All trademarks, company names, registered names, products, characters, mottos, logos, jingles and catchphrases used or cited in this work are the property of their respective owners and have only been mentioned and or used as cultural references to enhance the narrative and in no way were used to disparage or harm the owners and their companies. It is the author's sincerest wish the owners of the cited trademarks, company names, etc. appreciate the success they have achieved in making their products household names and appreciate the free plug.

Imagine for a moment that you are the proud owner of a large house which you have spent years of your life painting and decorating and filling with everything you love. It's your home. It's something you've made your own, something for you to be remembered by, something that, perhaps years later, your children and grandchildren can visit and get a view of your life in. It's part of your creativity, your hard work... it's your property.Now suppose you decide to go camping for a couple of weeks. You lock your door and assume that nobody is going to break in... but they do, and when you return home, to your horror you find that not only do these trespassers break in, but they also have quite uniquely imaginative ways of disrespecting, vandalizing and corrupting everything within your property. They light fires on your lawn, your topiary hedges are in heaps of black ashes. There's some blatantly obscene graffiti splattered across your front door, offensive images and rude words splashed on the walls and windows. Your television has been tipped over. Your photographs of family and friends have had the heads cut out of them. There's mold growing in the refrigerator, bottles of booze tipped over on the table, and cigarette smoke embedded into the carpeting. Your beloved houseplants are dead, your furniture has been stripped down and ruined. Basically, the thing you've spent years working for and creating within your lifetime has been tampered with to the point where it is just a grim joke.So, I feel terrible for poor Sir Arthur Conan Doyle, Jane Austen and Lewis Carroll, who must be spinning in their graves since they have no rights to their own works of fiction anymore. I'm all for readers being able to read books for free once and only when the deceased author's copyright eventually ends. Still though, did Doyle ever think in a million years that his wonderful characters would be dragged through the mud of every pervy fanfiction that the sick internet geek can think of to create? Did Carroll ever suspect that Alice and the Hatter would become freakish clown-like goth caricatures in Tim Burton's CGI-infested films? Would Austen really want her writing to be sold as badly-formatted ebooks?The sharing of this Public Domain content isn't really an issue. Stories are meant to be told, meant to echo onward forever. That's what makes them magical. That being said, in the Information Age, there's a real lack of respect towards the creators of this original content. If, when I've been dead for 70 years and I then no longer have the rights to my novels, somebody gets the bright idea of doing anything funny with any of those novels, my ghost is going to rise from the grave and do some serious ass-kicking.

But, like all metaphoric wars, the copyright wars are not actual conflicts of survival. Or at least, they are not conflicts for survival of a people or a society, even if they are wars of survival for certain businesses or, more accurately, business models. Thus we must keep i mind the other values or objectives that might also be affected by this war. We must make sure this war doesn't cost more than it is worth. We must be sure it is winnable, or winnable at a price we're willing to pay.

You can steal someone's work but you can't steal the experience that he has gained from that work.

When you have wit of your own, it's a pleasure to credit other people for theirs.

If a creative person steals your idea, he’s killing his creative ability, if he steals your art, he’s killing his art, if he makes it available to the world, it won,t create de impact you could have created, because it wasn’t from the right source.

Economics itself offers a parallel that explains why this integration affects creativity. Clay Christensen has written about the “Innovator’s Dilemma”: the fact that large traditional firms find it rational to ignore new, breakthrough technologies that compete with their core business. The same analysis could help explain why large, traditional media companies will undermine our tradition of free culture. The property right that is copyright is no longer the balanced right that it was, or was intended to be. The property right that is copyright has become unbalanced, tilted toward an extreme. The opportunity to create and transform becomes weakened in a world in which creation requires permission and creativity must check with a lawyer.

Technically, you cannot really own a book you bought; you can only own the sheets of paper your copy is printed on; unless, of course, you are the book’s publisher.

Piracy is robbery with violence, often segueing into murder, rape and kidnapping. It is one of the most frightening crimes in the world. Using the same term to describe a twelve-year-old swapping music with friends, even thousands of songs, is evidence of a loss of perspective so astounding that it invites and deserves the derision it receives.

I'm not a lawyer, but I play one in my novel COPYRIGHT. I also play a serial rapist, a drug addict, a teenage boy and lesbian model.

A tap is a zero-length swipe.

Copyright law has got to give up its obsession with 'the copy.' The law should not regulate 'copies' or 'modern reproductions' on their own. It should instead regulate uses--like public distributions of copies of copyrighted work--that connect directly to the economic incentive copyright law was intended to foster.

Keep in mind that in the whole long tradition of storytelling, from Greek myths through Shakespeare through King Arthur and Robin Hood, this whole notion that you can't tell stories about certain characters because someone else owns them is a very modern one - and to my mind, a very strange one.

Talent is always conscious of its own abundance, and does not object to sharing.

Any files I give to the model are downsized (typically 800x1200 pixels)... By not giving out my high resolution files, they cannot be used without my knowledge.

Every day, librarians enforce copyright policies that we may disagree with and that, in some ways, run contrary to the values of our profession. Every day, librarians must decide between a desire to preserve the privacy of our community members and offering services our communities demand. Every day, librarians must make a choice between doing what’s easy, doing what’s right, and determining what’s right in the first place. No textbook or mission statement or policy document can relieve us of the necessity to make those decisions, nor remove the complexity of those decisions. That’s why we are librarians and why librarians are professionals, not clerks. That’s why we are stewards within the communities we serve, not servants to them. That’s why we must shape the missions and the work of our organizations and communities, and not simply accept them.

Moral rights form the essence of copyright law. When they conflict with economic rights, moral rights must always prevent

The right to be attributed as an author of a work is not merely a copyright, it is every author’s basic human right

Piracy of Bollywood; or Bollywood of Piracy, Tough to Say.

There is a Pirate in every one of us.

If you have ever wanted to serve god, go on and serve him. Don't wait to be authorized by anybody. He is not copyrighted