However, I don’t understand why people insist on pitting the concepts of evolution and creation against each other. Why can’t they see that spiritualism and science are one? That bodies evolve and souls evolve and the universe is a fluid place that marries them both in a wonderful package called a human being. What’s wrong with that idea?
This is an ode to life.The anthem of the world.For as there are billionsof different stars thatmake up the skyso, too, are there billions of different humans thatmake up the Earth.Some shine brighter but all are made ofthe same cosmic dust.O the joy of beingin life with all these people!I speak of differencesbecause they are there.Like the different organsthat make up our bodies.Earth, itself, is one large body.Listen to how it howlswhen one human isin misery.When one kills another, the Earth feels the pang in itschest. When one orgasms, the Earth craves a cigarette.Look carefully,these animals are beauty spots that make the Earth’s face lovelier and more loveable.These oceans are the Earth’s limpid eyes. These trees, its hair.This is an ode to life.The anthem of the world.I will no longer speak of differences, for the similaritiesare larger. Look even closer. There may bedistances between our limbs butthere are no spaces betweenour hearts. We long to be one.We long to be in nature andto run wild with its wildlife.Let us celebrate life and living, for it is sacrilegious to be ungrateful.Let us play and be playful, for it is sacrilegiousto be serious.Let us celebrate imperfectionsand make existenceproud of us, for tomorrow isdeath, and this is an ode to life. The anthem of the world.
One day, it will all make sense, it will all be revealed. Until then, we learn to live and accept our shadows, our Déjà vu's, our dreams, our intuition that takes us to places that our minds never conceived, our bodies only perceived and our souls gladly remembered. Conversations and experiences amuse me, for I am experimenting with my feelings in ways that I can only do down here. Language makes up for a very interesting, yet bizarre way of putting thoughts into spoken form for the sound to move on in other peoples' ears, but every language, every sound, every word carries with it a long history, a deep culture and the souls of the many people who have previously used it throughout the centuries. Our hearts give us direction, hope and the passion to keep moving forward.. But what we do when they're frozen, broken, torn apart by an unhealthy way of living is what gives us new strength to push forward or kills us completely. Deep inside, we feed the entities that empower the fight between our internal demons and angels. We feed them with our thoughts, our emotions, our self-talk and the external talk that we lower our shields to at times. Whether good or bad, this brings about a change internally and at times there isn't much we can do to protect ourselves. At times, we need to let things be and go along with it. Of course, we're all worried, stressed, confused and lacking direction at times and we're in the same way at peace, stable and walking in the right direction once we get things sorted. Give it some time, give it some light, give it some love. You're not very far away.
Young girls are like helpless children in the hands of amorous men, whatever is said to them is true and whatever manipulation on their bodies seems like love to them, sooner or later, they come back to their senses, but the scars are not dead inasmuch as her spoiler lives.
I came to regard my body in a new light. For the first time I apprehended the little mounds on my chest as teats for the suckling of young, and their physical resemblance to udders on cows or the swinging distensions on lactating hounds was suddenly unavoidable. Funny how even women forget what breasts are for.The cleft between my legs transformed as well. It lost a certain outrageousness, an obscenity, or achieved an obscenity of a different sort. The flaps seemed to open not to a narrow, snug dead end, but to something yawning. The passageway itself became a route to somewhere else, a real place, and not merely to a darkness in my mind. The twist of flesh in front took on a devious aspect, its inclusion overtly ulterior, a tempter, a sweetener for doing the species' heavy lifting, like the lollipops I once got at the dentist.
More often than not, the ideal breast is an invented breast. Decolletage, the tushy breast, is an artifact of clothing. Naked breasts don't dance cheek to cheek--they turn away from each other. Breasts vary in size and shape to an outlandish degree, but they can be whipped into an impressive conformity, and because we are human and we can't leave anything alone, we have whipped away.
I was banished from that world forever, I knew. I couldn't go back now. One day soon I would go away from here entirely; I would leave this house, perhaps never to return.I hugged myself, comforting my fear. Very well then, I thought, I will be my own house. I will build myself a house out of my own flesh and bones where my frightened child-self can find shelter. After all, isn't that one of the things that women do? We are houses for our children, shielding them from harm within the stronghold of our bodies, until they are strong enough to breathe and walk alone. So surely I must be able to give myself shelter now.
I shall treat the nature and power of the Affects, and the power of the Mind over them, by the same Method by which, in the preceding parts, I treated God and the Mind, and I shall consider human actions and appetites just as if it were a Question of lines, planes, and bodies.
He knew how to handle pain. You had to lie down with pain, not draw back away from it. You let yourself sort of move around the outside edge of pain like with cold water until you finally got up your nerve to take yourself in hand. Then you took a deep breath and dove in and let yourself sink down it clear to the bottom. And after you had been down inside pain a while you found that like with cold water it was not nearly as cold as you had thought it was when your muscles were cringing themselves away from the outside edge of it as you moved around it trying to get up your nerve. He knew pain.
How quickly bodies came to love each other, promise themselves to each other always, without asking permission. From the mind! If only she could give up her mind, let her heart swell, inflamed, her brain stepping out for whole days, whole seasons, her work shrinking to limericks.
THOMAS GuiltyOf mankind. I have perpetrated human nature. My father and mother were accessories before the fact, But there’ll be no accessories after the fact, By my virility there won’t! Just see me As I am, like a perambulating Vegetable, patched with inconsequential Hair, looking out of two small jellies for the meansOf life, balanced on folding bones, my sexNo Beauty but a blemish to be hiddenBehind judicious rags, driven and scorched By boomerang rages and lunacies which neverTouch the accommodating artichokeOr the seraphic strawberry beaming in its bed:I defend myself against pain and death by painAnd death, and make the world go round, they tell meBy one of my less lethal appetites:Half this grotesque life I spend in a state Of slow decomposition, using The name of unconsidered God as a pedestal On which I stand and bray that I’m bestOf beasts, until under some patientMoon or other I fall to pieces, Like a cake of dung. Is there a slut would Hold this in her arms and put her lips against it?JENNETSluts are only human. By a quirkOf unastonished nature, your obscene Decaying figure of vegetable funCan drag upon a woman’s heart, as thoughHeaven were dragging up the roots of hell. What is to be done? Something compels us into The terrible fallacy that man is desirable and there’s no escaping into truth. The crimesAnd cruelties leave us longing, and campaigning Love still pitches his tent of light amongThe suns and moons. You may be decay and a platitudeOf flesh, but I have no other such memory of life. You may be corrupt as ancient applies, well thenCorruption is what I most willingly harvest. You are Evil, Hell, the Father of Lies; if soHell is my home and my days of good were a holiday:Hell is my hill and the world slopes away from itInto insignificance. I have come suddenlyUpon my heart and where it is I see no help for.
The global population of Earth are involved in the following corporate government experiments: The long term effects of - 1. Nuclear bomb fallout radiation. 2. Man-made wireless radio frequency (RF) radiation. 3. Exposure to man-made electricity. 4. Eclipsing of the Sun by the International Space Station (ISS), satellites, airplanes and jet aircraft contrails (chemtrails). 5. Eating food forced grown using a variety of toxic industrial chemicals. 6. Adding massive amounts of pollution to the atmosphere and water bodies. 7. Living in metal structures. 8. Exposure to abnormally high solar radiation levels. 9. Relocating to areas that the human has no genetic adaptation to. 10. An indoor lifestyle.
Few travelled in these days, for, thanks to the advance of science, the earth was exactly alike all over. Rapid intercourse, from which the previous civilization had hoped so much, had ended by defeating itself. What was the good of going to Peking when it was just like Shrewsbury? Why return to Shrewsbury when it would all be like Peking? Men seldom moved their bodies; all unrest was concentrated in the soul.
The resurrection of the body - what do we really mean by this? ...Did not the mystics and sages of all times teach us that the positive meaning of death is precisely that it liberates us from the prison of the body, as they say, from this perennial dependency on the material, physical, and bodily life - finally rendering our souls light, weightless, free, spiritual? We [must] consider more profoundly the meaning of the body... We must consider the role of the body in our, in my, life. On the one hand, of course it is entirely clear that all of our bodies are transitory and impermanent. Biologists have calculated that all the cells that compose our bodies are replaced every seven years. Thus, physiologically, every seven years we have a new body. Therefore, at the end of my life the body that is laid in the grave or consumed by fire is no longer the same body as all the preceding ones, and in the final analysis each of our bodies is nothing other than our individual [being] in the world, as the form of my dependence on the world, on the one hand, and of my life and of my activity on the other. In essence, my body is my relationship to the world, to others; it is my life as communion and as mutual relationship. Without exception, everything in the body, in the human organism, is created for this relationship, for this communion, for this coming out of oneself. It is not an accident, of course, that love, the highest form of communion, finds its incarnation in the body; the body is that which sees, hears, feels, and thereby leads me out of the isolation of my *I*. But then, perhaps, we can say in response: the body is not the darkness of the soul, but rather the body is its freedom, for the body is the soul as love, the soul as communion, the soul as life, the soul as movement. And this is why, when the soul loses the body, when it is separated from the body, it loses life.
Are we our bodies? Is a small person less than a big person, then? If we were our bodies, then when we lost an arm, or a leg, would we be less, would we begin to fade from existence? No. We are the same person.We are not our bodies; we are our thoughts. As they form, they define who we are, and create the reality of our existence.
The comedy in our lives was those first few weeks we lived together in Paris: Our bodies desired one another, our souls opened for one another. We experienced all of the happiness and anguish of first love. Those first few weeks in Paris, we barely touched lips; yet the few times we did, it had the force of a collision of stars.
Those who have darkness in their minds turn their bodies into darkness as well! Life is colourful; be like a rainbow, use every colour! Don’t get stuck in one colour, be colourful! Black, red, yellow, green, let all the colours be your colours! Those who have colourful minds will have colourful bodies as well!
We worshipped a great white body that was an avalanche of good news, and we slit it open in every part. “That can’t go through the mail,” the postman gasped, “because that is a super-stabbed body!” The super-stabbed body rose up, with many butterknives sticking out of it, and said, “I AM the mail.” It had so many lovers.
I knelt and locked the door. I locked the door locking the world and time outside. I stretched my body across the mattress and Saskia drew in close to me and placed her open hand on my chest, her mouth near my shoulder; her breath, my breath blew out the candle, and I held my lost Wanderess with tenderness until sweet sleep overcame us.
We are to count on this fact that we are dead to sin's rule, that we can stand up to it and say no. Therefore we are to guard our bodies so that sin does not reign in us. So we see that God has made provision for our holiness. Through Christ He has delivered us from sin's reign so that we can now resist sin. But the responsibility for resisting is ours.
When we die, our bodies turn to dust,” he says. “If you were nobody of consequence, you're forgotten unless you do something worth remembering.” When he looks my way, I purse my lips and look down. “Otherwise, you're just another place marker in the ground. These buildings will rot here, their bodies are above the ground taunting us with what we did wrong as a people. Reminding us of the evil we're capable of. They are constant.
Soon it would be his turn. Kaine wondered how he would meet Death. His ship was a mess, in every sense of the word. Systems were in disarray, damaged equipment malfunctioning, and control panels shattered by blaster-fire littered the decks. In the fighting, severe hull damage had caused parts of the ship to be sealed off. Dead bodies – or raw red chunks of them – lay everywhere. The corridors were dark where the lights had failed. His footsteps echoed eerily as he ran down them. He’d been on the run for what felt like days. He felt naked, his tattered, sweat-drenched tunic clinging to his body, especially under his breastplate. Fatigue had caused him to discard his body amour. It was of no realistic use anyway, and just made him hotter and sweatier, made stealthy movement more difficult – and weighed him down.
[Olive’s] left foot was bleeding through a wide swath of bandages onto the tarp it was resting on. The bowl next to her was full of blood.Olive looked a little pale. “I don’t think I should move,” she said.“What are you doing?” Roger shut the door behind him and stood with his back to it.“I decided I might try to eat my toes,” Olive said, closing her eyes. “But now that I’ve started, I don’t think I should move.”Roger pushed himself off the wall and knelt down next to her. He unbuckled her silver belt and reached with it under her dress. He looped the belt around the top of her leg and tightened it. His hands were not shaking. “Sit on the loose end,” he said, pushing it under her. “I hope that works.”“You brought flowers,” she said, blinking.“Olive,” he said. “You cut off your toes.”She looked down at the bowl. “Are they still toes?” she asked.
What actually happens when you die is that your brain stops working and your body rots, like Rabbit did when he died and we buried him in the earth at the bottom of the garden. And all his molecules were broken down into other molecules and they went into the earth and were eaten by worms and went into the plants and if we go dig in the same place in 10 years there will be nothing except his skeleton left. And in 1,000 years even his skeleton will be gone. But that is all right because he is part of the flowers and the apple tree and the hawthorn bush now.When people die they are sometimes put into coffins which means that they don't mix with the earth for a very long time until the wood of the coffin rots.But Mother was cremated. This means that she was put into a coffin and burnt and ground up and turned into ash and smoke. I do not know what happens to the ash and I couldn't ask at the crematorium because I didn't go to the funeral. But the smoke goes out of the chimney and into the air and sometimes I look up into the sky and I think that there are molecules of Mother up there, or in clouds over Africa or the Antartic, or coming down as rain in rainforests in Brazil, or in snow somewhere.
I didn't just feel it; I recorded each and every sensation. I can replicate each one. I will. I'll play it back plus ten for the pastardthat caused my love to fall. And before they go down, I'll wet the concrete with their brain mattter. I'll explode their marrow out of their bones and make a mess of their capillaries. I'll make a paste of their eyes, Yasmine, I promise. I'll make them bleed from their ears and turn their digestive system against them. They'll digest their own organs. I'll increase their pain receptors so that their clothes feel like sandpaper. I'll make their own breath soun d like a DC-10 is landing in their chest. I'll fill their longs with every excessive fluid in their body I can find. I'll make a decomposing mess of them, I swear I will. They'll pray to gods they don't belive in for the pain to end before I explode each taste bud in their mough and inflame their genitals with the stray parasites they immune system usually fights off.
Let us also acknowledge that the hearts which suffer the most from our wars are those of mothers. Their vital voices have been left out of the political equation for too long. An Iraqi or American mother cries the same as an Israeli or Afghan mother. The eyes of a mother who has suffered the loss of a child can destroy the soul of anyone who gazes upon them. More souls become casualties of war than physical bodies.
Women are understood to have an advantage when it comes to embodiment as by their very nature they are considered to be closer to their bodies, more available to them. So here we have a turning of the tides: rather than the attunement to the body being an obstacle and a curse, it now becomes a spiritual advantage and a way of advancement.