relaxed approach. And in that choice you will create an world of joy within yourself, you’ll truly be an artist of being alive.
Like everyone on the planet, one identifies and looks toward a vision of improvement or refinement, but/and one has to find a way to engage both of those—what is so, and what can be—with an appropriate harmony that is itself the hallmark of wholeness. In essence, we are looking to create a harmony between the existing elements, not a more severe dichotomy between what we want and what we should be doing.
Sometimes I wonder how much of our suffering we allow or impose on ourselves simply in search of our worthiness to accept our own respect and appreciation. I’d written before some years ago that we often cause suffering in another so that we can then love them, as in, “You have suffered for me, so I can love you now.” The eventual shock of realizing the sacrifice made for you destroys the walls of self-righteousness and protection. The suffering sacrifice of another creates the willingness and capacity to do the same. Finally, love and respect (respect is part of the body of love) come from the recognition of something else already given up for them.Within the individual, you or me, a similar process takes place toward oneself. It is as if we know some- where that we are not worthy of our own love or respect until we have earned the right to it, and that is mainly through some kind of suffering. That suffering may be generic, as in a life lived in which tragedy after tragedy accumulate, or it may be specific, as in the constant sacrifice of other easier things for a being or vision. Or, perhaps more correctly, it is either consciously chosen or not.
The infinite possibilities that exist in any given moment cause infinite possibilities in response. The wording is correct here; the possibilities exist already, and have already caused the existing possibilities of response.
Sometimes I wonder how much of our suffering we allow or impose on ourselves simply in search of our worthiness to accept our own respect and appreciation.
The exact proportion and combination of the qualities within you, as they are, even while you search and struggle for them to be different or better, is a unique beauty.
In making a clear distinction between desire (answer) and yearning (question), we inevitably end up back at personal purpose.
Virtually everyone defines their identity—or constructs their belief of who they are—through their specific combination of desires and suffering. Or, desires obtained (apparent subjective success at the sacrifice of something else), desires unobtained (suffering), and desires still left as questions (to be obtained or not). And...most of the desires, and the suffering, are themselves by-products of others, established by society and the rules of each sect of society.
You have everything already inside you necessary for the true response to any challenge you will meet. Usually, it’s just a question of assembling some elements in a way that you didn’t think to do before (which brings us to intuition…).
The ability to remain constant, whole and playful, even while working technically, concentrating and upholding urgency, is essential to achieve a state of balance that will allow for this to happen. This has to come to life, and cannot stay just an idea or hope or intention or imitation, or ignored. The guarantee and proof that this balance and power is real is in its actualization. That is, that it manifests in functional reality. As in any intention, whether that be vague or specific, an ambition or desire, a goal or state of being, a question or hope, a curiosity or purpose, there exist natural and unnatural obstacles to its realization.
The temptations and reactions that can cause non-creativity, imbalance and distraction are many. Let’s start with the prejudice everyone has against imposed challenges. It’s a concept that people associate with an accusation, a kind of guilty until proven innocent. Or, you’re not good enough until you prove it, with the implication behind this that you will probably fail or are unworthy. If you settle for this association at the expense of perceiving the actuality and necessity of challenge, or Creative Resistance, in hundreds or thousands of situations in every day of your life, and in anything worthy of your attention, you bought into the illusion sold basically to keep you small, in control, like those and safe for those who sell it.
One of the great images to come down to us through Zen Buddhism is the encounter between an enlightened master and an advanced apprentice during the course of a shared meal. The apprentice, becoming fed up with the stress and waiting and the master’s apparent disregard for him, demands an explanation without complication of exactly how to become enlightened. The master asks, “Have you finished your rice?” “Yes,” says the apprentice. “Then go wash your bowl.
What you have to do to achieve what you want necessitates the creative actualization of the totality of your being as it is. Nothing more, but also nothing less.
My take on personal evolution is largely about the spirit of connecting and disconnecting things, relating to what I call “the gap” or time and space between things. It is also about becoming practical in all this, developing the power and precision to simply bring the grand ideas home, to compress the paradigm of perception/choice/action/result into a single gesture.
Because as you become better at everything, as the innate skills actually manifest in reality, the bar rises for the next jump. The core demand for evolution is relentless, and respect, happiness, love and joy are irrevocably tied to it.
The challenges are illusions, but necessary ones to determine if you can see through them.
The composite of what you know to do—that which compels you, that which you are naturally already drawn to, that which exploits the unique potentials inside you, that which you know you are capable of doing, that which will build a bridge between imagination and reality—causes a relationship that obliges sacrifice.
Now, if you open the treasure chest of desire, what do you find there? What do all the desires have in common? You. Go ahead and stop here and test it for a few days if you are really serious about the question. After you get past the first thousand, you begin to enter into a subtle territory, known as the border between desire and yearning. Or, if you want, between answers and questions. The defining quality, or essence, of desire is that it is engaged as if it were an answer.
Of course, the self-righteous demand and expectation for love, and exactly how it should be expressed, is not the most streamlined method for producing it in another for you. That is, it does not compel or create the love itself. You’re neither loving nor producing that which would compel the love toward you. You’re compressed between them both and incapable of accepting either. And rightly so. Which then accelerates the accumulating suffering.
Think clearly here—desire does not produce fun, but yearning does. To identify the transition point between these two, look at desire as accumulating or consuming, and yearning as letting go of or giving. You don’t collect truth or love, for example, you give them, and in the giving they come into being. And you have fun. Real fun, guilt-free fun, resentment-free fun, doubt-free fun; you experience and become the questions you engage—discipline and strength, imagination, independence, fearlessness, trust and freedom, knowledge, truth.
Once you get off the bandwagon of believing that truth is your enemy and is bad news with all kinds of associated unhappy obligations, you can then afford to take it on with some enthusiasm and start to have some fun with it.
Once you get off the bandwagon of believing that truth is your enemy and is bad news with all kinds of associated unhappy obligations, you can then afford to take it on with some enthusiasm and start to have some fun with it. You can begin to trust yourself and play with mystery and big questions without the need for a crutch of an answer to lean on and sell to others (“Here you go, this crutch worked for me.”). And you then begin to see these big words, like imagination, fearlessness and truth as signposts to more fun, instead of the reverse as you do now. To start the engine, just follow what you yearn for, make a contract with that which compels you, and fulfill the trust of that contract through choice and action.
We live in a dimension where it is necessary to find a balance between wants and needs, or desires and yearning, or answers and questions. The totality of these makes up what we know as reality or truth, at least adolescent truth—facts. The fact of the matter is, you have to live in society one way or another, and there’s a reason for that, so the base of engagement begins with acceptance of the variables as they actually are.
You may have noticed that the questions asked are better than the answers given. What do you expect? Perhaps we could submit these answers in a game and see if anyone could figure out what the hell the question was. “Ahh, how to be happy?
It takes a relative amount of courage just to get out of bed each day. There are those who are stronger in their courage, and they help to compel us along a little further in the fulfillment of our faith.
Life will give you what you need once you will do something with it. It may not give you what you want so as to be as comfortable as you want, as Nature’s concern is need as it relates to evolution. In my humble opinion, Nature is too kind, but, as I say, the game is big, and the challenges and temptations absolute. And this is a fascinating aspect of the totality of beauty; it gives more than is only necessary. The generosity is mind- and heart boggling.
If your curiosity reaches a breaking point (compelled actually means that you only have the remaining choice to act on it, having tried all the other options before), and becomes fascination with mystery or truth, you find what you need. Maybe it’s a person, maybe it’s a tragedy, maybe it’s an explosive recognition that, “My God, I’m still alive.
Transcendence is more about the personal act of not engaging the enemy, finding a way out of the cage that is being designed for you at a particular moment by others, circumstance, or your own bad habits and ignorance.
What is at the base of shame or guilt? It is the consciousness of an imbalance, or of an action in the past that has caused, and probably continues to cause, suffering.
Transcendence is a word I don’t use often; I prefer transformation. Why? Because the essential game is about using what is in front of you and in you exactly as it is, but finding a way to do something with that that is surprising and an expression of inspiration and intuition. You engage reality and make something out of it that only you can, alchemizing limitation, conflict or what appears to be bad into something else.
If you know what life really wants, and if you know what you really want, you can begin to create the relationship.
Transformation, on the other hand, is creating beauty from horror or destruction (or, for beginners, an actually pleasant evening with the usual family problems).
Ironically, to “inspire” means to breathe, to infuse life by breathing. As with a lot of things that have the capacity to inspire, it takes some time to get past the apparent boredom and find the hidden secrets. I figure if I keep harping on it, maybe someone will eventually explore the possibility long enough to realize just how breathtaking it is.
We have been trained to feel shame and guilt basically as a means to cause fear and hesitation, to control behavior, or to oppress real freedom and joy. The origins of that are communal fear, jealousy and the desire for power over others. Consequently, many people have the addiction of using shame or guilt simply to avoid possibilities in life, and have, at the same time, a reason to avoid them—if you act spontaneously or feel joy, the result will eventually bring suffering, so you had better watch out, and don’t ever forget the past shame and guilt.
In terms of achieving what I call “being in the right place at the right time,” one has to know balance. Not from the outside as an observer, but from the inside out. For every individual, that requires creating a successful balanced interface between what one is compelled by and the essential principles of nature, which we comprehend through our intuitive conscience. Those are our clues to the mystery. When one gets it right, there it is.
Breathing is the fundamental act of being alive. One can go without thoughts, emotions or sensations, sleeping, talking or any other activity for a long time, without food for weeks, without water for days. But if you stop breathing, you’ll be dead before you finish reading this letter. Because it is the essence of life, some focus upon it seems appropriate.
There’s a long tradition in many disciplines regarding the breath, so I’m certainly not the first to suggest its importance. Unfortunately, though, having so much tradition, that gives the sense to many that there’s nothing really new there, nothing extraordinary to discover. The traditions themselves in most cases haven’t really evolved and haven’t succeeded in compelling the general public. Everyone knows to “take a deep breath” when stressed, but the immediate impact is minimal at best (actually, a deep breath is not much help; a long, smooth, slow exhale is, however). And the idea of another obligation, studying or relearning how to breathe, lacks inspiration.
I think that as a species we’ve played at being the self-indulgent, spoiled adolescent way too long, and now there are permanent damages and absolute risks that most people are ignoring.
Historically, techniques to attain altered states of consciousness, usually called meditation, or sometimes prayer, actually involve various forms of concentration, the first level of this kind of internal work. The linear scale of progression is Concentration, then Meditation, and finally Contemplation. Virtually all categories of meditation are, in actuality, forms of concentration. What makes them so are the innate “goals” or ambitions attached to them: to achieve a state or to acquire something, like relaxation, insight or “advancement.” This then constructs a dichotomy, or dualism, between the pursuer and the thing pursued. That is, you are conscious of or believe in something “better,” you are separate from it, and there is effort to attain it.
Meditation, in contrast, is the accidental moments of actual harmony that arrive anyway when you are trying to get something, even in trying to get harmony or calm. This often happens outside of the intention to meditate, and most people access the beginnings of this through other events, such as walking, working, athletic activities, or transitional moments, such as between waking and sleeping. The effect, in brief, is one of harmony and well-being, from which other insights or intuitive glimpses can naturally emerge. The moment you notice this, the meditation is over.
Contemplation is purer still, yet more sophisticated. This comes from a strongly developed base of concentration—basically, constancy—through any temptation, including altered states of consciousness, that leads one to meditation (effortless engagement), from which is born an intuitive connection to that which is being focused upon (often, the nature of being in the moment, which is the default “focus”). Some people can attain this state accidentally through some combination of surprising events, which is sometimes called revelation. Fewer still can cause this to happen intentionally, mainly because you have to surprise yourself to have it occur. In any case, it requires a real sense of the value of paradox. One leaves a single position behind (such as “I like this” or “I don’t like this”) and expands in comprehension to simultaneously experience its opposite as well. From there, one rises above the two through a creative burst of intuition, and looks down on them both. What you might call transcendence, although I prefer mildly amused.
Accurately perceiving and following one’s intuition is, I think, the essential human spiritual process. The distractions, confusion, misinterpretations and temptations that oppose that process are enormous. At the same time, there are always clues for how to go about it. The divine is a mystery, so the impulse to really discover, like a child, has to be the core response to anything; that’s the only way beyond the habits, presumptions and prejudices that feed ignorance and fear. To question well, instead of hiding behind a belief or answer, requires the application of the most valued of all human qualities, such as compassion, courage, imagination, respect, humility, devotion, and ultimately love of life itself.This kind of passionate questing is evident in the most admired and, if you will, divine individuals in every culture, religion, and skill throughout history.
More focus has been placed on these subjects through human history than on anything else—mystery and mysticism, God, imagination, intuition, the nature of relationships, human purpose, happiness and salvation…
Through the realization of the potentials and possibilities within and outside of you, one connects imagination with reality. What could be becomes so. You transform what exists, causing not only its evolution, but determining to a large part the course of its evolution. It’s a kind of alchemy in that what you create has not existed before, you give birth to other potentials and possibilities, which continues and expands the program. Perhaps more importantly, the very core of existence is touched and celebrated, that being creation itself.
There are so many stereotypes, prepackaged concepts and platitudes out there in our thinking on the divine, and the associated emotions those produce; it’s very difficult to transcend. But that’s ultimately what experiencing the divine is all about: transcending stereotypes, concepts and platitudes. As soon as one falls back on an acceptable definition or understanding, it disappears. It’s like water; the moment you try to grasp it, you lose it.
The purest definition of “religious” is: relating to or manifesting faithful devotion to an acknowledged ultimate reality.
Resolution of conflicting interests within each of us—the desire to fulfill a personal purpose versus the desire to forget about it and just go have fun, for example—takes time and focus and application of a lot of qualities, like playing a difficult piece of music with two hands on the piano. Many people are looking for a simple pill to make that apparent dichotomy go away. Once they discover it doesn’t exist, it’s very frustrating.
In the quest for a functional and direct interaction between imagination and reality, and the evolution of them both, there is in place a natural resistance, which I have referred to as Creative Resistance, because it demands just that: creativity. Much of this calls for redefining, or refining, one’s relationship with time, and all the qualities and skills that will only come from engaging time more creatively and effectively. As such, part of the bargain is about acquiescing to a rhythm that is subtler and has more definite purpose to it than one’s subjective preferences.
The seed of all this is imagination. But when you think of imagination, it helps to view it more as it exists in the rest of nature, rather than as we tend to see it in humans. That is, that imagination is actual and a need, immediately searches for expression, and con- sequently, is intimately connected to yearning and its instantaneous application. This is also the case in human beings, but we generally associate it with unnecessary, or extra, expression, such as an ability to make something more attractive or stimulating (the current view of art, for example), or the creative use of “free time” (time left over after you have done what you had to do).
In an animal’s or a plant’s expression of imagination (let’s leave out the rest for now, so we don’t have to deal with the question of consciousness in, for example, minerals), there is always purity in the connection between need and evolution. That which is created is a response to reality and very specific, essential concerns. This then is the origin of the union between what is so and mysterious harmony—truth and beauty. The bridge between them is inspired intuition and the actions it causes. Or, imagination causes inspiration causes intuition causes beauty, which then causes imagination again…
One could make a nice link between imagination and spirit. To make that link, all we need is some inspiration. Essentially, imagination has the innate potential to compel or inspire and to set in motion causation. That’s why it exists.
Preceding the birth of every religion, there was someone who was an incarnation of this process: imagination causes inspiration causes intuition causes beauty, which causes imagination…the dynamic that takes place in the dimension of spirit. That is, for whatever reasons that will remain mysterious, although they are suggested in various schools of thought, someone got the cause thing down right, and the rest flowed. After the fact, an effort was made, almost always by others, to control both the impact of this and the possible benefits from it. Ambition and desire took over. Where you had an exact presentation, or manifestation, of beauty and truth, somebody began using it for other purposes.
These five values are the organic origins of what could be called intuitive conscience. They are also what we experience personally as our core, essential yearnings, however distorted or confused we may interpret them: to care and be cared for; to share equally in freedom and responsibility; to belong, and to trust that what we belong to will continue; that there exists an objective hierarchy of virtue and wisdom; that there exists that which is unquestionably sacred or divine.
We survive largely because of the existence and recognition of high-end qualities—compassion, integrity, courage, humility, etc. These are how we perceive spirit. Even the most cynical and fatalistic bastard will snap out of self-absorption, abuse and hopelessness when confronted by an extreme expression of any one of these qualities. (Case studies show that this also applies even to rapists and murderers, not always, but more so than any other technique or therapy.) That is, beyond belief, the desire to feel good, or even hope or despair, there does exist an essential intuitive value system in each of us. This runs through and across every culture, and even every species. I don’t believe that those intuitive values are there to fool us into occupying ourselves so as to feel good while waiting for the inevitable to happen. Nature is not so decadent. Or cynical.
What is it that we do here? By easing away from the mania that pulls on us, recalling and reconnecting with our essential spirit and callings, we regenerate our core inspiration and faith in Life and our place within it…with a purposeful eye toward facilitating evolution toward ‘More capable human beings,’ meaning grander, freer, more authentic and meaningfully effective.How do we do that? By delving into pockets of rituals that have, across traditions and cultures, produced superior forms of insight and understanding, healing, evolution and resolution. One could call these tunnels into beauty, truth and love. And we can find access to them in any given day of our lives.
My personal sense of presence that I kind of carry around with me is along the lines of “Somebody has to be there first before acting.” The more one is there, the better the results in whatever you’re doing — more precision, subtlety, relevance…and much less dispersion and depletion. When you watch someone who is good at this, you can sometimes feel like they’re actually stretching out the walls of possibility in a given situation, literally creating open space. Much of this comes only through time and experience, eventual understanding that how one does something, not the specifics of action, is what impacts others most.
My hope and intent is to provide a wide range of resources and ideas that provoke real questions and considerations under the surface of common dialogue. With a definite thrust toward clues for moving beyond limiting patterns that restrict our personal and communal evolution and experience of, as well as effectiveness in, life. Part of that is about giving different angles of insight into the why and how of developing skills, whatever they may be. I think the larger discussion, or maybe the more relevant one surrounding skills development, involves what quality of fuel is being used to run the skill. Inevitably, and very quickly, this enters into considerations of how much of oneself one brings to the show. For example, anyone can learn a sophisticated skill in an extremely short period of time, once they’re completely convinced of the need, benefit and value of doing so and find enough full-bodied conviction to engage it accordingly (“You never hear anyone practicing a language; they simply listen and then begin to speak.” — Wade Davis).
There’s a tunnel between our external skill sets and our deepest longings and passions. People with the highest developed skills always know how to traverse that tunnel. That is, personal integration and wholeness — and consequent accomplishment and fulfillment — are largely about “enlightening” the tool with the best we have in us. The tool could be anything — a voice or body, a musical instrument or paint brush, a trowel or computer. But skill is made up of capability, and that requires practiced familiarity over time with how to inject into the moment our unique talents, virtues and qualities.
Recent discoveries in developmental psychology and other behavioral disciplines have shown that babies are born with a “first draft” of a moral mind. Among others, brain scientist, Gary Marcus, has described this moral understanding as “already defined and organized before experience.” Evolutionary psychologist, Jonathan Haidt, describes this first draft of the moral mind as consisting of five primary values. Modern cross-cultural anthropologists point to these same five primary values as the foundation of all cultures, currently and historically, and 21st century ethologists suggest the same values apply to most if not all species.
There is something mysterious yet definitely accessible to us all under the agitated waves of difficulty that allows us to feel and flow along a more comprehensive intuitive and spiritual understanding of true meaning. And to find solace, accepting serenity and even beauty within it.
It’s misleading or deceptive in a way that such skills are learned like any other — simple practice, sincere investment over time. Yes, like small steps, one at a time, to cross the bridge. Just a single step today.
The sweet spot is a term used by audiophiles and recording engineers to describe the focal point between two sources of sound, where an individual is fully capable of hearing the audio mix the way it was intended to be heard by the musicians. Different static methods exist to broaden the area of the sweet spot.Sound engineers also refer to the sweet spot of any sound-producing body that may be captured with a microphone. Every individual instrument and voice has its own sweet spot, the perfect location to place the microphone or microphones in order to obtain the best sound.In tennis, baseball, or cricket, a given swing will result in a more powerful impact if the ball strikes the racquet or bat on the sweet spot, where a combination of factors results in a maximum response for a given amount of effort. The actual sweet spot on a racquet or bat is a very small area, where dispersing vibrations and spin in multiple directions are canceled out, resulting in a perfect contact point between incoming and outgoing energies.
I don’t really consider myself to be a teacher, although I understand that others do. There’s a certain restriction or reduction in that stereotype that doesn’t ring true. Especially the underlying assumption that I know something that others don’t, and my job is to give them what I know. That’s simply not true.
We do have some capacity to determine how things evolve, and how we evolve, individually and as a community or race. That’s a tremendous freedom and a tremendous responsibility.
Whether or not we personally do impact some ultimate evolution beyond ourselves, we can definitely influence what happens today. To choose to waste a day, or a lifetime, is opposed to the essential spirit of life, expressed, sacrificed for, and upheld through every perceivable interaction in nature. It’s also opposed to every human expression of spirit throughout history. We know to live up to our potential, to fulfill the trust of creation by moving forward, even if we don’t believe it or feel like it or know why.
The primary reason that I’m not a representative of specific groups or schools of thought is that that choice gives me the freedom to look at these groups and thoughts from the inside and the outside. I’m trying to be honest in that role—what really works here and what does not? That is, I have nothing to sell or win by any given position. I’m promoting a similar process for any person I interact with in my work, including toward me.Investment in a given idea or group tends to immediately shut down options for perception, and then choice. Prejudice, bigotry and arrogance breed from that. One is forced to think a certain way to stay within the group or thought, and then to defend against apparent opposition. This constructs and feeds the kinds of adamant separation and conflict we see so many manifestations of on every level. In many cases, it’s also the cause of deep internal conflict in most individuals, yet it isn’t really addressed.
There are some things that don’t function as one would assume. For example, the impulse and linear thinking associated with the search for happiness most often produce questions like, “What’s in it for me?” or “How do I get what I want?” Paradoxically, if you will, that very question pushes authentic happiness away. Now, to try to explain that to someone in such a way that they hear and are interested by the idea is going to probably involve some paradox and non-linearity.
Freedom and responsibility themselves are at stake. One does not find freedom or enact responsibility by surrendering to another’s conceptualization of these ideas. Living out the rules of conscience laid down by someone else for the attainment of an unquestioned goal, a freedom designed and articulated by someone else, is the surrender of human imagination and intuition.In the more extreme versions of this, we end up with a collective momentum resulting in events such as Nazi extermination of millions of Jews, the Inquisition, or similar events recently in Africa and elsewhere. That comes from allocating one’s conscience to someone else, not attending to one’s own deeper intuitive sense of right and wrong.
Each religion has provided a tremendous service in defining elements of conscience. They have made it possible for us to live together in a society, to work toward common goals, and to learn how to accept or tolerate relative opposition to our own opinions. I also think that this has been done much as a parent needs to provide a similar service for an adolescent. Internal and external conflict requires discipline to organize and structure some form of minimizing the chaos imposed on others.
There is a pivot point, however, to become an adult. That transition comes from recognizing and acting in accordance with your own deepest impulses. On the responsibility front, that means acting in harmony with your conscience, not because you’re going to be punished if you don’t, or paid for it if you do (heaven, enlightenment, salvation, or whatever), but because you know it to be right. On the freedom front, that means acquiescing to your deepest inspirations, following what truly compels you, even when it’s difficult to do so. These two principles brought together in the same time and space is what integrity is all about. And it is only through such integrity that you resolve conflict between the two of them: what you “know to do” and what you “want to do.
Whether or not one believes in the accelerating dangers of the climate crisis, the end of fossil fuels, or the permanent annihilation of species of plants, insects and animals that essentially cover our ass by maintaining an inconceivably complex environment in which we have the freedom and responsibility to do pretty much whatever we’d like, it’s not too difficult to at least perceive the dangers of heightened tensions between cultures that now, for the first time, have the power to annihilate each other or the entire planet.
We all understand the value of sacrifice, even if that only involves setting aside dessert so as to lose weight, or putting money in the bank so as to later buy a house. Progress or achievement in any arena requires choices that often oppose what one feels like doing. The trick in truly succeeding with this in the long run is locating enough depth of feeling that the experience of conflicting desires dissolves. For that to happen, one has to learn how to think emotionally and physiologically.
Traditional stoicism, indifference to pleasure or pain, is a form of imposing conscience so as to block more immediate desires. The problem is that it eventually collapses on itself because natural emotional and physiological impulses are being ignored or repressed. To pass beyond that dichotomy—”I want to eat ice cream, and yet I don’t”—requires conceiving and creating an integrated mind in which our passions and childlike impulses find expression through conscience. In other words, what we feel like doing and what we “should” do become one and the same.
We don’t know how to feel with conscience. Ideas like integrity or devotion remain abstract, theoretically correct and good, but lacking the ability to produce immediately fulfilling emotions or sensations. What I mean by learning to think emotionally and physiologically is rediscovering the visceral joy of investing in what we already love, the kind of unquestioned spiritual relentlessness we had as kids. As adults, that demands an internal dialogue through which we transpose the search for pleasure onto a platform that is in harmony with our conscience and real responsibilities. We find the pleasure in applied conscience. That’s a lot easier than it sounds. Basically, it’s about recognizing and feeling passion for what we really want to do in our lives.
On those who try to make me their guru or master, my approach is to start destroying that from the first moment we meet. It probably seems naive and idealistic, but I rely on basic, old-fashioned qualities in keeping my interactions clean: integrity, chivalry, honesty. In my experience, it’s not that difficult to eliminate the guru paradigm and stereotype, if one really wants to. Finally, it comes down to simply not accepting a role or the associated temptations offered.
General attitude and outlook—the way we perceive and experience anything—is more influenced by our physical state than anything other single factor. I’d guess that for most of us, at least 50% of our struggles and discontent are brought on by being physically out of balance. The causes of that imbalance are many, but at the core, there’s an insensitivity or inability to locate and maneuver essential physical processes within us: how to breathe, how to sit, stand and walk, how to see and hear, how to slow down or speed up, how to relax, how to sleep, how to eat, how to adjust our physiological responses to the different circumstances we find ourselves within. This kind of removal or abstraction from our physicality causes an enormous amount of problems on many levels. One key result of it is a distrust in our own ability to influence our emotional state and our energy and perspectives in general; we often feel that we can’t get our hands on the control switches, as if most of life just happens and we can’t do much about it.
On an even subtler dimension, clarity, intuitive knowledge and contentment are primarily determined by chemical and hormonal balances in the body and brain. Most of this is entirely manipulable through fairly simple physical exercises that anyone can do.
In my work, I try to create situations in which we take ideas, information, experiences and qualities to a pragmatic arena. Then within those, to relearn or experiment with how we respond to internal and external variables. There’s no point to understanding something but remaining incapable of applying it. I think real knowledge and understanding is experiential, and the easiest way to access those is through our physical being.
War is ruthless murder, yet it is justifiable only when a country is defending its turf from outside intruders. To convince soldiers to attack another country for no other reason than greed or strategic positioning requires creativity. And most of the time, soldiers do not really know whether they are on the side of the attackers or the defenders. This is where people misunderstand war. When you attack another country for its resources, you are the pirate. But when you protect your country from the pirates, you are the hero.
Are you considering becoming a creative person? Too late, you already are one. To even call somebody "a creative person" is almost laughably redundant; creativity is the hallmark of our species. We have the sense for it; we have the curiosity for it; we have the opposable thumbs for it; we have the rhythm for it; we have the language and the excitement and the innate connection to divinity for it.If you're alive, you're a creative person. You and I and everyone you know are descended from tens of thousands of years of makers. Decorators, tinkerers, storytellers, dancers, explorers, fiddlers, drummers, builders, growers, problem-solvers, and embellishers--these are our common ancestors.
Consider, for a moment, how profound is an education: every human-made object in the world is the result of one. Every car, computer, particle accelerator, thatched hut, hairstyle, soufflé, piano concerto. These are the products not only of the skilled hands and nimble minds of their creators, but the result of whole traditions and systems of education. Change education, and you change the world.
When the lyrical muse sings the creative pen dances.
When they were in school, Peter used to say that everything you do is a self-portrait. It might look like 'Saint George and the Dragon' or 'The Rape of the Sabine Women,' but the angle you use, the lighting, the composition, the technique, they're all you. You are every color and brushstroke.
Positive energy is unleashed when leaders give themselves permission to connect and express themselves from the core of who they are. When leaders practice authenticity, creativity, engagement, confidence, and a sense of inner resourcefulness emerge.
Rather than being medicalized or romanticized, mental disorders, or mental dis-eases, should be understood as nothing less or more than what they are, an expression of our deepest human nature. By recognizing their traits in ourselves and reflecting upon them, we may be able both to contain them and to put them to good use. This is, no doubt, the highest form of genius.
It isn't enough to pick a path—you must go down it. By doing so, you see things you couldn't possibly see when you started out; you may not like what you see, some of it may be confusing, but at least you will have, as we like to say, "explored the neighborhood." The key point here is that even if you decide you're in the wrong place, there is still time to head toward the right place.
I'm not saying that French books are talented, and intelligent, and noble. They don't satisfy me either. But they're less boring than the Russian ones, and not seldom one finds in them the main element of creative work––a sense of personal freedom, which Russian authors don't have. I can't remember a single new book in which the author doesn't do his best, from the very first page, to entangle himself in all possible conventions and private deals with his conscience. One is afraid to speak of the naked body, another is bound hand and foot by psychological analysis, a third must have "a warm attitude towards humanity," a fourth purposely wallows for whole pages in descriptions of nature, lest he be suspected of tendentiousness... One insists on being a bourgeois in his work, another an aristocrat, etc. Contrivance, caution, keeping one's own counsel, but no freedom nor courage to write as one wishes, and therefore no creativity.- A Boring Story
A large majority of our respondents were inspired by a tension in their domain that became obvious when looked at from the perspective of another domain. Even though they do not think of themselves as interdisciplinary, their best work bridges realms of ideas. Their histories tend to cast doubt on the wisdom of overspecialization, where bright young people are trained to become exclusive experts in one field and shun breadth like the plague.
The epiphany in this thought is that we simply cannot and do not create in isolation. As I paint my blank canvas others leave their mark on my masterpiece. Many have added colors and textures I knew not existed, greatly improving my creation..and yet...and yet... There are those who have punctured the fine leather and scraped at the rainbows of my mind ... creating stormy patches where there were once colors beaming from the page.
IThe epiphany in this thought is that we simply cannot and do not create in isolation. As I paint my blank canvas others leave their mark on my masterpiece. Many have added colors and textures I knew not existed, greatly improving my creation..and yet...and yet... There are those who have punctured the fine leather and scraped at the rainbows of my mind ... creating stormy patches where there were once colors beaming from the page.
As a soul, you have the freedom – and earned responsibility – to transpose your personal process of evolution, to manifest your greatest talents and vision, into the work that matters to you most as a means to personal redemption.
Human beings are not separate from nature. We are nature. The beauty of the sunset is your own beauty. The power of the ocean is your power. We are inseparable from the beauty of the mountains, rivers, and forests that surround us. The more that you can allow your natural self to come out – to honour your natural beauty, your natural creativity, your natural thirst for leadership and compassion – the happier and healthier you’ll be.
That thing you’re afraid of? That label you shy away from? That word that seems too bold? That audacious goal? The life you think you don’t deserve? Aren’t talented enough to have? Aren’t brave enough to claim? Fuck. That. Shit. None of that baggage you’ve been carrying around has a place this year. Kick to the the curb. Now. This year only has space for the bold and the audacious and the brave. Don’t try to convince me you are not those things. I know better and your excuses hold no weight here. You are brave and bold and audacious and one hell of a goddess. Always have been. Always will be. So fill every step you take with intention. Then remember that intention is worthless without action—so get a move on, sugar
They slow your brain down," he said, clutching an orange bottle of pills. "They iron out all the wrinkles...Maybe all the bad stuff happens in the wrinkles, but all the good stuff does, too..."They break your brain like a horse, so it takes all your orders. I need a break that can break away, you know? I need to think. If I can't think, who am I?
Deal resistance a death blow and make sweet love to your art all night long. Put on your fishnet thigh highs and your patent leather stilettos and your special occasion lingerie. Seduce the hell out of your own creative soul. It’s time for an epic lap dance. Dance for your paint and canvas, for fingers tripping across keyboard, for the open arms of motherhood, for the layers of flavor in the meals you create. Wind your hips down for the click of the shutter, for the 3 a.m. bathroom poem, for the late night lesson planning
I am an artist. Any artist knows that their creations, their pieces must express an array of human emotion and experience. From the juvenile and innocent, to the erotic and the dangerous, and everything in between. Because Life is all of these things and more. It is the artist's divine purpose to reflect what Experience has shown them and others. What truly sets us apart from each other is whether or not we truly know ourselves enough to reflect objectively; but, through our own unique 'voice'.
They slow your brain down," he said, clutching an orange bottle of pills. "They iron out all the wrinkles...Maybe all the bad stuff happens in the wrinkles, but all the good stuff does, too..."They break your brain like a horse, so it takes all your orders. I need a brain that can break away, you know? I need to think. If I can't think, who am I?
I admit to being prone to deep thinking, which – given that I’m emerging from dark times – can take me to some very sombre or profound places. But this is no bad thing. I always resurface wiser and with a way of viewing things that is different to before.
Creativity always comes as a surprise to us; therefore we can never count on it and we dare not believe in it until it has happened... Hence, the only way in which we can bring our creative resources fully into play is by misjudging the nature of the task, by presenting it to ourselves as more routine, simple, undemanding of genuine creativity than it will turn out to be... We are apparently on the trail here of some sort of invisible or hidden hand that beneficially hides difficulties from us.
To lose focus means to lose energy. The absolutely wrong thing to attempt when we've lost focus is to rush about struggling to pack it all back together again. Rushing is not the thing to do... Patience, peace and rocking renew ideas. Just holding the idea and the patience to rock it are what some women might call a luxury. Wild Woman says it is a necessity... Take the idea and rock it to and fro. Keep some of it and throw some away, and it will renew itself. You need do no more.
In 1829 Rossini was at an age which has often proven critical in the lives of musicians, painters and writers. Lapses into silence far more complete than Rossini's, creative failures, suicides, and unanticipated deaths have been common in the middle to late 30s. As Charles Rosen has noted, 'It is the age when the most fluent composer begins to lose the ease of inspiration he once possessed, when even Mozart had to make sketches and to revise'.
Because we want to be inwardly secure, we are constantly seeking methods and means for this security, and thereby we create authority, the worship of another, which destroys comprehension, that spontaneous tranquility of mind in which alone there can be a state of creativeness.
What I had to say to you, moreover, would not take long, to wit: Practice any art, music, singing, dancing, acting, drawing, painting, sculpting, poetry, fiction, essays, reportage, no matter how well or badly, not to get money and fame, but to experience becoming, to find out what’s inside you, to make your soul grow. Seriously! I mean starting right now, do art and do it for the rest of your lives…. You have experienced becoming, learned a lot more about what’s inside you, and you have made your soul grow.
Does anyone ask a painter -- even the painter himself -- why he paints? Now me, I painted... used to... whatever I saw that was beautiful. It had to be beautiful to me, through and through, before I would paint it. And I used to be a pretty simple fellow, and found many completely beautiful things to paint.But the older you get the fewer completely beautiful things you see. Every flower has a brown spot somewhere, and a hippogriff has evil laughter. So at some point in his development an artist has to paint, not what he sees (which is what I've always done) but the beauty in what he sees. Most painters, I think, cross this line early; I'm crossing it late.("To Here and the Easel", 1954)
Selfish DreamscapesIf you have a dream, as you should, relish in being selfish about building every passionate aspect of it. The crowd of spectators and consumers will still be exactly where you left them... gossiping about everybody else's dream but their own.
Asbjørn had a nose, that was his great talent, I had never met anyone with such sureness of taste as him, but what use was it, part from being the hub student life revolved around? The essence of a nose is judgment, to judge you have to stand outside, and that is not where creativity takes place.
Dalí painted melting clocks. I suppose if he'd asked around first, quizzed people if they wanted to see a picture of a melting clock, the answer might have been something obvious, like 'Clocks don't melt!' But, lucky for us, Salvador didn't care what anyone else thought. You use what moves you.
We can breathe in the sweet scent of a tepid summer’s meadow after the kiss of a warm rain, and in the very same moment we can stand utterly breathless underneath the expanse of untold galaxies that breech the very edges of the universe itself. Such are the privileges we enjoy because of God’s unimaginable imagination.
I enjoy poetry where I can talk as bizarre as I please, but theology or philosophy, I always respect the truth by taking it a step further.
Don’t be afraid to do weird stuff, so long as you do it cheaply and cover everyone’s bets. Be bold. Be stupid, if you have to: so long as you don’t hurt anybody, what’s it matter how dopey your dream is? If I hadn’t made TUSK? If I’d let it die as a podcast? I wouldn’t have three other movies I’m now making within the span of a year. Some folks will try to shame you for trying something outside the norm; the only shame is in not trying to accomplish your dreams.
Every genuinely new technology has a genuinely new way of breaking – and every now and then, those malfunctions open a new door to the adjacent possible. Sometimes the way a new technology breaks is almost as interesting as the way it works.
The word was born in the blood, grew in the dark body, beating, and took flight through the lips and the mouth. Farther away and nearer still, still it came from dead fathers and from wondering races, from lands which had turned to stone, lands weary of their poor tribes, for when grief took to the roads the people set out and arrived and married new land and water to grow their words again. And so this is the inheritance; this is the wavelength which connects us with dead men and the dawning of new beings not yet come to light.
Many of the cataclysmic leadership failures were failures of rationality. The pendulum of leadership development needs to swing back toward the rational: strategy, creativity, foresight, decision-making, and analytics.
The world of technology has made it easier for people to get in touch with their modern muses regardless of the genres that they are trying to utilize and even if they create a new genre based on a mixing of others. The potential for modern-day muses is as vast as individual creativity.
One who enjoys finding errors will then start creating errors to find.
Maya Angelou said, "People will forget what you said, people will forget what you did, but people will never forget how you made them feel." I'm proud that Mike Schur and I rejected the idea that creativity needs to come from chaos. I like how we ran our writers' room and our set. People had a great time when they came to work on our show and that mattered to us. I like to think the spirit we had on set found its way onto the show.
A misbegotten hatchling of consciousness, a birth defect of our species, imagination is often revered as a sign of vigor in our make-up. But it is really just a psychic overcompensation for our impotence as beings. Denied nature’s exemption from creativity, we are indentured servants of the imaginary until the hour of our death, when the final harassments of imagination will beset us.
And so, as I sleep, some dream beguiles me, and suddenly I know I dream.Then I think: this is a dream, a pure diversion of my will; now that I have unlimited power, I am going to create a tiger.Oh incompetence! Never do my dreams engender the wild beast I longed for.The tiger indeed appears, but stuffed or flimsy, or with impure variations of shape, or of an implausible size, or all too fleeting, or with a touch of the dog or bird.
Sir Ken Robinson’s 2008 talk on educational reform—entitled “Do Schools Kill Creativity?”—has now been viewed more than 4 million times. In it Robinson cites the fact that children’s scores on standard tests of creativity decline as they grow older and advance through the educational system. He concludes that children start out as curious, creative individuals but are made duller by factory-style schools that spend too much time teaching children academic facts and not enough helping them express themselves. Sir Ken clearly cares greatly about the well-being of children, and he is a superb storyteller, but his arguments about creativity, though beguilingly made, are almost entirely baseless.
Oftentimes at Yale, I'll be sitting around studying or drinking or hanging out when I'll hear one of my friends talk about a project they're doing for a class or a rally they're organizing or a play they're putting on. And I'll just think, really, honestly, how remarkably privileged we are to hang around with such a talented group of people around here. I am constantly reminded of the immense passion and creativity of those with whom I get to spend time every day.
All of our days are numbered; we cannot afford to be idle. To act on a bad idea is better than to not act at all because the worth of the idea never becomes apparent until you do it. Sometimes this idea can be the smallest thing in the world, a little flame that you hunch over and cup with your hand and pray will not be extinguished by all the storm that howls about it. If you can hold on to that flame great things can be constructed around it that are massive and powerful and world changing – all held up by the tinniest of ideas.
Who knows their own story? Certainly it makes no sense when we are living in the midst of it. It's all just clamor and confusion. It only becomes a story when we tell it and retell it. Our small precious recollections that we speak again and again to ourselves and to others, first creating the narrative of our lives and then keeping the story from dissolving into darkness.
Get out of your mind and become crazy about your future in a creative way!
Everybody starts small. We all begin life as a single cell. Every business starts as one person with an idea. How fast you go, how far you get, is in your hands. The bigger your vision, the bigger your achievement will be. Will you stumble on the way? Perhaps, but we cannot let fear keep us small. We have to be brave to be big.
Find the most talented person in the room, and if it’s not you, go stand next to him. Hang out with him. Try to be helpful. If you ever find that you’re the most talented person in the room, you need to find another room.
Here’s how I learned to improvise: I played some music in the studio and I started to move. It sounds obvious, but I wonder how many people, whatever their medium, appreciate the gift of improvisation. It’s your one opportunity in life to be completely free, with no responsibilities and no consequences. You don’t have to be good or even interesting. It’s you alone, with no one watching or judging. If anything comes of it, you decide whether the world gets to see it. In essence, you are giving yourself permission to daydream during working hours.
If you can bring yourself to apply your imagination to finding the possible favorable outcomes of undesired developments, even if only as an exercise, you'll see that it fosters creativity. This suggestion is much more than a way to find the silver lining our grandmothers encouraged us to look for. I include it in this book because creativity is linked to intuition, and intuition is the way out of the most serious challenges you might face. Albert Einstein said that when you follow intuition, The solutions come to you, and you don’t know how or why.
All of the dissatisfactions he had felt in his practice of the art form he had stumbled across within a week of his arrival in America, the cheap conventions, the low expectations among publishers, readers, parents, and educators, the spatial constraints that he had been struggling against in the pages of Luna Moth, seemed capable of being completely overcome, exceeded, and escaped. The Amazing Cavalieri was going to break free, forever, of the nine little boxes.
It is appropriate to speak of the artisans as possessed of wisdom (and not just "skill"), because the biblical writers share the understanding common to most traditional societies that the active form of wisdom is good work. Wisdom does not consist only in sound intellectual work; any activity that stands in a consistently productive relationship to the material world and nurtures the creative imagination qualifies as wise.
Prove to the world that you are alive, let your words breathe life into the nostrils of the universe.
Creators understand that their emotions are not necessarily a sign of the circumstances. They understand that in desperate circumstances they may experience joy, and in jubilant circumstances they may feel regret. They know that any emotion will change. But because emotions are not the centerpiece of their lives, they do not pander to them. They create what they create, not in reaction to their emotions but independent of them. On days filled with the depths of despair, they can create. On days filled with the heights of joy, they can create.
Creation and Free Will are constantly moving, hand in hand, like children traveling along a path full of impulses and inspirations.Through the use of the Dragonflame philosophy they become superior artistic beings able to enjoy and share the fruits of creative labor.
Orwell's short and intense life has for years borne witness to some of those verities of which we were already aware. Parties and churches and states cannot be honest, but individuals can. Real books cannot be written by machines or committees. The truth is not always easy to discern, but a lie can and must be called by its right name. And the imagination, like certain wild animals, as Orwell himself once put it, will not breed in captivity. Actually, that last metaphor is beautiful but inaccurate. Even in the most dire conditions, there is a human will to resist coercion. We must believe that even now in North Korea, there are ideas alive inside human brains that were not put there by any authority.
I will admit that we as young rebels always wanted fundamentalists to understand our take on their religion, but rarely, if ever, the other way around. The fundamentalists are the real artists. If you saw only a masterpiece of an original painting and someone threw a splash of red across it saying that their version is better, you would be offended too.
A person willing to fly in the face of reason, authority, and common sense must be a person of considerable self-assurance. Since he occurs only rarely, he must seem eccentric (in at least that respect) to the rest of us. A person eccentric in one respect is often eccentric in others.Consequently, the person who is most likely to get new ideas is a person of good background in the field of interest and one who is unconventional in his habits. (To be a crackpot is not, however, enough in itself.)
Transcendence is before you should you choose to take a swim.Into your deep blue you dive and all that is within.Referred to as my subconscious so you may understand me clear.But there’s nothing very simple about the message I’m sending here.The colour of your blood, the liquid through your veins, is really just a pathway to the place that feels your pains.The heart is an ocean but within it there’s a sun, submerged beneath the ocean, and all that is but one.
When there is silence, Give your voice. When there is darkness, Shine your light. When there is desperation, Offer hope.
I believe when we’re able to fully own and express ourselves, we are able to tap into a creative power deeply rooted from our sexual energy – which is our creative energy. We’re so sexually loose, and also sexually strained. We don’t understand the creative power we have because we’re so busy using it in all the wrong ways – or worse, not using it at all.
Like almost all of Beefheart's recorded work, it was not even "ahead" of its time in 1969. Then and now, it stands outside time, trends, fads, hypes, the rise and fall of whole genres eclectic as walking Christmas trees, constituting a genre unto itself: truly, a musical Monolith if ever there was one.
Like almost all of Beefheart's recorded work, [Trout Mask Replica] was not even "ahead" of its time in 1969. Then and now, it stands outside time, trends, fads, hypes, the rise and fall of whole genres eclectic as walking Christmas trees, constituting a genre unto itself: truly, a musical Monolith if ever there was one.
What do you really want?Did you know that every single one of your desires is an expression of your soul's longing to experience human life as you? It's true.These pure impulses get filtered through our conditioning and show up distorted at times, but follow them back to their source and nothing you desire is anything but good and possible.
The unforeseen is the most beautiful gift life can give us. That is what we must think of multiplying in our domain. That is what should have been talked about in this assembly, and no one has said a word about it ...Art is inconceivable without risk, without inner sacrifice; freedom and boldness of imagination can be won only in the process of work, and it is there the unforeseen I spoke of a moment ago must intervene, and there no directives can help.
I can’t overstate how little I knew about myself at 22, or how little I’d thought about what I was doing. When I graduated from college I genuinely believed that the creative life was the apex of human existence, and that to work at an ordinary office job was a betrayal of that life, and I had to pursue that life at all costs. Management consulting, law school, med school, those were fine for other people — I didn’t judge! — but I was an artist. I was super special. I was sparkly. I would walk another path.And I would walk it alone. That was another thing I knew about being an artist: You didn’t need other people. Other people were a distraction. My little chrysalis of genius was going to seat one and one only.
In every human being there is the artist, and whatever his activity, he has an equal chance with any to express the result of his growth and his contact with life. I don't believe any real artist cares whether what he does is 'art' or not. Who, after all, knows what art is?
I have no sympathy with the belief that art is the restricted province of those who paint, sculpt, make music and verse. I hope we will come to an understanding that the material used is only incidental, that there is artist in every man; and that to him the possibility of development and of expression and the happiness of creation is as much a right and as much a duty to himself, as to any of those who work in the especially ticketed ways.
I’ve learned that the creative life may or may not be the apex of human civilization, but either way it’s not what I thought it was. It doesn’t make you special and sparkly. You don’t have to walk alone. You can work in an office — I’ve worked in offices for the past 15 years and written five novels while doing it. The creative life is forgiving: You can betray it all you want, again and again, and no matter how many times you do, it will always take you back.
In order to deserve, we must pay our dues and steadily work for perfection. We must relish in struggle, and relinquish pride. We must dispel fear and seek enlightenment. We must shun division and honor love. We must know our hearts and seek to understand others. We must try, live, create, feel, grow and love.
It ain't bragging if you've done it. There's nothing wrong with being proud of doing something well. In fact, if you intend to do something creative for a living, it's absolutely essential.[check for wording] Proper pride says, "I'm good at this." Improper pride says, "I'm better than you.
Sylvia would have taken it seriously- so strong was her devotion to the innate intelligence of form. Those pretty tools like glue and pens, pasting together look-books – for Sylvia it would have been like toy making or arranging jewels. Unfortunately, Sylvia’s flair for design and graphics went unnoticed by the Mademoiselle staff, who had already pigeonholed her as a “writer”.
Discovering Distilled Creativity"Amazing how sitting down to listen with no distractions - no tv, no devices, no radio - can enhance your life; the sigh of the wind the only ambient noise. Then, in that still moment, your distilled creativity comes because you feel so connected to the Universe.
During my 20’s and 30’s at some point I started to think, “I have to give it up and I have to grow up.” But the truth is that I can never give it up and that’s another thing that I always tell people, especially young people: don’t even bother thinking that you’re going to give up whatever your art or your creative thing is. It’s always there for you.
Originality has nothing to do with producing something ’ new’ - it is about seeking the source, the primordial ground from which you draw and have always drawn your being. It comes about when one works from one’s origins, it is the dance of the eternal return… and is as ancient as the Dreamtime.
No one’s fated or doomed to love anyone.The accidents happen, we’re not heroines,they happen in our lives like car crashes,books that change us, neighborhoodswe move into and come to love.Tristan and Isolde is scarcely the story,women at least should know the differencebetween love and death. No poison cup,no penance. Merely a notion that the tape-recordershould have caught some ghost of us: that tape-recordernot merely played but should have listened to us,and could instruct those after us:this we were, this is how we tried to love,and these are the forces they had ranged against us,and these are the forces we had ranged within us,within us and against us, against us and within us.
So for me the creative world isn’t what you do after your day job, though many professional musicians do this to make ends meet, but it’s something that IS a job. Perhaps that’s why I’m not as disheartened by the more cold blooded aspects of the industry. Over the course of watching my mother navigate the creative world I’ve seen just about every trick pulled that could have been and I’ve seen her deposit the checks received for a job well done. When I recently asked her why she chose the creative world she said: “Early on I decided that if I had to work I was going to work at something that I loved.”I’m glad she did. As difficult, chaotic, dysfunctional and crazy as the world in music and the arts can be I always knew that they mattered deeply to her, as they do to me.
Everybody says they want artists to make money and then when they do, everybody hates them for it. The word sellout is spit out by the bitterest, smallest parts of ourselves. Don't be one of those horrible fans who stops listening to your favorite band just because they have a hit single. Don't write off your friends because they've had a little bit of success. Don't be jealous when the people you like do well - celebrate their victory as if it's your own.
Strike all the adjectives from your bio. If you take photos, you're not an 'aspiring' photographer, you're not an 'amazing' photographer either. You're a photographer. Don't get cute. Don't brag. Just state the facts.
I am, as it were, the created creating—a paradox, for all its rhetorical trappings, at the beating heart of our shared human journey, and one I invite you to struggle with just as I have while, day in and day out, word by word and line by line, constructing a fictitious autobiography for myself in these pages.
Every organisation faces challenges, but few seize to perform, not due to any shortage of funds, technology or knowledge, but due to the fact that people in such organisations do not use their creativity to explore innovative solution for their challenges.
Nature grows where the atmosphere is conducive – a bit of oxygen, soil, moisture and we see plants growing. Even between the stones. Exactly the same way, if we are happy and honest to ourselves, our creative glands gets activated and soon we get the astonishing solution to our challenges.
YOU DON’T KNOW IF YOUR IDEA IS ANY GOOD the moment it’s created. Neither does anyone else. The most you can hope for is a strong gut feeling that it is. And trusting your feelings isnot as easy as the optimists say it is. There’s a reason why feelings scare us—because what they tell us and what the rest of the world tells us are often two different things.
For certain you can be helped, should you accept it. But as far as being made...no one can do that. This occurred on the day you were born. An earth day is not a birth day. Own what you create as well as what you break.
Sometimes I think that creativity is a matter of seeing, or stumbling over, unobvious similarities between things—like composing a fresh metaphor, but on a more complex scale. One night in Hiroshima it occurred to me that the moon behind a certain cloud formation looked very like a painkiller dissolving in a glass of water. I didn’t work toward that simile, it was simply there: I was mugged, as it were, by the similarity between these two very different things. Literary composition can be a similar process. The writer’s real world and the writer’s fictional world are compared, and these comparisons turned into text. But other times literary composition can be a plain old slog, and nothing to do with zones or inspiration. It’s world making and the peopling of those worlds, complete with time lines and heartache.
Art is a kind of magic. Creativity is mysterious, even to artists, who might be able to name their inspiration but can't always explain how their influences and experiences came together to create this new thing- this painting, this story, this song. If you break art down to its base elements, there's nothing miraculous about the letters of the alphabet or a drop of paint. But an artist can put those elements together to create something powerful, something that moves us and withstands the test of time. A work that no one but that artist could have imagined, let alone created.
Very few of us understand Honorable Bird, except to acknowledge that without his power and grace nothing would be written, painted, or composed at all. To say anything beyond this about the creative process is like pulling all the petals off a flower in order to analyze it, and ending up having destroyed the flower.
Creativity connects me to my truest self and vulnerability. There is nothing more personally liberating, than reaching for my face and peeling off the social mask that hides my; shadow self, pain and weakness. When i produce from this place of truth, the results transform both creator and beholder.
From the outside looking in, i think my life would appear very isolated, occupying a huge empty space, with hollow-sounding, emotional echoes. But in reality, this solitary sanctuary i inhabit, allows my artistic nature to sing at the top of its lungs. My feelings have the space they need to breathe. And my art can gain the momentum, it requires, to bubble up to the surface of consciousness. For me, creativity is a chaotic and quiet hybrid, an entity that seeks a safe place to call home.
Writing for the sake of writing, writing that draws its credibility from its very existence, is a foreign idea to most Americans. As a culture, we want cash on the barrel head. We want writing to earn dollars and sense so that it makes sense to us. We have a conviction—which is naive and misplaced—that being published has to do with being “good” while not being published has to do with being “amateur.” ...“Did you write today?”“Yes.”“Then you’re a writer today.”It would be lovely if being a writer were a permanent state that we could attain to. It’s not, or if it is, the permanence comes posthumously.A page at a time, a day at a time, is the way we must live our writing lives. Credibility lies in the act of writing. That is where the dignity is. That is where the final “credit” must come from.
The more people have time to experience the joys of creativity, the less they will be consumers, especially of mass-produced culture. I see that as a kind of new wealth that counts for more than owning material things. I also see art as something people will do rather than consume, and do it as a natural part of their lives; creative endeavors are a form of profound spiritual satisfaction.
One of the most connective things we can do for ourselves, is to become world travelers of our own internal landscapes. What i love about creating art, is the excitement of turning that landscape inside out for all to see. And the kind of courage that takes, when i don't know what the outcome will be...
If there’s a single idea I emphasize when people ask about writing, it’s that there’s no right way to produce a book. But I do think that whatever you do, you should do regularly, whether it’s waking up at midnight and drinking vodka or waking up at dawn and drinking tea, whether it’s sitting in a monkish study or writing on the back of a flatbed truck. The analogy I like is children’s literature: in a lot of children’s books, there’s a huge institutional structure (Hogwarts, for example) whose presiding safety allows the children’s imagination to run free. The more consistent your habits are – and this ties into having your tools nailed down – the more secure your brain will be to run free and create.
When you cease to fear your solitude, a new creativity awakens in you. Your forgotten or neglected wealth begins to reveal itself. You come home to yourself and learn to rest within. Thoughts are our inner senses. Infused with silence and solitude, they bring out the mystery of inner landscape.
Zombies are familiar characters in philosophical thought experiments. They are like people in every way except they have no internal experience.... If there are enough zombies recruited into our world, I worry about the potential for a self-fulfilling prophecy. Maybe if people pretend they are not conscious or do not have free will - or that the cloud of online people is a person; if they pretend there is nothing special about the perspective of the individual - then perhaps we have the power to make it so. We might be able to collectively achieve antimagic. Humans are free. We can commmit suicide for the benefit of a Singularity. We can engineer our genes to better support an imaginary hive mind. We can make culture and journalism into second-rate activities and spend centuries remixing the detritus of the 1960s and other eras from before individual creativity went out of fashion. Or we can believe in ourselves. By chance, it might turn out we are real.
Everyone worked day and night, Monday through Saturday. Oppenheimer insisted people take Sundays off to rest and recharge. Scientists fished for trout in nearby streams, or climbed mountains and discussed physics while watching the sunrise. "This is how many discoveries were made," one scientist said.
The world is changing rapidly, and everyone changes along with the world. Discoveries is now becoming rampant; intellectually, technologically,etc, each having its advantage and disadvantage.
...the imagination works not so much through inspiration as through perseverance. One must slog through the false starts, spot the wrong words and hold out for the right ones, and above all, be vigilant about staying on the path of revision, no matter how uncomfortable or even painful the journey might become.
The grand scheme of a life, maybe (just maybe), is not about knowing or not knowing, choosing or not choosing. Perhaps what is truly known can’t be described or articulated by creativity or logic, science or art — but perhaps it can be described by the most authentic and meaningful combination of the two: poetry: As Robert Frost wrote, a poem 'begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness. It is never a thought to begin with.'I recommend the following course of action for those who are just beginning their careers or for those like me, who may be reconfiguring midway through: heed the words of Robert Frost. Start with a big, fat lump in your throat, start with a profound sense of wrong, a deep homesickness, or a crazy lovesickness, and run with it.
I see a creative process as a necessarily thievish undertaking. Dig beneath a beautiful piece of writing, Monsieur Boustouler, and you will find all manner of dishonor. Creating means vandalizing the lives of other people, turning them into unwilling and unwitting participants. You steal their desires, their dreams, pocket their flaws, their suffering. You take what does not belong to you. You do this knowingly.
The working artist will not tolerate trouble in her life because she knows trouble prevents her from doing her work. The working artist banishes from her world all sources of trouble. She harnesses the urge for trouble and transforms it in her work.
Society's goal is to make us less foolish. From the cradle to grave the pressure is on: "Be normal!" Our inner fool may be shackled and caged by a world made to suppress it, but Jesus came to free the fool.
Everyone wants a definition of creativity that makes what they do into something special and what everyone else does into nothing special. But the fact is, we're all creative. We come up with weird and interesting ideas all the time. The biggest difference between 'creators' isn't their imagination - it's how hard they work. Ideas are easy. Doing stuff is hard.
Up until relatively recently, creating original characters from scratch wasn't a major part of an author's job description. When Virgil wrote The Aeneid, he didn't invent Aeneas; Aeneas was a minor character in Homer's Odyssey whose unauthorized further adventures Virgil decided to chronicle. Shakespeare didn't invent Hamlet and King Lear; he plucked them from historical and literary sources. Writers weren't the originators of the stories they told; they were just the temporary curators of them. Real creation was something the gods did.All that has changed. Today the way we think of creativity is dominated by Romantic notions of individual genius and originality, and late-capitalist concepts of intellectual property, under which artists are businesspeople whose creations are the commodities they have for sale.
Trying to think more outside the box is like taking a picture with a camera, the more you do it, the more you learn about different positions and angles. The more you take pictures, the more you learn that you can change the camera distance range or change the speeds, and different amounts of light let in. Likewise, the camera speed is the same as allowing yourself time for outside ideas and thoughts to flow.
One of the few things I know about writing is this:spend it all, shoot it, play it, lose it, right away, every time. Do not hoard what seems good for a later place in the book, or for another book; give it, give it all, give it now. The impulse to save something good for a better place later is a signal to spend it now. Something more will arise later, something better. These things fill from behind, from beneath, like well water.
Split your skull—a hatchet works well enough. Take a more delicate instrument—a scalpel, perhaps—and make a hand-sized slit; it doesn’t matter where. Reach in (no glove needed), plunge down to the very bottom, pinch the inside layer of membrane and yank, hard. If it feels like you’ve just turned your brain inside out, you have. Writing is brain surgery, pure and simple.
This piece of earth I billet grows small. Bullets of time dart past, dropping shards of opportunity at my feet. And until the rift that surrounds my decaying body clamps shut—swallows me up like so many remains—I army on, simultaneously ignoring and saving my comrades in the hole.Such is a writer’s life.
...“Maybe it’s like this, Max--you know how, when you are working on a long and ordered piece, all sorts of bright and lovely ideas and images intrude. They have no place in what you are writing, and so if you are young, you write them in a notebook for future use. And you never use them because they are sparkling and alive like colored pebbles on a wave-washed shore. It’s impossible not to fill your pockets with them. But when you get home, they are dry and colorless. I’d like to pin down a few while they are still wet.”...'John Steinbeck
Remember that your fans are your lifeblood. See that you know who they are, and give them a reason to follow you. Be sure to thank them, often, for caring enough to support you. They’re responsible for your success just as much as you are.
Despite being a denizen of the digital world, or maybe because he knew all too well its isolating potential, Jobs was a strong believer in face to face meetings. " There's a temptation in our networked age to think that ideas can be developed by email and iChat,"he said."Thats crazy, Creativity comes from spontaneous meetings, from random discussions. You run into someone, you ask what they're doing, you say ' Wow, and soon your cooking up all sorts of ideas." So he had the Pixar building planned to promote encounters and unplanned collaborations. " If a building doesn't encourage that, you'll lose a lot of innovation and the magic that's sparked by serendipity,"he said.
Creativity is at the heart of every stupid idea . . . creativity and stupid are interchangeable . . . because everything inherent to that kind of creativity requires breaking away from the norm, going against the grain, and leaning into risk and fear.
You know, the whole thing about perfectionism. The perfectionism is very dangerous. Because of course if your fidelity to perfectionism is too high, you never do anything. Because doing anything results in...it's actually kind of tragic because you sacrifice how gorgeous and perfect it is in your head for what it really is. And there were a couple of years where I really struggled with that.
My life isn't good or bad. It's an incredible series of emotional and mental extremes, with beautiful thunderstorms and stunning sunrises.Some would say this is my artistic temperament. Others would say i am mentally ill or bipolar. I SAY... it's a bit of both and i make the most of them, CREATIVELY.
The creative process is a love story that never ends. The ideas are like suitors competing for your attention. You may have relationships, with multiple ideas, at once. You may devote yourself completely to one idea, for a awhile, but the affairs will never end. There will always be more ideas to romance and more concepts to develop. And all for that wonderful moment when you get to gaze at the complete creation and hold perfection in your arms, for one blissful moment... before your inner-critic starts tearing it to shreds.
Someday, i dream we will medically address mental illness in a way that helps people WITHOUT completely crippling them, creatively or robbing them of their precious sensitivity. No one wants to live life feeling like they underwent a chemical lobotomy, that is not living. And, "Normal" needs a much broader definition... perhaps we could just replace that word with, "harmonious living.
I don't create my images as visual equations to be solved, but rather, i create them as internal landscapes that the viewer can explore. I enjoy sharing the why behind the what, of my creations... but my way, isn't the only way, to experience them. There is no correct way to interpret them. Perception is reality and yours may be different from mine and that's okay.
Because it is possible to create — creating one’s self, willing to be one’s self, as well as creating in all the innumerable daily activities (and these are two phases of the same process) — one has anxiety. One would have no anxiety if there were no possibility whatever. Now creating, actualizing one’s possibilities, always involves negative as well as positive aspects. It always involves destroying the status quo, destroying old patterns within oneself, progressively destroying what one has clung to from childhood on, and creating new and original forms and ways of living. If one does not do this, one is refusing to grow, refusing to avail himself of his possibilities; one is shirking his responsibility to himself. Hence refusal to actualize one’s possibilities brings guilt toward one’s self. But creating also means destroying the status quo of one’s environment, breaking the old forms; it means producing something new and original in human relations as well as in cultural forms (e.g., the creativity of the artist). Thus every experience of creativity has its potentiality of aggression or denial toward other persons in one’s environment or established patterns within one’s self. To put the matter figuratively, in every experience of creativity something in the past is killed that something new in the present may be born. Hence, for Kierkegaard, guilt feeling is always a concomitant of anxiety: both are aspects of experiencing and actualizing possibility. The more creative the person, he held, the more anxiety and guilt are potentially present.
You know, all poetry may be a cry of generalised love, for this, or that, or the universe - which must be loved in its particularity, not its generality, but for its universal life in every minute particular. I have always supposed it to be a cry of ;unsatisfied love; - and so it may be indeed - for satisfaction may surfeit it and so it may die. I know many poets who write only when in an exalted state of mind which they compare to ;being in love;,when they do not simply state, that they are in love, that they seek love - for this fresh damsel - or that lively young woman - in order to find a fresh metaphor, or a new bright vision of things in themselves. And to tell you the truth, I have always believed I could diagnose this state of ;being in love; which they regard as ;most particular;, as inspired by item, one pair of black eyes or indifferent blue, ;item;, one graceful attitude of body or mind, ;item;, one female history of some twenty-two years from, shall we say 1821-1844 – I have always believed this ;in love; to be of something of the most abstract masking itself under the particular forms of both lover and beloved. And Poet who assumes and informs both.
No original thought still exists. People are original, each one of them. The same ideas that others had before you are waiting for you to bring them back to life in a new way. The part of who you are that is left behind within these old ideas is what makes them original all over again.
What we at first deem useless might end up being the next bestseller. It can be the product's novelty, fun factor or sheer stupidity. Whatever the case, just remember there's always room on the market for an original business idea.
Hallo, Pooh,” said Rabbit.“Hallo, Rabbit,” said Pooh dreamily.“Did you make that song up?”“Well, I sort of made it up,” said Pooh. “It isn’t Brain,” he went on humbly, “because You Know Why, Rabbit; but it comes to me sometimes.”“Ah!” said Rabbit, who never let things come to him, but always went and fetched them.
Creative work bridges time because the energy of art is not time-bound. If it were we should have no interest in the art of the past, except as history or documentary. But our interest in art is our interest in ourselves both now and always. Here and forever. There is a sense of the human spirit as always existing. This makes our death bearable. Life + art is a boisterous communion/communication with the dead. It is a boxing match with time.
Even though artists of all kinds claim to put their hearts and souls into their works, it will only confuse you, for example, if you try to discern a painter by his paintings. His masterpiece may be the master because of its iridescence; it may display a hundred different perspectives through his single face.
This was the sort of ebullience and élan I prayed for when I felt the desire to write. I used to sit down and wait for this to happen. But it never did happen- not this way. It happened afterwards, sometimes when I had left the machine and gone for a walk. Yes, suddenly it would come on, like an attack, pell-mell, from every direction, a veritable inundation, an avalanche- and there I was, helpless, miles away from the typewriter, not a piece of paper in my pocket.
For years to come the debris of a convulsed world will beset our steps. It will require a purpose stronger than any man and worthy of all men to calm and inspirit us. A sane society whose riches are happy children, men and women, beautiful with peace and creative activity, is not going to be ordained for us. We must make it ourselves.
Something went greatly wrong in our collective history and the starting point of it was the industrial revolution. Our school systems are focussed on a single objective: to produce model citizens for society in order to feed this machine and prevent its breakdown. That’s why our school systems have no interest in developing models that actually require and stimulate useful values in people, such as courage or imagination or inventiveness. None of these are taught in our schools, on the contrary the system focuses on memorizing. Memorizing is a way of overloading the mind with mental baggage it doesn’t really need. Besides being horribly dull and stiffening the effect of 20 years of abundant memorization training is modern man: an unimaginative creature stuffed with useless knowledge and unable to clean his mind of this information dirt: our school systems are purposely constructed to deliver mental automatons that are unable to think creatively.
Economics itself offers a parallel that explains why this integration affects creativity. Clay Christensen has written about the “Innovator’s Dilemma”: the fact that large traditional firms find it rational to ignore new, breakthrough technologies that compete with their core business. The same analysis could help explain why large, traditional media companies will undermine our tradition of free culture. The property right that is copyright is no longer the balanced right that it was, or was intended to be. The property right that is copyright has become unbalanced, tilted toward an extreme. The opportunity to create and transform becomes weakened in a world in which creation requires permission and creativity must check with a lawyer.
For one thing is needful: that a human being should attain satisfaction with himself, whether it be by means of this or that poetry or art; only then is a human being at all tolerable to behold. Whoever is dissatisfied with himself is constantly ready for revenge, and we others will be his victims, if only by having to endure his ugly sight.
It is better for the intellectual not to talk all the time. To begin with, it would exhaust him, and, above all, it would keep him from thinking. He must create if he can, first and foremost, especially if his creation does not side-step the problems of his time.
I’d stumbled upon the inner sanctuary of a woman who loved the world. Loved the faces of people she saw. Loved the way a hand looked when it was relaxed. Loved the way a woman looked when she touched her own face. The way a man looked when he opened himself to her. Loved the way wind changed a tree or a field or a child’s hair. The beauty of a neck meeting a shoulder. The softness of a smile that wasn’t forced.
All our contemporaries...had some big ideology to live for. Everybody thought he had to either fight in Spain or die for something else, and most of us had to be in prison for one reason or another. And then at the end it turns out that none of these great ideologies was worth your sacrificing anything for. Even doing personal good is very difficult to be absolutely sure about. It's very difficult to know exactly whether to live for an ideology or even to live for doing good. But there cannot be anything wrong in making a pot, I'll tell you. When making a pot you can't bring any evil into the world. - Eva Zeisel, ceramist.
Successful continual learning means maintaining a balance and variety of success-oriented attributes, the most prominent being awareness, confidence, persistence, determination, courage, and focus. But curiosity, ingenuity, and creativity may be even more important as it is these traits that fuel the desire to continue to question and challenge the status quo.
When you're making something, you're in a different state. You go into a deep level of concentration, to the point where you're not self-conscious anymore, it's just flowing out of you.
Art gives its vision to beauty not always recognized. And it surrenders freely -- whatever power it possesses to every sincere soul that seeks it. But above all else--it presents us with the gift of ourselves.
Look at this one.” I picked up a small painting of a man with dark hair and a short, dark beard. He wore a loose shirt, cobalt blue, unbuttoned at the top, showing a prominent, knobby collarbone. He looked…complicated and hungry. She’d captured him focused intensely on a book, his face pressed against a wall like he was resting. Or waiting.
Those who loved with all their heart and mind and might have always thought of death, and those who knew the endless nights of harrowing concern for others have longed for it. The life I want is a life I could not endure in eternity. It is a life of love and intensity, suffering and creation, that makes life worthwhile and death welcome. There is no other life I should prefer. Neither should I like not to die." (The Faith of a Heretic)
I worried I would miss it, and I knew, from losing Wyatt, that things happen the moment the soul is released. Wyatt had been there in the school, watching me, making sure I survived. Souls linger…they do. They linger a bit before they turn toward eternity. It could be that no matter how perfect their future will be, the past still tugs for a moment.
I can certainly throw out some observation about the process of creating which may be of use. Firstly, it's the best & the worst of worlds, because the only fuel you have to make the fire blaze on the page / screen is the stuff of your own being. An artist consumes his or herself in the act of making art. I can feel that consumption even now, sitting here at my desk at the end of a working day. In order to generate the ideas that I have set on the page for the last 10 or 11 hours I have burned the fuel of my own history. This is, obviously a double-edged sword. In order to give, the artist must take from himself. That's the deal. And it's very important to me that the work I do is the best I can make it, because I know what is being burned up to create. As the villain of Sacrament says: "living & dying, we feed the fire.
I could write about how I feel when I sing, write and create something from heartbreak, sorrow, sadness or just simply nothingness. How nothingness can become the most beautiful, unexplainable feeling that makes you forget about gravity for an hour.
Life is a cracked surface at best. Fiction is a nice edifice. / every word/sentence/paragraph gives a writer an opportunity to reinforce or deliberately crack the edifice by screwing with meaning, structure, grammar, the fourth wall, etc. / different types and degrees of cracking produce different arrangements of order and chaos.
Becoming aware of our inner man and woman means to discover the roots and creative potential of both the male and female aspect within ourselves. Becoming aware of the inner man and woman means to understand that they have different visions of life. It means to understand that they have different perspectives and views of life. The inner man and woman are our two wings of love and freedom. Through awareness, acceptance and understanding, we can allow our two wings to develop in a deep and natural harmony. In the world today, a one-sided development of the male side leads to destructivity. A one-sided development of the male side leads to ego, struggle, exhaustion and a separation from life. A one-sided development of the female side leads to passivity and dependence.
A Seed for Contemplation:Creative people who cherish the gift of life often slip into the secret chambers of the creative mind. Their solutions are well-rounded, more sensible than those of people who rely solely upon reason as their mainstay. Gratitude unseals fountains of creativity, because a grateful person is relaxed. This allows him to take stock of his circumstances with an objective mind. A creative person often gets three-dimensional answers to his problems. — ,
And so I miss the fertilization that might come from a contact. And for me--yes, I think I might as well admit it--fertilization does come a great deal from contacts. Why then do I avoid them--in a sort of false pride--shyness--timorous modesty? I used to be afraid of falling in love with people--or having them think I was--that I was chasing them (how ridiculous--I am actually always running away!) but now surely--I should be mature enough to be over that. I am no longer afraid of falling in love, and the other false modesties should vanish. I cannot bear to think "par delicatesse j'ai perdu ma vie." (Because of discretion I have lost my life).
In other words, if Dostoyevsky and Tolstoy showed more than their fair share of pathology it was due less to the requirements of their creative work than to the personal sufferings caused by the unhealthy conditions of a Russian society nearing collapse. If so many American poets and playwrights committed suicide or ended up addicted to drugs and alcohol it was not their creativity that did it but an artistic scene that promised much, gave few rewards and left nine out of ten artists neglected if not ignored.
Poetry lets me pour out my various emotions even the suppressed ones we didn't know exist inside us' til the moment you start jotting down what you're feeling. It's more than an escape into the unknown, a refuge for your creativity and sometimes wild imagination not all ordinary, ungifted people like us understand." -Elizabeth's Quotes
Often we are identified with either the inner man or woman, while the other side is hidden and unexpressed. Outer relationships are a mirror of the relationship and communication between our own inner man and female side. Sometimes one side is dominant, while the other side is submissive.
It is when we develop both our inner man and woman that we find a new harmony and wholeness within ourselves. Healing means to develop and integrate our inner man and woman so that love can flow between them. To rediscover our own inner source of love, we need to embrace both the male and female sides within ourselves. When these two sides are developed and integrated, a new spark of love, joy, harmony, creativity and wholeness arises within us. Awareness is an inner harmony between opposite poles and tendencies.
Traditionally men have created a deep split between the inner and outer world, between body and soul, between the material and spiritual world, between love and money and between male and female qualities. The inner man and woman are related to money, creativity and financial abundance. Through investigating the roots of the inner man and woman, we can find the creative potential of both the inner man and woman. Sometimes can either the inner man or woman also provide financial support for both sides, while the other side has the idea that it cannot support itself financially.
Through becoming aware of how the inner man and woman relates and communicates inside ourselves, it creates a joy and satisfaction in the three life areas that they influence: our meditation and inner growth, our relationships and our work and creativity.
Art matters. It is not simply a leisure activity for the privileged or a hobby for the eccentric. It is a practical good for the world. The work of the artist is an expression of hope - it is homage to the value of human life, and it is vital to society. Art is a sacred expression of human creativity that shares the same ontological ground as all human work. Art, along with all work is the ordering of creation toward the intention of the creator.
Sometimes paper is only paper," my mothers says. "Words are just words. Ways to capture the real thing. Don't be afraid to remember that."I know what she means. Writing, painting, singing--it cannot stop everything. Cannot halt death in its tracks. But perhaps it can make the pause between death's footsteps sound and look and feel beautiful, can make the space of waiting a place where you can linger without as much fear. For we are all walking each other to our deaths, and the journey there between footsteps makes up our lives.
This kind of passionate faith can be painful. Not caring is easy. Caring hurts. Caring costs you something. But without this sort of faith, you will never create to your fullest potential. Faith is a gift. Like I've said, felt belief is not necessarily something that you choose to have or not to have. But it is a gift that you can open yourself to receive.
Mood evidently affects the operation of System 1: when we are uncomfortable and unhappy, we lose touch with our intuition. These findings add to the growing evidence that good mood, intuition, creativity, gullibility, and increased reliance on System 1 form a cluster. At the other pole, sadness, vigilance, suspicion, an analytic approach, and increased effort also go together. A happy mood loosens the control of System 2 over performance: when in a good mood, people become more intuitive and more creative but also less vigilant and more prone to logical errors.
The idea that the creative endeavor and mind-altering substances are entwined is one of the great pop-intellectual myths of our time. ... Substance abusing writers are just substance abusers — common garden variety drunks and druggies, in other words. Any claims that the drugs and alcohol are necessary to dull a finer sensibility are just the usual self-serving bullshit. I've heard alcoholic snowplow drivers make the same claim, that they drink to still the demons.
In the case of the creative mind, it seems to me, the intellect has withdrawn its watchers from the gates, and the ideas rush in pell-mell, and only then does it review and inspect the multitude. You worthy critics, or whatever you may call yourselves, are ashamed or afraid of the momentary and passing madness which is found in all real creators, the longer or shorter duration of which distinguishes the thinking artist from the dreamer. Hence your complaints of unfruitfulness, for you reject too soon and discriminate too severely.
The more we become able to become a child again, to keep ourselves childlike, the more we can understand that because we love the world and we are open to understanding, to comprehension, that when we kill the child in us, we are no longer.
It is not many things that modern psychology agress upon, but all the different approaches of psychology agrees on one thing: that people in groups become more stupid. Individually people are more intelligent, because they have to take their own responsibility, but in a group they do not have to take the same responsibility. The two basic power strategies to try to manipulate and gain control over another person are: silencing and attacking. Silencing means to not listen to, to exclude or ignore and not respect a person. Attack can both mean to attack a person directly or to try to discredit a person through lies, to ridicule a person or by spreading malicious rumours. All organizations are more or less dysfunctional. In a dysfunctional group, the members of the group play three different roles: agressor, denier and victim. The agressor is the role that attack and ridicule people, the denier never knows what is going on, there is “no body at home”, and the victim is the resultat of these two roles. It is always easier to follow a group without awareness, than to follow your own heart, to trust your own intelligence, love, truth, silence and creativity.
Consider the blundering anarchic system of the United States the stupidity of some of its lawmakers, the violent reaction, the slowness of its ability to change. Twenty-five key men destroyed could make the Soviet Union stagger, but we could lose our congress, our president, and our general staff and nothing much would have happened. We would go right on. In fact we might be better for it.
The necessary unlikeness between the creator and the created holds within it the equally necessary likeness of the thing made to him who makes it, and so of the work of the made to the work of the maker... The imagination of man is made in the image of the imagination of God.
With cold eyes and indifferent mind the spectators regard the work. Connoissers admire the "skill" (as one admires a tightrope walker), enjoy the "quality of painting" (as one enjoys a pasty). But hungry souls go hungry away. The vulgar herd stroll through the rooms and pronounce the pictures "nice" or "splendid." Those who could speak have said nothing, those who could hear have heard nothing.
The boys were amazed that I could make such a poem as that out of my own head, and so was I, of course, it being as much a surprise to me as it could be to anybody, for I did not know that it was in me. If any had asked me a single day before if it was in me, I should have told them frankly no, it was not.That is the way with us; we may go on half of our life not knowing such a thing is in us, when in reality it was there all the time, and all we needed was something to turn up that would call for it.
It doesn't matter if people are playing jazz or writing poetry -- if they want to be successful, they need to learn how to persist and persevere, how to keep on working until the work is done. Woody Allen famously declared that "eighty percent of success is showing up." NOCCA (New Orleans Center for the Creative Arts) teaches kids how to show up again and again.
The poem or the discovery exists in two moments of vision: the moment of appreciation as much as that of creation; for the appreciator must see the movement, wake to the echo which was started in the creation of the work. In the moment of appreciation we live again the moment when the creator saw and held the hidden likeness. When a simile takes us aback and persuades us together, when we find a juxtaposition in a picture both odd and intriguing, when a theory is at once fresh and convincing, we do not merely nod over someone else's work. We re-enact the creative act, and we ourselves make the discovery again......Reality is not an exhibit for man's inspection, labeled: "Do not touch." There are no appearances to be photographed, no experiences to be copied, in which we do not take part. We re-make nature by the act of discovery, in the poem or in the theorem. And the great poem and the deep theorem are new to every reader, and yet are his own experiences, because he himself re-creates them. They are the marks of unity in variety; and in the instant when the mind seizes this for itself, in art or in science, the heart misses a beat.
...Why are corporations so fleeting?...Instead of imitating the freewheeling city, these businesses minimize the very interactions that lead to new ideas. They erect walls and establish hierarchies. They keep people from relaxing and having insights. They stifle conversations, discourage dissent, and suffocate social networks. Rather than maximizing employee creativity they become obsessed with minor efficiencies.
The vocational approach at NOCCA (New Orleans Center for the Creative Arts) helps build grit in students. It teaches them how to be single-minded in pursuit of a goal, to sacrifice for the sake of a passion. The teachers demand hard work from their kids because they know, from personal experience, that creative success requires nothing less.
There is nothing in the world which an artist cannot recreate into something poetic, ennobling. And why do we read these things? They are not facts, they do not improve our business skills, our techniques in manufacturing goods, the management of a home. That is what most of you will be doing anyway. We read these because they teach us about people, we can see ourselves in them, in their problems. And by seeing ourselves in them, we clarify ourselves, we explain ourselves to ourselves, so we can live with ourselves…
To tell you the truth, though, I still haven't made up my mind whether I shall publish at all. Tastes differ so widely, and some people are so humourless, so uncharitable, and so absurdly wrong-headed, that one would probably do far better to relax and enjoy life than worry oneself to death trying to instruct or entertain a public which will only despise one's efforts, or at least feel no gratitude for them.
The only way to maximize group creativity—to make the whole more than the sum of its parts—is to encourage a candid discussion of mistakes. In part, this is because the acceptance of error reduces cost. When you believe your flaws will be quickly corrected by the group, you're less worried about perfecting your contribution, which leads to a more candid conversation. We can only get it right when we talk about what we got wrong.
It is a burden...(M)ake no mistake about that. Any great gift or power or talent is a burden and this more than any, and you will long to be free of it. But there is nothing to be done. If you were born with the gift, then you must serve it, and nothing in this world or out of it may stand in the way of that service, because that is why you were born and that is the Law."- Susan Cooper ("Merriman" The Dark is Rising)
, I found the whole modern world talking scientific fatalism; saying that everything is as it must alwayshave been, being unfolded without fault from the beginning. The leaf on the tree is green because it couldnever have been anything else. Now, the fairy-tale philosopher is glad that the leaf is green precisely becauseit might have been scarlet. He feels as if it had turned green an instant before he looked at it.
God plants the talent and it grows, sustained by a spirit-given strength to endure, even in the midst of darkness. It thrives in the valleys of life and ignores the peaks. It blooms like a flower when cradled by the warmth of the sun. It remains in a hidden stairwell in a concentration camp. It grows, fed in secret, in the heart of every artist.
It is the one who accepts commitment who is strong. The true commitment is the artistic one. This is why artists are so often attacked. They are attacked for their morals, for their ideas – even for their work. Yet their essence – their commitment – is the secret which is unassailable. The true artist knows that creativity is its own reward. Ordinary people fear commitment, you see. Ordinary people fear creativity. They know that if they allow that seething cauldron of yellow liquid to boil over within themselves, then their whole lives will be changed. People fear change. People do not wish to be creative and artistic in any real sense. They wish to decorate, perhaps, and to make things around themselves pleasant – but this has little to do with creativity. … All spiritual paths should be creative. Creativity is involved with sacrifice. That stew of yellow liquid which boils in everyone is a sacrificial broth …
The question is not how can I overcome fear? The question is: how can I use it creatively? If you have problems (and we all do), how are you going to deal with them? To be is to be imperfect. Contentment is resiliency, the willingness and the ability to see the opportunities presented by mistakes. Take what you like and pay for it - failure is the price you pay for success. It is the wages of growth. Success is failing forwards, figuring out how to conduct suffering, and in its reconstruction to transform it into illumination. Eschew impatience. Let stillness teach you where your centre is, where your origins are. Be impeccable in all your dealings with the world. Integrity isn't a luxury - it's an essential. Remember the best advice of the I Ching: perseverance furthers.
In the construction of one’s life, we define ourselves largely by the problems we engage and the debts we incur. The greater and more sophisticated the problems, the greater and more sophisticated the person. True resolution, or transcendence of endless dichotomy, is rare indeed. To truly make a debt vanish requires, in a way, a certain kind of magic. In all traditions, this is looked upon as one of the great mystical tricks. It is not forgotten, fixed, or hidden perfectly; it disappears. To have this occur, one must do more than simply forgive (another or oneself), although in action that’s an important step. One intuits the value of the problem as the birth of possibility.
The simple, external acts in which you resolve shame and guilt, and set right a debt, by passing by them all and giving something grander even so and instead of. You end the circle by leaving it behind. Conscience brings awareness of the need to change something, but the source of your actions must become inspiration and devotion. You’re not doing it to get out of debt; you are doing it because you know it to be the thing to do.
Through the realization of the potentials and possibilities within and outside of you, one connects imagination with reality. What could be becomes so.
If you don't follow through on your creative ideas, someone else will pick them up and use them. When you get an idea of this sort, you should jump in with both feet, not just stick your toe in the water… Be daring, be fearless, and don't be afraid that somebody is going to criticize you or laugh at you. If your ego is not involved no-one can hurt you.
Above and beyond all else it must be borne in mind that hatred tends to dry up the springs of creative thought in the life of the hater, so that his resourcefulness becomes completely focused on the negative aspects of his environment. The urgent needs of the personality for creative expression are starved to death. A man's horizon may become so completely dominated by the intense character of his hatred that there remains no creative residue in his mind and spirit to give to great ideas, to great concepts.
There's still too much energy leftover at this tomb-desk, on Broadway, when I am semi-asleep at night in our bedroom, struggling to get a good night's rest. There's an overflow of loin energy. It spills out from my pores as if I were a cracked drum of reacting chemicals. I need to work to expend this excess energy in words, stories and books....My mind is a body that's a mind.
Words are the residue that I was there, that I loved my wife, that I kissed my children goodnight, that I sacrificed my life for them. Words are a curse. Life is a curse. Words escape life. Life escapes words. What in God's name am I? How does someone name a God? What is it to name yourself?
In the example of the navigator, no writing was essential to draw the meaning of observing the object at a distance from the ship. In the real theobservation has been noted and that is enough to give it a meaning, a subjective meaning, a meaning exclusively important for the navigator himself.
At first the creative mind submits to its entry into the symbolic register and gets itself structured like everyone else. Then he balks at a fateful moment which becomes a turning point in the history of his mental growth. From the entry into the imaginary order where he acknowledges his ego and then to the symbolic order where he recognizes his place in the society and finally in his de-symbolization or a refusal to obey the Law that is the rules of the world of symbols, a creative genius is born.
Practical utility, however, is not the ultimate purpose of a liberal arts education. Its ultimate purpose is to help you learn to reflect in the widest and deepest sense, beyond the requirements of work and career: for the sake of citizenship, for the sake of living well with others, above all, for the sake of building a self that is strong and creative and free.
I realized there really is a natural interplay between my spirituality and my creativity. When I enter into a spirit of prayer, I can cultivate a receptive space and actually ask God for creative ideas that will enhance my my praying. Then these creative practices allow me to enter into the spiritual space even more quickly and deeply. The result is a spiraling effect leading to ever-expanding dimensions, encompassing both deeper spirituality and heightened creativity.
You’ve heard poets talk about, poems flowing out of their bodies; painters, they get on a roll. You all have seen the musician, when they are in that state, the guitar, the piano, whatever instrument just becomes part of their body, their ego is completely gone and it is just their connection to the art, their connection to the emotions they are trying to share with the audience- that is pure flow.
Seeing God is all about getting in touch with reality. If you want to photograph God, focus your lens on Hamakom, The Place, anyplace where you see divine light illuminating reality. Let your camera collect the light reflecting from the reality shaping your everyday life and you will find yourself photographing God in action." (From the Introduction to the book Photograph God)
We are all creative, from the mother adding an extra pinch of garlic to her meal, to the entrepreneur launching a brand new product, to the business consultant who creates a more effective way for corporate departments to communicate. The call requires creativity.
The psychology of individual creativity is about at least three different things. First, creativity is about thinking differently. Second, creativity is about feeling differently. Third, creativity is about focusing, or committing, differently.
Do you know what the imagination is, Susan?"The child nodded sagely. "That's when you see things that aren't really there.""Well, not exactly," said Kris with a smile. "No -- to me the imagination is a place all by itself. A very wonderful country. You've heard of the British Nation and the French Nation?"Susan nodded again."Well, this is the Imagination. And once you get there you can do almost anything you want.
(As Plato:) There is nothing superstitious about forcing bad consequences for the hubris of paternalistic utopianism. Humanity should never be frozen into a vision of the best. A creative society must be willing to tolerate some degree of instability because creativity is inherently unstable.
The beginning of wisdom, I believe, is our ability to accept an inherent messiness in our explanation of what's going on. Nowhere is it written that human minds should be able to give a full accounting of creation in all dimensions and on all levels. Ludwig Wittgenstein had the idea that philosophy should be what he called "true enough." I think that's a great idea. True enough is as true as can be gotten. The imagination is chaos. New forms are fetched out of it. The creative act is to let down the net of human imagination into the ocean of chaos on which we are suspended and then to attempt to bring out of it ideas.
If we know that the inevitable setbacks and frustrations are phases of the natural cycle of creative processes, if we know that our obstacles can become our ornaments, we can persevere and bring our desires to fruition. Such perseverance can be a real test, but there are ways through, there are guideposts. And the struggle, which is guaranteed to take a lifetime, is worth it. It is a struggle that generates incredible pleasure and joy. Every attempt we make is imperfect; yet each one of those imperfect attempts is an occasion for a delight unlike anything else on Earth
Play and productivity are no longer two separate worlds that rarely meet. They can come together like happy fistfuls of Play-Doh, beautifully blending to reveal the brand-new colors of a meaningful life. You get to play AND do. Play matters. Your life matters. It's time to manifest.
Ultimately, musicians of the world must come realise the potential of their calling.Like the shamans, we may serve as healers, metaphysicians, inciters, exciters,spiritual guides and sources of inspiration. If the musician is illuminated from within,he becomes a lamp that lights other lamps. Then he is serving planet and its people,healing what ails us. Such music is truly important. It is said that “only one who obeys can truly command.” When the artist is immersed in a services,giving himself up over and over again, another paradox occurs:He is being seen by all others as a master.
The knowledge of the Spirit is the true secret of creativity, leadership and happiness. It is spiritual intelligence that makes an ordinary person a genius. When a genius loses his spiritual intelligence, he becomes quite ordinary.
The thing is, work has simply swamped my whole existence. Slowly but surely it's robbed me of my mother, my wife, and everything that meant anything to me. It's like a germ planted in the skull that devours the brain, spreads to the trunk and the limbs, and destroys the entire body in time. No sooner am I out of bed in the morning than work clamps down on me and pins me to my desk before I've even had a breath of fresh air. It follows me to lunch and I find myself chewing over sentences as I'm chewing my food. It goes with me when I go out, eats out of my plate at dinner and shares my pillow in bed at night. It's so extremely merciless that once the process of creation is started, it's impossible for me to stop it, and it goes on growing and working even when I'm asleep. ... Outside that, nothing, nobody exists.
Haven't I told you scores of times, that you're always beginners, and the greatest satisfaction was not in being at the top, but in getting there, in the enjoyment you get out of scaling the heights? That's something you don't understand, and can't understand until you've gone through it yourself. You're still at the state of unlimited illusions, when a good, strong pair of legs makes the hardest road look short, and you've such a mighty appetite for glory that the tiniest crumb of success tastes delightfully sweet. You're prepared for a feast, you're going to satisfy your ambition at last, you feel it's within reach and you don't care if you give the skin off your back to get it! And then, the heights are scaled, the summits reached, and you've got to stay there. That's when the torture begins; you've drunk your excitement to the dregs and found it all too short and even rather bitter, and you wonder whether it was really worth the struggle. From that point there is no more unknown to explore, no new sensations to experience. Pride has had its brief portion of celebrity; you know that your best has been given and you're surprised it hasn't brought a keener sense of satisfaction. From that moment the horizon starts to empty of all hopes that once attracted you towards it. There's nothing to look forward to but death. But in spite of that you cling on, you don't want to feel you're played out, you persist in trying to produce something, like old men persist in trying to make love, with painful, humiliating results. ... If only we could have the courage to hang ourselves in front of our last masterpiece!
Life is just so interesting and complicated and beautiful. Every day, every interaction is different. There’s so much floating around that I would find it really hard to get bored. I’m interested in creating in some way or another, whether it’s photography or writing or just walking through the world.
We shouldn't let our envy of distinguished masters of the arts distract us from the wonder of how each of us gets new ideas. Perhaps we hold on to our superstitions about creativity in order to make our own deficiencies seem more excusable. For when we tell ourselves that masterful abilities are simply unexplainable, we're also comforting ourselves by saying that those superheroes come endowed with all the qualities we don't possess. Our failures are therefore no fault of our own, nor are those heroes' virtues to their credit, either. If it isn't learned, it isn't earned.When we actually meet the heroes whom our culture views as great, we don't find any singular propensities––only combinations of ingredients quite common in themselves. Most of these heroes are intensely motivated, but so are many other people. They're usually very proficient in some field--but in itself we simply call this craftmanship or expertise. They often have enough self-confidence to stand up to the scorn of peers--but in itself, we might just call that stubbornness. They surely think of things in some novel ways, but so does everyone from time to time. And as for what we call "intelligence", my view is that each person who can speak coherently already has the better part of what our heroes have. Then what makes genius appear to stand apart, if we each have most of what it takes?I suspect that genius needs one thing more: in order to accumulate outstanding qualities, one needs unusually effective ways to learn. It's not enough to learn a lot; one also has to manage what one learns. Those masters have, beneath the surface of their mastery, some special knacks of "higher-order" expertise, which help them organize and apply the things they learn. It is those hidden tricks of mental management that produce the systems that create those works of genius. Why do certain people learn so many more and better skills? These all-important differences could begin with early accidents. One child works out clever ways to arrange some blocks in rows and stacks; a second child plays at rearranging how it thinks. Everyone can praise the first child's castles and towers, but no one can see what the second child has done, and one may even get the false impression of a lack of industry. But if the second child persists in seeking better ways to learn, this can lead to silent growth in which some better ways to learn may lead to better ways to learn to learn. Then, later, we'll observe an awesome, qualitative change, with no apparent cause--and give to it some empty name like talent, aptitude, or gift.
Jack Kerouac died after throwing up blood. The malt liquor. Then that other guy who shot his wife in the head. Burroughs somebody. And I wonder about literary figures. They're all drunk and staggering and haunting people today, I bet, still muttering and ranting in disassociated lines.Or, I'm wondering about a middle ground with wooly blankets and nubbly cardigans and nobody shot in the head. Where yes, you are uniquely mad. But functionally uniquely mad. Endlessly absorbed but in the mildly scattered kind of way instead of in the crap-I-shot-my-wife-in-the-head kind of way. Unable to dedicate to another human being only in occasional fits.Roald Dahl says you're a fool to become a writer, your only compensation being absolute freedom but then I'm not so sure about that. He bought a wagon from a Romanian gypsy and his kids played in it and I think he had more in the way of compensation than absolute freedom. He's got a point, though, even if he reached a point where his own point no longer applied to him. He had no master except his own soul, and that, he was sure, was why he did it.
The operation would be in a week...I didn't know if I would survive. How I longed to go back to reading! There was nowhere I longed to be more than the university campus. I was preparing for a master's on fantasy literature. I was interested in why the country's literature did not include this distinctive genre. I had this great passion for studying and writing, which they explained in my household with the story of the umbilical cord. When I was born, and at my father's request, my elder sister buried my umbilical cord in the courtyard of her primary school. My father attributed my {brother's} academic failure to the fact that my mother buried his umbilical cord in the garden of our house.
It's easy to want to be an author. You see it in your mind with sun streaming through windows and a Siamese cat purring on an antique rug and a little pellet stove and somehow the bills are paid and there's wit and self-sufficiency and divine inspiration seeping through walls and pores. And then, in your mind, you skip ahead to a book launch party and more Siamese cats.When you graduate from wanting to working, you say, "I am going to flesh out this idea and write the whole thing down, and rewrite it, and rewrite it again, and rewrite it unendingly, and I'll have no real assurance of when it'll be good enough, but at some point I'll pitch it to someone who will decide if I'm delusional or not." The optimism and the ego-bruising, unsexy work needed to follow through feels unending.
When you've got creative momentum, the last thing you want to do is stop. I'd write and write and wake up with my head slumped over and my fingers still on the keyboard and the last sentence trailing off like eeeeeejjjjjjjjjjjjj . . . Then I'd finally crawl to bed. Mornings were rough, but I got used to it. It was invigorating to write a couple thousand words while the rest of the world was asleep. More invigorating than rest.
Beautiful publishers say beautiful things and then We're sorry, but no... and then more beautiful things. It's a shit sandwich with branston pickle and melted gouda.I read it out loud to the kids. I stick it to the fridge with the others. Some writers do that because it turns their crank to have a Wall of Publishers Who Passed And Will Someday Regret It. I don't. Each one is, really and truly, a gift. We look at them and the boys and I talk about rejection, all kinds of it. Creative, karmic, romantic. Nothing works out until something does.
If teaching is reduced to mere data transmission, if there is no sharing or excitement and wonder, if teachers themselves are passive recipients of information and not creators of new ideas, what hope is there for their students?
It is the daily task of the creative to be curious and collect dots. The most creative people I know fill their brains, their idea factories, with as much raw material as they can. They have voracious appetites.
And so it was that Michael built a brown castle on the peak of his mountain, Gabriel built a golden pyramid in the midst of his plain, saying it was both a holy temple in my praise and an edifice that would guide him on his pattern for his future work, though I knew that only he would ever understand it, to my amusement, and Raphael built a silver palace to sparkle above the trees of his forests, as his home and celestial workshop, and I was well pleased with their work, as ever it was better than what I had hoped for. "That was the First Age, the Archangel Age, long over. I can speak in much detail about each stage in my creation, and my scribes have written all my words on each stage in the books I gave to the angel courts, for study and meditation and for prayer, but such details are for my sons and daughters most interested in them, when they are of an age, with the understanding, to comprehend such things.
People ask me how to start writing. I tell them that 'Creating Creates Creativity'. Put your notes and outline aside. Start with one anecdote or conversation, and that will lead to another and another. It's the steps, the path, not the final destination that drives the process or writing.
Know, child, that the One God—He is so vast that He cannot be moved, else the Universe falls. Nor can He answer, for the very act of opening His Mouth is Movement, indeed the greatest Act of all, for it is the Word. And this is precisely why He has made an infinity of lesser gods, creating them in His own image, so that we can do the lesser things on His behalf. We are His hands and arms and feet and mouths. We are His answers to your prayers, enacted along the great Framework of Being.
And observe, you are put to stern choice in this matter. You must either make a tool of the creature, or a man of him. You cannot make both. Men were not intended to work with the accuracy of tools, to be precise and perfect in all their actions. If you will have that precision out of them, and make their fingers measure degrees like cogwheels, and their arms strike curves like compasses, you must unhumanize them. All the energy of their spirits must be given to make cogs and compasses of themselves....On the other hand, if you will make a man of the working creature, you cannot make a tool. Let him but begin to imagine, to think, to try to do anything worth doing; and the engine-turned precision is lost at once. Out come all his roughness; all his dullness, all his incapability; shame upon shame, failure upon failure, pause after pause: but out comes the whole majesty of him also, and we know the height of it only, when we see the clouds settling upon him.
For a scientist must indeed be freely imaginative and yet skeptical, creative and yet a critic. There is a sense in which he must be free, but another in which his thought must be very precisely regimented; there is poetry in science, but also a lot of bookkeeping.
The field of scientific abstraction encompasses independent kingdoms of ideas and of experiments and within these, rulers whose fame outlasts the centuries. But they are not the only kings in science. He also is a king who guides the spirit of his contemporaries by knowledge and creative work, by teaching and research in the field of applied science, and who conquers for science provinces which have only been raided by craftsmen.
One reason that people have artist’s block is that they do not respect the law of dormancy in nature. Trees don’t produce fruit all year long, constantly. They have a point where they go dormant. And when you are in a dormant period creatively, if you can arrange your life to do the technical tasks that don’t take creativity, you are essentially preparing for the spring when it will all blossom again.
Let the systematic theologian spell it out. Let the artists throw out thoughts and slants, maybe even slants no one else has thought of. They should give another view of something familiar to help us learn more about it. They should deal with love, life, good, evil, God, the world and faith. Many of the biblical writers were poets more than they were theologians. Poets and prophets ranted and raved, and storytellers wrote great yarns that all had different slants on God and life and faith. Perhaps the poet's absence from the Church for many centuries has left it deprived of much insight.
He had entered another imaginative world, one connected to the beginning of his life as a writer, to the Napoleonic world that had been a lifelong metaphor for the power of art, for the empire of his own creation He began to dictate notes for a new novel, "fragments of the book he imagines himself to be writing." As if he were now writing a novel of which his own altered consciousness was the dramatic center, he dictated a vision of himself as Napoleon and his own family as the Imperial Bonapartes....William and Alice he grasped with his regent hand, addressing his 'dear and most esteemed brother and sister.' To them, to whom he had granted countries, he now gave the responsibility of supervising the detailed plans he had created for 'the decoration of certain apartments, here of the Louvre and Tuileries, which you will find addressed in detail to artists and workment who take them in hand.' He was himself the 'imperial e
Producing works of art doesn't often count as appropriate intellectual work in an arts department: yet the equivalent in a science department, doing physics or chemistry, does. So why is it that in universities writing about novels is thought to be a higher intellectual calling than writing novels; or rather, if writing novels is not thought to be intellectually valid, why is writing about them?
The aesthetic construct, and nothing else, has taught us to expose ourselves to a non-enslaving experience of rank differences. The work of art is even allowed to 'tell' us, those who have run away from form, something, because it quite obviously does not embody the intention to confine us. 'La poesie ne s'impose plus, elle s'expose' Something that exposes itself and proves itself in this test gains unpresumed authority. In the space of aesthetic simulation, which is at once the emergency space for the success and failure of the artistic construct, the powerless superiority of the works can affect observers who otherwise take pains to ensure that they have no lord, old or new, above them.
Creativity doesn’t come from glancing quickly at your Twitter feed while in line at Starbucks. It comes from deep thought. It comes from voraciously reading books—long books that require focused attention. It comes from meaningful discourse with other intellectually curious people. It comes from listening and asking good questions.
The genius craves inspiration: she craves altered states and fresh perceptions. She will have them either through evolving closer to the divine or through devolving lower into the world. This is how some people with great genius come to die of drug and alcohol addiction: they seek inspiration by intoxication and are thereby ruined.
In one of the Upanishads it says, when the glow of a sunset holds you and you say 'Aha,' that is the recognition of the divinity. And when you say 'Aha' to an art object, that is a recognition of divinity. And what divinity is it? It is your divinity, which is the only divinity there is. We are all phenomenal manifestations of a divine will to live, and that will and the consciousness of life is one in all of us, and that is what artwork expresses.
Entrepreneurship is when an individual retrieves a red hot idea from the creativity furnace without the constraint of the heat of lean resources, and with each persistent blow of the innovation hammer shapes the still malleable idea against the anvil of passion, vision, insight, strategy, and principles to forge a fitting vessel of a creative concern.
Perhaps the most powerful and appealing aspect of another's words, however, is simply their convenience. Whether distilled in the briefest apophthegm, or spread out across some voluminous tome, the thought is ready-made, the heavy lifting done. It's there to be used like a weapon or tool, and as time wanders on, seemingly leaving us fewer and fewer new things to say, it becomes ever more useful. As technology moves forward, as well, it also becomes much easier. Indeed, in this "information age" where so much is available to so many so quickly that enlightenment nearly verges on light pollution, it can sometimes appear that expression has been reduced to nothing more than a mad race to unearth and claim references. As such, the citation is also there to be donned, like some article of fashion from which we may reap the praise of discriminating taste without ever exerting ourself in the actual toil of manufacture.
The art of writing is not as solitary as one might think. When it finally dawns on us one day that our task as writers is to share what we know of the human spirit, we suddenly discover that we were never truly alone.
If you cannot create, then buy a company that can. In particular, the large corporations buy small, personnally owned companies that have made breakthroughs in particular areas. They are buying creativity, though the immediate rush this produces doesn't last long. Once integrated into an administrative atmosphere, the creativity is sucked out of them.(IV - From Managers and Speculators to Growth)
It is true that all men are created in the image of God, but Christians are supposed to be conscious of that fact, and being conscious of it should recognize the importance of living artistically, aesthetically, and creatively, as creative creatures of the Creator. If we have been created in the image of an Artist, then we should look for expressions of artistry, and be sensitive to beauty, responsive to what has been created for us” (p. 32).
You get your confidence and intuition back by trusting yourself, by being militantly on your own side. You need to trust yourself, especially on a first draft, where amid the anxiety and self-doubt, there should be a real sense of your imagination and your memories walking and woolgathering, tramping the hills, romping all over the place. Trust them. Don't look at your feet to see if you are doing it right. Just dance.
If you just write the kinds of stories you think others will want to read, you'll be competing with cartoonists who are far more enthusiastic for that kind of comic than you are, and they'll kick your ass every time.
In the religious myths, the creative will appears personified in God, and man already feels himself guilty when he assumes himself to be like God, that is, to ascribe this will to himself. In the heroic myths on the contrary, man appears as himself, creative and guilt for his suffering and fall is ascribed to God, that is, to his own will. Both are only extreme reaction phenomena of man wavering between his Godlikeness and his nothingness, whose will is awakened to the knowledge of its power and whose consciousness is aroused to terror before it.
Part of me would just like to relax and have one job that pays me the amount I need to survive. And another part of me wants the creativity that comes out of struggle and frustration and fear. It's a never-ending cycle, which must be how I want it, on some level.
All art involves conscious discipline. If one is going to paint, do sculpture, design a building or write a book, it will involve discipline in time and energy — or there would never be any production at all to be seen, felt or enjoyed by ourselves or others. To develop ‘Hidden Art’ will also, of course, take time and energy – and the balance of the use of time is a constant individual problem for all of us: what to do, and what to leave undone. One is always having to neglect one thing in order to give precedence to something else. The question is one of priorities” (p. 32).
I sometimes wonder whether the act of surrender is not one of the greatest of all - the highest. It is one of the [most] difficult of all... You see it's so immensely complicated. It needs real humility and at the same time, an absolute belief in one's own essential freedom. It is an act of faith. At the last moments, like all great acts, it is pure risk. This is true for me as a human being and as a writer. Dear Heaven, how hard it is to let go - to step into the blue. And yet one's creative life depends on it and one desires to do nothing else.
People who have a creative side and do not live it out are most disagreeable clients. They make a mountain out of a molehill, fuss about unnecessary things, are too passionately in love with somebody who is not worth so much attention, and so on. There is a kind of floating charge of energy in them which is not attached to its right object and therefore tends to apply exaggerated dynamism to the wrong situation.
Great art comes from passion, from a need to expose human spirit in the face of mortality, the small cruelties and heroisms that make up daily life -- that's where great work comes from, and if you enable students in this way to discover those impulses and observations in themselves, those heroisms and cruelties in themselves, you create an atmosphere in which art can emerge.
Where the Divine and the Human Meet" shows how important it is to meet the world with the creativity of an artist, particularly in these uncertain times: "What do we do with chaos? Creativity has an answer. We are told by those who have studied the processes of nature that creativity happens at the border between chaos and order. Chaos is a prelude to creativity. We need to learn, as every artist needs to learn, to live with chaos and indeed to dance with it as we listen to it and attempt some ordering. Artists wrestle with chaos, take it apart, deconstruct and reconstruct from it. Accept the challenge to convert chaos into some kind of order, respecting the timing of it all, not pushing beyond what is possible—combining holy patience with holy impatience--that is the role of the artist. It is each of our roles as we launch the twenty-first century because we are all called to be artists in our own way. We were all artists as children. We need to study the chaos around us in order to turn it into something beautiful. Something sustainable. Something that remains".
We are not consumers. For most of humanity’s existence, we were makers, not consumers: we made our clothes, shelter, and education, we hunted and gathered our food.We are not addicts. “I propose that most addictions come from our surrendering our real powers, that is, our powers of creativity.” We are not passive couch potatoes either. “It is not the essence of humans to be passive. We are players. We are actors on many stages…. We are curious, we are yearning to wonder, we are longing to be amazed… to be excited, to be enthusiastic, to be expressive. In short to be alive.” We are also not cogs in a machine. To be so would be to give up our personal freedoms so as to not upset The Machine, whatever that machine is. Creativity keeps us creating the life we wish to live and advancing humanity’s purpose as well.
Tomorrow is no hazardous affair, a day like any other day: tomorrow is the result of many yesterdays and comes with a potent, cumulative effect. I am tomorrow what I chose to be yesterday and the day before. It is not possible that tomorrow I may negate and nullify everything that led me to this present moment.
where does creativity come from? Creativity comes from the Universe itself. “There is music and poetry in the Universe itself — surely we hear it on planet earth.” And Creativity comes from our joys and sorrows, our deep-hearted experiences. It also comes “from and in the heart of God. All our spiritual traditions the world over agree that creativity follows through the human heart and that it flows from the Divine Heart.”Creativity is seen as a spiritual, inwardly-driven activity, directly influenced by a Higher Power, or God. That is the ultimate in inspiration for me: to know I have “permission” to be creative and to be a creator too.
Many a person over the years has tried- both successfully and unsuccessfully, to get rid of their inner demons. Those who are successful are deemed artists, those who are not are call dreamers at best and lunatics at worse. But where exactly resides that line on which two worlds collide? Does somebody know? Is somebody fit to tell? Who's to say that those deemed lunatics are not just successes on the making? Who says that those who claim to be just a tad bit crazy are not just as crazy as those that had completely lost it? Maybe, and bear with me here…everyone is as crazy as the one before them and the next one could ever possibly be. Maybe at the end- it's just that some have mastered creating a façade of calmness and collection while others don't bother going through all that trouble anymore, if they ever did. Perhaps we all have demons…it's just that some people have demons far more toxic and difficult to ignore than others.
The twin aspects of genius, the passive and the active, are possessed by the fully realized artist; they also form the necessary equipment of the Adept. Yet in very few people are these twin aspects manifested. Nearly everyone has a capacity for the passive aspect, which involves some sort of appreciation of aesthetic values. There are few people totally unresponsive to the beauties of nature, and none at all that is not responsive to its ferocious manifestations.Fewer are able to respond profoundly to the beauty of natural phenomena, and fewer still to so-called works of art. It takes a degree of genius to respond to such manifestations the whole time. Artists in this category are among the saints, some of whom thrilled with rapture at the constant awareness of the total unity, harmony, and beauty of things.Such were Boehme, Ramakrishna, etc. Some yogis are immersed in an unsullied and vibrant bliss derived from the incessant contemplation of this 'world-bewitching maya'4-the breath-taking wonder of the great and glamorous illusion which surrounds us.On the other side of the fence, on the side of active or creative genius, there are yet fewer. Active or creative genius means nothing less than the ability to translate the wonder or the terror of the great lfla (the great play of life) in terms of visual, tactile, audible, olfactory, or some other sensual presentation of phenomena.But there is a third aspect of genius which is yet more rare. It is the ability to open the door of the theatre and admit the influences from outside, from the swarming gulfs beyond the grasp of the mind, and accessible only to the magical entity whose fantastic feelers can snare the most fugitive impulses as they flash through the holes in space, the kinks in time, to be reflected in the magic mirror of the artist's mind.
Science, in all its greatness, is still subject to human creativity. It starts the first moment a child tries to reach up and grab at the clouds. Soon, the child learns that his own hands cannot reach the sky, but his hands are not the limit of his potential. For the human brain observes, considers, understands, and adapts. Locked within the mind is infinite possibility.
Ideally a painter (and, generally, an artist) should not become conscious of his insights: without taking the detour through his conscious reflection, his progressive steps, mysterious even to himself, should enter so swiftly into the work that he is unable to recognize them in the moment of transition.
we are continuing God’s work of forming, filling, and subduing. Whenever we bring order out of chaos, whenever we draw out creative potential, whenever we elaborate and “unfold” creation beyond where it was when we found it, we are following God’s pattern of creative cultural development.
A true great artist at heart never ceases to create, continuously amazes and keeps sharing his gift despite barriers, judgement, fears and dreaded myths. If you stopped being creative out of fear or loss of self-esteem or pride, you were never an artist first and foremost for you have ran away from your true calling." - Elizabeth's Quotes
Many gardeners will agree that hand-weeding is not the terrible drudgery that it is often made out to be. Some people find in it a kind of soothing monotony. It leaves their minds free to develop the plot for their next novel or to perfect the brilliant repartee with which they should have encountered a relative's latest example of unreasonableness.
A scientist, an artist, a citizen is not like a child who needs papa methodology and mama rationality to give him security and direction; he can take care of himself, for he is the inventor not only of laws, theories, pictures, plays, forms of music, ways of dealing with his fellow man, institutions but also of entire world views, he is the inventor of entire forms of life.
If it’s a pure expression of yourself no matter what it is or what medium, it’s going to shine. It’s going to resonate. You could look inside of yourself and you could have a canvas and you could paint a dot in it, but if that is where your creative purpose is taking you then it needs to be that dot.
The basket would never make her famous or end up in a museum. The best part of it was the making of it, sitting at the table weaving while outside the lake crashed into shore and the seagulls roosted somewhere for the night and two women stopped for a moment to watch.
Writing and drawing are very therapeutic, but they are also an excellent manifestation tool. I teach my clients to draw what they want, or to write a story about it to bring the manifestation forward into the present.
This book began with the assertion that Margaret Fuller's life was her most remarkable creation. It is just possible, however, that her most wonderful creations may still lie in the future. Fuller's most precious gift to us may reside in the ideas and the works, still yet to be imagined, of women and men who follow her example. We may decide that, despite all that Margaret Fuller endured and suffered in order to become exceptional, her life, or rather her lives, well deserve imitating.
Forgery, being the weirdest form of creativity there is, like antiques, costs lives. Why is it that antiques demand sacrificial victims? Dunno, but if they don't get enough, forgery does. You want proof? Here it is: Once a faker's found out, he dies. Truly. It always happens.
In politics no permanent friends, no permanent enemies but permanent interest.
Science can now help us to understand ourselves in this way by giving factual information about brain structure and function, and how the mind works. Then there is an art of self knowledge, which each person has to develop for himself. This art must lead one to be sensitive to how his basically false approach to life is always tending to generate conflict and confusion. The role of art here is therefore not to provide a symbolism, but rather to teach the artistic spirit of sensitive perception of the individual and particular phenomena of one's own psyche. This spirit is needed if one is to understand the relevance of general scientific knowledge to his own special problems, as well as to give effect to the scientific spirit of seeing the fact about one's self as it is, whether on elikes it or not, and thus helping to end conflict.Such an approach is not possible, however, unless one has the spirit that meets life wholly and totally. We still need the religious spirit, but today we no longer need the religious mythology, which is now introducing an irrelevant and confusing element into the whole question.Itwould seem, then, that in some ways the modern person must manage to create a total approach to life which accomplishes what was done in earlier days by science, art and religion, but in a new way that is appropriate to the modern conditions of life. An important part of such an action is to see what the relationshipbetween science and art now actually is, and to understand the direction in which this relationship might develop.
We want a little risk in our lives because it keeps things interesting. It wakes us up, it gives us a sense that we're alive and breathing and doing Something! Throwing yourself into it begins with being grateful that you even have something to throw yourself into.
There are always two risks: the risk of trying something new, and the risk of not trying. You risk settling and continuing in the same way, wondering about other paths and possibilities, believing that this is as good as it gets while discontent gnaws away at your soul.
Did I live? The human world is like a vast musical instrument on which we play our individual part while simultaneously listening to the compositions of others in an effort to contribute to the whole. We don't chose whether to engage, only how to; we either harmonize or create dissonance. Our words, our deeds, our very presence create and leave impressions in the minds of others just as a writer makes impressions with their words. Who you are is an unfolding narrative. You came from nothing and will return there eventually. Instead of taking ourselves so seriously all the time, we can discover the playful irony of a story that has never been told in quite this way before. -- Stephen Batchelor, Buddhism Without Beliefs