THE FOUR HEAVENLY FOUNTAINSLaugh, I tell youAnd you will turn backThe hands of time.Smile, I tell youAnd you will reflectThe face of the divine.Sing, I tell youAnd all the angels will sing with you!Cry, I tell youAnd the reflections found in your pool of tears -Will remind you of the lessons of today and yesterdayTo guide you through the fears of tomorrow.
Her eyes were of different colors, the left as brown as autumn, the right as gray as Atlantic wind. Both seemed alive with questions that would never be voiced, as if no words yet existed with which to frame them. She was nineteen years old, or thereabouts; her exact age was unknown. Her face was as fresh as an apple and as delicate as blossom, but a marked depression in the bones beneath her left eye gave her features a disturbing asymmetry. Her mouth never curved into a smile. God, it seemed, had withheld that possibility, as surely as from a blind man the power of sight. He had withheld much else. Amparo was touched—by genius, by madness, by the Devil, or by a conspiracy of all these and more. She took no sacraments and appeared incapable of prayer. She had a horror of clocks and mirrors. By her own account she spoke with Angels and could hear the thoughts of animals and trees. She was passionately kind to all living things. She was a beam of starlight trapped in flesh and awaiting only the moment when it would continue on its journey into forever.” (p.33)
When I do count the clock that tells the time,And see the brave day sunk in hideous night;When I behold the violet past prime,And sable curls all silver'd o'er with white;When lofty trees I see barren of leavesWhich erst from heat did canopy the herd,And summer's green all girded up in sheavesBorne on the bier with white and bristly beard,Then of thy beauty do I question make,That thou among the wastes of time must go,Since sweets and beauties do themselves forsakeAnd die as fast as they see others grow;And nothing 'gainst Time's scythe can make defenceSave breed, to brave him when he takes thee hence.
Through learning at my later date things I hadn't known, or had escaped or possibly feared realizing, about my parents - and myself - I glimpsed our whole family life as if it were freed of that clock time which spaces us apart so inhibitingly, divides young and old, keeps our living through the same experiences at separate distances. It is our inward journey that leads us through time - forward or back, seldom in a straight line, most often spiraling. Each of us is moving, changing, with respect to others. As we discover, we remember; remembering, we discover; and most intensely do we experience this when our separate journeys converge. Our living experience at those meeting points is one of the charged dramatic fields of fiction.
Time is drowning,Hearts are burning,Heads are rolling,Nothing can save you now,Tick tock, tick tock;Creatures talking,Weak are rising,White Queen’s nearing,Nothing can save you now,Tick tock, tick tock;Cards are bleeding,Crowns are sweating,Tea is spilling,Nothing can save you now,Tick tock, tick tock;Red Queen, here’s your warning,Wonderland’s raging,Alice is coming,Highness, time is drowning,And nothing can save you now,Tick tock, tick tock, tick tock…
Time in itself, absolutely, does not exist; it is always relative to some observer or some object. Without a clock I say 'I do not know the time' . Without matter time itself is unknowable. Time is a function of matter; and matter therefore is the clock that makes infinity real.
In 1988, a cave explorer named Véronique Le Guen volunteered for an extreme experiment: to live alone in an underground cavern in southern France without a clock for one hundred and eleven days, monitored by scientists who wished to study the human body's natural rhythms in the absence of time cues. For a while, she settled into a pattern of thirty hours awake and twenty hours asleep. She described herself as being "psychologically completely out of phase, where I no longer know what my values are or what is my purpose in life."When she returned to society, her husband later noted, she seemed to have an emptiness inside her that she was unable to fully express. "While I was alone in my cave I was my own judge," she said. "You are your own most severe judge. You must never lie or all is lost. The strongest sentiment I brought out of the cave is that in my life I will never tolerate lying." A little more than a year later, Le Guen swallowed an overdose of barbiturates and lay down in her car in Paris, a suicide at age thirty-three.
In the silence of the ticking of the clock’s minute hand, I found you. In the echoes of the reverberations of time, I found you. In the tender silence of the long summer night, I found you. In the fragrance of the rose petals, I found you. In the orange of the sunset, I found you. In the blue of the morning sky, I found you. In the echoes of the mountains, I found you. In the green of the valleys, I found you. In the chaos of this world, I found you. In the turbulence of the oceans, I found you. In the shrill cries of the grasshopper at night, I found you. In the gossamer sublimity of the silken cobweb, I found you.
But what is this clock, marking only so many years, that such men seem to consult in the dark of their being? We do not know. All we do know for certain is that no such clock, no such warnings, can come out of the passing time that we are told is all we have. They belong to a larger idea of Time, like all these dreams that came true.
Your clock cannot buy you more time, your bed cannot get you more sleep, your titles cannot acquire you more influence, your fame cannot gain you more honor, and your money cannot earn you more happiness.
She knows her timing, always knows. The time to strike or the time to starve. Her eyes as a clock, she watches she waits she learns, and in the second she blinks, she changes her mind just like that.
At the end of the day, if you’re wasting your time by not investing in yourself, you’re going to waste away—and that would be the greatest waste of all.
Seeing his daughter slowly die, coupled with his infinite sadness and misery, the clockmaker becomes a recluse to the tower of the castle and begins to build something behind closed doors, not even his daughter knows what he’s up to. For five years, she only sees him briefly at meal-times before locking himself up in the tower once again...""...Did he have a bathroom in the tower?""Yes, Jack. A big one! En-suite! Power-shower and spa! Where was I!?
By freeze-framing the image of our lifestyle, by stopping our mental clock at times and letting time flow, 'psychological' time can replace 'chronological' time and our human condition can be called into question. This opens the door to a new challenge and a new future. ( "Svp "Arrêt sur image" )
Is it true that man was once perfectly pure and innocent, and that he became degenerate by disobedience? No. The real truth is, and the history of man shows, that he has advanced. Events, like the pendulum of a clock have swung forward and backward, but after all, man, like the hands, has gone steadily on. Man is growing grander. He is not degenerating. Nations and individuals fail and die, and make room for higher forms. The intellectual horizon of the world widens as the centuries pass. Ideals grow grander and purer; the difference between justice and mercy becomes less and less; liberty enlarges, and love intensifies as the years sweep on. The ages of force and fear, of cruelty and wrong, are behind us and the real Eden is beyond. It is said that a desire for knowledge lost us the Eden of the past; but whether that is true or not, it will certainly give us the Eden of the future.
In times like these I always cheered myself up with a certain story. I forgot just when I first heard it, or who I heard it from... but, back when I was young it would cheer me up when I was feeling depressed. Basically, you think of life in terms of a single 24 hour day. So if you take the average human lifespan, to be around 72 years, then dividing that by 24... that comes to 3 years per hour. Meaning, that if you were 18 it'd only be 6 AM! 6 in the morning is nothing! Schools aren't even open by then! It's only been a couple of hours before sunrise, the day's just begun! So if you're 18, you can still fix you life by then! In fact even if you were 30 year old, that's still only 10 AM! The sun's still high, and there's still 2 hours until noon! You still have the whole afternoon to fix your life! You could still make something of yourself. I've always been thinking that, but... I'm now 45 years old! 45 divided by 3 is 15 meaning, that the time 3PM! Ring Ring Ring! I can hear the clock, ringing in my mind! There's only 2 hours before work is over at 5PM! I can't redo anything, it's almost time to go home already.
ContrastsThe windows of my poetry are wide open on the boulevards and in the shop windowsShineThe precious stones of lightListen to the violins of the limousines and the xylophones of the linotypesThe sketcher washes with the hand-towel of the skyAll is color spotsAnd the hats of the women passing by are comets in the conflagration of the eveningUnity There's no more unityAll the clocks now read midnight after being set back ten minutesThere's no more time.There's no more money.In the ChamberThey are spoiling the marvelous elements of raw material("Contrasts")
More than the sound of my own beating heart, I miss the sound of a ticking clock. Time passes, it must pass, but I have no more assurance of moving through time than I have that I am moving through space. In a way, I’m glad: this means perhaps 300 years and 364 days have passed, and tomorrow I will wake up. Sometimes after a cross-country meet or a long day at school, I’d fall into bed with all my clothes on and be out before I knew it. When I’d finally open my eyes, it would feel like I’d just shut them for a minute, but really, the whole rest of the day and half the night was gone. But. There were other times when I’d collapse onto my mattress, shut my eyes and dream, and it felt like I’d lived a whole lifetime in that dream, but when I woke up, it had only been a few minutes. What if only a year has gone by? What if we haven’t even left yet? That is my greatest fear.
The finished clock is resplendent. At first glance it is simply a clock, a rather large black clock with a white face and a silver pendulum. Well crafted, obviously, with intricately carved woodwork edges and a perfectly painted face, but just a clock.But that is before it is wound. Before it begins to tick, the pendulum swinging steadily and evenly. Then, then it becomes something else.The changes are slow. First, the color changes in the face, shifts from white to grey, and then there are clouds that float across it, disappearing when they reach the opposite side. Meanwhile, bits of the body of the clock expand and contract, like pieces of a puzzle. As though the clock is falling apart, slowly and gracefully.All of this takes hours.The face of the clock becomes a darker grey, and then black, with twinkling stars where numbers had been previously. The body of the clock, which has been methodically turning itself inside out and expanding, is now entirely subtle shades of white and grey. And it is not just pieces, it is figures and objects, perfectly carved flowers and planets and tiny books with actual paper pages that turn. There is a silver dragon that curls around part of the now visible clockwork, a tiny princess in a carved tower who paces in distress, awaiting an absent prince. Teapots that pour into teacups and minuscule curls of steam that rise from them as the seconds tick. Wrapped presents open. Small cats chase small dogs. An entire game of chess is played.At the center, where a cuckoo bird would live in a more traditional timepiece, is the juggler. Dress in harlequin style with a grey mask, he juggles shiny silver balls that correspond to each hour. As the clock chimes, another ball joins the rest until at midnight he juggles twelve balls in a complex pattern.After midnight, the clock begins once more to fold in upon itself. The face lightens and the cloud returns. The number of juggled balls decreases until the juggler himself vanishes.By noon it is a clock again, and no longer a dream.
Montag shook his head. He looked at a blank wall. The girl's face was there, really quite beautiful in memory: astonishing, in fact. She had a very thin face like the dial of a small clock seen faintly in a dark room in the middle of a night when you waken to see the time and see the clock telling you the hour and the minute and the second, with a white silence and a glowing, all certainty and knowing what it had to tell of the night passing swiftly on toward further darknesses, but moving also toward a new sun.
A clock that is moving through space at a very fast speed does not tick at the same rate as a slow-moving watch gently attached to your wrist as you stroll on a tropical beach. The idea of a universal time - a godlike clock that could somehow sit outside our universe and measure, in one go, the movement of everything in it, how its evolution unfolds, how old it is and all that - does not exist.
Someday, Chinmay, perhaps when you are as old as I am, you will realize that we calibrate time as per our own convenience. The dates on the calendar do not matter by themselves, nor do the numbers on the clock. Only this moment counts, this moment alone, and that is because of the awareness that we bring to it.
Some are condemned to remain mere “clock and smart phone watchers”, inasmuch as they are not able to read and interpret the lines of their life or don't even treasure the enchantment of daily captivating moments. If we are not prepared to give some personal time to social time, we walk like blind men through gloomy alleys of our existence. ( " Please. Just a bit of a chat " )
The world is a clock winding down.I hear it in the wind’s icy fingers scratching against the window. I smell it in the mildewed carpeting and the rotting wallpaper of the old hotel. And I feel it in Teacup’s chest as she sleeps. The hammering of her heart, the rhythm of her breath, warm in the freezing air, the clock winding down.
The dial of the clock wears out unevenly; Most worn Is the area round eight. As it is stared at with abrasive glancesunfailingly twice a day, It is weathered away. On the other side The area at two Is only half as worn, For closed eyes at nightPass without stopping. If there is one who possesses a flat watch evenly worn, It is he who, failing at the start, is running one lap behind. Thus the world is always A lap fast--The world he thinks he sees Has not yet begun. Illusory time, When the hands stand vertically on the dial; Without the bell announcing the raising of the curtain, The play has come to an end.
Then there are those who think their bodies don't exist. They live by mechanical time. They rise at seven o'clock in the morning. They eat their lunch at noon and their supper at six. They arrive at their appointments on time, precisely by the clock. They make love between eight and ten at night. They work forty hours a week, read the Sunday paper on Sunday, play chess on Tuesday nights. When their stomach growls, they look at their watch to see if it is time to eat. When they begin to lose themselves in a concert, they look at the clock above the stage to see when it will be time to go home. They know that the body is not a thing of wild magic, but a collection of chemicals, tissues, and nerve impulses. Thoughts are no more than electrical surges in the brain. Sexual arousal is no more than a flow of chemicals to certain nerve endings. Sadness no more than a bit of acid transfixed in the cerebellum. In short, the body is a machine, subject to the same laws of electricity and mechanics as an electron or clock. As such, the body must be addressed in the language of physics. And if the body speaks, it is the speaking only of so many levers and forces. The body is a thing to be ordered, not obeyed.
Mathematicians call it “the arithmetic of congruences.” You can think of it as clock arithmetic. Temporarily replace the 12 on a clock face with 0. The 12 hours of the clock now read 0, 1, 2, 3, … up to 11. If the time is eight o’clock, and you add 9 hours, what do you get? Well, you get five o’clock. So in this arithmetic, 8 + 9 = 5; or, as mathematicians say, 8 + 9 ≡ 5 (mod 12), pronounced “eight plus nine is congruent to five, modulo twelve.
My visage high above your city,Shines like gold, but half as pretty.Arms I've none, but hands I've two:Mondo, mini, black not blue.Climb my stairs and have no fears, All that threatens are my gears.Tucked beneath the mightly wheel,An envelpe shall truth reveal.