Dance above the surface of the world. Let your thoughts lift you into creativity that is not hampered by opinion.

My life will be the best illustration of all my work.

One must still have chaos in oneself to be able to give birth to a dancing star.

Here is a lesson in creative writing.First rule: Do not use semicolons. They are transvestite hermaphrodites representing absolutely nothing. All they do is show you've been to college.And I realize some of you may be having trouble deciding whether I am kidding or not. So from now on I will tell you when I'm kidding.For instance, join the National Guard or the Marines and teach democracy. I'm kidding.We are about to be attacked by Al Qaeda. Wave flags if you have them. That always seems to scare them away. I'm kidding.If you want to really hurt your parents, and you don't have the nerve to be gay, the least you can do is go into the arts. I'm not kidding. The arts are not a way to make a living. They are a very human way of making life more bearable. Practicing an art, no matter how well or badly, is a way to make your soul grow, for heaven's sake. Sing in the shower. Dance to the radio. Tell stories. Write a poem to a friend, even a lousy poem. Do it as well as you possibly can. You will get an enormous reward. You will have created something.

The flimsy little protestations that mark the front gate of every novel, the solemn statements that any resemblance to real persons living or dead is entirely coincidental, are fraudulent every time. A writer has no other material to make his people from than the people of his experience ... The only thing the writer can do is to recombine parts, suppress some characterisitics and emphasize others, put two or three people into one fictional character, and pray the real-life prototypes won't sue.

I never had any doubts about my abilities. I knew I could write. I just had to figure out how to eat while doing this., New York Times, April 19, 1992]

i writebecauseit is the only wayi can reach you.

Patriarchy doesn't get yet that 'hope' is a powerful force that drives creativity. Otherwise words like 'false' and 'hope' would never be forced into this unconscious coupling....Hope is not false. And never has been... Rather, hope is part of the often forgotten feminine contribution to the creative process.

The last thing one discovers in composing a work is what to put first.

To me, the greatest pleasure of writing is not what it's about, but the music the words make.

ld heads forgetful of their sins,Old, learned, respectable bald headsEdit and annotate the linesThat young men, tossing on their beds,Rhymed out in love’s despairTo flatter beauty’s ignorant ear.They’ll cough in the ink to the world’s end;Wear out the carpet with their shoesEarning respect; have no strange friend;If they have sinned nobody knows.Lord, what would they sayShould their Catullus walk that way?

If you want to really hurt you parents, and you don't have the nerve to be gay, the least you can do is go into the arts. I'm not kidding. The arts are not a way to make a living. They are a very human way of making life more bearable. Practicing an art, no matter how well or badly, is a way to make your soul grow, for heaven's sake. Sing in the shower. Dance to the radio. Tell stories. Write a poem to a friend, even a lousy poem. Do it as well as you possible can. You will get an enormous reward. You will have created something.

Writing is something you do alone. Its a profession for introverts who want to tell you a story but don't want to make eye contact while doing it.", Nerdfighteria Wiki, January 17, 2012]

A story has no beginning or end: arbitrarily one chooses that moment of experience from which to look back or from which to look ahead.

Put down everything that comes into your head and then you're a writer. But an author is one who can judge his own stuff's worth, without pity, and destroy most of it.", 1964)

This tremendous world I have inside of me. How to free myself, and this world, without tearing myself to pieces. And rather tear myself to a thousand pieces than be buried with this world within me.

Writing a novel is a terrible experience, during which the hair often falls out and the teeth decay. I'm always irritated by people who imply that writing fiction is an escape from reality. It is a plunge into reality and it's very shocking to the system.

My most important piece of advice to all you would-be writers: When you write, try to leave out all the parts readers skip.

You see, in my view a writer is a writer not because she writes well and easily, because she has amazing talent, because everything she does is golden. In my view a writer is a writer because even when there is no hope, even when nothing you do shows any sign of promise, you keep writing anyway.", O Magazine, November 2009]

Writing is thinking. To write well is to think clearly. That's why it's so hard.", July/Aug. 2002, Vol. 23/No. 4)

A story is not like a road to follow … it's more like a house. You go inside and stay there for a while, wandering back and forth and settling where you like and discovering how the room and corridors relate to each other, how the world outside is altered by being viewed from these windows. And you, the visitor, the reader, are altered as well by being in this enclosed space, whether it is ample and easy or full of crooked turns, or sparsely or opulently furnished. You can go back again and again, and the house, the story, always contains more than you saw the last time. It also has a sturdy sense of itself of being built out of its own necessity, not just to shelter or beguile you.

Every morning I jump out of bed and step on a landmine. The landmine is me. After the explosion, I spend the rest of the day putting the pieces together.

There was a moment when I changed from an amateur to a professional. I assumed the burden of a profession, which is to write even when you don't want to, don't much like what you're writing, and aren't writing particularly well.

The professor leaned forward. “But there’s nothing more profound than creating something out of nothing.” Her lovely face turned fierce. “Think about it Cath. That’s what makes a god—or a mother. There’s nothing more intoxicating than creating something from nothing. Creating something from yourself.

[A]lways get to the dialogue as soon as possible. I always feel the thing to go for is speed. Nothing puts the reader off more than a big slab of prose at the start.", Issue 64, Winter 1975)

So much in writing depends on the superficiality of one's days. One may be preoccupied with shopping and income tax returns and chance conversations, but the stream of the unconscious continues to flow undisturbed, solving problems, planning ahead: one sits down sterile and dispirited at the desk, and suddenly the words come as though from the air: the situations that seemed blocked in a hopeless impasse move forward: the work has been done while one slept or shopped or talked with friends.

When I face the desolate impossibility of writing five hundred pages, a sick sense of failure falls on me, and I know I can never do it. Then gradually, I write one page and then another. One day's work is all I can permit myself to contemplate.

In writing. Don't use adjectives which merely tell us how you want us to feel about the thing you are describing. I mean, instead of telling us a thing was "terrible," describe it so that we'll be terrified. Don't say it was "delightful"; make us say "delightful" when we've read the description. You see, all those words (horrifying, wonderful, hideous, exquisite) are only like saying to your readers, "Please will you do my job for me.", 26 June 1956]

Every story has already been told. Once you've read Anna Karenina, Bleak House, The Sound and the Fury, To Kill a Mockingbird and A Wrinkle in Time, you understand that there is really no reason to ever write another novel. Except that each writer brings to the table, if she will let herself, something that no one else in the history of time has ever had."; Mount Holyoke College, May 23, 1999]

Expansion. That is the idea the novelist must cling to. Not completion. Not rounding off, but opening out.

Swoopers write a story quickly, higgledy-piggledy, crinkum-crankum, any which way. Then they go over it again painstakingly, fixing everything that is just plain awful or doesn’t work. Bashers go one sentence at a time, getting it exactly right before they go on to the next one. When they’re done they’re done.

In displaying the psychology of your characters, minute particulars are essential. God save us from vague generalizations!", May 10, 1886)

Any man who keeps working is not a failure. He may not be a great writer, but if he applies the old-fashioned virtues of hard, constant labor, he'll eventually make some kind of career for himself as writer."]

The discipline of creation, be it to paint, compose, write, is an effort towards wholeness.

The writer must have a good imagination to begin with, but the imagination has to be muscular, which means it must be exercised in a disciplined way, day in and day out, by writing, failing, succeeding and revising.", May/June 2009)]

[O]ne can scarcely be frightened off writing what one wants to write for fear an obscure reviewer should patronise one on that account.

[T]he success of every novel -- if it's a novel of action -- depends on the high spots. The thing to do is to say to yourself, "What are my big scenes?" and then get every drop of juice out of them.", Issue 64, Winter 1975)

A writer is someone for whom writing is more difficult than it is for other people.

Go for broke. Always try and do too much. Dispense with safety nets. Take a deep breath before you begin talking. Aim for the stars. Keep grinning. Be bloody-minded. Argue with the world. And never forget that writing is as close as we get to keeping a hold on the thousand and one things--childhood, certainties, cities, doubts, dreams, instants, phrases, parents, loves--that go on slipping , like sand, through our fingers.

First forget inspiration. Habit is more dependable. Habit will sustain you whether you're inspired or not. Habit will help you finish and polish your stories. Inspiration won't. Habit is persistence in practice.

10 Steps to Becoming a Better WriterWrite.Write more.Write even more.Write even more than that.Write when you don’t want to.Write when you do.Write when you have something to say.Write when you don’t.Write every day.Keep writing.

All writing problems are psychological problems. Blocks usually stem from the fear of being judged. If you imagine the world listening, you'll never write a line. That's why privacy is so important. You should write first drafts as if they will never be shown to anyone.

Be a sadist. No matter how sweet and innocent your leading characters, make awful things happen to them -- in order that the reader may see what they are made of."[From the preface.]

I write to believe in goodness.

When describing nature, a writer should seize upon small details, arranging them so that the reader will see an image in his mind after he closes his eyes. For instance: you will capture the truth of a moonlit night if you'll write that a gleam like starlight shone from the pieces of a broken bottle, and then the dark, plump shadow of a dog or wolf appeared. You will bring life to nature only if you don't shrink from similes that liken its activities to those of humankind.", May 10, 1886)

The one thing that you have that nobody else has is you. Your voice, your mind, your story, your vision. So write and draw and build and play and dance and live as only you can.", University of the Arts, 134th Commencement (Philadelphia, PA, May 17, 2012)]

I can still remember the miraculous feeling of writing a sentence, then more sentences, telling a story. The first thing I wrote was a one-page summary of Robinson Crusoe and I am so sorry I do not have it any more; it was at that moment I became an author.".]

Don't look back until you've written an entire draft, just begin each day from the last sentence you wrote the preceding day. This prevents those cringing feelings, and means that you have a substantial body of work before you get down to the real work which is all in ... the edit.", The Guardian, 20 February 2010]

Don’t dash off a six-thousand-word story before breakfast. Don’t write too much. Concentrate your sweat on one story, rather than dissipate it over a dozen. Don’t loaf and invite inspiration; light out after it with a club, and if you don’t get it you will none the less get something that looks remarkably like it. Set yourself a “stint,” [London wrote 1,000 words nearly every day of his adult life] and see that you do that “stint” each day; you will have more words to your credit at the end of the year.Study the tricks of the writers who have arrived. They have mastered the tools with which you are cutting your fingers. They are doing things, and their work bears the internal evidence of how it is done. Don’t wait for some good Samaritan to tell you, but dig it out for yourself.See that your pores are open and your digestion is good. That is, I am confident, the most important rule of all.Keep a notebook. Travel with it, eat with it, sleep with it. Slap into it every stray thought that flutters up into your brain. Cheap paper is less perishable than gray matter, and lead pencil markings endure longer than memory.And work. Spell it in capital letters. WORK. WORK all the time. Find out about this earth, this universe; this force and matter, and the spirit that glimmers up through force and matter from the maggot to Godhead. And by all this I mean WORK for a philosophy of life. It does not hurt how wrong your philosophy of life may be, so long as you have one and have it well.The three great things are: GOOD HEALTH; WORK; and a PHILOSOPHY OF LIFE. I may add, nay, must add, a fourth—SINCERITY. Without this, the other three are without avail; with it you may cleave to greatness and sit among the giants." magazine, March 1903)]

Find what gave you emotion; what the action was that gave you excitement. Then write it down making it clear so that the reader can see it too. Prose is architecture, not interior decoration, and the Baroque is over.

Creative work is often driven by pain. It may be that if you don't have something in the back of your head driving you nuts, you may not do anything. It's not a good arrangement. If I were God, I wouldn't have done it that way., Nov. 20, 2009]

The one thing which seems to me quite impossible is to take into consideration the kind of book one is expected to write; surely one can only write the book that is there to be written., 8 September 1935)

All trademarks, company names, registered names, products, characters, mottos, logos, jingles and catchphrases used or cited in this work are the property of their respective owners and have only been mentioned and or used as cultural references to enhance the narrative and in no way were used to disparage or harm the owners and their companies. It is the author's sincerest wish the owners of the cited trademarks, company names, etc. appreciate the success they have achieved in making their products household names and appreciate the free plug.

In order to create you have to believe in your ability to do so and that often means excluding whole chunks of normal life, and, of course, pumping yourself up as much as possible as a way of keeping on. Sort of cheering for yourself in the great football stadium of life.", email dialogue with Cameron Martin, Feb. 09, 2009)

One of the dumbest things you were ever taught was to write what you know. Because what you know is usually dull. Remember when you first wanted to be a writer? Eight or ten years old, reading about thin-lipped heroes flying over mysterious viny jungles toward untold wonders? That's what you wanted to write about, about what you didn't know. So. What mysterious time and place don't we know?", December 31, 1989)]

When you're writing, you're creating something out of nothing ... A successful piece of writing is like doing a successful piece of magic.", 6 March 2012]

... The Book is more important than your plans for it. You have to go with what works for The Book ~ if your ideas appear hollow or forced when they are put on paper, chop them, erase them, pulverise them and start again. Don't whine when things are not going your way, because they are going the right way for The Book, which is more important. The show must go on, and so must The Book.

Editors can be stupid at times. They just ignore that author’s intention. I always try to read unabridged editions, so much is lost with cut versions of classic literature, even movies don’t make sense when they are edited too much. I love the longueurs of a book even if they seem pointless because you can get a peek into the author’s mind, a glimpse of their creative soul. I mean, how would people like it if editors came along and said to an artist, ‘Whoops, you left just a tad too much space around that lily pad there, lets crop that a bit, shall we?’. Monet would be ripping his hair out.

By his very profession, a serious fiction writer is a vendor of the sensuous particulars of life, a perceiver and handler of things. His most valuable tools are his sense and his memory; what happens in his mind is primarily pictures.

People talk about books that write themselves, and it's a lie. Books don't write themselves. It takes thought and research and backache and notes and more time and more work than you'd believe.

The irritating question they ask us -- us being writers -- is: "Where do you get your ideas?"

I do feel that literature should be demystified. What I object to is what is happening in our era: literature is only something you get at school as an assignment. No one reads for fun, or to be subversive or to get turned on to something. It's just like doing math at school. I mean, how often do we sit down and do trigonometry for fun, to relax. I've thought about this, the domination of the literary arts by theory over the past 25 years -- which I detest -- and it's as if you have to be a critic to mediate between the author and the reader and that's utter crap. Literature can be great in all ways, but it's just entertainment like rock'n'roll or a film. It is entertainment. If it doesn't capture you on that level, as entertainment, movement of plot, then it doesn't work. Nothing else will come out of it. The beauty of the language, the characterisation, the structure, all that's irrelevant if you're not getting the reader on that level -- moving a story. If that's friendly to readers, I cop to it.

There is seven-eights of it under water for every part that shows. Anything you know you can eliminate and it only strengthens your iceberg. It is the part that doesn't show. If a writer omits something because he does not know it then there is a hole in the story., 1958)

[W]hen I put Jorge in the library I did not yet know he was the murderer. He acted on his own, so to speak. And it must not be thought that this is an 'idealistic' position, as if I were saying that the characters have an autonomous life and the author, in a kind of trance, makes them behave as they themselves direct him. That kind of nonsense belongs in term papers. The fact is that the characters are obliged to act according to the laws of the world in which they live. In other words, the narrator is the prisoner of his own premises.

I don't know exactly where ideas come from, but when I'm working well ideas just appear. I've heard other people say similar things - so it's one of the ways I know there's help and guidance out there. It's just a matter of our figuring out how to receive the ideas or information that are waiting to be heard.

Actually, writers have no business writing about their own works. They either wax conceited, saying things like: 'My brilliance is possibly most apparent in my dazzling short story, "The Cookiepants Hypotenuse."' Or else they get unbearably cutesy: 'My cat Ootsywootums has given me all my best ideas, hasn't oo, squeezums?

When the creative impulse sweeps over you, grab it. You grab it and honor it and use it, because momentum is a rare gift.

Speed is not always a constituent to great work, the process of creation should be given time and thought.

She preferred the quiet solitary atmosphere, to create in her own world of paint and colour, the thrill of anticipating how her works would turn out as she eyed the blank sheets of paper or canvas before starting her next masterpiece. How satisfying it was to mess around in paint gear, without having to worry about spills, starch or frills, that was the life!

The writer who loses his self-doubt, who gives way as he grows old to a sudden euphoria, to prolixity, should stop writing immediately: the time has come for him to lay aside his pen.

Art is the overflow of emotion into action.

Learn to write by doing it. Read widely and wisely. Increase your word power. Find your own individual voice though practicing constantly. Go through the world with your eyes and ears open and learn to express that experience in words.

Why do you want to become an author? I will accept only one answer. If it is because you feel you can write better than you can do anything else then go ahead and do it without frills and flourishes. Stick to your present job and write in your spare time: but do it as if it is a whole time job.

Please don't entertain for a moment the utterly mistaken idea that there is no drudgery in writing. There is a great deal of drudgery in even the most inspired, the most noble, the most distinguished writing. Read what the great ones have said about their jobs; how they never sit down to their work without a sigh of distress and never get up from it witout a sigh of relief. Do you imagine that your Muse is forever flamelike -- breathing the inspired word, the wonderful situation, the superb solution into your attentive ear? ... Believe me, my poor boy, if you wait for inspiration in our set-up, you'll wait for ever.

Nothing is original. Steal from anywhere that resonates with inspiration or fuels your imagination. Devour old films, new films, music, books, paintings, photographs, poems, dreams, random conversations, architecture, bridges, street signs, trees, clouds, bodies of water, light and shadows. Select only things to steal from that speak directly to your soul. If you do this, your work (and theft) will be authentic. Authenticity is invaluable; originality is non-existent. And don’t bother concealing your thievery - celebrate it if you feel like it. In any case, always remember what Jean-Luc Godard said: “It’s not where you take things from - it’s where you take them to." #53 - Winter, January 22, 2004 ]

An artist without ideas is a mendicant; barren, he goes begging among the hours.

We all have 10,000 bad drawings in us. The sooner we get them out the better.

One of the dumbest things you were ever taught was to write what you know. Because what you know is usually dull. Remember when you first wanted to be a writer? Eight or ten years old, reading about thin-lipped heroes flying over mysterious viny jungles toward untold wonders? That's what you wanted to write about, about what you didn't know. So. What mysterious time and place don't we

Creativity is paradoxical. To create, a person must have knowledge but forget the knowledge, must see unexpected connections in things but not have a mental disorder, must work hard but spend time doing nothing as information incubates, must create many ideas yet most of them are useless, must look at the same thing as everyone else, yet see something different, must desire success but embrace failure, must be persistent but not stubborn, and must listen to experts but know how to disregard them.", December 6, 2011)]

Passion is a deep love for sacred activity.

we may say that History develops, Art stands still

...it’s just another one of those things I don’t understand: everyone impresses upon you how unique you are, encouraging you to cultivate your individuality while at the same time trying to squish you and everyone else into the same ridiculous mould. It’s an artist’s right to rebel against the world’s stupidity.

... an artist should paint from the heart, and not always what people expect. Predictability often leads to the dullest work, in my opinion, and we have been bored stiff long enough I think.

There are always messages, even enigmas to be searched, mysteries to be solved in all of my books. I like to puzzle readers, but I do not make so to the point of being so complex that they will lose interest in the plot. And that for me is the essence of every great literature around the world, and that’s been so for ages.(....)Some were inpired by real life characters, some other books I wrote are hybrid fiction/non-fiction, so I pretty much get inspired by people who have lived, and even who are still breathing among us… so don’t get discouraged if I didn’t mention your personality traits yet. I might even have your name over my books, I must some day…

The irritating question they ask us -- us being writers -- is: "Where do you get your i

You are one thing only. You are a Divine Being. An all-powerful Creator. You are a Deity in jeans and a t-shirt, and within you dwells the infinite wisdom of the ages and the sacred creative force of All that is, will be and ever was.

Creativity takes courage. Not just once, but consistently. Without courage we cannot be creative. Without feeling fear at some point we will not reach our creative potential. From first putting paint on paper through to selling our work on a worldwide stage there is plenty to be scared of. But this is where creativity lives – on the edge of our comfort zones.

Photographers don't take pictures. They create images.

Despair and disappointment are the parent of countless inspired, inspiring, triumphant creations

Create. Not for the money. Not for the fame. Not for the recognition. But for the pure joy of creating something and sharing it.

Everyone lives in two worlds,” Maggie said, speaking in an absentminded sort of way while she studied her letters. “There’s the real world, with all its annoying facts and rules. In the real world, there are things that are true and things that aren’t. Mostly the real world s-s-s-suh-sucks. But everyone also lives in the world inside their own head. An inscape, a world of thought. In a world made of thought—in an inscape—every idea is a fact. Emotions are as real as gravity. Dreams are as powerful as history. Creative people, like writers, and Henry Rollins, spend a lot of their time hanging out in their thoughtworld. S-s-strong creatives, though, can use a knife to cut the stitches between the two worlds, can bring them together. Your bike. My tiles. Those are our knives.

Sometimes to love people, I must completely avoid them. Sometimes, to be strong, I must completely fall apart. Sometimes, to create, I must completely destroy.

Practical affairs task the human brain throughout the day. At night, the mind takes a deserved hiatus to consider the impossible and the absurd. In the carnage of our nighttime sleep tussles, the colored liqueurs of the true, the possible, fantasy, and the mythic beliefs become intermixed. Eyelets of the commonsensical and the imaginative are incorporated, and a new realism emerges out of our distilled perception of the veridical derived from the phenomenal realm of sensory reality and the philosophic world of ideals contained in the noumenal realm. The resultant psychobiologic vision immerses us in bouts of intoxicating inspiration and artistic stimulation and leaves us rickety boned and weakened after enduring a dreaded hangover of perpetual doubt laced with vagueness and insecurity.

Entire universes flourish in my mind. Sometimes I get lost in there.

Beauty surrounds us, but oftentimes it takes a person with a poetic perception, an artist’s way of looking at the world, to first notice the sublime, and then stagecraft the splendor of nature so that other people can perceive their synoptic vision. The spirit and aesthetic intention behind the work is what assigns the work its artistic quality. Great works of poetry and writing, for instance, express not simply a criticism of life, but also encompass a philosophy for living.

I force myself to contradict myself in order to avoid conforming to my own taste.

In every situation, at the beginning or end of the workday, you have a choice. You can look back or you can look forward. My advice: look forward. Always think about the next day. Don't go into the studio thinking, 'Hmmm, let's see what I was doing yesterday?' It takes more energy to twist yourself around and look back that it does to face forward.

Art manifests itself in paradoxical ways. At times it creates and at times it gets created!

All great talents are never found in rich exquisite locales with perfect setting that enhance their creative works, but on the contrary are found in the most obnoxious circumstances yet are unaffected by them and create masterpieces at the most unpredictable situations, just like a lotus flower blossoming in a muddy pond!

Creating any type of art is an actual experience inasmuch as it affects the artist’s life. The experience of writing not only merges disparate parts of the mind, this expressive experience affects the evolution of the self. Writing is not about the process of creating a piece of literature; rather, writing is an artistic, transformative experience. All opposite forces in human nature are reconciled in the unity of consciousness, which is why the most fully developed human being strives to makes their unconsciousness thoughts, feelings, and prejudices conscious through acts of contemplation.

Making art requires a degree of intentionality. All works of art require a contemplative individual drawing from their bank of knowledge and immersion into the realms of memory and imagination in order to make an outward, communicative expression. Only human beings can draw upon the dialectical tension between memory and imagination to create artistic renderings.

Be a good reader first, if you wish to become a good writer.

The biographies of great artists make it abundantly clear that the creative urge is often so imperious that it battens on their humanity and yokes everything to the service of the work, even at the cost of health and ordinary human happiness. The unborn work in the psyche of the artist is a force of nature that achieves its end either with tyrannical might or with the subtle cunning of nature herself, quite regardless of the personal fate of the man who is its vehicle. The creative urge lives and grows in him like a tree in the earth from which it draws its nourishment.

The creative process, so far as we are able to follow it at all, consists in the unconscious activation of an archetypal image, and in elaborating and shaping this image into the finished work. By giving it shape, the artist translates it into the language of the present, and so makes it possible for us to find our way back to the deepest springs of life. Therein lies the social significance of art: it is constantly at work educating the spirit of the age, conjuring up the forms in which the age is most lacking.

We are all creative beings. The act of creating puts us in direct connection with the greatest creator. The master artist that is our Divine Creator.

We are all born as storytellers. Our inner voice tells the first story we ever hear.

art is a mode of stalking

Creating art is paradoxical because an artist seeks to express truth by penetrating and destroying illusions. Art is always the outpouring of a mind striving to achieve the impossible reconciliation of all the fragmented shards that make people human: frivolous amusements, idle moments, feelings of tenderness and pain, stored memories, future expectations, and unquenchable thirst to experience love and witness beauty.

In time, all great masterpieces turn into shameless creatures who laugh at their creators.

That a work of creation struggles and insistently demands to be brought into being is a fact that no genuine artist would think of denying.

To plunge one thing into the shape or nature of another is a fundamental gesture of creative insight, part of how we make for ourselves a world more expansive, deft, fertile, and startling in richness.

The very first thing I remember in my early childhood is a flame, a blue flame jumping off a gas stove somebody lit... I remember being shocked by the whoosh of the blue flame jumping off the burner, the suddenness of it... I saw that flame and felt that hotness of it close to my face. I felt fear, real fear, for the first time in my life. But I remember it also like some kind of adventure, some kind of weird joy, too. I guess that experience took me someplace in my head I hadn't been before... The fear I had was almost like an invitation, a challenge to go forward into something I knew nothing about. That's where I think my personal philosophy of life and my commitment to everything I believe in started... In my mind I have always believed and thought since then that my motion had to be forward, away from the heat of that flame.

You must study the Masters but guard the original style that beats within your soul and put to sword those who would try to steal it.

Like most artists, everything I produced was connected to who I was - and so I suffered according to how my work was received. The idea that anyone might be able to detach their personal value from their public output was revolutionary.

Some of the greatest masterpieces of art are created against the odds of reality.from the book: stuff i think about

A writer gets to live yet another life every time she creates a new story.

Writing a story is like going on a date—you will spoil it if you aren't living in the moment.

Don’t break the rules when you haven’t fully figured them out yet.

Dreams are good at playing with your memory. They love leaving no trace behind and hate to show up once again in the morning.

The good writing ideas don’t have to be about political turmoil, mass killings, capitalism, racism, injustice, etc. Find that one idea that has deep roots in your heart.

Create a world in front of your readers where they can taste, smell, touch, hear, see, and move. Else they are likely going to move on to another book.

A writer can do without food for a few hours, but not without the sight of books.

Turn those deep feelings and obsessions of your heart into captivating pieces of literature.

Ideas either age like fine wine or rot like potatoes over time.

If you are a singer, you must sing. If you are a dancer, you must dance. If you are a writer, you must write. Don’t suffocate your heart.

As you become a better writer, the writing becomes more difficult. You toil harder to tell a story in a lesser number of words.

Don’t interrupt when your characters take a flight of their own.

If you think there is no time to write now, there would never be.

If certain aspect needs to be inconsistent, it must better be consistently inconsistent throughout the story.

Power up your intelligence. Hit that creativity button.

When describing nature, a writer should seize upon small details, arranging them so that the reader will see an image in his mind after he closes his eyes. For instance: you will capture the truth of a moonlit night if you'll write that a gleam like starlight shone from the pieces of a broken bottle, and then the dark, plump shadow of a dog or wolf appeared. You will bring life to nature only if you don't shrink from similes that liken its activities to those of human

We are, not metaphorically but in very truth, a Divine work of art, something that God is making, and therefore something with which He will not be satisfied until it has a certain character. Here again we come up against what I have called the “intolerable compliment.” Over a sketch made idly to amuse a child, an artist may not take much trouble: he may be content to let it go even though it is not exactly as he meant it to be. But over the great picture of his life—the work which he loves, though in a different fashion, as intensely as a man loves a woman or a mother a child—he will take endless trouble—and would doubtless, thereby give endless trouble to the picture if it were sentient. One can imagine a sentient picture, after being rubbed and scraped and re-commenced for the tenth time, wishing that it were only a thumb-nail sketch whose making was over in a minute. In the same way, it is natural for us to wish that God had designed for us a less glorious and less arduous destiny; but then we are wishing not for more love but for less.

Creative work is often driven by pain. It may be that if you don't have something in the back of your head driving you nuts, you may not do anything. It's not a good arrangement. If I were God, I wouldn't have done it tha

A creative mind is a spark of divinity.

Years and years ago, I read a great interview with Jam and Lewis, the R&B producers, in which they described what it was like to be members of Prince's band. They'd sit down, and Prince would tell them what he wanted them to play, and they'd explain that they couldn't--they weren't quick enough, or good enough. And Prince would push them and push them until they mastered it, and then just when they were feeling pleased with themselves for accomplishing something they didn't know they had the capacity for, he'd tell them the dance steps he needed to accompany the music.This story has stuck with me, I think, because it seems like an encapsulation of the very best and most exciting kind of creative process.

Step into the center of the center of the center - right into your Now - and see: how elegant and honest this moment is. Just being yourself, a world to hold your feet, a universe to lift your gaze, a heart beating - constant, in the center of it all.

Every great athlete, artist and aspiring being has a great team to help them flourish and succeed - personally and professionally. Even the so-called 'solo star' has a strong supporting cast helping them shine, thrive and take flight.

Help me, Lord, in times when I am uninspired to see things differently.

Remind me, Lord, of why I create things and that YOU ... you are the best of artists, put these gifts in me to share with the world.

A marijuana high can enhance core human mental abilities. It can help you to focus, to remember, to see new patterns, to imagine, to be creative, to introspect, to empathically understand others, and to come to deep insights. If you don’t find this amazing you have lost your sense of wonder. Which, by the way, is something a high can bring back, too.

For the fact is that disorder is the condition of the mind's fertility: it contains the mind's promise, since its fertility depends on the unexpected rather than the expected, depends on what we do not know, and because we do not know it, than what we know.

There’s no matter here you can’t re-matter into love.

The message of love or beauty or hope needs to be said by a hundred thousand different voices, written by a hundred thousand different pens, at a hundred thousand different times in history, different places in the world, different sectors of society, in different genres and registers, simply to be heard by the billions of ears and hearts that lie waiting for a truth which fires their soul, answers their question, speaks to their heart.

When we have the courage to claim space for ourselves. When we risk creativity. When we relish our sensuality. When we honor our lives and their experiences as valuable. When we create from a female body, expressing ourselves in a woman’s voice, using a woman’s language. We begin to bloom.

It is not possible to be original by trying to be original - those who attempt this in the arts will be merely avant-garde. Originality is the product of an impulse to intense and overwhelming that it bursts the conventions and produces something new - again more by accident than design.

Rebels revel in rewriting reality's restrictions.

You know you possess the soul of an artist when, each time you sit down to create, the whole universe lays itself at your feet.

I like what I do. Some writers have said in print that they hated writing and it was just a chore and a burden. I certainly don't feel that way about it. Sometimes it's difficult. You know, you always have this image of the perfect thing which you can never achieve, but which you never stop trying to achieve. But I think ... that's your signpost and your guide. You'll never get there, but without it you won't get any

Great characters- They are pivotal for a great plot. THEN a solid plot: Why then? If you do not have great characters it is impossible to create a good plot, nonetheless a solid one. Once you have built great characters for the scenes, there you have it. It’s just like the movies, you cannot have a great film if the characters are frail and their lines are weak as well. I guess great world-building comes along with a good plot. If there is something that will work fine in a novel is how you will develop from the theme. You’ve got to establish a good timeline, and from there it comes a world. You see the technical matters don’t match or matter as much to me. Even a poorly written story, if there is a good plot and great characters on it will make a divine combination There are simply many cases of it over the mainstream and that even reached the big screen.

You can't make a fan of everyone. Stay true to your story, characters, music, art or whatever it is you do and fuck everyone else who doesn't like it. Life isn't perfect.

Nothing is original. Steal from anywhere that resonates with inspiration or fuels your imagination. Devour old films, new films, music, books, paintings, photographs, poems, dreams, random conversations, architecture, bridges, street signs, trees, clouds, bodies of water, light and shadows. Select only things to steal from that speak directly to your soul. If you do this, your work (and theft) will be authentic. Authenticity is invaluable; originality is non-existent. And don’t bother concealing your thievery - celebrate it if you feel like it. In any case, always remember what Jean-Luc Godard said: “It’s not where you take things from - it’s where you take the

Every story has already been told. Once you've read Anna Karenina, Bleak House, The Sound and the Fury, To Kill a Mockingbird and A Wrinkle in Time, you understand that there is really no reason to ever write another novel. Except that each writer brings to the table, if she will let herself, something that no one else in the history of time has ever

Because, as we all know, it’s easier to do trivial things that are urgent than it is to do important things that are not urgent, like thinking. And it’s also easier to do little things we know we can do than to start on big things that we’re not so sure about.

Creativity is paradoxical. To create, a person must have knowledge but forget the knowledge, must see unexpected connections in things but not have a mental disorder, must work hard but spend time doing nothing as information incubates, must create many ideas yet most of them are useless, must look at the same thing as everyone else, yet see something different, must desire success but embrace failure, must be persistent but not stubborn, and must listen to experts but know how to disregard

If we allow our "high creativity" to remain alive, we will never be bored. We can pray, standing in line at the super market. Or we can be lost in awe at all the people around us, their lives full of glory and tragedy, and suddenly we will have the beginnings of a painting, a story, a song.

Creativity is a magic wand that works two ways. When you set it in action and seek to create something, it does not just brings into existence that object or work, it also raises in your heart a dream, a hope, and a will to achieve that creation. And when all else seems lost and steeped in hopelessness, the magic of creativity can still keep you going. For when all else seem dark, an urge to create something would still give you an aim to look forward to. And if you just take hold of this urge, it will take hold of you and see you through even the darkest times. Like it did to me.

We can’t turn our true selves off and on situationally and expect them to carry and sustain us. Rationing creativity results in bipolarism of the spirit. Our creativity is also our life force. When we turn it off and on like a spigot, we start to become less and less able to control the valve.

The artistic methods of poetry, painting, photography, and writing share certain commonalities of deep composition: spirit, rhythm, thought, and scenery.

The hardest situation is when the individuals desperate “to cut off your wings” are your closest family members whom you can’t escape dealing with.

Creativity is just about connecting things. A whole lot of nonsense put together, and diluted with a creative passion can eventually make sense. Keep thinking. Exploring. Keep trying out new ways and methods of doing things and just when you least expect, you may stumble on that next great world-changing idea that will make all the difference.

Creativity can turn into an avalanche or a tempest, but can also flow like a meandering tributary to same destination

Yes, you are creative and in slow, languid times, creativity peers out of your soul like a field mouse from its burrow at night.

This is the crux of being a Creative Mother. It is more than how many jumpers you have knitted, or having an exhibition in a fancy gallery, or a bookshelf of your own books. It is about the act of living authentically whilst honoring your mother self and creative self. About saying yes to life, every part of your life, and finding how to weave them all together.

Catching creativity is like catching butterflies – fast-flying, bright-colored sparks darting here and there, it requires quick wits, good eyes and desire to net them. And once you have them, you need to act fast. An idea, like a butterfly doesn’t last long: it is ephemeral. It is here, and now it is gone – so quick, grab your laptop, your pen and paper, your Dictaphone, your sketch pad, whatever your mode of expression or recording, swoop and catch.

There is a juiciness to creativity, a succulence that comes up from within, a sensuality which both produces and is soothed by the act and product of creativity. Creativity is pleasing to us on a deep level. Be it the feel of clay in our hands, the colors that make us feel alive as we knit or sew, the meaning that we find in the words that we write, the energizing feel of movement as we dance and the music moves through our bodies. Taking part in creativity helps us to be more fully alive on every level, it asks that we engage with life in a visceral, and interactive way.

The creative journey is not a trek through the wilderness, but actually a clearly defined path, which though not visible to our outside eyes, can be felt with our inner senses.

A creative person aspires to devote the core state of their mind fixated upon performing the surge of work that expresses the raw passion driving an evolving notion of their quintessence.

Every creative act, however small, enriches our species and the world around us. To find and nurture talent, is to be truly wealthy.

Bringing a novel to light - revealing the form and cadence, shadows and demeanor of a protagonist constructed from thin air - linking scenes and synchronicity across translucent time - holding up a glass brimming with chilled, never-tasted liquid, then sipping from it with intoxicated focus - allowing lovers to make a perilous mess of things, fall apart and nakedly come back together again - looking through conjured windows deep into someone else’s snow-bound solitude, feeling utterly alone yet being all-connected: this is not writing. It’s world-creating.It’s raw, exposed dreaming. It’s humbling. At first too personal and intimate to share, it evolves like a child into a life of its own until I have no say in what comes next. It’s what I wake at 4am to say Yes to, the spinning possibility of a new story relentlessly commanding me to write it down so it can whirl in your experience.

The mind I love most must have wild places, a tangled orchard where dark damsons drop in the heavy grass, an overgrown little wood, the chance of a snake or two, a pool that nobody fathomed the depth of, and paths threaded with flowers planted by the mind.

Whenever new knowledge causes you to question your previous assumptions, the stage is set for creative transformation.

Desire is the impulse that sparks the flame.

Developing the skill of creativity, like with any other skill, takes time. Do devote time to creativity. Honor its flow and its magic. Allow it to become your Life Force. Train Creativity daily.

Storytelling is inherently dangerous. Consider a traumatic event in your life. Think about how you experienced it. Now think about how you told it to someone a year later. Now think about how you told it for the hundredth time. It's not the same thing. Most people think perspective is a good thing: you can figure out characters' arcs, you can apply a moral, you can tell it with understanding and context. But this perspective is a misrepresentation: it's a reconstruction with meaning, and as such bears little resemblance to the event.

When the lyrical muse sings the creative pen dances.

I am an artist. Any artist knows that their creations, their pieces must express an array of human emotion and experience. From the juvenile and innocent, to the erotic and the dangerous, and everything in between. Because Life is all of these things and more. It is the artist's divine purpose to reflect what Experience has shown them and others. What truly sets us apart from each other is whether or not we truly know ourselves enough to reflect objectively; but, through our own unique 'voice'.

poetry. i am not writing it.(make way for me please)it is my skin. dripping with light.

She pours sugar on her life and drinks the artist’s marrow in the bone of her glass and she lives.

Theater is the crucible where we can create the dynamics of life without suffering the flames of their combustion.

Random thought fills the streambed, cascading with care and spilling over the flood plain until bifurcation forces it to arc and fork into a single, determined stream.

Consuming the content and culture of creatives does not make one a creative. Creating makes a creative.

I’ve learned that the creative life may or may not be the apex of human civilization, but either way it’s not what I thought it was. It doesn’t make you special and sparkly. You don’t have to walk alone. You can work in an office — I’ve worked in offices for the past 15 years and written five novels while doing it. The creative life is forgiving: You can betray it all you want, again and again, and no matter how many times you do, it will always take you back.

Write. Don't talk about writing. Don't tell me about your wonderful story ideas. Don't give me a bunch of 'somedays'. Plant your ass and scribble, type, keyboard. If you have any talent at all it will leak out despite your failure to pay attention in Eng

Pencil. Paper. Forget the world.

The show must go on, and so must The Book.

I just needed time alone with my own thoughtsGot treasures in my mind but couldn’t open up my own vault

You can’t let fear and indecision sink your creativity—they do not easily release their hold.

I could write about how I feel when I sing, write and create something from heartbreak, sorrow, sadness or just simply nothingness. How nothingness can become the most beautiful, unexplainable feeling that makes you forget about gravity for an hour.

You know how creative people are, we have to try everything until we find our niche.

Your page stands against you and says to you that you are a thief.

Creativity is an inherently human trait that allowed us to dominate our environment and make our way to the top of the food chain.

Words are the residue that I was there, that I loved my wife, that I kissed my children goodnight, that I sacrificed my life for them. Words are a curse. Life is a curse. Words escape life. Life escapes words. What in God's name am I? How does someone name a God? What is it to name yourself?

Creativity isn't a switch that's flicked on or off; it's a way of seeing, engaging and responding to the world around you.

The sooner you finish procrastinating, the sooner you can get back to your art.

The trick, of course, is to lose one day and come back to win the next. But that is possible only when we draw healthy pleasure and confidence from our creative processes.

Never forget,Each day that we have together is a precious gift.In the web of daily living, we are creating character.Let's take the time to create memories, listen and observe.Time flees, and it does not return.If we lose today, it is gone forever.Let's live for the present, and be prepared for the future. Let's grow strong, let's grow bigger, let's grow TOGETHER!

In order to create you have to believe in your ability to do so and that often means excluding whole chunks of normal life, and, of course, pumping yourself up as much as possible as a way of keeping on. Sort of cheering for yourself in the great football stadium of

[N]othing about a book is so unmistakable and so irreplaceable as the stamp of the cultured mind. I don't care what the story is about or what may be the momentary craze for books that appear to have been hammered out by the village blacksmith in a state of intoxication; the minute you get the easy touch of the real craftsman with centuries of civilisation behind him, you get literature.

sometimes i wake upin the middleof the nightand findpoetry splatteredall over my bed.

The greater the artist, the greater the doubt. Perfect confidence is granted to the less talented as a consolation p

Whether we write lyrics or craft legislation, sell homes or teach classes, design spaces or open franchises, prayer is a critical part of the creative process. Don’t just brainstorm; praystorm.

Life is beautiful dream.

The writer must have a good imagination to begin with, but the imagination has to be muscular, which means it must be exercised in a disciplined way, day in and day out, by writing, failing, succeeding and revi

All that night he thought like boomerangs fly: an idea would shoot way off into the distance, all the way to a caravan in Hollywood and, for a moment, when he had got as far away from school and reality as it was possible to go, he was reasonably happy; then it would begin the return journey, thump him on the head, and leave him in exactly the place he had started from. And all the time it got nearer and nearer to the morning.

Maybe everyone does have a novel in them, perhaps even a great one. I don't believe it, but for the purposes of this argument, let's say it's so. Only a few of us are going to be willing to break our own hearts by trading in the living beauty of imagination for the stark disappointment of words.

To write is to feel the dance of your soul swirling in a dream that drips imagination onto paper.

My imagination was running amok again. Twice in one night. This never happens when I’m sitting in front of a typewriter.

You can't force creatives into a box. If you try, they'll no longer be creative. And no one will want your box.

To express yourself in a creative way you don't need structure you need an empty mind.

When dreams come true creativity becomes art.

It's very important to write things down instantly, or you can lose the way you were thinking out a line. I have a rule that if I wake up at 3 in the morning and think of something, I write it down. I can't wait until morning -- it'll be

Sometimes I get the start of a story from a memory, an anecdote, but that gets lost and is usually unrecognizable in the final s

When you're writing, you're creating something out of nothing ... A successful piece of writing is like doing a successful piece of m

You kind of attribute this magic to music and as you meet the people you realize that they don’t contain the magic. They just channel it a little bit sometimes, but they never possess it. They never own it.

You have enough to create what you want.

We love to learn because learning feels good. It both satisfies and stimulates curiosity. Reading a good book, having a meaningful conversation, listening to great music—just doing these things make us happy. They have no extrinsic purpose. To give them one takes away from their joy.

When someone asks me what a song is about, it’s like, I feel like I might ruin it if you ask me that. I feel like I did my best to explain the song in the song on its own terms as a song.

Doubt has become the veritable wellspring of my creative process and my philosophic explorations. It has equipped me with the temerity and wherewithal to question certain truths deemed ‘fundamental’ by my betters. Defiance has made me stubborn—possibly even arrogant—enough to shrug off rejection and all fears thereof, no matter how lacerating to the self-esteem these could be. It has given me the will to seek only to satisfy myself.

[When asked for her advice to aspiring writers] Run! Just kidding. Sort of. Really, I think the best advice I can give is to wait for the book that compels you to write it-- the one that you eat, sleep, and breathe. If you try to force yourself to create an epic story, you will feel the ensuing drudgery quite acutely-- and worse, your readers will feel it too. Conversely, if you wait for the book that won't leave you alone until you finish it, your readers will feel that energy and it will make it difficult for them to put the book down until they have finished it!

If you have a story to tell, put it out there. Get the thing done. No excuses. No procrastinating. No apologies. It will never be as good as you want it to be, so forget about perfection. Just be satisfied that you've done the best work you can do at this stage in your life as an author. Then roll the rocket onto the launch pad and fire it off. After that, write another story. Always keep going. Move fast. Stay one step ahead of the forces of distraction and self-doubt. Love your characters enough to give them a good home. Love your readers enough to give them a place of refuge from life's tragedies, big and small. And love the world you live in enough to make it the world of your dreams.

You see, in my view a writer is a writer not because she writes well and easily, because she has amazing talent, because everything she does is golden. In my view a writer is a writer because even when there is no hope, even when nothing you do shows any sign of promise, you keep writing an

But the conquest of the physical world is not man’s only duty. He is also enjoined to conquer the great wilderness of himself. The precise role of the artist, then, is to illuminate that darkness, blaze roads through that vast forest, so that we will not, in all our doing, lose sight of its purpose, which is, after all, to make the world a more human dwelling place.

She was strangely unaware that she could look and see freshly for herself, as she wrote, without primary regard for what had been said before.

It is kind of ridiculous that a poet is expected to live in the real world.

to be a poet meansto live with a permanent wound forever susceptibleto either the shade of the skyor someone's eyes.

A hammer made of deadlines is the surest tool for crushing writer's block.

Science fiction invites the writer to grandly explore alternative worlds and pose questions about meaning and destiny. Inventing plausible new realities is what the genre is all about. One starts from a hypothesis and then builds out the logic, adding detail and incident to give substance to imaginary structures. In that respect, science fiction and theology have much in common.

Dialogue is not just quotation. It is grimaces, pauses, adjustments of blouse buttons, doodles on a napkin, and crossings of legs.

Writing is thinking. To write well is to think clearly. That's why it's so

The one thing that you have that nobody else has is you. Your voice, your mind, your story, your vision. So write and draw and build and play and dance and live as only you

Explore your inner creative genius through the medium you love and enjoy the journey!

Sometimes life is hard. Things go wrong—in life and in love and in business and in friendship and in health and in all the other ways that life can go wrong. And when things get tough, this is what you should do: make good art. . . . Someone on the internet thinks what you’re doing is stupid or evil or it’s all been done before: make good art. Probably things will work out somehow, eventually time will take the sting away, and it doesn’t even matter. Do what only you can do best: make good art.

Writing is something you do alone. Its a profession for introverts who want to tell you a story but don't want to make eye contact while doin

The "if I had time" lie is a convenient way to ignore the fact that novels require being written and that writing happens a sentence at a time. Sentences can happen in a moment. Enough stolen moments, enough stolen sentences, and a novel is born - without the luxury of time.

[T]he success of every novel -- if it's a novel of action -- depends on the high spots. The thing to do is to say to yourself, "What are my big scenes?" and then get every drop of juice out of

Every few weeks she would shut herself up in her room, put on her scribbling suit, and "fall into a vortex" as she expressed it, writing away at her novel with all her heart and soul, for till that was finished she could find no peace. Her "scribbling suit" consisted of a black woollen pinafore on which she could wipe her pen at will, and a cap of the same material, adorned with a cheerful red bow, into which she bundled her hair when the decks were cleared for action. This cap was a beacon to the inquiring eyes of her family, who during these periods kept their distance, merely popping in their heads semi-occasionally, to ask, with interest, "Does genius burn, Jo?" They did not always venture even to ask this question, but took an observation of the cap, and judged accordingly. If this expressive article of dress was drawn low upon the forehead, it was a sign that hard work was going on; in exciting moments it was pushed rakishly askew; and when despair seized the author it was plucked wholly off, and cast upon the floor. At such times the intruder silently withdrew; and not until the red bow was seen gayly erect upon the gifted brow, did any one dare address Jo.

If the artist does not fling himself, without reflecting, into his work, as Curtis flung himself into the yawning gulf, as the soldier flings himself into the enemy's trenches, and if, once in this crater, he does not work like a miner on whom the walls of his gallery have fallen in; if he contemplates difficulties instead of overcoming them one by one ... he is simply looking on at the suicide of his own talent.

I never had any doubts about my abilities. I knew I could write. I just had to figure out how to eat while doing

A child s a special possession from God.

I've had to keep defining and defending myself as a writer every single day of my adult life -- constantly reminding and re-reminding my soul and the cosmos that I'm very serious about the business of creative living, and that I will never stop creating, no matter what the outcome, and no matter how deep my anxieties and insecurities may be.

For any creative thought to be contagious, it must first be worthy of a sneeze.

Regarding the creative: never assume you're the master, only the student. Your audience will determine if you're masterful.

The characteristic common to God and man is apparently that: the desire and the ability to make things.

After passionately nursing this idea for about an hour, I suddenly had another idea: no I wouldn't. Of course I wouldn't make an entire city out of cereal boxes in the basement. The moment I had this second thought, I knew this was the real one.

Art is a journey of excellence not a goal of perfection.

Oh God, for a few who will love me in tiny ways every single day of my flashing existence. For a mere one or two who will treat me like the trash I am, who will love the smell of garbage and rummage through the bin of my failings to find the wrapped cheeseburger they can do without but consider long enough to get their taste buds used to the idea. Oh for a melodious tongue to sing me a song about french fries.

Those who speak in spiritual terms routinely refer to God as creator but seldom see "creator" as the literal term for "artist". I am suggesting you take the term "creator" quite literally. You are seeking to forge a creative alliance, artist-to-artist with the Great Creator. Accepting this concept can greatly expand your creative possibilities.

MFA in a Box is designed to help you to find the courage to put truth into words and to understand that writing is a life-and-death endeavor — but that nothing about a life-and-death endeavor keeps it from being laugh-out-loud funny.

The trick to finding writing time is to make writing time in the life you've already got.

Everyone lies about writing. They lie about how easy it is or how hard it was. They perpetuate a romantic idea that writing is some beautiful experience that takes place in an architectural room filled with leather novels and chai tea.

When I write, I fall into the zone many writers, painters, musicians, athletes, and craftsmen of all sorts seem to share: In doing something I enjoy and am expert at, deliberate thought falls aside and it is all just THERE. I think of the next word no more than the composer thinks of the next note.

Forget ideas, Mr. Author. What kind of pen do you use?

Why start if you are going to do a half-assed job anyway?

Don't look back until you've written an entire draft, just begin each day from the last sentence you wrote the preceding day. This prevents those cringing feelings, and means that you have a substantial body of work before you get down to the real work which is all in ... the

Anxious, inexperienced writers obey rules. Rebellious, unschooled writers break rules. Artists master the form.

Listen to what you have written. A dud rhythm in a passage of dialogue may show that you don't yet understand the characters well enough to write in their vo

- But Abraham, you mean I'm supposed to make stuff up !?!?- You are creators, you make stuff up all the time!