Stop fighting me!" he said, trying to pull on the arm he held.He was in a precarious position himself, straddling the rail as he tried to lean over far enough to get me and actually hold onto me.“Let go of me!” I yelled back.But he was too strong and managed to haul most of me over the rail, enough so that I wasn’t in total danger of falling again.See, here’s the thing. In that moment before I let go, I really had been contemplating my death. I’d come to terms with it and accepted it. I also, however, had known Dimitri might do something exactly like this. He was just that fast and that good. That was why I was holding my stake in the hand that was dangling free.I looked him in the eye. "I will always love you."Then I plunged the stake into his chest.It wasn’t as precise a blow as I would have liked, not with the skilled way he was dodging. I struggled to get the stake in deep enough to his heart, unsure if I could do it from this angle. Then, his struggles stopped. His eyes stared at me, stunned, and his lips parted, almost into a smile, albeit a grisly and pained one."That’s what I was supposed to say. . .” he gasped out.Those were his last words.
Science is not a democracy. Therefore to try to pass of global warming as real just because "98% of scientists say they agree" makes no sense at all. If 98% of psychiatrists said that all mentally ill people needed lobotomized, does that make it true? If 98% of your friends jumped off a building, would you jump, too?
Once upon a time there were two countries, at war with each other. In order to make peace after many years of conflict, they decided to build a bridge across the ocean.But because they never learned each other’s language properly, they could never agree on the details, so the two halves of the bridge they started to build never met.To this day the bridge extends far into the ocean from both sides, and simply ends half way, miles in the wrong direction from the meeting point.And the two countries are still at war.
Poetry isn’t an island, it is the bridge. Poetry isn’t a ship, it is the lifeboat. Poetry isn’t swimming. Poetry is water.
The hours tick by as I lie in bed.Memories keep surfacing, tormenting me into unbelievable sadness. I can't bring myself to move. I can't fight the memories that keep filling my thoughts. I stay curled in the fetal position as each memory plays out. I can't stop them from coming. I can't make them go away. Nothing can distract me. I can't block the memories, so they continue to come.
I'm being pulled under - father and farther from the surface. My lungs continue to scream for air. Panic is building inside me, threatening to combust. I can't break free.Help! I can't break free!I open my mouth to scream.
One of his hands move away from my face to flatten against my back, pulling me closer to him as he deepens the kiss. He parts my lips under his as my mind seems to sign quietly in content. I kiss him back as fiercely as he kisses me, unable to control the infatuation that rushes through me - feeling almost like fireworks. Not so careful anymore.Little shivers of urgency shoot through me. I push off the window, pressing closer to him. The rush of sensation that is coursing through me feels like I've drunk a gallon of coffee. It feels like an electric buzz is flooding between us.
Night has settled over Paris.The streets have cleared of the crowds, and the city has been lit up. I set my book down, deciding to go for a walk. The Eiffel Tower is only a few blocks away. Now that there aren't many people out, I can walk there without having to fight my way through mobs of gawking tourists.
He drinks his coffee tentatively, glancing at me every few seconds, watching me. Every time he glances in my direction, I quickly turn away though he obviously knows I'm watching him. I know he's wondering why I'm staring at him, but he doesn't ask.I finally take a sip of coffee, set the mug back on the table, and voice what's on my mind, "I want to draw you.
He stares at me—taking me in—with his lips slightly parted. I struggle to hold myself in place as we gawk at each other. I want so desperately to run, but something is holding me back, keeping me in place.
Every gesture and every look he gives me takes me by surprise and causes my heart to stutter.
I freeze, my feet suddenly glued to the floor. It takes me a minute to gather the courage to turn around, but when I do, I immediately wish I hadn't. The boy is standing in the doorway at the end of the hall.Why is he here again? I barely allow myself time to ask the question before I move. Panicked, I turn and run back downstairs as fast as I can."Hey! Wait!" he calls after me.I don't stop.
I grab the nearest lamppost when my knees threaten to give out, panting for breath as the words rip through me
I take in all the colorful locks that line the bridge. Each one told a story. Each lock represented a relationship that was once special, whether it ended or turned into true happiness. The locks represented a past, present, and a possible future.
When we step onto the bridge, Nathan turns and spreads his arms out wide. ‘Welcome to Pont des Arts, a.k.a. The Lock Bridge.
The boy took my sketchbook.
I head in the direction of the Eiffel Tower when I exit the alley, relieved to be out of the dark.
He smirks, shaking his head and letting his eyes wander. I watch him carefully, wondering what I can say to get him to leave. “I’m not leaving until you answer some questions. Plus, I’m holding your sketchbook hostage, so you might want to cooperate.” I raise an eyebrow at him. I guess there isn’t much I can say. “This isn’t a hostage negotiation.” He chuckles half-heartedly as his eyes take me in, almost sizing me up. “I guess I should introduce myself.” He holds a hand out for me to shake. “I’m Nathan.” I stare at his hand for a moment. “Taylor,” I reply, meeting his eyes again without taking his hand. He lets his hand fall back to his side. “At least I got you to say something non-hostile.” “I haven’t been hostile,” I object. His eyebrows shoot up. “Oh, haven’t you?” “Why don’t you leave me alone?” I snap. “Leave and don’t come back.” I move passed him, heading for my apartment. He can’t follow and annoy me if I lock the door. “Where are you going?” he demands. I look back over my shoulder and roll my eyes at him, indicating the answer should be obvious: anywhere he isn’t. Once inside, I slam the door behind me. “That was totally not hostile!” he calls after me, sarcastically. I quickly head for my bedroom door, slamming it, too.
We are taught to fear anything that can bring us closer to death — to keep us from taking huge leaps that involve risk. The only thing you should fear in this lifetime is not taking risks while you are living. I do not mean to go jump off a bridge. I mean, to go all out to reach your dreams, to dare to do things you typically would not do out of fear. Pain has a threshold and so does death. Fear neither, and never fear what has no right to be feared.
It feels like spoken words, this bridge. I want it but fear it. God, I want so desperately to reach the other side - just like I want the words. I want my words to build bridges strong enough to walk on. I want them to tower over the world so I can stand up on them and walk to the other side.
The longer you remain distant, the deeper, wider, and darker the chasm becomes making it all the more difficult to bridge.
Houses built on bridges are scandals. A bridge wants to not be. If it could choose its shape, a bridge would be no shape, an unspace to link One-place-town to Another-place-town over a river or a road or a tangle of railway tracks or a quarry, or to attach an island to another island or to the continent from which it strains. The dream of a bridge is of a woman standing at one side of a gorge and stepping out as if her job is to die, but when her foot falls it meets the ground right on the other side. A bridge is just better than no bridge but its horizon is gaplessness, and the fact of itself should still shame it. But someone had built on this bridge, drawn attention to its matter and failure. An arrogance that thrilled me.
The bridge of grace will bear your weight, brother. Thousands of big sinners have gone across that bridge, yea, tens of thousands have gone over it. Some have been the chief of sinners and some have come at the very last of their days but the arch has never yielded beneath their weight. I will go with them trusting to the same support. It will bear me over as it has for them.
Philosophy may serve as the bridge between theology and science. All atheism is a philosophy, but not all philosophy is atheism. Philosophy ('love of wisdom') is simply a tool depending on how one uses it, and in some cases, logically understanding the nature of God and existence.
Captain Harald Biscay rubbed his graying temples, staring deep in thought at the vast star field showing on the large navigation display on the bridge. It had been a pretty rough few days for him. Of all the things he’d seen in his travels through the universe, not many rated worthy of being remembered. Of the few examples of items Captain Biscay rated that highly, when he was a young man, his uncle would often play the bagpipes at strange hours of the night – shortly before being put in a ‘home’. That rated a mention.
Ortez sauntered over to the nearest wall intercom. "Bridge, this is the captain -- what the hell's going on up there? I didn't schedule a combat drill for today." Hell, it occurred to him -- he hadn't scheduled any kind of drill for at least four months. On the other end of the line, young 2nd lieutenant Cedric Pankow, the com officer, let it fall.
On the way we talked about the road sign Bridge Ices Before Road. I always wondered, If that's a problem, why don't they just build the bridge out of the same stuff they use to build the road? Drema explained that the bridge isn't made out of different material than the road, but that the bridge ices quicker because it's alone, hanging there without the land under it to keep it warm.
And out floated Eeyore. "Eeyore!" cried everybody. Looking very calm, very dignified, with his legs in the air, came Eeyore from beneath the bridge. "It's Eeyore!" cried Roo, terribly excited. "Is that so?" said Eeyore, getting caught up by a little eddy, and turning slowly round three times. "I wondered." "I didn't know you were playing," said Roo. "I'm not," said Eeyore. "Eeyore, what are you doing there?" said Rabbit. "I'll give you three guesses, Rabbit. Digging holes in the ground? Wrong. Leaping from branch to branch of a young oak-tree? Wrong. Waiting for somebody to help me out of the river? Right. Give Rabbit time, and he'll always get the answer." "But, Eeyore," said Pooh in distress, "what can we--I mean, how shall we--do you think if we--" "Yes," said Eeyore. "One of those would be just the thing. Thank you, Pooh.
Life can be generous, but leaves us with a trilemma: How can we reconcile three diverse features: ‘I’, 'me' and the 'others'. Since the “I” entails what I want; the “me” what others expect of me and the “others” what others themselves want. The bridges between "individuality", “surroundings” and "otherness" can be abysmal and very often waiting to be restored. (“I am on my own side, but I can listen “ )
He stares at me—taking me in—with his lips slightly parted. I struggle to hold myself in place as we gawk at each other. I want so desperately to run, but something is holding me back, keeping me in place.
Not many Ruminarii warships had ever been captured intact by any enemy, and so for those the Ruminarii “invited” aboard their vessels, this was usually a one-way sight-seeing trip. For those who really want to know, Ruminarii Hammerheads have an extensive corridor network, the interior walls are heavily decorated, savagely militaristic and inevitably, close together. He strode down one. Lesser ranks seeing him, fell to the deck and groveled like their fingernails depended on it. There was a chorus of shrieks and whimpers as he passed. When he arrived on the bridge, everyone was face down on the deck, each endeavoring to grovel lower than the next. Nothing like discipline to keep the crew in its place.