No matter how old you are now. You are never too young or too old for success or going after what you want. Here’s a short list of people who accomplished great things at different ages1) Helen Keller, at the age of 19 months, became deaf and blind. But that didn’t stop her. She was the first deaf and blind person to earn a Bachelor of Arts degree.2) Mozart was already competent on keyboard and violin; he composed from the age of 5.3) Shirley Temple was 6 when she became a movie star on “Bright Eyes.”4) Anne Frank was 12 when she wrote the diary of Anne Frank.5) Magnus Carlsen became a chess Grandmaster at the age of 13.6) Nadia Comăneci was a gymnast from Romania that scored seven perfect 10.0 and won three gold medals at the Olympics at age 14.7) Tenzin Gyatso was formally recognized as the 14th Dalai Lama in November 1950, at the age of 15.8) Pele, a soccer superstar, was 17 years old when he won the world cup in 1958 with Brazil.9) Elvis was a superstar by age 19.10) John Lennon was 20 years and Paul Mcartney was 18 when the Beatles had their first concert in 1961.11) Jesse Owens was 22 when he won 4 gold medals in Berlin 1936.12) Beethoven was a piano virtuoso by age 2313) Issac Newton wrote Philosophiæ Naturalis Principia Mathematica at age 2414) Roger Bannister was 25 when he broke the 4 minute mile record15) Albert Einstein was 26 when he wrote the theory of relativity16) Lance E. Armstrong was 27 when he won the tour de France 17) Michelangelo created two of the greatest sculptures “David” and “Pieta” by age 2818) Alexander the Great, by age 29, had created one of the largest empires of the ancient world19) J.K. Rowling was 30 years old when she finished the first manuscript of Harry Potter20) Amelia Earhart was 31 years old when she became the first woman to fly solo across the Atlantic Ocean21) Oprah was 32 when she started her talk show, which has become the highest-rated program of its kind22) Edmund Hillary was 33 when he became the first man to reach Mount Everest23) Martin Luther King Jr. was 34 when he wrote the speech “I Have a Dream."24) Marie Curie was 35 years old when she got nominated for a Nobel Prize in Physics 25) The Wright brothers, Orville (32) and Wilbur (36) invented and built the world's first successful airplane and making the first controlled, powered and sustained heavier-than-air human flight26) Vincent Van Gogh was 37 when he died virtually unknown, yet his paintings today are worth millions.27) Neil Armstrong was 38 when he became the first man to set foot on the moon.28) Mark Twain was 40 when he wrote "The Adventures of Tom Sawyer", and 49 years old when he wrote "Adventures of Huckleberry Finn"29) Christopher Columbus was 41 when he discovered the Americas30) Rosa Parks was 42 when she refused to obey the bus driver’s order to give up her seat to make room for a white passenger31) John F. Kennedy was 43 years old when he became President of the United States32) Henry Ford Was 45 when the Ford T came out.33) Suzanne Collins was 46 when she wrote "The Hunger Games"34) Charles Darwin was 50 years old when his book On the Origin of Species came out.35) Leonardo Da Vinci was 51 years old when he painted the Mona Lisa.36) Abraham Lincoln was 52 when he became president.37) Ray Kroc Was 53 when he bought the McDonalds Franchise and took it to unprecedented levels.38) Dr. Seuss was 54 when he wrote "The Cat in the Hat".40) Chesley "Sully" Sullenberger III was 57 years old when he successfully ditched US Airways Flight 1549 in the Hudson River in 2009. All of the 155 passengers aboard the aircraft survived41) Colonel Harland Sanders was 61 when he started the KFC Franchise42) J.R.R Tolkien was 62 when the Lord of the Ring books came out43) Ronald Reagan was 69 when he became President of the US44) Jack Lalane at age 70 handcuffed, shackled, towed 70 rowboats45) Nelson Mandela was 76 when he became President

The more doors you open to the mysteries, or sacred knowledge, the smaller you feel. And because you begin to feel smaller and smaller until your ego disappears, the more humble you become. Therefore, any man who behaves arrogantly with what little he knows, or claims to know all, only reveals to all that he really knows nothing. Real greatness does not reside inside those who feel large. The truly wise are meek. Yet being small and meek do not make one weak. Arming oneself with true knowledge generates strong confidence and a bold spirit that makes you a lion of God. The Creator does not want you to suffer, yet we are being conditioned by society to accept suffering, weak and passive dispositions under the belief that such conditions are favorable by God. Weakness is not a virtue praised by God. How could he desire for you to be weak if he tells us to stand by our conscience? Doing so requires strength. However, there is a difference between arrogance when inflating your ego, and confidence when one truly gets closer to God. One feels large, while the other feels small. Why? Because a man of wisdom understands that he is just a small pea in a sea of infinite atoms, and that in the end — we are all connected. And did you not know that the smaller a creature is, the bolder its spirit?

Advice to my younger self:1 Start where you are with what you have2 Try not to hurt other people3 Take more chances4 If you fail, keep trying

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Those who achieve the extraordinary are usually the most ordinary because they have nothing to prove to anybody. Be Humble.

It's in those quiet little towns, at the edge of the world, that you will find the salt of the earth people who make you feel right at home.

A fundamental approach to life transformation is using social media for therapy; it forces you to have an opinion, provides intellectual stimulation, increases awareness, boosts self-confidence, and offers the possibility of hope.

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She was an echo masquerading as a shadow and she followed me just the same. The night and its moon were her favor while the sunrise and sunlight the daggers that sliced her to ribbons. She looked through half closed eyes at a blind world filled with wide eyes staring at walls. She felt pity with no care while around here steamed a burden too dense to bear. In the hours before dawn her tears slide to her jaw as a soft song escapes from between her cracked lips. A barbed song of glory and woe that hugs her tight and steals her breath, each line a quiver, every word a bind. A cage in her image meant to be broken. Destroy and recreate, scar after scar shallow and deep, her dreams were her life and the nightmares her sleep. Dark circles under eyes that truly see, time while awake moves more slowly. It trickles past her, eroding her being and pulling on her delicate seams. She unravels a little each day, tucking the threads back in every which way. In the night she is flawless and clear, the moonlight dancing in swirls, throwing half formed monograms against her wall. She traces these curves and whispers her story, an imprint in an ocean of churning shadows. Her imagination plays a scene of a teary-eyed embrace on the shores of a former dream, where droplets of her soul fell wildly below, where they and her became a part of a much larger whole. A smile rips her taunt and clenched face, the memory of the feeling of an unreal embrace. She holds herself tightly in a corner with no light and shudders with every pinprick of the downpour of night. Though muffled by the glass of her self imposed flask, she hears the birds singing their song, the natural alarm of impending light. She waits patiently for the sun, counting the half seconds and making time slow, her grey eyes less than aimless and staring at the clouds. With half closed eyes now shining a golden haloed blue, she watches the sky change colors from soft to brilliant hue. The flood of life and color takes her by surprise every day and which way. The rip cuts a little more, her restless thoughts take note and pause. She just wants to scream. To swallow the vibrant light and flood her veins with all the color ever seen, a strange desire to fix what is broken and yet wanting to break. She loses count of the seconds in the wrinkles of her palms, mere dust to wind, ashes to gale. She recites the deadly seven and stops at lust, how different from love while still the same in a twisted way. Her knees press against the worn, wooden floor with no intent to pray, she just wants the numbness and the pain. There are some things right and a few that are wrong, feeling the breath of freedom tapered against the need to belong, The sun now vomits its light across the cragged horizon, illuminating manmade lines and verdurous fuzz, her rip widens in distaste and her mind frowns in disgust. Her heart hangs limp as a shattered mirror reflecting its own cracks, each inaudible beat a glimmer of a glimpse of something more than her created deceit. This is hope. In a fragile and faceted way, the reflects are abyss and ascension portrayed intertwined with no ties holding them together. She is the half second of the transition of the beat, the moment her heart begins to flex and show more than bones and maneuverable meat. She wonders about the subtle difference between spirit and soul and whether she needs only one or both to be whole. Shaking her head as if to dislodge her thoughts, they steer from the tracks and tumble and crash, destruction and turmoil birthing creation and a new path. She thinks about the way she thinks and comes full triangle, it feels right to be so jagged rather than unburdened as a circle. With a sigh and a breath, she stands against the weight of her shoulders and the unbalance of her feet. Her half closed eyes slowly fade to grey as the light and color in the sky changes and decays. She is the moments before the sun rises and sets-1-2-3

She was a mimicry of a facade fashioned from the half-truths of her life. She was a beautiful abomination, patched together from the most pristine and terrible parts she could find. She was a black crystal of many cuts and facets whose dark glow suffocated and entranced those it washed over. There was a pointlessness in her eyes and apathy in her stature, and further in, past the symphonies of nightmarish screams was a blinding light. All the capability she could ever ask for kept in a place she would never reach. She chose the ice rather than the fire, shivering and hard with heat sparse, for while a flicker can exist in freeze's cold, it's heat will not radiate, no matter how bold. She took my face in hands that would make ice seem warm and whispered a blizzard into my ear, a cascading song of fear after fear. The lies she spilled, mixed with regrets and appeal, were cloaked in the inferno of her rage, the anger, the only thing that really made her real. This was her one semblance of life, a bottomless and endless void of proportions vast with a calamity of fusion and fission streaking through, a mindless hue, an emotion with a face, a darling of her race. The cracks spew darkness from within her ever so pale skin. They congregated on her curves and flesh in black and churning rivers and streams. They flooded every dip with blackness. They filled every hollow with unstable curiosity, this is her release, this is when she is free. The faces of deceit always laugh, they never wallow for their lies are a pleasure tool, her insides are contorted in laughter the same way, just as slick, just as cruel. A crude combination of fascination, of animation, of the darkest demons of them all. She was poetry written in pen, scratched and scribbled again and again. Ink splattered across the page, and within those scrawled words, those small, sharp incisions, an image can be seen, and you're left to wonder what, in the end, this all could mean...

I gave her the world, the moon, the sun, the stars, the planets... I gave her my breath, my voice, my sight, my life... I gave her memories, dreams, happiness... I gave her care and compassion... I gave her everything... and with sickly curved words, venom dripping from her fingers, she whispered in a way that would shatter glass... between her poisonous lips and her barbed teeth, she told me a story of blackness and catastrophe... from her mind a story of corruption and infamy sprang, her first touch an eternal perversion of my vision of life, an absolute seduction from the face of unbearable desire herself... the chills of a dead soul are frosty, a clouded layer of ash fills my insides, specks of dust fill my veins, empty thoughts smother my mind... and in the final steps of our pitifully destructive dance, I will dip you low, caress you so closely, feel the softness of your neck with the skin of my lips and, for that single moment, lost in the promise in your eyes and the intoxicating scent of your taunt body, I saw a sort of perfection that in any other place and light I would only hopelessly attempt to imagine... a horribly curious vividly creative swirl of chaos and flesh eating light, a specter of glow, paint and sound whose first inhalation is the slow quiver of last exhale, my exhale, my final whisper... I only wish I could have done more... but so impossible was it to resist what made her, her...

Spare parts lay scattered, every turn wrought with twisted dread, all over the ground, the rooftops, and they were still. Some moving, twitching, enough to almost see. Half cracked and shattered, but still visible and eerie, smiles spread wide and thin, teeth decayed and not, paralleled by hollowed, some missing or in other places, eyes of shades green and blue and some brown with red, but no white, just color portrayed, even if it may be dampened in every way. The beauty in the frivolity, the polished shining gears and cracked glass illuminated so brightly, create a portrait of terror and wonder, significance of a different sort, that only human eyes can see and human minds can feel, but all this is something only dreams, the ethereal concepts that fuse and mince chaos and order into a more paradoxical state, can create and fathom and fashion and make. And yet, doubts upon anxious contradictions, my fingers can feel the brokenness of what can be witnessed, an abyss within a void where deeper within the still lies a glow, a half pulse of a flutter, a vein of mimicry of the reverse of all I see, with concave eyes lost in the magnitude of image whole. Massive and monumental, my feet dragged behind me, cuts in the dirt and spiraling tracks. And then I awoke, half my world disappeared. So much empty within the whole, holes of sizes big and small and all between, the loss of, what it was to be called, my dream. And then my life ended, the holes and tears and cracks complete, empty eyes can still see so clearly, the nothingness that everything has become, shadow and matte a combination of dark on black, in the nothingness that all has become, it is all complete in a way opposite of what I know, a world different in every way and stretch I see, vision upon view of different and strange, only when empty eyes, longing for purpose dreading its meaning, gaze upon their own reflection will the last piece fall into place, a round puzzle of pieces triangular and square, the completeness in the nothingness can be seen, mind flooded with wonder, envisioning the antonym of a dream, and what, in this new beginning, this all could mean. With a blink it all changes, incomplete images appear, holes are wide and seen because you are back now, between death and dream, interwoven as an integral part of this necessary in between seam, and when you touch, worry creases the brow, their faces, half real and the other untouchable, your hand passes through their skin, penetration of the most intimate sort, holding their hearts as if for sport. The warmth, the beating, the crimson piercing blood, so beautiful, the engine that we run, pumping and pumping only to cause the most dreaded flood. Now I drown, and I see you drown too. Together, we are, for split seconds few, we are torn apart and disappear in this vast blood red hue.

She was beauty and intelligence stitched together with no seams She lived in a world with no difference between reality and dreams Excellence as habit, she was much more than simple flesh and bone She walked in the way that forced her presence to be known If I viewed the world in melody, she is the only one I would see She could conquer that world in a day and still have time for tea Soft lips curved in confidence spilling sweetness with every breath Ideas remaining and growing even after the revolving dance of death Fingers curled with the power of creation and the ease with which it came She sat upon a throne as a queen playing the world like a simple game She was fire, and laughter, and the warmth both of them brought She made the idea of perfection appear as a simple afterthought Her body danced with the tidal currents of marvelous desire She could reach the sky in a day and then push on even higher She was the best getting better, the absolute antonym of threshold The words she wrote were gilded, laid heavy with amber glow gold She was one of very many, and yet, she was the only one of them all Her taste made my mouth water, her effect hit me harder than alcohol She was quality, and substance, an actual angel in every way real Her word was solid, it was a better guarantee than a devil with a deal She was better than just human, more like power that has taken shape and form And I the lucky one who holds her close, feels her heartbeat quicken like a storm

There is no solution for Europe other than deepening the democratic values it invented. It does not need a geographical extension, absurdly drawn out to the ends of the Earth; what it needs is an intensification of its soul, a condensation of its strengths. It is one of the rare places on this planet where something absolutely unprecedented is happening, without its people even knowing it, so much do they take miracles for granted. Beyond imprecation and apology, we have to express our delighted amazement that we live on this continent and not another. Europe, the planet's moral compass, has sobered up after the intoxication of conquest and has acquired a sense of the fragility of human affairs. It has to rediscover its civilizing capabilities, not recover its taste for blood and carnage, chiefly for spiritual advances. But the spirit of penitence must not smother the spirit of resistance. Europe must cherish freedom as its most precious possession and teach it to schoolchildren. It must also celebrate the beauty of discord and divest itself of its sick allergy to confrontation, not be afraid to point out the enemy, and combine firmness with regard to governments and generosity with regard to peoples. In short, it must simply reconnect with the subversive richness of its ideas and the vitality of its founding principles.Naturally, we will continue to speak the double language of fidelity and rupture, to oscillate between being a prosecutor and a defense lawyer. That is our mental hygiene: we are forced to be both the knife and the wound, the blade that cuts and the hand that heals. The first duty of a democracy is not to ruminate on old evils, it is to relentlessly denounce its present crimes and failures. This requires reciprocity, with everyone applying the same rule. We must have done with the blackmail of culpability, cease to sacrifice ourselves to our persecutors. A policy of friendship cannot be founded on the false principle: we take the opprobrium, you take the forgiveness. Once we have recognized any faults we have, then the prosecution must turn against the accusers and subject them to constant criticism as well. Let us cease to confuse the necessary evaluation of ourselves with moralizing masochism. There comes a time when remorse becomes a second offence that adds to the first without cancelling it. Let us inject in others a poison that has long gnawed away at us: shame. A little guilty conscience in Tehran, Riyadh, Karachi, Moscow, Beijing, Havana, Caracas, Algiers, Damascus, Yangon, Harare, and Khartoum, to mention them alone, would do these governments, and especially their people, a lot of good. The fines gift Europe could give the world would be to offer it the spirit of critical examination that it has conceived and that has saved it from so many perils. It is a poisoned gift, but one that is indispensable for the survival of humanity.

7 TRUTHS ABOUT MONEY, WORTH, HAPPINESS & CHOICE1. Money does not validate your personal worth. Just because the financial world uses the term "worth" as it applies to business, does not mean it applies to you as a person. People get that mixed up all the time and it's dangerous. You are worthy just for being. Remember that. You are priceless.2. When you like yourself regardless of the size of your bank account, success will follow because you're already successful. Think about it. Success begets success. Deal with that self-loathing garbage that holds you back, like yourself and get to work. 3. Don't try to validate your personal worth with money. If you do, your self-esteem may go up or down with the size of your bank account or the success or failure of your next venture. That's no way to live.4. The fallacy is that the more money you have the happier you are. Some of the saddest people in the world are filthy rich. That said, some of the happiest people are filthy rich. Likewise, some of the saddest people and some of the happiest people are dirt poor. Money is not the deciding factor in your happiness. You are the deciding factor in your own happiness. Take 100% responsibility for your life and watch magic happen.5. Now don't get me wrong. I live in the 21st century too. Money is like air. You don't know how important it is until it runs out. Money to humans is like water to fish. You can't live without it. Money is how we survive and money impacts our happiness, freedom, how and where we live and our ability to make various choices. 6. In the end, a) money will never determine your personal worth because you are worthy just by the fact that you are here, b) money may impact your happiness, but happiness is a choice regardless of the size of your bank account, and c) money is necessary to survive and enhances your circumstance.7) Bringing it all together: given a choice (which you are if you are reading this mini-essay), why not a) choose to believe you are already worthy regardless of your financial situation, b) make happiness a habit, and c) get a mentor to learn how to earn more income so you never run out of air or water?

He sank back into his black-and-white world, his immobile world of inanimate drawings that had been granted the secret of motion, his death-world with its hidden gift of life. But that life was a deeply ambiguous life, a conjurer's trick, a crafty illusion based on an accidental property of the retina, which retained an image for a fraction of a second after the image was no longer present. On this frail fact was erected the entire structure of the cinema, that colossal confidence game. The animated cartoon was a far more honest expression of the cinematic illusion than the so-called realistic film, because the cartoon reveled in its own illusory nature, exulted in the impossible--indeed it claimed the impossible as its own, exalted it as its own highest end, found in impossibility, in the negation of the actual, its profoundest reason for being. The animated cartoon was nothing but the poetry of the impossible--therein lay its exhilaration and its secret melancholy. For this willful violation of the actual, while it was an intoxicating release from the constriction of things, was at the same time nothing but a delusion, an attempt to outwit mortality. As such it was doomed to failure. And yet it was desperately important to smash through the constriction of the actual, to unhinge the universe and let the impossible stream in, because otherwise--well, otherwise the world was nothing but an editorial cartoon.

Appearing nude on film was not easy when I was twenty-six in Body Heat; it was even harder when I was forty-six in The Graduate, on the stage, which is more up close and personal than film. After my middle-age nude scene, though, I unexpectedly got letters from women saying, "I have not undressed in front of my husband in ten years and I'm going to tonight." Or, "I have not looked in the mirror at my body and you gave me permission."These affirmations from other women were especially touching to me because when I began The Graduate I'd just come through a period when I felt a great loss of confidence, when my rheumatoid arthritis hit me hard and I literally couldn't walk or do any of the things that I was so used to doing. It used to be that if I said to my body, "Leap across the room now," it would leap instantly. I don't know how I did it, but I did it. I hadn't realized how much my confidence was based on my physicality. On my ability to make my body do whatever I wanted it to do.I was so consumed, not just by thinking about what I could and couldn't do, but also by handling the pain, the continual, chronic pain. I didn't realize how pain colored my whole world and how depressive it was. Before I was finally able to control my RA with proper medications, I truly had thought that my attractiveness and my ability to be attractive to men was gone, was lost. So for me to come back and do The Graduate was an affirmation to myself. I had my body back. I was back.

We can't leave the past in the past because, the past is who we are. It's like saying I wish I could forget English. So, there is no leaving the past in the past. It doesn't mean the past has to define and dominate everything in the future. The fact that I had a temper in my teens doesn't mean I have to be an angry person for the rest of my life. It just means that I had allot to be angry about but, didn't have the language and the understanding to know what it was and how big it was. I thought my anger was disproportionate to the environment which is what is called having a bad temper but, it just means that I underestimated the environment and my anger was telling me how wide and deep child abuse is in society but, I didn't understand that consciously so I thought my anger was disproportionate to the environment but, it wasn't. There is almost no amount of anger that's proportionate to the degree of child abuse in the world. The fantasy that you can not be somebody that lived through what you lived through is damaging to yourself and to your capacity to relate to others. People who care about you, people who are going to grow to love you need to know who you are and that you were shaped by what you've experienced for better and for worse. There is a great deal of challenge in talking about these issues. Lots of people in this world have been hurt as children. Most people have been hurt in this world as children and when you talk honestly and openly it's very difficult for people. This is why it continues and continues.If you can get to the truth of what happened if you can understand why people made the decisions they've made even if you dont agree with the reason for those decisions knowing the reasons for those decisions is enormously important in my opinion. The more we know the truth of history the more confidently we can face the future without self blame.

We often want quick answers, quick results, instant rewards, and that’s normal in our high tech, instant, Google driven world.To take that first step towards reaching a goal or realizing a dream, knowing that there will perhaps be a thousand more steps to follow in order to make it happen, can be daunting.It’s simple and yet complicated. The simple part of achieving success is that it just takes work. For me, staying focused on my goals and envisioning my dreams every day, makes the work flow almost on its own.The hard part is the mindset, and to not self sabotage, because you don’t believe in yourself. We often think we can’t achieve our wildest dreams or that we are somehow incapable, and then we never, ever take that first step.I never felt that I was a very confident person, but with the support of some wonderful people and my own inner fire, I kept going. The hardest part after working and working, was to actually accept that I deserved success.Success in itself is kind of scary too, as it comes with having to be responsible, and not flake out. The people who have supported you and invested in you deserve that.I guess what I am trying to say is that if you want something, you have to take action. A little step towards it every day. Then there is a reason to feel accomplished every day. Match your energy and vibration with what you envision. Believe. You deserve success, so go for it.

The main obstacle to success he soon discovered to be Letty's exceeding distrust of herself. I would not be mistaken to mean that she had too little confidence in herself; of that no one can have too little. Self-distrust will only retard, while self-confidence will betray. The man ignorant in these things will answer me, "But you must have one or the other." "You must have neither," I reply. "You must follow the truth, and, in that pursuit, the less one thinks about himself, the pursuer, the better. Let him so hunger and thirst after the truth that the dim vision of it occupies all his being, and leaves no time to think of his hunger and his thirst. Self-forgetfulness in the reaching out after that which is essential to us is the healthiest of mental conditions. One has to look to his way, to his deeds, to his conduct--not to himself. In such losing of the false, or merely reflected, we find the true self. There is no harm in being stupid, so long as a man does not think himself clever; no good in being clever, if a man thinks himself so, for that is a short way to the worst stupidity. If you think yourself clever, set yourself to do something; then you will have a chance of humiliation. With good faculties, and fine instincts, Letty was always thinking she must be wrong, just because it was she was in it--a lovely fault, no doubt, but a fault greatly impeditive to progress, and tormenting to a teacher.

People always, always talk about confidence, it’s supposed to be such an attractive thing. I wonder why though, why is it supposed to be such an attractive thing? When confidence hides so many other things that are so much more beautiful! When you think of being confident, you think of tucking away all those other things that you consider to be nuisances; but those nuisances make up whom you are! And those nuisances are beautiful. They are beautiful and they are you and they’re always going to be there, even when you try to cover them up! So what happens when they all come out one day? Are you going to feel like less of a person? Are the people who are supposed to love you, going to see you as less of a person? I say that it’s not about going out into the world and putting on a certain face— it’s just about going out into the world. I’ve gone out into the world! And I don’t put on that face! Or any other face, as a matter of fact! I don’t want to hide the way I play with my hair to feel more secure or the way I laugh at all the wrong times. I don’t want to hide those things because those things are a part of me. And I can still go out into the world— and all alone, too! I know so, because I’ve actually done it! So more important than confidence— is serenity and acceptance. The serenity comes from having a deep acceptance of all those little things about you that add up like the trillions of molecules and atoms you are made up of! And that’s just beautiful. Being beautiful is something rooted and strong; being confident is just a matter of putting on something that isn’t even a real part of you. Falling in love with the molecules that make up your essence is so much more attractive. And maybe that’s what confidence really means— the acceptance and belief in every single atom that you are.