I pulled the sheet off their faces. Their faces were black with coal dust and didn't look like anything was wrong with them except they were dirty. The both of them had smiles on their faces. I thought maybe one of them had told a joke just before they died and, pain and all, they both laughed and ended up with a smile. Probably not true but but it made me feel good to think about it like that, and when the Sister came in I asked her if I could clean their faces and she said, "no, certainly not!" but I said, "ah, c'mon, it's me brother n' father, I want to," and she looked at me and looked at me, and at last she said, "of course, of course, I'll get some soap and water."When the nun came back she helped me. Not doing it, but more like showing me how, and taking to me, saying things like "this is a very handsome man" and "you must have been proud of your brother" when I told her how Charlie Dave would fight for me, and "you're lucky you have another brother"; of course I was, but he was younger and might change, but she talked to me and made it all seem normal, the two of us standing over a dead face and cleaning the grit away. The only other thing I remember a nun ever saying to me was, "Mairead, you get to your seat, this minute!
Mandy was thinking back to when she was five years old, when she, her parents and Jud went outside before Christmas and had a snowball fight with the gray snow of Sydney Mines. “This is a wicked blast,” Jud would say, and Mandy would snap photos with a 35mm disposable film camera, photos she wished very much she could step into sometimes.
A child has an ingrained fancy for coal, not for the gross materialistic reason that it builds up fires by which we cook and are warmed, but for the infinitely nobler and more abstract reason that it blacks his fingers.
Beneath Albright’s office, the colliery sprawled across the hillside, red brick buildings scattered as though hurled from a great height, a hotchpotch of mismatched structures spattered on the valley floor. At the bottom stood the winding house, wheels motionless, above it, the engineering sheds and workshops, canteen and bath house. All lay empty. No buzz and hum of machinery. No voices raised in laughter or dispute. Gwyn found it unsettling: his lads had been out a month and a half and already the power had drained from the place. In the stillness, he caught the echo of footsteps. The crunch of boots on gravel. Generations of long-gone Pritchards clocking in and out. He was bound to Blackthorn by the coal that clogged his veins and by a bond of duty. The strike left him as diminished as his pit, day dragging after idle day.
With Pollution, emotion is irrelevant, it is not their nature,” Mearth sighed, making a face as if she were talking to an ignorant small child. “I didn’t create them, humans created the Pollution. Cheryl Nobel, Alecto Steele, Albert Sanders, Olivia Campbell, all my pretty little Representations, there aren’t many of them left these days but they’re still very dangerous! They’re here to tell society all about its mistakes! You don’t understand the world of Representations.
The print was an old one made from a negative taken in the 1960’s of her parents in Sydney Mines, dancing with thrilled, excited expressions on their faces, in front of a classic car that had been a wedding gift at the time. Her mother’s hair, red back then, was held back by a blue handkerchief, and she was dressed in a billowing skirt and white blouse. Her father’s denim jeans and faded t-shirt were streaked with coal dust as he held her hands and spun her around in the front yard of their old clapboard house, yellow grass under their feet and a cobalt-blue sky with white clouds drifting above. Mandy could almost feel the late summer breeze as she gazed deeply into the print, watching the flamboyant colors come to life. She hung it up to dry on two wooden clothespins hanging from a string above her.
Yeah, you’re right about having entire rooms full of film and photos… in that Sydney Mines house I have a darkroom, I have boxes of film and home movie footage… I have a few projectors, I have piles of Kodachrome slides… I like photographs. The world is always running away from society and the only way to keep the stuff that’s happened in the past is by taking photographs, I can keep memories of things alive with photographs,” Alecto responded. “People say that a time machine can’t be invented, but they’ve already invented a device that can stop time, cameras are the world’s first time machines… The steel mill, the coal mines, the train tracks, the smog in the sky, I’ve been able to rescue it on super-8 and Kodachrome, and no one can remediate those photographs, I can keep them as long as I want to.
Well we're waiting here in Allentown,For the Pennsylvania we never found,For the promises our teachers gave,If we worked hard,If we behaved...So the graduations hang on the wall,But they never really helped us at all,No they never taught us what was real,Iron and coke,And chromium steel,And we're waiting here in Allentown...But they've taken all the coal from the ground,And the union people crawled away...
Can you taste it Bruce? Can you taste the filth, the dirt, the oily blackness of that fossil fuel in our mouth as you choke and gag and spit it out? Do you still hear his voice in your head urging you to eat? Eat, eat eat. Your mother's cries. Do you hear them? You should be Bruce. Because I know that it's never left you alone. Now you can eat what you want to eat. For me, for you, for all the others. Now you can consume to your heart's content or your soul's destruction, whichever comes first. So eat.
Try as you might, you'll never be able to please an environmentalist. You can stop using coal to heat your house, you can stop throwing out bottles and cans, you can have every factory in Canada shut down and you can buy only organic gluten-free non-GMO food, you can give up your favorite station wagon for a weird electric hybrid, you can stop developing film and buy a never-ending cycle of digital cameras, you can give up your job at a refinery or mill, and they'll still get after you for not enjoying yourself while doing so.
The fish, whose tail was nipped, separated itself from the group and began to appear sickly, most likely from stress, Coal reasoned. He refused to be this fish, or the belly up fish, or the blue fish gasping for air. Rather, he resolved to be the other fish, the one who found purpose and meaning despite the unnatural environment, despite depending upon keepers for survival.