The leaves of the world comprise countless billion elaborations of a single, simple machine designed for one job only – a job upon which hinges humankind. Leaves make sugar. Plants are the only things in the universe that can make sugar out of nonliving inorganic matter. All the sugar that you have ever eaten was first made within a leaf. Without a constant supply of glucose to your brain, you will die. Period. Under duress, your liver can make glucose out of protein or fat – but that protein or fat was originally constructed from a plant sugar within some other animal. It’s inescapable: at this very moment, within the synapses of your brain, leaves are fueling thoughts of leaves.
That's old Twoflower, Rincewind thought. It’s not that he doesn’t appreciate beauty, he just appreciates it in his own way. I mean, if a poet sees a daffodil he stares at it and writes a long poem about it, but Twoflower wanders off to find a book on botany. He just looks at things, but nothing he looks at is ever the same again. Including me, I suspect.
Improving upon nature is the very essence of plant breeding, and so it goes to the heart of one of the central debates of the human condition: the relationship between humanity and nature and the degree to which the human race has a right (or indeed a responsibility) to change plant life for its own ends.
Sometimes shows became almost obsessively obscure, as with the gooseberry (Ribes uva-crispa) shows of nineteenth-century Britain, when workingmen in the industrial counties of northern England and the Midlands formed themselves into societies, constituted with presidents, secretaries, and stewards, for the purpose of running gooseberry shows—weight being the decisive factor. Quite why this fruit, always something of a minority taste, should become the subject of what only could be described as a cult remains a mystery.
To Tree’s surprise, e could still feel the blade of Univervia that was on the deer’s tongue. And the feelings that came at Tree were fast, intense and surprising. The whole blade lay languid, surrendering as the tongue mashed the strands of grass up to the roof of the doe’s mouth. Then the deer twisted the grass sideways and ground teeth into the grass. As the grass was destroyed, each cell popped and gave shots of grass life-force into the hungry deer, in little pops of ecstatic release. The whole thing happened as swiftly as a string of firecrackers going off into light and smoke, leaving behind a dull residue that gave no sense of the evanescent beauty that had been enchanting the air only moments before. Tree felt this chunk of Univervia embrace willful dissolution and then suddenly all these little pieces that had been integrated into Univervia were separated into something like ananda, the joy which powers the universe and then... then the grass was deer.
A book about books is like a poem about poetry:Books are knowledge, paid for, all.Readers - horses in a stall.Stallions should always run.Lest they stale become, in turn.Running waters are most clear.In some books, you disappear –lose yourself, and track of time.How I wish that one was mine...Mine, to have, to write, to read...Mine, just like a flying steed.Mine, forever, - to improve.Would I then, of me, approve?I would not, I can't... myself.I'm but dust, swept off a shelf.Fly, can I, just 'til I'm settled,down, beside my flower, petalled.
I got into magic because I got into alchemy. Which I got into because I was into chemistry, which I was learning about because I wanted to get better with botany, which I had taken up studying in an effort to grow some killer weed
The GeraniumWhen I put her out, once, by the garbage pail,She looked so limp and bedraggled,So foolish and trusting, like a sick poodle,Or a wizened aster in late September,I brought her back in againFor a new routine -Vitamins, water, and whateverSustenance seemed sensibleAt the time: she'd livedSo long on gin, bobbie pins, half-smoked cigars, dead beer,Her shriveled petals fallingOn the faded carpet, the staleSteak grease stuck to her fuzzy leaves.(Dried-out, she creaked like a tulip.)The things she endured!-The dumb dames shrieking half the nightOr the two of us, alone, both seedy,Me breathing booze at her,She leaning out of her pot toward the window.Near the end, she seemed almost to hear me-And that was scary-So when that snuffling cretin of a maidThrew her, pot and all, into the trash-can,I said nothing.But I sacked the presumptuous hag the next week,I was that lonely.
I wanted a Fakahatchee ghost orchid, in full bloom, maybe attached to a gnarled piece of custard apple tree, and I wanted its roots to spread as broad as my hand and each root to be only as wide as a toothpick. I wanted the bloom to be snow-white, white as sugar, white as lather, white as teeth. I knew its shape by heart, the peaked face with the droopy mustache of petals, the albino toad with its springy legs. It would not be the biggest or the showiest or the rarest or the finest flower here, except to me, because I wanted it.
The sciences are not sectarian. People do not persecute each other on account of disagreements in mathematics. Families are not divided about botany, and astronomy does not even tend to make a man hate his father and mother. It is what people do not know, that they persecute each other about. Science will bring, not a sword, but peace.
Modern science gives lectures on botany, to show there is no such thing as a flower; on humanity, to show there is no such thing as a man; and on theology, to show there is no such thing as a God. No such thing as a man, but only a mechanism, No such thing as a God, but only a series of forces.
I reached down to feel the soil, and I touched the outreaching roots of the trees that bore horizontally and vertically hundreds of feet through the forest. I stroked the earth with my palm, and I could almost feel that invisible network of capillary roots that sucks moisture and nutrients out of every inch of the soil I was standing on. I breathed in and out. I was part of the forest. I was alive.