Cities were always like people, showing their varying personalities to the traveler. Depending on the city and on the traveler, there might begin a mutual love, or dislike, friendship, or enmity. Where one city will rise a certain individual to glory, it will destroy another who is not suited to its personality. Only through travel can we know where we belong or not, where we are loved and where we are rejected.

There’s something about arriving in new cities, wandering empty streets with no destination. I will never lose the love for the arriving, but I'm born to leave.

Are You Ready for New Urban Fragrances?Yeah, I guess I'm ready, but listen:Perfume is a disguise. Since the middle ages, we have worn masks of fruit and flowers in order to conceal from ourselves the meaty essence of our humanity. We appreciate the sexual attractant of the rose, the ripeness of the orange, more than we honor our own ripe carnality.Now today we want to perfume our cities, as well; to replace their stinging fumes of disturbed fossils' sleep with the scent of gardens and orchards. Yet, humans are not bees any more than they are blossoms. If we must pull an olfactory hood over our urban environment, let it be of a different nature.I want to travel on a train that smells like snowflakes.I want to sip in cafes that smell like comets.Under the pressure of my step, I want the streets to emit the precise odor of a diamond necklace.I want the newspapers I read to smell like the violins left in pawnshops by weeping hobos on Christmas Eve.I want to carry luggage that reeks of the neurons in Einstein's brain.I want a city's gases to smell like the golden belly hairs of the gods.And when I gaze at a televised picture of the moon, I want to detect, from a distance of 239,000 miles, the aroma of fresh mozzarella.

Look, girls know when they’re cute,” he said. “You don’t have to tell them. All they need to do is look in the mirror. I have one friend out in New York, an attorney. She moved out there after the school year to take the bar. She doesn’t have a job. I was like, ‘How are you going to get a job there in this market?’ And she’s like, ‘I’ll wink and I’ll smile.’ She’s a pretty girl. Whether that works despite her poor grades is yet to be seen.

One of the professors told me last week that he feels bad teaching with the way the economy is now. ‘What’s the point?’ he said. ‘Kids aren’t getting jobs.’ You never hear faculty talk that way. He did.

Do you want to achieve something or do you just want to make money?” asked a nearby man in a white shirt to another man in a striped shirt. I waited for the answer as I slowly walked past them. “Why is it an either or question?” the man in the striped shirt finally murmured philosophically under a sip of beer. They both stood there looking at each other in thought.

Don’t you think most of those kids think too much about who got an A or a B when they were in law school and what that means to an inflated G.P.A. and not enough about the world?” asked Connor irrelevantly.

Really, nobody was there?” I asked.“Well, nobody important,” he said, putting his glasses back on and blinking.

Should I have a doughnut or my disgusting cardboard?” asked Gwynn, as she drew up languidly before me at a study table in a bookstore on State Street, raising a puffed rice cake in the air. My eyes narrowed attentively at her face, but as I hesitated, she announced eagerly, “Disgusting cardboard it is!

You know, sometimes I think this is just not it,” he said, his glasses flashing from the early night’s light. He turned toward me in a thoughtful pause.“You know what I mean, Tom?” he asked. “It’s just not.

I stood there and stared, into the sky and at the city around me. I stood, hands at my side, and I saw what had happened to me and who I was and the way things would always be for me. Truth. There was no more wishing, or wondering. I knew who I was, and what I would always do. I believed it, as my teeth touched and my eyes were overrun.

The principles of godliness must be ensured to be received by all in the community, city and the nation, even by the young and old.

[Poem: Slates of Grey]Sullen faces like slates of grey—What I’d seen on a walk today.Bodies rushing bodies boltingTime for life a disregarding.Money to make and to grow oldWhat about the hands to hold?Deadlines, projects, people to meetWhat about our own two feet.Sullen faces like slates of grey...What I’d see most anyday.

I don’t think I’ve ever referred to any girl I dated as my girlfriend. I think that would freak me out. Even the girl that I dated for two years in college I don’t think I ever referred to her as my girlfriend.”“How would you introduce her?” I asked.“I’m just going to say her name,” he said.

I’ve officially turned into a loser,” she whispered cynically. “I’m looking forward to going home and having cereal for dinner and walking Mitchell and studying a little and then going to sleep. I’ve had my ‘going out and having fun’ quota for the year, I guess, and it’s June.

This is so funny,” said Ellen, noticing the seating arrangement. “Isn’t this funny? Tom, come sit next to Robin. Griffin, sit next to Laura.” I stood up and sat next to Robin while Griffin brought his chair over to Laura. “That’s better,” said Ellen. “Isn’t that better?

As we walk back, it feels like the city is engulfing us. Adrenalin still pours through our veins. Sparks flow through to our fingers. We've still been running in the mornings, but the city's different then. It's filled with hope and with bristles of winter sunshine. In the evening, it's like it dies, waiting to be born again the next morning.

Mumbai is the sweet, sweaty smell of hope, which is the opposite of hate; and it's the sour, stifled smell of greed, which is the opposite of love. It's the smell of Gods, demons, empires, and civilizations in resurrection and decay. Its the blue skin-smell of the sea, no matter where you are in the island city, and the blood metal smell of machines. It smells of the stir and sleep and the waste of sixty million animals, more than half of them humans and rats. It smells of heartbreak, and the struggle to live, and of the crucial failures and love that produces courage. It smells of ten thousand restaurants, five thousand temples, shrines, churches and mosques, and of hunderd bazaar devoted exclusively to perfume, spices, incense, and freshly cut flowers. That smell, above all things - is that what welcomes me and tells me that I have come home. Then there were people. Assamese, Jats, and Punjabis; people from Rajasthan, Bengal, and Tamil Nadu; from Pushkar, Cochin, and Konark; warrior caste, Brahmin, and untouchable; Hindi, Muslim, Christian, Buddhist, Jain, Parsee, Animist; fair skin and dark, green eyes and golden brown and black; every different face and form of that extravagant variety, that incoparable beauty, India.

Jesus Christ is the source—the only source—of meaning in life. He provides the only satisfactory explanation for why we’re here and where we’re going. Because of this good news, the final heartbeat for the Christian is not the mysterious conclusion to a meaningless existence. It is, rather, the grand beginning to a life that will never end. That same Lord is waiting to embrace and forgive anyone who comes to Him in humility and repentance. He is calling your name, just as He called the name of Pete Maravich. His promise of eternal life offers the only hope for humanity. If you have never met this Jesus, I suggest that you seek spiritual counsel from a Christian leader who can offer guidance. You can also write to me, if that would help. Thanks for reading along with me. I hope to meet you someday. If our paths don’t cross this side of heaven, I’ll be looking for you in that eternal city. By all means, Be there!

when I become death. Death is the seed from which I grow.

Sometimes you need to sit lonely on the floor in a quiet room in order to hear your own voice and not let it drown in the noise of others.

6 months, 2 weeks, 4 days,and I still don’t know which month it was thenor what day it is now.Blurred out linesfrom hangovers to coffeeAnother vagabond lost to love.4am alone and on my way.These are my finest moments.I scrub my skinto rid me from youand I still don’t know why I cried.It was just something in the way you took my heart and rearranged my insides and I couldn’t recognise the emptiness you left me with when you were done. Maybe you thought my insides would fit better this way, look better this way, to you and us and all the rest.But then you must have changed your mindor made a wrongbecause why did youleave?6 months, 2 weeks, 4 days,and I still don’t know which month it was thenor what day it is now.I replace cafés with crowded bars and empty roads with broken bottlesand this town is healing me slowly but still not slow or fast enough because there’s no right way to do this.There is no right way to do this.There is no right way to do this.

You alone in Europe are not ancient oh ChristianityThe most modern European is you Pope Pius XAnd you whom the windows observe shame keeps youFrom entering a church and confessing this morningYou read the prospectuses the catalogues the billboards that sing aloudThat's the poetry this morning and for the prose there are the newspapersThere are the 25 centime serials full of murder mysteriesPortraits of great men and a thousand different headlines("Zone")

One sip of this wine and you will go mad with drunkenness. You will drop your masks and tear your clothes — destroying everything that separates you from the Lover. Once you taste the fruit of this vine, you will be kicked out of the city of yourself. You will forget the world. You will forget yourself. I tell you: you will become a madman who wanders the streets looking for the Lover once you drink this Wine of Love.

Cities are more than the sum of their infrastructure. They transcend brick and mortar, concrete and steel. They're the vessels into which human knowledge is poured.

Couples will no longer spend their nights in their houses dedicated to habitation and reception, the customary social reason for banalization. The chamber of love will be more remote from the center of the city: it will completely naturally re-create for the partners the notion of ex-centricity, in a place less open to the light, more hidden, in order to return to the atmosphere of the secret. The contrary move, the search for a center of thought, will proceed by the same technique.

Finally, the functionalist organization, by privileging progress (i.e. time), causes the condition of its own possibility--space itself--to be forgotten: space thus becomes the blind spot in a scientific and political technology. This is the way in which the Concept-city functions: a place of transformations and appropriations, the object of various kinds of interference but also a subject that is constantly enriched by new attributes, it is simultaneously the machinery and the hero of modernity.

This is an ode to life.The anthem of the world.For as there are billionsof different stars thatmake up the skyso, too, are there billions of different humans thatmake up the Earth.Some shine brighter but all are made ofthe same cosmic dust.O the joy of beingin life with all these people!I speak of differencesbecause they are there.Like the different organsthat make up our bodies.Earth, itself, is one large body.Listen to how it howlswhen one human isin misery.When one kills another, the Earth feels the pang in itschest. When one orgasms, the Earth craves a cigarette.Look carefully,these animals are beauty spots that make the Earth’s face lovelier and more loveable.These oceans are the Earth’s limpid eyes. These trees, its hair.This is an ode to life.The anthem of the world.I will no longer speak of differences, for the similaritiesare larger. Look even closer. There may bedistances between our limbs butthere are no spaces betweenour hearts. We long to be one.We long to be in nature andto run wild with its wildlife.Let us celebrate life and living, for it is sacrilegious to be ungrateful.Let us play and be playful, for it is sacrilegiousto be serious.Let us celebrate imperfectionsand make existenceproud of us, for tomorrow isdeath, and this is an ode to life. The anthem of the world.

Fear walks through the City, fear without name, without shape. All men feel it and none dare to speak.

God has a will for your city, country, neighboring countries, and the whole world

One of the the things she most liked about the city -apart from all its obvious attractions, the theatre, the galleries, the exhilarating walks by the river- was that so few people ever asked you personal questions.

From the top of the bus she could see the vast bowl of London spreading out to the horizon: splendid shops with mannequins in the window, interesting people and already a much bigger world.

A soulless city creates soulless people!

I had an overwhelming sense of the lonliness of this city - a trillion souls in their bedrooms, high in the cliffs of windows. I thought of what was underneath it all - I thought of the electricty cables, steam, water, fire, subway trains and lava in the city's guts, the subterranean rumbling of trains and earthquakes. I thought of the dead souls from the war, concreted over.

My life wasn’t just about one city, or one Epic, anymore. It was about a war. It was about finding a way to stop the Epics.Permanently.

There have been times I have thought some dreams should never be dreamt, but I would hate a world where that was true.

I remember when I was twenty-five,” he said. “No client comes to you when you’re twenty-five. It’s like when you are looking for a doctor. You don’t want the new one that just graduated. You don’t want the very old one, the one shaking, the one twenty years past his prime. You want the seasoned one who has done it so many times he can do it in his sleep though. Same thing with attorneys.

Seen from inside the bar, the avenue, the stores opposite, the street glimpsed going off at right angles, the trapezoid of sky visible above the lower buildings, are altered by the tinted windows into an elsewhere, oddly peaceful, a desert or the interior of the sea. Sometimes when he has fallen asleep face upward in the sun, his dreams have taken on this quality of supernatural bright darkness. ("Novelty")

I visit you in my dreams and you talk to me in songs. Each sentence is a bridge taking me closer to the city that you are.

There was a sky somewhere above the tops of the buildings, with stars and a moon and all the things there are in a sky, but they were content to think of the distant street lights as planets and stars. If the lights prevented you from seeing the heavens, then preform a little magic and change reality to fit the need. The street lights were now planets and stars and moon.

She was shocked when she followed her aunt and cousin down into the city proper. The streets were crawling with people, all hurrying to and fro, mindless of one another. They brushed by with barely even a glance, stepping down into the busy roads between horse drawn buses and draymen’s carts with such confidence, seemingly oblivious that they could be run down at any moment. Children dodged in and out amongst them, ragamuffins all, some barefoot.

This new world was a vicious, sleek world made of street lights and tight jeans, sharp smiles and fast cars. This was a city, edited. A city, pared down to its bare minimums, beautiful and abusive.

Gone were the days where December locked coastal towns down in the grips of labour. Although it was still mostly true, things had changed ; Cape Town had adapted its rhythm to the influx of foreign feet. Tourism was a year -round thing and no longer limited to the summer. Most local tourists still flocked here during this time, but Capetonians didn’t seem too bothered to serve at their beck and call. Sam thought of Cape Town as France , and the rest of the country as England. The city, although relying heavily on local tourism – feigned ignorance when it came to the contribution of these outsiders to its wellbeing.

Penny knew also she loved the country for its beauty. Cities could be magnificent, astounding, fantastic, but they were not consistently beautiful and simple. Penny liked uncomplicated beauty.

Slowly the truth is loadingI'm weighted down with loveSnow lying deep and evenStrung out and dreaming ofNight falling on the cityQuite something to beholdDon't it just look so prettyThis disappearing worldWe're threading hope like fireDown through the desperate bloodDown through the trailing wireInto the leafless woodNight falling on the cityQuite something to beholdDon't it just look so prettyThis disappearing worldThis disappearing worldI'll be sticking right there with itI'll be by your sideSailing like a silver bulletHit 'em 'tween the eyesThrough the smoke and rising waterCross the great divideBaby till it all feels rightNight falling on the citySparkling red and goldDon't it just look so prettyThis disappearing world"~David Gray

This was how it was with travel: one city gives you gifts, another robs you. One gives you the heart’s affections, the other destroys your soul. Cities and countries are as alive, as feeling, as fickle and uncertain as people. Their degrees of love and devotion are as varying as with any human relation. Just as one is good, another is bad.

I gradually became aware that my interiority was inseparable from my exteriority, that the geography of my city was the geography of my soul.

I breathe in... The sights and smells Of this city I’ve come to know... So well I gaze... Across the turquoise ocean Where the waves Liberate my spirit... From its shell I breathe in... The brilliant sky line Where the birds Emerge shyly From the dappled sunshine I breathe in... The gently... Blowing winds That soothe me Like a mother, around her child I breathe in... The sounds of laughter Pure and pretty Like the golden-green butterfly I’m always after I breathe in... The closeness, I have always shared With people, Who almost knew me, Almost cared I breathe in... The comfort Of my home, The safe walls, The scents of childhood On the pillows I breathe in...the silence Of my own heart Aching with tenderness... With memories.. Of home I breathe... in... The fragrance Of love, and moist sand The one... His roses left... On both my hands And I just keep on breathing Every moment As much as I can Preserving it, in my body For the day It can’t So I breathe in.. Once again.. Feeling life's energy Fizzing through my cells Never knowing What awaits me Or what's going to happen to me.. Next I breathe in This moment... Knowing it's either life Or it's death I close my eyes, And breathe in Just believing in myself.

We are bored in the city, to still discover mysteries on the signs along the street, latest state of humor and poetry, requires getting damned tired...Gilles Ivain (aka Ivan Chtcheglov)

I thought of the cool, fresh air of the city I'd always dreamed of living in. The art museums and trolleys and the mysterious fog that blanketed it. I could almost smell the cappuccinos I'd planned to drink in bohemian cafes or hear the indie music in the bookstores I would spend my free time in. I pictured the friends I'd make, my kindred art people, and the dorm room I was supposed to move into.

Great artists need great clients.

I believe that architecture is a pragmatic art. To become art it must be built on a foundation of necessity.

I sat back down and poured a glass of wine. I left my door open. The moonlight came in with the sounds of the city: juke boxes, automobiles, curses, dogs barking, radios . . . We were all in it together. We were all in one big shit pot together. There was no escape. We were all going to be flushed away.

Do you know what you get when you try to escape? When you drive for miles in a deserted city or swim for hours in a shoreless sea? You get yourself.

Lisbon, to me, is the Lisbon of Pessoa. Just like London is Woolf’s, or rather, Mrs. Dalloway’s. Barcelona is Gaudí's and Rome is da Vinci’s. You see them in every crevice and hear their echoes in every cathedral. I’d like to be the child, or rather, the mother of a city but I neither have a home nor a resting place. My race is humankind. My religion is kindness. My work is love and, well, my city is the walls of your heart.

I’m still lonely and it’s a glorification of something I’m not finished with. I don’t want to be distracted from my work by other people, but the absence of it all distracts me from my work and that’s why I run towards the city, to get a little glimpse of it.

A little tranquil lake is more significant to my life than any big city in the world

He had heard the voice of London that lives and breathes beneath the rumble of traffic, a voice like the continual high-pitched shriek you hear when you put your head beneath the waves of the sea. It is the sound of millions and millions of creatures living and struggling and dying and being born. It commands those who hear it to eat or be eaten..

But you’re out of another world old kid … You ought to live on top of the Woolworth Building in an apartment made of cutglass and cherry blossoms.

I would describe the distinction between city and landscape like this: cities tend to excite and agitate me; they make me feel big or small, self-confident, proud, curious, excited, tense, annoyed... or they intimidate me. But the landscape, if I give it the chance, offers me freedom and serenity. Nature has a different sense of time. Time is big in the landscape while in the city it is condensed, just like the city's space.

I saw cities, and roads of marvelous construction. I saw cruelty and greed, but I've seen them here too. I saw a people live a life that was strange in many ways, but also much the same as anywhere else.""Then why are they so cruel?" There was an earnestness to the girl's face, an honest desire to know. "Cruelty is in all of us," he said. "But they made it a virtue.

If Music is a Place -- then Jazz is the City, Folk is the Wilderness, Rock is the Road, Classical is a Temple.

There's organized confusion on African roads while driving in the cities. If you want to mess up Afican Cities very easy, just fly in 100 Americans put them on the road and tell them to drive.

Being captain of such a vessel was not a stressful job, despite the sheer size of the thing. Everything was automated, and this meant that this behemoth could be efficiently handled by a far less seasoned captain. Besides, hiring mature skippers with actual experience would cost real money. And hey, the computers ran everything anyway – and that’s how Bran Johannsen enters this story – as a fine young inexperienced graduate of the Merchant Space Academy in Mars City, who only got his Executive Officer’s ticket four short years ago.

In the modern city life, if you don't have money , you simply don't have life.

How reprehensible it is when those blessed with commodities insist on ignoring the poor. Better to torment them, force them into indentured servitude, inflict compulsion and blows—this at least produces a connection, fury and a pounding heart, and these too constitute a form of relationship. But to cower in elegant homes behind golden garden gates, fearful lest the breath of warm humankind touch you, unable to indulge in extravagances for fear they might be glimpsed by the embittered oppressed, to oppress and yet lack the courage to show yourself as an oppressor, even to fear the ones you are oppressing, feeling ill at ease in your own wealth and begrudging others their ease, to resort to disagreeable weapons that require neither true audacity nor manly courage, to have money, but only money, without splendor: That’s what things look like in our cities at present

Those who cannot conquer must bend the knee. They must find strength, or serve those of us who have. You are my generals. I will send you out: my hunting dogs, my wolves with iron teeth. When a city closes its gates in fear, you will destroy it. When they make roads and walls, you will cut them, pull down the stones. When a man raises a sword or bow against your men, you will hang him from a tree. Keep Karakorum in your minds as you go. This white city is the heart of the nation, but you are the right arm, the burning brand. Find me new lands, gentlemen. Cut a new path. Let their women weep a sea of tears and I will drink it all.

The sound of diesel fuel rushing through grimy pistons and cylinders below a morning-fogged window bored through his ears like a deep-water drill bit, and the thump of his own heartbeat cursed him for breaking one of his many rules.

I wish in the city of your heartyou would let me be the streetwhere you walk when you are mostyourself. I imagine the houses:It has been raining, but the rainis done and the children kept homehave begun opening their doors.

Leave city, leave reality; enter forest, enter fantasy!

Fear is the short road to death and this world, Changed by the flux of decay: Survival is the exception for weary men.From the new book The Waning

If my mind and my city were the same thing then I was losing my mind.

What the famous big blue Boy Scout told to a green Kryptonite? What?? YOU rock!

There is no limit on the level that the reflections can be at and in a modern environment, such as a city, the albedo can increase the power levels many times of the sky based solar radiation of direct and diffuse combined. The trees prevent the albedo reflections from occurring.

Civic imagination and innovation and creativity are emerging from local ecosystems now and radiating outward, and this great innovation, this great wave of localism that's now arriving, and you see it in how people eat and work and share and buy and move and live their everyday lives, this isn't some precious parochialism, this isn't some retreat into insularity, no. This is emergent. The localism of our time is networked powerfully. And so, for instance, consider the ways that strategies for making cities more bike-friendly have spread so rapidly from Copenhagen to New York to Austin to Boston to Seattle. Think about how experiments in participatory budgeting, where everyday citizens get a chance to allocate and decide upon the allocation of city funds. Those experiments have spread from Porto Alegre, Brazil to here in New York City, to the wards of Chicago. Migrant workers from Rome to Los Angeles and many cities between are now organizing to stage strikes to remind the people who live in their cities what a day without immigrants would look like. In China, all across that country, members of the New Citizens' Movement are beginning to activate and organize to fight official corruption and graft, and they're drawing the ire of officials there, but they're also drawing the attention of anti-corruption activists all around the world. In Seattle, where I'm from, we've become part of a great global array of cities that are now working together bypassing government altogether, national government altogether, in order to try to meet the carbon reduction goals of the Kyoto Protocol. All of these citizens, united, are forming a web, a great archipelago of power that allows us to bypass brokenness and monopolies of control.

Sometimes it was hard to breathe, knowing how small my world could be. Maybe in San Francisco it wouldn't feel like the universe was conspiring to keep me in a bubble.

I, sometimes, fear that probably I'll just keep changing cities, and may be someday I'll also travel the world, but never find another soul who thinks exactly the way I do.

What appears strange and complex becomes stranger and more complicated once you begin to investigate it. That's the true nature of the world.

I am happy I live in the city of light.

You have a responsibility to keep your homes, surroundings and city clean.

God gave us ground we created a city, God gave us time we need to create a future.

As a remedy to life in society I would suggest the big city. Nowadays, it is the only desert within our means.

Your dreams can change the environment which was not conducive for it at first! However it is a good initiative for the dreams that would change one society to be nursed in another environment, before being transplanted to strive in its original environment for the change process to begin!

One of the reasons why I liked living in Manhattan was that the city would share your mood the moment you walked out the door. If you were in a hurry, everything else was too, even the pigeons. You shared the same speed and sense of urgency to get wherever you were going.When you had time to kill, it was happy to give you things to look at and do that easily took up whole days. I didn't agree with people who said Manhattan was a cold, indifferent town. Sure it was gruff, but it was also playful and sometimes very funny.

In effect, the apartment block was a small vertical city, its two thousand inhabitants boxed up into the sky.j.g.

I woke up feeling alone, so lonely. The night before, I had cried myself to sleep. I lay there on the floor, listening to the tube trains passing beneath me. I thought, All those hundreds and thousands and millions of people. London, London - I hate you. I picked myself up and got ready.

Now you are walking in Paris all alone in the crowdAs herds of bellowing buses drive byLove's anguish tightens your throatAs if you were never to be loved againIf you lived in the old days you would enter a monasteryYou are ashamed when you discover yourself reciting a prayerYou make fun of yourself and like the fire of Hell your laughter cracklesThe sparks of your laugh gild the depths of your lifeIt's a painting hanging in a dark museumAnd sometimes you go and look at it close up

The city was alive, and so was he...

The soft rush of taxis by him, and laughter, laughters hoarse as a crow's, incessant and loud, with the rumble of the subways underneath - and over all, the revolutions of light, the growings and recedings of light - light dividing like pearls - forming and reforming in glittering bars and circles and monstrous grotesque figures cut amazingly on the sky.

Ravaged all,Bogo tabalTimore toronTotoo now gone...

These stories, I realized, were lost. Nobody was going to know that part of the city but as a place where a bomb went off. The bomb was going to become the story of this city. That's how we lose the city - that's how our knowledge of what the world is is taken away from us - when what we know is blasted into rubble and what is created in its place bears no resemblance to what there was and we are left strangers in a place we knew, in a place we ought to have known.

There was a super-8 steel town somewhere, where all the forgotten things in the cruel world ended up eventually, Mandy was sure of it… this place, she decided, was called Smog City.

Living in this city, you developed a certain relationship with violence and news of violence: you expected it, dreaded it, and then when it happened, you worked hard to look away from it, because there was nothing you could do about it - not even grieve, because you knew that it would happen again and maybe in a way that was worse than before. Grieving is possible only when you know you have come to an end, when there is nothing more to follow. This city was full of bottled-up grief.

I am the shade. Through the dolent city, i flee. Through the eternal woe, i take flight..

The alarming lack of ideas that is recognizable in all acts of culture, politics, organization of life, and the rest is explained by this, and the weakness of the modernist constructers of functionalist cities is only a particularly visible example of it. Intelligent specialists only ever have the intelligence to play the game of specialists: hence the fearful conformity and fundamental lack of imagination that make them admit that this or that product is useful, good, necessary. In fact, the root of the reigning lack of imagination cannot be understood if one does not have access to the imagination of lack--that is to conceiving what is absent, forbidden, and hidden, and yet possible, in modern life.

There open up, deep inside a city, reflected streets, streets which are double, make-believe streets. One's imagination, bewitched and misled, creates illusory maps of the apparently familiar districts, maps in which the streets have their proper places and usual names but are provided with new and fictitious configurations by the inexhaustible inventiveness of the night.

Some nights, we were a city of two.

It was common knowledge that big, bad city boys spent the bulk of their time sleeping around, coiffing their hair and posting pictures of food on the internet.

In one opinion, the house in which you stay, the church you attend and the town in which you reside may not determine the size of your dreams, but they can influence the rate of maturity of what you have planted.

That weekend the city blushed with a great heat wave but on Monday it rained, cooling the ache in the street’s burn.

I'm the girl who's desperate to get out of her small town because if she doesn't she knows she'll die. She knows her soul will start to rot, like fruit gone bad.

when we're done, I'll be where the night never stopscradling a bruise that's shaped like youwondering why sleep never came to mewondering how I still dreamed

The city, however, does not tell its past, but contains it like the lines of a hand

The messengers of Jesus will be hated to the end of time. They will be blamed for all the division which rend cities and homes. Jesus and his disciples will be condemned on all sides for undermining family life, and for leading the nation astray; they will be called crazy fanatics and disturbers of the peace. The disciples will be sorely tempted to desert their Lord. But the end is also near, and they must hold on and persevere until it comes. Only he will be blessed who remains loyal to Jesus and his word until the end.

In my own shire, if I was sadHomely comforters I had:The earth, because my heart was sore,Sorrowed for the son she bore;And standing hills, long to remain,Shared their short-lived comrade's pain.And bound for the same bourn as I,On every road I wandered by,Trod beside me, close and dear,The beautiful and death-struck year:Whether in the woodland brownI heard the beechnut rustle down,And saw the purple crocus paleFlower about the autumn dale;Or littering far the fields of MayLady-smocks a-bleaching lay,And like a skylit water stoodThe bluebells in the azured wood. Yonder, lightening other loads,The season range the country roads,But here in London streets I kenNo such helpmates, only men;And these are not in plight to bear,If they would, another's care.They have enough as 'tis: I seeIn many an eye that measures meThe mortal sickness of a mindToo unhappy to be kind.Undone with misery, all they canIs to hate their fellow man;And till they drop they needs must stillLook at you and wish you ill.

You can't understand a city without using its public transportation system.

…So, um, you’re from Rochester? Like, New York?” Jersey asked.“Yup, we used to live out there,” Rudger confirmed, nonchalant. “You ever been?”“Naw, the closest I’ve ever been to there would be… well, believe it or not, New Jersey, the place where my parents named me after. It was crowded, polluted and full of crime… I loved it.

I built my home in the feeling of waking up at dawn in a new city, where every road is the right road because there is no ordinary. Everything is as profound as you make it.

Saying good-bye to a city is harder than breaking up with a lover. The grief and regret are more piercing because they are more complex and unmixed, changing from corner to corner, with each passing vista, each shift of the light. Breaking up with a city is unclouded by the suspicion that after the affair ends, you'll learn something about the beloved you wished you never knew. The city is as it will remain: gorgeous, unattainable, going on without you as if you'd never existed. What pain and longing the lover feels as he bids farewell to a tendril of ivy, a flower stall, the local butcher. The charming café where he meant to have coffee but never did.

London was one of the worst places to have a bad day and one of the best places to have a good day

Some cities, like wrapped boxes under Christmas trees, conceal unexpected gifts, secret delights. Some cities will always remain wrapped boxes, containers of riddles never to be solved, nor even to be seen by vacationing visitors, or, for that matter, the most inquisitive, persistent travelers.

I walked down Paseo del Prado, losing myself to the sights, sounds, and dense magic of the city. There's something weirdly calming about being alone in a big city. It made me feel like the universe was hugely generous, and that my species was so damn smart to have constructed such a beautiful city.

You are mad to be spending the summer in the country, where the days are too quiet and you have so much time to think. In the city you live on Broadway, where the noise is so thick your scary thoughts can't get a word in edgewise. But here in the county, there is only space. On the stone bridge by the stream. On the mossy rock at the edge of the yard. Behind the abandoned trailer where Art, the old man with the glass eye, used to live. Space, space, space, and you can scare yourself into thinking your thoughts are more like voices.

As I saw myself moving ever farther toward the social margin, nothing healed me of a sore and angry heart like a walk through the city. To see in the street the fifty different ways people struggle to remain human - the variety and inventiveness of survival techniques - was to feel the pressure relieved, the overflow draining off. I felt in my nerve endings the common refusal to go under. That refusal became company. I was never less alone than alone in the crowded street. Here, I found, I could imagine myself. Here, I thought, I am buying time. What a notion: buying time.

Like most cities, London could be a lonely place...

He liked the electric darkness and the hot dirty air and the blasts of noise and traffic and the manic barking sirens and the crush of people. It helped a lonely man feel connected and isolated both at the same time.

I seek the city because there is nothing sweeter than not being alone in your loneliness.

She turned and walked down the musty, dimly-lighted corridor, along a strip of carpeting that still clung together only out of sheer stubbornness of skeletal weave. Doors, dark, oblivious, inscrutable, sidling by; enough to give you the creeps just to look at them. All hope gone from them, and from those who passed in and out through them. Just one more row of stopped-up orifices in this giant honeycomb that was the city. Human beings shouldn't have to enter such doors, shouldn't have to stay behind them. No moon ever entered there, no stars, no anything at all. They were worse than the grave, for in the grave is absence of consciousness. And God, she reflected, ordered the grave, for all of us; but God didn't order such burrows in a third-class New York City hotel.

It was true that the city could still throw shadows filled with mystifying figures from its past, whose grip on the present could be felt on certain strange days, when the streets were dark with rain and harmful ideas.

No, what one wanted, really, was the city or anyone in it to see how one suffered. Of course, this being New York, they'd likely just tell him Get over it . . . Was it possible that the last month had been a kind of judgement on him for ever daring to pretend that anything meant anything at all?

To country people Cows are mild,And flee from any stick they throw;But I’m a timid town bred child,And all the cattle seem to know.

It's like we've been living in two different cities. You up here in all this marbled comfort, and me down there, killing myself in slow motion.

I've wandered through the real world, and written myself through the darkness of the streets inside me. I see people walking through the city and wonder where they've been, and what the moments of their lives have done to them. If they're anything like me, their moments have held them up and shot them down.Sometimes I just survive.But sometimes I stand on the rooftop of my existence, arms stretched out, begging for more.That's when the stories show up in me.They find me all the time.They're made of underdogs and fighters. They're made of hunger and desire and trying to live decent.The only trouble is, I don't know which of those stories comes first.Maybe they all just merge into one.We'll see, I guess.I'll let you know when I decide.

She is drawn to the river, and all its hideous, dead-eyed treasures: rot-bloated cats, and cold-meat corpses of unwanted infants, eels plucking at their tender fingers and toes.

Girls barely budding open their legs to make a living, alongside the toothless and rancid of breath; hair thick with lice, they all find customers if the price is right, against the wall or on sheets well-soiled. Their holes cost but a shilling. Skins grow thick and claws sharp.

The cold is waiting to ooze through the soles of your shoes. Maggot-damp, this city is festering: home to hollow faces of grey flesh. They stare from windows unclean, into the sun never reaches: dismal lives lived in dismal constriction.

City of Wizards is normally quite a GOOD thing, since only Good WIZARDS seem able to live together. . . .There have been cities of EVIL Wizards in the past. You will occasionally come across the sites of these, reduced to a glassy slag during the ultimate disagreement.

The city had grown, implacably, spreading its concrete and alloy fingers wider every day over the dark and feral country. Nothing could stop it. Mountains were stamped flat. Rivers were dammed off or drained or put elsewhere. The marshes were filled. The animals shot from the trees and then the trees cut down. And the big gray machines moved forward, gobbling up the jungle with their iron teeth, chewing it clean of its life and all its living things.Until it was no more. Leveled, smoothed as a highway is smoothed, its centuries choked beneath millions and millions of tons of hardened stone. The birth of a city... It had become the death of a world.

Shirts and jeans litter the asphalt, the empty fabric limbs askew as if they're attempting to escape. Blood smears Sarah's lips as she struggles against the chest of a dirty looking man with a beard. Terror. Terror is the only word my mind can seize on and it forgets what it means. I forget how to think - to move.

I can't go back," said Towser. "Nor I," said Fowler. "They would turn me back into a dog," said Towser. "And me," said Fowler, "back into a man.

Just stop and think a bit. All such things as bulk, or width, you know by comparison only; comparison with familiar things. So, just for fun, go up in an imaginary balloon, about half way to that old Moon, which has hung aloft from your birth—(and possibly a day or two in addition)— and look down upon your “gigantic” city. How will it look? It is a small patch of various colors; but you know that, within that tiny patch, many thousands of your kind hurry back and forth; railway trains crawl out to far-away districts; and, if you can pick out a grain of dust that stands out dimly in a glow of sunlight, you may know that it is your mansion, your cabin or your hut, according to your financial status. Now, if that hardly shows up, how about you? What kind of a dot would you form in comparison? You must admit that your past thoughts as to your own pomposity will shrink just a bit! All this shows us that could this big World think, it wouldn't know that such a thing as Man was on it. And Man thinks that his part in all this unthinkably vast Cosmos is important! Why, you poor shrimp! if this old World wants to twitch just a bit and knock down a city or two, or split up a group of mountains, Man, with all his brain capacity, can only clash wildly about, dodging falling bricks.

that great condenser of moral chaos, The City.

Hot weather opens the skull of a city, exposing its white brain, and its heart of nerves, which sizzle like the wires inside a lightbulb. And there exudes a sour extra-human smell that makes the very stone seem flesh-alive, webbed and pulsing.

To the one in the skies, this city must look like a scintillating pattern of speckled glows in all directions, like a firecracker going off amid thick darkness. Right now the urban pattern glowing here is in hues of orange, ginger, and ochre. It is a configuration of sparkles, each dot a light lit by someone awake at this hour. From where the Celestial Gaze is situated, from that high above, all these sporadically lit bulbs must seem in perfect harmony, constantly flickering, as if coding a cryptic message to God.

It looks like the whole city is made out of stars.

Before them is the most beautiful city she has ever seen, has ever imagined. Golden rooftops shine brightly; windows made from diamonds and rubies gleam; tall buildings reach toward the clouds. She is again overwhelmed, this time with gratitude. All this, for her.

London is one of the most fascinating, historic, amazing cities in the world!

Beautiful breezes in ugly parts of town give hope to those who want to be free.

The city was asleep, and the bookshop felt like a boat adrift in a sea of silence and shadows.

To walk is to lack a place. It is the indefinite process of being absent and in search of a proper. The moving about that the city mutliplies and concentrates makes the city itself an immense social experience of lacking a place -- an experience that is, to be sure, broken up into countless tiny deportations (displacements and walks), compensated for by the relationships and intersections of these exoduses that intertwine and create an urban fabric, and placed under the sign of what ought to be, ultimately, the place but is only a name, the City...a universe of rented spaces haunted by a nowhere or by dreamed-of places.

6 months, 2 weeks, 4 days,and I still don’t know which month it was thenor what day it is now.Blurred out linesfrom hangovers to coffeeanother vagabond lost to love.

There are no doubts that western governments are willfully inducing radiation sickness into segments of their city populations.

Of course, no government official will ever tell you that the cities may be making the people in them ill.

I waited in vain for someone like me to stand up and say that the only thing those of us who don't believe in god have to believe is in other people and that New York City is the best place there ever was for a godless person to practice her moral code. I think it has to do with the crowded sidewalks and subways. Walking to and from the hardware store requires the push and pull of selfishness and selflessness, taking turns between getting out of someone's way and them getting out of yours, waiting for a dog to move, helping a stroller up steps, protecting the eyes from runaway umbrellas. Walking in New York is a battle of the wills, a balance of aggression and kindness. I'm not saying it's always easy. The occasional "Watch where you're going, bitch" can, I admit, put a crimp in one's day. But I believe all that choreography has made me a better person. The other day, in the subway at 5:30, I was crammed into my sweaty, crabby fellow citizens, and I kept whispering under my breath "we the people, we the people" over and over again, reminding myself we're all in this together and they had as much right - exactly as much right - as I to be in the muggy underground on their way to wherever they were on their way to.

I want to bring out the best in a community and contribute something of permanent value.

Well-lit streets discourage sin, but don't overdo it.

I roused myself from the book which I was dreaming over rather than reading, and left my chambers to meet the cool night air in the suburbs.

I had a theory; I’m not sure if it was my own but it worked for me. Public spaces, such as streets and subway stations, became inhabitable as I assigned them some value and imprinted an experience on them. If I recited a snatch of Paterson every time I walked along a certain avenue, eventually that avenue would sound like William Carlos Williams. The entrance to the subway at 116th Street was Emily Dickinson’s:Presentiment is that long shadow on the lawnIndicative that suns go down;The notice to the startled grassThat darkness is about to pass.

We cannot bring peace in our city, when there is no peace in our homes.

Places, like people, are complex, and loving them isn't simple.

Every city, every town, hides beneath a certain amount of glamour that- either intentionally or not- can misdirect the eye or hide something worth finding. Learning to see through those glamours is part of the process of calling any place home.

It's like coming home," said Webster and he wasn't talking to the dog. "It's like you've been away for a long, long time and then you come home again. And it's so long you don't recognize the place. Don't know the furniture, don't recognize the floor plan. But you know by the feel of it that it's an old familiar place and you are glad you came.""I like it here," said. Ebenezer and he meant Webster's lap, but the man misunderstood."Of course, you do," he said. "It's your home as well as mine. More your home, in fact, for you stayed here and took care of it while I forgot about it.

,,So maybe, for me, home is not the city, but the people.

Every step of the road was just as she'd dreamt it all the time she'd been away. Every step took her further away from the smoke and the noise and the loneliness and fear of the city she'd left behind. Every step drew her deeper into the hollows of the landscape, the green hills and shining rivers and mist-tangled treetops.

The stars glittered in the sky and as the number of people at the party grew there were merging conversations and laughter and bodies moving in outlines around the kegs of beer in a curtsy of youth.

It is marvelous to be young on a big city street.

There were thousands of households throughout that city and there was something happening in all of them. There was some kind of story in each, but self-contained. No one else knew. No one else cared.

Where would tourism be without a little luxury and a taste of night life? There were several cities on Deanna, all moderate in size, but the largest was the capital, Atro City. For the connoisseur of fast-foods, Albrechts’ famous hotdogs and coldcats were sold fresh from his stall (Albrecht’s Takeaways) on Lupini Square. For the sake of his own mental health he had temporarily removed Hot Stuff Blend from the menu. The city was home to Atro City University, which taught everything from algebra and make-up application to advanced stamp collecting; and it was also home to the planet-famous bounty hunter – Beck the Badfeller. Beck was a legend in his own lifetime. If Deanna had any folklore, then Beck the Badfeller was one of its main features. He was the local version of Robin Hood, the Davy Crockett of Deanna. The Local rumor mill had it he was so good he could find the missing day in a leap year. Once, so the story goes, he even found a missing sock.

In the city, human beings celebrated and enjoyed material conditions and comforts, but were caught in the labyrinths and knots of spiritual shallowness and psychological confusion. In the city human beings wrestled with the demands of survival and profit but fled from life’s imperatives of honesty and moderation. In the city man was afraid to confront his own face.

The city was different back then--poor and crumbling--kept alive only by the gritty determination and steely cynicism of its occupants. But underneath the dirt was the apple-cheeked optimism of possibility, and while she worked, the whole city seemed to throb along with her.

Let the romantic minds meet the romantic cities and after that the candle of romanticism shines on earth like a sun!

Lying flat on my back, with my toes dipped into the lake, I stared at the stars for a second. I guess I should have pondered their beauty and realized the rarity of a sky unsaturated by city lights, or something. But it occurred to me that you could probably see stars from the vast majority of the earth. It was city lights that were actually rare.

What is more dramatic, even romantic, than the tumbled towers of lower Manhattan, rising suddenly to the clouds like a magic castle girdled by water? Its very touch of jumbled jaggedness, its towering-sided canyons, are its magnificence.

To practice space is thus to repeat the joyful and silent experience of childhood; it is, in a place, to be other and to move toward the other...Kandinsky dreamed of: 'a great city built according to all the rules of architecture and then suddenly shaken by a force that defies all calculation.

People who grew up in major cities may wonder why the hell I would act like it's a big deal to be unaccompanied in New York City at that age. It's populated with both adults and children, it's a functioning metropolis, Kevin McCallister was only ten in Home Alone 2: Lost in New York, and that kid saved Christmas. Conversely, people from suburban areas act like my parents sent me wandering around the site of the Baby Jessica well, blindfolded and holding a flaming baton. So pick a side and prepare to judge me either way!

When you're in the city, trapped among the cubic structures, it's easy to forget that you're connected to the earth, because you're so separated from it by layers and layers of protection - the soles of your shoes, sandals, or slippers, sheets of asphalt, concrete, linoleum tiling.

It is my trade," he said. "I work for the bean family, and every day there are deaths among the beans, mostly from thirst. They shrivel and die, they go blind in their one black eye, and I put them in one of these tiny coffins. Beans, you know, are beautifully shaped, like a new church, like modern architecture, like a planned city

On re-entering cultivated lands, the agitation, perplexity, and turmoil of civilization oppressed and suffocated us; the air seemed to fail us, and we felt every moment as if about to die of asphyxia.

Those shining stars, he liked to point out, were one of the special treats for people like us who lived out in the wilderness. Rich city folks, he'd say, lived in fancy apartments, but their air was so polluted they couldn't even see the stars. We'd have to be out of our minds to want to trade places with any of them.

You can see the people who thought they could come to London, bend over and pick gold off the streets. They’re all lying on benches in Trafalgar Square with hernias and cans of Special Brew.

The city was dark except for the building lights that seemed to appear like sores - like bandaids had been ripped off to expose the city's skin.

On the street below, the weather is calm. But up here, high winds threaten to topple the workers. A sudden gust can knock them from their footing with its sheer force or send a fatal vibration through the beams on which they stand. And yet the men joke, laugh, stroll across the foot-wide beams as though they are on solid ground. To the people on the sidewalk, tiny as ants below, the skywalkers appear entirely unafraid. A hundred years ago, their grandfathers and great-grandfathers built the skyscrapers and bridges that surround them.

Your ideas about possession must increase until you get to a state of full possession of the land, city and nation

You need to guard the city before God could protect it for you

Henceforth the crisis of urbanism is all the more concretely a social and political one, even though today no force born of traditional politics is any longer capable of dealing with it. Medico-sociological banalities on the 'pathology of housing projects,' the emotional isolation of people who must live in them, or the development of certain extreme reactions of rejection, chiefly among youth, simply betray the fact that modern capitalism, the bureaucratic society of consumption, is here and there beginning to shape its own setting. This society, with its new towns, is building the terrain that accurately represents it, combining the conditions most suitable for its proper functioning, while at the same time translating in space, in the clear language of organization of everyday life, its fundamental principle of alienation and constraint. It is likewise here that the new aspects of its crisis will be manifested with the greatest clarity.

Workers were required to stay six months, and even then permission to quit was not always granted. The factory held the first two months of every worker's pay; leaving without approval meant losing that money and starting over somewhere else. That was a fact of factory life you couldn't know from the outside: Getting into a factory was easy. The hard part was getting out.

At the beginning, I thought the best Islamic work was in Spain - the mosque in Cordoba, the Alhambra in Granada. But as I learned more, my ideas shifted. I traveled to Egypt, and to the Middle East many times.I found the most wonderful examples of Islamic work in Cairo, it turns out. I'd visited mosques there before, but I didn't see them with the same eye as I did this time. They truly said something to me about Islamic architecture.

The wind picked up, shaking the trees below. She had the sense of being in the country. In the country, if a woman could not face her children, or her friends, or her family – if she were covered in shame – she would probably only need to lay herself down in a field and take her leave by merging, first with the grass underneath her, then with the mulch under that. A city child, Natalie Blake had always been naive about country matters. Still, when it came to the city, she was not mistaken. Here nothing less than a break – a sudden and total rupture – would do.

Down below people were clipping by going nowhere fast. You could feel the long despairing history of the place. You could actually hear it, a low hum like the buzz of a sick bee that resonated with the fragments of a million broken dreams.

Big cities comforted me: the cover, the chaos, the hollow sympathy of the architecture, the Tube lines snaking underground. London could swallow you up, in a good way. There were times when I'd been broken and being subsumed into a city had made me feel part of a whole again.

Shortly before school started, I moved into a studio apartment on a quiet street near the bustle of the downtown in one of the most self-conscious bends of the world. The “Gold Coast” was a neighborhood that stretched five blocks along the lake in a sliver of land just south of Lincoln Park and north of River North. The streets were like fine necklaces and strung together were the brownstone houses and tall condominiums and tiny mansions like pearls, and when the day broke and the sun faded away, their lights burned like jewels shining gaudily in the night. The world’s most elegant bazaar, Michigan Avenue, jutted out from its eastern tip near The Drake Hotel and the timeless blue-green waters of Lake Michigan pressed its shores. The fractious make-up of the people that inhabited it, the flat squareness of its parks and the hint of the lake at the ends of its tree-lined streets squeezed together a domesticated cesspool of age and wealth and standing. It was a place one could readily dress up for an expensive dinner at one of the fashionable restaurants or have a drink miles high in the lounge of the looming John Hancock Building and five minutes later be out walking on the beach with pants cuffed and feet in the cool water at the lake’s edge.

When distance and convenience sets in; the small, the various and the personal wither away.

On moonlight nights the long, straight street and dirty white walls, nowhere darkened by the shadow of a tree, their peace untroubled by footsteps or a dog's bark, glimmered in the pale recession. The silent city was no more than an assemblage of huge, inert cubes, between which only the mute effigies of great men, carapaced in bronze, with their blank stone or metal faces, conjured up a sorry semblance of what the man had been. In lifeless squares and avenues these tawdry idols lorded it under the lowering sky; stolid monsters that might have personified the rule of immobility imposed on us, or, anyhow, its final aspect, that of a defunct city in which plague, stone, and darkness had effectively silenced every voice.

He liked however the open shutters; he opened everywhere those Mrs. Muldoon had closed, closing them as carefully afterwards, so that she shouldn't notice: he liked--oh this he did like, and above all in the upper rooms!--the sense of the hard silver of the autumn stars through the window-panes, and scarcely less the flare of the street-lamps below, the white electric lustre which it would have taken curtains to keep out. This was human actual social; this was of the world he had lived in, and he was more at his ease certainly for the countenance, coldly general and impersonal, that all the while and in spite of his detachment it seemed to give him.

They were the most romantic creatures in the city in that room. If their days were spent in banks and office buildings, no matter: Their true lives began when they walked through this door—and were baptized into a deeper faith, as if brought to life by miraculous immersion. They lived only for the night.

She likes the mystery of that changeover, those fifteen minutes of sundown when the streets and trees and people and parked cars are delicate and immediate, every sound and smell and movement amplified by the lowest light or the lightest darkness. Even a city that’s broken and dirty can, in that time, be divine and intimate.

Stop worrying about missed opportunities and start looking for new ones.

It is always easy to create an ordinary city; what is difficult is to create an extraordinary one, peaceful and restful one, smart and tidy, artful and cultivated one, in short, a livable one! And Zurich is such a city!

By far the greatest and most admirable form of wisdom is that needed to plan and beautify cities and human communities.

When the Stranger says: “What is the meaning of this city ?Do you huddle close together because you love each other?”What will you answer? “We all dwell togetherTo make money from each other”? or “This is a community”?Oh my soul, be prepared for the coming of the Stranger.Be prepared for him who knows how to ask questions.

Even through the smoke,you are still the most beautiful thingin this city and I, well, I am stillthe last thing you’d save in a fire.

Cairo is in a state of becoming… We just don't know what it's becoming yet.

I have never heard of an electromagnetically hypersensitive person recovering from the condition using shielding and Faraday cages, they just seem to become social lepers due to their increasing reactivity to the city environment and addicts to their shielded environment.

A girl without braidsis like a city without bridges.

I remember when I was twenty-five,� he said. “No client comes to you when you’re twenty-five. It’s like when you are looking for a doctor. You don’t want the new one that just graduated. You don’t want the very old one, the one shaking, the one twenty years past his prime. You want the seasoned one who has done it so many times he can do it in his sleep though. Same thing with attorneys.

The greatest drug of all, my dear, was not one of those pills in so many colors that you took over the years, was not the opium, the hash you smoked in houses at the beach, or the speed or smack you shot up in Sutherland's apartment, no, it wasn't any of these. It was the city, darling, it was the city, the city itself. And do you see why I had to leave? As Santayana said, dear, artists are unhappy because they are not interested in happiness; they live for beauty. God, was that steaming, loathsome city beautiful!!! And why finally no human lover was possible, because I was in love with all men, with the city itself.

The city blew the windows of my brain wide open. But being in a place so bright, fast and brilliant made you vertiginous with possibility: it didn't necessarily help you grasp those possibilities. I still had no idea what I was going to do. I felt directionless and lost in the crowd. I couldn't yet see how the city worked, but I began to find out.

If you aren’t paranoid before you arrive in this city, give it a few weeks and you will soon notice it creeping in, dripping into your subconscious like a leaky tap. The trick is not to give a flying fuck what anyone thinks about you, and if you are in the right frame of mind this can be an easy trick to perform but if not you’ll soon notice that for a city full of people who do a great Stevie Wonder impersonation when it comes to the homeless and beggars and casual violence towards others, wearing the wrong kind of shoes or a cheap suit brings out a sneering, hateful attitude that can have weaker minded individuals locked in their houses for weeks before harassing their doctors for prescriptions of Prozac and Beta blockers just to make it out the front door.

A city is not adorned by external things, but by the virtue of those who dwell in it.

They were young and gay and the femininity of their teenage years had only recently hardened into the muscle of a competitive sexual economy. Their muscles met the demands of the city, and the city met the demands of their muscles.

Laughing like crazythe child goes back to the citygives birth to monsterscreates earthquakeshairy women run nakedold folks who look like fetuses laugh and smoke.

Valerie, I love you so much. I wanted you to have a normalchildhood—so I lived a double life. Hiding in plainsight. Living modestly.” He began to pace the room, thewords tumbling out of him. “I tried to keep it up, but I’vebeen so disrespected. Even by my own wife. I couldn’t do itanymore. I’ve settled for far less than I deserved, and I justcouldn’t do it anymore. I decided it was time to leave forthe city....For richer hunting grounds.” Cesaire was snarlingnow, a scary, powerful force. Valerie felt herself beingdrawn to it....She took a deep, steadying breath. It was not just fearthat she felt. What she felt was so much more complexthan that, something she couldn’t understand. “Then whydidn’t you just go?”“Because I loved you girls, and I wanted you to comewith me. To share the wealth.”“But you had to wait until the blood moon.

In his mind, the city, as it awoke from its slumber, seemed to be built on quicksand. The stability was illusory.

they'd become unaccustomed to the brightness of their own city, and, faced with it now in all its intensity, they cupped their hands over their eyes as if staring into the sun.

The city of San Francisco engulfed their view through the front windshield. The dazzling light of the late morning sun transformed every glass and metal surface into a silvery mirage.

Edinburgh is a great big black bastard of a city where there are ghosts of all kinds.

He wanted to flee in shame, to the kitchenette, to the next room, to the fire escapes and rooftops and the places where the city ended.

This time as we ascend, I watch the world sinking below us. I watch the way the city fades into sand that gets washed by the ocean.

The city buildings in the distance are holding up the sky, it seems.

My mouth opened.It happened.Yes, with my head thrown into the sky, I started howling.Arms stretched out next to me, I howled, and everything came out of me. Visions pored up my throat and past voices surrounded me. The sky listened. The city didn't. I didn't care. All I cared about was that I was howling so that I could hear my voice and so I would remember that the boy had intensity and something to offer. I howled, oh, so loud and desperate, telling a world that I was here and I wouldn't lie down.

...the/ supreme end-result of/ early Gothic phallic forms/ is the skyscraper & the/ oil drill & powered/ compressor & pistons of/ great engines...

We are relatives at the village and yet we become strangers in the city

Winter was gray and mean upon the city and every night was a package of cold bleak hours, like the hours in a cell that had no door.

At least until there are new lakes in the clouds that open upon living cities as yet unknown, and perhaps forever, that is a question which you must answer within your own heart.

We can overcome division only by refusing to be divided.

All he really knew was that if he stayed here he would soon be the property of things that buzzed and snorted and hissed, that gave off fumes or stenches. In six months, he would be the owner of a large pink, trained ulcer, a blood pressure of algebraic dimensions, a myopia this side of blindness, and nightmares as deep as oceans and infested with improbable lengths of dream intestines through which he must violently force his way each night.

Oh you dear companionsElectric bells of the stations song of the reapersButcher's sleigh regiment of unnumbered streetsCavalry of bridges nights livid with alcoholThe cities I've seen lived like mad women(The Voyager)

Fill this city of mine with people as,You filled the river with fishes O Lord.

She was so cool, as she knew, ankles crossed at the puckered hem of granite gray sweatpants, and she also knew I was watching from the open doorof the B train—watching her pose in apparent comfort at the girder of this city thoroughfare.

Last summer had meant lots of Sam Adams Summer Ale by herself on hot weekend days when it seemed like just her and the Dominican Day parade.

It was a generation growing in its disillusionment about the deepening recession and the backroom handshakes and greedy deals for private little pots of gold that created the largest financial meltdown since the Great Depression. As heirs to the throne, we all knew, of course, how bad the economy was, and our dreams, the ones we were told were all right to dream, were teetering gradually toward disintegration. However, on that night, everyone seemed physically at ease and exempt from life’s worries with final exams over and bar class a distant dream with a week before the first lecture, and as I looked around at the jubilant faces and loud voices, if you listened carefully enough you could almost hear the culmination of three years in the breath of the night gasp in an exultant sigh as if to say, “Law school was over at last!

Each neighborhood of the city appeared to be made of a different substance, each seemed to have a different air pressure, a different psychic weight: the bright lights and shuttered shops, the housing projects and luxury hotels, the fire escapes and city parks.

Through a trick lighting technique the skyline was made and faded with the care of a pointillist— maybe aiding us to think nothing was missing. We traded verbsabout what was happeningin the metropolis, realizing,in the scorched plum of dusk,actual human infinity was occurring on an island before us....

Whoever is born in New York is ill-equipped to deal with any other city: all other cities seem, at best, a mistake, and, at worst, a fraud. No other city is so spitefully incoherent. Whereas other cities flaunt there history - their presumed glory - in vividly placed monuments, squares, parks, plaques, and boulevards, such history as New York has been unable entirely to obliterate is to be found, mainly, in the backwaters of Wall Street, in the goat tracks of Old and West Broadway, in and around Washington Square, and, for the relentless searcher, in grimly inaccessible regions of The Bronx.

I don't think you have ever really inhabited a city until you have walked down the street and seen every single person, no matter how unlikely or different from yourself, how disheveled or foreign, as a potential ally or recruit.

A thin grey fog hung over the city, and the streets were very cold; for summer was in England.

It was a cruel city, but it was a lovely one; a savage city, yet it had such tenderness; a bitter, harsh, and violent catacomb of stone an steel and tunneled rock, slashed savagely with light, and roaring, fighting a constant ceaseless warfare of men and of machinery; and yet it was so sweetly and so delicately pulsed, as full of warmth, of passion, and of love, as it was full of hate.

Be the best, not necessarily the original.

I walk the city, through its crush of people and its smells:body odour, rotting food, vomit and urine. A cocktail of oppression and freedom.

It was a rule of London life that anybody could be anybody

I have an affection for a great city. I feel safe in the neighborhood of man, and enjoy the sweet security of the streets.

A city is not an accident but the result of coherent visions and aims.

The trail of lime trees outside our building is still a public loo. …where else are they supposed to go to the toilet in a city where public toilets are about as common as UFO sightings?” (pp.281-82)

I came to this city to escape.

City people. They may know how to street fight but they don't know how to wade through manure.

Louise was an urbanite, she preferred the gut-thrilling sound of an emergency siren slicing through the night to the noise of country birds at dawn. Pub brawls, rackety roadworks, mugged tourists, the badlands on a Saturday night - they all made sense, they were all part of the huge, dirty, torn social fabric. There was a war raging out there in the city and she was part of the fight, but the countryside unsettled her because she didn't know who the enemy was. She had always preferred North and South to Wuthering Heights. All that demented running around the moors, identifying yourself with the scenery, not a good role model for a woman.

In the city, strangers seldom meet beyond daily functions. Instead, they brush by with a haste and preoccupation that so defines a century of 'too little time'.

No neighbourhood or district, no matter how well established, prestigious or well heeled and no matter how intensely populated for one purpose, can flout the necessity for spreading people through time of day without frustrating its potential for generating diversity.

Chicago is an October sort of city even in spring.

Like a man who has been dying for many days, a man in your city is numb to the stench.

Probably for every man there is at least one city that sooner or later turns into a girl. How well or how badly the man actually knew the girl doesn’t necessarily affect the transformation. She was there, and she was the whole city, and that’s that.

I went back to the clanging city, I went back where my old loves stayed, But my heart was full of my new love's glory, My eyes were laughing and unafraid.I met one who had loved me madly And told his love for all to hear -- But we talked of a thousand things together, The past was buried too deep to fear.I met the other, whose love was given With never a kiss and scarcely a word -Oh, it was then the terror took me Of words unuttered that breathed and stirred.Oh, love that lives its life with laughter Or love that lives its life with tears Can die - but love that is never spoken Goes like a ghost through the winding years…I went back to the clanging city, I went back where my old loves stayed, My heart was full of my new love's glory, - But my eyes were suddenly afraid.

If there were such a thing as an inter-city thieving contest, Ankh-Morpork would bring home the trophy and probably everyone’s wallets.

Eye contact was a delicate matter. A quarter second of a shared glance was a violation of agreements that made the city operational.

To live in a city, one must be larger than one's environment or enjoy belonging to the crowd.

We'll start to forget a place once we left it

It is strange being in a crowd where no one knows your face or cares for your purpose. In Lykos, I would have been jostled by men I'd grown up with, run across girls I'd chased and wrestled with as a child. Here, other Colors slam into me and offer not even a faint apology. This is a city, and I do not like it. I feel alone.

Chicago happened slowly, like a migraine. First they were driving through countryside, then, imperceptibly, the occasional town became a low suburban sprawl, and the sprawl became the city.

This was a townscape raised in the teeth of cold winds from the east; a city of winding cobbled streets and haughty pillars; a city of dark nights and candlelight, and intellect.

Ant swarming CityCity full of dreamsWhere in broad day the specter tugs your sleeve

The panorama-city is a 'theoretical' (that is, visual) simulacrum, in short a picture, whose condition of possibility is an oblivion and a misunderstanding of practices.

The same is true of stories and legends that haunt urban space like superfluous or additional inhabitants. They are the object of a witch-hunt, by the very logic of the techno-structure. But [the extermination of proper place names] (like the extermination of trees, forests, and hidden places in which such legends live) makes the city a 'suspended symbolic order.' The habitable city is thereby annulled. Thus, as a woman from Rouen put it, no, here 'there isn't any place special, except for my own home, that's all...There isn't anything.' Nothing 'special': nothing that is marked, opened up by a memory or a story, signed by something or someone else. Only the cave of the home remains believable, still open for a certain time to legends, still full of shadows. Except for that, according to another city-dweller, there are only 'places in which one can no longer believe in anything.

what does travel ultimately produce if it is not, by a sort of reversal, 'an exploration of the deserted places of my memory,' the return to nearby exoticism by way of a detour through distant places, and the 'discovery' of relics and legends: 'fleeting visions of the French countryside,' 'fragments of music and poetry,' in short, something like an 'uprooting in one's origins (Heidegger)? What this walking exile produces is precisely the body of legends that is currently lacking in one's own vicinity; it is a fiction, which moreover has the double characteristic like dreams or pedestrian rhetoric, or being the effect of displacements and condensations. As a corollary, one can measure the importance of these signifying practices (to tell oneself legends) as practices that invent spaces.

It is as though the practices organizing a bustling city were characterized by [city practitioners', everyday citizens'] blindness. The neworks of these moving, intersecting writings compose a manifold story that has neither author nor spectator, shaped out of fragments of trajectories and alterations of spaces: in relation to representations, it remains daily and indefinitely other.

Some big insect flew in and began walking on the table. I don’t know what insect it was, but it was brown, shining, and rich in structures. In the city the big universal chain of insects gets thin, but where there’s a leaf or two it’ll be represented.

It happened every single day in Brooklyn: awaken to fresh glory, fall asleep to blight and ruin.

When you looked out my window you could see the whole city crouched under a blanket of car smog.

To generate exuberant diversity in a city's streets and districts four conditions are indispensable:1. The district, and indeed as many of its internal parts as possible, must serve more than one primary function; preferably more than two...2. Most blocks must be short; that is, streets and opportunities to turn corners must be frequent.3. The district must mingle buildings that vary in age and condition, including a good proportion of old ones so that they vary in the economic yield they must produce. This mingling must be fairly close-grained.4. There must be a sufficiently dense concentration of people, for whatever purposes they may be there...

The architect, like other workers in our endeavor, is facing the inevitability of a change of profession: he [sic] will no longer be a builder of forms alone, but a builder of complete ambiances.

I have been dwelling upon downtowns. This is not because mixtures of primary uses are unneeded elsewhere in cities. On the contrary they are needed, and the success of mixtures downtown (on in the most intensive portions of cities, whatever they are called) is related to the mixture possible in other part of cities.

We could already try to lend a hand, to intervene if only by simply moving objects around. This would be better, on the whole, than waiting for the thick wall encircling life to brutally make the first move. (As happens during wartime.)

On both sides of the highway I could see the rows of little frame houses, all alike, as if there were only one architect in the city and he had a magnificent obsession.

The cities were sucking all the life of the country into themselves and destroying it. Men were no longer individuals but units in a vast machine, all cut to one pattern, with the same tastes and ideas, the same mass-produced education that did not educate but only pasted a veneer of catchwords over ignorance. Why do you want to bring that back?

Installing massive amounts of wireless devices into every city may eventually be proven to be a global weather modification system.

Urbanism is the most advanced, concrete fulfillment of a nightmare. Littre defines nightmare as 'a state that ends when one awakens with a start after extreme anxiety.' But a start against whom? Who has stuffed us to the point of somnolence?

We leave to monsieur Le Corbusier his style that suits factories as well as it does hospitals. And the prisons of the future: is he not already building churches? I do not know what this individual -- ugly of countenance and hideous in his conceptions of the world -- is repressing to make him want thus to crush humanity under ignoble heaps of reinforced concrete, a noble material that ought to permit an aerial articulation of space superior to Flamboyant Gothic. His power of cretinization is vast. A model by Corbusier is the only image that brings to my mind the idea of immediate suicide. With him moreover any remaining job will fade. And love -- passion -- liberty.Gilles Ivain (aka Ivan Chtcheglov)

Byproduct of the circulation of commodities, human circulation considered as a form of consumption, tourism comes down fundamentally to the freedom to go and see what has become banal. The economic planning of the frequenting of different places is already in itself the guarantee of their equivalence. The same modernization that has withdrawn the element of time from journeying, has also withdrawn the reality of space.

Moreover the present abundance3 of private cars is nothing other than the result of the non-stop propaganda through which capitalist production persuades the mob--and in this case is one of its most confounding successes--that the possession of a car is specifically one of the privileges our society reserves for its privileged members.

So many problems we will get to the bottom of later, but whose spatial aspect we must grasp right away. If the space of the industrial economy dominates the social space in which the Parisian worker or intellectual develops, to what extent could residential space, cultural space, or political space be planned without it being necessary to first intervene in economic structures?...In short...: to what extent can we freely build the framework for a social life in which we might be guided by our aspirations and not by our instincts?

Because of this false idea, they devised an aesthetic belief in making the exterior of an object a reflection of the practical functions of the interior and of the constructive idea. Yet these analyses of utility and necessity that, according to their beliefs, should be the basis for the construction of any object created by humanity become immediately absurd once we analyze all the object being manufactured today. A fork or a bed cannot come to be considered necessary for humanity's life and health, and yet retain a relative value.They are 'learned necessities.' Modern human beings are suffocating under necessities like televisions, refrigerators, etc. And in the process making it impossible to live their real lives. Obviously we are not against modern technology, but we are against any notion of the absolute necessity of objects, to the point even of doubting their real utility.'Asger Jorn

It seemed to him he had waited an age for some stir of the great grim hush; the life of the town was itself under a spell--so unnaturally, up and down the whole prospect of known and rather ugly objects, the blankness and the silence lasted. Had they ever, he asked himself, the hard-faced houses, which had begun to look livid in the dim dawn, had they ever spoken so little to any need of his spirit? Great builded voids, great crowded stillnesses put on, often, in the heart of cities, for the small hours, a sort of sinister mask, and it was of this large collective negation that Brydon presently became conscious--all the more that the break of day was, almost incredibly, now at hand, proving to him what night he had made of it.

...the assessment of psychological drift, that is the way in which an undirected pedestrian tends to move about in a particular quarter of the town, tending to establish natural connections between places, the zones of influence of particular institutions and public services, and so forth. It may well be objected that these techniques are un-scientific, disorderly and too subjective, but the fact remains that the Situationists are studying the actual texture of towns and their relationship to human beings more intensively than most architects and in a more down-to-pavement manner than most town planners.

8. Conditions of DialogueThe functional is what is practical. The only practical thing is the resolution of our fundamental problem: the realization of ourselves (our uncoupling from the system of isolation). This is useful and utilitarian. Nothing else. All the rest represents only trivial derivations of the practical, and its mystification.

We are leading as thorough a study of 'alienation's positive pole' as of its negative pole. As a consequence of our diagnosis of the poverty of wealth, we are able to establish the world map of the extreme wealth of poverty. These speaking maps of a new topography will be in fact the first realization of 'human geography.' On them we will replace oil-deposits with the contours of layers of untapped pedestrian consciousness.

This metropolitan world, then, is a world where flesh and blood is less real than paper and ink and celluloid. It is a world where the great masses of people, unable to have direct contact with more satisfying means of living, take life vicariously, as readers, spectators, passive observers: a world where people watch shadow-heroes and heroines in order to forget their own clumsiness or coldness in love, where they behold brutal men crushing out life in a strike riot, a wrestling ring or a military assault, while they lack the nerve even to resist the petty tyranny of their immediate boss: where they hysterically cheer the flag of their political state, and in their neighborhood, their trades union, their church, fail to perform the most elementary duties of citizenship.Living thus, year in and year out, at second hand, remote from the nature that is outside them and no less remote from the nature within, handicapped as lovers and as parents by the routine of the metropolis and by the constant specter of insecurity and death that hovers over its bold towers and shadowed streets - living thus the mass of inhabitants remain in a state bordering on the pathological. They become victims of phantasms, fears, obsessions, which bind them to ancestral patterns of behavior.

The city defeated him. It refused to be bent into shape; it stayed a willful, sprawling, sinful place. It even told him as much. When he walked through the gutted wreck of old Saint Paul's, he tripped and fell over a piece of rubble -- a tombstone. When he got to his feet and dusted himself down he saw that it read, in Latin, 'Resurgam' -- 'I Will Rise Again.

A rhinestone skein, a jeweled brocade of light,–the city is a garment stretched so thinher festive colors bleed into the night.

The city's all brightnessand shadow, deckle-edged, bluer than air-there's no help anywhere-you no longer know how to listen.

This poor little one-horse town.

If you would know and not be known live in a city.

God made the country and man made the town.

Cities force growth and make men talkative and entertaining but they make them artificial.

Far from gay cities and the way of men.

Ye are the light of the world. A city that is set on a hill cannot be hid.

The people are the city.

In the busy haunts of men.

I like to visit New York but I wouldn't live there if you gave it to me.

If there ever was an aviary overstocked with jays it is that Yaptown-on-the-Hudson called New York.

Vulgar of manner overfed. Overdressed and underbred Heartless Godless hell's delight Rude by day and lewd by night Bedwarfed the man o'ergrown the brute Ruled by boss and prostitute Purple-robed and pauper-clad Raving rotting money-mad A squirming herd in Mammon's mesh A wilderness of human flesh Crazed with avarice lust and rum New York thy name's Delirium.

A great city is not to be confounded with a populous one.

A hick town is one in which there is no place to go where you shouldn't be.

City life - millions of people being lonesome together.

We might define an eccentric as a man who is law unto himself and a crank as one who having determined what the law is insists on laying it down to others.

The country has charms only for those not obliged to stay there.

A great city a great solitude.

In small settlements everyone knows your affairs. In the big city everyone does not - only those you choose to tell will know about you. This is one of the attributes of cities that is precious to most city people.

If you would be known and not know vegetate in a village if you would know and not be known live in a city.

Farmers worry only during the growing season but town people worry all the time.

What is the city but the people?

As a remedy to life in society I would suggest the big city. Nowadays it is the only desert within our reach.

All cities are mad: but the madness is gallant. All cities are beautiful: but the beauty is grim.

The chicken is the country's but the city eats it.

Cities force growth and make men talkative and entertaining but they make them artificial.

The city is a cultural invention enforcing on the citizen knowledge of his own nature. And this we do not like. That we are aggressive beings easily given to violence that we get along together because we must more than because we want to and that the brotherhood of man is about as far from reality today as it was two thousand years ago that reason's realm is small that we never have been and never shall be created equal that if the human being is perfectible he has so far exhibited few symptoms - all are considerations of man from which space tends to protect us.

There is nothing good to be had in the country or if there be they will not let you have it.

Anybody can be good in the country. There are no temptations there.

The axis of the earth sticks out visibly through the centre of each and every town or city.

To say the least a town life makes one more tolerant and liberal in one's judgement of others.

Commuters give the city its tidal restlessness natives give it solidity and continuity but the settlers give it passion.

Summertime oh summertime pattern of life indelible the fade-proof lake the woods unshatterable the pasture with the sweetfern and the juniper forever and ever . . . the cottages with their innocent and tranquil design their tiny docks with the flagpole and the American flag floating against the white clouds in the blue sky the little paths over the roots of the trees leading from camp to camp. This was the American family at play escaping the city heat.

There is no solitude in the world like that of the big city.

Here too, as in the Commune almost a century earlier, the struggle was articulated around the hope that 'the antithesis between the everyday and the Festival--whether of labour or of leisure--will no longer be a basis for society.

The new towns of the 1950s and '60s were nothing less than the spatial translation of alienation and control and in these cities power increasingly could relinquish the old forms of advertising in favor of 'the simple organization of the spectacle of objects of consumption, which will only have consumable value illusory to the extent to which they will first of all have been objects of spectacle' -- to the extent, that is, they have first appeared on the television screen, which henceforth had to be seen as an urbanistic tool in its own right.

One of my greatest obsessions is the lights of a city. Through my eyes there is nothing so delicious and rich and lovely.

As filthy as any night was, a New York City morning is always clean. The eyes get washed.Flowers in white deli buckets are replenished. The population bathes, in marble mausoleums of Upper East Side showers, or in Greenwich Village tubs, or in the sink of a Chinatown one-bedroom crammed with fifteen people. Some bar opens and the first song on the jukebox is Johnny Thunders, while bums pick up cigarette butts to see what’s left to smoke. The smell of espresso and hot croissants. The weather vane squeaks in the sun. Pigeons are reborn out of the mouths of blue windows.

A bus drives past and I’m nauseated by a whiff of exhaust. Then rotting fish. The rancid stench of sewage. Is it garbage day? I’m trapped in the pungent fog, in the dreary suburban-style shops, the rat race of city life. The city, even on the west coast, has the power to beat us down, to suck us of passion, to crush our dreams.

This is a little parable about cities and genres; how, while some of them lose their imaginative centrality, others take their place.

In the streets of Cecilia, an illustrious city, I met once a goatherd, driving a tinkling flock along the walls."Man blessed by heaven," he asked me, stopping, "can you tell me the name of the city in which we are?""May the gods accompany you!" I cried. "How can you fail to recognise the illustrious city of Cecilia?""Bear with me," that man answered. "I am a wandering herdsman. Sometimes my goats and I have to pass through cities; but we are unable to distinguish them. Ask me the names of the grazing lands: I know them all, the Meadow between the Cliffs, the Green Slope, the Shadowed Grass. Cities have no name for me: they are places without leaves, separating one pasture from another, and where the goats are frightened at street corners and scatter. The dog and I run to keep the flock together.""I am the opposite of you," I said. "I recognise only cities and cannot distinguish what is outside them. In uninhabited places each stone and each clump of grass mingles, in my eyes, with every stone and clump.

She could hear her hair growing. It sounded like something crumbling. A burnt thing crumbling. Coal. Toast. Moths crisped on a light bulb. She remembered reading somewhere that even after people died, their hair and nails kept growing. Like starlight, travelling through the universe long after the stars themselves had died. Like cities. Fizzy, effervescent, simulating the illusion of life while the planet they had plundered died around them.

She thought of the city at night, of cities at night. Discarded constellations of old stars, fallen from the sky, rearranged on Earth in patterns and pathways and towers. Invaded by weevils that have learned to walk upright.

Where do you go if you don’t belong anywhere? If I wanted to run away then why come to the city? Because this is the place to hide. This is the place to be invisible. Anyone can be no one here, and I am someone that wants to be no one.

Streets that follow like a tedious argumentOf insidious intentTo lead you to an overwhelming question...

To love is to destroy, and that to be loved is to be destroyed

I could hear it from far away, that sound which only very big cities can produce: a sound consisting of all sounds rolled into one: the hum of voices and the cries of animals, bells ringing and the chink of coins, children's laughter and hammers beating metal, knives and forks clattering and a thousand doors slamming - the grandiose sound of life, of birth and death, itself.

But this city is a world of its own, a country within a country. People are used to taking the old and making it news; and used, too, to taking the new and making it old. Every glass of water from its taps, it is said, has passed six times through the kidneys of another, and every scrap of its land has been trodden on, fought over, dug up and broken down for centuries.

I like the idea of living in a city - any city, especially a strange one - like the thought of traffic and crowds, of working in a bookstore, waiting tables in a coffee shop, who knew what kind of odd, solitary life I might slip into? Meals alone, waling the dogs in the evenings; and nobody knowing who I was.

There are times when Los Angeles is the most magical city on Earth. When the Santa Ana winds sweep through and the air is warm and so, so clear. When the jacaranda trees bloom in the most brilliant lilac violet. When the ocean sparkles on a warm February day and you're pushing fine grains of sand through your bare toes while the rest of the country is hunkered down under blankets slurping soup. But other times, like when the jacaranda trees drop their blossoms in an eerie purple rain, Los Angeles feels like only a half-formed dream. Like perhaps the city was founded as a strip mall in the early 1970s and has no real reason to exist. An afterthought from the designer of some other, better city. A playground made only for attractive people to eat expensive salads.

She knows she is in Chicago. But she does not yet realize that she is in Illinois.

Allowing ourselves to become pure point of view, we hang in midair over the city. What we see now is a gigantic metropolis waking up. Commuter trains of many colors move in all directions, transporting people from place to place. Each of those under transport is a human being with a different face and mind, and at the same time each is a nameless part of the collective identity. Each is simultaneously a self-contained whole and a mere part. Handling this dualism of theirs skillfully and advantageously, they perform their morning rituals with deftness and precision: brushing teeth, shaving, tying neckties, applying lipstick. They check the morning news on TV, exchange words with their families, eat, defecate.

for the first time I am confronted with the fact that places and people are like things: both made of memories and meaningful to us in the same way: we construct ourselves in our conversations with them.

It is not an individual act, architecture. You have to consider your client. Only out of that can you produce great architecture. You cannot work in the abstract.

Life is architecture and architecture is the mirror of life.

He needed to get away from the rush of the city, from the unceasing noise and annoying obligations.

I was born in a slum, but the slum wasn't born in me.

a city is all about how you look at it

My dear, you are not one person. You have many people in you, and each one can ask only some kinds of questions.

Let's do it right. This is for the ages.

You cannot defend your design without knowing what you're designing for.

Well, maybe it started that way. As a dream, but doesn’t everything. Those buildings. These lights. This whole city. Somebody had to dream about it first. And maybe that is what I did. I dreamed about coming here, but then I did it.

this was an environment built, not for man, but for man's absence.

Without knowing it, he had constructed a gigantic vertical zoo, its hundreds of cages stacked above each other. All the events of the past few months made sense if one realised that these brilliant and exotic creatures had learned to open the doors.

the ragged skyline of the city resembled the disturbed encephalograph of an unresolved mental crisis.

It's a strange city... filled with things that are not obvious.

If you don’t hear the crows of the roosters in the mornings, you are one cursed city fellow!

When I come back to you, if I come back to you, will I know you? Will you be the city of my memory? Or will you be a stranger?

I will not see you, she tells the city, but I will remember you.

All night, snow.Open the window,stretch my arms out.Keep my eyes openin the white, whipping wind.There are few cars on the highway.The river's frozen in places.In a city that never stops,I can hardly hear anything.For tonight, the city gives mewhat I need.

The best thing to be in a city was anonymous. Failing that, however, notoriety would do.

An age-old city is like a pond. With its colours and reflections. Its chills and murk. Its ferment, its sorcery, its hidden life.A city is like a woman, with a woman’s desires and dislikes. Her abandon and restraint. Her reserve - above all, her reserve.To get to the heart of a city, to learn its most subtle secrets, takes infinite tenderness, and patience sometimes to the point of despair. It calls for an artlessly delicate touch, a more or less unconditional love. Over centuries.Time works for those who place themselves beyond time.You’re no true Parisian, you do not know your city, if you haven’t experienced its ghosts. To become imbued with shades of grey, to blend into the drab obscurity of blind spots, to join the clammy crowd that emerges, or seeps, at certain times of day from the metros, railway stations, cinemas or churches, to feel a silent and distant brotherhood with the lonely wanderer, the dreamer in his shy solitude, the crank, the beggar, even the drunk - all this entails a long and difficult apprenticeship, a knowledge of people and places that only years of patient observation can confer.

My visage high above your city,Shines like gold, but half as pretty.Arms I've none, but hands I've two:Mondo, mini, black not blue.Climb my stairs and have no fears, All that threatens are my gears.Tucked beneath the mightly wheel,An envelpe shall truth reveal.

Although my father had never been there, I came to believe I would someday see that city for him.

I could decorate a whole city with books!

We get so used to the gregarious nature of our towns and villages that we forget how crowded our existence has become.

There are great roads, beautiful bridges, lovely parks, gorgeous gardens and wonderful buildings in a big city. But there is something missing, something very important: The spirit of nature!

Every city has a single word that defines it, that identifies most poeple who live there. If you could read people's thoughts as they were passing you on the streets of any given place, you would discover that most of them are thinking the same thought. Whatever that majority thought might be - that is the word of the city. And if your personal word does not match the word of the city, then you don't really belong there.

I think no matter where you go, you'll be happy as long as you know why you're there.

...all this convinced him that he had come to one of those revolting havens where pathetic depravity makes its abode, born of tawdry education and the terrible populousness of the capital. One of those havens where man blasphemously crushes and derides all the pure and holy that adorns life, where woman, the beauty of the world, the crown of creation, turns into some strange, ambiguous being, where, along with purity of soul, she loses everything feminine and repulsively adopts all the mannerisms and insolence of a man, and ceases to be that weak, that beautiful being so different from us.

Since its sudden birth the city had expanded, swallowing up acre upon acre of the surrounding grasslands and drawing thousands into its domain. Hardly built on the most advantageous ground, miles from the open waters, decades from the mines at the mountain summits, it yet remained the only settlement of note on the isle. This sprawling mass of a city, once a compact kingdom, was now the keystone of the Castilian Empire.

It is perfectly banal to establish a city in the middle of nature but it is perfectly extraordinary to establish nature in the middle of a city! Ordinary nations do the first, extraordinary nations do the second!

And when spring comes to the City people notice one another in the road; notice the strangers with whom they share aisles and tables and the space where intimate garments are laundered. going in and out, in and out the same door, they handle the handle; on trolleys and park benches they settle thighs on a seat in which hundreds have done it too. Copper coins dropped in the palm have been swallowed by children and tested by gypsies, but it’s still money and people smile at that. It’s the time of year when the City urges contradiction most, encouraging you to buy street food when you have no appetite at all; giving you a taste for a single room occupied by you alone as well as a craving to share it with someone you passed in the street. Really there is no contradiction—rather it’s a condition; the range of what an artful City can do. What can beat bricks warming up to the sun? The return of awnings. The removal of blankets from horses’ backs. Tar softens under the heel and the darkness under bridges changes from gloom to cooling shade. After a light rain, when the leaves have come, tree limbs are like wet fingers playing in woolly green hair. Motor cars become black jet boxes gliding behind hoodlights weakened by mist. On sidewalks turned to satin figures move shoulder first, the crowns of their heads angled shields against the light buckshot that the raindrops are. The faces of children glimpsed at windows appear to be crying, but it is the glass pane dripping that makes it seem so.

The silhouettes of Lovat now dominated the skyline. Nine levels stretching skyward. Five hundred meters high at its apex. Each level housing buildings of various sizes sagged on the backs of buildings below. Thousands of sodium lamps twinkled in their recesses.Lovat was the oldest and largest city on the coast, and it showed its age by the haphazard mess it had become. Roads rose and dipped, elevators and staircases criss-crossed, and floors would end and then begin across the city leaving large empty spaces between levels.

Everything has been planned. The ascent will be completed in two days’ time. He will climb another one hundred floors today. Another hundred the next day. He does not want to take the lift. The rush of life causes people to drown in the temporary. He wishes to dip into eternity before he leaves.

For him, the kampung was a place to live and work that was based on a steadfast and intimate relationship between man and nature. The village was a true reflection of life in the tropics.

This is what I’ve always loved about a city, all the worlds hidden away inside, largest of aquariums.

Nice is a city of ghosts and specters, but I hope not to become one of them right away.

What is the purpose of a city if not to grant the greatest of gifts, anonymity?

There’s a saying that all roads lead to Ankh-Morpork, greatest of Discworld c

Never follow the crowd....Until and unless you're crossing the road...

Cities also believe they are the work of the mind or of chance, but neither the one nor the other suffices to hold up their walls. You take delight not in a city's seven or seventy wonders, but in the answer it gives to a question of yours. or to the question it asks you, forcing you to answer, like Thebes through the mouth of the Sphinx.

So now I lye by Day and toss or rave by Night, since the ratling and perpetual Hum of the Town deny me rest: just as Madness and Phrensy are the vapours which rise from the lower Faculties, so the Chaos of the Streets reaches up even to the very Closet here and I am whirl'd about by cries of Knives to Grind and Here are your Mouse-Traps. I was last night about to enter the Shaddowe of Rest when a Watch-man, half-drunken, thumps at the Door with his Past Three-a-clock and his Rainy Wet Morning. And when at length I slipp'd into Sleep I had no sooner forgot my present Distemper than I was plunged into a worse: I dreamd my self to be lying in a small place under ground, like unto a Grave, and my Body was all broken while others sung. And there was a Face that did so terrifie me that I had like to have expired in my Dream. Well, I will say no more.

I walked the streets and tasted the golden sun that lay across the city.

Is your life really so bad? This city is full of opportunities –”“Can you call it a city?” Marcus asked. “No gymnasium, no theatre, no forum? Where is the life a Roman man should lead?

A man should never wear shorts in the city. Flip-flops and shorts in the city are never appropriate. Shorts should only be worn on the tennis court or on the beach.

@K11, Urban farming; It’s something nice and warm for families and kids, but also references elements of the city. Urban Farming is very important for Shanghainese people because the city has lost its connection with nature. When you buy fruit or vegetables it’s just that - a product - for kids and us, we wanted to reconnect this with the amazing process of growing plants. People need this, urban farming connects people with their roots. In this way it’s also educational

Who said Hong Kong too small? In size perhaps but not in it`s soul and personality. Every corner in this city giving you full of surprises, if not every hour but at least every day….

…my books are derived from city images, and the city of my dreams or nightmares is Mexico City. (The Art of Fiction, No. 68. The Paris Review, No. 82, Winter 1981.)

In photographs taken from the sky, cities resembled circuit boards. It was no surprise, really, that there were sparky misfirings, dangerous connections. Even traffic, Alice concluded, set up a kind of static in the air, let loose vibrations and uncontainable agitation. Freighted with more than they could absorb, with city intentions, citizens moved in designs of inexplicable purpose.

New York had saved him, in a very real way. It had pushed and prodded him with its impatient and sharp fingers, reminding him on a daily basis during that jittery first year that it didn't really give a goddamn whether he sank or swam. He liked its selfishness and its generosity and its propensity for flipping the bird to the rest of the world.

Three years in London had not changed Richard, although it had changed the way he perceived the city. Richard had originally imagined London as a gray city, even a black city, from pictures he had seen, and he was surprised to find it filled with color. It was a city of red brick and white stone, red buses and large black taxis, bright red mailboxes and green grassy parks and cemeteries.It was a city in which the very old and the awkwardly new jostled each other, not uncomfortably, but without respect; a city of shops and offices and restaurants and homes, of parks and churches, of ignored monuments and remarkably unpalatial palaces; a city of hundreds of districts with strange names - Crouch End, Chalk Farm, Earl's Court, Marble Arch - and oddly distinct identities; a noisy, dirty, cheerful, troubled city, which fed on tourists, needed them as it despised them, in which the average speed of transportation through the city had not increased in three hundred years, following five hundred years of fitful road-widening and unskillful compromises between the needs of traffic, whether horse-drawn, or, more recently, motorized, and the need of pedestrians; a city inhabited by and teeming with people of every color and manner and kind.

He realised that in a town a man cannot live as he wishes, but as other people wish.

Well… er -”“Expecting a rescue is beyond hope under the circumstances!” Sam Barthoff, Mayor of Atro City, interrupted grimly, throwing up his hands in hopelessness. “Hopeless!

The San Francisco skyline sparkles in the distance, the bay spread out before it like a shark-infested welcome mat.

In our broad sweep, the city looks like a single gigantic creature - or more like a single collective entity created by many intertwining organism. Countless arteries stretch to the ends of its elusive body, circulating a continuous supply of fresh blood cells, sending out new data and collecting the old, sending out new consumables and collecting the old, sending out new contradictions and collecting the old. To the rhythm of its pulsing, all parts of the body flicker and flare up and squirm. Midnight is approaching, and while the peak of activity has passed, the basal metabolism that maintains life continues undiminished, producing the basso continuo of the city's moan, a monotonous sound that neither rises nor falls but is pregnant with foreboding.

The city had been built by people from innumerable elsewheres. It was a chaos of cultures ordered only by its long streets. It belonged to no one and never would, or maybe it was a million cities in one, unique to each of its inhabitants, belonging to whoever walked its streets.

A city is more than a place in space, it is a drama in time

We all tend to think of ourselves as the last unsinning inhabitants of whatever place we live in. We don't usually recognize ourselves as participants in its destruction.

There seems to be a different Chicago around every street corner, behind every bar, and within every apartment, two-flat, cottage, or bungalow. City of immigrants or city of heartless plutocrats, say what you will, Chicago almost defies interpretation. In many ways Chicago is like a snake that sheds its skin every thirty years or so and puts on a new coat to conform to a new reality.

An advanced city is not a place where the poor move about in cars, rather it’s where even the rich use public transportation

Ah, what sights and sounds and pain lie beneath that mist. And we had thought that our hard climb out of that cruel valley led to some cool, green and peaceful, sunlit place---but it's all jungle here, a wild and savage wilderness that's overrun with ruins. But put on your crown, my Queen, and we will build a New City on these ruins.

What are you thinking?” he asked in a disarmingly gentle tone.“That the city looks different depending on whom I’m seeing it with.”He nodded easily, as if this same thought had occurred to him. “I notice different things,” I continued. “Like with you, I pay more attention to the details of the buildings – the textures, the colors, the people standing in front of them. The reflections are different.”“Reflections?” he asked quietly.“They are.” I watched our bodies morph and distort in the window of an empty bank. “You’re there,” I said. “That’s how they’re different.

A city finds its life through the humans who inhabit it. When they go, what is truly left? Just silent stones, witnesses to the history but mute in its telling, remaining thus while slowly turning to rubble. It saddens me that life’s moments are thus lost, that one cannot experience the past in the same rich vibrancy as the present. You live the moments and then relegate them to memory, now just two-dimensional shadows, pictures without depth, stripped of their purest emotion, their tactile connections no longer accessible. You try to recall, but can bring back only a fraction of the event lived. The rest is gone, never to be as full and complete as it was in that one place at that one time. That was what I thought as I studied these stone remains; that all the tangible things experienced here abide somewhere in time, but can never again be wholly re-animated, now just ghosts imbedded in the crumbling walls and in the fading memories of those who once lived here.

For a city to be beautiful, it must have a mysterious air!

A city full of art is a city full of wit!

Vasco bought a bottle of vodka to celebrate and they drank it in the old sailors' graveyard in Mangrove South. This was where the funeral business had first put down its roots. Over the wall, between two warehouses, Jed could just make out the Witch's Fingers, four long talons of sand that lay in the mouth of the river. Rumour had it that, on stormy nights a century ago, they used to reach out, gouge holes in passing ships, and drag them down. Hundreds of wrecks lay buried in that glistening silt. The city's black heart had beaten strongly even then. There was one funeral director, supposedly, who used to put lamps out on the Fingers and lure ships to their doom.

He was dropped under a streetlamp, the only person left on the bus. A patch of mauled light. Gritty pavement, scarred with a million cigarette burns. Weeds and spit and oil. Place like this, the only glitter was the knife just before it sank in. Place like this, there wasn't any gold.

The man slips along the stoically congealed houses Perpendicular like them A moving ornament Burning fiction His fragility contradicts the duration of his torments

You can never make a city as clean as the nature itself. To do this, you must completely demolish the city and convert it into the pure nature.

I'm in love with New York. It matches my mood. I'm not overwhelmed. It is the suitable scene for my ever ever heightened life. I love the proportions, the amplitude, the brilliance, the polish, the solidity. I look up at Radio City insolently and love it. It's all great, and Babylonian. Broadway at night. Cellophane. The newness. The vitality. True, it is only physical. But it's inspiring. Just bring your own contents, and you create a sparkle of the highest power. I'm not moved, not speechless. I stand straight, tough and I meet the impact. I feel the glow and the dancing in everything. The radio music in the taxis, scientific magic, which can all be used lyrically. That's my last word. Give New York to a poet. He can use it. It can be poetized. Or maybe that's mania of mine, to poetize. I live lightly, smoothly, actively, ears or eyes wide open, alert, oiled! I feel the glow and the dancing in every thing and the tempo is like that of my blood. I'm at once beyond, over and in New York, tasting it fully.

In New York there is always something to look at, but it is all infinitely more interesting through a window in the backseat of a limousine.

Chicago does not go to the world, the world comes to Chicago! Who needs New York? Who has taller buildings than our tall buildings? Who's got a busier airport than our airport? You want Picasso? We got Picasso, big Picasso. Nobody can make heads or tails of it. It's a lion? No, a seahorse. Looks to me like a radiator with wings. Who gives a damn, people, a Picasso's a Picasso.

The City is free of sinThe snow has given it absolution A man who slips A horse that fallsOh no, the city is in a nightgown

I belong here, I tell Toy. I'm hungry for every city block. Every brick building. Every crowded intersection. Electric. I feel brand new.

Do you remember the long orphanage of the train stationsWe crossed cities that turn-tabled all dayAnd vomited at night the sunshine of the day ("The Voyager")

The brown book I carry says there is nothing stranger than to explore a city wholly different from all those one knows, since to do so is to explore a second and unsuspected self. I have found a thing stranger: to explore such a city only after one has lived in it for some time without learning anything of it.

Every inch of space was used. As the road narrowed, signs receded upwards and changed to the vertical. Businesses simply soared from ground level and hung out vaster, more fascinatingly illuminated shingles than competitors. We were still in a traffic tangle, but now the road curved. Shops crowded the pavements and became homelier. Vegetables, spices, grocery produce in boxes or hanging from shop lintels, meats adangle - as always, my ultimate ghastliness - and here and there among the crowds the alarming spectacle of an armed Sikh, shotgun aslant, casually sitting at a bank entrance. And markets everywhere. To the right, cramped streets sloped down to the harbor. To the left, as we meandered along the tramlines through sudden dense markets of hawkers' barrows, the streets turned abruptly into flights of steps careering upwards into a bluish mist of domestic smoke, clouds of washing on poles, and climbing. Hong Kong had the knack of building where others wouldn't dare.

You know," he said, his voice making me feel cold in spite of the heat, "this city can get ahold of you and pull you back no matter how hard you try to climb out. Like a grave.

The ride had begun.The theatre and club spectaculars seemed to stick up into the sky at all sorts of crazy angles, probably because most of them were planted diagonally on rooftops. Follow Thru, Whoopee, Show Boat, El Fay Club, Club Richman, Texas Guinan's. It gave the town the appearance of standing on its ear. ("The Number's Up")

One is too precious about the past, the other too hungry for the future. One arm being dragged into the past by the ethics of historic preservation, the other being yanked towards a hopeful (bigger, brighter, better) future.

For brick and mortar breed filth and crime,With a pulse of evil that throbs and beats;And men are whithered before their primeBy the curse paved in with the lanes and streets.And lungs are poisoned and shoulders bowed, In the smothering reek of mill and mine;And death stalks in on the struggling crowd—But he shuns the shadow of the oak and pine

This muck heaves and palpitates. It is multi-directional and has a mayor.

But there was nothing. No village or town as far as her eyes could strain. Nowhere for her saviours to come from and take her to; just fields and trees and the weeping arc of the river Greave all the way to the horizon. Just like in the books, Greaveburn was all there was; building and building until streets were foundations, roofs were floors, constantly climbing away from itself. now that Abrasia saw it, her dream of escape crumbled completely like an ancient map in her fingers. The horizon was the world's edge and there was nothing beyond it but mist and falling.Greaveburn stood alone on this little circle of earth, the river running around and into itself like a snake eating its tail. And Abrasia was doomed to watch the sun and stars trade places for all eternity.