To him she seemed so beautiful, so seductive, so different from ordinary people, that he could not understand why no one was as disturbed as he by the clicking of her heels on the paving stones, why no one else's heart was wild with the breeze stirred by the sighs of her veils, why everyone did not go mad with the movements of her braid, the flight of her hands, the gold of her laughter. He had not missed a single one of her gestures, not one of the indications of her character, but he did not dare approach her for fear of destroying the spell.
She was beautiful, but not like those girls in the magazines. She was beautiful, for the way she thought. She was beautiful, for the sparkle in her eyes when she talked about something she loved. She was beautiful, for her ability to make other people smile, even if she was sad. No, she wasn't beautiful for something as temporary as her looks. She was beautiful, deep down to her soul. She is beautiful.
A fit, healthy body—that is the best fashion statement
It is an absolute human certainty that no one can know his own beauty or perceive a sense of his own worth until it has been reflected back to him in the mirror of another loving, caring human being.
To the people who love you, you are beautiful already. This is not because they’re blind to your shortcomings but because they so clearly see your soul. Your shortcomings then dim by comparison. The people who care about you are willing to let you be imperfect and beautiful, too. (20)
You are beautiful like demolition. Just the thought of you draws my knuckles white. I don’t need a god. I have you and your beautiful mouth, your hands holding onto me, the nails leaving unfelt wounds, your hot breath on my neck. The taste of your saliva. The darkness is ours. The nights belong to us. Everything we do is secret. Nothing we do will ever be understood; we will be feared and kept well away from. It will be the stuff of legend, endless discussion and limitless inspiration for the brave of heart. It’s you and me in this room, on this floor. Beyond life, beyond morality. We are gleaming animals painted in moonlit sweat glow. Our eyes turn to jewels and everything we do is an example of spontaneous perfection. I have been waiting all my life to be with you. My heart slams against my ribs when I think of the slaughtered nights I spent all over the world waiting to feel your touch. The time I annihilated while I waited like a man doing a life sentence. Now you’re here and everything we touch explodes, bursts into bloom or burns to ash. History atomizes and negates itself with our every shared breath. I need you like life needs life. I want you bad like a natural disaster. You are all I see. You are the only one I want to know.
I've always loved strong women, which is lucky for me because once you're over about twenty-five there is no other kind. Women blow my mind. The stuff that routinely gets done to them would make most men curl up and die, but women turn to steel and keep on coming. Any man who claims he's not into strong women is fooling himself mindless; he's into strong women who know how to pout prettily and put on baby voices, and who will end up keeping his balls in her makeup bags.
Everyone has something of beauty about them. But loving lets you look, and look, and look again. You notice the back of a hand, the turn of a head, the way of a walk. When you first love, you look blind and you see it all as the glorious, beloved whole, or a beautiful sum of beautiful parts. But when you see the one you love as pieces, as why's, you can love those parts too, and it's a love at once more complicated and more complete.
To see and feel one's beloved naked for the first time is one of life's pure, irreducible epiphanies. If there is a true religion in the universe, it must include that truth of contact or be forever hollow. To make love to the one true person who deserves that love is one of the few absolute rewards of being a human being, balancing all of the pain, loss, awkwardness, loneliness, idiocy, compromise, and clumsiness that go with the human condition. To make love to the right person makes up for a lot of mistakes.
When you start to really know someone, all his physical characteristics start to disappear. You begin to dwell in his energy, recognize the scent of his skin. You see only the essence of the person, not the shell. That's why you can't fall in love with beauty. You can lust after it, be infatuated by it, want to own it. You can love it with your eyes and body but not your heart. And that's why, when you really connect with a person's inner self, any physical imperfections disappear, become irrelevant.
People accuse me of falling in love easily. It just means that I'm able to see the beauty in most of the people who cross paths with me and I appreciate it for what it is and also for what it isn't. Love is imperfect. Falling for someone's flaws is just as necessary as falling for their strengths. And people like myself, who fall into love easily, are sometimes the loneliest souls around at the end of the day.
Pain is a pesky part of being human, I've learned it feels like a stab wound to the heart, something I wish we could all do without, in our lives here. Pain is a sudden hurt that can't be escaped. But then I have also learned that because of pain, I can feel the beauty, tenderness, and freedom of healing. Pain feels like a fast stab wound to the heart. But then healing feels like the wind against your face when you are spreading your wings and flying through the air! We may not have wings growing out of our backs, but healing is the closest thing that will give us that wind against our faces.
Get Off The Scale!You are beautiful. Your beauty, just like your capacity for life, happiness, and success, is immeasurable. Day after day, countless people across the globe get on a scale in search of validation of beauty and social acceptance.Get off the scale! I have yet to see a scale that can tell you how enchanting your eyes are. I have yet to see a scale that can show you how wonderful your hair looks when the sun shines its glorious rays on it. I have yet to see a scale that can thank you for your compassion, sense of humor, and contagious smile. Get off the scale because I have yet to see one that can admire you for your perseverance when challenged in life.It’s true, the scale can only give you a numerical reflection of your relationship with gravity. That’s it. It cannot measure beauty, talent, purpose, life force, possibility, strength, or love. Don’t give the scale more power than it has earned. Take note of the number, then get off the scale and live your life. You are beautiful!
It’s not that we have to quit this life one day, but it’s how many things we have to quit all at once: music, laughter,the physics of falling leaves, automobiles, holding hands,the scent of rain, the concept of subway trains... if only one could leave this life slowly!
I have an idea that the only thing which makes it possible to regard this world we live in without disgust is the beauty which now and then men create out of the chaos. The pictures they paint, the music they compose, the books they write, and the lives they lead. Of all these the richest in beauty is the beautiful life. That is the perfect work of art.
Life is such unutterable hell, solely because it is sometimes beautiful. If we could only be miserable all the time, if there could be no such things as love or beauty or faith or hope, if I could be absolutely certain that my love would never be returned: how much more simple life would be. One could plod through the Siberian salt mines of existence without being bothered about happiness. Unfortunately the happiness is there. There is always the chance (about eight hundred and fifty to one) that another heart will come to mine. I can't help hoping, and keeping faith, and loving beauty. Quite frequently I am not so miserable as it would be wise to be.
It’s not that we have to quit this life one day, it’s how many things we have to quit all at once: holding hands, hotel rooms, music, the physics of falling leaves, vanilla and jasmine, poppies, smiling, anthills, the color of the sky, coffee and cashmere, literature, sparks and subway trains... If only one could leave this life slowly!
Destiny is real. And she's not mild-mannered. She will come around and hit you in the face and knock you over and before you know what hit you, you're naked- stripped of everything you thought you knew and everything you thought you didn't know- and there you are! A bloody nose, bruises all over you, and naked. And it's the most beautiful thing.
In fact no one recognizes the happiest moment of their lives as they are living it. It may well be that, in a moment of joy, one might sincerely believe that they are living that golden instant "now," even having lived such a moment before, but whatever they say, in one part of their hearts they still believe in the certainty of a happier moment to come. Because how could anyone, and particularly anyone who is still young, carry on with the belief that everything could only get worse: If a person is happy enough to think he has reached the happiest moment of his life, he will be hopeful enough to believe his future will be just as beautiful, more so.
Life is so full of unpredictable beauty and strange surprises. Sometimes that beauty is too much for me to handle. Do you know that feeling? When something is just too beautiful? When someone says something or writes something or plays something that moves you to the point of tears, maybe even changes you.
You have lost your reason and taken the wrong path. You have taken lies for truth, and hideousness for beauty. You would marvel if, owing to strange events of some sorts, frogs and lizards suddenly grew on apple and orange trees instead of fruit, or if roses began to smell like a sweating horse; so I marvel at you who exchange heaven for earth. I don't want to understand you.
On no subject are our ideas more warped and pitiable than on death. ... Let children walk with nature, let them see the beautiful blendings and communions of death and life, their joyous inseparable unity, as taught in woods and meadows, plains and mountains and streams of our blessed star, and they will learn that death is stingless indeed, and as beautiful as life, and that the grave has no victory, for it never fights.
Life may not be pretty but it's always beautiful. We may only see the ugliness on the surface. The shit that only the world chooses to notice. But, if we dig deep, if we get to the heart of life, where there's no pain or fear, where we can just be who we are and love freely without judgement, it's really beautiful.
It’s a secondhand world we’re born into. What is novel to us is only so because we’re newborn, and what we cannot see, that has come before- what our parents have seen and been and done- are the hand-me-downs we begin to wear as swaddling clothes, even as we ourselves are naked. The flaw runs through us, implicating us in its imperfection even as it separates us, delivers us onto opposite sides of a chasm. It is both terribly beautiful and terribly sad, but it is, finally, the fault in the universe that gives birth to us all.
For attractive lips, speak words of kindness.For lovely eyes, seek out the good in people.For a slim figure, share your food with the hungry.For beautiful hair, let a child run his fingers through it once a day.For poise, walk with the knowledge you’ll never walk alone....We leave you a tradition with a future.The tender loving care of human beings will never become obsolete.People even more than things have to be restored, renewed, revived, reclaimed and redeemed and redeemed and redeemed.Never throw out anybody.Remember, if you ever need a helping hand, you’ll find one at the end of your arm.As you grow older, you will discover that you have two hands: one for helping yourself, the other for helping others.Your “good old days” are still ahead of you, may you have many of them.
After sleeping through a hundred million centuries we have finally opened our eyes on a sumptuous planet, sparkling with color, bountiful with life. Within decades we must close our eyes again. Isn’t it a noble, an enlightened way of spending our brief time in the sun, to work at understanding the universe and how we have come to wake up in it? This is how I answer when I am asked—as I am surprisingly often—why I bother to get up in the mornings.
Last nightthe rainspoke to meslowly, saying, what joyto come fallingout of the brisk cloud, to be happy againin a new wayon the earth! That’s what it saidas it dropped, smelling of iron, and vanishedlike a dream of the oceaninto the branchesand the grass below.Then it was over.The sky cleared.I was standingunder a tree.The tree was a treewith happy leaves, and I was myself, and there were stars in the skythat were also themselvesat the momentat which momentmy right handwas holding my left handwhich was holding the treewhich was filled with starsand the soft rain –imagine! imagine! the long and wondrous journeysstill to be ours.
Beauty is the only human aspect which cannot be captured on any canvas howsoever hard an artist tries. At the most, the undaunted artist can replicate the beauty on paper but what is a replica in comparison to the original! The humbling resemblance can only be respected, not truly adored. Beauty cannot be imprisoned in the lens of a camera. The images of beauty are a moment of its essence. Beauty cannot be displayed to evoke pleasure for all on a cinema screen. Those are just its imprints, mere illusions of its existence. Beauty cannot be described by words; it cannot be written or read about. There are no suitable words in all the languages of the world, ancient or modern to hold it between a paper and a pen or a script and an eye. Beauty can only be experienced from far, its delightful aroma can only be tasted through one’s eyes and its pleasurable sight can only be felt from the soul.Beauty can only be best described at its origin through a befuddling silence, the kind that leaves one almost on the verge of a pleasurable death, just because one chooses beauty over life. There is nothing in this world to hold something so pure, so divine except a loving heart. And it is the only manner through which love recognises love; the language of love has no alphabet, no words.
I know. It’s all wrong. By rights we shouldn’t even be here. But we are. It's like in the great stories, Mr. Frodo. The ones that really mattered. Full of darkness and danger they were. And sometimes you didn't want to know the end. Because how could the end be happy? How could the world go back to the way it was when so much bad had happened? But in the end, it’s only a passing thing, this shadow. Even darkness must pass. A new day will come. And when the sun shines it will shine out the clearer. Those were the stories that stayed with you. That meant something, even if you were too small to understand why. But I think, Mr. Frodo, I do understand. I know now. Folk in those stories had lots of chances of turning back, only they didn’t. They kept going, because they were holding on to something.
And if these mountains had eyes, they would wake to find two strangers in their fences, standing in admiration as a breathing red pours its tinge upon earth's shore. These mountains, which have seen untold sunrises, long to thunder praise but stand reverent, silent so that man's weak praise should be given God's attention.
...when he looks at Beauty in the only way that Beauty can be seen - only then will it become possible for him to give birth not to images of virtue (because he's in touch with no images), but to true virtue [arete] (because he is in touch with true Beauty). The love of the gods belongs to anyone who has given to true virtue and nourished it, and if any human being could become immortal, it would be he.
I made art a philosophy, and philosophy an art: I altered the minds of men, and the colour of things: I awoke the imagination of my century so that it created myth and legend around me: I summed up all things in a phrase, all existence in an epigram: whatever I touched I made beautiful
In the most general terms, the Enlightenment goes back to Plato's belief that truth and beauty and goodness are connected; that truth and beauty, disseminated widely, will sooner or later lead to goodness. (While we're making at effort at truth and goodness, beauty reminds us what we're hold out for.)
I count my blessings as follows:1) I'm alive.2) Beauty is in the world all around me.3) I share my love with everyone and not just a select few.4) I give thanks to whoever made and created us no matter which religion it my be.5) I never stop smiling, laughing and being happy.6) I try and help those who need it the most.7) I try not to hate, injure or kill anything or anyone.8) I share what I have even if I don't have a much.9) I write and share my thoughts so that it may bring comfort to other people.10) I never ask for anything for me from anyone.11) I follow the other 10 blessings.
YOU ARE JUSTYou are not just for the right or left,but for what is right over the wrong.You are not just rich or poor,but always wealthy in the mind and heart.You are not perfect, but flawed.You are flawed, but you are just.You may just be conscious human,but you are also a magnificentreflection of God.
I have been finding treasures in places I did not want to search. I have been hearing wisdom from tongues I did not want to listen. I have been finding beauty where I did not want to look. And I have learned so much from journeys I did not want to take. Forgive me, O Gracious One; for I have been closing my ears and eyes for too long. I have learned that miracles are only called miracles because they are often witnessed by only those who can can see through all of life's illusions. I am ready to see what really exists on other side, what exists behind the blinds, and taste all the ugly fruit instead of all that looks right, plump and ripe.
The human ego is the ugliest part of man. We lift up men who only show us darkness, and put down those brave enough to show us the light. Likewise, people engage in darkness when it is light outside, and acknowledge the light only when it is dark. We abandon those fighting for us to cheer behind those fighting against us. And, we only remember good people and God when it is convenient for us, and take them for granted because their doors are always open - only to chase after closed doors and personalities void of substance and truth.
Anya looked upon Nin admirably. Having him as a partner-in-crime—if only on this one occasion, which she hoped would only be the start of something more—was more revitalizing than the cheap thrills of a cookie-cutter shallow, superficial romance, where the top priority was how beautiful a person was on the outside.
Some years ago, there was a lovely philosopher of science and journalist in Italy named Giulio Giorello, and he did an interview with me. And I don’t know if he wrote it or not, but the headline in Corriere della Sera when it was published was "Sì, abbiamo un'anima. Ma è fatta di tanti piccoli robot – "Yes, we have a soul, but it’s made of lots of tiny robots." And I thought, exactly. That’s the view. Yes, we have a soul, but in what sense? In the sense that our brains, unlike the brains even of dogs and cats and chimpanzees and dolphins, our brains have functional structures that give our brains powers that no other brains have - powers of look-ahead, primarily. We can understand our position in the world, we can see the future, we can understand where we came from. We know that we’re here. No buffalo knows it’s a buffalo, but we jolly well know that we’re members of Homo sapiens, and it’s the knowledge that we have and the can-do, our capacity to think ahead and to reflect and to evaluate and to evaluate our evaluations, and evaluate the grounds for our evaluations.It’s this expandable capacity to represent reasons that we have that gives us a soul. But what’s it made of? It’s made of neurons. It’s made of lots of tiny robots. And we can actually explain the structure and operation of that kind of soul, whereas an eternal, immortal, immaterial soul is just a metaphysical rug under which you sweep your embarrassment for not having any explanation.
Finer feeling, which we now wish to consider, is chiefly of two kinds: the feeling of the *sublime* and that of the *beautiful*. The stirring of each is pleasant, but in different ways. The sight of a mountain whose snow-covered peak rises above the clouds, the description of a raging storm, or Milton's portrayal of the infernal kingdom, arouse enjoyment but with horror; on the other hand, the sight of flower strewn meadows, valleys with winding brooks and covered with grazing flocks, the description of Elysium, or Homer's portrayal of the girdle of Venus, also occasion a pleasant sensation but one that is joyous and smiling. In order that the former impression could occur to us in due strength, we must have *a feeling of the sublime*, and, in order to enjoy the latter well, *a feeling of the beautiful*. Tall oaks and lonely shadows in a sacred grove are sublime; flower beds, low hedges and trees trimmed in figures are beautiful. Night is sublime; day is beautiful. Temperaments that possess a feeling for the sublime are drawn gradually, by the quiet stillness of a summer evening as the shimmering light of the stars breaks through the brown shadows of night and the lonely moon rises into view, into high feelings of friendship, of disdain for the world, of eternity. The shining day stimulates busy fervor and a feeling of gaiety. The sublime *moves*, the beautiful *charms*.
Glory of the world makes life meaningless. Glory of God fulfills it.
Watching my parents I've learnt a lesson many do not recognize. True love is not signaled by romantic, candle light dinners, red roses glistening with dew, or even Valentine's day celebrations. While these things may accompany our feelings, love is truly more than all those! Love is being with your spouse even when its not pleasing. Sometimes, love is walking down the hall, with your spouse hanging onto your shoulders and walking at a turtle's pace down the hall, just because surgery made life a burden. Love is patient, love is kind, love is Jesus! May we always remember love is not always tied in bows!
Each time a person passes by you and you say 'hello', imagine that person turning into a candle. The more positivity, love and light you reflect, the more light is mirrored your way. Sharing beautiful hellos is the quickest way to earn spiritual brownie points. You should start seeing hellos as small declarations of faith. Every time you say hello to a stranger, your heart acknowledges over and over again that we are all family.
If I knew I was going to die tomorrow,And Spring came the day after tomorrow,I would die peacefully, because it came the day after tomorrow.If that’s its time, when else should it come?I like it that everything is real and everything is right;And I like that it would be like this even if I didn’t like it.And so, if I die now, I die peacefullyBecause everything is real and everything is right.
The language of light can only be decoded by the heart.
...the law of empathy, by which he could, by his will, transfer himself into an object or a work of art, and thus inflence the outer world. He did not feel redeemed by the work he did. He did not seek redemption. He sought to see what others did not, the projection of his imagination.
And since today’s all there is for now, that’s everything.Who knows if I’ll be dead the day after tomorrow?If I’m dead the day after tomorrow, the thunderstorm day after tomorrowWill be another thunderstorm than if I hadn’t died.Of course I know thunderstorms don’t fall because I see them,But if I weren’t in the world,The world would be different —There would be me the less —And the thunderstorm would fall on a different world and would be another thunderstorm.No matter what happens, what’s falling is what’ll be falling when it falls.(7/10/1930)
I think about this, not like someone thinking, but like someone breathing,And I look at flowers and I smile...I don’t know if they understand meOr if I understand them,But I know the truth is in them and in meAnd in our common divinityOf letting ourselves go and live on the EarthAnd carrying us in our arms through the contented SeasonsAnd letting the wind sing us to sleepAnd not have dreams in our sleep.
Live, you say, in the present;Live only in the present.But I don’t want the present, I want reality;I want things that exist, not time that measures them.What is the present?It’s something relative to the past and the future.It’s a thing that exists in virtue of other things existing.I only want reality, things without the present.I don’t want to include time in my scheme.I don’t want to think about things as present; I want to think of them as things.I don’t want to separate them from themselves, treating them as present.I shouldn’t even treat them as real.I should treat them as nothing.I should see them, only see them;See them till I can’t think about them.See them without time, without space,To see, dispensing with everything but what you see.And this is the science of seeing, which isn’t a science.
After so many years even the fire of passion dies, and with it what was believed the light of the truth. Who of us is able to say now whether Hector or Achilles was right, Agamemnon or Priam, when they fought over the beauty of a woman who is now dust and ashes?
The public make use of the classics of a country as a means of checking the progress of Art. They degrade the classics into authorities.... A fresh mode of Beauty is absolutely distasteful to them, and whenever it appears they get so angry and bewildered that they always use two stupid expressions--one is that the work of art is grossly unintelligible; the other, that the work of art is grossly immoral. What they mean by these words seems to me to be this. When they say a work is grossly unintelligible, they mean that the artist has said or made a beautiful thing that is new; when they describe a work as grossly immoral, they mean that the artist has said or made a beautiful thing that is true.
The truth of the matter was something much more subtle and tremendous than any plain physical miracle could ever be. But never mind that. The important thing was that, when I did see the stars (riotously darting in all directions according to the caprice of their own wild natures, yet in every movement confirming the law), the whole tangled horror that had tormented me finally presented itself to me in its truth and beautiful shape. And I knew that the first, blind stage of my childhood had ended.
If science wants to be truthful,What science is more truthful than the science of things without science?I close my eyes and the hard earth where I’m lyingHas a reality so real even my back feels it.I don’t need reason — I have shoulderblades.
I was born subject like others to errors and defects,But never to the error of wanting to understand too much,Never to the error of wanting to understand only with the intellect..Never to the defect of demanding of the WorldThat it be anything that’s not the World.
All of them are the same type; girls with overprocessed hair and too much makeup and way too much access to Daddy’s credit cards. Girls who, if you took away the designer labels, hair dye and cover-up, wouldn’t be more than average-looking, but with all that stuff look too plastic to be pretty.
Why is wisdom so fair? Why is beauty so wise?Because all else is temporary, while beauty and wisdom are the only real and constant aspects of truth that can be perceived by human means.And I don't mean the kind of surface beauty that fades with age, or the sort of shallow wisdom that gets lost in platitudes. is before you.True wisdom then steps in, to interpret, illuminate, and form a life-altering insight.
I have no duty to be anyone's Friend and no man in the world has a duty to be mine. No claims, no shadow of necessity. Friendship is unnecessary, like philosophy, like art, like the universe itself (for God did not need to create). It has no survival value; rather it is one of those things which give value to survival.
Ô, Wanderess, WanderessWhen did you feel your most euphoric kiss? Was I the source of your greatest bliss?
What makes art Christian art? Is it simply Christian artists painting biblical subjects like Jeremiah? Or, by attaching a halo, does that suddenly make something Christian art? Must the artist’s subject be religious to be Christian? I don’t think so. There is a certain sense in which art is its own justification. If art is good art, if it is true art, if it is beautiful art, then it is bearing witness to the Author of the good, the true, and the beautiful
Intellectual freedom begins when one says with Socrates that he knows that he knows nothing, and then goes on to add: Do you know what you don’t know and therefore what you should know? If your answer is affirmative and humble, then you are your own teacher, you are making your own assignment, and you will be your own best critic. You will not need externally imposed courses, nor marks, nor diplomas, nor a nod from your boss . . . in business or in politics. (from the essay The Last Don Rag)
Think of something useless, and that's probably what I'll be doing. Listen, Virginia, we need to love the useless. We need to raise pigeons without a thought of eating them, plant rose bushes without expecting to pick roses, write without aiming at publication. We need to do things without expecting benefits in return. The shortest distance between two points may be a straight line, but it's in the curving paths that the best things are found. . . . We must love the useless, because there is beauty in uselessness.
Oh, he did look like a deity – the perfect balance of danger and charm, he was at the same time fascinating and inaccessible, distant because of his demonstrated flawlessness, and possessing such strength of character that he was dismaying and at the same time utterly attractive in an enticing and forbidden way.
One of my greatest difficulties in consenting to think of religion was that I thought I should have to give up my beautiful thoughts and my love for the things God has made. But I find that the happiness springing from all things not in themselves sinful is much increased by religion. God is the God of the Beautiful—Religion is the love of the Beautiful, and Heaven is the Home of the Beautiful—-Nature is tenfold brighter in the Sun of Righteousness, and my love of Nature is more intense since I became a Christian—-if indeed I am one. God has not given me such thoughts and forbidden me to enjoy them.
I am a hunter of beauty and I move slow and I keep the eyes wide, every fiber of every muscle sensing all wonder and this is the thrill of the hunt and I could be an expert on the life full, the beauty meat that lurks in every moment.I hunger to taste life.God.
The Weight of One Feather"Given.Many fear deathBecause they alreadyFeel ridden with sin,But no man on this earthIs filled with only white lightWithin.Have more faithIn our Maker,For our souls and mindsWere created by Him.Just remember that,When your deedsAre measuredBy the scale – The good sideMust outweighThe bad,And your heartMust be as lightAs a featherTo win.
Good human work honors God's work. Good work uses no thing without respect, both for what it is in itself and for its origin. It uses neither tool nor material that it does not respect and that it does not love. It honors nature as a great mystery and power, as an indispensable teacher, and as the inescapable judge of all work of human hands. It does not dissociate life and work, or pleasure and work, or love and work, or usefulness and beauty. To work without pleasure or affection, to make a product that is not both useful and beautiful, is to dishonor God, nature, the thing that is made, and whomever it is made for. This is blasphemy: to make shoddy work of the work of God. But such blasphemy is not possible when the entire Creation is understood as holy and when the works of God are understood as embodying and thus revealing His spirit. (pg. 312, Christianity and the Survival of Creation)
If I could take a bite of the whole worldAnd feel it on my palateI’d be more happy for a minute or so...But I don’t always want to be happy.Sometimes you have to beUnhappy to be natural...Not every day is sunny.When there’s been no rain for a while, you pray for it to come.So I take unhappiness with happinessNaturally, like someone who doesn’t find it strangeThat there are mountains and plainsAnd that there are cliffs and grass...What you need is to be natural and calmIn happiness and in unhappiness,To feel like someone seeing,To think like someone walking,And when it’s time to die, remember the day dies,And the sunset is beautiful, and the endless night is beautiful...That’s how it is and that’s how it should be...
Nobody is worthy to be loved. The fact that God loves man shows us that in the divine order of ideal things it is written that eternal love is to be given to what is eternally unworthy. Or if that phrase seems to be a bitter one to bear, let us say that everybody is worthy of love, except him who thinks he is.
What does this think about that?Nothing thinks about anything.Does the earth have consciousness of its stones and plants?If it did, it would be people. . .Why am I worrying about this?If I think about these things,I’ll stop seeing trees and plantsAnd stop seeing the EarthFor only seeing my thoughts...I’ll get unhappy and stay in the dark.And so, without thinking, I have the Earth and the Sky.
Praise be to God I’m not good,And have the natural egotism of flowersAnd rivers following their bedPreoccupied without knowing itOnly with blooming and flowing.This is the only mission in the World,This—to exist clearly,And to know how to do it without thinking about it.)
Beauty, then, is not mere decoration, but rather an essential element of the liturgical action, since it is an attribute of God himself and his revelation. These considerations should make us realize the care which is needed, if the liturgical action is to reflect its innate splendour.
Others can't always define your true identity. They see what they 'want' to see but beyond your mess, God sees the beauty He created and still thinks it's good!
But saints and angels behold that glory of God which consists in the beauty of His holiness; and it is this sight only that will melt and humble the hearts of men, wean them from the world, draw them to God, and effectually change them. A sight of the awful greatness of God may overpower men's strength, and be more than they can endure; but if the moral beauty of God be hid, the enmity of the heart will remain in its full strength. No love will be enkindled; the will, instead of being effectually gained, will remain inflexible. But the first glimpse of the moral and spiritual glory of God shining into the heart produces all these effects as it were with omnipotent power, which nothing can withstand.
For this will cure him that is sick, and rouse him that is in dumps; one that has loved, it will remember of it; one that has not, it will instruct. For there was never any yet that wholly could escape love, and never shall there be any, never so long as beauty shall be, never so long as eyes can see. But help me that God to write the passions of others; and while I write, keep me in my own right wits.
Ever since that troublemaker Eve handed that gullible Adam the fruit of the Tree of Knowledge of Good and Evil, they say, human beings have been continuously messing up and suffering the consequences. But in the depths of your darkest despair your Beloved calls to you: "Look," he says, and opens the fathomless beautiful wound of his heart so that you can peer inside. All creation is nestled there, bathed in beauty. "Do you see any sin here?" he asks. "Do you detect a shred of retribution?" You do not. All you perceive, from horizon to endless horizon, is love.
When you look at what C.S. Lewis is saying, his message is so anti-life, so cruel, so unjust. The view that the Narnia books have for the material world is one of almost undisguised contempt. At one point, the old professor says, ‘It’s all in Plato’ — meaning that the physical world we see around us is the crude, shabby, imperfect, second-rate copy of something much better. I want to emphasize the simple physical truth of things, the absolute primacy of the material life, rather than the spiritual or the afterlife.]
I'm trying to undermine the basis of Christian belief... I'm not in the business of offending people. I find the books upholding certain values that I think are important, such as life is immensely valuable and this world is an extraordinarily beautiful place. We should do what we can to increase the amount of wisdom in the world.]
REMEMBER YOUR GREATNESSBefore you were born,And were still too tiny forThe human eye to see,You won the race for lifeFrom among 250 million competitors.And yet,How fast you have forgottenYour strength,When your very existenceIs proof of your greatness.You were born a winner,A warrior,One who defied the oddsBy surviving the most gruesomeBattle of them all.And now that you are a giant,Why do you even doubt victoryAgainst smaller numbers,And wider margins?The only walls that exist,Are those you have placed in your mind.And whatever obstacles you conceive,Exist only because you have forgottenWhat you have alreadyAchieved.Poetry by Suzy Kassem
You can't be a rebel without the scars that come with it. Truth is, some days scars are just as ugly as they are beautiful.
In every remote corner of the world there are people like Carl Jones and Don Merton who have devoted their lives to saving threatened species. Very often, their determination is all that stands between an endangered species and extinction.But why do they bother? Does it really matter if the Yangtze river dolphin, or the kakapo, or the northern white rhino, or any other species live on only in scientists' notebooks?Well, yes, it does. Every animal and plant is an integral part of its environment: even Komodo dragons have a major role to play in maintaining the ecological stability of their delicate island homes. If they disappear, so could many other species. And conservation is very much in tune with our survival. Animals and plants provide us with life-saving drugs and food, they pollinate crops and provide important ingredients or many industrial processes. Ironically, it is often not the big and beautiful creatures, but the ugly and less dramatic ones, that we need most.Even so, the loss of a few species may seem irrelevant compared to major environmental problems such as global warming or the destruction of the ozone layer. But while nature has considerable resilience, there is a limit to how far that resilience can be stretched. No one knows how close to the limit we are getting. The darker it gets, the faster we're driving.There is one last reason for caring, and I believe that no other is necessary. It is certainly the reason why so many people have devoted their lives to protecting the likes of rhinos, parakeets, kakapos, and dolphins. And it is simply this: the world would be a poorer, darker, lonelier place without them.
The greater puzzle of universal wisdom and beauty that we have strived to honor through our work includes the profound legacies of world artistic and spiritual traditions, the innate integrity of human communities where people seek to live in social harmony, and that regenerative stream of life sustained upon the earth itself as it spins through the cosmos to the music of the spheres.
If you feel anxiety or depression, you are not in the present. You are either anxiously projecting the future or depressed and stuck in the past. The only thing you have any control over is the present moment; simple breathing exercises can make us calm and present instantly.
Health, peace of mind, peak performance, and success in any area of life all depend upon doing the right thing at the right time, in harmony with the cycles of the Four Seasons.
Our lips were for each other and our eyes were full of dreams. We knew nothing of travel and we knew nothing of loss. Ours was a world of eternal spring, until the summer came.
Ô, Muse of the Heart’s Passion,let me relive my Love’s memory,to remember her body, so brave and so free,and the sound of my Dreameress singing to me,and the scent of my Dreameress sleeping by me,Ô, sing, sweet Muse, my soliloquy!
Peace is the number one beautiful ornament you can wear, I really believe that. They say you should always wear a smile, but I don't believe that you should "always" wear a smile, seriously, you're going to look stupid! But peace, you should always carry peace within you, its the most beautifying thing you could ever have or do. Peace makes your heart beautiful and it makes you look beautiful, too. You want to have perfect physical posture when you stand, sit, and walk, and peace is the perfect posture of the soul, really. Try perfect posture outside as well as inside. Peace creates grace and grace gives peace.
Flowers that are offered for the dead, do not know the difference of where their beauty will be placed, they do not say, "This is not a palace" or "This is not a garden"; they just are. They are just beautiful, without giving regards to whether they are placed on a grave or in a castle. Flowers are just beautiful, whether they grow by the wayside or in a manicured garden. If we were all like flowers, then we would all be beautiful, with no regards to why or how. We just are. We are just beautiful.
I can't over-emphasize how important an exquisite perfume is, to be wrapped and cradled in an enchanting scent upon your skin is a magic all on its own! The notes in that precious liquid will remind you that you love yourself and will tell other people that they ought to love you because you know that you're worth it. The love affair created by a good perfume between you and other people, you and nature, you and yourself, you and your memories and anticipations and hopes and dreams; it is all too beautiful a thing!
Beware trying to iron out all your quirks, perceived flaws and doubts. It's often these things that help you find strength, compassion, empathy for others and heart.
These... things, householder, are welcome, agreeable, pleasant, & hard to obtain in the world:Long life is welcome, agreeable, pleasant, & hard to obtain in the world.Beauty is welcome, agreeable, pleasant, & hard to obtain in the world.Happiness is welcome, agreeable, pleasant, & hard to obtain in the world.Status is welcome, agreeable, pleasant, & hard to obtain in the world....Now, I tell you, these... things are not to be obtained by reason of prayers or wishes. If they were to be obtained by reason of prayers or wishes, who here would lack them? It's not fitting for the disciple of the noble ones who desires long life to pray for it or to delight in doing so. Instead, the disciple of the noble ones who desires long life should follow the path of practice leading to long life. In so doing, he will attain long life...]
They will hate you if you are beautiful. They will hate you if you are successful. They will hate you if you are right. They will hate you if you are popular. They will hate you when you get attention. They will hate you when people in their life like you. They will hate you if you worship a different version of their God. They will hate you if you are spiritual. They will hate you if you have courage. They will hate you if you have an opinion. They will hate you when people support you. They will hate you when they see you happy. Heck, they will hate you while they post prayers and religious quotes on Pinterest and Facebook. They just hate. However, remember this: They hate you because you represent something they feel they don’t have. It really isn’t about you. It is about the hatred they have for themselves. So smile today because there is something you are doing right that has a lot of people thinking about you.
Nonetheless, when it finally ended and the hairdressers left and Tess insisted upon pulling her to the mirror, Fire saw, and understood, that everyone had done the job well. The dress, deep shimmering purple and utterly simple in design, was so beautifully-cut and so clingy and well-fitting that Fire felt slightly naked. And her hair. She couldn’t follow what they’d done with her hair, braids thin as threads in some places, looped and wound through the thick sections that fell over her shoulders and down her back, but she saw that the end result was a controlled wildness that was magnificent against her face, her body, and the dress. She turned to measure the effect on her guard - all twenty of them, for all had roles to play in tonight’s proceedings, and all were awaiting her orders. Twenty jaws hung slack with astonishment - even Musa’s, Mila’s, and Neel’s. Fire touched their minds, and was pleased, and then angry, to find them open as the glass roofs in July.‘Take hold of yourselves,’ she snapped. ‘It’s a disguise, remember? This isn’t going to work if the people meant to help me can’t keep their heads.’‘It will work, Lady Granddaughter.’ Tess handed Fire two knives in ankle holsters. ‘You’ll get what you want from whomever you want. Tonight King Nash would give you the Winged River as a present, if you asked for it. Dells, child - Prince Brigan would give you his best warhorse.
The pretty ones are usually unhappy. They expect everyone to be enamored of their beauty. How can a person be content when their happiness lies in someone else's hands, ready to be crushed at any moment? Ordinary-looking people are far superior, because they are forced to actually work hard to achieve their goals, instead of expecting people to fall all over themselves to help them.
Here, also, the future was cried aloud by the wind through the rocks, so that all those who heard would shiver, and then the liquid spring song of the thrush would make all the beauty of moonlight and sunlight blend together, making it true, so true, that happiness must come again
We are souls, eternal and perfect, captains of our mystic ships: gods and goddesses of our universe. We are beautiful, we pearls of grit. We, the ember of everything. Our uniqueness IS what makes us special, and the expression of it is our gift to the rest of us. In order to feel happy and fulfilled, we must honour our own personal brand of creativity... let it out into the world... BE who we came here to BE.
Human life begins by crying! Once a baby is born, it cries out. Maybe it cries in joy! So, the simple equation goes- we smile when we feel happy and we cry when we feel sad. As happiness and sadness are connected together like the body and the soul, we cannot remove sorrow or suffering from the human life forever. As long as life is present, gladness and unhappiness will ever be there. They will keep coming in one form or another. It is just ironical that we want to be happy forever and never want to cry. Even trying to remove sadness entirely from life is like being utterly selfish and going against the natural laws! So, the beauty of life is to accept both pleasure and misery gracefully. Hence, we should never forget that we did not smile first but cried when we were born!
Find people who can handle your darkest truths, who don’t change the subject when you share your pain, or try to make you feel bad for feeling bad. Find people who understand we all struggle, some of us more than others, and that there’s no weakness in admitting it. In fact, few things take as much strength. Find people who want to be real, however that looks and feels, and who want you to be real, too. Find people who get that life is hard, and who get that life is also beautiful, and who aren’t afraid to honor both those realities. Find people who help you feel more at home in your heart, mind and body, and who take joy in your joy. Find people who love you, for real, and who accept you, for real. Just as you are. They’re out there, these people. Your tribe is waiting for you. Don’t stop searching until you find them.9/30/16Then her heart opened wider than it ever had before,and all she saw before her, everywhere she looked, were people to love.
Beware ! Heart is too small to feel happy but soul is too big to take glory
Everyone smiles in the same language, Happiness knows no frontiers, no age. No difference thar makes us feel apart if a smile can win even a broken heart.
In the architecture of their life some may display Potemkin happiness in view of hiding the dark features of their fair weather relationship, preferring to set up a window dressing of fake satisfaction rather than being rejected as emotional outcasts. ("Absence of beauty was like hell")
It slowly began to dawn on me that I had been staring at her for an impossible amount of time. Lost in my thoughts, lost in the sight of her. But her face didn't look offended or amused. It almost looked as if she were studying the lines of my face, almost as if she were waiting. I wanted to take her hand. I wanted to brush her cheek with my fingertips. I wanted to tell her that she was the first beautiful thing that I had seen in three years. The sight of her yawning to the back of her hand was enough to drive the breath from me. How I sometimes lost the sense of her words in the sweet fluting of her voice. I wanted to say that if she were with me then somehow nothing could ever be wrong for me again. In that breathless second I almost asked her. I felt the question boiling up from my chest. I remember drawing a breath then hesitating--what could I say? Come away with me? Stay with me? Come to the University? No. Sudden certainty tightened in my chest like a cold fist. What could I ask her? What could I offer? Nothing. Anything I said would sound foolish, a child's fantasy. I closed my mouth and looked across the water. Inches away, Denna did the same. I could feel the heat of her. She smelled like road dust, and honey, and the smell the air holds seconds before a heavy summer rain. Neither of us spoke. I closed my eyes. The closeness of her was the sweetest, sharpest thing I had ever known.
Scars are but evidence of life," Coquette said. "Evidence of choices to be learned from...evidence of wounds...wounds inflicted of mistakes...wounds we choose to allow the healing of. We likewise choose to see them, that we may not make the same mistakes again.
She was breathtaking in her beauty and her human spirit, he thought, unable to speak as he gazed upon her. Hers was the sort that would not fade or grow jaded with time and years, but flourish, grow more radiant with life and its experience. Hers was a beauty that no other possessed. A beauty he longed to keep, to hide away, to bask in, himself alone. She had become his. He didn’t know when, whether it had been the moment her fingertips had touched him when he was hurt, or if it had grown, like a seed, slowing spreading until Jane had become the root anchoring the shattered pieces of his heart, pulling them tight together until it resembled the organ it should.
When hope is fleeting, stop for a moment and visualize, in a sky of silver, the crescent of a lavender moon. Imagine it -- delicate, slim, precise, like a paper-thin slice from a cabochon jewel.It may not be very useful, but it is beautiful.And sometimes it is enough.
Don't die on me," she ordered. "You are not dying on me.""Yes, ma'am." He felt light-headed, but she was about the most beautiful thing he'd ever seen. Her hair was smoldering. Her face was smudged with soot. She had a cut on her arm, her dress was torn, and she was missing a boot. Beautiful.
Little sister don't you worry about a thing todayTake the heat from the sunLittle sisterI know that everything is not okBut you're like honey on my tongueTrue love never can be rentBut only true love can keep beauty innocentI could never take a chanceOf losing love to find romanceIn the mysterious distanceBetween a man and a womanNo I could never take a chance'Cause I could never understandThe mysterious distanceBetween a man and a womanYou can run from loveAnd if it's really love it will find youCatch you by the heelBut you can't be numb for loveThe only pain is to feel nothing at allHow can I hurt when I'm holding you?I could never take a chanceOf losing love to find romanceIn the mysterious distanceBetween a man and a womanAnd you're the one, there's no-one elsewho makes me want to lose myselfIn the mysterious distanceBetween a man and a womanBrown eyed girl across the streetOn rue Saint DivineI thought this is the one for meBut she was already mineYou were already mine...Little sisterI've been sleeping in the street againLike a stray dogLittle sisterI've been trying to feel complete againBut you're gone and so is GodThe soul needs beauty for a soul mateWhen the soul wants...the soul waits ...No I could never take a chanceOf losing love to find romanceIn the mysterious distanceBetween a man and a womanFor love and FAITH AND SEX and fearAnd all the things that keep us hereIn the mysterious distanceBetween a man and a womanHow can I hurt when I'm holding you?
There is beautiful you are.""No," said Marged, between a sigh and a sob."Yes," said Owen."No," said Marged, not so certain."Behold," Owen said, from Solomon. "thou art fair. Thou hast dove's eyes.""Dove's eyes are small." Marged said."Yours are so big they are my whole world," said Owen.
It’s so easy to lose faith and become lost in all of the politics of the world. That’s why we need the arts. To sublimate our frustration and anger into something beautiful. Freud called sublimation a virtuous defence mechanism because it is in the arts that we can find our humanity.
Kiss your scars. Fall in love with them. They ought to serve as life-affirming reminders—a lingering trace of hope. The only reason we have these scars is because we survived and are still here.
You may have fallen down, but you can get back up again. You may have doors shut, but new doors will open for you. You may have been lied on, but the truth will come to the light. You may have been hurt, but the pain will pass. You are a survivor. You have a history of surviving.
God can take the ordinary and create the extraordinary. Our incredible God has the power to transform your simple life and give you the life of your dreams. Remarkable things happen in your life when you believe.
Endings are abstruse, mystic and unreal. They are but depleted beginnings purposed to be substituted with newer ones.A transition of outlook and time, similar to our differing moods before and after slumber. Before the act we witness an exhaustion, a sulkiness but on gaining consciousness, we’re rejuvenated and good humored. The wakefulness is the new beginning whereas the tension the disturbance we perceive each night is the weariness of the beginnings, of each day. So there never really is an end, all that there are are beginnings.Beginnings which are promising, which offer hope, which have a new leash on life, which neither denounce nor belittle rather soothe and console by reconstructing the broken pieces of yesterday, mending them and reinforcing them with courage and beauty like never before.
And now that its ruby eyes are set into the gold, you cannot see their tear-shape, so they seem to be laughing rather than crying. It is a constant reminder to me of the human ability to create something beautiful even when things are at the darkest.
Some rumors said she was a demon from another world. Other rumors said she was death incarnate, someone to remind us of our misdeeds. But no one had said how beautiful she was. No one had mentioned her eyes. The ones that showed color only for a second. A hint of beauty in absolute blackness.
There is something charming and peculiar about a beginning. You feel it, like the change of seasons, from winter to spring, from spring to summer. You feel it; the new blood pumping inside your veins. You feel it; a thousand butterflies fluttering around your fingers to help you fly. You feel it; on your lips, when you smile at the absurdities of life that suddenly make perfect sense.You smile... Because in every beginning, there is a rebirth. Because in every beginning, there is a layer of you that you just discovered. A layer you forgot was buried in you all this time. You smile because you are reminded of the immensity of fate. You smile because suddenly you feel so small and you like it.So let's begin my dear. This life is beautiful.
God is my strength and my defense. When I am weak, he makes me strong. When I am broken, he makes me whole.
There is a miracle in your mess, don't let the mess make you miss the miracle.
It’s when your plans look dead that God’s resurrection power begins to operate in your life in greater measure
God is not interested in helping you finding out why you are in a mess, He is interested in fixing it.
God always sees me with no make-ups on because He knew how we started.
There must always be an opposition because the enemy always opposes what the Lord has declared.
I would rather have a man chasing JESUS than a house full of stuffs and garrage filled with big cars.
Of what use is my going to church every day and still come home and remain the same? Of what use is my attending the mosques and the next day I enter the mall with knives and start slaughtering people in the name of religion.God is a God of variety. He was not stupid creating all of us different with our uniqueness.His creating us different shows the level of His creativity. He didn't make you white to hate black or vice versa. He made it so that we can cherish and love each other irrespective of our differences just as He loved us with all our flaws and our short comings.Can we forgive those who have offended us? Yes and some will say no but never forget that you are not worthy but God still forgives you even till the last hour of your life.If God can love us against all our atrocities why can't we learn to love one another.Take a look around you, you can only see sad faces. Was that really God's intention for us on earth? Absolutely not. But we have remoulded God's creativity to suit our taste and lifestyles and now we are reaping the fruit of our labour. You should not expect to reap love when you sowed the seed of hatred. What a man sows that he reaps. We sowed on weapons of war and we are yielding war in return. We have sowed on weapons of destruction so why are we asking for peace.If you ask me....I will say let's go back to our source. He has never lost any battle. I am a living witness.
I am amazed upon the many battle that we engage in, be it money, control or matters of the heart, only very few of us knows how to fight in the right way or understand who we are really fighting against. To win any battle you' ve got to have the right strategy and resources because victories don't come by accident.
All the failures in my life freed me from all my fears so that I can succeed.
I am a bit old fashion but I believe in prayer, I believe prayer can move mountain. Prayer might not be our responsibility but it is a good starting place. It can give us heaven's prospectives on human problems. I know we need to do a bit more than pray but that doesn't mean we don't need to pray.
Sometimes what not to do is more important than what to do. Sometimes when you are in crisis, when frustration are high or when you are under pressure, what you don't do is more important than what you do. Don't be afraid. ....
If you never listen, you can't see. The devil has got so many people so disconnected that they cannot even listen or even sense when the Lord is speaking.
Christians we cannot be allowed to be fractured at a time like this. There are more of us, there are more of light in us than in the agents of darkness.
Man's panic does not produce God's power.....sometimes you need to pray before you post on social media.
At a time like this maybe the world is looking at us not just at a miracle crusade or sunday church service but the way we are living. Maybe they want to see whether what our Master left for us worked for us; there is a counter spirit to the spirit of fear, it is the love of God.
This is not the first time that the world has been in a mess but you are still God, you left us on the earth, not only to preach in a building but to be the church beyond the buildings.
Before we can fix the situation, we have to first see the situation, the world can't see straight right now, some are blinded by hatred, rage, fear, scepticism, some are blinded by their pains.We need to pray...pray that God open our eyes to see the problem from the source and not from the surface.You cannot solve a situation that you cannot see correctly.
The agenda of the Media is not to inform you, they don't care about you, they are trying to show you the truth. There are some intelligent Christians but they can't find them and put on the air ...for instance me
There must be something that God knows about fear that we don't know. I am sure He knows that when you are in a state of fear, you can't fix anything. When we are in a state of fear we can't talk about anything reasonable and we can't solve anything. That is the problem because the media throws all lies on us to create fear and we fall for it....Number one Satan's strategy of getting some people trapped.
Be careful the mistake of yesterday always lives with tomorrow.
How about we be the light of Jesus Christ? There are things we tend to forget when fear becomes the driving force. The world is filled with a lot of questions now; what do we do? Who do we elect? How do we fix this? Some people feel powetless in those ways. Helpless, hopeless, confused, overwhelmed.What do we do?My answer: Stop looking for practical advice "don't be afraid " "those who are with us are more than those who are with them"2 kings 6:16
I don't want to settle down because God has satisfied me and heard my prayers. I want to stay hungry and thirsty for the things of God.
The presence of crisis does not prove the absence of God. I think in time of crisis Christians should rise up and point to the world on something bigger. The crisis is an opportunity for us to proclaim to the children of darkness what we proclaim in the light.
God always wants us to see things from heaven's prospective. You may not be doing much to your community but what you are is so important. You are significant.
Five minutes after something happened might not be the best time for you to get into your Facebook and tell everybody. Men's panic does not produce God's power.
Conflict is much the same, injustice and inequality is nothing new to our generation only the contest has changed because not only that everyone has opinion but they also have an opportunity to voice it and that is a bit dangerous.
The conflict hasn't gotten worst but the contest has really changed.............
I have the word of God and my bible is very interesting, this book was conceived in battle, Jesus Christ our Saviour was conceived in brokenness, out of barenness to redeem a people who were in bondage to their sin. I know exactly where to go when the people start getting confused, trading lies for truth, buying injustice for justice and even when the media starts to show me the prospectives of the world that I am living in, I have my prospective from the word of God.
I am so happy that I grew up knowing the word of God, the spirit of discernment in me is 24hrs activated, I can differentiate between light and darkness. I put on the amour of God even when the whole world is going to hell, I refuse to join them. The light in me shall overshadow every power of darkness.
All of my life God has allowed me to share prospectives with people who are different. You cannot lead people whose prospective you are not willing to understand.
Surrounded by enemies, surrounded by evil, surrounded by darkness, injustice......."don't be afraid , those who are with us are more than those who are with them"2 Kings 6:16
Whenever someone is a threat to the enemy there will be an attack dispatched against that person to try to minimise their effectiveness.
There is power in the word of God if used properly.
There is a remedy and there is a hope but the remedy is not in the political party or in places that will take you away from hope. You better run to God, that is the only place you can find both.
My advice for those of you who felt being marginalised, undervalued and taken for granted; guess what? That is the Arena where God creates Leaders.
I didn't come from a success lineage but I am so glad that my earthly lineage is not my final story because when I gave my life to Jesus twelve years back, God interrupted my story.
Parents never you make church and studying the word of God optional for your children. If they are in your house, get them up, teach them the word of God, the greatest awards, PhD or achievements any child could have is to grow up in the word of God. I and my family are living witness and it is extending to our third generation.
I do not have any trust fund, I have always trusted God for all my funds.
Whenever you are in transition it is always important to choose the words that you use. You call it crises in your life and I call it transition.
All my pains has always increased my sense of purpose.
If God gives you a gift and you don't know what to do with it, it won't make you happy. Some of you God gave a wonderful husband but you can't make a home and some of you God gave a wonderful wife but you can't make a good husband. Some of you can't even unwrap the gift so that you can appreciate it.
Maybe what you need in your life is not the next level of accomplishment or the next level of accumulation but the next level of appreciation for what you have; that will set the stage to make a space for what you will accumulate in the future. ( a bit deep) Simply put thank God for now before setting the goal for tomorrow because if you grow in gifts and didn't grow in gratitude, you have gained nothing.
If you can feed in the presence of your enemies, if you can be blessed under the weight of burdens, when you praise God in pain, it is preparation for provision.
When you do away with God you become your own god, because you recognise no greater power in the universe than yourself.
I have graduated to the extent of not asking what is happening in my life because I trust the maker(God).
I have my priorities and I know my purpose. I do not Praise God because of my pain but I praise Him because of what the pain is producing.
When you praise God in pain, it is preparing you for provision.
The things I call crisis and all the things that were coming after me are all coming to serve the purpose of God in my life.
God made my enemies to serve me in my absence. God made the things that conspired to destroy me feed me into the place that He was preparing for me. I am a big girl and I can handle trouble and my enemies.
When you learn to have the heart of praise in the presence of your enemies, you set the table; if you can work with God in darkness enough depending on the light that He showed you in the last season, you will learn to read your enemies as a sign that it is time to eat. ( a bit deep). Whenever you sense a crisis in your life, note that your harvest is near.
God prepared a table before me in the presence of my insecurity, in the presence of my deficits, in the presence of my addictions, in the presence of my confusions, in the presence of what I have lost, in the presence of the threat that I won't make it, in the presence of my enemies, I am looking straight ahead.
Learn to eat with your enemies all around you but most of all thank God for his presence. Keep your eyes fixed to the presence of God in the presence of your enemies.
I have learned to thank God for what I cannot see, I have learned to trust God with what I cannot.
Do you know that you can be surrounded by all these blessings, all these relationships, goodness, provisions, opportunities? But if you don't know how to turn the blessing into praise, it will turn into pride and your life will never be filled with joy because your heart has holes in it.
Sometimes the fact that you can't sense God isn't an indication that He is not there. It is just an indication that you are hanging out in the wrong place.The cave is not a physical location, it is a state of mind.
You will always end up in frustration whenever you try to produce outside your purpose.
Sometimes God wraps destiny in what we perceive as just another day. The same day that David's father asked him to go and deliver bread to his brothers in the field was the same day that God used him to bring goliath down. Take every minute in your life serious.
Real faith looks beneath the surface. Real faith knows that faith works sometimes in dark places. Real faith knows that sometimes in order to see a change, you will have to steer through your situation to really see it.
God's perspectives requires persistence. To have God's perspective in the world we live in requires persistence.
If you work by faith and not by sight, you will always see a sign. You have to develop a space of comfort to know that there is a difference between signs and sounds, it means God will tell you that He will make a change in your life but He won't show you anything to demonstrate the change for a little while because He doesn't want your faith to be in the change; He wants your faith to be in the promise, so that when the change is a bit slow in coming, you will know how to trust in Him while you wait for it to come to pass.
Have you ever asked yourself this question "what can God do through me?" The preacher has no platform if the people has no sense of mission.
In dealing with us, God always starts with our motives. What do you want for the people? What does God wants for his people? What do you want Him to do for you; that's is a starting place.
Blind barthimus used his mouth and his feet to affect what wasn't working in his life? What do you use to affect what's not working in your life? God is not interested in your perfection, He is interested in your participation. It is your participation that attracts the presence of God.
Why do people go to church on Sundays? A question that is very complicated because I know what the answer is supposed to be but I do not really know the answer.. I think people go because it is a kind of tradition. I think some goes because someone told them if tgey do not they might go to hell. Maybe some go to look for a wife or husband ☺. Maybe some go to church to display their latest designer shoes or handbags. Some goes just to please their Pastor. Some people go to church because they love the music or the preaching. Some goes because of some social reasons and friendship. Some have it in their mind that they will experience the presence of God in the church. Some goes to church because of miracle. Some goes to church when they are expecting something maybe child, comfort, marriage, work etc.. Some felt it is an obligation to give God a day out of the seven days he createdLet me tell you that church is not there to entertain you, Ephesians 3:20... there are things going on in the church that some people barely know about.Ask yourself today why do I go to church. I am sure a sincere answer will help you.
I don't just have only the peace of God, I do also have a God who gives peace, not just resources but the revelation of His presence.
Be anxious for no thing, be concerned about the state of your soul and that of your children, be concerned about God's work in the world; these are genuine concern but when it comes to the things in your life.....be not anxious. If God is for us who can be against us?
Don't think because you can't affect something at a great level that God can't use you in a great way. David didn't even train one day with the armies but He won the war. He didn't even have a weapon but he killed a giant.
God wants to use you right where you are with what you have not what you do not have.
We always think that God's presence is always provided to fix our problems but what if God's presence is more about fixing your perspectives? So that you will have a new way to see your problems. If you didn't make your bed before leaving home this morning, no angel is going to make your bed for you, it is still going to be as you left it till you come back.
Some people want to kill goliath but they do not want to attend to sheep. How can God use you to kill giants if you cannot follow simple instructions?
Sometimes we want God to use us to do big things when we would not even want to do the basics.
You don't have to position yourself in front of people to be used by God. You don't have to convince anyone that you are good enough for the voice of God, just be grateful that God chooses who He wills and once He is ready to use you, no devil in hell can stop Him.
You can't disappoint what God has appointed.
If you can't see the assets in you, it will be hard for you to export it to the world. Recognise who you are and the world will recognise you.
People run around looking for millions of likes in their life and on the social media but do you know what? If you get just one true like from just one who loves you the most, it surpasses all other millions. God loves you the most even without make over.
In God's presence I find peace that is much deeper than any disappointment. I will grow and I understand I can't grow myself, that is why I need God and His grace.
We are all planted in God's vineyard and our lives are filled with potentials and purpose and we have all been given the hopes to anchor our lives even in the most disappointed times. So God is waiting to see what you and I will make out of the raw materials that He has given to us. He is waiting to see what we will make out of the discouragement and disappointment. I believe that in those deepest places of disappointment that the greatest grace will manifest.
I am so glad that God's disappointment in me is not greater than his love and I still have a Destiny. I am growing in grace and mercy because that is the only soil that can produce the kind of life that God desires.
God's voice will be heard in the cave but only His visions will be revealed to you on the mountain. (A bit deep). God will always love you and will always speak to you but when you lose your perspective, you won't see his plan.
Some people are disappointed in their life because they are trying to use the tools that God did not authorised them to use in their life, trying to build on a purpose that is not even attached in their personality.
In God’s Kingdom there are no overnight sensations or flash-in-the-pan successes.Anyone who wants to be used of God will experience hidden years in the backside of the desert. During that time the Lord is polishing, sharpening and preparing us to fit into His bow, so at the right time, like “a polished shaft” He can launch us into fruitful service. The invisible years are years of serving, studying, being faithful in another person’s ministry and doing the behind-the-scenes work. The Bible says, ‘God is not unjust; he will not forget your work’ (Hebrews 6:10 NIV 2011 Edition). Be patient; when the time is right He will bring forth the fruit He placed inside you.
In the moment before I crossed over, I knew that the priests and magicians of Egypt were fools and charlatans for promising to prolong the beauties of life beyond the world we are give. Death is no enemy, but the foundation of gratitude, sympathy, and art. All of life's pleasures, only love owes no debt to death.
I am less to you than your ivory Hermes or your silver Faun. You will like them always. How long will you like me? Till I have my first wrinkle, I suppose. I know, now, that when one loses one's good looks, whatever they may be, one loses everything. Your picture has taught me that. Lord Henry Wotton is perfectly right. Youth is the only thing worth having. When I find that I am growing old, I shall kill myself.
Our lives are mere flashes of light in an infinitely empty universe. In 12 years of education the most important lesson I have learned is that what we see as “normal” living is truly a travesty of our potential. In a society so governed by superficiality, appearances, and petty economics, dreams are more real than anything anything in the “real world”. Refuse normalcy. Beauty is everywhere, love is endless, and joy bleeds from our everyday existence. Embrace it. I love all of you, all my friends, family, and community. I am ceaselessly grateful from the bottom of my heart for everyone. The only thing I can ask of you is to stay free of materialism. Remember that every day contains a universe of potential; exhaust it. Live and love so immensely that when death comes there is nothing left for him to take. Wealth is love, music, sports, learning, family and freedom. Above all, stay gold.
It was this mystery, bereft now of all fear, and this beauty together that made life the endless, changing and yet changeless, thing it was. And yet mystery and loveliness alike were really only appreciable with one's legs, as it were, dangling down over into the grave.
Some people would regard people who look like they do as ugly if they did not look like them.
When it comes to their love lives, some people do not really have high standards; they merely have low sex drive.
Wake up. Watch the beauty of the dawn and the rising sun. Appreciate the beauty and your ability to appreciate it. Without your appreciation, there is no beauty. The sun created you to see her own beauty through your eyes. Find and appreciate all of the beauty around you. Life is for appreciation, love, and happiness. We express our love through appreciation and through love our souls feel the secret touch of happiness.
Fashion doesn't make you perfect, but it makes you pretty.
Dresses won't worn out in the wardrobe, but that is not what dresses are designed for.
Dresses don't look beautiful on hangers.
It's time to shop high heels if your fiance kisses you on the forehead.
Take care of your costume and your confidence will take care of itself.
With right fashion, every female would be a flame.
Any girl with a grin never looks grim.
An old fashioned outfit is not a costume, it's a comedy.
You cannot choose your face but you can choose your dress.
Brilliance of the brain must be admired more than beauty of the body.
I became an artist because I wanted to be an active participant in the conversation about art.
When regret and shame fades away, beauty will be in your heart to forever stay.
It’s a funny thing to be the product of a fairy-tale romance. It’s another thing to think you might find one yourself. You can read the stories and watch the movies, and you can think you know how it’s all supposed to unfold.But the truth is, love is as much fate as it is planning, as much a beauty as it is a disaster.Finding a prince might mean kissing a lot of frogs. Or kicking a lot of frogs out of your house. Falling might mean running headfirst into something you always wanted. Or dipping your toe into something you’ve been scared of your whole life. Happily ever after could be waiting in a field a mile wide. Or a window as narrow as seven minutes.
Before you worry about the beauty of your body, worry about the health of your body.
You do not have to be good.You do not have to walk on your kneesfor a hundred miles through the desert, repenting.You only have to let the soft animal of your body love what it loves.Tell me about despair, yours, and I will tell you mine.Meanwhile the world goes on.Meanwhile the sun and the clear pebbles of the rainare moving across the landscapes,over the prairies and the deep trees,the mountains and the rivers.Meanwhile the wild geese, high in the clean blue air,are heading home again.Whoever you are, no matter how lonely,the world offers itself to your imagination,calls to you like the wild geese, harsh and exciting –over and over announcing your placein the family of things.
And I learned what is obvious to a child. That life is simply a collection of little lives, each lived one day at a time. That each day should be spent finding beauty in flowers and poetry and talking to animals. That a day spent with dreaming and sunsets and refreshing breezes cannot be bettered.
TO what purpose, April, do you return again? Beauty is not enough. You can no longer quiet me with the redness Of little leaves opening stickily. I know what I know. The sun is hot on my neck as I observe The spikes of the crocus. The smell of the earth is good. It is apparent that there is no death. But what does that signify? Not only under ground are the brains of men Eaten by maggots. Life in itself Is nothing, An empty cup, a flight of uncarpeted stairs. It is not enough that yearly, down this hill, April Comes like an idiot, babbling and strewing flowers.
She was a Phantom of delightWhen first she gleam'd upon my sight;A lovely Apparition, sentTo be a moment's ornament:Her eyes as stars of twilight fair;Like twilight's, too, her dusky hair;But all things else about her drawnFrom May-time and the cheerful dawn;A dancing shape, an image gay,To haunt, to startle, and waylay.
The winds, the sea, and the moving tides are what they are. If there is wonder and beauty and majesty in them, science will discover these qualities... If there is poetry in my book about the sea, it is not because I deliberately put it there, but because no one could write truthfully about the sea and leave out the poetry.
Love is the only bow on Life’s dark cloud. It is the morning and the evening star. It shines upon the babe, and sheds its radiance on the quiet tomb. It is the mother of art, inspirer of poet, patriot and philosopher.It is the air and light of every heart – builder of every home, kindler of every fire on every hearth. It was the first to dream of immortality. It fills the world with melody – for music is the voice of love.Love is the magician, the enchanter, that changes worthless things to Joy, and makes royal kings and queens of common clay. It is the perfume of that wondrous flower, the heart, and without that sacred passion, that divine swoon, we are less than beasts; but with it, earth is heaven, and we are gods.
A JEWELRY STORE NAMED INDIAIf you hold this Dazzling emeraldUp to the sky,It will shine a billion Beautiful miraclesPainted from the tearsOf the Most High.Plucked from the lush gardensOf a yellowish-green paradise,Look inside this hypnotic gemAnd a kaleidoscope of Titillating, Soul-raising Sights and colorsWill tease and seduceYour eyes and mind.Tell me, sir.Have you ever heardA peacock sing?Hold your earTo this mystical stoneAnd you will hearSacred hymns flowingTo the vibrationsOf the perfumedWind.
My mistress' eyes are nothing like the sun;Coral is far more red than her lips' red;If snow be white, why then her breasts are dun;If hairs be wires, black wires grow on her head.I have seen roses damask'd, red and white,But no such roses see I in her cheeks;And in some perfumes is there more delightThan in the breath that from my mistress reeks.I love to hear her speak, yet well I knowThat music hath a far more pleasing sound;I grant I never saw a goddess go;My mistress, when she walks, treads on the ground: And yet, by heaven, I think my love as rare As any she belied with false compare.
That night we made love "the real way" which we had not yet attemptedalthough married six months.Big mystery. No one knew where to put their leg and to this day I'm not surewe got it right.He seemed happy. You're like Venice he said beautifully.Early next dayI wrote a short talk ("On Defloration") which he stole and had publishedin a small quarterly magazine.Overall this was a characteristic interaction between us.Or should I say ideal.Neither of us had ever seen Venice.
The aching in my chest isn't because I miss you,it's realizing that you have become someone I no longer know,your fears, your 4 am thoughts, your achievements,are things I no longer have an equivalent to.Who we were and who we are are four different people, and the me from now doesn't relate to the me from then, let alone to the you from now.-Tanzy Sayadi and Jarod Kintz
She walks in beauty, like the nightOf cloudless climes and starry skies;And all that’s best of dark and brightMeet in her aspect and her eyes:Thus mellow’d to that tender lightWhich heaven to gaudy day denies.One shade the more, one ray the less,Had half impaired the nameless graceWhich waves in every raven tress,Or softly lightens o’er her face;Where thoughts serenely sweet expressHow pure, how dear their dwelling-place.And on that cheek, and o’er that brow,So soft, so calm, yet eloquent,The smiles that win, the tints that glow,But tell of days in goodness spent,A mind at peace with allA heart whose love is innocent!
It was language I loved, not meaning. I liked poetry better when I wasn't sure what it meant. Eliot has said that the meaning of the poem is provided to keep the mind busy while the poem gets on with its work -- like the bone thrown to the dog by the robber so he can get on with his work. . . . Is beauty a reminder of something we once knew, with poetry one of its vehicles? Does it give us a brief vision of that 'rarely glimpsed bright face behind/ the apparency of things'? Here, I suppose, we ought to try the impossible task of defining poetry. No one definition will do. But I must admit to a liking for the words of Thomas Fuller, who said: 'Poetry is a dangerous honey. I advise thee only to taste it with the Tip of thy finger and not to live upon it. If thou do'st, it will disorder thy Head and give thee dangerous Vertigos.
We may feel bitterly how little our poems can do in the face of seemingly out of control technological power and seemingly limitless corporate greed, yet it has always been true that poetry can break isolation, show us to ourselves when we are outlawed or made invisible, remind us of beauty where no beauty seems possible, remind us kinship where all is represented as separation.", The Nation, October 7, 1996)
From her thighs, she gives you lifeAnd how you treat she who gives you lifeShows how much you value the life given to you by the Creator.And from seed to dustThere is ONE soul above all others --That you must always show patience, respect, and trustAnd this woman is your mother.And when your soul departs your bodyAnd your deeds are weighed against the featherThere is only one soul who can save yoursAnd this woman is your mother.And when the heart of the universeAsks her hair and mind,Whether you were gentle and kind to herHer heart will be forced to remain silentAnd her hair will speak freely as a separate entity,Very much like the seaweed in the sea --It will reveal all that it has heard and seen.This woman whose heart has seen yours,First before anybody else in the world,And whose womb had opened the doorFor your eyes to experience light and more --Is your very own MOTHER.So, no matter whether your mother has been cruel,Manipulative, abusive, mentally sick, or simply childishHow you treat her is the ultimate test.If she misguides you, forgive her and show her the right wayWith simple wisdom, gentleness, and kindness.And always remember,That the queen in the Creator's kingdom,Who sits on the throne of all existence,Is exactly the same as in yours.And her name is,THE DIVINE MOTHER.
]Sardisoften turning her thoughts here]you like a goddessand in your song most of all she rejoiced.But now she is conspicuous among Lydian womenas sometimes at sunsetthe rosyfingered moonsurpasses all the stars. And her lightstretches over salt seaequally and flowerdeep fields.And the beautiful dew is poured outand roses bloom and frailchervil and flowering sweetclover.But she goes back and forth rememberinggentle Atthis and in longingshe bites her tender mind
Still must the poet as of old,In barren attic bleak and cold,Starve, freeze, and fashion verses toSuch things as flowers and song and you;Still as of old his being giveIn Beauty's name, while she may live,Beauty that may not die as longAs there are flowers and you and song.
Voll Blüten steht der Pfirsichbaum nicht jede wächst zur Frucht sie schimmern hell wie Rosenschaum durch Blau und Wolkenflucht. Wie Blüten geh'n Gedanken auf hundert an jedem Tag -- lass' blühen, lass' dem Ding den Lauf frag' nicht nach dem Ertrag! Es muss auch Spiel und Unschuld sein und Blütenüberfluss sonst wär' die Welt uns viel zu klein und Leben kein Genuss.
Buddha lets me see the world in color so that I can appreciate its color.Just as God too lets you see the color of beauty in the world.And so too with Allah because he lets you see the beauty in everything.....I cannot begin to understand all religions, but I know one thing.Color brings love into our world regardless of who we are; what we preach or what we believe in.And to me, that is the only truth that I know.
we met one strange summerin a regular tangle of sticky websyou had the air of angels sweet but I--drowned with the damned spiritsin lava oceans fearing your--foreign static frequency and grey-green eyes(I swear they are even if you--think otherwise): stormscalm ones, calmer than my--raging coals, empty and deadyou speak of souls like you believealways an optimist in pessimisticskin of ivory and titanium mesh...
Dear Charles, she wrote. After writing to express my appreciation for all the generosity of our friends, I would be remiss indeed if I did not include a missive to you. Out of all the new blessings in my new life, the one I thank God for the most is you. I thank you for writing to me through Genteel Correspondence, and for choosing me out of all the other women eager for adventure in the wild west. I thank you for your kindness, and your gentleness toward me. Only very strong men can be gentle. I thank you for sharing your home and your life with me. I thank you for inventing delicious breakfasts. And chicory flavored coffee. And prayers that ease my mind and inspire my spirit and lift my heart. For your smile and the way you hold your hat in your hands. For the things you say and how you say them. Did you know that I pray for you each day? I do. I pray for your safety and happiness. Yours in Christ, Rose
The little boy nodded at the peony and the peony seemed to nod back. The little boy was neat, clean and pretty. The peony was unchaste, dishevelled as peonies must be, and at the height of its beauty.(...) Every hour is filled with such moments, big with significance for someone.
Our difference are beautiful yet sometimes connection requires us to focus on our similarities, like the fact that we are all trying, all struggling, all wanting to be seen and to be loved. Perhaps if we start there, with this basic understanding of what it means to be alive, we will grow in our connection to one another and learn to love the beautiful difference that embody our improbable human reality.
I know it’s hard sometimes to recognize how truly beautiful you are, and how truly worthy of love you have always been and will always be. It’s hard sometimes to see the truth of your divinity amidst the closed, judgmental opinions of the outside world, and of your own critical mind. But your beauty and your worthiness have nothing to do with anyone’s opinions, or anyone’s mind, not even your own. Your real truth lives in the heart, and your heart, as big and open and generous as it is, will never stop marveling at your stunning existence.
We can’t always be as brave as we want or need to be. We don’t always make the harder choice, the one we know we need to make in order to change things for real. Sometimes we give in to our fear. We choose known over unknown, comfort over uncertainty. Even though that’s often not ideal—to create our lives from fear—it’s definitely human. And, it’s okay. Our courage doesn’t suddenly disappear just because we choose to ignore it. It may hide for a bit and make us work a little harder for its attention, but it’s always there within us. We are born courageous, after all. Beautiful and brave. Whenever we get tired of playing at life with fear’s rules, at last determined to change things for real, our courage will be there—ready, able, excited for us to let it do its thing.
I may not be beautiful,I may not be tall,I may have no legs,And be hairy and all.I may not be rich,With lifestyle or clothes,I may not tweet,For my arms are too low.I may have warts,An acne or two,I may be incomplete,Compared to all of you.But when I see,The reflection of me,I see someone beautiful,And I know it's me.
I spent all nightweaving a poem for you to wear. You look so beautifulwhen you wear my light.
If the stars should appear one night in a thousand years, how would men believe and adore; and preserve for many generations the remembrance of the city of God which had been shown! But every night come out these envoys of beauty, and light the universe with their admonishing smile.
Form is what transforms the content of a work into its essence. Do you understand? The character of music arises out of its form like steam from water,’ Yury Andreevich said. ‘With solid understanding of the general laws of form, which encompass all that is amenable to formulation, one can, by groping further, perceive the individual, the particular. Then, subtracting the general, one can sense a residue where wonder lurks in its purest, most undiluted form. Herein lies the goal of theory: the more fully one grasps what is available for comprehension, the more intensely the ineffable shines.
Positive energy radiates from every word you share to a magnitude that can not be measured on scale. The vibrations he sends your way are received and absorbed into the very core of your existence. The power within his words quench the areas of your spirit that only God knows. Mortality thrives on the very essence of Godly Love
On building homes for fallen angels:When I was small - I sought a home,a place to go and rest my bones.Then founded something, of my own,I lived among the restless stones.If seeking leads you back to evil,what good is that, I asked a weevil.He said a home is what you make,it can't be real, if it is fake...And if you wait instead of seek,will you find love, or something bleak?I know (myself) for I have found,a beauty, hidden – in a sound.Waiting is boring.And so is exploring.A smile is sometimes all it takes.And then your whole world simply breaks.
I do what I do because I love God, as I love your children, as I love humanity, as I love peace, truth, and justice for all. I may not be a fan of religion, but I am a big fan of God. I choose not to subscribe to any one religion because I recognize truths in them all — both the truths and flaws. For anybody to believe that any father would want to see his children fighting is madness. It does not make the Creator happy to see anybody massacre any of his beautiful creations. If you must know the religion I choose, I choose LOVE. If you must know the name of my god, his name is Truth, or rather 'He Who is One, The One Who is All.
I was free with every road as my home. No limitations and no commitments. But then summer passed and winter came and I fell short for safety. I fell for its spell, slowly humming me to sleep, because I was tired and small, too weak to take or handle those opinions and views, attacking me from every angle. Against my art, against my self, against my very way of living. I collected my thoughts, my few possessions and built isolated walls around my values and character. I protected my own definition of beauty and success like a treasure at the bottom of the sea, for no one saw what I saw, or felt the same as I did, and so I wanted to keep to myself. You hide to protect yourself.
Beware ! Discipline goes to two different directions : success and self glory. Self glory is the biggest failure of life.
Life may try to knock you down but be persistent with your passions - cultivate grit, resilience, tenacity and endurance success will come.
You only fix something, when it’s broken. And you - are far from broken.
Say to yourself, I am perfect, the way I am. Say to yourself, I am beautiful the way I am. Say to yourself, those who do not accept me the way I am, do not deserve me in their life.
A society where feminine beauty is defined not by the human self on genuine intellectual and sentimental grounds, but by a computer software on the grounds of economic interest, is more dead than alive. It is a society of human bodies, not human beings.
Listen my dear sister! You only fix something, when it’s broken. And you - are far from broken. Say to yourself, I am perfect, the way I am. Say to yourself, I am beautiful the way I am. Say to yourself, those who do not accept me the way I am, do not deserve me in their life.
The female brain itself is a highly intuitive emotion-processing machine, which when put to practice in the progress of the society, would do much more than any man can with all his analytical perspectives.
O my Courageous Sister! You have to become the beacon of hope for all women around you and then for the whole society.
Beauty is an illusion.
Success, Bill Gates said, is a lousy teacher. It seduces smart people into thinking they can't lose.Same goes for good looking people. Beauty reduces the consciousness that it takes more to catch the heart of the right partner.We often think being good at one thing is all we need to succeed, but hey, success is less of what you are good at, but more of what you are good for.Of what use is beauty with no brains, culture without character, knowledge that does not impact, or skill that does not add value?For any seemingly "good" thing to last, great attention we must pay to the unseen intrinsic component that sustains it.
Were we to confront our creaturehood squarely, how would we propose to educate? The answer, I think is implied in the root of the word education, educe, which means "to draw out." What needs to be drawn out is our affinity for life. That affinity needs opportunities to grow and flourish, it needs to be validated, it needs to be instructed and disciplined, and it needs to be harnessed to the goal of building humane and sustainable societies. Education that builds on our affinity for life would lead to a kind of awakening of possibilities and potentials that lie dormant and unused in the industrial-utilitarian mind. Therefore the task of education, as Dave Forman stated, is to help us 'open our souls to love this glorious, luxuriant, animated, planet.' The good news is that our own nature will help us in the process if we let it.
Freedom comes from focus, focus brings freedom. Focus on fear you will always be in prison, focus on faith and is nothing the world can keep you knocked down.
Dear Lord please show me what really matters so that I may be able to determine what is distraction and God's direction in my life.
If God can help us locate demands, He can also help us locate the leaks.
Long before something happens in our life, it happened in our heart.
If I should be available to everyone, I will eventually end up with nothing to give to anyone. So the greatest gift you can receive from me is my time. Count yourself lucky if I give you a minute of my hour.
What starts in the heart doesn't stay in the heart, it either turn into action or words.
The enemies agenda is destruction, his strategy is division and his tactics is on little differences. Mind you he is not going to be happy until he sees you divided.
Do you know where your breakthrough begins? Your breakthrough begins where your excuses ends.
The open door is never behind you; the open door is always before you. Quit looking at your past life and mistakes. Look unto Jesus who is the Author and Perfector of our faith. Your open door is not in the opportunity you missed ten years ago, it is not in some stuffs behind you that you can't get back. You can't gain your access by giving attention to your past life.Your past days are behind you and what God has for you is in front of you. Just pay attention.
If negative emotions have gain access into your heart, it is because you have given it attention. If memories of pain and hurt dominates your heart, it is because you gave them attention. How can a memory hurt you when it has only happened? It can only hurt you when you give it attention.
The forgiveness of God flows through me and because I am forgiven, I can forgive.
If you ask me I think the greatest breakthrough each and everyone of us need is not on finance, marriage, work, relationship, own house, car but self. The first breakthrough should start from being selfish.
Is it not funny, in the presence of an unlimited God, we will still be stucked? Sometimes faith overwrites the fact, that some people have not come to realise. Stop giving excuses and telling God what is happening around you. You have the tools.
There is no where that life problem can take you that God's presence cannot reach you. There is nothing that people can do to you that can keep God from getting to you.
You have a standing invitation to experience God's presence but you have to pay attention because attention creates access.
The reason some people do not experience God in their life is the same reason that we do not notice that something is going wrong with our marriage untill we arrive in a divorce court or that something is wrong with our child until we got a phone call from the police station . Simply put....Because we do not pay attention
When I call on God, I am not trying to get his attention and I am not trying to get Him to notice me. In all this my journey with Him two questions usually comes to my mind, they are; am I paying attention to him or am I trying to get his attention?
Sometimes we are asking God to reveal his presence, provisions and purpose in our lives and we pray like we are trying to get God's attention but I think prayer has less with getting God's attention but He getting mine.
Evil is real but God is greater.
God always have a perfect way for every imperfect situations.
Could it be that while you are waiting for God to come down and help you, God is also waiting for you to get up? Maybe your breakthrough never happen when your situation changes but when you make a determination within yourself without excuses or blaming anybody and not waiting for anyone and stop praying that your situation change but let God change you. Let your prayer be God change me, God work in me, spring out the rivers of living water within me and I bet you, this is where the breakthrough begins.☺just a thought and something to ponder on....
The size of a plane does not change the weather but it will get you above it. The size of your faith may not change your situation but it will get you over it.
For those of you who are begging God for a breakthrough, this is not the way of getting something from your heavenly father, you don't have to beg him for what He already bought for you, you don't have to beg Him for what He died to give you. You don't have to convince people, you don't have to convince anybody if God likes to do a work in your life, it is done.
The more desperate the situation, the more opportunity for miracle. If you need something from God, you need to be at the right place, the right position and at the right time
Do you want to feel better or do you want to get well are two different things. Some people go to church to feel better but never get well. Some come to church for comfort and leave unchanged. And that is what sin represents. ..it is a place to be comfortable thereby feeling normal in your own disfunction.
Stop praying to God to change your marriage or your finances because you might end up seeing that you are the one that need the change not your marriage or finances.
What you see and what you listen to will determine how high you will go.
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It is weird to me on how people will come to church frequently and have absolutely no desire or intention to change anything about their life based on what they experienced in the church.
Have you ever make out time to ask God if there is anything or anybody you need to drop in your life? Are you still holding on to offences? When is the right time to drop it?I am sure once you make this attempt He will show you.I declare that God is going to set some captives free.
Offence is an event, offended is a decision. Offence and offended we have to live through it but to stay offended? To live in that place denies the very nature of the salvation that you claimed to have received.
I didn't get to God by effort or title, I got there by invitation. God can lift you quickly if you let Him. He really cares.
Being married or being in a close relationship is not based on how quickly you can get offended but on how you are ready to drop the offences, get over it and move ahead.
Before Marriage opposite attracts, after marriage opposite attacks☺. Just telling you the truth.
God takes two and make them one but satan takes one and make it two.
The closer the relationship, the greater the opportunities for intimacy. However the greater the opportunity the closer to offence. (A bit deep). Nobody can really make you mad more than someone that you really love. Nobody can hurt you like the somebody you have given your heart to.
You can't love me if you don't love you, you can't think of nothing to do with me if you can't think of nothing to do with yourself, stop feeling sorry for yourself and tidy up, clean up the apartment until you get a house, do that job until you build your own company. Look at what you have and think on how to make it better.
There is a throne up there and someone is sitting on it. It is not you, the economy or your government. My God is still on the throne and I shall not worry.
My faith gives me the ability to say, whatever is next, I'm ready. If it is Hillary or Trump I am ready because they might sit on the desk but they do not sit on the throne.
You don't have to feel grateful in order to be grateful.
So that’s how we live our lives. No matter how deep and fatal theloss, no matter how important the thing that's stolen from us - that'ssnatched right out of our hands - even if we are left completelychanged, with only the outer layer of skin from before, we continue toplay out our lives this way, in silence. We draw ever nearer to theend of our allotted span of time, bidding it farewell as it trails offbehind. Repeating, often adroitly, the endless deeds of the everyday. Leaving behind a feeling of insurmountable emptiness...Maybe, in some distant place, everything is already, quietly, lost.Or at least there exists a silent place where everything candisappear, melting together in a single, overlapping figure. And aswe live our lives we discover - drawing toward us the thin threadsattached to each - what has been lost. I closed my eyes and tried tobring to mind as many beautiful lost things as I could. Drawing themcloser, holding on to them. Knowing all the while that their livesare fleeting.
He loved hte curves on her body, her soft skin and pouty lower lip, her deep soulful eyes. He adored her voice; sometimes sultry, sometimes fiery. Her laugh, her playfulness... he adored it all. But what really turned him on were the curves in her mind, the twists and turns, the fire, the brilliance - and her compassionate heart; the beat of it harmonizing so sweetly and perfectly with the beat of his. The whole package was beyond thrilling... yet her mind, her heart, those were the immortal aphrodisiacs.
We all want relationships that are healthy and resolved, and sometimes that simply doesn't happen. But the beauty of life is that inside these disappointments are hidden the most miraculous of blessings. What we lose and what we might have been pales against what we have.
Our mornings were never "rise and shine." They were "rise and fight." They were loud and ravaging. They were heavy and unnerving, like the after-math of a war, with unresolved territorial disputes. They were never serene, but they were beautiful. More beautiful than the smile you wear when you step out of the shower, more tempting than the sight of you brewing coffee from across the kitchen bar, more promising than a glorious victory, bigger than all our tumultuous past. Bigger than you. Bigger than I.
Sometimes love doesn't look like what we think it should look like. Sometimes it's paradoxical. Sometimes we have to step outside our comfort zone. Sometimes we have to be more honest than we thought we'd ever have to be or more supportive than we are taught is appropriate. When we traverse those boundaries, that's when we really understand what this whole love thing is all about. We become more than just human. We become part of the giant, beautiful ever-changing reality of life. By loving without limits, we become wise, strong, and beautiful. We become more of what we already are.
Imagination can turn any situation into a positive situation. Let your creativity run wild. Let yourself create new worlds, new times and new thoughts. Don't think yourself immature for having fun in dull times. Let that creativity flow into your everyday life and create beautiful new experiences.
Sometimes you just have to find something to keep your body grounded, your mind flexible, and your heart open.
Being able to inspire the body is an easy feat, but being able to inspire the soul as well is true talent.
And still the brain continues to yearn, continues to burn, foolishly, with desire. My old man's brain is mocked by a body that still longs to stretch in the sun and form a beautiful shape in someone else's gaze, to lie under a blue sky and dream of helpless, selfless love, to behold itself, illuminated, in the golden light of another's eyes.
Stop chasing society’s definition of success and chase your own definition of success. Success is an emotion that is experienced when you are completely fulfilled and content with where you are in life; it has nothing to do with a specific job, a specific amount of money in your bank account, or the quality of material possessions you acquire. You can be the richest man in the world, but still, feel unsuccessful, and you can be the poorest man in the world, but still, feel extremely successful.
It was under English trees that I meditated on that lost labyrinth: I pictured it perfect and inviolate on the secret summit of a mountain; I pictured its outlines blurred by rice paddies, or underwater; I pictured it as infinite—a labyrinth not of octagonal pavillions and paths that turn back upon themselves, but of rivers and provinces and kingdoms....I imagined a labyrinth of labyrinths, a maze of mazes, a twisting, turning, ever-widening labyrinth that contained both past and future and somehow implied the stars. Absorbed in those illusory imaginings, I forgot that I was a pursued man; I felt myself, for an indefinite while, the abstract perceiver of the world. The vague, living countryside, the moon, the remains of the day did their work in me; so did the gently downward road, which forestalled all possibility of weariness. The evening was near, yet infinite.
What about you? What do you do?” I needed to ask questions, draw him out. I needed to find out all the information I could. My voice sounded strong and smooth, but my hands were shaking. I put them in my lap so he couldn’t see.“I prey on innocent villagers and terrify their children,” he said with a nasty smile. “And sometimes when I’m feeling really evil, I read books or paint.
The surpluses will have to be expended somehow, and trust the oligarchs to find a way. Magnificent roads will be built. There will be great achievements in science, and especially in art. When the oligarchs have completely mastered the people, they will have time to spare for other things. They will become worshippers of beauty. They will become art-lovers. And under their direction and generously rewarded, will toil the artists. The result will be great art; for no longer, as up to yesterday, will the artists pander to the bourgeois taste of the middle class. It will be great art, I tell you, and wonder cities will arise that will make tawdry and cheap the cities of old time. And in these cities will the oligarchs dwell and worship beauty
The most beautiful experience we can have is the mysterious. It is the fundamental emotion which stands at the cradle of true art and true science. Whoever does not know it and can no longer wonder, no longer marvel, is as good as dead and his eyes are dimmed.
It is a special blessing to belong among those who can and may devote their best energies to the contemplation and exploration of objective and timeless things. How happy and grateful I am for having been granted this blessing, which bestows upon one a large measure of independence from one's personal fate and from the attitude of one's contemporaries. Yet this independence must not inure us to the awareness of the duties that constantly bind us to the past, present and future of humankind at large.Our situation on this earth seems strange. Every one of us appears here, involuntarily and uninvited, for a short stay, without knowing the why and the wherefore. In our daily lives we feel only that man is here for the sake of others, for those whom we love and for many other beings whose fate is connected with our own.I am often troubled by the thought that my life is based to such a large extent on the work of my fellow human beings, and I am aware of my great indebtedness to them.I do not believe in free will. Schopenhauer's words: 'Man can do what he wants, but he cannot will what he wills,' accompany me in all situations throughout my life and reconcile me with the actions of others, even if they are rather painful to me. This awareness of the lack of free will keeps me from taking myself and my fellow men too seriously as acting and deciding individuals, and from losing my temper.I have never coveted affluence and luxury and even despise them a good deal. My passion for social justice has often brought me into conflict with people, as has my aversion to any obligation and dependence I did not regard as absolutely necessary.[Part 2]I have a high regard for the individual and an insuperable distaste for violence and fanaticism. All these motives have made me a passionate pacifist and antimilitarist. I am against any chauvinism, even in the guise of mere patriotism.Privileges based on position and property have always seemed to me unjust and pernicious, as does any exaggerated personality cult. I am an adherent of the ideal of democracy, although I know well the weaknesses of the democratic form of government. Social equality and economic protection of the individual have always seemed to me the important communal aims of the state.Although I am a typical loner in daily life, my consciousness of belonging to the invisible community of those who strive for truth, beauty, and justice keeps me from feeling isolated.The most beautiful and deepest experience a man can have is the sense of the mysterious. It is the underlying principle of religion as well as of all serious endeavour in art and science. He who never had this experience seems to me, if not dead, then at least blind. To sense that behind anything that can be experienced there is a something that our minds cannot grasp, whose beauty and sublimity reaches us only indirectly: this is religiousness. In this sense I am religious. To me it suffices to wonder at these secrets and to attempt humbly to grasp with my mind a mere image of the lofty structure of all there is.
I have not yet lost a feeling of wonder, and of delight, that this delicate motion should reside in all the things around us, revealing itself only to him who looks for it. I remember, in the winter of our first experiments, just seven years ago, looking on snow with new eyes. There the snow lay around my doorstep — great heaps of protons quietly precessing in the earth's magnetic field. To see the world for a moment as something rich and strange is the private reward of many a discovery.
Consciousness is our gateway to experience: It enables us to recognize Van Gogh’s starry skies, be enraptured by Beethoven’s Fifth, and stand in awe of a snowcapped mountain. Yet consciousness is subjective, personal, and famously difficult to examine.
When you look at what C.S. Lewis is saying, his message is so anti-life, so cruel, so unjust. The view that the Narnia books have for the material world is one of almost undisguised contempt. At one point, the old professor says, ‘It’s all in Plato’ — meaning that the physical world we see around us is the crude, shabby, imperfect, second-rate copy of something much better. I want to emphasize the simple physical truth of things, the absolute primacy of the material life, rather than the spiritual or the afte
I'm trying to undermine the basis of Christian belief... I'm not in the business of offending people. I find the books upholding certain values that I think are important, such as life is immensely valuable and this world is an extraordinarily beautiful place. We should do what we can to increase the amount of wisdom in the
I’m trying in all my stories to get the feeling of the actual life across—not to just depict life—or criticize it—but to actually make it alive. So that when you have read something by me you actually experience the thing. You can’t do this without putting in the bad and the ugly as well as what is beautiful. Because if it is all beautiful you can’t believe in it. Things aren’t that way.
There are those who say that spiritual enlightenment is achieved through the denial of oneself; you must deny yourself many things, go and live in a mountaintop, never mingle with other people, talk to the birds..but I say to you, why should you dismantle your home? Where is the meaning in removing the bricks from your walls one by one? What is the purpose in uprooting your floors? Is there any significance in only allowing yourself a tin roof and a muddy bed? Why deny your house its structure? A truly enlightened soul is strong enough, is bright enough to live and shine through, even in a beautiful house! There is no need to ransack the house in order to see an inner beauty etched against a distraught surrounding. A bright and beautiful soul can shine forth even from inside an equally beautiful surrounding.
The gaps are the thing. The gaps are the spirit's one home, the altitudes and latitudes so dazzlingly spare and clean that the spirit can discover itself like a once-blind man unbound. The gaps are the clefts in the rock where you cower to see the back parts of God; they are fissures between mountains and cells the wind lances through, the icy narrowing fiords splitting the cliffs of mystery. Go up into the gaps. If you can find them; they shift and vanish too. Stalk the gaps. Squeak into a gap in the soil, turn, and unlock—more than a maple—universe.
This is an ode to life.The anthem of the world.For as there are billionsof different stars thatmake up the skyso, too, are there billions of different humans thatmake up the Earth.Some shine brighter but all are made ofthe same cosmic dust.O the joy of beingin life with all these people!I speak of differencesbecause they are there.Like the different organsthat make up our bodies.Earth, itself, is one large body.Listen to how it howlswhen one human isin misery.When one kills another, the Earth feels the pang in itschest. When one orgasms, the Earth craves a cigarette.Look carefully,these animals are beauty spots that make the Earth’s face lovelier and more loveable.These oceans are the Earth’s limpid eyes. These trees, its hair.This is an ode to life.The anthem of the world.I will no longer speak of differences, for the similaritiesare larger. Look even closer. There may bedistances between our limbs butthere are no spaces betweenour hearts. We long to be one.We long to be in nature andto run wild with its wildlife.Let us celebrate life and living, for it is sacrilegious to be ungrateful.Let us play and be playful, for it is sacrilegiousto be serious.Let us celebrate imperfectionsand make existenceproud of us, for tomorrow isdeath, and this is an ode to life. The anthem of the world.
A woman's body is a sacred temple. A work of art, and a life-giving vessel. And once she becomes a mother, her body serves as a medicine cabinet for her infant. From her milk she can nourish and heal her own child from a variety of ailments. And though women come in a wide assortment as vast as the many different types of flowers and birds, she is to reflect divinity in her essence, care and wisdom. God created a woman's heart to be a river of love, not to become a killing machine.
A compassionate heart radiates rays of beauty that remove the clouds of million hearts.
There is no envy, jealousy, or hatred between the different colors of the rainbow. And no fear either. Because each one exists to make the others’ love more beautiful.
It’s okay to experience the flow of all emotions; however, if we get caught up in feeling pity for others and take on the responsibility of being their ‘savior’, we often take away their power to ‘save’ themselves. If I see someone as ‘messed up’ then I am projecting my ‘messed up’ vibration onto them, so I am unable to hold space. Yet, if I already view them as whole, well, and beautiful – then I am able to be a vibrational key (vessel of Spirit) that uplifts their energy so that it may come into alignment with being whole, well, and beautiful. It’s not that I do any of the healing; I’m simply a mirror reflecting acceptance and loving them for exactly who they are, right where they are. That is all that is ever truly asked of us, to accept and to love.
How easily such a thing can become a mania, how the most normal and sensible of women once this passion to be thin is upon them, can lose completely their sense of balance and proportion and spend years dealing with this madness.
The best remedy for those who are frightened, lonely or unhappy is to go outside, somewhere they can be alone, alone with the sky, nature and God. For then and only then can you feel that everything is as it should be and that God wants people to be happy amid nature's beauty and simplicity.As long as this exists, and that should be forever, I know that there will be solace for every sorrow, whatever the circumstances. I firmly believe that nature can bring comfort to all who suffer.
My love, you are driving the entire world mad. The nightingales are committing suicide one by one out of jealousy of your voice. The roses took one glance at your beauty and folded themselves from shame. The trees now only whisper your name and the sky hasn’t stopped crying since you looked up. Have pity on us, my love. We have already broken all the mirrors and glass out of fear that you will forget us and fall in love with yourself once you see what we all cannot stop seeing.
Maybe it was true that only beauty would save the world, or truth, or some other high-flown garbage; but fear was still more powerful than anything else. Fear destroyed everything: everything born of beauty, the tender shoots of all that was fine, wise, eternal...
When last did you thank God? When last did you appreciate him? Some people are just busy praying for more things they need God to do. The best way to pray is by thanking God first for the things He has already done in your life. For the remaining job in your life, He knows how to finish it.
Stop telling God what you want to have , He is going to use what you have left to give you what you need.
I have lived long enough to see God make my enemies my footstool not even footsteps.
The task is not in getting the healing the task is in what will you do with your healing. The task is not in seeing the light the task is in what will you do with the light. It is when you have choices that God can see who you really are not when you are without.
Question: when you picture Jesus ministering to others, how do you see Him? Certainly not with the stressed-out, hurry-up attitude we often have. Don’t you get an image of Him ministering in a quiet, tranquil peace? That’s a trait you need to develop too. As ambassadors of Christ we need to become more like our Master in dealing with others. Paul writes, ‘Live in peace, and [then] the God of love [Who is the Source of affection, goodwill, love, and benevolence toward men] and the Author and Promoter of peace will be with you.’ When you resort to force, argument, intimidation, anger, and coercion, you’re on your own. But when you demonstrate affection, goodwill, love, and benevolence towards people, God has promised to be with you
Unless you acknowledge your vulnerability for sin, you won’t pray against it and you’ll end up experiencing defeat. The most effective weapon the enemy has against you - is you
Satan can’t prevail against you when you know God’s Word and stand on it. So have your ‘It is written’ armour ready. Build yourself up on the Word of God before the attack comes.
If you are landing it doesn't really matter who is sitting beside you but while you are taking off, it is very important you know who is around you. Eagles don't flock with pigeons.
Any bridge you refuse to burn gives Satan an invitation and re-entry point into your life.
Unanswered prayer is God’s gift … it protects us from ourselves. If all our prayers were answered we’d abuse the power … use prayer to change the world to our liking, and it would become hell on earth. Like spoiled children with too many toys and too much money, we’d grab for more. We’d pray for victory at the expense of others … intoxicated by power we’d hurt people and exalt ourselves. Isaiah said, “The LORD longs to be gracious to you … therefore He waits” (Isaiah 30:18 NASB). Unanswered prayer protects…breaks…deepens and transforms. Past unanswered prayers which left us hurt and disillusioned, act like a refiner’s fire to prepare us for future answers.’ Bottom line: pray with the right motives!
God sends the best to those who deserves it.
Christianity is not for seasonal use, it is for daily use. Make the word of God your daily Language.
Take anything that is above you to God, lift it, bless it and release it and see what God will do.
I believe that to be kept from evil is better than to be healed from sickness.
Any prophet who does not refer you to christ is not a true prophet.
What you need to succeed is already there, just lean on God. For your faith's sake, God can still disappoint the devil.
You can't stop satan from doing his job; his job is to steal, kill and destroy but don't let him stop you from doing your own job; and your job is to bind and lose his stronghold. His job is to destroy you and your job is to destroy him too. Cast him out.
When you go nearer to God, He shows you what to do, He tells you when to do it and He backs whatever He promised.
There must be a demand, there must be an urge and there must be a will and where there is a demand and a will, there will also be a way.
If you are looking for bad news ask new york times or CNN, if you are looking for good news ask me. I am an ambassador of good news.
I do not need to grow up or train in the gym in order to beat the devil, when I know that my God can beat him for me.
Nobody is too holy for the devil's attack, even your tithes and offerings won't stop him either but God rebukes the devourer through your giving.
When you leave where God is sending you to somewhere else, your star will varnish. A lesson to learn here....don't go to Herod's house when you are looking for Jesus.
You can win war without fighting and you must not fight a war in order to win. The battle is of the Lord.
Some people are in church but not in christ because if you are in christ, the first sign of true christianity is peace.
Man may change, government may change, people may change but Jesus Christ is the same yesterday, today and forever.
If the word of God cannot do it in your life then your Pastor must be wasting his time.
It is not your duty to run from the devil but resist him and he will flew from you.
You can prophecy without going to the bible school. If you acknowledge Jesus, you receive the gift of prophecy and you can prophecy. The holy spirit is always there for you.
Cheap food always requires expensive treatment.
When next the devil attack you apply your break resist the devil and he will flew from you. The bible didn't say you should run from the devil but resist him.
You don't wait till your case become terminal before you ask for a doctor. If you wait till it becomes incurable you will die without knowing your right. Spiritually put; you don't wait until you have problem before you pray. Pray without ceasing for you do not know when the problem will come. If you can bind headache you can bind cancer. If you can bind fever, you can equally bind ulcer. If you can loss a mentally dreaded man, you can loss and raise the dead.
Nothing is over in my life when Christ is above it. Anything higher than me is still below the feet of Christ. I am not born again to be burnt, I am born again to be born again so that I may live in peace and joy that comes only from God.
Your mouth can correct what is wrong. Your eyes can see evil and your mouth can speak righteousness. Your body can say I am sick while your mouth can say I am healed. Your eyes can say I am blind but your mouth can say I can see, Your pocket can say I am empty while your mouth can say I am swimming in abundance. Your Doctor can say that you are HIV Postive and Cancer but your mouth can say my body is a holy temple of God and by His stripes I am healed. Your womb can say that you are barren while your mouth can say "Behold, children are a gift of the LORD, The fruit of the womb is a reward." Don´t live by sight, live by faith. Put it in practice.
See it (your situations) with your eyes but direct it to God
Anything that doubt me can´t doubt my God. Any situation that is too high for me can never be too high for my God.
What you say about your situation matters a lot in life than what you do to it. It helps when you know what to say. When things are not going the way they are supposed to go, God does not keep quiet, He always say something. Do the same, change your situation with the words of your mouth.
Faith to challenge equals recovery. When you learn to challenge your situation God speaks.
I do not wait till i am in trouble till i can call on God. I have learned to speak the way God speaks, I have learned to see things the way God sees and I have also learned to handle it the way God handles it. Christ is the daily language of my mouth and faith is my daily talk and my actions have become the language of my life.
While studying my bible, I noticed that all the miracle Jesus did was never magical, the people that received their healing call it the blind man, the woman with the issue of blood, lazarus, the man they threw through the ceiling to him etc, had one thing in common. I didn't call it faith but I call it action. ...they made a move and was ready to make a shift and a change.Lessons to learn from here; faith without work better put without action is dead. Secondly, miracle will never find you in your sitting room, you need to make a move in order to find it. Third, God can only start the work in your life only with what you have left not what you do not have. Fourth, do your own part and then allow God to do the one you cannot do. Fifth, always be ready for a change. Sixth, when you have done everything and nothing seems to work....Call on JESUS...I am a living withness, He always starts when we are tired.
Christians believe in a big God but do small things and this is a big insult to God.
Dear Lord I am tired of forgiving people that offended me. Is there anyway you can fix this people's mind to do the right thing? Dear Lord I am tired of loving those that hate me, can you please replace their hateful heart with a lovng spirit. Dear Lord I am tired of hearing people complaining about the world not being peaceful, no money, so much wars and no love. Can you please open their eyes to see that there will be no peace for a wicked man. Remind them that you promised to supply all their needs and that with you all things are possible but it is possible to only those that believe just as I believe that only you can fix any hurting soul and situations.
You are created to be a creator. God does not give anyone a finished product. God did not create the telephone, car, computers, Facebook, amazon, ebay, God did not make a chair, He created a tree for you to produce the chair. He gave you the raw materials to look at and ask yourself what can I do with this?Are you a producer or a consumer? .....ponder
There is nothing good in the devil and there is nothing bad in God and with God all things are possible . And all things are possible to those that believe.
God didn't call me to kill me. He called me to glory and virtue. My body has dropped on His feet to follow me home no more. Who the son of God set free is free indeed.
If God give you a status, don't turn yourself to a statue. Don't become a monument. God still want to reside inside you but not in a monument.
The people that loves God, do they also have troubles? Yes but the troubles never have them. They can have pain but pain can't have them. Paul was in prison but prison was not in him. Don't let what you have, have you. Have money and time but don't let them have you. Have good name and title but don't let name and title have you but let God get glory out of it.
Any day God removes His hand from you, you are finished. Your hope and trust is only in Him. Your confidence, your strength, your power and your life is in God. There is no better life without Him. Look around the world and you will understand me.
So long as you are in God's hands, He will not throw you away. God cannot drop you for you to be ashamed.
I have lived long enough to know that wherever there is crisis there is always Christ. Look for Jesus in the middle of all your crisis. Whenever He comes the whole storm goes down.
Is your wife the devil? That is the reason the bible says we should cast out devil. Is your husband the devil? The bible still repeat cast out the devil. How can you reach your world if you can't reach your home? How do you expect to win the whole world if you can't win in your house.
Spiritual life is not mystic; when you decide to work with God, you have stepped to mystery, God can intervene at any time, God can come down even when you are not ready. From the minute you know and understand that God is interested in your marriage, job, business, health, the minute you know that God is interested in what you are doing for Him, the job will take a new turn, your business will take a new course, your life will have a new direction.
Is there anything in your life trying to slip off? Is your health threatening to leave you? Is your joy threatening to go? Is your job in jeopardy? Is your marriage shaking? Is there anything that you have been looking for in life? Is there anything near you that is about leaving you? Is there anything that you ever lost that was so dear to you? Jesus asked me to tell you that whatever that is gone out of your hand will come back again. Whatever that has gone out of your hand that you need to stay back with you will come back again.
What you need is not too big for God to supply.
In your roughest time, when everything looks so cloudy and deserted, don't look to man, don't look to a woman, don't look to government, don't look to Obama, don't look to Merkel, don't look to wall street, don't look to your family, don't look at your situation either, take off your eyes away from all those things that are so close to you; take it to Him that is bigger than your problem.
Why should sinners prosper and sins suffer? It is ignorant; don't think that the poorer you are the quicker you will see God, sorry no unclean thing shall see heaven. Poverty is a disgrace to God. The earth is the Lord's and the fullness thereof. You can be free, you can perform a miracle if you are a born again. I do not mean Church goers.
Poverty I am too beautiful to be like you. Sickness from the crown of my head to the sole of my feet, I belong to God.
You can never experience peace until you tell the devil that you are a child of God. CNN or BBC won't do that for you. My bible says if I should say to this mountain, let thou be removed. It didn't say if I should fall, cry or fail but if I should say.......
The best antidote to the furtive poison of anger, fear, anxiety, or any of our destructive, unwieldy passions, is just gratitude. And not the grandiose, boisterous or especially obvious kind. It is not necessarily the verbose or expressive kind. It's often the full immersion, a kind of deep submersion even, into a pool of awareness. This penitent affect distills within us surreal realizations; it is a focus, tinged with layers of deep remorse and the profound beauty of newfound appreciation that washes over us about the simplest things we have slipped into, or suddenly become aware of our own complacency over. This cooling antidote instantly soothes any veins swollen with the heat of pride, or stopped up with pearls of finely polished self-pity. This all comes about with a balm of humility that is simultaneously soothing and jolting to all of our senses at the same time. It is a cocktail both sedative and stimulant in the same, finite instant. It often occurs as we are halted dead in our tracks by a thing so extraordinary and breathtakingly natural, even luscious in its simplicity and unusually ordinary existence; often something we have been blatantly negligent of noticing as we routinely trudge past it in our self-absorbed haze. These are akin to the emotions one might feel as they finally notice the well-established antique rose garden, in full bloom; the same one they have walked by for years on their way to somewhere - but never noticed before. This is the feeling we get when our aging parent suddenly, in one moment, is 87 in our mind's eye - and not the steady 57, or eternal 37 we have determinedly seen our so loved one to be, out of purely wishful thinking born of the denial that only the truest love and devotion can begin to nurture - for the better of many decades.
Beauty is not defined by your physical features. It is defined by the heart inside your chest and the love that flows through it.
Sometimes you just have to find the majesty in yourself and other things to truly appreciate life.
Let the beauty radiate from inside your heart to the outside world.
Kiss away the past as you head towards the future.
Beauty is what you make of it. It is undefined and limitless.
True beauty happens when two worlds collide and become one.
SOUL SHINEYou know that thingYou do so well,That little sparkYou hideIn the dark,That you thinkNobody knows about –ButYou?Well,Did you knowThatThere'sA gleamThat you beamWhen you talkOr doAnything,That everyoneKnows about –ButYou?
No man's advice can change you unless you speak to yourself. Bible school or seminars can't change you, going to church can't change you except you decide to change.Psalm 139:23 - 24
A simple "Hi" has potential to make you blush, if received from your crush ...
As you start and end your day, say THANK YOU for every little things in your life. And you will come to realize how blessed you truly are.
I'LL LET YOU FREE IN MY NEVERLAND
as you know that prior to Search Enggine (google, yahoo, bing etc) our knowledge comes from books. and we often underestimate the cover of the book before reading it. where the universe and everything in it were all neatly recorded in the book .. but unfortunately, lately reduced book reader interest. and tonight I say that the inspiration of the book far more powerful than anything .. not even a lot of writers who took also into his imagination. yes, I started to read
I WILL REJECT DEATH IF I KNOW HAND COME"but .....................We would not be able to resist the will of god.Whenever, wherever you are. may god is ready to take your life.and honestly death is only the secrets of god almighty one.
DEAR LIGHT : you colored my life, and then you destroy me!
It has been passed down in many texts of old and by the word of mouth; that no matter the strength of the weapons of man, there is only one thing powerful enough to defeat them all... The power of love.
Beauty is great... But love is greater. With it, you can overcome anything fate throws at you.
Inside each of us is a deep well of translucent water. A fluidity of thoughts and luminous feelings surrounds you and me. In the world of water, all life floats, the incandescent soul of the living begins, where you and I are indivisible, where I experience you inside of me. I see your beauty, feel your need for love and affection, hear your compassionate poems, and know the fragrant mysteries your great heart brews; by law divine, with sweet emotion, you and I shall mingle forevermore.
The goal of all principled people is to recognize truth. Simple or complex thoughts and feelings standing alone rarely express any universal truths. Thoughts and feelings combine to create profound truths and compose extravagant falsities. Truth making exposes certain falsehoods, and lies shed light upon irrefutable truths. Art reveals the pageantry of nature along with the unmitigated grotesqueness that accompanies an earthly life. The search for truth begins with an intellectual journey into darkness whereas the search for beauty requires an imaginative act trussed with the classical beauty of Apollonian lightness. Aesthetic appreciation represents the perfect reconciliation of the sensual and rational parts of humankind’s animalistic nature. Similar to aesthetic experience – contemplation of beauty without imposition of a worldly agenda – love depends upon human sensory-emotional values, a judgement of values and sentiments.
Two married partners do not just live with each other, they live in each other, neurologically speaking.
When two people fall in love, they not only give up their genuine authority over their own lives, but also, they become mutual authorities of the collective life that they build together.
A healthy world is made of healthy nations. A healthy nation is made of healthy families. And a healthy family can only be raised on the foundation of a monogamous relationship.
A healthy marriage acts as the vessel of wellbeing and stability for both partners as well as the children.
Cheating is an innate evolutionarily programmed desire, especially in men, but it is not a desire that cannot be controlled.
A human is the one, who would give up a thousand Cleopatras to be with the person he or she loves.
We must account for the life that we lived. A person inevitably will ask himself or herself on their deathbed, ‘what was the aim of my life,’ ‘what did I accomplish,’ ‘what did I not accomplish,’ ‘what would I alter if I could live my life all over again’? What we discover on our deathbeds is that material luxuries afford no solace. We cannot purchase, possess, or legally acquire what is pure: love, beauty, truth, goodness, and imagination.
The most beautiful people we have known are those who have known defeat, known suffering, known struggle, known loss, and have found their way out of the depths. These persons have an appreciation, a sensitivity, and an understanding of life that fills them with compassion, gentleness, and a deep loving concern. Beautiful people do not just happen.
However gross a man may be, the minute he expresses a strong and genuine affection, some inner secretion alters his features, animates his gestures, and colors his voice. The stupidest man will often, under the stress of passion, achieve heights of eloquence, in thought if not in language, and seem to move in some luminous sphere. Goriot's voice and gesture had at this moment the power of communication that characterizes the great actor. Are not our finer feelings the poems of the human will?
Can it be that there is not enough space for man in this beautiful world, under those immeasurable, starry heavens? Is it possible that man's heart can harbour, amid such ravishing natural beauty, feelings of hatred, vengeance, or the desire to destroy his fellows? All the evil in man, one would think, should disappear on contact with Nature, the most spontaneous expression of beauty and goodness.
I tell you that what has changed is the whole conception of human life- that men of every race on this earth may have the same opportunity to live beautifully- to live in purity without fear or hunger or hatred- as brothers, not as brutes tearing through these hideous swamps of ignorance and war. Men speak of a belief in God. I am beginning to understand what every Christ- and their skins have been every color- what every Christ has taught: That love of God is love of mankind. That no one can profess to love God while he hates the least of his fellows. Jesus, if He were on earth right now, would fight to free men from oppression and evil and war; and you who have made a pious mockery of his every commandment- you would kill Him.
Did you hear about the rose that grew from a crack in the concrete? Proving nature's laws wrong, it learned to walk without having feet. Funny, it seems to by keeping it's dreams; it learned to breathe fresh air. Long live the rose that grew from concrete when no one else even cared.
Reality does not create the entire womb of human life. We have eyes that witness truth and beauty. We are creatures that think, plan, dream, and remember. The lambent luminescence supplied by human memory reveals that we live in a dream world. Human imagination tied to memory tells us how to live today and forevermore.
When a beautiful reality looks unreal, you will realize that the beauty of reality is superior to any dream whatsoever!
The best thing I have always liked about photographers is that they perceive beauty in everything. Beautify everything with clicks; Sonam was that way, looking for beauty everywhere in every place, in every person, may be it was just a practice of photographers. What if all people really appreciate beauty in the world, themselves and other people, the beauty which makes them fall in love with who they truly are, when love of beauty arouses from hearts even the toughest dreams softens their way.
As much as I would like to know my path, a part of me is telling me that it is better not too know too many details about the end destination or the obstacles on the journey. If I can only see as much as my headlights will show me, I can travel safely through any kind of weather, knowing that there's life through every sunrise and sunset and when the light is not shining as I'm used to, I can always assure myself that the night sky will show me many fulfilled dreams and hopes portrayed through shining stars, and every now and then reveal me a part of the moon which reflects that everlasting light, whether fully or not, making me aware that the shadow will always have its' mysterious beauty as well in the process of underlying a part of the truth. So let's continue like this, with our eyes set out far away in the galaxy, but with our feet firm in the ground from which we have been raised. Only so will we be able to ground ourselves deeply and reach immeasurable heights, like a tree deeply rooted in mother Earth that stretches its' branches up to the heavens.
In learning a language, when from mere words we reach the laws of words, we have gained a great deal. But if we stop at that point and concern ourselves only with the marvels of the formation of a language, seeking the hidden reason of all its apparent caprices, we do not reach that end, for grammar is not literature… When we come to literature, we find that, though it conforms to the rules of grammar, it is yet a thing of joy; it is freedom itself. The beauty of a poem is bound by strict laws, yet it transcends them. The laws are its wings. They do not keep it weighed down. They carry it to freedom. Its form is in law, but its spirit is in beauty. Law is the first step toward freedom, and beauty is the complete liberation which stands on the pedestal of law. Beauty harmonizes in itself the limit and the beyond – the law and the liberty.
At some point, one asks, "Toward what end is my life lived?" A great freedom comes from being able to answer that question. A sleeper can be decoyed out of bed by the sheer beauty of dawn on the open seas. Part of my job, as I see it, is to allow that to happen. Sleepers like me need at some point to rise and take their turn on morning watch for the sake of the planet, but also for their own sake, for the enrichment of their lives. From the deserts of Namibia to the razor-backed Himalayas, there are wonderful creatures that have roamed the Earth much longer than we, creatures that not only are worthy of our respect but could teach us about ourselves.
What keeps earth air breathable? Not oxygen alone. The earth is a freer place to breathe in, every time you love without calculating a return -- every time you make your drudgeries and routines still more inefficient by stopping to experience the shock of beauty wherever it unpredictably flickers.
The Native Americans, whose wisdom Thoreau admired, regarded the Earth itself as a sacred source of energy. To stretch out on it brought repose, to sit on the ground ensured greater wisdom in councils, to walk in contact with its gravity gave strength and endurance. The Earth was an inexhaustible well of strength: because it was the original Mother, the feeder, but also because it enclosed in its bosom all the dead ancestors. It was the element in which transmission took place. Thus, instead of stretching their hands skyward to implore the mercy of celestial divinities, American Indians preferred to walk barefoot on the Earth: The Lakota was a true Naturist – a lover of Nature. He loved the earth and all things of the earth, the attachment growing with age. The old people came literally to love the soil and they sat or reclined on the ground with a feeling of being close to a mothering power. It was good for the skin to touch the earth and the old people liked to remove their moccasins and walk with bare feet on the sacred earth. Their tipis were built upon the earth and their altars were made of earth. The birds that flew in the air came to rest on the earth and it was the final abiding place of all things that lived and grew. The soil was soothing, strengthening, cleansing and healing. That is why the old Indian still sits upon the earth instead of propping himself up and away from its life-giving forces. For him, to sit or lie upon the ground is to be able to think more deeply and to feel more keenly; he can see more clearly into the mysteries of life and come closer in kinship to other lives about him. Walking, by virtue of having the earth’s support, feeling its gravity, resting on it with every step, is very like a continuous breathing in of energy. But the earth’s force is not transmitted only in the manner of a radiation climbing through the legs. It is also through the coincidence of circulations: walking is movement, the heart beats more strongly, with a more ample beat, the blood circulates faster and more powerfully than when the body is at rest. And the earth’s rhythms draw that along, they echo and respond to each other. A last source of energy, after the heart and the Earth, is landscapes. They summon the walker and make him at home: the hills, the colours, the trees all confirm it. The charm of a twisting path among hills, the beauty of vine fields in autumn, like purple and gold scarves, the silvery glitter of olive leaves against a defining summer sky, the immensity of perfectly sliced glaciers … all these things support, transport and nourish us.
None of your knowledge, your reading, your connections will be of any use here: two legs suffice, and big eyes to see with. Walk alone, across mountains or through forests. You are nobody to the hills or the thick boughs heavy with greenery. You are no longer a role, or a status, not even an individual, but a body, a body that feels sharp stones on the paths, the caress of long grass and the freshness of the wind. When you walk, the world has neither present nor future: nothing but the cycle of mornings and evenings. Always the same thing to do all day: walk. But the walker who marvels while walking (the blue of the rocks in a July evening light, the silvery green of olive leaves at noon, the violet morning hills) has no past, no plans, no experience. He has within him the eternal child. While walking I am but a simple gaze.
Slowness means cleaving perfectly to time, so closely that the seconds fall one by one, drop by drop like the steady dripping of a tap on stone. This stretching of time deepens space. It is one of the secrets of walking: a slow approach to landscapes that gradually renders them familiar. Like the regular encounters that deepen friendship.
Walking: it hits you at first like an immense breathing in the ears. You feel the silence as if it were a great fresh wind blowing away clouds. There’s the silence of woodland. Clumps and groves of trees form shifting, uncertain walls around us. We walk along existing paths, narrow winding strips of beaten earth. We quickly lose our sense of direction. That silence is tremulous, uneasy. Then there’s the silence of tough summer afternoon walks across the flank of a mountain, stony paths, exposed to an uncompromising sun.
This time, there’s no question of freeing yourself from artifice to taste simple joys. Instead there is the promise of meeting a freedom head-on as an outer limit of the self and of the human, an internal overflowing of a rebellious Nature that goes beyond you. Walking can provoke these excesses: surfeits of fatigue that make the mind wander, abundances of beauty that turn the soul over, excesses of drunkenness on the peaks, the high passes (where the body explodes). Walking ends by awakening this rebellious, archaic part of us: our appetites become rough and uncompromising, our impulses inspired. Because walking puts us on the vertical axis of life: swept along by the torrent that rushes just beneath us. What I mean is that by walking you are not going to meet yourself. By walking, you escape from the very idea of identity, the temptation to be someone, to have a name and a history. Being someone is all very well for smart parties where everyone is telling their story, it’s all very well for psychologists’ consulting rooms. But isn’t being someone also a social obligation which trails in its wake – for one has to be faithful to the self-portrait – a stupid and burdensome fiction? The freedom in walking lies in not being anyone; for the walking body has no history, it is just an eddy in the stream of immemorial life.
Walking causes a repetitive, spontaneous poetry to rise naturally to the lips, words as simple as the sound of footsteps on the road. There also seems to be an echo of walking in the practice of two choruses singing a psalm in alternate verses, each on a single note, a practice that makes it possible to chant and listen by turns. Its main effect is one of repetition and alternation that St Ambrose compared to the sound of the sea: when a gentle surf is breaking quietly on the shore the regularity of the sound doesn’t break the silence, but structures it and renders it audible. Psalmody in the same way, in the to-and-fro of alternating responses, produces (Ambrose said) a happy tranquillity in the soul. The echoing chants, the ebb and flow of waves recall the alternating movement of walking legs: not to shatter but to make the world’s presence palpable and keep time with it. And just as Claudel said that sound renders silence accessible and useful, it ought to be said that walking renders presence accessible and useful.
An author who composes while walking, on the other hand, is free from such bonds; his thought is not the slave of other volumes, not swollen with verifications, nor weighted with the thought of others. It contains no explanation owed to anyone: just thought, judgement, decision. It is thought born of a movement, an impulse. In it we can feel the body’s elasticity, the rhythm of a dance. It retains and expresses the energy, the springiness of the body. Here is thought about the thing itself, without the scrambling, the fogginess, the barriers, the customs clearances of culture and tradition. The result will not be long and meticulous exegesis, but thoughts that are light and profound. That is really the challenge: the lighter a thought, the more it rises, and becomes profound by rising – vertiginously – above the thick marshes of conviction, opinion, established thought. While books conceived in the library are on the contrary superficial and heavy. They remain on the level of recopying.
the joy of walking and feeling the body advancing ‘like a man alone’; the fullness of feeling alive. And then happiness, before the spectacle of a violet-shadowed valley below the beams of the setting sun, that miracle of summer evenings, when for a few minutes every shade of colour, flattened all day by a steely sun, is brought out at last by the golden light, and breathes. Happiness can come later, at the guesthouse, in the company of others staying there: people met there, happy to find themselves together for a moment through chance. But all of that involves receiving.
Joy is not the satisfied contemplation of an accomplished result, the emotion of victory, the satisfaction of having succeeded. It is the sign of an energy that is deftly deployed, it is a free affirmation: everything comes easy. Joy is an activity: executing with ease something difficult that has taken time to master, asserting the faculties of the mind and the body. Joys of thought when it finds and discovers, joys of the body when it achieves without effort. That is why joy, unlike pleasure, increases with repetition, and is enriched. When you are walking, joy is a basso continuo. Locally, of course, you may run into effort and difficulty. You will also find immediate moments of contentment: a proud gaze backwards to contemplate the long steep plunge of the slope behind you. Those satisfactions, though, too often present an opportunity to reintroduce quantities, scores, figures (which track? how long? what altitude?). And walking becomes a competition. That is why expeditions in high mountain country (conquering peaks, each one a challenge) are always slightly impure: because they give rise to narcissistic gratification. What dominates in walking, away from ostentation and showing off, is the simple joy of feeling your body in the most primitively natural activity.
When walking in this mode we discover the immense vigour of starry night skies, elemental energies, and our appetites follow: they are enormous, and our bodies are satisfied. When you have slammed the world’s door, there is nothing left to hold you: pavements no longer guide your steps (the path, a hundred thousand times repeated, of the return to the fold). Crossroads shimmer like hesitant stars, you rediscover the tremulous fear of choosing, a vertiginous freedom.
Blinding, mineral, shattering silence. You hear nothing but the quiet crunch of stones underfoot. An implacable, definitive silence, like a transparent death. Sky of a perfectly detached blue. You advance with eyes down, reassuring yourself sometimes with a silent mumbling. Cloudless sky, limestone slabs filled with presence: silence nothing can sidestep. Silence fulfilled, vibrant immobility, tensed like a bow. There’s the silence of early morning. For long routes in autumn you have to start very early. Outside everything is violet, the dim light slanting through red and gold leaves. It is an expectant silence. You walk softly among huge dark trees, still swathed in traces of blue night. You are almost afraid of awakening. Everything whispering quietly. There’s the silence of walks through the snow, muffled footsteps under a white sky. All around you nothing moves. Things and even time itself are iced up, frozen solid in silent immobility. Everything is stopped, unified, thickly padded. A watching silence, white, fluffy, suspended as if in parentheses.
But just a vibration among the trees and stones, on the paths. Walking to breathe in the landscape. Every step an inspiration born to die immediately, well beyond the oeuvre. I like to walk at my ease, and to stop when I like. A wandering life is what I want. To walk through a beautiful country in fine weather, without being obliged to hurry, and with a pleasant prospect at the end, is of all kinds of life the one most suited to my taste.
But walking causes absorption. Walking interminably, taking in through your pores the height of the mountains when you are confronting them at length, breathing in the shape of the hills for hours at a time during a slow descent. The body becomes steeped in the earth it treads. And thus, gradually, it stops being in the landscape: it becomes the landscape. That doesn’t have to mean dissolution, as if the walker were fading away to become a mere inflection, a footnote. It’s more a flashing moment: sudden flame, time catching fire. And here, the feeling of eternity is all at once that vibration between presences. Eternity, here, in a spark.
Thoreau: ‘The West of which I speak is but another name for the Wild; and what I have been preparing to say is, that in Wildness is the preservation of the world.’ That is why walking leads to a total loss of interest in what is called – laughably no doubt – the ‘news’, one of whose main features is that it becomes old as soon as it is uttered. Once caught in the rhythm, Thoreau says, you are on the treadmill: you want to know what comes next. The real challenge, though, is not to know what has changed, but to get closer to what remains eternally new. So you should replace reading the morning papers with a walk. News items replace one another, become mixed up together, are repeated and forgotten. But the truth is that as soon as you start walking, all that noise, all those rumours, fade out. What’s new? Nothing: the calm eternity of things, endlessly renewed.
Perhaps the itinerant monks called ‘Gyrovagues’ were especially responsible for promoting this view of our condition as eternal strangers. They journeyed ceaselessly from monastery to monastery, without fixed abode, and they haven’t quite disappeared, even today: it seems there are still a handful tramping Mount Athos. They walk for their entire lives on narrow mountain paths, back and forth on a long repeated round, sleeping at nightfall wherever their feet have taken them; they spend their lives murmuring prayers on foot, walk all day without destination or goal, this way or that, taking branching paths at random, turning, returning, without going anywhere, illustrating through endless wandering their condition as permanent strangers in this profane world.
When one has walked a long way to reach the turning in the path that discloses an anticipated view, and that view appears, there is always a vibration of the landscape. It is repeated in the walker’s body. The harmony of the two presences, like two strings in tune, each feeding off the vibration of the other, is like an endless relaunch. Eternal Recurrence is the unfolding in a continuous circle of the repetition of those two affirmations, the circular transformation of the vibration of the presences. The walker’s immobility facing that of the landscape … it is the very intensity of that co-presence that gives birth to an indefinite circularity of exchanges: I have always been here, tomorrow, contemplating this landscape.
forest paths – flat labyrinths – and gentle plains invite the walker’s body to softness, to languor. And memories arise like eddying mists. The air is more bracing with Nietzsche, and above all sharp, transparent. The thought is trenchant, the body wide awake, trembling.
Zhuang Zhu also meant that the feet as such are small pieces of space, but their vocation (‘walking’) is to articulate the world’s space. The size of the foot, the gap between the legs, have no role, are never lined up anywhere. But they measure all the rest. Our feet form a compass that has no useful function, apart from evaluating distance. The legs survey. Their stride constitutes a serviceable measurement.
In the history of walking, many experts considering him (Wordsworth) the authentic originator of the long expedition. He was the first – at a time (the late eighteenth century) when walking was the lot of the poor, vagabonds and highwaymen, not to mention travelling showmen and pedlars – to conceive of the walk as a poetic act, a communion with Nature, fulfilment of the body, contemplation of the landscape. Christopher Morley wrote of him that he was ‘one of the first to use his legs in the service of philosophy’.
Maybe we're just falling stars, we once danced in the same skyline looking down at the world. And we've fallen like all others, from near and far, we've gathered together, but separated by time and space, keeping a part of that light that we've came with and spreading it in this dark world that we've chosen to live in, in order to shine some light and love around. Maybe we've chosen to believe one truth today, and find it to be false tomorrow. Maybe we're trying to not get attached to the idea that we now know it all. At night, we see the truth of where we've fallen from, gazing in that night sky full of distant stars, constellations, planets, the reflection of the sun on the moon, all with their own stories to tell. Sometimes we wonder why would we leave such a mysterious place, with an infinite amount of stories and wonders. Maybe it's because as stars we could've only seen each other's light from afar, but here we can listen more carefully to each other's story, embrace each other and kiss, discover more and more of what can be seen when infinite star dust potential is put into one body and given freedom to walk the Earth and wander, love and enjoy every moment until coming back. Maybe in the morning, we'll only see one star shining up there and forget the others. Maybe that is also how life and death is, and the beauty of the sunrise and sunset that come in between, our childhood years and old years, when we reflect on the stars that we once were and that we will once again be. Maybe, just maybe.
When man penetrates the mysteries of Nature, the "facts of Nature" become transparent symbols, revealing the "divine energies" and the "angelic" state which fallen man has lost, and which he may recover only for a moment, as when he is enraptured by the beauty of music or of a lovely face. At such moments man forgets his limited self, his individualistic dream, and participates in the cosmic dream, thus becoming freed from the prison of his own carnal soul.
Nothing humbles a beautiful woman better than not being wanted by a man whose girlfriend or wife is ugly (or not as beautiful as she is).
O woman, father says natural is beautifulso why do you redden your cheeks and blacken your eyes?Why do you remove the hair on your legsand draw them into your brows?Why do you hold your breathlest your stomach showand hold your fartlest they knowthat you’re a human? O woman, father says natural is beautifulso why do you straighten your hairto curl it nextand pretend to orgasm so they think you enjoyed the sex?Why do you dumb yourself downand push your breasts up?Why do you smile when you’re told toand love when you don’t want to?When? When will you stop, woman? Father says natural is beautifulbut that is doubtfulfor what does father knowhe’s only a fellow.
Instead of being regarded as intelligent or knowledgeable, many a woman would rather be regarded as beautiful or good in the kitchen; many a man, as handsome or good in bed.
...There are issues worth advancing in images worth admiring; and the truth is never "plain," nor appearances ever "sincere." To try to make them so is to neutralize the primary, gorgeous eccentricity of imagery in Western culture since the Reformation: the fact that it cannot be trusted, that imagery is always presumed to be proposing something contestable and controversial. This is the sheer, ebullient, slithering, dangerous fun of it. No image is presumed inviolable in our dance hall of visual politics, and all images are potentially powerful.
When and where there is repression, what a woman does when she gets dressed in the morning may be considered political. Wearing or not wearing a veil, disobeying laws that prohibit transgender dressing, or wearing a large Afro in an institution that seeks to diminish the formation of racial alliances are all actions that can serve as challenges to domination
I do not believe that human lives may be made the means for satisfying an artist's desire for self-expression. We must demand, rather, that every man should be given, if he wishes, the right to model his life himself, as far as this does not interfere too much with others. Much as I may sympathize with the aesthetic impulse, I suggest that the artist might seek expression in another material. Politics, I demand, must uphold equalitarian and individualistic principles; dreams of beauty have to submit to the necessity of helping men in distress, and men who suffer injustice; and to the necessity of constructing institutions to serve such purposes.
Right. I look fine. Except I don't,' said Zora, tugging sadly at her man's nightshirt. This was why Kiki had dreaded having girls: she knew she wouldn't be able to protect them from self-disgust. To that end she had tried banning television in the early years, and never had a lipstick or a woman's magazine crossed the threshold of the Belsey home to Kiki's knowledge, but these and other precautionary measures had made no difference. It was in the air, or so it seemed to Kiki, this hatred of women and their bodies-- it seeped in with every draught in the house; people brought it home on their shoes, they breathed it in off their newspapers. There was no way to control it.
Boys are just boys after all, but sometimes girls really seem to be the turn of a pale wrist, or the sudden jut of a hip, or a clutch of very dark hair falling across a freckled forehead. I'm not saying that's what they really are. I'm just saying sometimes it seems that way, and that those details (a thigh mole, a full face flush, a scar the precise shape and size of a cashew nut) are so many hooks waiting to land you.
A woman may possess the wisdom and chastity of Minerva, and we give no heed to her, if she has a plain face. What folly will not a pair of bright eyes make pardonable? What dullness may not red lips are sweet accents render pleasant? And so, with their usual sense of justice, ladies argue that because a woman is handsome, therefore she is a fool. O ladies, ladies! there are some of you who are neither handsome nor wise.
We desire to possess a beauty that is worth pursuing, worth fighting for, a beauty that is core to who we truly are. We want beauty that can be seen; beauty that can be felt; beauty that affects others; a beauty all our own to unveil.
Women need to remember that if nature has made them plain, grace can make them beautiful, and if nature has made them beautiful, good deeds can add to their beauty. Grace will make you beautiful and will attract truly godly men to you. Make godliness and inward beauty your priority.
[She] was a remarkable looking woman. Remarkable in that she wasn’t what most people would call beautiful. But she oozed a raw femaleness that I was certain made most women uncomfortable and sent men walking into walls. And when she smiled. Well. That was magic.
The clue to everything a man should love and fear in her was there right from the start in the ironic smile that primed and swelled the archery of her full lips. There was pride in that smile and confidence in the set of her fine nose. Without understanding why I knew beyond question that a lot of people would mistake her pride for arrogance and confuse her confidence with impassivity. I didn't make that mistake. My eyes were lost swimming floating free in the shimmering lagoon of her steady even stare. Her eyes were large and spectacularly green. It was the green that trees are in vivid dreams. It was the green that the sea would be if the sea were perfect.
The priestess of Artemis took hold of her almost with the violence of a lover, and whisked her away into a languid ecstasy of reverie. She communicated her own enthusiasm to the girl, and kept her mind occupied with dreams, faery-fervid, of uncharted seas of glory on which her galleon might sail, undiscovered countries of spice and sweetness, Eldorado and Utopia and the City of God.
Young girls are like helpless children in the hands of amorous men, whatever is said to them is true and whatever manipulation on their bodies seems like love to them, sooner or later, they come back to their senses, but the scars are not dead inasmuch as her spoiler lives.
Wine and women make wise men dote and forsake God's law and do wrong." However, the fault is not in the wine, and often not in the woman. The fault is in the one who misuses the wine or the woman or other of God's crations. Even if you get drunk on the wine and through this greed you lapse into lechery, the wine is not to blame but you are, in being unable or unwilling to discipline yourself. And even if you look at a woman and become caught up in her beauty and assent to sin [= adultery; extramarital sex], the woman is not to blame nor is the beauty given her by God to be disparaged: rather, you are to blame for not keeping your heart more clear of wicked thoughts. ... If you feel yourself tempted by the sight of a woman, control your gaze better ... You are free to leave her. Nothing constrains you to commit lechery but your own lecherous heart.
Just about all men need a woman in one way or another, unless they’re very strange indeed. Tormenting you refreshes him. And you shouldn’t underestimate the gratitude all men feel for women’s beauty. Men who truly don’t like flowers are very uncommon and men who don’t respond to a beautiful woman are even more uncommon. It’s not primarily sexual; it’s a lifting of the spirits beauty gives. He’ll be in to torment you, and tease you, and enrage you, but really to have a good, refreshing look at you.
Desire acts as a honey trap to the unwary male, luring him into unworthy and catastrophic enterprises. The beauty of the Narnian witches isn't ancillary to their evil, but integral to it, one of the weapons in their arsenal. Evil must, after all, appear attractive if it's going to be tempting, and from there it's only a small step further to the conclusion that feminine beauty is inherently wicked.
She was one of those women of good family who no longer exist, elegant, distinguished, and haughty, whose pallor and thinness seem to say, 'I am conquered by the era, like all my breed. I am dying, but I despise you,' and - devil take me! - plebeian as I am, and though it is not very philosophical , I cannot help finding that beautiful.
A man once said of women, "Women are like roads, the more curves, the more fun, exciting and dangerous they are." While the evolved man smiles with class and confidence and says, women with more curves, twists and turns in her mind are the most beautiful, exciting, dangerous creatures alive. And the evolved woman, well, she will accept no less than the evolved man; a man with honor, dignity and depth.
Beautiful women have a following all their own. If that sounds misogynistic, I’m sorry, that’s the way the world works. Homer said the Greeks went to war over a woman. I can’t get a battle, but I can get a few hundred thousand views with the right face in a skirt.
[The ideology of beauty] has grown strong to take over the work of social coercion that myths about motherhood, domesticity, chastity, and passivity, no longer can manage. It is seeking right now to undo psychologically and covertly all the good things that feminism did for women materially and overtly.
She was tall and well-made, on an ample scale; her skin looked as if it had the flavour of fresh cream which it resembled, her childlike mouth that of strawberries. Under a mass of raven hair, curling in gentle waves, her green eyes gleamed motionless as those of statues, and like them a little cruel. She was moving slowly, making her wide white skirt rotate around her, and emanating from her whole person the invincible calm of a woman sure of her own beauty.
We want to look desirable. We want others to want to mate with us. No different than a colorful peacock. When girls dress up for their night out at the club, they are doing what all animals do when they try to make themselves desirable for a potential mate. That's the whole point behind the fashion, perfume, cosmetics, diet, and plastic surgery industries.
This rose is not so fragrant as a summer flower, but it has stood through hardships none of them could bear: the cold rain of winter has sufficed to nourish it, and its faint sun to warm it; the bleak winds have not blanched it, or broken its stem, and the keen frost has not blighted it. Look, Gilbert, it is still fresh and blooming as a flower can be, with the cold snow even now on its petals.
My brave husband came back from fighting the Turks and brought me a robe of silk and a necklace of human teeth. He sat up at night by his hearth telling tales of battle. Apparently the Turks are ten times more ferocious and fearless than the Scots. 'Perhaps we should invite them here to drive the Scots back,' I suggested, and he laughed, but he didn't kiss me. That's when I learned the truth about scars. A man with a battle scar is a veteran, a hero, given an honoured place at the fire. Small boys gaze up fascinated, dreaming of winning such badges of courage. Maids caress his thighs with their buttocks as they bend over to mull his ale. Women cluck and cosset, and if in time other men grow a little weary of that tale of honour, then they call for his cup to be filled again and again until he is fuddled and dozes quietly in the warmth of the embers. But a scarred woman is not encouraged to tell her story. Boys jeer and mothers cross themselves. Pregnant women will not come close for fear that if they look upon such a sight, the infant in their belly will be marked. You've heard of the tales of Beauty and the Beast no doubt. How a fair maid falls in love with a monster and sees the beauty of his soul beneath the hideous visage. But you've never heard the tale of the handsome man falling for the monstrous woman and finding joy in her love, because it doesn't happen, not even in fairytales. The truth is that the scarred woman's husband buys her a good thick veil and enquires about nunneries for the good of her health. He spends his days with his falcons and his nights instructing pageboys in their duties. For if nothing else, the wars taught him how to be a diligent master to such pretty lads.
That's old Twoflower, Rincewind thought. It’s not that he doesn’t appreciate beauty, he just appreciates it in his own way. I mean, if a poet sees a daffodil he stares at it and writes a long poem about it, but Twoflower wanders off to find a book on botany. He just looks at things, but nothing he looks at is ever the same again. Including me, I suspect.
What must it be like for a woman to live with power over men rivaled only by God for the first third of her life, build her identity over her looks, only to feel it slip away as time tumbles by? Feel the shift in how people treat her, as though getting old is a contagious affliction?
She carried herself like a dishonored queen. Even the way she held her head at an angle as she considered the buildings around us seemed watched and pretentious, and I thought about my mother saying there was something toxic about being very beautiful. It must be terrible to be a woman.
We are beautiful, but we are not weak, that old Geisha told her. Men should see us like supernatural beings. Everything is so open now. Women shave their legs in front of men, they eat with their mouth full, they drink side by side with them, they get drunk, they loose the whole essence of femininity. Being a work of art is painful, but nobody said it would be easy. To create and recreate yourself every single moment of your life, that takes commitment, passion, energy and faith.
She better be capable of achieving something of the greatness that a cure for cancer would give the world or as damned good of an assassin as he was. If she possessed none of that, she should at least be the kind of woman with both a personality and face that could make any man question his better judgment. There weren’t enough of those in the world, at least not in the world he knew.
This transformationbegins in the spinningof the soul,hanged upside down,massively re-arranged,motion light.By inch the radicaltakes place the old is decomposed, the gruesome has been destroyed melting into something beautiful.What has seemed to harm youbrought you to life.- CHANGE, A Poem
The first time I saw you, my heart fell. The second time I saw you, my heart fell. The third time fourth time fifth time and every time since, my heart has fallen.I stared at her.You are the most beautiful woman I have ever seen. Your hair, your eyes, your lips, your body that you haven't grown into, the way you walk, smile, laugh, the way your cheeks drop when you're mad or upset, the way you drag your feet when you're tired. Every single thing about you is beautiful.I stared at her.When I see you the World stops. It stops and all that exists for me is you and my eyes staring at you. There's nothing else. No noise, no other people, no thoughts or worries, no yesterday, no tomorrow. The World just stops and it is a beautiful place and there is only you. Just you, and my eyes staring at you.I stared.When you're gone, the World starts again, and I don't like it as much. I can live in it, but I don't like it. I just walk around in it and wait to see you again and wait for it to stop again. I love it when it stops. It's the best fucking thing I've ever known or ever felt, the best thing, and that, beautiful Girl, is why I stare at you.
I suspect he's sweet on Sophie and doesn't like to see her work too hard.'Tessa was glad to hear it. She'd felt awful about her reaction to Sophie's scar, and the thought that Sophie had a male admirer - and a handsome one like that- eased her conscience slightly. 'Perhaps he's in love with Agatha', she said.'I hope not. I intend to marry Agatha myself. She may be a thousand years old, but she makes an incomparable jam tart. Beauty fades, but cooking is eternal.
Lady Katsa, is it?" "Yes, Lord Prince.""I've heard you have one eye green as the Middluns grasses, and the other eye blue as the sky.""Yes, Lord Prince.""I've heard you can kill a man with the nail of your smallest finger."She smiled. "Yes, Lord Prince.""Does it make it easier?""I don't understand you.""To have beautiful eyes. Does it lighten the burden of your Grace, to know you have beautiful eyes?
But even though she was attractive, there was something else about her that caught his eye. She was intelligent, he could sense that right away, and confident, too, as if she were able to move through life on her own terms. To him, these were the things that really mattered. Without them, beauty was nothing.
These... things, householder, are welcome, agreeable, pleasant, & hard to obtain in the world:Long life is welcome, agreeable, pleasant, & hard to obtain in the world.Beauty is welcome, agreeable, pleasant, & hard to obtain in the world.Happiness is welcome, agreeable, pleasant, & hard to obtain in the world.Status is welcome, agreeable, pleasant, & hard to obtain in the world....Now, I tell you, these... things are not to be obtained by reason of prayers or wishes. If they were to be obtained by reason of prayers or wishes, who here would lack them? It's not fitting for the disciple of the noble ones who desires long life to pray for it or to delight in doing so. Instead, the disciple of the noble ones who desires long life should follow the path of practice leading to long life. In so doing, he will attain long l
Sadly, the signals that allow men and women to find the partners who most please them are scrambled by the sexual insecurity initiated by beauty thinking. A woman who is self-conscious can't relax to let her sensuality come into play. If she is hungry she will be tense. If she is "done up" she will be on the alert for her reflection in his eyes. If she is ashamed of her body, its movement will be stilled. If she does not feel entitled to claim attention, she will not demand that airspace to shine in. If his field of vision has been boxed in by "beauty"--a box continually shrinking--he simply will not see her, his real love, standing right before him.
Men are visually aroused by women's bodies and less sensitive to their arousal by women's personalities because they are trained early into that response, while women are less visually aroused and more emotionally aroused because that is their training. This asymmetry in sexual education maintains men's power in the myth: They look at women's bodies, evaluate, move on; their own bodies are not looked at, evaluated, and taken or passed over. But there is no "rock called gender" responsible for that; it can change so that real mutuality--an equal gaze, equal vulnerability, equal desire--brings heterosexual men and women together.
I am so beautiful, sometimes people weep when they see me. And it has nothing to do with what I look like really, it is just that I gave myself the power to say that I am beautiful, and if I could do that, maybe there is hope for them too. And the great divide between the beautiful and the ugly will cease to be. Because we are all what we choose.
You don’t owe prettiness to anyone. Not to your boyfriend/spouse/partner, not to your co-workers, especially not to random men on the street. You don’t owe it to your mother, you don’t owe it to your children, you don’t owe it to civilization in general. Prettiness is not a rent you pay for occupying a space marked ‘female’.
A mismatched outfit, a slightly defective denture, an exquisite mediocrity of the soul-those are the details that make a woman real, alive. The women you see on posters or in fashion magazines-the ones all the women try to imitate nowadays-how can they be attractive? They have no reality of their own; they're just the sum of a set of abstract rules. They aren't born of human bodies; they hatch ready-made from the computers." ~The Book of Laughter and Forgetting
This is beautiful," I said, ignoring the shop window to trace the gleaming stone walls fronting another boutique."You know what's funny?" Jacob asked. He didn't wait for my answer. "You can see beauty in everything, except for yourself."***I swallowed hard. Erik thought my body was beautiful, Karin that it was enviable. At random times, people had noted that my hands were beautiful, or my hair. The Twisted Sisters had called my art beautiful. Mom had the best intentions and always told me before and after my laser surgeries that I would be beautiful. But no one had ever said that I was beautiful, all my parts taken together, not just the bits and pieces.
The slow arrow of beauty. The most noble kind of beauty is that which does not carry us away suddenly, whose attacks are not violent or intoxicating (this kind easily awakens disgust), but rather the kind of beauty which infiltrates slowly, which we carry along with us almost unnoticed, and meet up with again in dreams; finally, after it has for a long time lain modestly in our heart, it takes complete possession of us, filling our eyes with tears, our hearts with longing. What do we long for when we see beauty? To be beautiful. We think much happiness must be connected with it. But that is an error.
Beauty is a form of Genius--is higher, indeed, than Genius, as it needs no explanation. It is one of the great facts of the world, like sunlight, or springtime, or the reflection in the dark waters of that silver shell we call the moon. It cannot be questioned. It has divine right of sovereignty. It makes princes of those who have it.
Consider the fact that maybe…just maybe…beauty and worth aren’t found in a makeup bottle, or a salon-fresh hairstyle, or a fabulous outfit. Maybe our sparkle comes from somewhere deeper inside, somewhere so pure and authentic and REAL, it doesn’t need gloss or polish or glitter to shine.
Remember that there are two kinds of beauty: one of the soul and the other of the body. That of the soul displays its radiance in intelligence, in chastity, in good conduct, in generosity, and in good breeding, and all these qualities may exist in an ugly man. And when we focus our attention upon that beauty, not upon the physical, love generally arises with great violence and intensity. I am well aware that I am not handsome, but I also know that I am not deformed, and it is enough for a man of worth not to be a monster for him to be dearly loved, provided he has those spiritual endowments I have spoken of.
Beauty shouldn’t be about changing yourself to achieve an ideal or be more socially acceptable. Real beauty, the interesting, truly pleasing kind, is about honoring the beauty within you and without you. It’s about knowing that someone else’s definition of pretty has no hold over you.
Some women feel the need to act like they're never scared, needy or hurt; like they're as hardened as a man. I think that's dishonest. It's ok to feel delicate sometimes. Real beauty is in the fragility of your petals. A rose that never wilts isn't a rose at all.
We feel cold, but we don't mind it, because we will not come to harm. And if we wrapped up against the cold, we wouldn't feel other things, like the bright tingle of the stars, or the music of the aurora, or best of all the silky feeling of moonlight on our skin. It's worth being cold for that.
When tea becomes ritual, it takes its place at the heart of our ability to see greatness in small things. Where is beauty to be found? In great things that, like everything else, are doomed to die, or in small things that aspire to nothing, yet know how to set a jewel of infinity in a single moment?
What becomes of a man who acquires a beautiful woman, with her "beauty" his sole target? He sabotages himself. He has gained no friend, no ally, no mutual trust: She knows quite well why she has been chosen. He has succeeded in buying something: the esteem of other men who find such an acquisition impressive.
Beauty is something wonderful and strange that the artist fashions out of the chaos of the world in the torment of his soul. And when he has made it, it is not given to all to know it. To recognize it you must repeat the adventure of the artist. It is a melody that he sings to you, and to hear it again in your own heart you want knowledge and sensitiveness and imagination.
How could we forget those ancient myths that stand at the beginning of all races, the myths about dragons that at the last moment are transformed into princesses? Perhaps all the dragons in our lives are princesses who are only waiting to see us act, just once, with beauty and courage.
We do not have to spend money and go hungry and struggle and study to become sensual; we always were. We need not believe we must somehow earn good erotic care; we always deserved it. Femaleness and its sexuality are beautiful. Women have long secretly suspected as much. In that sexuality, women are physically beautiful already; superb; breathtaking.Many, many men see this way too. A man who wants to define himself as a real lover of women admires what shows of her past on a woman's face, before she ever saw him, and the adventures and stresses that her body has undergone, the scars of trauma, the changes of childbirth, her distinguishing characteristics, the light is her expression. The number of men who already see in this way is far greater than the arbiters of mass culture would lead us to believe, since the story they need to tell ends with the opposite moral.
People say sometimes that Beauty is superficial. That may be so. But at least it is not so superficial as Thought is. To me, Beauty is the wonder of wonders. It is only shallow people who do not judge by appearances. The true mystery of the world is the visible, not the invisible.
And when she started becoming a “young lady,” and no one was allowed to look at her because she thought she was fat. And how she really wasn’t fat. And how she was actually very pretty. And how different her face looked when she realized boys thought she was pretty. And how different her face looked the first time she really liked a boy who was not on a poster on her wall. And how her face looked when she realized she was in love with that boy. I wondered how her face would look when she came out from behind those doors.
Somewhere out in the darkness, a phoenix was singing in a way Harry had never heard before: a stricken lament of terrible beauty. And Harry felt, as he had felt about phoenix song before, that the music was inside him, not without: It was his own grief turned magically to song..
He stood staring into the wood for a minute, then said: "What is it about the English countryside — why is the beauty so much more than visual? Why does it touch one so?"He sounded faintly sad. Perhaps he finds beauty saddening — I do myself sometimes. Once when I was quite little I asked father why this was and he explained that it was due to our knowledge of beauty's evanescence, which reminds us that we ourselves shall die. Then he said I was probably too young to understand him; but I understood perfectly.
He thought that in the beauty of the world were hid a secret. He thought that the world’s heart beat at some terrible cost and that the world’s pain and its beauty moved in a relationship of diverging equity and that in this headlong deficit the blood of multitudes might ultimately be exacted for the vision of a single flower.
The full moon, well risen in a cloudless eastern sky, covered the high solitude with its light. We are not conscious of daylight as that which displaces darkness. Daylight, even when the sun is clear of clouds, seems to us simply the natural condition of the earth and air. When we think of the downs, we think of the downs in daylight, as with think of a rabbit with its fur on. Stubbs may have envisaged the skeleton inside the horse, but most of us do not: and we do not usually envisage the downs without daylight, even though the light is not a part of the down itself as the hide is part of the horse itself. We take daylight for granted. But moonlight is another matter. It is inconstant. The full moon wanes and returns again. Clouds may obscure it to an extent to which they cannot obscure daylight. Water is necessary to us, but a waterfall is not. Where it is to be found it is something extra, a beautiful ornament. We need daylight and to that extent it us utilitarian, but moonlight we do not need. When it comes, it serves no necessity. It transforms. It falls upon the banks and the grass, separating one long blade from another; turning a drift of brown, frosted leaves from a single heap to innumerable flashing fragments; or glimmering lengthways along wet twigs as though light itself were ductile. Its long beams pour, white and sharp, between the trunks of trees, their clarity fading as they recede into the powdery, misty distance of beech woods at night. In moonlight, two acres of coarse bent grass, undulant and ankle deep, tumbled and rough as a horse's mane, appear like a bay of waves, all shadowy troughs and hollows. The growth is so thick and matted that event the wind does not move it, but it is the moonlight that seems to confer stillness upon it. We do not take moonlight for granted. It is like snow, or like the dew on a July morning. It does not reveal but changes what it covers. And its low intensity---so much lower than that of daylight---makes us conscious that it is something added to the down, to give it, for only a little time, a singular and marvelous quality that we should admire while we can, for soon it will be gone again.
At some point in life the world's beauty becomes enough. You don't need to photograph, paint or even remember it. It is enough. No record of it needs to be kept and you don't need someone to share it with or tell it to. When that happens — that letting go — you let go because you can.
Do you know, Watson," said he, "that it is one of the curses of a mind with a turn like mine that I must look at everything with reference to my own special subject. You look at these scattered houses, and you are impressed by their beauty. I look at them, and the only thought which comes to me is a feeling of their isolation and of the impunity with which crime may be committed there.
I am jealous of everything whose beauty does not die. I am jealous of the portrait you have painted of me. Why should it keep what I must lose? Every moment that passes takes something from me and gives something to it. Oh, if it were only the other way! If the picture could change, and I could be always what I am now! Why did you paint it? It will mock me some day—mock me horribly!
Is the beauty myth good to men? It hurts them by teaching them how to avoid loving women. It prevents men from actually seeing women. It does not, contrary to its own professed ideology, stimulate and gratify sexual longing. In suggesting a vision in place of a woman, it has a numbing effect, reducing all senses but the visual, and impairing even that.
The alchemist picked up a book that someone in the caravan had brought. Leafing through the pages, he found a story about Narcissus.The alchemist knew the legend of Narcissus, a youth who knelt daily beside a lake to contemplate his own beauty. He was so fascinated by himself that, one morning, he fell into the lake and drowned. At the spot where he fell, a flower was born, which was called the narcissus.But this was not how the author of the book ended the story.He said that when Narcissus died, the goddesses of the forest appeared and found the lake, which had been fresh water, transformed into a lake of salty tears.'Why do you weep?' the goddesses asked.'I weep for Narcissus," the lake replied.'Ah, it is no surprise that you weep for Narcissus,' they said, 'for though we always pursued him in the forest, you alone could contemplate his beauty close at hand.''But... was Narcissus beautiful?' the lake asked.'Who better than you to know that?' the goddesses asked in wonder. 'After all, it was by your banks that he knelt each day to contemplate himself!'The lake was silent for some time. Finally, it said:'I weep for Narcissus, but I never noticed that Narcissus was beautiful. I weep because, each time he knelt beside my banks, I could see, in the depths of his eyes, my own beauty reflected.''What a lovely story,' the alchemist thought.
Never before had I known the sudden quiver of understanding that travels from word to brain to heart, the way a new language can move, coil, swim into life under the eyes, the almost savage leap of comprehension, the instantaneous, joyful release of meaning, the way the words shed their printed bodies in a flash of heat and light.
There is a pain you can’t think your way out of. You can’t talk it away. If there was someone to talk to. You can walk. One foot the other foot. Breathe in breathe out. Drink from the stream. Piss. Eat the venison strips. And. You can’t metabolize the loss. It is in the cells of your face, your chest, behind the eyes, in the twists of the gut. Muscles, sinew, bone. It is all of you. When you walk you propel it forward. When you let the sled and sit on a fallen log and. You imagine him curling in the one patch of sun maybe lying over your feet. Then it sits with you, the Pain puts its arm over your shoulders. It is your closest friend. Steadfast. And at night you can’t bear to hear your own breath unaccompanied by another and underneath the big stillness like a score is the roaring of the cataract of everything being and being torn away. Then. The Pain is lying beside your side, close. Does not bother you with sound even of breathing.
Women could probably be trained quite easily to see men first as sexual things. If girls never experienced sexual violence; if a girl's only window on male sexuality were a stream of easily available, well-lit, cheap images of boys slightly older than herself, in their late teens, smiling encouragingly and revealing cuddly erect penises the color of roses or mocha, she might well look at, masturbate to, and, as an adult, "need" beauty pornography based on the bodies of men. And if those initiating penises were represented to the girl as pneumatically erectible, swerving neither left nor right, tasting of cinnamon or forest berries, innocent of random hairs, and ever ready; if they were presented alongside their measurements, length, and circumference to the quarter inch; if they seemed to be available to her with no troublesome personality attached; if her sweet pleasure seemed to be the only reason for them to exist--then a real young man would probably approach the young woman's bed with, to say the least, a failing heart.
The Hitchhiker's Guide to the Galaxy is an indispensable companion to all those who are keen to make sense of life in an infinitely complex and confusing Universe, for though it cannot hope to be useful or informative on all matters, it does at least make the reassuring claim, that where it is inaccurate it is at least definitively inaccurate. In cases of major discrepancy it's always reality that's got it wrong.This was the gist of the notice. It said "The Guide is definitive. Reality is frequently inaccurate."This has led to some interesting consequences. For instance, when the Editors of the Guide were sued by the families of those who had died as a result of taking the entry on the planet Tralal literally (it said "Ravenous Bugblatter Beasts often make a very good meal for visiting tourists: instead of "Ravenous Bugblatter Beasts often make a very good meal of visiting tourists"), they claimed that the first version of the sentence was the more aesthetically pleasing, summoned a qualified poet to testify under oath that beauty was truth, truth beauty and hoped thereby to prove that the guilty party in this case was Life itself for failing to be either beautiful or true. The judges concurred, and in a moving speech held that Life itself was in contempt of court, and duly confiscated it from all those there present before going off to enjoy a pleasant evening's ultragolf.
There are cities that get by on their good looks, offer climate and scenery, views of mountains or oceans, rockbound or with palm trees; and there are cities like Detroit that have to work for a living, whose reason for being might be geographical but whose growth is based on industry, jobs. Detroit has its natural attractions: lakes all over the place, an abundance of trees and four distinct seasons for those who like variety in their weather, everything but hurricanes and earth-quakes. But it’s never been the kind of city people visit and fall in love with because of its charm or think, gee, wouldn’t this be a nice place to live.
I wake up in the morning and I see that flower, with the dew on its petals, and at the way it's folding out, and it makes me happy, she said. It's important to focus on the things in the here and now, I think. In a month, the flower will be shriveled and you will miss its beauty if you don't make the effort to do it now. Your life, eventually, is the same way.
A little girl loves her bird--Why? Because it lives and feels; because it is helpless and harmless? A toad, likewise, lives and feels, and is equally helpless and harmless; but though she would not hurt a toad, she cannot love it like the bird, with its graceful form, soft feathers, and bright, speaking eyes.
Do you know what makes someone beautiful? Confidence. You don't have to have this shape eyes or that shape lips. No one seems to be able to decide which shape is best anyway. You can have every kind of blemish. It's confidence that attracts people. That's what everybody's looking for. It's what no potion can really give you. And believe me, Belle, you've got it. You've got it if you want it.
Value yourself for what the media doesn't - your intelligence, your street smarts, your ability to play a kick-ass game of pool, whatever. So long as it's not just valuing yourself for your ability to look hot in a bikini and be available to men, it's an improvement.
But there are people who take salt with their coffee. They say it gives a tang, a savour, which is peculiar and fascinating. In the same way there are certain places, surrounded by a halo of romance, to which the inevitable disillusionment you experience on seeing them gives a singular spice. You had expected something wholly beautiful and you get an impression which is infinitely more complicated than any that beauty can give you. It is the weakness in the character of a great man which may make him less admirable but certainly more interesting. Nothing had prepared me for Honolulu...
But beauty, real beauty, ends where an intellectual expression begins. Intellect is in itself a mode of exaggeration, and destroys the harmony of any face. The moment one sits down to think, one becomes all nose, or all forehead, or something horrid. Look at the successful men in any of the learned professions. How perfectly hideous they are! Except, of course, in the Church. But then in the Church they don't think.
Friendship is constant in all other thingsSave in the office and affairs of love.Therefore all hearts in love use their own tongues.Let every eye negotiate for itself,And trust no agent; for beauty is a witchAgainst whose charms faith melteth into blood.
There's no such thing as effortless beauty--you should know that.There's no effort which is not beautiful--lifting a heavy stone or loving you.Loving you is like lifting a heavy stone. It would be easier not to do it and I'm not quite sure why I am doing it. It takes all my strength and all my determination, and I said I wouldn't love someone again like this. Is there any sense in loving someone you can only wake up to by chance?
A community is only being created when its members accept that they are not going to achieve great things, that they are not going to be heroes, but simply live each day with new hope, like children, in wonderment as the sun rises and in thanksgiving as it sets. Community is only being created when they have recognized that the greatness of man is to accept his insignificance, his human condition and his earth, and to thank God for having put in a finite body the seeds of eternity which are visible in small and daily gestures of love and forgiveness. The beauty of man is in this fidelity to the wonder of each day.
Looking for Your FaceFrom the beginning of my lifeI have been looking for your facebut today I have seen itToday I have seenthe charm, the beauty,the unfathomable graceof the facethat I was looking forToday I have found youand those who laughedand scorned me yesterdayare sorry that they were not lookingas I didI am bewildered by the magnificenceof your beautyand wish to see youwith a hundred eyesMy heart has burned with passionand has searched foreverfor this wondrous beautythat I now beholdI am ashamedto call this love humanand afraid of Godto call it divineYour fragrant breathlike the morning breezehas come to the stillness of the gardenYou have breathed new life into meI have become your sunshineand also your shadowMy soul is screaming in ecstasyEvery fiber of my beingis in love with youYour effulgencehas lit a fire in my heartand you have made radiantfor methe earth and skyMy arrow of lovehas arrived at the targetI am in the house of mercyand my heartis a place of prayer
Who, if I cried out, would hear me among the angels'hierarchies? and even if one of thempressed me against his heart: I would be consumedin that overwhelming existence. For beauty is nothingbut the beginning of terror, which we still are just able to endure,and we are so awed because it serenely disdainsto annihilate us. Every angel is terrifying.
Beauty provokes harassment, the law says, but it looks through men's eyes when deciding what provokes it.
Beauty is not a need but an ecstasy.It is not a mouth thirsting nor an empty hand stretched forth,But rather a heart inflamed and a soul enchanted.It is not the image you would see nor the song you would hear,But rather an image you see though you close your eyes and a song you hear though you shut your ears.It is not the sap within the furrowed bark, nor a win attached to a claw,But rather a garden forever in bloom and a flock of angels forever in flight.Beauty is life when life unveils her holy face. But you are life and you are the veil.Beauty is eternity gazing at itself in the mirror.But you are eternity and you are the mirror.
To live in a culture in which women are routinely naked where men aren't is to learn inequality in little ways all day long. So even if we agree that sexual imagery is in fact a language, it is clearly one that is already heavily edited to protect men's sexual--and hence social--confidence while undermining that of women.
We do not want merely to see beauty... we want something else which can hardly be put into words- to be united with the beauty we see, to pass into it, to receive it into ourselves, to bathe in it, to become part of it. That is why we have peopled air and earth and water with gods and goddesses, and nymphs and elves.
He Is looking at me through the smoke, across the fence. He never takes his eyes off me. His hair Is a crown of leaves, of thorns, of flames. His eyes are blazing with light, more light than all the lights in every city in the whole world, more light than we could ever invent If we had ten thousand billion years.
I would wear pink because I knew my future was anything but rosy. I would accessorize myself to the hilt, and I would wear flirty shoes because my world needed more beauty to counter all the ugliness in it. I would wear pink because I hated gray, I didn’t deserve white, and I was sick of black.
He remembered Alejandra and the sadness he'd first seen in the slope of her shoulders which he'd presumed to understand and of which he knew nothing and he felt a loneliness he'd not known since he was a child and he felt wholly alien to the world although he loved it still. He thought that in the beauty of the world were hid a secret. He thought the world's heart beat at some terrible cost and that the world's pain and it's beauty moved in a relationship of diverging equity and that in this headlong deficit the blood of multitudes might ultimately be exacted for the vision of a single flower.
Beauty is one of the great facts of the world, like sunlight,or springtime, or the reflection in dark waters of that silver shell we call the moon. You have only a few years in which to live really, perfectly, and fully. When your youth goes, your beauty will go with it, and then you will suddenly discover that there are no triumphs left for you...Time is jealous of you, and wars against your lilies and your roses. You will become sallow, and hollow-cheeked, and dull-eyed...Ah! realise your youth while you have it. Don't squander the gold of your days, listening to the tedious, trying to improve the hopeless, or giving away your life to the ignorant, the common, and the vulgar...Live! Live the wonderful life that is in you! Let nothing be lost upon you. Be always searching for new sensations. Be afraid of nothing...The world belongs to you for a season...how tragic it would be if you were wasted. For there is such a little time that your youth will last. The common hillflowers wither, but they blossom again. The laburnum will be as yellow next June as it is now. In a month there will be purple stars on the clematis, and year after year the green night of its leaves will hold its purple stars. But we never get back our youth. The pulse of joy that beats in us at twenty, becomes sluggish. Our limbs fail, our senses rot. We degenerate into hideous puppets, haunted by the memory of the passions of which we were too much afraid, and the exquisite temptations that we had not the courage to yield to...Youth! Youth! There is absolutely nothing in the world but youth.
A man is unlikely to be brought within earshot of women as they judge men's appearance, height, muscle tone, sexual technique, penis size, personal grooming, or taste in clothes--all of which we do. The fact is that women are able to view men just as men view women, as objects for sexual and aesthetic evaluation; we too are effortlessly able to choose the male "ideal" from a lineup and if we could have male beauty as well as everything else, most of us would not say no. But so what? Given all that, women make the choice, by and large, to take men as human beings first.
Why should her lover, just because he is male, be in a position to judge her against other women? Why must she need to know her position and hate needing to, and hate knowing? Why should his reply have such exaggerated power? And it does. He does not know that what he says will affect the way she feels when they next make love. She is angry for a number of good reasons that may have nothing to do with this particular man's intentions. The exchange reminds her that, in spite of a whole fabric of carefully woven equalities, they are not equal in this way that is so crucial that its snagged thread unravels the rest.
It has seemed to me sometimes as though the Lord breathes on this poor gray ember of Creation and it turns to radiance - for a moment or a year or the span of a life. And then it sinks back into itself again, and to look at it no one would know it had anything to do with fire, or light .... Wherever you turn your eyes the world can shine like transfiguration. You don't have to bring a thing to it except a little willingness to see. Only, who could have the courage to see it? .... Theologians talk about a prevenient grace that precedes grace itself and allows us to accept it. I think there must also be a prevenient courage that allows us to be brave - that is, to acknowledge that there is more beauty than our eyes can bear, that precious things have been put into our hands and to do nothing to honor them is to do great harm.
The woman who first gives life, light, and form to our shadowy conceptions of beauty, fills a void in our spiritual nature that has remained unknown to us till she appeared. Sympathies that lie too deep for words, too deep almost for thoughts, are touched, at such times, by other charms than those which the senses feel and which the resources of expression can realise. The mystery which underlies the beauty of women is never raised above the reach of all expression until it has claimed kindred with the deeper mystery in our own souls.
The beauty of that June day was almost staggering. After the wet spring, everything that could turn green had outdone itself in greenness and everything that could even dream of blooming or blossoming was in bloom and blossom. The sunlight was a benediction. The breezes were so caressingly soft and intimate on the skin as to be embarrassing.
both you and paintings are layered… first, ephemera and notations on the back of the canvas. Labels indicate gallery shows, museum shows, footprints in the snow, so to speak. Then pencil scribbles on the stretcher, usually by the artist, usually a title or date. Next the stretcher itself. Pine or something. Wooden triangles in the corners so the picture can be tapped tighter when the canvas becomes loose. Nails in the wood securing the picture to the stretcher. Next, a canvas: linen, muslin, sometimes a panel; then the gesso - a primary coat, always white. A layer of underpaint, usually a pastel color, then, the miracle, where the secrets are: the paint itself, swished around, roughly, gently, layer on layer, thick or thin, not more than a quarter of an inch ever -- God can happen in that quarter of an inch -- the occasional brush hair left embedded, colors mixed over each other, tones showing through, sometimes the weave of the linen revealing itself. The signature on top of the entire goulash. Then varnish is swabbed over the whole. Finally, the frame, translucent gilt or carved wood. The whole thing is done.
I had to clear up my messy life. By letting go of the debris and filth, I have come to a deeper, more soulful beauty and clarity like an oasis in the desert. From that place of clarity, a vision of what I could have, what I could do, who I could be has emerged if I allow my heart to become a place of compassion, acceptance and forgiveness.
She saw how he was staring at it, the bright red hue beneath her bonnet. She could not bear to see the way he was looking at her—right through her—without seeing her. He did not see a woman. He did not see Jane, the woman he had been so passionate with two days before. He saw… Jane swallowed hard and lookedaway, hating the weakness of her spirit. She was more than this, a wilting flower. She was stronger than this. But damn it, this hurt.It hurt because he was the man responsible for making her burn. For making her feel like a woman. It hurt because it had been a trick. An illusion. And it hurt most of all because he did not see her, the woman she was behind the unfashionable spectacles and garish hair.
You cannot wait for an untroubled world to have an untroubled moment. The terrible phone call, the rainstorm, the sinister knock on the door—they will all come. Soon enough arrive the treacherous villain and the unfair trial and the smoke and the flames of the suspicious fires to burn everything away. In the meantime, it is best to grab what wonderful moments you find lying around.
... when I saw any of those kinds of beauty I knew I was alive, and not just in the sense that when I hit my thumb with a hammer I knew I was alive, but rather in the sense that I was partaking of something--something was passing through me that it was in my nature to be a part of.
Young women today feel vulnerable to judgment; if a harsh sentence is passed (or even suspected or projected), it is not her reputation that suffers so much as the stability of her moral universe. They did not have long to explore the sexual revolution and make it their own. Before the old chains had grown cold, while young women were still rubbing the circulation back into their ankles and taking tentative steps forward, the beauty industries levied a heavy toll on further investigations, and beauty pornography offered them designer bondage.
I cursed myself. For once, heaven had sent me "Beauty" in its most perfected form and I abandoned it. She might not have been a girl after all but an angel: a force to guide me on this hazardous path of life I hurry down... How can life be hazardous if it can only end in death?
I didn't know what to think, but what I felt was magnetic and so big it ached like the moon had entered my chest and filled it up. The only think I could compare it to was the feeling I got one time when I walked from the peach stand and saw the sun spreading across the late afternoon, setting the top of the orchard on fire while darkness collected underneath. Silence had hovered over my head, beauty multiplying in the air, the trees so transparent I felt like I could see through t something pure inside them. My chest ached then, too, this very same way.
When you look in the mirror, it's usually to fix your hair or put on makeup. To examine your body searching for problem areas. We look at ourselves to see the flaw, not beauty. And we look at predictable times, in the morning, after using the bathroom, before bed. We hardly ever see ourselves when we aren't prepared for inspection. But only when you're unprepared can you see your true self, your true beauty.
I think the most profound beauty is found in what our hearts love. And I love this, Kate, more than I love anything else. It is beyond beautiful to me. It is home. It is..." He paused, and squinted a little, as if looking into the sun, but his gaze stayed steady on me. "It is the sight I want to see every day, for the rest of my life.
There is a picture of me in their heads, a picture of someone I don't know yet. She is not the chubby girl with the braces and bad perm. She is not the girl hiding in the bathroom at recess. She is someone new, a blank slate they have named beautiful. That is what I am now: beautiful, with this new body and face and hair and clothes. Beautiful, with this erasing of history.
The younger and healthier a woman is and the more her new and glossy body seems destined for eternal freshness, the less useful is artifice; but the carnal weakness of this prey that man takes and its ominous deterioration always have to be hidden from him...In any case, the more traits and proportions of a woman seem contrived, the more she delighted the heart of man because she seemed to escape the metamorphosis of natural things. The result is this strange paradox that by desiring to grasp nature, but transfigured, in woman, man destines her to artifice.
The old oak, utterly transformed, draped in a tent of sappy dark green, basked faintly, undulating in the rays of the evening sun. Of the knotted fingers, the gnarled excrecenses, the aged grief and mistrust- nothing was to be seen. Through the rough, century-old bark, where there were no twigs, leaves had burst out so sappy, so young, that is was hard to believe that the aged creature had borne them. "Yes, that is the same tree," thought Prince Andrey, and all at once there came upon him an irrational, spring feeling of joy and renewal. All the best moments of his life rose to his memory at once. Austerlitz, with that lofty sky, and the dead, reproachful face of his wife, and Pierre on the ferry, and the girl, thrilled by the beauty of the night, and that night and that moon- it all rushed at once into his mind.
Viktor was swinging a leather duffle and wearing a black Adidas tracksuit and his favorite brown UGG slippers with a hole in the toe."Worn and old, just like Viv," he'd say when Frankie made fun of them, and then his wife would swat him on the arm. But Frankie knew he was just joking, because Viveka was the type of woman you wished was in a magazine just so you could stare at her violet-colored eyes and shiny black hair without being called a stalker or a freak.
I want to fulfill myself in one of the rarest of destinies. I have only a dim notion of what it will be. I want it to have not a graceful curve slightly bent toward evening but a hitherto unseen beauty lovely because of the danger which works away at it overwhelms it undermines it. Oh let me be only utter beauty I shall go quickly or slowly but I shall dare what must be dared. I shall destroy appearances the casings will burn away and one evening I shall appear there in the palm of your hand quiet and pure like a glass statuette. You will see me. Round about me there will be nothing left.
...[F]ireworks had for her a direct and magical appeal. Their attraction was more complex than that of any other form of art. They had pattern and sequence, colour and sound, brilliance and mobility; they had suspense, surprise, and a faint hint of danger; above all, they had the supreme quality of transience, which puts the keenest edge on beauty and makes it touch some spring in the heart which more enduring excellences cannot reach.
Oh, Mr. Cuthbert," she whispered, that place we came through--that white place--what was it?""Well now, you must mean the Avenue," said Matthew after a few moments' profound reflection. "It is a kind of pretty place.""Pretty? Oh, PRETTY doesn't seem the right word to use. Nor beautiful, either. They don't go far enough. Oh, it was wonderful--wonderful. It's the first thing I ever saw that couldn't be improved upon by imagination. It just satisfies me here"--she put one hand on her breast--"it made a queer funny ache and yet it was a pleasant ache. Did you ever have an ache like that, Mr. Cuthbert?""Well now, I just can't recollect that I ever had.""I have it lots of time--whenever I see anything royally beautiful. But they shouldn't call that lovely place the Avenue. There is no meaning in a name like that. They should call it--let me see--the White Way of Delight. Isn't that a nice imaginative name?
Her eyes, always sad, now looked into the mirror with particular hopelessness. "She's flattering me," thought the princess, and she turned away and went on reading. Julie, however, was not flattering her friend: indeed, the princess's eyes, large, deep, and luminous (sometimes it was as if rays of light came from them in sheaves), were so beautiful that very often, despite the unattractiveness of the whole face, those eyes were more attractive than beauty. But the princess had never seen the good expression of thise eyes, the expression they had in moments when she was not thinking of herself. As with all people, the moment she looked in the mirror, her face assumed a strained, unnatural, bad expression.
To be a good human being is to have a kind of openness to the world, an ability to trust uncertain things beyond your own control, that can lead you to be shattered in very extreme circumstances for which you were not to blame. That says something very important about the condition of the ethical life: that it is based on a trust in the uncertain and on a willingness to be exposed; it’s based on being more like a plant than like a jewel, something rather fragile, but whose very particular beauty is inseparable from that fragility.
How very lovable her face was to him. Yet there was nothing ethereal about it; all was real vitality, real warmth, real incarnation. And it was in her mouth that this culminated. Eyes almost as deep and speaking he had seen before, and cheeks perhaps as fair; brows as arched, a chin and throat almost as shapely; her mouth he had seen nothing to equal on the face of the earth. To a young man with the least fire in him that little upward lift in the middle of her red top lip was distracting, infatuating, maddening. He had never before seen a woman’s lips and teeth which forced upon his mind with such persistent iteration the old Elizabethan simile of roses filled with snow.Perfect, he, as a lover, might have called them off-hand. But no — they were not perfect. And it was the touch of the imperfect upon the would-be perfect that gave the sweetness, because it was that which gave the humanity.
[G]rowing into your future with health and grace and beauty doesn’t have to take all your time. It rather requires a dedication to caring for yourself as if you were rare and precious, which you are, and regarding all life around you as equally so, which it is. (267-268)
How sad it is!" murmured Dorian Gray with his eyes still fixed upon his own portrait. "How sad it is! I shall grow old, and horrible, and dreadful. But this picture will remain always young. It will never be older than this particular day of June… . If it were only the other way! If it were I who was to be always young, and the picture that was to grow old! For that—for that—I would give everything! Yes, there is nothing in the whole world I would not give! I would give my soul for that!
Beauty" and sexuality are both commonly misunderstood as some transcendent inevitable fact; falsely interlocking the two makes it seem doubly true that a woman must be "beautiful" to be sexual. That of course is not true at all. The definitions of both "beautiful" and "sexual" constantly change to serve the social order, and the connection between the two is a recent invention.
What is your substance, whereof are you made,That millions of strange shadows on you tend?Since everyone hath every one, one shade,And you, but one, can every shadow lend.Describe Adonis, and the counterfeitIs poorly imitated after you.On Helen’s cheek all art of beauty set,And you in Grecian tires are painted new.Speak of the spring and foison of the year;The one doth shadow of your beauty show,The other as your bounty doth appear,And you in every blessèd shape we know.In all external grace you have some part,But you like none, none you, for constant heart.
Human beings, in a sense, may be thought of as multidimensional creatures composed of such poetic considerations as the individual need for self-realization, subdued passions for overwhelming beauty, and a hunger for meaning beyond the flavors that enter and exit the physical body.
Today, young girls measure the quality of their beauty based upon its entertainment value. The more people are entertained by their beauty, the more beautiful they think they must be. This is very unfortunate and I would like young girls to know that their beauty is a crown; not a clown. And crowns are best worn with elegance and serenity.
Let us suppose we are confronted with a desperate thing – say Pimlico. If we think what is really best for Pimlico we shall find the thread of thought leads to the throne of the mystic and the arbitrary. It is not enough for a man to disapprove of Pimlico; in that case he will merely cut his throat or move to Chelsea. Nor, certainly, is it enough for a man to approve of Pimlico; for then it will remain Pimlico, which would be awful. The only way out of it seems to be for somebody to love Pimlico; to love it with a transcendental tie and without any earthly reason. If there arose a man who loved Pimlico, then Pimlico would rise into ivory towers and golden pinnacles… If men loved Pimlico as mothers love children, arbitrarily, because it is theirs, Pimlico in a year or two might be fairer than Florence. Some readers will say that this is mere fantasy. I answer that this is the actual history of mankind. This, as a fact, is how cities did grow great. Go back to the darkest roots of civilization and you will find them knotted round some sacred stone or encircling some sacred well. People first paid honour to a spot and afterwards gained glory for it. Men did not love Rome because she was great. She was great because they had loved her.
Beauty! Wasn't that what mattered? Beauty was hardly a popular ideal at that jumpy moment in history. The masses had been desensitized to it, the intelligentsia regarded it with suspicion. To most of her peers, 'beauty' smacked of the rarefied, the indulgent, the superfluous, the effete. How could persons of good conscience pursue the beautiful when there was so much suffering and injustice in the world? Ellen Cherry's answer was that if one didn't cultivate beauty, soon he or she wouldn't be able to recognize ugliness. The prevalence of social ugliness made commitment to physical beauty all the more essential. And the very presence in life of double-wide mobile homes, Magic Marker graffiti, and orange shag carpeting had the effect of making ills such as poverty, crime, repression, pollution, and child abuse seem tolerable. In a sense, beauty was the ultimate protest, and, in that it generally lasted longer than an orgasm, the ultimate refuge. The Venus de Milo screamed 'No!' at evil, whereas the Spandex stretch pant, the macrame plant holder were compliant with it. Ugly bedrooms bred ugly habits. Of course, it wasn't required of beauty that it perform a social function. That was what was valuable about it.
Beautiful is he who recognizes what is truly beautiful even if the surface is ugly. Truthful is he who says what is true even if the truth is ugly. Ugly is he who measures beauty by its exterior without first weighing the interior. And ugly is the man who judges harshly what he sees looking out without first judging what he sees in the mirror.
Andrei, did you like the opera?""Not particularly.""Andrei, do you see what you're missing?""I don't think I do, Kira. It's all rather silly. And useless.""Can't you enjoy things that are useless, merely because they are beautiful?""No. But I enjoyed it.""The music?""No. The way you listened to it.
Have you reckon'd a thousand acres much? have you reckon'd the earth much? Have you practis'd so long to learn to read? Have you felt so proud to get at the meaning of poems? Stop this day and night with me and you shall possess the origin of all poems, You shall possess the good of the earth and sun, (there are millions of suns left,) You shall no longer take things at second or third hand, nor look through the eyes of the dead, nor feed on the spectres in books, You shall not look through my eyes either, nor take things from me, You shall listen to all sides and filter them from your self.
When [beauty pornography is] aimed at men, its effect is to keep them from finding peace in sexual love. The fleeting chimera of the airbrushed centerfold, always receding before him, keeps the man destabilized in pursuit, unable to focus on the beauty of the woman--known, marked, lined, familiar—-who hands him the paper every morning.
This is the truth: we all desire to conquer the comely one, because it affirms our own worth. Speaking for the men of the world, we want to own the beauty of the woman we're fucking. We want to grasp that beauty, tightly in our greedy little fingers, to well and truly possess it, to make it ours. We want to do this as the woman shines her way through an orgasm. That's perfection. And while I can't speak for women, I imagine that they-whether they admit it or not-want the same thing: to possess the man, to own his rough handsomeness, if only for a few seconds.
Self-denial can lock women into a smug and critical condescension to other, less devout women.According to Appel, cult members develop..."an attitude of moral superiority, a contempt for secular laws, rigidity of thought, and the diminution of regard for the individual." A premium is placed on conformity to the cult group; deviation is penalized. "Beauty" is derivative; conforming to the Iron Maiden [an intrinsically unattainable standard of beauty that is then used to punish women physically and psychologically for failure to achieve and conform to it] is "beautiful." The aim of beauty thinking, about weight or age, is rigid female thought. Cult members are urged to sever all ties with the past: "I destroyed all my fat photographs!"; "It's a new me!
The beauty myth of the present is more insidious than any mystique of femininity yet: A century ago, Nora slammed the door of the doll's house; a generation ago, women turned their backs on the consumer heaven of the isolated multiapplianced home; but where women are trapped today, there is no door to slam. The contemporary ravages of the beauty backlash are destroying women physically and depleting us psychologically. If we are to free ourselves from the dead weight that has once again been made out of femaleness, it is not ballots or lobbyists or placards that women will need first; it is a new way to see.
But Philip was impatient with himself; he called to mind his idea of the pattern of life: the unhappiness he had suffered was no more than part of a decoration which was elaborate and beautiful; he told himself strenuously that he must accept with gaiety everything, dreariness and excitement, pleasure and pain, because it added to the richness of the design.
Kaderin didn't believe, as a whole, the nymphs were more beautiful than the Valkyrie, but everything about them screamed, "Easy lay! When you don't want to work for it!" And curiously, many males found that more appealing than the Valkyrie's "Do it and die, simian".
Dear young woman, do not place your sense of beauty and self worth, upon the plastic pedestal called "what other people say to you", "what other people think about your photo", "how many 'likes' your pictures get", "how many guys tell you that you look sexy", "how skinny can you be?". A plastic pedestal that is but the dismal shadow of the real one. Dear young woman, place your sense of self worth and beauty upon the Roman marble pedestal that will exist even when all other people are no longer there. If you were the very last person on this planet, you should still be able to know within your heart that you are worthy, you are beautiful, you are wanted. Even if you become the very last person on Earth, you should be fully wanted. Want yourself. Know yourself. See yourself as beautiful, see yourself as worthy.
Her face ... was a one-of-a-kind, a surprising variation on a familiar theme - a variation that made observers think, Yes - that would be another very nice way for people to look. What Beatrice had done with her face, actually, was what any plain girl could do. She overlaid it with dignity, suffering, intelligence, and a piquant dash of bitchiness.
We may feel bitterly how little our poems can do in the face of seemingly out of control technological power and seemingly limitless corporate greed, yet it has always been true that poetry can break isolation, show us to ourselves when we are outlawed or made invisible, remind us of beauty where no beauty seems possible, remind us kinship where all is represented as separa
Cosmetic surgery is not "cosmetic," and human flesh is not "plastic." Even the names trivialize what it is. It's not like ironing wrinkles in fabric, or tuning up a car, or altering outmoded clothes, the current metaphors. Trivialization and infantilization pervade the surgeons' language when they speak to women: "a nip," a "tummy tuck."...Surgery changes one forever, the mind as well as the body. If we don't start to speak of it as serious, the millennium of the man-made woman will be upon us, and we will have had no choice.
[Women's magazines]ignore older women or pretend that they don’t exist; magazines try to avoid photographs of older women, and when they feature celebrities who are over sixty, ‘retouching artists’ conspire to ‘help’ beautiful women look more beautiful, ie less than their age...By now readers have no idea what a real woman’s 60 year old face looks like in print because it’s made to look 45. Worse, 60 year old readers look in the mirror and think they are too old, because they’re comparing themselves to some retouched face smiling back at them from a magazine.
As soon as a woman's primary social value could no longer be defined as the attainment of virtuous domesticity, the beauty myth redefined it as the attainment of virtuous beauty. It did so to substitute both a new consumer imperative and a new justification for economic unfairness in the workplace where the old ones had lost their hold over newly liberated women.
I sought her eye, desirous to read there the intelligence which I could not discern in her face or hear in her conversation; it was merry, rather small; by turns I saw vivacity, vanity, coquetry, look out through its irid, but I watched in vain for a glimpse of soul. I am no Oriental; white necks, carmine lips and cheeks, clusters of bright curls, do not suffice for me without that Promethean spark which will live after the roses and lilies are faded, the burnished hair grown grey. In sunshine, in prosperity, the flowers are very well; but how many wet days are there in life--November seasons of disaster, when a man's hearth and home would be cold indeed, without the clear, cheering gleam of intellect.
Amid the moon and the stars, amid the clouds of the night, amid the hills which bordered on the sky with their magnificent silhouette of pointed cedars, amid the speckled patches of the moon, amid the temple buildings that emerged sparkling white out of the surrounding darkness - amid all this, I was intoxicated by the pellucid beauty of Uiko's treachery.
What is the use of beauty in woman? Provided a woman is physically well made and capable of bearing children, she will always be good enough in the opinion of economists.What is the use of music? -- of painting? Who would be fool enough nowadays to prefer Mozart to Carrel, Michael Angelo to the inventor of white mustard?There is nothing really beautiful save what is of no possible use. Everything useful is ugly, for it expresses a need, and man's needs are low and disgusting, like his own poor, wretched nature. The most useful place in a house is the water-closet.For my part, saving these gentry's presence, I am of those to whom superfluities are necessaries, and I am fond of things and people in inverse ratio to the service they render me. I prefer a Chinese vase with its mandarins and dragons, which is perfectly useless to me, to a utensil which I do use, and the particular talent of mine which I set most store by is that which enables me not to guess logogriphs and charades. I would very willingly renounce my rights as a Frenchman and a citizen for the sight of an undoubted painting by Raphael, or of a beautiful nude woman, -- Princess Borghese, for instance, when she posed for Canova, or Julia Grisi when she is entering her bath. I would most willingly consent to the return of that cannibal, Charles X., if he brought me, from his residence in Bohemia, a case of Tokai or Johannisberg; and the electoral laws would be quite liberal enough, to my mind, were some of our streets broader and some other things less broad. Though I am not a dilettante, I prefer the sound of a poor fiddle and tambourines to that of the Speaker's bell. I would sell my breeches for a ring, and my bread for jam. The occupation which best befits civilized man seems to me to be idleness or analytically smoking a pipe or cigar. I think highly of those who play skittles, and also of those who write verse. You may perceive that my principles are not utilitarian, and that I shall never be the editor of a virtuous paper, unless I am converted, which would be very comical.Instead of founding a Monthyon prize for the reward of virtue, I would rather bestow -- like Sardanapalus, that great, misunderstood philosopher -- a large reward to him who should invent a new pleasure; for to me enjoyment seems to be the end of life and the only useful thing on this earth. God willed it to be so, for he created women, perfumes, light, lovely flowers, good wine, spirited horses, lapdogs, and Angora cats; for He did not say to his angels, 'Be virtuous,' but, 'Love,' and gave us lips more sensitive than the rest of the skin that we might kiss women, eyes looking upward that we might behold the light, a subtile sense of smell that we might breathe in the soul of the flowers, muscular limbs that we might press the flanks of stallions and fly swift as thought without railway or steam-kettle, delicate hands that we might stroke the long heads of greyhounds, the velvety fur of cats, and the polished shoulder of not very virtuous creatures, and, finally, granted to us alone the triple and glorious privilege of drinking without being thirsty, striking fire, and making love in all seasons, whereby we are very much more distinguished from brutes than by the custom of reading newspapers and framing constitutions.
We need to theorize the meaning of beauty in our lives so that we can educate for critical consciousness, talking through the issues: how we acquire and spend money, how we feel about beauty, what the place of beauty is in our lives when we lack material privilege and even basic resources for living, the meaning and significance of luxury, and the politics of envy.
I don't know why I feel so wounded with Kartik's obvious infatuation with Pippa. There's no romance between us. There's nothing that tethers us but this dark secret neither of us wants. It's not Kartik's longing that hurts. It's my own. It's knowing that I'll never have what she has--a beauty so powerful it brings things to you. I fear I will always have to chase things I want. I'll always have to wonder whether I'm truly wanted or whether I've just been settled for.
IIA grief without a pang, void, dark, and drear, A stifled, drowsy, unimpassioned grief, Which finds no natural outlet, no relief, In word, or sigh, or tear — O Lady! in this wan and heartless mood,To other thoughts by yonder throstle woo'd, All this long eve, so balmy and serene,Have I been gazing on the western sky, And its peculiar tint of yellow green:And still I gaze — and with how blank an eye!And those thin clouds above, in flakes and bars,That give away their motion to the stars;Those stars, that glide behind them or between,Now sparkling, now bedimmed, but always seen:Yon crescent Moon as fixed as if it grewIn its own cloudless, starless lake of blue;I see them all so excellently fair,I see, not feel how beautiful they are!III My genial spirits fail; And what can these availTo lift the smothering weight from off my breast? It were a vain endeavour, Though I should gaze for everOn that green light that lingers in the west:I may not hope from outward forms to winThe passion and the life, whose fountains are within.
The peace of Manderley. The quietude and the grace. Whoever lived within its walls, whatever trouble there was and strife, however much uneasiness and pain, no matter what tears were shed, what sorrows borne, the peace of Manderley could not be broken or the loveliness destroyed. The flowers that died would bloom again another year, the same birds build their nests, the same trees blossom. That old quiet moss smell would linger in the air, and the bees would come, and crickets, the herons build their nests in the deep dark woods. The butterflies would dance their merry jug across the lawns, and spiders spin foggy webs, and small startled rabbits who had no business to come trespassing poke their faces through the crowded shrubs. There would be lilac, and honeysuckle still, and the white magnolia buds unfolding slow and tight beneath the dining-room window. No one would ever hurt Manderley. It would lie always in its hollow like an enchanted thing, guarded by the woods, safe, secure, while the sea broke and ran and came again in the little shingle bays below.
To be beautiful, handsome, means that you possess a power which makes all smile upon and welcome you; that everybody is impressed in your favor and inclined to be of your opinion; that you have only to pass through a street or to show yourself at a balcony to make friends and to win mistresses from among those who look upon you. What a splendid, what a magnificent gift is that which spares you the need to be amiable in order to be loved, which relieves you of the need of being clever and ready to serve, which you must be if ugly, and enables you to dispense with the innumerable moral qualities which you must possess in order to make up for the lack of personal beauty.
The surgeons are playing on the myth's double standard for the function of the body. A man's thigh is for walking, but a woman's is for walking and looking "beautiful." If women can walk but believe our limbs look wrong, we feel that our bodies cannot do what they are meant to do; we feel as genuinely deformed and disabled as the unwilling Victorian hypochondriac felt ill.
In a sexual double standard as to who receives consumer protection, it seems that if what you do is done to women in the name of beauty, you may do what you like. It is illegal to claim that something grows hair, or makes you taller, or restores virility, if it does not. It is difficult to imagine that the baldness remedy Minoxidil would be on the market if it had killed nine French and at least eleven American men. In contrast, the long-term effects of Retin-A are still unknown--Dr. Stuart Yusps of the National Cancer Institute refers to its prescription as "a human experiment"--and the Food and Drug Administration has not approved it yet dermatologists are prescribing it to women at a revenue of over $150 million a year.
Of course to one so modern as I am, `Enfant de mon siècle,’ merely to look at the world will be always lovely. I tremble with pleasure when I think that on the very day of my leaving prison both the laburnum and the lilac will be blooming in the gardens, and that I shall see the wind stir into restless beauty the swaying gold of the one, and make the other toss the pale purple of its plumes, so that all the air shall be Arabia for me. Linnaeus fell on his knees and wept for joy when he saw for the first time the long heath of some English upland made yellow with the tawny aromatic brooms of the common furze; and I know that for me, to whom flowers are part of desire, there are tears waiting in the petals of some rose. It has always been so with me from my boyhood. There is not a single colour hidden away in the chalice of a flower, or the curve of a shell, to which, by some subtle sympathy with the very soul of things, my nature does not answer. Like Gautier, I have always been one of those ‘pour qui le monde visible existe.
If one of the things you believe in,Is that this world's an ugly place,You must have never gone outside at,And stared up into space,You haven't felt the way the air changes,In the minutes before it rains,Or watched the world pass by below,Out the window of a plane, You've never been awake so early, That you see the moment the sun starts to rise, And you've never lain with your back on the grass,And made shapes with the clouds in the sky,But maybe if you've done all this,But still don't believe it's not true, It's because you can't see all the beauty, That I see when I look at you" ~e.h.
How did these organs of plant sex manage to get themselves cross-wired with human ideas of value and status and Eros? And what might our ancient attraction for flowers have to teach us about the deeper mysteries of beauty - what one poet has called "this grace wholly gratuitous"? Is that what it is? Or does beauty have a purpose? (64)
What, in nature," Kit asked, "is the most beautiful thing you've seen? Or the most terrible?""The Dismals," Giles answered promptly. "A beautiful aberration in the lay of the land--North Alabama. A section mysteriously lowered, strewn with boulders, ferny, mossy, cooler--the vegetation, they say, typical of Canada. There the creek runs clear, but all other Alabama rivers and waterways are muddy with sediment. I even like the name--the Dismals. An eternal place, disjunct with the climate, the time, and its location.""You think being dismal is an attractive association with eternity?" I asked."It is a cool Eden in the Southern summer heat. What's yours, Una?""The Kentucky hills in spring. Layers of pink and white--redbud and dogwood.""And you?" Giles asked Kit."Stars," he said. That was all.
Outside the hospital, a young girl who was selling small bouquets of daffodils, their green stems tied with lavender ribbons. I watched as my mother bought out the girl's whole stock. Nurse Eliot, who remembered my mother from eight years ago volunteered to help her when she saw her comng down the hall, her arms full of flowers. She rounded up extra water pitchers from a supply closet and together, she and my mother filled them with water and placed the flowers around my father's room while he slept. Nurse Eliot thought that if loss could be used as a measure of beauty in a woman, my mother had grown even more beautiful.(The Lovely Bones by Alice Sebold)
Just the word beautiful was seductive - but what did it really mean? Beauty was a soft word that ached with possibility, pliant as dough. You could not presume to define it, she realized, because the very idea of beauty and all it represented was a subjective thing - in the eye of the beholder - but that wasn't really true anymore.
And when we finally stood up and turned to face the world, I could feel something climbing through me. I could feel it on its hands and knees inside me, rising up, rising up - and I smiled.I smiled, thinking, The hunger, because I knew it all too well.The hunger.The desire.Then, slowly, as we walked on, I felt the beauty of it, and I could taste it, like words inside my mouth.
...he talked quite naturally while we ate — about the difficulty of finding words to describe the luminous mist, and why one has the desire to describe beauty."Perhaps it's an attempt to possess it," I said."Or be possessed by it; perhaps that's the same thing, really. I suppose it's the complete identification with beauty one's seeking."The mist grew brighter and brighter.
Maybe if everything was beautiful, nothing would be.People saw one thing, they swooned over it. They saw this other thing, they pounded it with sticks.Maybe there had to be variety for life to work. Swoon over everything, you get bored. Beat everything with a stick-boring.
Even men of the noblest possible moral character are extremely susceptible to the influence of the physical charms of others. Modern, no less then Ancient History, supplies us with many most painful examples of what I refer to. If it were not so, indeed, History would be quite unreadable.
Between the dark, heavily laden treetops of the spreading chestnut trees could be seen the dark blue of the sky, full of stars, all solemn and golden, which extended their radiance unconcernedly into the distance. That was the nature of the stars. and the trees bore their buds and blossoms and scars for everyone to see, and whether it signified pleasure or pain, they accepted the strong will to live. flies that lived only for a day swarmed toward their death. every life had its radiance and beauty. i had insight into it all for a moment, understood it and found it good, and also found my life and sorrows good.
Though the face before me was that of a young woman of certainly not more than thirty years, in perfect health and the first flush of ripened beauty, yet it bore stamped upon it a seal of unutterable experience, and of deep acquaintance with grief and passion. Not even the slow smile that crept about the dimples of her mouth could hide the shadow of sin and sorrow. It shone even in the light of those glorious eyes, it was present in the air of majesty, and it seemed to say: 'Behold me, lovely as no woman was or is, undying and half-divine; memory haunts me from age to age, and passion leads me by the hand--evil have I done, and with sorrow have I made acquaintance from age to age, and from age to age evil shall I do, and sorrow shall I know till my redemption comes.
But the princess had never seen the beautiful expression of her eyes; the expression that came into them when she was not thinking of herself. As is the case with everyone, her face assumed an affected, unnatural, ugly expression as soon as she looked in the looking glass.
There was no question about it- the girl in the photograph was staggeringly beautiful. She was Miss Canal Zone, a runner-up in the Miss Universe Contest -- and in fact far more beautiful than the winner of the contests. Her beauty had frightened the judges.
Theologians talk about a prevenient grace that precedes grace itself and allows us to accept it. I think there must also be a prevenient courage that allows us to be brave - that is, to acknowledge that there is more beauty than our eyes can bear, that precious things have been put into our hands and to do nothing to honor them is to do great harm. And therefore, this courage allows us, as the old men said, to make ourselves useful. It allows us to be generous, which is another way of saying exactly the same thing.
Women are mere "beauties" in men's culture so that culture can be kept male. When women in culture show character, they are not desirable, as opposed to the desirable. A beautiful heroine is a contradiction in terms, since heroism is about individuality, interesting and ever changing, while "beauty" is generic, boring, and inert. While culture works out moral dilemmas, "beauty" is amoral: If a woman is born resembling an art object, it is an accident of nature, a fickle consensus of mass perception, a peculiar coincidence--but it is not a moral act. From the "beauties" in male culture, women learn a bitter amoral lesson--that the moral lessons of their culture exclude them.
Since middle-class Western women can best be weakened psychologically now that we are stronger materially, the beauty myth, as it has resurfaced in the last generation, has had to draw on more technological sophistication and reactionary fervor than ever before. The modern arsenal of the myth is a dissemination of millions of images of the current ideal; although this barrage is generally seen as a collective sexual fantasy, there is in fact little that is sexual about it. It is summoned out of political fear on the part of male-dominated institutions threatened by women's freedom, and it exploits female guilt and apprehension about our own liberation -- latent fears that we might be going too far.
I know that a pretty doll, a fair fool, might do well enough for the honeymoon; but when passion cooled, how dreadful to find a lump of wax and wood laid in my bosom, a half-idiot clasped in my arms, and to remember that I had made of this my equal- nay, my idol- to know that I must pass the rest of my dreary life with a creature incapable of understanding what I said, of appreciating what I thought, or of sympathising with what I felt!
The more legal and material hindrances women have broken through, the more strictly and heavily and cruelly images of female beauty have come to weigh upon us...During the past decade, women breached the power structure; meanwhile, eating disorders rose exponentially and cosmetic surgery became the fastest-growing specialty...pornography became the main media category, ahead of legitimate films and records combined, and thirty-three thousand American women told researchers that they would rather lose ten to fifteen pounds than achieve any other goal...More women have more money and power and scope and legal recognition than we have ever had before; but in terms of how we feel about ourselves physically, we may actually be worse off than our unliberated grandmothers.
In drawing attention to the physical characteristics of women leaders, they can be dismissed as either too pretty or too ugly. The net effect is to prevent women's identification with the issues. If the public women is stigmatized as too 'pretty,' she's a threat, a rival--or simply not serious; if derided as too 'ugly,' one risks tarring oneself with the same brush by identifying oneself with her agenda.
For the first time in his life, Mont Blanc for a moment looked to him what it was - a chaos of anarchic and purposeless forces - and he needed days of repose to see it clothe itself again with the illusions of his senses, the white purity of its snows, the splendor of its light, and the infinity of its heavenly peace. Nature was kind; Lake Geneva was beautiful beyond itself, and the Alps put on charms real as terrors.
Look on beauty,And you shall see 'tis purchased by the weight;Which therein works a miracle in nature,Making them lightest that wear most of it:So are those crisped snaky golden locksWhich make such wanton gambols with the wind,Upon supposed fairness, often knownTo be the dowry of a second head,The skull that bred them in the sepulchre.Thus ornament is but the guiled shoreTo a most dangerous sea; the beauteous scarfVeiling an Indian beauty; in a word,The seeming truth which cunning times put onTo entrap the wisest.
Yes! Thank God; human feeling is like the mighty rivers that bless the earth: it does not wait for beauty—it flows with resistless force and brings beauty with it... There are few prophets in the world; few sublimely beautiful women; few heroes. I can't afford to give all my love and reverence to such rarities: I want a great deal of those feelings for my every-day fellow-men, especially for the few in the foreground of the great multitude, whose faces I know, whose hands I touch, for whom I have to make way with kindly courtesy.
Where is our comfort but in the free, uninvolved, finally mysterious beauty and grace of this world that we did not make, that has no price? Where is our sanity but there? Where is our pleasure but in working and resting kindly in the presence of this world? (pg. 215, Economy and Pleasure)
She could see all of Ferenwood from here: the rolling hills, the endless explosion of color cascading down and across the lush landscape. Reds and blues: Maroon and ceruleans. Yellow and tangerine and violet and aquamarine. Every hue held a flavor, a heartbeat, a life. She took a deep breath and drew it all in.
She really was pretty, for a grown-up person, but when you are seven, beauty is an abstraction, not an imperative. I wonder what I would have done if she had smiled at me like that now: whether I would have handed my mind or my heart or my identify to her for the asking, as my father did.
Begin with the soft smelted upturned heart-shaped mouth made for smiling a smile kept for kindness, tenderness, incapable of malice. Am I going too fast for you?The almond eyes see out through their sleepy epicanthic fold. Trusting and calm, if a flicker from slowness, a further flicker from stupidity.Settled in slow-motion beauty, heart-breaking beauty.
The woman laughed again. She was the loudest person in the cave. Eena wondered if perhaps she was talking to a female Ghengat. Curiosity got the best of her and she turned around to look, surprised to find neither a Ghengat nor a Harrowbethian woman, but a Mishmorat. A striking, cheetah-spotted Mishmorat with straight lengths of charcoal hair and the most alluring dark eyes in existence. This bronzed female was the same size as Eena but observably more muscular. She appeared to be a mix of cheetah, Arabian princess, and gladiator in tight-fitting pants. Eena paused, dropping the stone in her hands. “Kira?” she breathed.“Hmmm,” the woman grumbled. Her painted eyes scrunched with displeasure. The look was still stunning. “I see my reputation precedes me.” Eena gawked as if a legendary ghost had been resurrected. “You’re alive?
Beautiful songs could sometimes take a person out of themselves and carry them away to a place of magic. But when Jill sang, it was not about the song, really. She could sing the phone book. She could sing a shopping list. Whatever she sang, whatever the words or the tune, it was so beautiful, so achingly lovely, that no one could listen and be untouched.
In America, alas, beauty has become something you drive to, and nature an either/or proposition--either you ruthlessly subjugate it, as at Tocks Dam and a million other places, or you deify it, treat it as something holy and remote, a thing apart, as along the Appalachian Trail. Seldom would it occur to anyone on either side that people and nature could coexist to their mutual benefit--that, say, a more graceful bridge across the Delaware River might actually set off the grandeur around it, or that the AT might be more interesting and rewarding if it wasn't all wilderness, if from time to time it purposely took you past grazing cows and till fields.
Why is wisdom so fair? Why is beauty so wise?Because all else is temporary, while beauty and wisdom are the only real and constant aspects of truth that can be perceived by human means.And I don't mean the kind of surface beauty that fades with age, or the sort of shallow wisdom that gets lost in plati
It was the upward-reaching and fathomlessly hungering, heart-breaking love for the beauty of the world at its most beautiful, and, beyond that, for that beauty east of the sun and west of the moon which is past the reach of all but our most desperate desiring and is finally the beauty of Beauty itself, of Being itself and what lies at the heart of Being.
...when we condescend, when we act consistently with a sense of the character of people in general which demeans them, we impoverish them AND ourselves, and preclude our having a part in the creation of the highest wealth, the testimony to the mysterious beauty of life we all value in psalms and tragedies and epics and meditations, in short stories and novels.
While the egg yolks cooled, he directed the beaters at the egg whites, setting the mixer on high speed that sent small bubbles giggling to the side of the bowl, where a few became many until they were a white froth rising up and then lying down again in patters and ridges, leaving an intricate design like the ribs of a leaf in the wake of the beaters
It was the most beautiful moment that was so perfect you felt like you could just die. It was like the first time you ever heard Dido and Aeneas’ “When I am laid in earth.” A moment so pure you feel like you’re dreaming and begin to question your own mortality that could be capable of and rival such innocent beauty.
Why does the social order feel the need to defend itself by evading the fact of real women, our faces and voices and bodies, and reducing the meaning of women to these formulaic and endlessly reproduced "beautiful" images? Though unconscious personal anxieties can be a powerful force in the creation of a vital lie, economic necessity practically guarantees it. An economy that depends on slavery needs to promote images of slaves that "justify" the institution of slavery. Western economies are absolutely dependent now on the continued underpayment of women. An idealogy that makes women feel "worth less" was urgently needed to counteract the way feminism had begun to make us feel worth more. This does not require a conspiracy; merely an atmosphere. The contemporary economy depends right now on the representation of women within the beauty myth.
It was growing dark on this long southern evening, and suddenly, at the exact point her finger had indicated, the moon lifted a forehead of stunning gold above the horizon, lifted straight out of filigreed, light-intoxicated clouds that lay on the skyline in attendant veils. Behind us, the sun was setting in a simultaneous congruent withdrawal and the river turned to flame in a quiet duel of gold....The new gold of moon astonishing and ascendant, he depleted gold of sunset extinguishing itself in the long westward slide, it was the old dance of days in the Carolina marshes, the breathtaking death of days before the eyes of children, until the sun vanished, its final signature a ribbon of bullion strung across the tops of water oaks.
Where woman do not fit the Iron Maiden [societal expectations/assumptions about women's bodies], we are now being called monstrous, and the Iron Maiden is exactly that which no woman fits, or fits forever. A woman is being asked to feel like a monster now though she is whole and fully physically functional. The surgeons are playing on the myth's double standard for the function of the body. A man's thigh is for walking, but a woman's is for walking and looking "beautiful." If women can walk but believe our limbs look wrong, we feel that our bodies cannot do what they are meant to do; we feel as genuinely deformed and disabled as the unwilling Victorian hypochondriac felt ill.
Why,' I said, quite surprised by my own eloquence in inventing all this stuff, 'it happens every day. The old old story. Boys and girls fall in love, that is, they are driven mad and go blind and deaf and see each other not as human animals with comic noses and bandy legs and voices like frogs, but as angels so full of shining goodness that like hollow turnips with candles put into them, they seem miracles of beauty. And the next minute the candles shoot out sparks and burn their eyes. And they seem to each other like devils, full of spite and cruelty. And they will drive each other mad unless they have grown some imagination. Even enough to laugh.
Sexual satisfaction eases the stranglehold of materialism, since status symbols no longer look sexual, but irrelevant. Product lust weakens where emotional and sexual lust intensifies. The price we pay for artificially buoying up this market is our heart's desire. The beauty myth keeps a gap of fantasy between men and women. That gap is made with mirrors; no law of nature supports it. It keeps us spending vast sums of money and looking distractedly around us, but its smoke and reflection interfere with our freedom to be sexually ourselves.
The way I played music there was the way I wanted to farm, chop wood, cook, make love, raise children. Everything. A lo of it had to do with things I felt while I played. If only I could feel that sense of total absorption in what I was doing when I was doing other things. It was more than absorption, it was spontaneity, competence, a sense of grace and playfulness, of being in touch with an inexhaustible source of energy and beauty.
Modern cosmetic surgeons have a direct financial interest in a social role for women that requires them to feel ugly. They do not simply advertise for a share of a market that already exists: Their advertisements create new markets. It is a boom industry because it is influentially placed to create its own demand through the pairing of text with ads in women's magazines. The industry takes out ads and gets coverage; women get cut open. They pay their money and they takes their chances. As surgeons grow richer, they are able to command larger and brighter ad spaces.
My eyes went straight to a soft woman who sat facing the wrong way at the bar top. Soft, because I knew if I were to touch her skin, it would feel like a peach, the kind of woman you could almost smell from inside the building. Instead of facing Andy, she had her back to him, keeping an eye on the door. That must be her. Her hair was exquisite. She was really the most beautiful woman I had ever seen. A golden crown of braids and curls complimented her sun-kissed skin. Her dress draped perfectly over her body, and in that moment, I needed her more than I needed air.
Things are pretty, graceful, rich, elegant, handsome, but until they speak to the imagination, not yet beautiful. This is the reason why beauty is still escaping out of all analysis. It is not yet possessed, it cannot be handled. …It instantly deserts possession, and flies to an object in the horizon. If I could put my hand on the north star, would it be as beautiful? The sea is lovely, but when we bathe in it, the beauty forsakes all the near water. For the imagination and senses cannot be gratified at the same time.
The mass depiction of the modern woman as a "beauty" is a contradiction: Where modern women are growing, moving, and expressing their individuality, as the myth has it, "beauty" is by definition inert, timeless, and generic. That this hallucination is necessary and deliberate is evident in the way "beauty" so directly contradicts women's real situation.
Vogue began to focus on the body as much as on the clothes, in part because there was little they could dictate with the anarchic styles...In a stunning move, an entire replacement culture was developed by naming a 'problem' where it had scarcely existed before, centering it on the women's natural state, and elevating it to the existential female dilemma...The number of diet-related articles rose 70 percent from 1968 to 1972...The lucrative 'transfer of guilt' was resurrected just in time.
In the old age black was not counted fair,Or if it were, it bore not beauty’s name.But now is black beauty’s successive heir,And beauty slandered with a bastard shame.For since each hand hath put on nature’s pow'r,Fairing the foul with art’s false borrowed face,Sweet beauty hath no name, no holy bow'r,But is profaned, if not lives in disgrace.Therefore my mistress' eyes are raven black,Her eyes so suited, and they mourners seemAt such who, not born fair, no beauty lack,Sland'ring creation with a false esteem. Yet so they mourn, becoming of their woe, That every tongue says beauty should look so.
You collect art: you must know that the miniature artists, at the end of careers spent painting the tiniest, most exacting details that no one would ever look at, would often put their eyes out with needles. Too much beauty, yes, but also too much seeing. They were tired of seeing. The dark was safe and warm and comfortable. Blindness was a gift. I still have seeing to do.
This boy," he said, indicating the paintings with one sweep of his arms, "was romantic. He thought that it was beauty that bound everything together. And for him it was true. Life had been beautiful for him. He was very young. He knew very little of life. He saw beauty but he did not feel any true passion. How could he? He did not know. He had not really encountered the force of beauty's opposite.""Are you more cynical now, then?" she asked him."Cynical," he frowned, "No, not that. I know that there is an ugly side of life-and not just human life. I know that everything is not simply beautiful. I am not a romantic as this boy was. But I am not a cynic either. There is something enduring in all of life, Anne, something tough. Something. Something terribly weak yet incredibly powerful...
I walked with my eyes on the path, but out of the corners of them I saw a man hiding behind an olive tree. He did not move as we approached, but I fell that he was watching us. As soon as we had passed I heard a scamper. Wilson, like a hunted animal, had made for safely. That was the last I ever saw of him. He died last year. He had endured that life for six years. He was found one morning on the mountainside lying quite peacefully as though he had died in his sleep. From where he lay he had been able to see those two great rocks called the Faraglioni which stand out of the sea. It was full moon and he must have gone to see them by moonlight. Perhaps he died of the beauty of that sight...---The Lotus Eater
Take away all the moral beauty and sweetness in the Word, and the Bible is left wholly a dead letter, a dry, lifeless, tasteless thing. By this is seen the true foundation of our duty, the worthiness of God to be so esteemed, honoured, loved, submitted to, and served, as He requires of us, and the amiableness of the duties themselves that are required of us. And by this is seen the true evil of sin; for he who sees the beauty of holiness must necessarily see the hatefulness of sin, its contrary. By this men understand the true glory of heaven, which consists in the beauty and happiness that is in holiness. By this is seen the amiableness and happiness of both saints and angels. He that sees beauty of holiness, or true moral good, sees the greatest and most important thing in the world, which is the fulness of all things, without which all the world is empty, no better than nothing, yea, worse than nothing. Unless this is seen, nothing is seen that is worth the seeing; for there is no other true excellency or beauty. Unless this be understood, nothing is understood that is worthy of the exercise of the noble faculty of understanding. This is the beauty of the Godhead, and the divinity of Divinity (if I may so speak), the good of the infinite Fountain of good; without which, God Himself (if that were possible) would be an infinite evil; without which we ourselves had better never have been; and without which there had better have been no being.
I held a brief debate with myself as to whether I should change my ordinary attire for something smarter. At last I concluded it would be a waste of labour. "Doubtless," though I, "she is some stiff old maid ; for though the daughter of Madame Reuter, she may well number upwards of forty winters; besides, if it were otherwise, if she be both young and pretty, I am not handsome, and no dressing can make me so, therefore I'll go as I am." And off I started, cursorily glancing sideways as I passed the toilet-table, surmounted by a looking-glass: a thin irregular face I saw, with sunk, dark eyes under a large, square forehead, complexion destitute of bloom or attraction; something young, but not youthful, no object to win a lady's love, no butt for the shafts of Cupid.
It's not that I believe everything happens for a reason, it's just that...I just think that some things are meant to be broken. Imperfect. Chaotic. It's the universe's way of providing contrast, you know? There have to be a few holes in the road. It's how life is.
...a much younger woman, one of those round-faced, tiny-featured women who were touted as beauties though they were not in fact particularly beautiful. They were simply the daughters of wealthy families powerful enough to demand that the concept of beauty be expanded to include them.
I stopped caring about the appearance of the physical shell that is my body. Instead, I concerned myself only with the purifying and beautifying of my soul. I began feeding my heart all the good things: love, hope, courage and belief. I began caring for myself. I began loving myself. I began BEING MYSELF. The power of that was so great that I started to feel healthier, stronger, more energetic. I became healthier, stronger and more energetic and I CONTINUE to become healthier, stronger and more energetic. I came out of hiding, I started talking more, smiling more. I became braver, I felt safer, I built more trust and I took more risks. I risked reaching out, I asked for help from the universe, I asked for help from others, I began searching and grabbing at anything to serve this new purpose: this new path. I opened my mind. I began challenging everything, my thinking, my perspectives. Everything! It's not easy. There were and are moments where everything seems inside out and upside down. But! Amidst this chaos, I found BEAUTY. Beauty in everything around me, beauty in other people and even beauty in ME. Each and every day I feel more beauty. That openness, that growing awareness. That presence in the moment. The depth of being present. The depth of my experiences. The meaning!! Finally, I am learning to live! I am ALIVE! This is my life! I am seizing it. It is mine. I am full of INFINITE POTENTIAL. What a beautiful, wonderful, amazing thing to discover! I am beautiful!
For essential beauty is infinite, and, as the soul of Nature needs an endless succession of varied forms to embody her loveliness, countless faces of beauty springing forth, not any two the same, at every one of her heart-throbs, so the individual form needs an infinite change of its environments, to enable it to uncover all the phases of its loveliness.
So bashful when I spied her!So pretty ― so ashamed!So hidden in her leafletsLest anybody find ―So breathless till I passed her ―So helpless when I turnedAnd bore her struggling, blushing,Her simple haunts beyond!For whom I robbed the Dingle ―For whom betrayed the Dell ―Many, will doubtless ask me,But I shall never tell!
No matter how beautiful or not one is perceived to be, the true beauty we all possess is found on the inside. That should be our focus and the measure by which we are judged. How do we move through life? What other lives have we touched? Who have we confronted with love? How have we changed the world for the better? Those are all qualities that can’t be countered or weighed. Really, beauty beyond size.
If your love for […] wants to do something now, then its work and task is this: to catch up with what it has missed. For it has failed to see whither this person has gone, it has failed to accompany her in her broadest development, it has failed to spread itself out over the new distances this person embraces, and it hasn’t ceased looking for her at a certain point in her growth, it wants obstinately to hold fast to a definite beauty beyond which she has passed, instead of persevering, confident of new shared beauties to come.”—from letter to Paula Modersohn-Becker Bremen (February 12, 1902)
…[S]uddenly your eye, which was already preparing itself for larger dimensions, goes about willingly with little, hesitating, hearkening steps over the many overgrown paths of a long dead experience and stands still by all its landmarks reverently and respectfully. And has forgotten the world, and has no world but a face. I know exactly everything you said then. The figure of the old lady who speaks rarely and reservedly, who hides her hands when a gesture of tenderness would move them, and who only with rare caresses builds bridges to a few people, bridges that no longer exist when she draws back her arm and lies again like an island fantastically repeated on all sides in the mirror of motionless waters. My eyes too were already caught up in the radiance and bound to great and deep beauties.”―from letter to Clara Westhoff Schmargendorf bei Berlin (October 18, 1900)
And you, Clara Westhoff, how simply and well you endured, lived through the experience, and made it a forward step in your young existence! So great was your love that it was able to forgive the great dying, and your eye was so sure, even then, that it conceived beauty in all the new colors, feelings, and gestures of the earth, and that all coming to an end seemed for your feeling only a pretext under which Nature wanted to unfold beauties yet unrevealed. Just as the eyes of angels rest on a dying child, delighting in the similar transfiguration of its half-released little face, so without concern you saw in the dying earth the smile and the beauty and the trust in eternity."―from letter to Clara Westhoff Schmargendorf (Sunday, November 18, 1900)
Every new star that is found in the sky will lend of its rays to the passions, and thoughts, and the courage, of man. Whatever of beauty we see in all that surrounds us, within us already is beautiful; whatever we find in ourselves that is great and adorable, that do we find too in others.
A certain beauty in the world is no mark of God's favor, said Mr. Huss. There is no beauty one may not balance by an equal ugliness. The warthog and the hyena, the tapeworm and the stinkhorn, are equally God's creations. Nothing you have said points to anything but a cold indifference towards us of this order in which we live. Beauty happens; it is not given. Pain, suffering, happiness; there is no heed. Only in the heart of man burns the fire of righteousness.
She reached for the notebook she kept in her purse. Bea found the page and read to calm and steady herself. 1. See yourself as beautiful. Flowering and giving life to the earth. This baby can’t do it without you. You are important.2. Food is your fuel. You need it in your body. It’s your sustenance. 3. When you feel overwhelmed go for a walk, write down your feelings, or play your favorite songs.
Yesterday i was clever so i took the glory for me. Today HE makes me wise so i give the glory to HIM.
Women understand that there are two distinct economies: There is physical attraction, and then there is the “ideal.” When a woman looks at a man, she can physically dislike the idea of his height, his coloring, his shape. But after she has liked him and loved him, she would not want him to look any other way: For many women, the body appears to grow beautiful and erotic as they grow to like the person in it. The actual body, the smell, the feel, the voice and movement, becomes charged with heat through the desirable person who animates it. Even Gertrude Stein said of Picasso, “There was nothing especially attractive about him at first sight…but his radiance, an inner fire one sensed in him, gave him a sort of magnetism I was unable to resist.” By the same token, a woman can admire a man as a work of art but lose sexual interest if he turns out to be an idiot.What becomes of the man who acquires a beautiful woman, with her “beauty” his sole target? He sabotages himself. He has gained no friend, no ally, no mutual trust: She knows quite well why she has been chosen. He has succeeded in buying a mutually suspicious set of insecurities. He does gain something: the esteem of other men who find such an acquisition impressive.
Big things in the glory of the world mean nothing. Small things in glory of God mean everything. Truly..., size doesn't matter in this world or in the world to come.
The tangible and factual components of reality along with the intangible strands of memory and imagination constitute the framework that houses our vital life force. A person is likewise composed of contradictory and complementary forces of pain and pleasure, darkness and lightness, and clashing and harmonizing bands of thoughts and feelings. The web and root of all persons consists of both the expressible and the unsayable. Who has not held imaginary conversations with gods, devils, and spirits? Persons whom enthusiastically cultivate an inner life, ardently experience the quick of nature, and willingly immerse themselves in all aspects of everyday living will experience renewal. Analogous to the heat source of fire, we need the spark of desire to fuel our hearts and the spirit of the breeze to spread our heart songs.
Had the world been different, in my opinion, without mountains and oceans, plains and seas, deserts and forests, and consisted of something else, inconceivable to us, as we don't know anything other than this, we would also have found it beautiful. A world with gloes and raies, evanbillits and conulames, for example, or ibitera, proluffs, and lopsits, whatever they might be, we would have sung their praises because that is the way we are, we extol the world and love it although it's not necessary, the world is the world, it's all we have.
When a work of painting, music or other form attains two-way communication, it is truly art. One occasionally hears an artist being criticized on the basis that his work is too 'literal' or too 'common.' But one has rarely if ever heard any definition of 'literal' or 'common.' And there are many artists simply hung up on this, protesting it. Also, some avant-garde schools go completely over the cliff in avoiding anything 'literal' or 'common'—and indeed go completely out of communication! The return flow from the person viewing a work would be contribution. True art always elicits a contribution from those who view or hear or experience it. By contribution is meant 'adding to it.’ An illustration is 'literal' in that it tells everything there is to know. Let us say the illustration is a picture of a tiger approaching a chained girl. It does not really matter how well the painting is executed, it remains an illustration and it is literal. But now let us take a small portion out of the scene and enlarge it. Let us take, say, the head of the tiger with its baleful eye and snarl. Suddenly we no longer have an illustration. It is no longer 'literal.' And the reason lies in the fact that the viewer can fit this expression into his own concepts, ideas or experience: he can supply the why of the snarl, he can compare the head to someone he knows. In short, he can CONTRIBUTE to the head. The skill with which the head is executed determines the degree of response. Because the viewer can contribute to the picture, it is art. In music, the hearer can contribute his own emotion or motion. And even if the music is only a single drum, if it elicits a contribution of emotion or motion, it is truly art.
Around them, the dawn gently wakes Borg like someone breathing into the ear of someone they love. With sun and promises. Tickling light falls over warm duvets, like the smell of freshly brewed coffee and toasted bread. It shouldn't be doing this. It's the wrong day to be beautiful, but the dawn doesn't care.
Sweet wine makes drunk, sour wine (insult) is "tetelestai". Life is not about what we have done and become, but how God to be fully glorified.
Whatever we have in the glory of man is "away". Those are just not enough before we go "home" to the glory of God.
Generally the thunder-storms came in the afternoon, but once I saw one at sunrise, driving down the high mountain valleys toward us. It was a very beautiful and almost terrible sight; for the sun rose behind the storm, and shone through the gusty rifts, lighting the mountain-crests here and there, while the plain below lay shrouded in the lingering night. The angry, level rays edged the dark clouds with crimson, and turned the downpour into sheets of golden rain; in the valleys the glimmering mists were tinted every wild hue; and the remotest heavens were lit with flaming glory.
Yesterday I was clever, so I took the glory for me. Today He makes me wise, so I give the glory to Thee
If we glorify God (not self) in everything we do then everything on earth will glorify God.
But it was something else, too, that I wanted to extend: the taut and pleasant silence in the car, the stale heat raising vapours of leather. The warped image of myself in the side mirrors, so I caught only the quantity of hair, the freckled skin of my shoulder. I took on the shape of a girl.
We were thirsty for some form of beauty, even in an incomprehensible, overintellectual, abstract film with no subtitles and censored out of recognition. There was a sense of wonder at being in a public place for the first time in years without fear or anger, being in a place with a crowd of strangers that was not a demonstration, a protest rally, a breadline or a public execution...For a brief time we experienced collectively the kind of awful beauty that can only be grasped at through extreme anguish and expressed through art.
Witnessing the panoply of beauty in all of nature takes us out of our shell of self-absorption and makes us realize that we are merely bit players in the game of life. Witnessing the majesty of beauty confirms that the real show lies outside us to observe and appreciate and not inside us to transfix us. True beauty charms us into seeing the grandeur of goodness that surrounds us and by doing so, the pristine splendor of nature releases us from wallowing in the poverty of our self-idealization. The bewitching spell cast by the exquisiteness of nature levitates our souls and transforms our psyche. When we see, hear, taste, smell, or touch what is beautiful, we cannot suppress the urge to replicate its baffling texture by singing, dancing, painting, or writing. Opening our eye to the loveliness of a single flower is how we stay in touch with the glorious pageantry of living.
I won’t desecrate beauty with cynicism anymore. I won’t confuse critical thinking with a critical spirit, and I will practice, painfully, over and over, patience and peace until my gentle answers turn away even my own wrath.
The philosophical study of beauty, art, and the splendor of nature nurtures a person’s fertile mind by exposing a person to the puzzling world of the beautiful, elegant, ugly, and grotesque. Human beings ability to experience sublime pleasure emanates from a variety of sensory experiences and a person’s ability to make discriminatory observations and judgment in taste and sentiment.
If you feel your value lies in being merely decorative, I fear that someday you might find yourself believing that’s all that you really are. Time erodes all such beauty, but what it cannot diminish is the wonderful workings of your mind: Your humor, your kindness, and your moral courage. These are the things I cherish so in you. I so wish I could give my girls a more just world. But I know you’ll make it a better place. - Marmee
It is foolish to wish for beauty. Sensible people never either desire it for themselves or care about it in others. If the mind be but well cultivated, and the heart well disposed, no one ever cares for the exterior. So said the teachers of our childhood; and so say we to the children of the present day. All very judicious and proper, no doubt; but are such assertions supported by actual experience?We are naturally disposed to love what gives us pleasure, and what more pleasing than a beautiful face—when we know no harm of the possessor at least? A little girl loves her bird—Why? Because it lives and feels; because it is helpless and harmless? A toad, likewise, lives and feels, and is equally helpless and harmless; but though she would not hurt a toad, she cannot love it like the bird, with its graceful form, soft feathers, and bright, speaking eyes. If a woman is fair and amiable, she is praised for both qualities, but especially the former, by the bulk of mankind: if, on the other hand, she is disagreeable in person and character, her plainness is commonly inveighed against as her greatest crime, because, to common observers, it gives the greatest offence; while, if she is plain and good, provided she is a person of retired manners and secluded life, no one ever knows of her goodness, except her immediate connections. Others, on the contrary, are disposed to form unfavourable opinions of her mind, and disposition, if it be but to excuse themselves for their instinctive dislike of one so unfavoured by nature; and visa versâ with her whose angel form conceals a vicious heart, or sheds a false, deceitful charm over defects and foibles that would not be tolerated in another.
If you can add a great beauty to something which is already beautiful, then you must be very beautiful like a white swan adding beauty to a misty lake!
It seems comfortable to sink down on a sofa in a corner, to look, to listen. Then it happens that two figures standing with their backs against the window appear against the branches of a spreading tree. With a shock of emotion one feels 'There are figures without features robed in beauty'. In the pause that follows while the ripples spread, the girl to whom one should be talking says to herself, 'He is old'. But she is wrong. It is not age; it is that a drop has fallen; another drop. Time has given the arrangement another shake. Out we creep from the arch of the currant leaves, out into a wider world. The true order of things – this is our perpetual illusion – is now apparent. Thus in a moment, in a drawing-room, our life adjusts itself to the majestic march of day across the sky.
Beauty is irrelevant to human life, especially in a relationship. What you today perceive as beautiful and special, over time, becomes not so special. That’s how the human brain works. It is not beauty that keeps a relationship alive, it is attachment. Without attachment, a naked body is merely a lifeless sex toy.
Beauty is an illusion, created by Mother Nature to drive the human species in the path of reproduction. In reality, beauty is irrelevant to human life, especially in a relationship. What you today perceive as beautiful and special, over time, becomes not so special. That’s how the human brain works. It is not beauty that keeps a relationship alive, it is attachment. Without attachment, a naked body is merely a lifeless sex toy.
It is not beauty that keeps a relationship alive, it is attachment. Without attachment, a naked body is merely a lifeless sex toy.
At the end of the day…we are anchoring into the peaceful lagoon, smiling at the majestic sun and its flirting rays, slowly slipping into the glittering ballroom of immense night skies, sipping on the platinum moon liquor under the blues of rippling waves kissing my golden foot hanging over the board of gently rocking boat, and diving into the bed of galaxies whispering magical stories of their eternal lives connecting souls…till the dawn…
hitherto we have been permitted to seek beauty only in the morally good - a fact which sufficiently accounts for our having found so little of it and having had to seek about for imaginary beauties without backbone! - As surely as the wicked enjoy a hundred kinds of happiness of which the virtuous have no inkling, so too they possess a hundred kinds of beauty: and many of them have not yet been discovered.
If there is any one person you can't love, then you don't understand love. The bitter cup we have to drink is the dregs of humility; we must see past the outer shells of insecurity to the seed of divinity deep inside each one of us. No one virtue is strong enough to stand on its own. No one vice is simple enough not to lead to all others. No one person can appreciate and support us as much as we need. No one event is enough to tear apart our lives. What does this all mean? We have to give everything or we will have nothing. We cannot take any short cuts. We have to love everyone, or we cannot truly love anyone. No excuse will mean anything to us in the end.People are beautiful, don’t forget that. Don’t let pomp and circumstance, society or folklore fool you with counterfeit beauty. True beauty is usually not something you can see, but something you feel; something that inspires you.
The greatest thinkers have attempted to find who we are where we come from and why we are here but the greatest enigmas to me are how your hair is a lasso that captures the stars how your eyes are lakes that drown my doubts and how your skin is the sun bursting all at once. If I knew these answers I’d know everything for you alone contain the entire universe.
He wasn't like those handsome men you see on the fashion billboards. He was handsome in a rugged way like a wood cutter with an unkept beard or a man who just finished fixing the engine of his car, wiping his oily hands over his white flannel shirt. Like a man who knows that he has starry eyes that can bring stars closer but doesn't even bother to look.
What you doStill betters what is done. When you speak, sweet.I'ld have you do it ever: when you sing,I'ld have you buy and sell so, so give alms,Pray so; and, for the ordering your affairs,To sing them too: when you do dance, I wish youA wave o' the sea, that you might ever doNothing but that; move still, still so,And own no other function: each your doing,So singular in each particular,Crowns what you are doing in the present deed,That all your acts are queens.
Why hoard away so many back-issues of People Magazine? Fashion magazines are just empty promises. You can go bankrupt blowing all your cash on expensive beauty products, but the only way you’ll ever look just like the people on those glossy front covers is if you know how to use computer editing software for photographs. Besides, people who think they are ugly, are never really all that ugly anyway. People who think they are pretty, are rarely ever all that pretty.
No one noticed them step off the train, no one saw them arrive in Desolation Road . . . . Then something very much like a sustained explosion of light filled the hotel and there, at the epicenter of the glare, was the most beautiful woman anyone had ever seen. Every man in the room had to swallow hard. Every woman fought an inexpressible need to sigh. A dozen hearts cracked down the middle and all the love flew out like larks and circled round the incredible being. It was as if God Himself had walked into the room. Then the God-light went out and there was a blinking, eye-rubbing darkness. When vision was restored, everyone saw before them a small, very ordinary man and a young girl of about eight who was quite the plainest, drabbest creature anyone had ever seen. For it was the nature of Ruthie Blue Mountain, a girl of stunning ordinariness, to absorb like sunlight the beauty of everything around her and store it until she chose to release it, all at once, like a flashbulb of intense beauty. Then she would return again to dowdy anonymity, leaving behind her an afterimage in the heart of unutterable loss.
An introspective person seeks to attain a pure state of consciousness by merging finitude in infinity and by expressing the rapture of the soul through the contemplation and adoration of beauty. In this brief interlude of time, I surrender to becoming a cog in the roadway, an insentient time traveler, a ward of eternity, a day-tripper, a nighttime dream weaver, a blip in the cosmos, a freebase glob of energy, an imaginable disk of bundled vitality that wants for nothing.
Beauty surrounds us, but oftentimes it takes a person with a poetic perception, an artist’s way of looking at the world, to first notice the sublime, and then stagecraft the splendor of nature so that other people can perceive their synoptic vision. The spirit and aesthetic intention behind the work is what assigns the work its artistic quality. Great works of poetry and writing, for instance, express not simply a criticism of life, but also encompass a philosophy for living.
He was generally aware that he had been blessed in her beauty; even in her usual homespun, knee-deep in mud from her garden, or stained and fierce with the blood of her calling, the curve of her bones spoke to his own marrow, and those whisky eyes could make him drunk with a glance. Besides, the mad collieshangie of her hair made him laugh.
Beauty is in the ideal of perfect harmony which is in the Universal Being; Truth the perfect comprehension of the Universal Mind. We individuals approach it through our own mistakes and blunders, through our accumulated experiences, through our illumined consciousness — how, otherwise, can we know Truth?
I'm forty-nine, not fifteen, and I've made my peace with myself. Had I been handsome and stupid when I was fifteen, or twenty-one, as, at that time in life, I wished I had been, I would undoubtedly now no longer be handsome--but I'd still be stupid. So, in the long run, I've won out.
Just because a person is attractive/beautiful, this does not mean it is okay to villainize them. We always say that we cannot judge a person from the outside (doesn't matter if they have a handicap, are ugly, have a deformity, etc.). But this must go both ways. It also does not matter if someone is beautiful, attractive and happy. That also does not make it okay to judge them, to villainize them. There is a double standard when it comes to whom people choose to be good to, and this double standard is wrong. The outward appearance, both the grotesque and the beautiful, must not be basis for kindness and for cruelty.
Can the beautiful be sad? Is beauty inseparable from the ephemeral and hence from mourning? Or else is the beautiful object the one that tirelessly returns following destructions and wars in order to bear witness that there is survival after death, that immortality is possible?
Every person writes his or her life story similar to how a musician composes music. Author Milan Kundera noted, ‘Without realizing it, the individual composes his life according to the laws of beauty even in times of great distress.’ Guided by their aesthetic sense of beauty, a person transforms the intentional and fortuitous events of their life into an expressive episodic motif, which artistic creation assumes a permanent place in the composition of his or her conscious mind.
And there was nothing left for me to do, but go. Though the things of the world were strong with me still. Such as, for example: a gaggle of children trudging through a side-blown December flurry; a friendly match-share beneath some collision-tilted streetlight; a frozen clock, bird-visited within its high tower; cold water from a tin jug; toweling off one’s clinging shirt post–June rain.Pearls, rags, buttons, rug-tuft, beer-froth. Someone’s kind wishes for you; someone remembering to write; someone noticing that you are not at all at ease.
When I surprise myself at the mirror I am not frightened because I think I am ugly or beautiful. It is because I discover I am of a different nature. After not having seen myself for a while I almost forget I am human, I forget my past and I am as free from end and awareness as something merely alive. I am also surprised, eyes open pale at the mirror, that there are so many things in me besides what I know, so many things always silent.
Then there are the fully intentional pleasures, which, although in some way tied up with sensory or perceptual experience, are modes of exploration of the world. Aesthetic pleasures are like this. Aesthetic pleasures are contemplative - they involve studying an object OUTSIDE of the self, to which one is GIVING something (namely, attention and all that flows from it), and not TAKING, as in the pleasure that comes from drugs and drinks. Hence such pleasures are not addictive - there is no pathway to reward that can be short-circuited here, and a serotonin injection is not a cheap way of obtaining the experience of PARISFAL or THE MERCHANT OF VENICE.
The world had no beauty of its own. The beauty of the world was created in the human experience, in me. The very fact of beauty, the very idea that something could be beautiful, only existed in me. The point was not to see the world....The point was to experience the world.
We do not want merely to see beauty, though, God knows, even that is bounty enough. We want something else which can hardly be put into words — to be united with the beauty we see, to pass into it, to receive it into ourselves, to bathe in it, to become part of it.
Six years previously, Miss Brodie had led her new class into the garden for a history lesson underneath the big elm. On the way through the school corridors they passed the headmistress's study. The door was wide open, the room was empty.'Little girls,' said Miss Brodie, 'come and observe this.'They clustered round the open door while she pointed to a large poster pinned with drawing-pins on the opposite wall within the room. It depicted a man's big face. Underneath were the words 'Safety First'.'This is Stanley Baldwin who got in as Prime Minister and got out again ere long,' said Miss Brodie. 'Miss Mackay retains him on the wall because she believes in the slogan "Safety First". But Safety does not come first. Goodness, Truth and Beauty come first. Follow me.
But silence continued in the layers of the earth, and this density that I could feel at my shoulders continued harmonious, sustained, unaltered through eternity. I lay there pondering my situation, lost in the desert, and in danger, naked between sky and sand and stars, withdrawn by too much silence from the poles of my life.
Women always think that when they have my shoes, my dress , my hairdresser, my make-up, it will all work the same way. They do not conceive of the witchcraft that is needed. They do not know that I am not beautiful but that I only appear to be at certain moments.
The back barn door opened, and in walked a vision in a billowing green dress. As she led in her mare, Mr. McBride’s voice faded away as Tom’s total attention turned to the girl. About twenty-one or two, Tom guessed. Not too tall, nor short. Beautiful heart-shaped face decorated with rosy cheeks and light freckles. Long auburn hair tied back in a ponytail. Perfectly set green eyes. Full-bosomed and hourglass shaped. Breathtaking.
Used to be a hobo right smart. back in the thirties. They wasnt no work I dont care what you could do. I was ridin through the mountains one night, state of Colorado. Dead of winter it was and bitter cold. I had just a smidgin of tobacco, bout enough for one or two smokes. I was in one of them old slatsided cars and I'd been up and down in it like a dog tryin to find some place where the wind wouldnt blow. Directly I scrunched up in a corner and rolled me a smoke and lit it and thowed the match down. Well, they was some sort of stuff in the floor about like tinder and it caught fire. I jumped up and stomped on it and it aint done nothin but burn faster. Wasnt two minutes the whole car was afire. I run to the door and got it open and we was goin up this grade through the mountains in the snow with the moon on it and it was just blue looking and dead quiet out there and them big old black pine trees going by. I jumped for it and lit in a snowbank and what I'm goin to tell you you'll think peculiar but it's the god's truth. That was in nineteen and thirty one and if I live to be a hunnerd year old I dont think I'll ever see anything as pretty as that train on fire goin up that mountain and around the bend and them flames lightin up the snow and the trees and the night.
I jumped for it and lit in a snowbank and what I'm goin to tell you you'll think peculiar but it's the god's truth. That was in nineteen and thirty one and if I live to be a hunnerd year old I dont think I'll ever see anything as pretty as that train on fire goin up that mountain and around the bend and them flames lightin up the snow and the trees and the night.
He watched her for several minutes. Something was stirred in him, something not accounted for by the warm smell of the afternoon or the triumphant vividness of red. He felt persistently that the girl was beautiful — then of a sudden he understood: it was her distance, not a rare and precious distance of soul but still distance, if only in terrestrial yards. The autumn air was between them, and the roofs and the blurred voices. Yet for a not altogether explained second, posing perversely in time, his emotion had been nearer to adoration than in the deepest kiss he had ever known.
True beauty, the kind that doesn't fade or wash off, takes time. It takes pressure. It takes incredible endurance. It is the slow drip that makes the stalactite, the shaking of the Earth that creates mountains, the constant pounding of the waves that breaks up the rocks and smooths the rough edges. And from the violence, the furor, the raging of the winds, the roaring of the waters, something better emerges, something that would otherwise never exist.And so we endure. We have faith that there is purpose. We hope for things we can't see. We believe that there are lessons in loss, power in love, and that we have within us the potential for a beauty so magnificent that our bodies can't contain it
He clenched onto her, the way a 3-year-old kid would clench to his doll whenever someone tried to take it away from him. The doll was getting tore a bit every time the kid held it tighter. In the end, when they stopped trying to take it away from him, he looked at it with all the love he had for it. The doll wasn't the same anymore. It had lost all its beauty it had in the beginning. And the kid just wished in silence that if only he could let it go in the beginning.
I’ve never run this far before," he said at one point. "Or this fast for so long. It’s better than sticking your head out a car window, that’s for sure."My theory is that Oberon might be a master of Tao. He always sees what we filter out. The wind and the grass and something in the sky, sun or moon, shining on our backs as we run: They are gifts that humans toss away like socks on Christmas morning, because we see them every day and don’t think of them as gifts anymore. But new socks are always better than old socks. And the wind and grass and sky, I think, are better seen with new eyes than jaded ones. I hope my eyes will never grow old.
I dispelled my invisibility for a few seconds in his full view, a finger resting provocatively on my lower lip, giving him a come-hither look under a streetlight. His jaw and the bottle of Żubrówka dropped at the same time. It shattered, drawing his eyes to the sidewalk, and I took the opportunity afforded by his distraction to disappear again."That was mean," Oberon said, watching the man look wildly around for me and pawing at his eyes as if to clear them.Why? I asked. I’ve done him no harm."Yes, you have. You will haunt him for the rest of his life. I know from experience."You’re haunted by someone flashing you on a street corner?"No. It was a dog park. Atticus and I were just arriving and she was leaving."Oh, here we go."She was so fit and her coat was tightly curled and she had a perfect pouf on the end of her tail like a tennis ball. I saw her for maybe five seconds, until she hopped into a Honda and her human drove her away. And now I can’t see a Honda without seeing her."But that’s a good thing, isn’t it? Kind of romantic? A vision of perfection you can treasure forever, unspoiled by reality."Well, I don’t know. In reality I’d like to try spoiling her, if she was in the mood."Look, Oberon, that man is lonely. He’s too skinny and sweaty, and I’m willing to bet you five cows that he’s socially awkward or he wouldn’t be staggering drunk at this hour. But now, for the rest of his life, he will remember the na**d woman on the street who looked at him with desire. When people treat him like something untouchable, he will have that memory to comfort him."Or obsess over. What if he starts wandering the streets every night looking for you?"Then he’s misunderstood the nature of beauty. It doesn’t stay, except in our minds."Oh! I think I see. That’s true, Clever Girl! Sausage never stays, because I eat it, but it’s always beautiful in my mind.
Whenever you are angry, take a beautiful object in your house and smash it to pieces. The pity you feel for what you have done is silly compared to what you are doing to your mind: taking a sacred moment to be alive and desecrating it by being angry.
Her beauty is laced in her strength and interwoven through her flaws. She embodies perfection.
Today, I saw an owl with broken eyes. A blind owl with eyes that look like a dark night filled with bright stars. I used to think that no one could really love a person so broken in so many places. But the broken owl has two eyes filled with a starry universe, and that's when I realised, that you can be loved for your brokenness. Not just despite it. It only takes someone who knows what a starry universe would feel like. Broken is beautiful, too. And sometimes even more beautiful.
Nature has two powers: Her own physical power and the spiritual power of her beauty!
What can I tell you about the alchemy of twins?Twins are two bodies that dance to each other’s joy.Two minds that drownin each other’s despair.Two spirits that flywith each other’s love.Twins are two separate beingsconjoined at the heart!
The sound we hear when it snows is the soft song of the white beauty!
Take fireflies for example. Try to imagine their beauty, the evanescent beauty of their lives, which don't even last a week.Female fireflies flash their lights only to have intercourse with the males; males twinkle just to have intercourse with the females. And once their mating has finished, they die. In short, their reproductive instinct is the single, absolute reason for fireflies to live. In that simple instinct and their simple world, no kind of sadness can intervene. This is precisely why fireflies are so fleetingly beautiful.
...With the failure of the imagination to present form the mind discovers that it has the capacity to conceive of the infinite, and thus has the power to transcend everything that sense can measure and thus present. The sublime feeling in this case arises from the play between the finite nature of the senses and the infinite capacity of reason.
I should at least have learned more about how it had come to be that Rema had abandoned her mother, before I asked her to marry - and hopefully not abandon - me. But I saw Rema all prismatically, all fractured and reconstituted as if seen in the valley of an unshined silver spoon and actually I'm glad love does that, I shouldn't complain about love or love's perspective - distorted or no, to feel superior to it would be wrong, as if there were some better way of seeing.
You can never heal completely. The scars will always stay behind, just to remind how cruel the time was once to you. But someday, you will learn to see beauty in the world that gave you these scars. And your eyes will shine with no lies in it. That day, you become beautiful. With baring all the scars, Which you always tried to hide from everyone.
Of one thing, though, she was sure: "I want to travel," she confessed.Books were making her restless. She was beginning to read, faster, more, until she was inside the narrative and the narrative inside her, the pages going by so fast, her heart in her chest - she couldn't stop... And pictures of the chocolaty Amazon, of stark Patagonia in the National Geographics, a transparent butterfly snail in the sea, even of an old Japanese house slumbering in the snow... - She found they affected her so much she could often hardly read the accompanying words - the feeling they created was so exquisite, the desire so painful.
More and more, we take for granted that work must be destitute of pleasure. More and more, we assume that if we want to be pleased we must wait until evening, or the weekend, or vacation, or retirement. More and more, our farms and forests resemble our factories and offices, which in turn more and more resemble prisons—why else should we be so eager to escape them? We recognize defeated landscapes by the absence of pleasure from them. We are defeated at work because our work gives us no pleasure. We are defeated at home because we have no pleasant work there. We turn to the pleasure industries for relief from our defeat, and are again defeated, for the pleasure industries can thrive and grow only upon our dissatisfaction with them.Where is our comfort but in the free, uninvolved finally mysterious beauty and grace of this world that we did not make, that has no price? Where is our sanity but there? Where is our pleasure but in working and resting kindly in the presence of this world?
The impression given us by a person or a work (or an interpretation of a work) of marked individuality is peculiar to that person or work. We have brought with us the ideas of “beauty,” “breadth of style,” “pathos” and so forth which we might at a pinch have the illusion of recognising in the banality of a conventional face or talent, but our critical spirit has before it the insistent challenge of a form of which it possesses no intellectual equivalent, in which it must disengage the unknown element. It hears a sharp sound, an oddly interrogative inflexion. It asks itself: “Is that good? Is what I am feeling now admiration? Is that what is meant by richness of colouring, nobility, strength?” And what answers it again is a sharp voice, a curiously questioning tone, the despotic impression, wholly material, caused by a person whom one does not know, in which no scope is left for “breadth of interpretation.” And for this reason it is the really beautiful works that, if we listen to them with sincerity, must disappoint us most keenly, because in the storehouse of our ideas there is none that responds to an individual impression.
I used to be lost in us. Blurred were the lines that separated us. But now, I see our togetherness in our separateness. I see the you in me and the me in you. We are two independent beings who complement one another like photographs that are beautiful on their own but are enhanced when juxtaposed, creating an altogether new photograph.
How is it that there was never youuntil there wasand then all was you?
If there is anything like a unifying aesthetic principle in mathematics, it is this: simple is beautiful. Mathematicians enjoy thinking about the simplest possible things, and the simplest possible things are imaginary.
Oh, of course I stumble. There are times when I’m confidently skipping along and then I trip over my own poorly-placed steps and fall face first into the thickets. But I think there’s a sort of beauty in falling. Each time I fall, I’m reminded that I’m still human, that I’m still learning, that there will always be more lessons, growth, and discovery up ahead. So, although I have times when I’m weak, when I’m critical of myself, or I lose hope, I wouldn’t give them up for the world. I cherish them – because it’s the risk of falling that makes life a grand adventure rather than just a guided tour.
They didn’t speak as the sun slowly sank before them. Why was it most colorful when it was about to vanish for the night? Was it angry at being forced belong the horizon? Or was it a showman, giving a performance before retiring?Why was the most colorful part of people’s bodies—the brightness of their blood—hidden beneath the skin, never to be seen unless something went wrong?
We never look at the grass, though it is ubiquitous. If it's left alone to shake its hair loose it will produce tiny tassels and flowers, miniature and beautiful, that I'd never noticed before. Beauty is so often size and commotion for us, and fancy labels, that the subterfuge of loveliness all around us goes unseen.
The narrow coastal road has many twists and turns, each one revealing scenery of incredible beauty. On one side, the mountains rise proud and steep challenging the sky, on the other, the tropical lagoon sparkles like a zillion twinkling stars. I dream of being carried away on the round, soft shoulders of gorgeous mermaids into the deep blue ocean waters.
There is no physical description of Christ in the Gospels, and so we are unable to know whether he was physically attractive or not. Of course, the specifications for what constitutes physical beauty are culturally conditioned and so change from place to place and from time to time. Christ's beauty then does not stem from physical attractiveness. It's rather the 'harsh' beauty of a God Who has given Himself so completely in love that it takes Him to the most ignominous death, on the Cross. Bruno Forte writes: 'Christ, the crucified God, is the place where beauty happens: in His self-emptying, eternity is present in time, the All Who is God is present in the fragment of Christ's human form (cf. Phil 2:6ff.). It is the cross that reveals the beauty that saves'. Christ is beautiful because He is Love incarnate, and, in a world disfigured by sin, that love is necessarily manifest in His suffering for others. This means that in our broken, marred condition, the shape of deepest beauty is cruciform.
If there is ever a magical beauty that can be watched hours with great admiration, and that is the beauty of a strong light falling from the everlasting skies into the heart of the dimness!
Every day is an opportunity to stand in awe when witnessing the overpowering presence of nature, an apt time to pay reverence for the inestimable beauty of life. I must remain mindful to live in an ethical manner by paying attention to the threat of injustice towards other people and resist capitulating to the absurdity of being a finite body born into infinite space and time. I am part of the world, a spar in a sacred composition, a body of energy suspended in the cosmos. I seek to create a poetic personal testament to life. When I pivot and turn away from fixating upon the cruel artifices of my encysted orbit to face and outwardly embrace the cleansing swirl of heaven’s windmill, I feel gusting in the shank of my marrow the thump of onrushing primordial truths, the electric flush of those ineffable couplets of life that one may not utter.
What is this lovethat makes me see beauty,and makes every beautiful thing bring you back to me?What is this lovethat makes me declare 'I love you'even though I uttered itonly a moment ago?What is this love that keeps growing even when my chest is soreand it hurts to love you any more?Tell me:How am I to find what this love iswhen it was the one to find you, me, this verse, and this universe?
There needs but so little to encourage beauty in our soul; so little to awaken the slumbering angels; or perhaps is there no need of awakening --- it is enough that we lull them not to sleep. It requires more effort to fall, perhaps, than to rise. Can we, without putting constraint upon ourselves, confine our thoughts to everyday things at times when the sea stretches before us, and we are face to face with the night? And what soul is there but knows that it is ever confronting the sea, ever in presence of an eternal night?
I can sense your love,why leave me in darkness?Beguile me for your amusement,stealing my soul without kisses. You are the sun and I, the moon. Your beauty is reflected in my eyes.When we are apart, I am extinguishedin the blackness of these skies.
There is BEAUTY in every1, every-thing, every-place.All of life is either LOVE or a call for love. Underneath the layers of any fears is always a call 4 more love. Either from your own soul, your-self to BE reflected in your own world. Outer appearance means nothing as it is only the LIGHT with-IN 1's heart that matters, no matter WHO it IS
Nothing in the whole world is so athirst for beauty as the soul, nor is there anything to which beauty clings so readily. There is nothing in the world capable of such spontaneous up-lifting, of such speedy ennoblement; nothing that offers more scrupulous obedience to the pure and noble command it receives.
In all truth might it be said that beauty is the unique aliment of our soul, for in all places does it search for beauty, and it perishes not of hunger even in the most degraded of lives. For indeed nothing of beauty can pass by and be altogether unperceived. Perhaps does it never pass by save only in our unconsciousness, but its action is no less puissant in gloom of night than by light of day; the joy it procures may be less tangible, but other difference there is none.
Does God knowthe number of kissesbefore we fall in love?Yesterday, I was nobodyand I believed myself important.Today,I feel my worth in you.You, with your emerald eyes and ebony hair,even your heartbeat is beautiful.You, who is my greatest joy,all other concerns vanish in your presence.You swallow timeand consume space,inspiring all my passionwith a single embrace.I love your existence.
Must we always be warned, and can we only fall on our knees when some one is there to tell us that God is passing by? If you have loved profoundly you have needed no one to tell you that your soul was a thing as great in itself as the world; that the stars, the flowers, the waves of night and sea were not solitary; that it was on the threshold of appearances that everything began, but nothing ended, and that the very lips you kissed belonged to a creature who was loftier, much purer, and much more beautiful than the one whom your arms enfolded.
Do you remember what we were speaking of earlier, of how bloody, terrible things are sometimes the most beautiful?” he said. “It’s a very Greek idea, and a very profound one. Beauty is terror. Whatever we call beautiful, we quiver before it. And what could be more terrifying and beautiful, to souls like the Greeks or our own, than to lose control completely? To throw off the chains of being for an instant, to shatter the accident of our mortal selves? Euripides speaks of the Maenads: head thrown back, throat to the stars, ‘more like deer than human being.’ To be absolutely free! One is quite capable, of course, of working out these destructive passions in more vulgar and less efficient ways. But how glorious to release them in a single burst! To sing, to scream, to dance barefoot in the woods in the dead of night, with no more awareness of mortality than an animal! These are powerful mysteries. The bellowing of bulls. Springs of honey bubbling from the ground. If we are strong enough in our souls we can rip away the veil and look that naked, terrible beauty right in the face; let God consume us, devour us, unstring our bones. Then spit us out reborn.
Talented writers etched the story detailing the travails of broken souls numerous times. The poets recounted an equal amount of times the lucent tears of human laughter and weeping sorrow. Everyone understands bitterness and joy. Conversely, the most evocative aspects of human beings, the bewildering clarification of their ambiguous natures, are virtually indefinable and therefore unutterable. Written testaments to love, truth, beauty, and adoration of nature are inherently weak because words fail to convey what a person experiences inside the spaces that compose their chemical field.
And where do I go? Where on Earth does a person go when she realizes there's no place for her? You can't possibly try to fit in, because if you do, if you manage to carve out some beautiful niche of happiness for yourself, then one day it will be taken from you as surely and truly as the sun rises each morning.
Tell your daughters how you love your body.Tell them how they must love theirs.Tell them to be proud of every bit of themselves—from their tiger stripes to the soft flesh of their thighs,whether there is a little of them or a lot,whether freckles cover their face or not,whether their curves are plentiful or slim,whether their hair is thick, curly, straight, long or short.Tell them how they inheritedtheir ancestors, souls in their smiles,that their eyes carry countriesthat breathed life into history,that the swing of their hipsdoes not determine their destiny.Tell them never to listen when bodies are critiqued.Tell them every woman’s body is beautifulbecause every woman’s soul is unique.
Girls are the only ones who can really give each other close attention, the kind we equate with being loved. They noticed what we want noticed.And that's what I did for Tamar, I responded to her symbols. To the style of her hair and clothes and the smell of her L'Air Du Temps perfume. Like this was data that mattered. Signs that reflected something of her inner self. I took her beauty personally.
She looked exactly like an angel. I know my jaw dropped a little, and I just stood there looking at her for what seemed like a long time, shocked into silence, until I suddenly remembered that I had a line I had to deliver. I took a deep breath, then slowly let it out. "You're beautiful," I finally said to her, and I think everyone in the whole auditorium, from the blue-haired ladies in the front to my friends in the back row, knew that I actually meant it. I'd nailed that line for the very first time.
On BeautyNo, we could not itemize the listof sins they can't forgive us.The beautiful don't lack the wound.It is always beginning to snow.Of sins they can't forgive usspeech is beautifully useless.It is always beginning to snow.The beautiful know this.Speech is beautifully useless.They are the damned.The beautiful know this.They stand around unnatural as statuary.They are the damnedand so their sadness is perfect,delicate as an egg placed in your palm.Hard, it is decorated with their faceand so their sadness is perfect.The beautiful don't lack the wound.Hard, it is decorated with their face.No, we could not itemize the list. Cape Cod, May 1974
And she [Ada] thought momentarily that she ought to worry about losing her beauty, about having become brown and stringy and rough. And then she thought that you went on living one day after another, and in time you were somebody else, your previous self only like a close relative, a sister or brother, with whom you shared a past. But a different person, a separate life.
In all my paintings, the animal is at the centre. Surrounding it are the things that define the animal. This is how beauty is characterized. You need to characterize beauty by association. I have learned to worship beauty. Not ordinary beauty but that in its stormiest nature.
A few days earlier, in front of his guests at his own birthday celebration, this man had started smashing his own crockery and tearing his and his wife's clothes, because he was not offered enough vodka; then he went on to break every stick of furniture in his house and smash all the windows, and he did it all for the "beauty" of the gesture, as Mr. Karamazov had just now.
In matters of good-lookingness, we writers are the ugliest of the bunch, and normally our appearance is akin to that of someone investigating a crime scene; though the women in American writing keep producing world-class beauty in droves, and there are many breathtaking writers among them.
I hate slick and pretty things. I prefer mistakes and accidents. Which is why I like things like cuts and bruises - they're like little flowers. I've always said that if you have a name for something, like 'cut' or 'bruise,' people will automatically be disturbed by it. But when you see the same thing in nature, and you don't know what it is, it can be very beautiful.
It's funny. When we were alive we spent much of our time staring up at the cosmos and wondering what was out there. We were obsessed with the moon and whether we could one day visit it. The day we finally walked on it was celebrated worldwide as perhaps man's greatest achievement. But it was while we were there, gathering rocks from the moon's desolate landscape, that we looked up and caught a glimpse of just how incredible our own planet was. Its singular astonishing beauty. We called her Mother Earth. Because she gave birth to us, and then we sucked her dry.
Tell me again about the girl whose handshave no color. Whose hands are completelywhite. This time make them damned, oruntouched, or have her open a red umbrellaor point at some maple leaves and damnednear cry. Those hands. As freakish goes,I wish I had a tail. Maybe then you’d knowhow much I like you. It shakes me through,damn through. It shakes me. When she carriesa peacock feather. When she touches her neckor thighs. You’re a person. It’s not so bad.You have hands. You are a person with handsto hold things. Things you like. Tremendousthings. Tell me what you will hold today. Iknow there is room for everything. There is noneed to be ceremonious. Tell what gets let go.
I end up watching this movie about some girl who's supposed to be so smart and edgy and unpopular. She wears glasses, that's how you know she's so smart. And she's the only one that has dark hair in the school- a place that looks like Planet Blond. Anyway, she somehow ends up going to the prom- hello, gag- and she doesn't wear her glasses, so suddenly she's all beautiful. And she's bashful and shy because she doesn't feel comfortable wearing a dress. But then the guy says something like, "Wow, I never knew you were so pretty," and she feels on top of the world. So, basically, the whole point is she's pretty. Oh, and smart, too. But what's really important here is that she's pretty. For a second I think about Katie. About her thin little Clarissa Le Fey. It must be a pain being fat. There are NO fat people on Planet Blond. I don't get it. I mean, even movies where the actress is smart- like they seem like they'd be smart in real life, they're all gorgeous. And they usually get a boyfriend somewhere in the story. Even if they say they don't want one. They always, always end up falling in love, and you're supposed to be like, "Oh, good." I once said this to my mom, and she laughed. "Honey, Hollywood... reality- two different universes. Don't make yourself crazy." Which made me feel pretty pathetic. Like I didn't know the difference between a movie and the real world. But then when everyone gets on you about your hair and your clothes and your this and your that, and "Are you fat?" and "Are you sexy?" you start thinking, Hey, maybe I'm not the only one who can't tell the difference between movies and reality. Maybe everyone really does think you can look like that. And that you should look like that. Because, you know, otherwise you might not get to go to the prom and fall in love.
The fairy tale is not the conclusion, but the doorway to a more brilliant reality. Pushed onto a pedestal as the final answer their worth is misshapen and distorted. The world’s story may end with a couple living happily ever after but our life in Christ enables the intimacy of the human relationship to illuminate an eternal perfection. In a balanced perspective, neither denigrated nor exalted from their intended place, fairy tales are a lovely and exhilarating part of life.
I've enjoyed every age I've been, and each has had its own individual merit. Every laugh line, every scar, is a badge I wear to show I've been present, the inner rings of my personal tree trunk that I display proudly for all to see. Nowadays, I don't want a "perfect" face and body; I want to wear the life I've lived.
She trailed after him, admiring the line of his back. He began climbing the stairs, and she sighed with pleasure. Every bit of him was gorgeous. “Do you mind if I objectify you?”“Please do,” he said over his shoulder. “Particularly my knees, as they are oft-neglected.”“Maybe if you ever got your pants off, they wouldn’t be.”“It hardly matters, sweet; once they’ve come off, the attention isn’t likely to center on my absurdly handsome knees.
Everything is connected. The wing of the corn beetle affects the direction of the wind, the way the sand drifts, the way the light reflects into the eye of man beholding his reality. All is part of totality, and in this totality man finds his hozro, his way of walking in harmony, with beauty all around him.
Picture to yourself the most beautiful girl imaginable! She was so beautiful that there would be no point, in view of my meagre talent for storytelling, in even trying to put her beauty into words. That would far exceed my capabilities, so I'll refrain from mentioning whether she was a blonde or a brunette or a redhead, or whether her hair was long or short or curly or smooth as silk. I shall also refrain from the usual comparisons where her complexion was concerned, for instance milk, velvet, satin, peaches and cream, honey or ivory, Instead, I shall leave it entirely up to your imagination to fill in this blank with your own ideal of feminine beauty.
Beauty is startling. She wears a gold shawl in the summer and sells seven kinds of honey at the flea market. She is young and old at once, my daughter and my grandmother. In school she excelled in mathematics and poetry. . . Beauty will dance with anyone who is brave enough to ask her.
The new acts' major influences were movies and their curvy queens Brigitte Bardot and Marilyn Monroe. With their big blonde hair, ample breasts, and highly fertile hips, these bombshells inspired women everywhere to exxagerate their own voluptuousness.
I am quite likely to re-act to the opposite extreme - to feel rapturously that the world is beautiful and mere existence something to thank God for. I suppose our 'blues' are the price we have to pay for our temperament. 'The gods don't allow us to be in their debt.' They give us sensitiveness to beauty in all its forms but the shadow of the gift goes with it.
Fashion Fact: Most people make the assumption that I wear trendy shades the majority of the time (often indoors) to protect my eyes from the elements. But in fact it's the reverse. I'm protecting the elements from the brilliance of my eyes.
I follow Plato only with my mindPure beauty strikes me as a little thinA little cold, however beautiful.I am in love with what is mixed and impureDoubtful, dark and hard to disencumberI want beauty I must dig for, search for.Pure beauty is beginning and not endBegin with the sun and drop from sun to cloudFrom cloud to tree, and from tree to earth itselfAnd deeper yet to the earth dark root.I am in love with what resists my lovingWith what I have to labor to make live.
But I want you to know that you're a beautiful girl, far more beautiful than I ever was at your age, and that starving yourself to compete with all of those skinny celebrities who spend half their lives checking in and out of rehab is not only a completely unreasonable and unattainable goal, but will only end up making you sick.
I love her bare legs from a distance. When she's standing by a pool. When she's facing the water, thinking. Her legs are white as watermelon rind, veined blue from cold. There's that 'H' shape behind her knees. The H trembles softly with the swimming-water cold.
Outward beauty is a true sign of inner goodness. This loveliness, indeed, is impressed upon the body in varying degrees as a token by which the soul can be recognized for what it is, just as with trees the beauty of the blossom testifies to the goodness of the fruit.
Whatever her name was, she was pretty. She had a thick, careless braid of chestnut hair, a quick smile, and dark, merry eyes. She wore some kind of a fuzzy lavender pullover, and when she crossed her legs and lifted her guitar onto her lap, she had an interesting way of tucking the foot of the bottom leg back under her chair that made Hector feel melty. He looked away in self-preservation.
Slowly the truth is loadingI'm weighted down with loveSnow lying deep and evenStrung out and dreaming ofNight falling on the cityQuite something to beholdDon't it just look so prettyThis disappearing worldWe're threading hope like fireDown through the desperate bloodDown through the trailing wireInto the leafless woodNight falling on the cityQuite something to beholdDon't it just look so prettyThis disappearing worldThis disappearing worldI'll be sticking right there with itI'll be by your sideSailing like a silver bulletHit 'em 'tween the eyesThrough the smoke and rising waterCross the great divideBaby till it all feels rightNight falling on the citySparkling red and goldDon't it just look so prettyThis disappearing world"~David Gray
He was a handsome man, not in the way of mercurial Cesare or the false angel, Morozzi, but with a calm steadiness that sat well upon him and shown in everything he did. The creations he drew from fire and air were possessed of great delicacy, but I was coming to realize that the man himself was as an oak, unshakable in the greatest storm.
I was beautiful; after all, my skin was as rich and dark as wet, brown mud, a complexion that any and every pale white girl would pray for - that is, if she believed in God. My butt sat high in the air and my hips obviously gave birth to Creation. Titties like mangoes, firm, sweet, and ready. My thighs and legs were big and powerful, kicking Vanna White and Cindy Crawford to the curb.
At that moment the universe appeared to me a vast machine constructed only to produce evil. I almost doubted the goodness of God, in not annihilating man on the day he first sinned. "The world should have been destroyed," I said, "crushed as I crush this reptile which has done nothing in its life but render all that it touches as disgusting as itself." I had scarcely removed my foot from the poor insect when, like a censoring angel sent from heaven, there came fluttering through the trees a butterfly with large wings of lustrous gold and purple. It shone but a moment before my eyes; then, rising among the leaves, it vanished into the height of the azure vault. I was mute, but an inner voice said to me, "Let not the creature judge his Creator; here is a symbol of the world to come. As the ugly caterpillar is the origin of the splendid butterfly, so this globe is the embryo of a new heaven and a new earth whose poorest beauty will infinitely exceed your mortal imagination. And when you see the magnificent result of that which seems so base to you now, how you will scorn your blind presumption, in accusing Omniscience for not having made nature perish in her infancy.God is the god of justice and mercy; then surely, every grief that he inflicts on his creatures, be they human or animal, rational or irrational, every suffering of our unhappy nature is only a seed of that divine harvest which will be gathered when, Sin having spent its last drop of venom, Death having launched its final shaft, both will perish on the pyre of a universe in flames and leave their ancient victims to an eternal empire of happiness and glory.
In a world full of war, famine, oppression, deceit, monotony, what—apart from the eternal innocence of animals—offers an image of hope? A mother with a newborn child in her arms? The child may end up as a murderer or a murder victim, so that the hopeful image is a prefiguration of a pietà: a mother with her newly dead child on her lap.
Her mighty lakes, like oceans of liquid silver; her mountains, with bright aerial tints; her valleys, teeming with wild fertility; her tremendous cataracts, thundering in their solitudes; her boundless plains, waving with spontaneous verdure; her broad, deep rivers, rolling in solemn silence to the ocean; her trackless forests, where vegetation puts forth all its magnificence; her skies, kindling with the magic of summer clouds and glorious sunshine - no, never need an American look beyond his own country for the sublime and beautiful of natural scenery.
Ultima came to stay with us the summer I was almost seven. When she came the beauty of the llano unfolded before my eyes, and the gurgling waters of the river sang to the hum of the turning earth. The magical time of childhood stood still, and the pulse of the living earth pressed its mystery into my living blood.
Those who are esteemed umpires of taste, are often persons who have acquired some knowledge of admired pictures or sculptures, and have an inclination for whatever is elegant; but if you inquire whether they are beautiful souls, and whether their own acts are like fair pictures, you learn that they are selfish and sensual. Their cultivation is local, as if you should rub a log of dry wood in one spot to produce fire, all the rest remaining cold. Their knowledge of the fine arts is some study of rules and particulars, or some limited judgment of color or form which is exercised for amusement or for show. It is a proof of the shallowness of the doctrine of beauty, as it lies in the minds of our amateurs, that men seem to have lost the perception of the instant dependence of form upon soul.
You looked so beautiful- your hair spread out around your head against the linoleum. Though your think brown curls had thinned since you'd started losing weight, they still fell in soft waves. You reminded me of a mermaid, your skin all shiny, your lips so full compared to the harshness of your angular cheekbones and pointed chin.
It is not Beauty I demand, A crystal brow, the moon's despair, Nor the snow's daughter, a white hand, Nor mermaid's yellow pride of hair. Tell me not of your starry eyes, Your lips that seem on roses fed, Your breasts where Cupid trembling lies, Nor sleeps for kissing of his bed. ...Give me, instead of beauty's bust, A tender heart, a loyal mind, Which with temptation I could trust, Yet never linked with error find. One in whose gentle bosom I Could pour my secret heart of woes. Like the care-burdened honey-fly That hides his murmurs in the rose. My earthly comforter! whose love So indefeasible might be, That when my spirit won above Hers could not stay for sympathy.
Rome was mud and smoky skies; the rank smell of the Tiber and the exotically spiced cooking fires of a hundred different nationalities. Rome was white marble and gilding and heady perfumes; the blare of trumpets and the shrieking of market-women and the eternal, sub-aural hum of more people, speaking more languages than Gaius had ever imagined existed, crammed together on seven hills whose contours had long ago disappeared beneath this encrustation if humanity. Rome was the pulsing heart of the world.
When it came time to build a tabernacle, the Israelite women brought all their mirrors to Moses so he could use them to make God's building more beautiful. (Exodus 38:8.) They were far more interested in enjoying God's glory than reflecting on their own images.
I say that almost everywhere there is beauty enough to fill a person's life if one would only be sensitive to it. but Henry says No: that broken beauty is only a torment, that one must have a whole beauty with man living in relation to it to have a rich civilization and art. . . . Is it because I am a woman that I accept what crumbs I may have, accept the hot-dog stands and amusement parks if I must, if the blue is bright beyond them and the sunset flushes the breasts of sea birds?
Act'. How many good people do you really know? I discount those who mouth out platitudes for the edification of the young, and who truly are 'good', whatever that means?"What a strange subject, and from such a strange person!"Everyone I know is a mixture, some with more good than bad, and it varies on different days,
The orange of the golden carp appeared at the edge of the pond. . . . We watched in silence at the beauty and grandeur of the great fish. Out of the corners of my eyes I saw Cico hold his hand to his breast as the golden carp glided by. Then with a switch of his powerful tail the golden carp disappeared into the shadowy water under the thicket.
I may enter a zone of transcendence, in which I marvel at all the accidents of fate, since the beginning of life on earth, that led to my genes being created and my standing in this particular garden in a contemplative and imagining mind. I’ve been reading recently how reflection evolved. what a fascinating solution to the rigors of survival…how amazing that a few basic ingredients- the same ones that form the mountains, plants, and rivers- when arranged differently and stressed could result in us.More and more of late, I find myself standing outside of life, with a sense of the human saga laid out before me. it is a private vision, balanced between youth and old age, a vision in which I understand how caught up in striving we humans get, and a little of why, and how difficult it is even to recognize, since it feels integral to our nature and is. but I find it interesting that, according to many religions, life and begins and ends in a garden.
It is strange, is it not, how an accident of a millimeter here, a millimeter there, makes one face so important. Think about it Elliot, She has two eyes, a nose, a mouth, just like everyone else. It,s all in tiny degrees of placement, such small area of magic to make such a big difference. For me, Elliot, I must tell you it is a hard thing to understand- why these things, these millimeters, are so crucial to you, you of all men.
Without imagination, we merely see or hear, and even if we see or hear that the objects of the senses are beautiful, we cannot feel that they are so. The difference is this: in feeling the beauty of objects, we enjoy not only the common, shared pleasures of the senses, but also the private pleasures of the imagination, peculiar to ourselves, and such that we have to struggle to articulate them.
In fact, his travelogues spend amazingly little time discussing his blindness. Only one passage stands out for its frank discussion of his handicap and how it changed his worldview. In it, Holman was reminiscing about a few rendezvous from his past. Disarmingly, he admitted that he had no idea what his paramours looked like, or even whether they were homely. Moreover, he didn't care: by abandoning the standards of the sighted world, he argues, he could tap into a more divine and more authentic beauty. Hearing a woman's voice and feeling her caresses -- and then filling in what was missing with his own fancy -- gave him more pleasure than the mere sight of a women ever had, he said, a pleasure beyond reality. "Are there any who imagine," Holman asked, "that my loss of eyesight must necessarily deny me the enjoyment of such contemplation? How much more do I pity the mental darkness which could give rise to such an error.
She raises her hands to the sky and breathes it in, she starts spinning, enjoying the feel and energy of this Africa. She floats, her long skirt swaying with the dry grass in the breeze with her spirals, her sandaled feet covered in dust. She is part of Africa. She has never felt so free and happy.
It's okay to look different, Lilith. Beauty is only a matter of opinion. If you believe you are beautiful, then that's all that matters. These are really tough years you're approaching now. Your decisions now as a teenager can change your entire life. Just make sure you talk to me or comeone if you're ever feeling like life is too much to handle. And never let anyone convince you that you're not worthy, only to take advantage of you.
It's okay to look different, Lilith. Beauty is only a matter of opinion. If you believe you are beautiful, then that's all that matters. These are really tough years you're approaching now. Your decisions now as a teenager can change your entire life. Just make sure you talk to me or someone if you're ever feeling like life is too much to handle. And never let anyone convince you that you're not worthy, only to take advantage of you.
I scanned the room, knowing it couldn't take long to spot Annie, who had chosen to wear a floor-length 1960s muumuu in a deep shade of turquoise that looked, I had to admit, strikingly lovely against her honey-toned skin. Her dark hair was piled on top of her head, giving her a couple extra inches of height, and spiked through with a gold, rhinestone-encrusted chopstick. Or at least I thought it was a chopstick, but who knew what you called the utensil once it pierced a mound of hair. Perhaps just a stick? Regardless, she looked stunning- like a colorful little bird that surprises everyone with its audacity and out-of-place beauty by landing right in the middle of a bustling city sidewalk.
Women incorporate the values of the male sexual objectifiers within themselves. Catharine MacKinnon calls this being "thingified" in the head (MacKinnon, 1989). They learn to treat their own bodies as objects separate from themselves. Bartky explains how this works: the wolf whistle sexually objectifies a woman from without with the result that, ``"The body which only a moment before I inhabited with such ease now floods my consciousness. I have been made into an object'' (Bartky, 1990, p. 27). She explains that it is not sufficient for a man simply to look at the woman secretly, he must make her aware of his looking with the whistle.She must, "be made to know that I am a 'nice piece of ass': I must be made to see myself as they see me'' (p. 27). The effect of such male policing behaviour is that, "Subject to the evaluating eye of the male connoisseur, women learn to evaluate themselves first and best'" (Bartky, 1990, p. 28). Women thus become alienated from their own bodies.
The "fashion-beauty complex'," representing the corporate interests involved in the fashion and beauty industries, has, Bartky argues, taken over from the family and church as "central producers and regulators of 'femininity'" (1990, p. 39). The fashion-beauty complex promotes itself to women as seeking to, "glorify the female body and to provide opportunities for narcissistic indulgence'' but in fact its aim is to "depreciate woman's body and deal a blow to her narcissism'' so that she will buy more products. The result is that a woman feels constantly deficient and that her body requires "either alteration or else heroic measures merely to conserve it'' (p. 39).
...women's bodies are "inferiorised, stigmatized . . . within an overarching patriarchal ideology.For example, biologically and physiologically, women's bodies are seen as both disgusting in their natural state and inferior to men's'' (2001, p. 141).
Sometime during high school he’d gotten . . . kind of . . . beautiful, and Harper found it easier to not look directly at him. When she did, it did strange things to her, making her voice high and her cheeks burn. So she only ever really looked at him out of the corner of her eyes, like one would look at a solar eclipse.
You yearn to stay in this in-between place, where the beauty of the times you have freshly bade farewell to is still alive and vivid in your mind – almost real – and the reality of your new circumstances has yet to fully sink in. You listen to the familiar melodies that had accompanied you on your journey, and allow the music to evoke landscapes and scenes in your mind. The songs caress your sub-consciousness and fill your being with an airy joy. You are both here and elsewhere. Or perhaps you are everywhere and nowhere.
One could say that Hopkins practiced transubstantiation in every poem. By mysterious talent, he changed plain element into reality sublime. He encountered a jumble of weather, birds, trees, branches, waters, blooms, dewdrops, candle flames, prayers, then instressed them and, delighted, wrote in his journal, 'Chance left free toact falls into an order.
Moments later, I was climbing nervously into the back of the car. The driver wore the archetypal expression of an antagonist. No words were exchanged beyond the brief lines uttered to this nameless stranger, whose inclinations remained unclear. The car sped along empty roads and traversed dingy alleyways. Music blared from its speakers. I did not remember exhaling throughout the entire journey.
My general feeling is that date make-up should be an honest advertisement for a potential relationship. Frankly, it’s easier for you that way. There’s no point labouring over lots of perfectly applied make-up if you are, in reality, a low-maintenance kind of girl who can’t possibly keep it up beyond the honeymoon period. Equally, it seems unwise to imply you’re someone who rolls out of bed and out to a Sunday farmer’s market all natural skin, flushed cheeks and a smidge of lip balm when your real life is spent in full coverage foundation and smoky eyes. Like any part of dating, it is always safer to be yourself because who can maintain a lie for long?
Why was "plain" a euphemism for "ugly," when the very hallmark of human beauty was its plainness, the symmetry and simplicity that always seemed so young and so innocent. It was impossible not to think that here beauty was one of the most important things about her - something having to do with who she really was.
My takeaway from all of Ophelia's sessions was that life favored value. The world was bursting with opportunity. If you didn't like who you were, it was time to reinvent yourself and try again. It was a disservice to the universe to cheat everyone of your talents. And if you were at your wit's end, thinking you had nothing to offer, it was essential to cultivate value within yourself in order to move forward. In order to live beyond existence. In order to turn your pain into something beautiful.
The need of theory is supported by the eros of the philosopher. It is not the expression of his will to conquer nature. Therefore, the joys of contemplation are "immediate enjoyments," joys that belong intrinsically to contemplation, and they come without further setting of goals or justification to the one receptive to them. They are not tied to social use, neither dependent upon the opinion of others nor gained from the expectation of future glory. The love for the observation of nature, for the observation of the details of the structure in which nature becomes comprehensible, of the order in which nature is articulated, of the spectacle nature provides for one who takes an interest in its objects, who lets its forms, colors, and sounds affect him, this love accords with the love of oneself. Both discourage highfalutin plans to change the world by the transformation of nature. Both impose moderation on the philosopher. He will be especially adequate to his desire to "contribute" something "to this beautiful system" by his conceiving it as a "system" and as "beautiful." The contribution most his own is that he has the whole in view; that he sees things and beings within the horizon of the whole, that he investigates and orders them as parts, that he knows himself as a part and reflects on his relation to the whole or that he poses the question of the whole. But if he wants to keep the question of the whole in view, he may not lose himself. To conceive the "beautiful system," he must devote himself to it in detail and again return to himself. To be able to observe nature, he may not blend into it. Observation requires both proximity and distance.
But no matter what my eyes report, there is beauty that lives under the skin, under the surface, under the standards set up for me by outside arbiters of what is good and true. Those arbiters are not always so reliable. They can be bought and sold. They can be marketed and manufactured. The real standards, the ones set forth by the One who made me, are solid, knitted into me at my beginning. This beauty is true and real, and it lives within the heart. It is my heart that must be trained to recognize this beauty.
All I ever wanted in my life was to be treated as an individual. I have succeeded, to some extent. At least I'm sure that in the Lord's eyes, I am an individual. I am not a "colored" person, or a "Negro" person, in God's eyes. I am just me! The Lord won't hold it against me that I'm colored because He made me that way! He thinks I am beautiful! And so do I, even with all my wrinkles! I am beautiful!-Bessie
All I ever wanted in my life was to be treated as an individual. I have succeeded, to some extent. At least I'm sure that in the Lord's eyes, I am an individual. I am not a "colored" person, or a "Negro" person, in God's eyes. I am just me! The Lord won't hold it against me that I'm colored because He made me that way! He thinks I am beautiful! And so do I, even with all my wrinkles! I am beautiful!
Romance and romantic are different. Death, itself, can be romantic. Nature and a destructive snowstorm can be romantic. Lovers in love but giving that up can also be romantic. There is something aesthetically romantic in beauty itself. And beauty can even be pain. Therefore, pain is romantic, especially when the sufferer does so for love.
In all things there is beauty. In the glint of dew clinging to the strands of a spider’s web; in the way the setting sun winks off shards of broken glass; in the rainbow forming in the soap suds in a sink full of dirty dishes; in a blade of grass which manages to force its way, with patience and time, through the all too willing grasp of sidewalk cement. It is in the faded brown of leaves, turning, twisting against their fate, as they fall to the ground, light and dry as brittle bones, and in the bare, thin-tipped branches, denuded by a change in season. It is in the way a stranger’s laughter cradles you if you let it. It is in the intricate scars of a lover’s back and in our upturned eyes when we ask for forgiveness.
This world is of a single piece; yet, we invent nets to trap it for our inspection. Then we mistake our nets for the reality of the piece. In these nets we catch the fishes of the intellect but the sea of wholeness forever eludes our grasp. So, we forget our original intent and then mistake the nets for the sea.Three of these nets we have named Nature, Mathematics, and Art. We conclude they are different because we call them by different names. Thus, they are apt to remain forever separated with nothing bonding them together. It is not the nets that are at fault but rather our misunderstanding of their function as nets. They do catch the fishes but never the sea, and it is the sea that we ultimately desire.
Cold were the lips, yet he kissed them. Salt was the honey of the hair, yet he tasted it with a bitter joy. He kissed the closed eyelids, and the wild spray that lay upon their cups was less salt than his tears. And to the dead thing he made confession. Into the shells of its ears he poured the harsh wine of his tale. He put the little hands round his neck, and with his fingers he touched the thin reed of the throat. Bitter, bitter was his joy, and full of strange gladness was his pain.
If one of the luminaries should condescend, then the homely lover, plain of face, knows damn well to choose some modest number, and then begin counting down the days of love. Beauty seeks after beauty, like goes with like; forever this was the way of things, world without end.
A connection could be drawn between the secular ascent of biblical values in today's world and the depreciation of beauty that characterizes it on so many levels. Beauty today is often depreciated as monotonous or denounced as a constraining norm, when it is simply reduced to a pure spectacle accompanied by a rehabilitation or even exaltation of deformity and ugliness, as can be seen in many areas. The degeneration of beauty and the promotion of ugliness, tied to the flowering of intellectualism, could be certainly be part of the Umwertung stigmatized by Nietzsche.
I am left to wonder, will anyone else see it?That day in the forest when I looked upon the marble bear, alive with the setting sun, what did I witness? Was it only sunlight on stone, or Father's spirit, or a reflection of my own? It seems to me now that such a moment requires a kind of trinity: you and I and the thing itself.
As he shook off his servant’s grip and staggered heavily to his feet, the sunlight streaming through the outside door struck him full in the face.Samantha gasped.A fresh scar, still red and angry, bisected the corner of his left eye and descended down his cheek in a jagged lightning bolt, drawing the skin around it taut. It had once been an angel’s face with the sort of masculine beauty reserved only for princes and seraphim.
One day, the lotus spoke again. "You remember me? The flower that grows through the mud?" I did. I said as much. "Have you ever considered my significance? I'm everywhere - art, religion, nature.... Have you ever wondered why?" ... It spoke, "Nothing touches me. I radiate beauty. You can do the same." "How?" I asked. "Easy," it said. "I grow in a pond. I take the water and nutrients I need to grow, and let the rest sink to the bottom. What's in mud, anyway? Water, nutrients, life and a little bit of sludge. Let the sludge go like I do. Then stand tall above the leaves.
Cal opens a drawer, pulls out a sketch pad and charcoal and sets them down on a drafting table.'Let's draw.'I smile the way I did as a child when receiving a fresh box of 64 Crayola crayons, unabashedly showing all my teeth. I remember how much I used to love to draw, and I wonder why I don't do it anymore. I write, I guess. I draw with words, but when I see Cal's pad and charcoal, I'm overwhelmed with the feeling that it's not the same. I use my words, my artist's charcoal to describe what I'm thinking. He draws with an imperfect fluidity, pausing only occasionally to shade the drawing with his thumb or brush the paper with the back of his hands. He listens and nods and doesn't interrupt. And when I'm done speaking he looks at the drawing, and his eyes get really big. Slowly, he turns his pad around for me to see. My heart stops and then starts. 'Yes,' I say. It's perfect. Alive with added detail and beautiful Inuit soulfulness I couldn't have even imagined sitting outside in my car. My fear is gone. There's a tingling in my skin, like I can feel the thousand needle pricks to come. I am alive.
...The sublime feeling is not mere pleasure as taste is – it is a mixture of pleasure and pain... Confronted with objects that are too big according to their magnitude or tooviolent according to their power, the mind experiences its own limitations.
The swirling lines of snow were composed of separate flakes, and each flake was a cluster of separate ice crystals--scientists had counted over a hundred of them in a single flake. Under the microscope each minuscule crystal, colorless and transparent, revealed a secret symmetry: six sides, the outward expression of an inward geometry of frozen molecules of water. But the real wonder was that no two crystals were precisely alike. In one of this father's camera magazines he had seen a stunning display of photomicrographs, and what was most amazing about the enlarged crystals was that each contained in its center a whole world of intricate six-sided designs, caused by microscopic air pockets. For no conceivable reason, Nature in a kind of exuberance created an inexhaustible outpouring of variations on a single form. A snowstorm was a fall of jewels, a delirium of hexagons--clearly the work of a master animator.
Through our heart, we gain access to a psychological and emotional experience of abundance that, at times for me, is overwhelming it is so beautiful. There is beauty in each of us that is truly astonishing, a beauty that expresses itself on one level as abundance and on another level as endless healing, and finally a perspective that is so peaceful, so restful, that we can reside in it even in the face of this lunatic world that we live in.
I was examining the perfumed, coloured candles guaranteed to bring good fortune with continued use when a lovely mocha-skinned girl came in from the back room and stood behind the counter. She wore a white smock over her dress and looked about nineteen or twenty. Her wavy, shoulder-length hair was the colour of polished mahogany. A number of thin, silver hoops jingled on her fine-boned wrist. "May I help you?" she asked. Just beneath her carefully modulated diction lingered the melodic calypso lilt of the Caribbean.
Dishonesty is not only the destroyer of beauty, but of what beauty creates, even out of ugliness - understanding. Dishonesty is the extinguisher of understanding, and understanding is the foundation of compassion.
... those who seek the lost Lord will find traces of His being and beauty in all that men have made, from music and poetry and sculpture to the gingerbread men in the pâtisseries, from the final calculation of the pure mathematician to the first delighted chalk drawing of a small child.
. . . death isn’t anything I need to be afraid of. I’m not a perfect man. But I think I’m a good man. I’ve lived a hell of a life, even with all the heartache. Millie told me once that the ability to devastate is what makes a song beautiful. Maybe that’s what makes life beautiful too. The ability to devastate. Maybe that’s how we know we’ve lived. How we know we’ve truly loved.”“The ability to devastate,” I repeated. And my voice broke. If that wasn’t a perfect description of the agony of love, I didn’t know what was.
...this world would be a whole lot better if we just made an effort to be less horrible to one another. If we took just five minutes to recognize each other's beauty, instead of attacking each other for our differences. That's not hard. It's really an easier and better way to live. And ultimately, it saves lives.
Unkar Delta at Mile 73The layers of brick red sandstone, siltstone, and mudstone of the Dox formation deposited a billion years ago, erode easily, giving the landscape an open, rolling character very different that the narrow, limestone walled canyon upstream, both in lithology and color, fully fitting Van Dyke’s description of “raspberry-red color, tempered with a what-not of mauve, heliotrope, and violet.” Sediments flowing in from the west formed deltas, floodplains, and tidal flats, which indurated into these fine-grained sedimentary rocks thinly laid deposits of a restful sea, lined with shadows as precise as the staves of a musical score, ribboned layers, an elegant alteration of quiet siltings and delicious lappings, crinkled water compressed, solidified, lithified.
The question haunted me, and the real answer came, as answers often do, not in the canyon but at an unlikely time and in an unexpected place, flying over the canyon at thirty thousand feet on my way to be a grandmother. My mind on other things, intending only to glance out, the exquisite smallness and delicacy of the river took me completely by surprise. In the hazy light of early morning, the canyon lay shrouded, the river flecked with glints of silver, reduced to a thin line of memory, blurred by a sudden realization that clouded my vision. The astonishing sense of connection with that river and canyon caught me completely unaware, and in a breath I understood the intense, protective loyalty so many people feel for the Colorado River in the Grand Canyon. It has to do with truth and beauty and love of this earth, the artifacts of a lifetime and the descant of a canyon wren at dawn.
This landscape is animate: it moves, transposes, builds, proceeds, shifts, always going on, never coming back, and one can only retain it in vignettes, impressions caught in a flash, flipped through in succession, leaving a richness of images imprinted on a sunburned retina.
In this world, this life, "flow" [the times when our work or play so absorbs and attunes our energies that we lose track of time] comes to an end. The canvas is dry, the fugue is complete, the band plays the tag one more time and then resolves on the final chord. And, too, the book is finished, the service is over, the lights go up in the darkened theater and we emerge blinking into the bright lights of the "real world." But what if the timeless, creative world we had glimpsed is really the real world -- and it is precisely its reality that gave it such power to captivate us for a while? What if our ultimate destiny is that moment of enjoyment and engagement we glimpse in the artist's studio?
There is a journey that all must take regardless of its direction or apparent meaning. An artist plucks out their heart, holds it forth, and be it through agony or ecstasy, is prepared to be measured for the gift that is the highest honor, to create, and therein be judged on those merits alone. And, somewhere in the skein of all creation is that which demands of those whom would aspire to create beauty and wonder, no matter the cost, because creation, all of it, is worth every ounce the pain of its birth.From the novel, Diminished Fifth
The flower of the ginger is superb and regal, but if we focus on nurturing the ginger plant to bloom we are unable to harvest its root. Enjoying the exquisite beauty of the plant will prevent us from unlocking its true potential—the nutrients secretly stored beyond the reach of the sun. Why care about trivial matters such as external beauty? What matters lies beneath the surface. What a waste! She is much more beautiful on the inside where she has so much more to give to the world.
Due to the various pragmatic obstacles, it is rare for a mission-critical analysis to be done in the “fully Bayesian” manner, i.e., without the use of tried-and-true frequentist tools at the various stages. Philosophy and beauty aside, the reliability and efficiency of the underlying computations required by the Bayesian framework are the main practical issues. A central technical issue at the heart of this is that it is much easier to do optimization (reliably and efficiently) in high dimensions than it is to do integration in high dimensions. Thus the workhorse machine learning methods, while there are ongoing efforts to adapt them to Bayesian framework, are almost all rooted in frequentist methods. A work-around is to perform MAP inference, which is optimization based.Most users of Bayesian estimation methods, in practice, are likely to use a mix of Bayesian and frequentist tools. The reverse is also true—frequentist data analysts, even if they stay formally within the frequentist framework, are often influenced by “Bayesian thinking,” referring to “priors” and “posteriors.” The most advisable position is probably to know both paradigms well, in order to make informed judgments about which tools to apply in which situations.
The most beautiful among us all seem to be slightly broken, women especially. The ones worth knowing are beyond repair. She’ll always be slightly off centered. A clock, never set perfectly, but you knew could still sing beautifully. And fools we are for attempting to fix her. Just read her, learn her, love her. Don’t try to make sense of her past, or dare predict her future. Who she was, is not who she is, and is certainly not who she would be. You’re not meant to understand her entirely. Because she’s not sure who she is exactly. Let her sing her song. Watch her dance wildly to it. It’s her time. Repairing that would only break her heart. And I’d rather be ripped apart from her than rip a part from her.
Had I been further along in my Christian walk and more focused on serving God rather than myself, I might have seen that. But I still had a long way to go in my faith. In my mind, being a Christian meant that God loved me and that He wanted me to be happy, healthy, and successful. I’d been listening to CDs that taught me how to transform my mind, when I should have been immersing myself in the Bible so God could transform my heart through His Word. Up to that point, I’d been treating God like a genie in a lamp, making childish wishes and then waiting for Him to deliver.But God didn’t send His Son to die on the cross so that one day I could become a famous fashion model. He doesn’t exist to serve me; I exist to serve Him.
This is something every girl should know in addition to sewing on a button and applying mascara correctly. Before I know it, I'm asking her, 'If you had a daughter what would you tell her?'Mrs. Dupree smiles. 'Oh let me think.' she says. 'Well, I would say that every time you buy a new blouse or some wrinkle cream to make you look good, go and buy a book right away. It's just as important to keep your mind beautiful, don't you think?
That’s one of the harsh realities I learned early on about the modeling industry: ultimately, your body doesn’t really belong to you. It belongs to the client. Since they’re paying, they figure they can do pretty much whatever they want to you. They can curl your hair, straighten it, dye it, cut it –even shave it. I’ve seen hair extensions being pulled out by the roots and smoke billowing out of flat irons while the hair inside gets singed and fried. I’ve watched models squeeze their feet into shoes so small their feet literally bled, and I’ve seen false eyelashes torn off so quickly that the natural lashes came off with them. Modeling may look glamorous on the outside, but believe me, beauty can be an ugly business.
But he told me that most of the time he stayed on the boardwalk, facing the water, just the way we were sitting now even when it got cold and he had to wear his newspapers after he read them.And I asked him why. Why didn't he go to one of the shelters? Why didn't he check himself into the hospital for detox? And he just stared out at the ocean and said, "Look at the view, young lady. Look at the view.
The plan of Nature is progress and for any progress mankind must pay a price. It is quite evident to me that man must pay for everything except for the natural beauty of the landscape, which, if he is fortunate enough to live where it still exists, is free. Beauty has always existed and always will. Man has destroyed much of it, but he can never destroy all. The oceans are unchanged and the rivers still flow, even though some of them are laden with pollution, and some overflow, and others are less brimful than they were. The mountains stand. Man has made changes, he builds highways, cuts down trees, deflects a river's course as well as poisons it, yet beauty remains.Therefore, I think we should take time to enjoy what we can see of it.
All that can best be expressed in words should be expressed in verse, but verse is a slow thing to create; nay, it is not really created: it is a secretion of the mind, it is a pearl that gathers round some irritant and slowly expresses the very essence of beauty and of desire that has lain long, potential and unexpressed, in the mind of the man who secretes it. God knows that this Unknown Country has been hit off in verse a hundred times...Milton does it so well in the Fourth Book of Paradise Lost that I defy any man of a sane understanding to read the whole of that book before going to bed and not to wake up next morning as though he had been on a journey.
We Orientals tend to seek our satisfactions in whatever surroundings we happen to find ourselves, to content ourselves with things as they are; and so darkness causes us no discontent, we resign ourselves to it as inevitable. If light is scarce, then light is scarce; we will immerse ourselves in the darkness and there discover its own particular beauty. But the progressive Westerner is determined always to better his lot. From candle to oil lamp, oil lamp to gaslight, gaslight to electric light—his quest for a brighter light never ceases, he spares no pains to eradicate even the minutest shadow.
Okay, listen to me one more time. I find you very beautiful, and I'm not going to be some guy who leaves you hanging like that idiot did yesterday evening. I am willing to show you what a real woman can do to please you in every way."Jana stood they're just looking at Angel dumbstruck, unsure what to say. She just thought of what to say next, but nothing came to words. Jana sat on the couch without a word. Angel sat next to her."I am sorry for being so honest with you. But since I met you yesterday evening, I just can't and won't let my feelings go without knowing." She sighed. She just wished Jana could feel the same about her as she did about Jana.Jana looked at Angel. Her eyes were full of questions."Why me? Out of all the women in this world, you choose me. I'm nothing compared to anyone else and my best friend Destiny has the life I want and crave for."Angel smiled and hugged Jana. She didn’t try to leave her embrace. Angel counted that as a small win."That is where you are blind on. Women that are friends or couples can have all that as well. Please, just give me a chance to show you and will go from there."Jana took a deep breath looking down at her hands. She was still deciding if she should accept Angel’s suggestion."Are you sure about this? I mean we just met, and I am not sure what to think of all this? I wouldn't even know what to tell anyone that knows me?"Angel placed a finger over Jana's lips responding,"We can keep it hidden, do you agree? I just want what is best for you and me, for us. I have never been attracted to a straight woman before, but you took my breath away.
Hopper’s paintings are full of women like her; women who appear to be in the grips of a loneliness that has to do with gender and unattainable standards of appearance, and that gets increasingly toxic and strangulating with age.
She had what the Councillor knew, in the technical language of the ballet, as "ballon", a lightness that is not only the negation of weight, but which actually seems to carry upwards and make for flight, and which is rarely found in thin dancers - as if the matter itself had here become lighter than air, so that the more there is of it the better it works.
But there she was, standing next to his mother, so beautiful, so radiant that he could not see anyone else. Suddenly the rest of the world seemed like such a chore. He didn’t want to be here at this dance, with people he didn’t want to talk to and messages he didn’t particularly wish to deliver. He didn’t want to dance with young ladies he didn’t know, and he didn’t want to make polite conversation with people he did. He just wanted Billie, and he wanted her all to himself. He forgot about Tallywhite. He forgot about pease, porridge, and pudding, and he stalked across the room with such single-minded purpose that the crowds seemed to melt from his path. And somehow, amazingly, the rest of the world had not yet noticed her. She was so beautiful, so uncommonly alive and real in this room full of waxen dolls. She would not go undiscovered for long. But not yet. Soon he would have to fight the throngs of eager young gentlemen, but for now, she was still his alone.
The Naked Truth ©2012 Lyrics and Music by Michele JennaeV. 1We dress ourselves in the lies of othersLessening who we areWe clothe ourselves in our own self doubtHolding on to scarsTake off the mask of uncertainty,Let me see your faceRemove your disguise of hopelessnessStand tall in this placeCHORUSThe naked truth is that you’re… beautifulYou always have beenThe naked truth is that you’re… incredibleYou’re a perfect ten (I’m going to say it again)V. 2We robe ourselves in mediocrityAnd all for whatWe hide behind our fear and frustrationWho says you didn’t make the cut?Strip off the feelings of inferiorityShow us who you areLet me see the winner inside youBaby you’re gonna go farBRIDGEWhy would you want to be anybody elseOther than who you are?Because the fact of the matter isyou’re a shining star
Man is a question mark . . . and it is a blessing—celebrate it. It is a blessing because only man is a question mark; no dog is, no tree is. The rose bush is beautiful but not as beautiful as man, and the moon is beautiful but not as beautiful as man—because they are unconscious. Only man is consciously on a quest. And how can you be on a quest if you don’t have a question mark in your being?
The sons of Dior and Nimloth were Elured and Elurin; and a daughter also was born to them, and she was named Elwing, which is Star-spray, for she was born on a night of stars, whose light glittered in the spray of the waterfall of Lanthir Lamath beside her father's house.
How was she to reconcile men's desire with the desire to be beautiful in their eyes? At first she had tried for a compromise (desperate journeys abroad, where nobody knew her and no indiscretion could betray her); then, later on, she had gone radical and sacrificed her erotic life to her beauty.
I think for me, beauty is sincerity. I think that there are so many different ways that someone can be beautiful. You know, someone so funny that it makes them beautiful no matter how they look, because they’re sincere in it. Or somebody who’s really emotional, and moody and thoughtful and stoic, but that makes them beautiful because that’s sincerely who they are
Do you know why our poetry today and especially our philosophy are such dead issues? Because they've cut themselves off from life. Now, Greece idealized on life's own level: an artist's life was already a poetic achievement; a philosopher's life was an enactment of his philosophy; and when they were a part of life that way, instead of ignoring each other, philosophy could nourish poetry, poetry express philosophy, and together achieve an admirable persuasiveness. Today beauty no longer acts; and action no longer bothers about being beautiful; and wisdom operates on the sidelines.
Happiness lies even in little tiny butterflies. You just have to cpen up your eyes and see where beauty flies to beautify your world lenghtwise.
Happiness lies even in tiny little butterflies. You just have to open up your eyes and see where beauty flies to beautify your world lenghtwise.
Happiness lies even in ltiny ittle butterflies. You just have to open up your eyes and see where beauty flies to beautify your world lenghtwise.
Make no mistake about it. We are born blind, deaf, and mute. It is neither these eyes that give us sight, nor these ears that give us sound. It is not even these lips that give us voice. It is only love. Love makes us seek beauty and truth. Love yearns to connect. To experience. To understand. So close your eyes at once. Don’t utter a word. Perk up your ears and listen to that silent sound inside you where all this is found.
I would like to go to sleep each night by thanking you for being with me,And wake each morning pleasantly surprised to find you are in my life,I would like to feel admiration for the littlest things you do, and how,and how you look others in the eyes, openly, with affection, sparkling but strong.Forever is not important to me, but this is.
Beautiful is he who recognizes what is truly beautiful,Even if the surface is ugly.Truthful is he who says what is true,Even if the truth is ugly.Ugly is he who measures beauty by its exterior,Without first weighing the interior.And ugly is the man who judges harshly what he sees looking out,Without first judging what he sees in the mirror.Suzy Kassem, Rise Up and Salute the Sun (2010)
For most of us, knowledge of our world comes largely through sight, yet we look about with such unseeing eyes that we are partially blind. One way to open your eyes to unnoticed beauty is to ask yourself, "What if I had never seen this before? What if I knew I would never see it again?
Come into my world. I will show you the phenomenon that Stendhal experienced. I will help you feel the cascading arpeggios of Wagner's overture. I will dance to Doga’s waltzes with you. A day spent without appreciating the beauty surrounding us is a waste. Let me appreciate you
Leave your hair natural. Let your beard grow out. Leave the makeup in the bag. Wear comfortable clothes. Stop worrying so much about your looks and start looking around you. You have missed so much beauty trying to become beautiful. You have missed your own worth trying to become worthy. Let the mask break open. Let it lie on the floor. Let yourself be seen. Let yourself see.
She had never looked as well. She had entered her room as just an impossibly lovely girl. The woman who emerged was a trifle thinner, a great deal wiser, an ocean sadder. This one understood the nature of pain, and beneath the glory of her features, there was character, and a sure knowledge of suffering.
For blue has no mind. It is not wise, nor does it promise any wisdom. It is beautiful, and despite what the poets and philosophers and theologians have said, I think beauty neither obscures truth nor reveals it. Likewise, it leads neither towards justice nor away from it. It is pharmakon. It radiates.
I’m strangely comforted when I hear from scientists that human beings are the most complex creatures we know of in the universe, still, by far. Black holes are in their way explicable; the simplest living being is not. I lean a bit more confidently into the experience that life is so endlessly perplexing. I love that word. Spiritual life is a way of dwelling with perplexity—taking it seriously, searching for its purpose as well as its perils, its beauty as well as its ravages.
Maybe that's why I tend to equate physical beauty with qualities with which it has absolutely nothing to do. I see a pretty mouth or a moody pair of eyes and imagine all sorts of deep affinities, private kinships. Never mind that half a dozen jerks are clustered round the same person, just because they've been duped by the same pair of eyes.
Pico Iyer: “And at some point, I thought, well, I’ve been really lucky to see many, many places. Now, the great adventure is the inner world, now that I’ve spent a lot of time gathering emotions, impressions, and experiences. Now, I just want to sit still for years on end, really, charting that inner landscape because I think anybody who travels knows that you’re not really doing so in order to move around—you’re traveling in order to be moved. And really what you’re seeing is not just the Grand Canyon or the Great Wall but some moods or intimations or places inside yourself that you never ordinarily see when you’re sleepwalking through your daily life. I thought, there’s this great undiscovered terrain that Henry David Thoreau and Thomas Merton and Emily Dickinson fearlessly investigated, and I want to follow in their footsteps.
John O’Donohue gave voice to the connection between beauty and those edges of life—thresholds was the word he loved—where the fullness of reality becomes more stark and more clear. If you go back to the etymology of the word “threshold,” it comes from “threshing,” which is to separate the grain from the husk. So the threshold, in a way, is a place where you move into more critical and challenging and worthy fullness. There are huge thresholds in every life. You know that, for instance, if you are in the middle of your life in a busy evening, fifty things to do and you get a phone call that somebody you love is suddenly dying, it takes ten seconds to communicate that information. But when you put the phone down, you are already standing in a different world. Suddenly everything that seems so important before is all gone and now you are thinking of this. So the given world that we think is there and the solid ground we are on is so tentative. And a threshold is a line which separates two territories of spirit, and very often how we cross is the key thing.
Thinking back on it, this evening, with my heart and my stomach all like jelly, I have finally concluded, maybe that’s what life is about: there’s a lot of despair, but also the odd moment of beauty, where time is no longer the same. It’s as if those strains of music created a sort of interlude in time, something suspended, an elsewhere that had come to us, an always within never. Yes, that’s it, an always within never. Don’t worry Renée, I won’t commit suicide and I won’t burn a thing. Because from now on, for you, I’ll be searching for those moments of always within never. Beauty, in this world.
She then thought the land enchanted into everlasting brightness and happiness; she fancied, then, that into a region so lovely no bale or woe could enter, but would be charmed away and disappear before the sight of the glorious guardian mountains. Now she knew the truth, that earth has no barrier which avails against agony.
The mystery and art of living are as grand as the sweep of a lifetime and the lifetime of a species. And they are as close as beginning, quietly, to mine whatever grace and beauty, whatever healing and attentiveness, are possible in this moment and the next and the next one after that.
Beautiful girls – the true beauties – are rarely vain, arrogant, poseurs. It is the girl who makes disproportionate efforts with makeup, clothes, heels and hair who suffers these conceits. They are girls who have made themselves appear beautiful without ever reaching the exalted status of being beautiful girls.
What constitutes a beautiful girl? It is not merely an anatomical or aesthetic quality. Beautiful girls have an inner beauty, an inner light that defeats the darkness. It is a way of walking, smiling, of being. They have a certain smell, sweet as baby breath. They radiate good will, kindness, selflessness.
The two of us in that room. No past, no future. All intense deep that-time-only. A feeling that everything must end, the music, ourselves, the moon, everything. That if you get to the heart of things you find sadness for ever and ever, everywhere; but a beautiful silver sadness, like a Christ face.
The fact that we can't see the beauty in something doesn't suggest that it's not there. Rather, it suggests that we are not looking carefully enough or with a broad enough perspective to see it.
Nevertheless man has found love, which is not a bad reply to that sly Deity, and he has adorned it with so much poetry that woman often forgets the sensual part of it. Those among us who are unable to deceive themselves have invented vice and refined debauchery, which is another way of laughing at God and paying homage, immodest homage, to beauty.
You despise the real bourgeois classes for all their snobbishness and their snobbish voices and ways. You do, don't you? Yet all you put in their place is a horrid little refusal to have nasty thoughts or do nasty things or be nasty in any way. Do you know that every great thing in the story of art and every beautiful thing in life is actually what you call nasty or has been caused by feelings that you would call nasty? By passion, by love, by hatred, by truth. Do you know that?
We cannot see Beauty till we let go our hold of it. It was Buddha who conquered the world, not Alexander - this is untrue when stated in dry prose - oh when shall we be able to sing it? When shall all these most intimate truths of the universe overflow the pages of printed books and leap out in a sacred stream like the Ganges from the Gangotrie?
I had accepted that all the dark memories were mine. But I had never realized that the beautiful ones were mine too. I had a right to them. And the right to embrace them, regardless of what happened before and after. I had a right to my happiness, as well as my grief.
And I thought, I am in love. For the first time I am in love. And loved. Someone loves me. And I love them. And within me things clicked and whirled like the insides of some gigantic clock, cog against wheel, spring against spiral, tick against tock, and I knew that nothing would ever be the same again. I had shown someone what I really was. I had shown someone my truth, my secret. Out there, beyond the walls of the Castle, there was a boy who had seen inside my chrysalis. And I would never be safe again.
This is the sacred secret of love. Love a person for their heart and only their heart, and you will be rewarded with the best unconditional love in return. If you ignore the heart and focus just on a person’s outer beauty, love will ignore you. Love a person for only the beauty found in their heart, and that beautiful heart will always be beautiful to you.
There will be those who love you for your hair and those who love the beauty of your mind and those who adore the warmth of your heart. but there will be those who will leave you for not conforming to their type of hair, mind and heart. And there will be those who will live/die to see your bad hair days, derailed mind, and broken heart. but what matters most is Who You Are
Most of us don’t notice how great we look until years, even decades later. Not long ago, I was looking at photos of myself at various ages and weights—way before the neckular deterioration began, way before the fanny pack of menopause—and I could see how gorgeous I must have looked to everyone else.
There is truth and beauty in all religions. It’s the separation between them that creates difficulty. Instead of looking at what they have in common, which is plentiful, they spend too much time arguing about how they’re different.
Beauty is dad kissing mom's hand when it cramps.Beauty is seeing a Persian woman dance.Ugly is not the absence of beauty.Uglyis the inability to identify it.The inability to be surprised by it.It is the persistent reluctance to be made a child by it.Beauty is simplythe manifestation oflove.
Are we to look at cherry blossoms only in full bloom, the moon only when it is cloudless? To long for the moon while looking on the rain, to lower the blinds and be unaware of the passing of the spring - these are even more deeply moving. Branches about to blossom or gardens strewn with flowers are worthier of our admiration.
Individuals often turn to poetry, not only to glean strength and perspective from the words of others, but to give birth to their own poetic voices and to hold history accountable for the catastrophes rearranging their lives.
How I wish I was like the water,Flowing so freely with every dropLet my every emotion wonder,No need to start, nor even stopHow I wish I was like the fire,Burning with every flame upLeaving a trace of hot desireAs a Phoenix raises its' wings upHow I wish I was like the earth,Raising each flower from the groundSeeing the beauty of death and birthAnd then returning to the groundHow I wish I was like the wind,Hearing each whisper, sound and thoughtA lonesome and wandering little wind,Shattering all that has been soughtOh, how I wish I was where you are,Not separated by empty space, so farIt seems like we're galaxies apart,But we find hope within our heartAnd how I wish I was all of the above,So I can come below and yet forget,The beauty of angels which come down like a doveAnd demons who love with no regret.
Even a blind man could see she is beautiful.
Two free days like an open mouth. They drank beer all day in the sun and passed out, and when she woke, she was burnt all over, and it was sunset, and Lotto had started building something enormous with sand, already four feet high and ten feet long and pointing toward the sea. Woozy, standing, she asked what it was. He said, 'spiral jetty.'She said, ''In sand?' He smiled and said, 'That's its beauty.'A moment in her bursting open, expanding. She looked at him. She hand't seen it before, but there was something special here. She wanted to tunnel inside him to understand what it was. There was a light under the shyness and youth, a sweetness, a sudden surge of the old hunger in her to take a part of him into her and make him briefly hers. Instead, she bent and helped, they all did. And deep into the morning, when it was done, they sat in silence, huddled against the cold wind and watched the tide swallow it whole. Everything had changed somehow
And they spoke of their Antigonie, who they called Go, as if she were a friend.Leo hadn't yet written any music, but he had made drawings on butcher paper stolen from the kitchen. They curled around his walls, intricate doodles, extensions of the boy's own lean, slight body. The shape of Leo's jaw in profile, devestating. The way he gnawed his fingernails to the crescents, the fine shining hairs down the center of his nape, the smell of him, up close, pure and clean, bleaching. The ones made for music are the most beloved of all. Their bodies a container for the spirit within; the best of them is music, the rest only instrument of flesh and bone.The weather conspired. Snow fell softly in the windows. It was too cold to be out for long. The world colorless, a dreamscape, a blank page, the linger of woodsmoke on the back of the tongue.
And though Lotto was thoroughly straight, the daily greedy need of his hands told her this, her husband's desire had always been more to chase and capture the gleam of the person inside the body and the body itself. And there was a part of her husband that had always been so hungry for beauty.
You might not get the apology you deserve. You might not get answers to explain the actions of others. You might not get truth that makes sense to you. You might not get people to understand what you went through because of them. You might not get communication. You might not get maturity. You might not get mercy or even common decency. You might not get respect or the chance to explain your side of the story. However, you do get to choose how people treat you. God loves you enough to bring people into your life who won't hurt you, abuse you, betray you, lie and gossip about you, psycho analyse you, break your heart or make you an option or choice. He will bring people into your life that will love you, respect you, fight for you, show gratitude for your love and want to be a part of your life mission. The best part of this is you don't have to convince them of your worth. They want to be there. They know your value. They know your struggles. They are in touch with their own faults and understand you struggle just like everyone else. They won't hold you to a greater standard then they do themselves. They care about you and don't want to see you cry, feel discouraged or give up on this life. When you know the power of who you are and what you have to accomplish you will scratch your head in disbelief that you allowed other people to dictate who you are based on little knowledge of what God knows about you and your life purpose. Letting go isn't about accepting defeat or acknowledging you were wrong. Sometimes letting go is realizing that God has something better in store for you.
He saw the kind of beauty yellow flowers have growing over a carpet of dead leaves. The beauty of cracks forming a mosaic in a dry riverbed, of emerald-green algae at the base of a seawall, of a broken shard from a blue bottle. The beauty of a window smudged with tiny prints. The beauty of wild weeds.
The beauty of Mars exists in the human mind,” he said in that dry factual tone, and everyone stared at him amazed. “Without the human presence it is just a collection of atoms, no different than any other random speck of matter in the universe. It’s we who understand it, and we who give it meaning. All our centuries of looking up at the night sky and watching it wander through the stars. All those nights of watching it through the telescopes, looking at a tiny disk trying to see canals in the albedo changes. All those dumb sci-fi novels with their monsters and maidens and dying civilizations. And all the scientists who studied the data, or got us here. That’s what makes Mars beautiful. Not the basalt and the oxides
We like to romanticize the wild, raw, majestic beauty of nature. But when you take a closer look, nature is really just a giant fuckfest. That beautiful bird chirping? It's a mating call. That pretty little bird is trying to get laid. And why does the peacock have such beautiful feathers? To attract females. Because he's trying to get laid.
Overcoming fear is often much about understanding, accepting and embracing the power of self-healing, self-recovery, and self-discovery. At the same time it is often as much about the beauty of exploring more selflessness, and experiencing some of the true joys of "losing one's self," in others, and into good things that are more about others than one's own self.
We ache with the yearningthat turns half into wholeand offer no excusesfor the beauty of our souls.
In other words, Botticelli's ideal women look like women and not boys. They're soft and curvaceous. Healthy and rounded. Women of the size figured in this painting were considered beautiful for centuries, if not millennia. They were the aesthetic ideal during my lifetime and long after."He brought his mouth to her neck before whispering, "My ideal hasn't changed.
Marvellous!" he repeated, looking up at me. "Look! The beauty--but that is nothing--look at the accuracy, the harmony. And so fragile! And so strong! And so exact! This is Nature--the balance of colossal forces. Every star is so--and every blade of grass stands so--and the mighty Kosmos il perfect equilibrium produces--this. This wonder; this masterpiece of Nature--the great artist.
When ever you allow your self to be non judgmental mostly to your self, and others, and with an open mind to the things and people who surround you - you have triumphed to a higher self of substance. A substance of your beautiful self. Because when you look back to those moments, you feel a sense of relief, a sense of accomplishment; and deep in your heart, you know you have carried out something that was right. I say : "Live up to your morals and values- whilst remaining aware of them, embrace your unique self, your individuality and be happy the way you are. Remembering to shift your focus to the goodness in your life, to let go of things that no longer is useful for the goodness of your being, genuinely and practically, rejoice in the fortune and success of others and most of all, LOVE the BEAUTY you possess within.
AFFIRMATION: Letting love flow abundantly from me before me with illuminating unique and miraculous richness in every unfolding moment. Healing my hurts and inspiring my actions. Letting love live within me, that spreads beauty through all that I do and all that I am. Filling my thoughts with goodness and my intentions with kindness. Letting love brighten every corner of my world
There is one way, then, in which a man can be free from all anxiety about the fate of his soul - if in life he has abandoned bodily pleasures and adornments, as foreign to his purpose and likely to do more harm than good, and has devoted himself to the pleasures of acquiring knowledge, and so by decking his soul not with a borrowed beauty but with its own - with self-control, and goodness, and courage, and liberality, and truth - has fitted himself to await his journey in the next world.
She's it. She's my everything. She's the standard by which I'll judge beauty for the rest of my life. I'll measure every touch to her breath on my skin. Every voice to her voice. Every mind to her mind. My measure of perfection. The name carved into me. If I could, I would lie with her under these stars until my heart burst.
That's what it's all about. We are here to walk each other home. Home to our true self ~ which is love. How we treat our self and how we have the opportunity to make others feel good about them selves, to see and bring the goodness out of them is what grows us to become a more beautiful person also.
The forces of blind life that work across this hilltop are as irresistible as she said they were, they work by a principle more potent than fission. But I can’t look upon them as just life, impartial and eternal and in flux, an unceasing interchange of protein. And I can’t find proofs of the crawl toward perfection that she believed in. Maybe what we call evil is only as she told me that first day we met, what conflicts with our interests; but maybe there are such realities as ignorance, selfishness, jealousy, malice, criminal carelessness, and maybe these things are evil no mater whose interests they serve or conflict with.
True beauty, the kind that doesn’t fade or wash off, takes time. It takes pressure. It takes incredible endurance. It is the slow drip that makes the stalactite, the shaking of the earth that creates mountains, the constant pounding of the waves that break up the rocks and smooths the rough edges. And from the violence, the furor, the raging of the winds, the roaring of the waters, something better emerges, something that would otherwise never exist.And so we endure. We have faith that there is purpose. We hope for things we cant see. We believe that there are lessons in loss, power in love, and that we have within us the potential for a beauty so magnificent that our bodies cant contain it.
I have always said that the way to deal with the pain of other’s is by sympathy, which is suffering with, and that the way to deal with one’s own pain is to put one foot after the other. Yet I was never willing to suffer with others, and when my own pain hit me, I crawled into hole. Sympathy I have failed in, stoicism I have barely passed. But I have made straight A’s in irony- that curse, that evasion, that armor, that way of staying safe while seeming wise. One thing I have learned hard, if indeed I have learned it now: it is a reduction of our humanity to hide from pain, our own or other’s. to hide from anything. That was Marian’s text. Be open, be available, be exposed, be skinless. Skinless? Dance around in your bones.
Marian’s eyes absolutely blaze. To meet them is to have a shock of contact as if they were electrically charged. “Now you see? You wondered what was in whale’s milk. Don’t you know now? The same thing that’s in a mushroom spore so small you need a microscope to see it, or in gophers, or poison oak, or anything else we try to pave under or grub out, or poison. There isn’t good life and bad life, there’s only life. Think of the force down there, just telling things to get born!
Isn’t it complicated to be human, though?” she said. “Animals seem to give up their lives so naturally…And after all, I grew up, I married John, I had Debby. So knowing, being able to understand and forecast and even predict an approximate date, shouldn’t make any difference. I guess consciousness makes individuals of us, and as individuals we lose the old acceptance…” “The one thing,” Marian said in a voice that went suddenly small and tight, “the thing I can hardly bear sometimes is that I won’t ever see her grow up. She’ll have to do it without whatever I could have given her.” “Time, too, time and everything that one could do in it, and the chance of wasting or losing or never even realizing it. It’s so important to us because we see it so close. We’re individuals, we’re full of ourselves, and so we’re bad historians. We get crazy and anxious because all of sudden there’s so little time left to be loving and generous as we wish we’d always been and always intended to be…do you suppose I feel the shortness of time because I want to experience everything and feel everything that the race has ever felt? Because there’s so much to feel and I’m greedy?
On one part of the footpath where a thin trickle of water from a small spring kept it damp, I found … a swarm of … small, blue butterflies drinking the water. … I only went that way on sunny days and each time the dense, blue swarm was there, and each time it was a holiday.
DESDEMONACome, how wouldst thou praise me? IAGO I am about it; but indeed my invention Comes from my pate as birdlime does from frieze; It plucks out brains and all: but my Muse labours, And thus she is deliver'd. If she be fair and wise, fairness and wit, The one's for use, the other useth it. DESDEMONA Well praised! How if she be black and witty? IAGO If she be black, and thereto have a wit, She'll find a white that shall her blackness fit. DESDEMONA Worse and worse. EMILIA How if fair and foolish? IAGO She never yet was foolish that was fair; For even her folly help'd her to an heir. DESDEMONA These are old fond paradoxes to make fools laugh i' the alehouse. What miserable praise hast thou for her that's foul and foolish? IAGO There's none so foul and foolish thereunto, But does foul pranks which fair and wise ones do.
The principle of any science is invisible, theoretical, as is our idea of Spirit. No one has seen God; no one has seen Life; what we have seen is the manifestation of Life. No one has seen Intelligence; we experience it. No one has ever seen Causation; we can see what It does, we deal with Its effects. We do not see Beauty. The artist feels beauty and depicts it as best he can, and the result of his effort is what we call the beautiful...We do not see Life, we experience living. Causation is invisible.
I guess that sometimes it just takes a long walk through the darkness, a long walk through the darkest shadows and corners of your soul to realize that those are a part of you as well, that you've created through your experiences and thoughts those parts within yourself and as much as you can choose to fear them and repress them, they will require your attention one day, they will need your care and acceptance before you can clean them away and turn the lights on. For you refuse to shine the light on something that is imperfect, because you fear judgement and rejection, but you can always choose to look towards the light as the only source of true beauty and love that can help you in the cleaning process. Healing, after a long time of struggle and mess is a complex process, but a necessary one nevertheless. We are so overwhelmed by the amount of work it requires that we so often choose to run away from the light, hide in our dark corner and hope that we will never be found, hope that we will never be seen, or desperately look outwards for that love and compassion that we can no longer find within ourselves, for our soul's light no longer shines as it used to. And sometimes we just find those people that can see the light beneath all that dust and darkness that's been pilled up, those kind of light workers that understand our broken souls and manage to pick us up and see the beauty within us, when we find it so hard to see it ourselves. Sometimes I get so tired of separation, of division, of groups and different religions and belief systems. Even if you do find the truth, once you've put it into words, books and rules it already becomes distorted by the mind into something that is no longer truth. So I no longer hope for understanding, no longer hope for the opinion of a judgemental mind, but I hope to find the words that touch the soul before the mind, I hope to find the touch that warms the heart from deep inside, and hope to find that far away abandoned part of me which I've left behind.
Beauty is discernible in your fleeting moments. When you talk; in a smile or a blink of your eye; beauty is discernible. I can feel it in the skin of your nape when I kiss it. You must know how to preserve it for a long time; I do not know how long that would be possible. Many things may change. Many new things may meet your eyes, allure you; you may be corrupted by them. Then? What will you do then? All that has made you beautiful will be gone…
The Universe said, ‘Let me show your soul something beautiful.
There will be people who admire your strength and courage. But, there will also be those willing to knock everything you say and do. They think it goes unnoticed, but you have excellent peripheral vision. The trick is to never let them get the best of you. Don't become vulnerable to their deceptive nature. You were born to succeed.
Loving yourself is of vital importance. Because there is no way you'll love another soul if you fail to have self love. Embrace your beautiful spirit and shine light for those who may be living in the dark. You are human and your heart is designed to love and live. You can not be open to love if you're not loving yourself.
Female competition is when you are with a guy you like and you look around, see a girl who is prettier than you standing nearby, and think to yourself: "I wish she wasn't here." -This is what happens when you attach your identity and sense of worth to the amount of male attention you receive.
Honestly, I never really understood the glorification of Fridays & weekends. I don't want to build a life and career, where I spent five days a week waiting for the weekend. No! I want to enjoy my life, and don't wish any weekday away. I want each day to matter to me, in some way, even if it's a small tiny way. I love my life. Everyday. That's the spirit we should convey all around us.
She did not understand the beauty he found in her, through touch upon her living secret body, almost the ecstasy of beauty. For passion alone is awake to it. And when passion is dead, or absent, then the magnificent throb of beauty is incomprehensible and even a little despicable; warm, live beauty of contact, so much deeper than the beauty of vision.
Beautiful people make even those of us who proudly consider ourselves unmoved by another's appearance dumb with admiration and fear and delight, and struck by the profound, enervating awareness of how inadequate we are, how nothing, not intelligence or education or money, can usurp or overpower or deny beauty.
In every aspect of life, be true to who you are. There is no need to communicate subliminally. If you believe in your words or actions, then express yourself completely. Live, Laugh, & Love without regrets.
Because you’re beautiful. I enjoy looking at beautiful people, and I decided a while ago not to deny myself the simpler pleasures of existence.' A brief awkward silence ensued. Augustus plowed through: 'I mean, particularly given that, as you so deliciously pointed out, all of this will end in oblivion and everything.
There was a product which seemed attractive, expensive, portable, beautiful and simple. Everybody talked about its beauty but they bought it for it's simplicity.
...he was past youth, but had not reachedmiddle-age; perhaps he might be thirty-five. I felt no fear of him,and but little shyness. Had he been a handsome, heroic-lookingyoung gentleman, I should not have dared to stand thus questioninghim against his will, and offering my services unasked. I hadhardly ever seen a handsome youth; never in my life spoken to one.I had a theoretical reverence and homage for beauty, elegance,gallantry, fascination; but had I met those qualities incarnate inmasculine shape, I should have known instinctively that they neitherhad nor could have sympathy with anything in me, and should haveshunned them as one would fire, lightning, or anything else that isbright but antipathetic.
You were born an original work of art. Stay original always. Originals cost more than imitations.
The more I try to understand one very peculiar aspect of women, it seems clear to me that apart from the beauty or the sensuous state that women command over men, there is an interiority, lesser known to the masses which is more of agony and pain - a resultant effort of the continuous mood swings and the frequent natural cycles that buoy them, it is in this state that women function and calibrate on this basis in selecting their soul mate and not the usual histrionics that men take effort in pleasing them!
if someone got to see the Beautiful itself, absolute, pure, unmixed, not polluted by human flesh or colors or any other great nonsense of mortality, but if he could see the divine Beauty itself in its one form? Do you think it would be a poor life for a human being to look there and to behold it by that which he ought, and to be with it? Or haven't you remembered that in that life alone, when he looks at Beauty in the only way what Beauty can be seen - only then will it become possible for him to give birth no to images of virtue (because he's in touch with no images) but to true virtue (because he is in touch with the true Beauty). The love of the gods belongs to anyone who has given birth to true virtue and nourished it, and if any human being could become immortal, it would be he.
Together, we form a necessary paradox; not a senseless contradiction.
Beautify your breath – beautify your life.
Luckily Shasta had lived all his life too far south in Calormen to have heard the tales that were whispered in Tashbaan about a dreadful Narnian demon that appeared in the form of a lion. And of course he knew none of the true stories about Aslan, the great Lion, the son of the Emperor-beyond-the-Sea, the HIgh King above all high kings in Narnia. But after one glance at the Lion's face he slipped out of the saddle and fell at its feet. He couldn't say anything but then he didn't want to say anything, and he knew he needn't say anything.The High King above all kings stooped towards him. Its mane, and some strange and solemn perfume that hung about the mane, was all round him. It touched his forehead with its tongue. He lifted his face and their eyes met. Then instantly the pale brightness of the mist and fiery brightness of the Lion rolled themselves together into a swirling glory and gathered themselves up and disappeared. He was alone with the horse on a grassy hillside under a blue sky. And there were birds singing.
The wind and the grass and something in the sky, sun, or moon, shining on our backs as we run: They are gifts that humans toss away like socks on Christmas morning, because we see them every day and don't think of them as gifts anymore. But new socks are always better than old socks. And the wind and grass and sky, I think, are better seen with new eyes than jaded ones. I hope my eyes will never grow old.
The more I try to understand one very peculiar aspect of women, it seems clear to me that apart from the beauty or the sensuous state that women command over men, there is an inferiority, lesser known to the masses which is more of agony and pain - a resultant effort of the continuous mood swings and the frequent natural cycles that buoy them, it is in this state that women function and calibrate on this basis in selecting a life partner and not the usual histrionics that men take effort in pleasing them!
When she turned I could see her face was plain and outwardly unremarkable, yet possessing of a bearing that showed inner strength and resolve. I stared at her intently with a mixture of feelings. I had realised not long ago that I was no beauty, and even at the age of nine had seen how the more attractive children gained favour more easily. But here in that young woman I could see how those principles could be inverted. I felt myself stand more upright and clench my jaw in subconscious mimicry of her pose
A kind of northing is what I wish to accomplish, a single-minded trek towards that place where any shutter left open to the zenith at night will record the wheeling of all the sky’s stars as a pattern of perfect, concentric circles. I seek a reduction, a shedding, a sloughing off. At the seashore you often see a shell, or fragment of a shell, that sharp sands and surf have thinned to a wisp. There is no way you can tell what kind of shell it had been, what creature it had housed; it could have been a whelk or a scallop, a cowrie, limpet, or conch. The animal is long since dissolved, and its blood spread and thinned in the general sea. All you hold in your hand is a cool shred of shell, an inch long, pared so thin that it passes a faint pink light. It is an essence, a smooth condensation of the air, a curve. I long for the North where unimpeded winds would hone me to such a pure slip of bone. But I’ll not go northing this year. I’ll stalk that floating pole and frigid air by waiting here. I wait on bridges; I wait, struck, on forest paths and meadow’s fringes, hilltops and banksides, day in and day out, and I receive a southing as a gift. The North washes down the mountains like a waterfall, like a tidal wave, and pours across the valley; it comes to me. It sweetens the persimmons and numbs the last of the crickets and hornets; it fans the flames of the forest maples, bows the meadow’s seeded grasses and pokes it chilling fingers under the leaf litter, thrusting the springtails and the earthworms deeper into the earth. The sun heaves to the south by day, and at night wild Orion emerges looming like the Specter over Dead Man Mountain. Something is already here, and more is coming.
I have often noticed that these things, which obsess me, neither bother nor impress other people even slightly. I am horribly apt to approach some innocent at a gathering, and like the ancient mariner, fix him with a wild, glitt’ring eye and say, “Do you know that in the head of the caterpillar of the ordinary goat moth there are two hundred twenty-eight separate muscles?” The poor wretch flees. I am not making chatter; I mean to change his life.
All at once, something wonderful happened, although at first, it seemed perfectly ordinary. A female goldfinch suddenly hove into view. She lighted weightlessly on the head of a bankside purple thistle and began emptying the seedcase, sowing the air with down. The lighted frame of my window filled. The down rose and spread in all directions, wafting over the dam’s waterfall and wavering between the tulip trunks and into the meadow. It vaulted towards the orchard in a puff; it hovered over the ripening pawpaw fruit and staggered up the steep faced terrace. It jerked, floated, rolled, veered, swayed. The thistle down faltered down toward the cottage and gusted clear to the woods; it rose and entered the shaggy arms of pecans. At last it strayed like snow, blind and sweet, into the pool of the creek upstream, and into the race of the creek over rocks down. It shuddered onto the tips of growing grasses, where it poised, light, still wracked by errant quivers. I was holding my breath. Is this where we live, I thought, in this place in this moment, with the air so light and wild? The same fixity that collapses stars and drives the mantis to devour her mate eased these creatures together before my eyes: the thick adept bill of the goldfinch, and the feathery coded down. How could anything be amiss? If I myself were lighter and frayed, I could ride these small winds, too, taking my chances, for the pleasure of being so purely played. The thistle is part of Adam’s curse. “Cursed is the ground for thy sake, in sorrow shalt thou eat of it; thorns also and thistles shall it bring forth to thee.” A terrible curse: But does the goldfinch eat thorny sorrow with the thistle or do I? If this furling air is fallen, then the fall was happy indeed. If this creekside garden is sorrow, then I seek martyrdom. I was weightless; my bones were taut skins blown with buoyant gas; it seemed that if I inhaled too deeply, my shoulders and head would waft off. Alleluia.
Today is the winter solstice. The planet tilts just so to its star, lists and holds circling in a fixed tension between veering and longing, and spins helpless, exalted, in and out of that fleet blazing touch. Last night Orion vaulted and spread all over the sky, pagan and lunatic, his shoulder and knee on fire, his sword three suns at the ready-for what? I won’t see this year again, not again so innocent; and longing wrapped round my throat like a scarf. “For the Heavenly Father desires that we should see,” says Ruysbroeck, “and that is why He is ever saying to our inmost spirit one deep unfathomable word and nothing else.” But what is the word? Is this mystery or coyness? A cast-iron bell hung from the arch of my rib cage; when I stirred, it rang, or it tolled, a long syllable pulsing ripples up my lungs and down the gritty sap inside my bones, and I couldn’t make it out; I felt the voiced vowel like a sigh or a note but I couldn’t catch the consonant that shaped it into sense.
It is winter proper; the cold weather, such as it is, has come to stay. I bloom indoors in the winter like a forced forsythia; I come in to come out. At night I read and write, and things I have never understood become clear; I reap the harvest of the rest of the year’s planting.The woods are acres of sticks: I could walk to the Gulf of Mexico in a straight line. When the leaves fall, the striptease is over; things stand mute and revealed. Everywhere skies extend, vistas deepen, walls become windows, doors open.
In the forty minutes I watched the muskrat, he never saw me, smelled me, or heard me at all. When he was in full view of course I never moved except to breathe. My eyes would move, too, following his, but he never noticed. Only once, when he was feeding from the opposite bank about eight feet away did he suddenly rise upright, all alert- and then he immediately resumed foraging. But he never knew I was there.I never knew I was there, either. For that forty minutes last night I was as purely sensitive and mute as a photographic plate; I received impressions, but I did not print out captions. My own self-awareness had disappeared; it seems now almost as though, had I been wired to electrodes, my EEG would have been flat. I have done this sort of thing so often that I have lost self-consciousness about moving slowly and halting suddenly. And I have often noticed that even a few minutes of this self-forgetfulness is tremendously invigorating. I wonder if we do not waste most of our energy just by spending every waking minute saying hello to ourselves. Martin Buber quotes an old Hasid master who said, “When you walk across the field with your mind pure and holy, then from all the stones, and all growing things, and all animals, the sparks of their souls come out and cling to you, and then they are purified and become a holy fire in you.
The color-patches of vision part, shift, and reform as I move through space in time. The present is the object of vision, and what I see before me at any given second is a full field of color patches scattered just so. The configuration will never be repeated. Living is moving; time is a live creek bearing changing lights. As I move, or as the world moves around me, the fullness of what I see shatters. “Last forever!” Who hasn’t prayed that prayer? You were lucky to get it in the first place. The present is a freely given canvas. That it is constantly being ripped apart and washed downstream goes without saying; it is a canvas, nevertheless. But there is more to the present than a series of snapshots. We are not merely sensitized film; we have feelings, a memory for information and an eidetic memory for the imagery of our pasts. Our layered consciousness is a tiered track for an unmatched assortment of concentrically wound reels. Each one plays out for all of life its dazzle and blur of translucent shadow-pictures; each one hums at every moment its own secret melody in its own unique key. We tune in and out. But moments are not lost. Time out of mind is time nevertheless, cumulative, informing the present. From even the deepest slumber you wake with a jolt- older, closer to death, and wiser, grateful for breath. But time is the one thing we have been given, and we have been given to time. Time gives us a whirl. We keep waking from a dream we can’t recall, looking around in surprise, and lapsing back, for years on end. All I want to do is stay awake, keep my head up, prop my eyes open, with toothpicks, with trees.
Xerxes, I read, ‘halted his unwieldy army for days that he might contemplate to his satisfaction’ the beauty of a single sycamore. You are Xerxes in Persia. Your army spreads on a vast and arid peneplain…you call to you all your sad captains, and give the order to halt. You have seen the tree with the lights in it, haven’t you? You must have. Xerxes buffeted on a plain, ambition drained in a puff. Your men are bewildered…there is nothing to catch the eye in this flatness, nothing but a hollow, hammering sky, a waste of sedge in the lee of windblown rocks, a meager ribbon of scrub willow tracing a slumbering watercourse…and that sycamore. You saw it; you will stand rapt and mute, exalted, remembering or not remembering over a period of days to shade your head with your robe. “He had its form wrought upon a medal of gold to help him remember it the rest of his life.” We all ought to have a goldsmith following us around. But it goes without saying, doesn’t it, Xerxes, that no gold medal worn around your neck will bring back the glad hour, keep those lights kindled so long as you live, forever present? Pascal saw it; he grabbed pen and paper and scrawled the one word, and wore it sewn in his shirt the rest of his life. I don’t know what Pascal saw. I saw a cedar. Xerxes saw a sycamore.
And under the cicadas, deeper down that the longest taproot, between and beneath the rounded black rocks and slanting slabs of sandstone in the earth, ground water is creeping. Ground water seeps and slides, across and down, across and down, leaking from here to there, minutely at a rate of a mile a year. What a tug of waters goes on! There are flings and pulls in every direction at every moment. The world is a wild wrestle under the grass; earth shall be moved. What else is going on right this minute while ground water creeps under my feet? The galaxy is careening in a slow, muffled widening. If a million solar systems are born every hour, then surely hundreds burst into being as I shift my weight to the other elbow. The sun’s surface is now exploding; other stars implode and vanish, heavy and black, out of sight. Meteorites are arcing to earth invisibly all day long. On the planet, the winds are blowing: the polar easterlies, the westerlies, the northeast and southeast trades. Somewhere, someone under full sail is becalmed, in the horse latitudes, in the doldrums; in the northland, a trapper is maddened, crazed, by the eerie scent of the chinook, the sweater, a wind that can melt two feet of snow in a day. The pampero blows, and the tramontane, and the Boro, sirocco, levanter, mistral. Lick a finger; feel the now. Spring is seeping north, towards me and away from me, at sixteen miles a day. Along estuary banks of tidal rivers all over the world, snails in black clusters like currants are gliding up and down the stems of reed and sedge, migrating every moment with the dip and swing of tides. Behind me, Tinker Mountain is eroding one thousandth of an inch a year. The sharks I saw are roving up and down the coast. If the sharks cease roving, if they still their twist and rest for a moment, they die. They need new water pushed into their gills; they need dance. Somewhere east of me, on another continent, it is sunset, and starlings in breathtaking bands are winding high in the sky to their evening roost. The mantis egg cases are tied to the mock-orange hedge; within each case, within each egg, cells elongate, narrow, and split; cells bubble and curve inward, align, harden or hollow or stretch. And where are you now?
I want to think about trees. Trees have a curious relationship to the subject of the present moment. There are many created things in the universe that outlive us, that outlive the sun, even, but I can’t think about them. I live with trees. There are creatures under our feet, creatures that live over our heads, but trees live quite convincingly in the same filament of air we inhabit, and in addition, they extend impressively in both directions, up and down, shearing rock and fanning air, doing their real business just out of reach.
You are God. You want to make a forest, something to hold the soil, lock up energy, and give off oxygen. Wouldn’t it be simpler just to rough in a slab of chemicals, a green acre of goo? You are a man, a retired railroad worker who makes replicas as a hobby. You decide to make a replica of one tree, the longleaf pine your great-grandfather planted- just a replica- it doesn’t have to work. How are you going to do it? How long do you think you might live, how good is your glue? For one thing, you are going to have to dig a hole and stick your replica trunk halfway to China if you want the thing to stand up. Because you will have to work fairly big; if your replica is too small, you’ll be unable to handle the slender, three-sided needles, affix them in clusters of three in fascicles, and attach those laden fascicles to flexible twigs. The twigs themselves must be covered by “many silvery-white, fringed, long-spreading scales.” Are your pine cones’ scales “thin, flat, rounded at the apex?” When you loose the lashed copper wire trussing the limbs to the trunk, the whole tree collapses like an umbrella. You are a sculptor. You climb a great ladder; you pour grease all over a growing longleaf pine. Next, you build a hollow cylinder around the entire pine…and pour wet plaster over and inside the pine. Now open the walls, split the plaster, saw down the tree, remove it, discard, and your intricate sculpture is ready: this is the shape of part of the air. You are a chloroplast moving in water heaved one hundred feet above ground. Hydrogen, carbon, oxygen, nitrogen in a ring around magnesium…you are evolution; you have only begun to make trees. You are god- are you tired? Finished?
Shadow is the blue patch where the light doesn’t hit. It is mystery itself, and mystery is the ancients’ ultima Thule, the modern explorer’s Point of Relative Inaccessibility, that boreal point most distant from all known lands. There the twin oceans of beauty and horror meet. The great glaciers are calving. Ice that sifted to earth as snow in the time of Christ shears from the pack with a roar and crumbles to water. It could be that our instruments have not looked deeply enough. The RNA deep in the mantis’s jaw is a beautiful ribbon. Did the crawling Polyphemus moth have in its watery heart one cell, and in that cell one special molecule, and that molecule one hydrogen atom, and round that atom’s nucleus one wild, distant electron that split showed a forest, swaying?
I was in no tent under leaves, sleepless and glad. There was no moon at all; along the world’s coasts the sea tides would be springing strong. The air itself also has lunar tides; I lay still. Could I feel in the air an invisible sweep and surge, and an answering knock in the lungs? Or could I feel the starlight? Every minute on a square mile of this land one ten thousandth of an ounce of starlight spatters to earth. What percentage of an ounce did that make on my eyes and cheeks and arms, tapping and nudging as particles, pulsing and stroking as waves?
It looked as though the leaves of the autumn forest had taken flight, and were pouring down the valley like a waterfall, like a tidal wave, all the leaves of the hardwoods from here to Hudson’s Bay. It was as if the season’s colors were draining away like lifeblood, as if the year were molting and shedding. The year was rolling down, and a vital curve had been reached, the tilt that gives way to headlong rush. And when the monarch butterflies had passed and were gone, the skies were vacant, the air poised. The dark night into which the year was plunging was not a sleep but an awakening, a new and necessary austerity, the sparer climate for which I longed. The shed trees were brittle and still, the creek light and cold, and my spirit holding its breath.
Those people who shoot endless time-lapse films of unfurling roses and tulips have the wrong idea. They should train their cameras instead on the melting of pack ice, the green filling of ponds, the tidal swings…They should film the glaciers of Greenland, some of which creak along at such a fast clip that even the dogs bark at them. They should film the invasion of the southernmost Canadian tundra by the northernmost spruce-fir forest, which is happening right now at the rate of a mile every 10 years. When the last ice sheet receded from the North American continent, the earth rebounded 10 feet. Wouldn’t that have been a sight to see?
Say you could view a time-lapse film of our planet: what would you see? Transparent images moving through light, “an infinite storm of beauty.”The beginning is swaddled in mists, blasted by random blinding flashes. Lava pours and cools; seas boil and flood. Clouds materialize and shift; now you can see the earth’s face through only random patches of clarity. The land shudders and splits, like pack ice rent by a widening lead. Mountains burst up, jutting and dull and soften before your eyes, clothed in forests like felt. The ice rolls up, grinding green land under water forever; the ice rolls back. Forests erupt and disappear like fairy rings. The ice rolls up-mountains are mowed into lakes, land rises wet from the sea like a surfacing whale- the ice rolls back.A blue-green streaks the highest ridges, a yellow-green spreads from the south like a wave up a strand. A red dye seems to leak from the north down the ridges and into the valleys, seeping south; a white follows the red, then yellow-green washes north, then red spreads again, then white, over and over, making patterns of color too swift and intricate to follow. Slow the film. You see dust storms, locusts, floods, in dizzying flash frames. Zero in on a well-watered shore and see smoke from fires drifting. Stone cities rise, spread, and then crumble, like patches of alpine blossoms that flourish for a day an inch above the permafrost, that iced earth no root can suck, and wither in a hour. New cities appear, and rivers sift silt onto their rooftops; more cities emerge and spread in lobes like lichen on rock. The great human figures of history, those intricate, spirited tissues that roamed the earth’s surface, are a wavering blur whose split second in the light was too brief an exposure to yield any images. The great herds of caribou pour into the valleys and trickle back, and pour, a brown fluid. Slow it down more, come closer still. A dot appears, like a flesh-flake. It swells like a balloon; it moves, circles, slows, and vanishes. This is your life.
In the great meteor shower of August, the Perseid, I wail all day for the shooting stars I miss. They’re out there showering down, committing hari-kiri in a flame of fatal attraction, and hissing perhaps into the ocean. But at dawn what looks like a blue dome clamps down over me like a lid on a pot. The stars and planets could smash and I’d never know. Only a piece of ashen moon occasionally climbs up or down the inside of the dome, and our local star without surcease explodes on our heads. We have really only that one light, one source for all power, and yet we must turn away from it by universal decree. Nobody here on the planet seems aware of that strange, powerful taboo, that we all walk about carefully averting our faces, this way and that, lest our eyes be blasted forever.
Last year I had a very unusual experience. I was awake, with my eyes closed, when I had a dream. It was a small dream about time. I was dead, I guess, in deep blank space high up above many white stars. My own consciousness had been disclosed to me, and I was happy. Then I saw far below me a long, curved band of color. As I came closer, I saw that it stretched endlessly in either direction, and I understood that I was seeing all the time of the planet where I had lived. It looked like a woman’s tweed scarf; the longer I studied any one spot, the more dots of color I saw. There was no end to the deepness and variety of dots. At length I started to look for my time, but, although more and more specks of color and deeper and more intricate textures appeared in the fabric, I couldn’t find my time, or any time at all that I recognized as being near my time. I couldn’t make out so much as a pyramid. Yet as I looked at the band of time, all the individual people, I understood with special clarity, were living at that very moment with great emotion, in intricate, detail, in their individual times and places, and they were dying and being replaced by ever more people, one by one, like stitches in which wholly worlds of feeling and energy were wrapped in a never-ending cloth. I remembered suddenly the color and texture of our life as we knew it- these things had been utterly forgotten- and I thought as I searched for it on the limitless band, “that was a good time then, a good time to be living.” And I began to remember our time. I recalled green fields with carrots growing, one by one, in slender rows. Men and women in bright vests and scarves came and pulled the carrots out of the soil and carried them in baskets to shaded kitchens, where they scrubbed them with yellow brushes under running water. I saw white-faced cattle lowing and wading in creeks. I saw May apples in forests, erupting through leaf-strewn paths. Cells on the root hairs of sycamores split and divided, and apples grew spotted and striped in the fall. Mountains kept their cool caves and squirrels raced home to their nests through sunlight and shade. I remembered the ocean, and I seemed to be in the ocean myself, swimming over orange crabs that looked like coral, or off the deep Atlantic banks where whitefish school. Or again I saw the tops of poplars, and the whole sky brushed with clouds in pallid streaks, under which wild ducks flew with outstretched necks, and called, one by one, and flew on. All these things I saw. Scenes grew in depth and sunlit detail before my eyes, and were replaced by ever more scenes, as I remember the life of my time with increasing feeling. At last I saw the earth as a globe in space, and I recalled the ocean’s shape and the form of continents, saying to myself with surprise as I looked at the planet, “yes, that’s how it was then, that part there was called France.” I was filled with the deep affection of nostalgia- and then I opened my eyes. We all ought to be able to conjure up sights like these at will, so that we can keep in mind the scope of texture’s motion in time.
An anchorite’s hermitage is called an anchor-hold; some anchor-holds were simple sheds clamped to the side of a church like a barnacle to a rock. I think of this house clamped to the side of Tinker Creek as an anchor-hold. It holds me at anchor to the rock bottom of the creek itself and keeps me steadied in the current, as a sea anchor does, facing the stream of light pouring down. It’s a good place to live; there’s a lot to think about. The creeks are an active mystery, fresh every minute. Theirs is the mystery of the continuous creation and all that providence implies: the uncertainty of vision, the horror of the fixed, the dissolution of the present, the intricacy of beauty, the pressure of fecundity, the elusiveness of the free, and the flawed nature of perfection. The mountains are a passive mystery, the oldest of them all. Theirs is the simple mystery of creation from nothing, of matter itself, anything at all, the given. Mountains are giant, restful, absorbent. You can heave your spirit into a mountain and the mountain will keep it, folded, and not throw it back as some creeks will. The creeks are the world with all its stimulus and beauty; I live there. But the mountains are home.
Were the earth as smooth as a ball bearing, it might be beautiful seen from another planet, as the rings of Saturn are. But here we live and move; we wander up and down the banks of the creek, we ride a railway through the Alps, and the landscape shifts and changes. Were the earth smooth, our brains would be smooth as well; we would wake, blink, walk two steps to get the whole picture and lapse into dreamless sleep. Because we are living people, and because we are on the receiving end of beauty, another element necessarily enters the question. The texture of space is a condition of time. Time is the warp and matter the weft of woven texture of beauty in space, and death is the hurtling shuttle… What I want to do, then, is add time to the texture, paint the landscape on an unrolling scroll, and set the giant relief globe spinning on it stand.
Our life is a faint tracing on the surface of mystery. The surface of mystery is not smooth, any more than the planet is smooth; not even a single hydrogen atom is smooth, let alone a pine. Nor does it fit together; not even the chlorophyll and hemoglobin molecules are a perfect match, for, even after the atom of iron replaces the magnesium, long streamers of disparate atoms trail disjointedly from the rims of the molecule’s loops. Freedom cuts both ways. Mystery itself is as fringed and intricate at the shape of the air at times. Forays into mystery cut bays and fine fjords, but the forested mainland itself is implacable both in its bulk and in its most filigreed fringe of detail.
I am sitting here, you are sitting there. Say even that you are sitting across the kitchen table from me right now. Our eyes meet; a consciousness snaps back and forth. What we know, at least for starters, is: here we- so incontrovertibly- are. This is our life, these are our lighted seasons, and then we die. In the meantime, in between time, we can see. The scales are fallen from our eyes, the cataracts are cut away, and we can work at making sense of the color-patches we see in an effort to discover where we so incontrovertibly are. I am as passionately interested in where I am as is a lone sailor sans sextant in a ketch on an open ocean. I have at the moment a situation which allows me to devote considerable hunks of time to seeing what I can see, and trying to piece it together. I’ve learned the name of some color-patches, but not the meanings. I’ve read books; I’ve gathered statistics feverishly: the average temperature of our planet is 57 degrees F…The average size of all living animals, including man, is almost that of a housefly. The earth is mostly granite, which is mostly oxygen…In these Appalachians we have found a coal bed with 120 seams, meaning 120 forests that just happened to fall into water…I would like to see it all, to understand it, but I must start somewhere, so I try to deal with the giant water bug in Tinker Creek and the flight of three hundred redwings from an Osage orange and let those who dare worry about the birthrate and population explosion among solar systems. So I think about the valley. And it occurs to me more and more that everything I have seen is wholly gratuitous. The giant water bug’s predations, the frog’s croak, the tree with the lights in it are not in any real sense necessary per se to the world or its creator. Nor am I. The creation in the first place, being itself, is the only necessity for which I would die, and I shall. The point about that being, as I know it here and see it, is that as I think about it, it accumulates in my mind as an extravagance of minutiae. The sheer fringe and network of detail assumes primary importance. That there are so many details seems to be the most important and visible fact about creation. If you can’t see the forest for the trees, then look at the trees; when you’ve looked at enough trees, you’ve seen a forest, you’ve got it. If the world is gratuitous, then the fringe of a goldfish’s fin is a million times more so. The first question- the one crucial one- of the creation of the universe and the existence of something as a sign and an affront to nothing is a blank one…The old Kabbalistic phrase is “the Mystery of the Splintering of the Vessels.” The words refer to the shrinking or imprisonment of essences within the various husk-covered forms of emanation or time. The Vessels splintered and solar systems spun; ciliated rotifers whirled in still water, and newts laid tracks in the silt-bottomed creek. Not only did the Vessels splinter; they splintered exceeding fine. Intricacy then is the subject, the intricacy of the created world.
The remarkable thing about the world of insects, however, is precisely that there is no veil cast over these horrors. These are mysteries performed in broad daylight before our very eyes; we can see every detail, and yet they are still mysteries. If, as Heraclitus suggests, god, like an oracle, neither “declares nor hides, but sets forth by signs,” then clearly I had better be scrying the signs. The earth devotes an overwhelming proportion of its energy to these buzzings and leaps in the grass. Theirs is the biggest wedge of the pie: Why? I ought to keep a giant water bug in an aquarium on my dresser, so I can think about it.
Yesterday I watched a curious nightfall. The cloud ceiling took on a warm tone, deepened, and departed as if drawn on a leash. I could no longer see the fat snow flying against the sky; I could see it only as it fell before dark objects. Any object at a distance –like the dead, ivy-covered walnut I see from the bay window- looked like a black and white frontispiece seen through a sheet of white tissue. It was like dying, this watching the world recede into deeper and deeper blues while the snow piled; silence swelled and extended, distance dissolved, and soon only concentration at the largest shadows let me make out the movement of falling snow, and that too failed. The snow on the yard was blue as ink, faintly luminous; the sky violet. The bay window betrayed me, and started giving me back the room’s lamps. It was like dying, that growing dimmer and deeper and then going out.
Oh, it’s mysterious lamplit evenings, here in the galaxy, one after the other. It’s one of those nights when I wander from window to window, looking for a sign. But I can’t see. Terror and a beauty insoluble are a ribband of blue woven into the fringes of garments of things both great and small. No culture explains, no bivouac offers real haven or rest. But it could be that we are not seeing something. Galileo thought that comets were an optical illusion. This is fertile ground: since we are certain that they’re not, we can look at what scientists are saying with fresh hope. What if there are really gleaming castellated cities hung upside-down over the desert sand? What limpid lakes and cool date palms have our caravans passed untried? Until, one by one, by the blindest of leaps, we light on the road to these places, we must stumble in darkness and hunger.
I watch the running sheets of light raised on the creek surface. The sight has the appeal of the purely passive, like the racing of light under clouds on a field, the beautiful dream at the moment of being dreamed. The breeze is the merest puff, but you yourself sail headlong and breathless under the gale force of the spirit.
Beauty always represents an inward and inexhaustible equilibrium of forces; and this overwhelms our soul, since it can neither be calculated nor mechanically produced. A sense of beauty can therefore permit us the direct experience of relationships before we can perceive them, in a differentiated manner, with our discursive reason; in this, incidentally, there is a defence for our own physical and psychic well-being, something that we cannot neglect with impunity.
Where is any author in the world Teaches such beauty as a woman's eye? — Love's Labor Lost. The eyes appears to be more immediately connected with the soul than any other organ. A woman reflects every emotion, almost every thought from her two wonderful, priceless eyes, and no feature of her face is more a telltale of her nature. "Show me," says the old Chinese proverb, "a man's eyes, and I will tell you what he might have been. Show me his mouth, and I will tell you what he has been." The same is true of women. Up to thirty or thirty-five a woman may be actress enough to make her eyes tell one tale, while her life would reveal another; but little by little the true state of a woman's soul stands forth in the expression, the frankness, the furtiveness, the candor, or the boldness
Then I tell you that sadness, in a way, is just another form of beauty. It can be a bit more melancholic, dramatic, heart-breaking and so, so quiet. The most emotional of things, finding its reflection in the world in decay, are those things we love the most from time to time.
The Truth! The one we seek throughout our life, without realizing that it is inside...in here, father...in here, where I am pointing to, in my chest, in a genetic junction of stories, in the violet and golden tones of a sky that hides nothing more than its beauty. While the goddess waves at me, I see the exact half of each one of us, the one that we'll tirelessly search for every year of our lives without letting us realize that the dream is crazy.
The cross of Jesus says to us there is nothing God won't do to bring us home--except force us to choose him. The cross is God laying down his great power so we might be compelled by the beauty of his heart. He will not coerce us, but only woo us.
Whoa, whoa!” he says as he sits up in bed. “You’re beautiful. There is no ugly now. And I’m sure there was no ugly then. It was only how you felt when you were sick. I can understand that. But I can also assure you that you have never been ugly. There is only beauty here.
Beautiful writing is more than pretty prose. It creates resonance in readers’ minds with parallels, reversals, and symbols. It conjures a story world that is unique, highly detailed, and brought alive by the characters that dwell there. It offers moments of breath-catching surprise, heart-gripping insight, revelation, and self-understanding. It engages the reader’s mind with an urgent point, which we might call theme.
The real perfectibility of man may be illustrated, as I havementioned before, by the perfectibility of a plant. The object of theenterprising florist is, as I conceive, to unite size, symmetry, and beautyof colour. It would surely be presumptuous in the most successfulimprover to affirm, that he possessed a carnation in which thesequalities existed in the greatest possible state of perfection. Howeverbeautiful his flower may be, other care, other soil, or other suns, mightproduce one still more beautiful.
Her honey-coloured hair fell in heavy wavesbelow her shoulders and as she stared up at him her eyes, clear, speckled amber, seemed to tilt at the corners; her brows were black and swept up in arcs, and she had thick black lashesh. There was about her a kind of warm luxuriance, something immediately suggestive to the men of pleasurable fulfillment- something for which she was not responsible but of which she was acutely conscious.
It’s different and bold. It stands out amongst a blank world of black, white, and gray. Orange is the early morning sun stretching across the sky and the color of a burning ember standing tall in the middle of a beach bonfire. It’s leaves in the fall, carrots in Nana’s vegetable soup on a cold winter day, tulips in the spring, and the ladybugs in the middle of the grassy park on a hot summer afternoon. Orange is life. It’s unexpected but beautiful.
Rome and New York were impressive, but they knew they were. They had the beauty of a vain woman who had squeezed herself into her favourite dress after hours of careful self worship. There was a raw, feral beauty about this landscape that was totally unselfconscious but no less real...There was no pomp or vainty here; this was an innocent, natural beauty, the best kind, like a woman first thing in the morning, lit up by the sun streaming through a window, who doesn't quite believe it when you tell her how beautiful she is.
...the great experiences which form him, arise out of the discontinuity and disharmony between man and the world. Particularly in great personalities, we see how much of their beauty and excellence is really due to trials suffered earlier at the hands of the world. Beauty--as many have recognized--is pain suffered and transformed. Because the animal is adapted to its environment, it is denied the possibility of developing inward maturity and greatness. As an individual creature it cannot grow beyond the limits of its kind; and again, at death, it falls back with its capacities into the group Ego, from which its soul was something like an offshoot or a patrol sent out on reconnaissance.
But I am beginning to understand about the dignity and the art of wigs and the makeup. This small, everyday attentiveness of eyebrow pencils is perhaps a picture of the very sort of bodily care our embodied God would have us cultivate, weather in illness or wellness, whether our bodies are in the throes of ecstasy or the throes of pain.
A great philosopher once said: 'We are what we Contemplate'And in these modern times when mankind is constantly confronted with images of conflict and world disasters, it seems very important to contemplate the Beautiful. It has become my personal crusade as an artist, to create images which uplift and nurture the human heart; to create that which serves as a reminder of what is Sacred and Beautiful within the drama of Life....Ever since I can remember, my innermost nature has always been to do acts of kindness and to create, from saving lost animals, to organizing charitable events; from mothering my four children to now giving birth to the 'Art of Beauty'.
I checked my words carefully. Words more powerful than atom bombs and more cutting than AK-47s. People are fragile and words, not bullets will break them, and once they break every part of them spills out. Their soul, spirit, identity, ugliness, and their beauty. It’s all there, right in front of you if you know where to look. Most people see the ugly and I didn't want to become that. I thought I looked for beauty but then wondered why I often say such ugly things.
You meet not so much to sing as to pray, or, better yet, to pray in and through your song. Gregorian chant is for you a privileged form of prayer. You are drawn to it because you perceive the link between music and the sacred, between beauty and truth.
A thought that stayed with me was that I had entered a private place in the earth. I had seen exposed nearly its oldest part. I had lost my sense of urgency, rekindled a sense of what people were, clambering to gain access to high waterfalls and a sense of our endless struggle as a species to understand time and to estimate the consequences of our acts.
I think of two landscapes- one outside the self, the other within. The external landscape is the one we see-not only the line and color of the land and its shading at different times of the day, but also its plants and animals in season, its weather, its geology… If you walk up, say, a dry arroyo in the Sonoran Desert you will feel a mounding and rolling of sand and silt beneath your foot that is distinctive. You will anticipate the crumbling of the sedimentary earth in the arroyo bank as your hand reaches out, and in that tangible evidence you will sense the history of water in the region. Perhaps a black-throated sparrow lands in a paloverde bush… the smell of the creosote bush….all elements of the land, and what I mean by “the landscap
I do not know, really, how we will survive without places like the Inner Gorge of the Grand Canyon to visit. Once in a lifetime, even, is enough. To feel the stripping down, an ebb of the press of conventional time, a radical change of proportion, an unspoken respect for others that elicits keen emotional pleasure, a quick intimate pounding of the heart.The living of life, any life, involves great and private pain, much of which we share with no one. In such places as the Inner Gorge the pain trails away from us. It is not so quiet there or so removed that you can hear yourself think, that you would even wish to; that comes later. You can hear your heart beat. That comes first.
Occasionally we glimpse the South Rim, four or five thousand feet above. From the rims the canyon seems oceanic; at the surface of the river the feeling is intimate. To someone up there with binoculars we seem utterly remote down here. It is this know dimension if distance and time and the perplexing question posed by the canyon itself- What is consequential? (in one’s life, in the life of human beings, in the life of a planet)- that reverberate constantly, and make the human inclination to judge (another person, another kind of thought) seem so eerie… Two kinds of time pass here: sitting at the edge of a sun-warmed pool watching blue dragonflies and black tadpoles. And the rapids: down the glassy-smooth tongue into a yawing trench, climb a ten-foot wall of standing water and fall into boiling, ferocious hydraulics…
These times of war and ruin will pass, and by love, you will be renewed and all terrible things shall be undone. Do you hear me, Fin Button?” Jeannot pushed the hair from her face and though shaking yet, Fin nodded. “In the name of God I drew you from the water, and in his name shall you be delivered home.
Turn it beautiful. His words came faintly at first, but they came again and again, always softly, always with the insistence of an elder commanding wisdom. Turn it all to beauty. She walked to the rail. When she turned and sat upon it, she heard a sailor in the crowd murmur that she might play them a tune. She hoped he was right. She needed the voices to be wrong. Fin raised the instrument to the cleft of her neck and closed her eyes. She emptied her mind and let herself be carried back to her earliest memory, the first pain she ever knew: the knowledge that her parents didn’t want her. The despair of rejection coursed through her. It fathered a knot of questions that bound her, enveloped her. Waves of uncertainty and frailty shook her to the bones. Her body quivered with anger and hopelessness. She reeled on the edge of a precipice. She wanted to scream or to throw her fists but she held it inside; she struggled to control it. She fought to subjugate her pain, but it grew. It welled up; it filled her mind. When she could hold it no more, exhausted by defiance and wearied by years of pretending not to care, Bartimaeus’s words surrounded her. Got to turn it beautiful. She dropped her defenses. She let weakness fill her. She accepted it. And the abyss yawned. She tottered over the edge and fell. The forces at war within her raced down her arms and set something extraordinary in motion; they became melody and harmony: rapturous, golden. Her fingers coaxed the long-silent fiddle to life. They danced across the strings without hesitation, molding beauty out of the miraculous combination of wood, vibration, and emotion. The music was so bright she felt she could see it. The poisonous voices were outsung. Notes raged out of her in a torrent. She had such music within her that her bones ached with it, the air around her trembled with it, her veins bled it. The men around fell still and silent. Some slipped to the deck and sat enraptured like children before a travelling bard.
I touch the double row of silver hoop earrings hanging from his left ear, trail along his jawline, his neck, down his shoulder, to the flaming tail of the dragon on his arm. He leans into the caress, and my own body feels on fire with the continued way his eyes gaze upon me. The first moment I saw him, the night people clamored over each other to step out of his way, I was frightened. The guy with earrings and tattoos and an energy radiating danger. Now—inside and out—all I see is beauty.
It throbbed and pulsed, channeled by elemental forces of fear, love, hope, and sadness. The bow stabbed and flitted across the strings in a violent whorl of creation; its hairs tore and split until it seemed the last strands would sever in a scrape of dissonance. Those who saw the last fragile remnants held their breath against the breaking. The music rippled across the ship like a spirit, like a thing alive and eldritch and pregnant with mystery. The song held. More than held, it deepened. It groaned. It resounded in the hollows of those who heard. Then it softened into tones long, slow, and patient and reminded men of the faintest stars trembling dimly in defiance of a ravening dark. At the last, when the golden hairs of the bow had given all the sound they knew, the music fled in a whisper. Fin was both emptied and filled, and the song sighed away on the wind.
She was proud of her build, which was in accordance with the old Botswana ideas of beauty, and she would not pander to the modern idea of slenderness. That was an importation from elsewhere, and it was simply wrong. How could a very thin woman do all the things that women needed to do: to carry children on their backs, to pound maize into flour out at the lands or the cattle post, to cart around the things of the household—the pots and pans and buckets of water? And how could a thin woman comfort a man? It would be very awkward for a man to share his bed with a person who was all angles and bone, whereas a traditionally built lady would be like an extra pillow on which a man coming home tired from his work might rest his weary head. To do all that you needed a bit of bulk, and thin people simply did not have that.
I did my first nude scene--and my second and third--maybe my fourth all in one movie, thanks to Allison. Allison made me feel like I was a beautiful woman when I did those love scenes. When a man makes you feel beautiful, that's one thing. But when a woman makes you feel beautiful, she's talking about your insides, too.
That was what counted, she told herself: those unexpected moments of appreciation, unanticipated glimpses of beauty or kindness - any of the things that attached us to this world, that made us forget, even for a moment, its pain and its transience.
I love the arrival of a new season — each one bringing with it its own emotion: spring is full of hope; summer is freedom; autumn is a colourful release, and winter brings an enchanting peace. It's hard to pick which one I enjoy the most — each time the new one arrives, I remember its beauty and forget the previous one whose qualities have started to dim.
It is true that nothing here makes any sense, but this is no great misfortune; I learned from the islanders that sense is not of any particular importance, that its presence may even disrupt the clean lines of certain pictures and cast a cloud over their fine light, while laments on the absurdity of being struck me as self-indulgent and objectionable even before my stay on the island. Once you get a little used to a terrain cleansed of sense, you realize that there is amusement enough to be had here, and that only in its emptiness can the magic crystals of beauty originate. And in this space something is revealed: the silent dignity of people, animals, plants and objects, that is able to stir graciousness, compassion and reverence.
I loved your world, Noah. It was a magical place, where there were stars and love, and there was hope. Hope. I don’t think you know how it is not to have that. I stole some of yours. It was beautiful, but there were too many secrets between us, and I always knew I’d have to give it back.
If you don’t look at yourself, you can’t know yourself. If you don’t know your flaws, lumps and bumps then someone else can use them against you to make you feel inferior. I think you’re perfect just the way you are. I believe if you hide from who you are, you let everyone else define you instead of you. You are your power, embrace that and be beautiful.
Breathtaking.That was the word, Liv decided, which had convinced her to wear the ludicrous outfit, because no one - not the one, solitary boyfriend she'd had during high school, or the leering frat boys she avoided at college parties - had ever spoken to her with such reverence. And with Xander beaming down at her, she did feel beautiful.
She lifted her head in surprise, following his line of sight above the tree line. Beyond the distant peaks, a green and blue symphony of lights had begun. It rippled and shimmered like sunshine on water, leaving Rich blinking back tears. He'd read something about this but had never seen it before.“It's the aurora borealis,” Lou said quietly. “Northern lights.
I may tell you it is not a small token that a woman loveth when she giveth unto her lover her beauty, which is so precious a matter; and by the ways that be a passage to the soul (that is to say, the sight and the hearing) sendeth the looks of her eyes, the image of her countenance, and the voice of her words, that pierce into the lover's heart and give a witness of her love.
I do not know who God is; but I have witnessed the Healing Power of Love, the Beauty of Nature, and the Wisdom of my Soul. If God can be understood in those terms, then don't you think, we all have already found the truth? I feel humanity needs to Stop Searching and Start Living the Truth. Manprit Kaur
On hearing of the interesting events which have happened in the course of a man's experience, many people will wish that similar things had happened in their lives too, completely forgetting that they should be envious rather of the mental aptitude which lent those events the significance they possess when he describes them ; to a man of genius they were interesting adventures; but to the dull perceptions of an ordinary individual they would have been stale, everyday occurrences.This is, in the highest degree, the case with many of Goethe's and Byron's poems, which are obviously founded upon actual facts; where it is open to a foolish reader to envy the poet because so many delightful things happened to him, instead of envying that mighty power of fantasy which was capable of turning a fairly common experience into something so great and beautiful.
You are beautiful! Like the dew on rose petals, your beauty glistens and shines. Like the raindrops on eyelids, your beauty, forever defined. For those that can see you, they find beauty so rare. For those that receive you, find love in your care. Forever beautiful, Yes you are. You are beautiful!
Any halfway clever devil would decorate the highway to Hell as beautiful as possible.
Science is knowledge meeting humility meeting curiosity: ever-evolving, always learning. Atheism is often but knowledge meeting arrogance: a masquerade under the wing of the beauty of science. Religion is infamously a weight under the one wing; then under the other is atheism, the championed masquerade.
Herein is a capital truth. It is not the natural capacity, the congenital gift, nor is it the effort, the will, the work, which in the intelligence as sway over the energy capable of making it fully efficacious. It is uniquely the desire, that is, the desire for beauty. This desire, given a certain degree of intensity and purity, is the same thing as genius. At all levels it is the same thing as attention. If this were understood, the whole conception of teaching would be quite other than it is. First, one would realize that the intelligence functions only in joy. Intelligence is perhaps even the only one of our faculties to which joy is indispensible. The absence of joy asphyxiates it.
Mental illness is not a fraternity or a social club for like minds. It is its own religion to each person that has it. Their mind is their pastor, their feelings are their scriptures and their delusions are their own bible story. To break them free, is to break their faith in signs. That is why so many feel lost.
A useful education served women best, More thought. To ‘learn how to grow old gracefully is perhaps one of the rarest and most valuable arts which can be taught to a woman.’ Yet, when beauty is all that is expected or desired in a woman, she is left with nothing in its absence. It ‘is a most severe trail for those women to be called to lay down beauty, who have nothing else to take up. It is for this sober season of life that education should lay up its rich resources,’ she argued.
His intelligence was just something he'd been born with. Luck of the draw, like being beautiful. It was a rationalization to say that he'd worked hard. It was like being given a fine knife and taking the trouble to polish and sharpen it: it's great that you make the effort, but someone had to give you the knife.
I hear the Wind Woman running with soft, soft footsteps over the hill. I shall always think of the wind as a personality. She is a shrew when she blows from the north -- a lonely seeker when she blows from the east -- a laughing girl when she comes from the west -- and tonight from the south a little grey fairy.
This was trail magic. Sea Breeze’s fire, his light, his heat, his life, remained, their salvation. It is a fact that all drainages, if followed downhill, lead to the same lowland water body. Lost and fallen hikers follow drainages down because walking ridges is harder. And so, despite the complex web of paths, waterfalls, cliffs, as a hiker wanders downhill, drainages merge, faint, abstract paths coalesce, thicken, until there is one path – the one, natural, trodden way. It isn’t a coincidence that Sea Breeze, Brandon Day and Gina Allen, and countless other hikers all wandered, lost, down the same steep slope to nowhere.
In the end, you will not see the physical beauty in others that caught your eye, but the fire that burned within them. This kind of beauty is the bonfire you had to attend.
For the fact was drugs were not necessary to most of us, because the music, youth, sweaty bodies were enough. And if it was too hot, too humid to sleep the next day, and we awoke bathed in sweat, it did not matter: We remained in a state of animated suspension the whole hot day. We lived for music, we lived for Beauty, and we were poor. But we didn’t care where we were living, or what we had to do during the day to make it possible; eventually, if you waited long enough, you were finally standing before the mirror in that cheap room, looking at your face one last time, like an actor going onstage, before rushing out to walk in the door of that discotheque and see someone like Malone.
The best art is not always the most popular art, and the most popular art is never truly the best art. The best art is that which is streamed through God. And the worst art is that which is void of God. The master artist of the universe is the Creator of All Things, and his reflection is in all of us. Only the artist who is aware that he is a reflection of that greatness, and that creativity is supreme love, is a true divine artist. Even if he is not the most popular artist, he will be very popular among the stars of His universe. That is the master artist, one who uses his talents to serve as a vehicle of God. In his work, you hear God's voice and see with His eyes.
I keep my kindness in my eyes Gently folded around my iris Like a velvety, brown blanket That warms my vision I keep my shyness in my hair Tucked away into a ponytail Looking for a chance to escape On a few loose strands in the air I keep my anger on my lips Just waiting to unleash into the world But trust me; it’s never in my heart It evaporates into words I keep my dignity upon my chin Like a torch held up high For those who have betrayed me Radiating a silent, strong message I keep my gratitude in my smileA glistening waterfall in the sun Gently splashing at that personWho made me happy for some reason I keep my sensitivity in my hands Reaching out for your wet cheek Holding you, with all the love The love I want to share, and feel I keep my passion in my writing My words breathing like fire Screeching against an endless road As I continue to be inspired I keep my simplicity in my soul Spread over me like a clear sky Reflecting all that I am And all that’s ever passed me by And I hope you will look Beyond my ordinary faceMy simple, tied hairMy ordinary tastes And I hope you will see me From everyone...apart As I keep my beauty in my heart.
And I was your moon because I shined brighter than any other star in your universe and you were my darkness. Without you I could not see the depth of my light and with you I could set the night a glow. So we needed one another—the dark and the light. Your fear. My courage. Connected, but separated. Different, but the same. A synergy that made no sense, but every bit of sense. We were neither a beginning, nor an end. We were somewhere in between our madness at sunset and the reality we awakened to with each sunrise. We were the ghosts of timing and fate. We were neither fantasy, nor reality--- we were a purpose somewhere in between.
A beautiful woman should always have at the back of her mind that her ravishing appearance is only an ephemeral quality. When she wakes up in the morning, looks into the mirror, and notices that something is fading away, she knows that the time is ripe for marriage. She should be careful of who she takes into her life because the union is gonna be everlasting.
Dance your Soulful path / and you shall know the magic / of your mind & heart / and all the beauty laughing / to fill your rising self.
You can Transform into a Super-Soul! If you align your physical and mental (logical/emotional) self with your core self (or soul being), then you will know your personal path, and find ways to follow it to fulfillment. You can learn how to best nurture your body, plus train your mind as an empowering tool to enhance your overall balance, strength, and unique skills, so that you achieve your goals, as well as optimise your well-being.
I think about the pepper plant, the corn, cucumbers, tomatoes, and more plants. And I've noticed that while those seeds are living within the fruit or vegetable they can not grow. It is only when those seeds have died, that they can be planted and grow. And, I can relate this same process to the human body. In order to grow and thrive in the spirit, you must die to the flesh. Meaning, You have to rid your mind and body of toxic negative worldly things in order to grow and develop more spiritually.
At any time, and under any circumstances of human interest, is it not strange to see how little real hold the objects of the natural world amid which we live can gain on our hearts and minds? We go to Nature for comfort in trouble, and sympathy in joy, only in books. Admiration of those beauties of the inanimate world, which modern poetry so largely and so eloquently describes, is not, even in the best of us, one of the original instincts of our nature.
Beauty lies in the mind, inner soul....Beauty lies in the innocence, appreciation, understanding, warmth, expressions, caring nature, behavior towards others, the depth of understanding the situations, the kind of sufferings, struggles, losses, difficulties, sorrows, happiness- the thick n thins through which person sails throughout hi/her life. Which ultimately reflects on your face- the ultimate reflection of your mind and thus evolves a beautiful personality.
There's something beautiful about facing tragedy, you crack open a new, you find yourself in the parts of you; that can finally be explored freely with out judgement or guilt. Where to from here doesn't exist & your not sure when it will return, but there's something beautiful in facing tragedy, a new type of being within you is born and one whom is more fearless than ever before.
I had zero idea of what I was doing.. I honestly had no idea where to start. All I knew was I had something I craved to say.. I wanted to create art that lived on longer than I do. Perseverance and teaching yourself, every day through stress and hard work proves shit really does progress without you realizing. One minute you're an amateur, knowing nothing, not even the basics. The next you can put pen to paper, write a song, and create art in such little time! It's crazy beautiful.
When you are no longer afraid is when you can be yourself.
May He give usall the courage that we needto go the way He shepherds us.That when He callswe may go unfrightened. If He bids us come to Himacross the waters,that unfrightened we may go. And if He bids us climb a hill,may we not notice that it is a hill,mindful only ofthe happiness of His company. He made us for Himself,that we should travel with Himand see Him at the lastin His unveiled beautyin the abiding city whereHe is lightand happinessand endless home.
The whole of my life I have relied on my beauty first, brains second. It was expected, even requested. But You saw right through me from the start. You are the only man I've ever known who has looked beyond my face and wanted to know me for me. And I find myself wanting you to know the whole me.
That thing over there was more there than it’s there!Yes, sometimes I cry about the perfect body that doesn’t exist.But the perfect body is the bodiest body there can be,And the rest are the dreams men have,The myopia of someone who doesn’t look very much,
Beholding beauty: The key is to acquire the ability to alter our negativity. To do this we use our capacity to project, but in a healthy way. Instead of expelling negative feelings and thoughts onto the world, we project good ones. Envisioning beauty and love in our mind'S eye accomplishes this end. Then we create a lighter psychological paradigm....We have the power to elevate our thoughts, feelings, and images, and when we teach ourselves how to behold beauty, we become increasingly sensitive to it.
THE NEXT DAY WAS RAIN-SOAKED and smelled of thick sweet caramel, warm coconut and ginger. A nearby bakery fanned its daily offerings. A lapis lazuli sky was blanketed by gunmetal gray clouds as it wept crocodile tears across the parched Los Angeles landscape.When Ivy was a child and she overheard adults talking about their break-ups, in her young feeble-formed mind, she imagined it in the most literal of essences. She once heard her mother speaking of her break up with an emotionally unavailable man.She said they broke up on 69th Street. Ivy visualized her mother and that man breaking into countless fragments, like a spilled box of jigsaw pieces. And she imagined them shattered in broken shards, being blown down the pavement of 69th Street.For some reason, on the drive home from Marcel’s apartment that next morning, all Ivy could think about was her mother and that faceless man in broken pieces, perhaps some aspects of them still stuck in cracks and crevices of the sidewalk, mistaken as grit.She couldn’t get the image of Marcel having his seizure out of her mind. It left a burning sensation in the center of her chest. An incessant flame torched her lungs, chest, and even the back door of her tongue. Witnessing someone you cared about experiencing a seizure was one of those things that scribed itself indelibly on the canvas of your mind. It was gut-wrenching. Graphic and out-of-body, it was the stuff that post traumatic stress syndrome was made of.
Her beauty must have been exhausting and not to mention troublesome. Glitter swiftly made it's way into the vibrant strands that graced her lavish eyelashes. Each blink, each pressing moment, time seemed to have stopped and I felt as if, her charm could fill an entire room and with every set of eyes locked onto her, somehow the glare of her shimmering wet lipgloss could take care of everyones problems. That as soon as her heavenly music flowed through their wine glasses, that they too were apart of something such bigger, much grander. I believed, when I stood beside her; I became more handsome.
You may be going through a storm right now, but understand that the sun will shine again. It is during the storm that you learn the lesson. You can either let it make you or break you. Take this time to reflect on your choices in life. Many times we create our own storms by the choices we make. Right now while you are in the midst, decide to not go backwards, move forward with more positivity.
I’ve been moving a little to the music while I worked …and then I realize I am actually dancing. It feels wonderful, though I can feel how stiff my muscles are, how rigidly I’ve been holding myself…Mostly I’ve been moving cautiously, numbly, steeled because I know, at any moment, I may be ambushed by overwhelming grief. You never know when it’s coming, the word or gesture or bit of memory that dissolved you entirely…It happens every day at first, then not for a day or two, then there’s a week when grief washes in every morning, every afternoon.
One last mystery: on one of the little ponds, this morning, I saw wind riffling the first of the waterlily leaves. They haven’t all emerged yet, but new circles tattoo the water, here and there, a coppery red. When the wind lifted their edges, each would reveal a little shadowy spot, a dot of black which seemed to flash on the water, and so across the whole surface of the pond there was what could only be described as the inverse of sparkling; a scintillant blackness. Shining blackly, black but rippling, lyrical: the sheen and radiance of death-in-life.Is that my work, to point to the world and say, See how darkly it sparkles?
It doesn't matter how many friends I have because my best friend is God. And, he is a Super Friend. People come and people go, but God's love for you will remain the same. Embrace it, Cherish it, and Spread it everywhere you go. Let your light shine brightly for all the world to see.
When reading the history of the Jewish people, of their flight from slavery to death, of their exchange of tyrants, I must confess that my sympathies are all aroused in their behalf. They were cheated, deceived and abused. Their god was quick-tempered unreasonable, cruel, revengeful and dishonest. He was always promising but never performed. He wasted time in ceremony and childish detail, and in the exaggeration of what he had done. It is impossible for me to conceive of a character more utterly detestable than that of the Hebrew god. He had solemnly promised the Jews that he would take them from Egypt to a land flowing with milk and honey. He had led them to believe that in a little while their troubles would be over, and that they would soon in the land of Canaan, surrounded by their wives and little ones, forget the stripes and tears of Egypt. After promising the poor wanderers again and again that he would lead them in safety to the promised land of joy and plenty, this God, forgetting every promise, said to the wretches in his power:—'Your carcasses shall fall in this wilderness and your children shall wander until your carcasses be wasted.' This curse was the conclusion of the whole matter. Into this dust of death and night faded all the promises of God. Into this rottenness of wandering despair fell all the dreams of liberty and home. Millions of corpses were left to rot in the desert, and each one certified to the dishonesty of Jehovah. I cannot believe these things. They are so cruel and heartless, that my blood is chilled and my sense of justice shocked. A book that is equally abhorrent to my head and heart, cannot be accepted as a revelation from God.When we think of the poor Jews, destroyed, murdered, bitten by serpents, visited by plagues, decimated by famine, butchered by each, other, swallowed by the earth, frightened, cursed, starved, deceived, robbed and outraged, how thankful we should be that we are not the chosen people of God. No wonder that they longed for the slavery of Egypt, and remembered with sorrow the unhappy day when they exchanged masters. Compared with Jehovah, Pharaoh was a benefactor, and the tyranny of Egypt was freedom to those who suffered the liberty of God.While reading the Pentateuch, I am filled with indignation, pity and horror. Nothing can be sadder than the history of the starved and frightened wretches who wandered over the desolate crags and sands of wilderness and desert, the prey of famine, sword, and plague. Ignorant and superstitious to the last degree, governed by falsehood, plundered by hypocrisy, they were the sport of priests, and the food of fear. God was their greatest enemy, and death their only friend.It is impossible to conceive of a more thoroughly despicable, hateful, and arrogant being, than the Jewish god. He is without a redeeming feature. In the mythology of the world he has no parallel. He, only, is never touched by agony and tears. He delights only in blood and pain. Human affections are naught to him. He cares neither for love nor music, beauty nor joy. A false friend, an unjust judge, a braggart, hypocrite, and tyrant, sincere in hatred, jealous, vain, and revengeful, false in promise, honest in curse, suspicious, ignorant, and changeable, infamous and hideous:—such is the God of the Pentateuch.
Dance,' they told me, and I stood still,and while I stood quiet in line at the gate of the Kingdom, I danced.'Pray,' they said, and I laughed,covering myself in the earth's brightnesses,and then stole off gray into the midst of a revel,and prayed like an orphan.
The primary feature of women is not a 'beauty', it's a 'mystery'.
In his first summers, forsaking all his toys, my son would stand rapt for nearly an hour in his sandbox in the orchard, as doves and redwings came and went on the warm wind, the leaves dancing, the clouds flying…the child was not observing; he was at rest in the very center of the universe, a part of things, unaware of endings and beginning, still in unison with the primordial nature of creation, letting all light and phenomena pour through.
In a way that I haven’t yet figured out how to fully articulate, I believe that children who get to see bald eagles, coyotes, deer, moose, grouse, and other similar sights each morning will have a certain kind of matrix or fabric or foundation of childhood, the nature and quality of which will be increasing rare and valuable as time goes on, and which will be cherished into adulthood, as well as becoming- and this is a leap of faith by me- a source of strength and knowledge to them somehow. That the daily witnessing of the natural wonders is a kind of education of logic and assurance that cannot be duplicated by any other means, or in other place: unique and significant, and, by God, still somehow relevant, even now, in the twenty-first century. For as long as possible, I want my girls to keep believing that beauty, though not quite commonplace and never to pass unobserved or unappreciated, is nonetheless easily witnessed on any day, in any given moment, around any forthcoming bend. And that the wild world has a lovely order and pattern and logic, even in the shouting, disorderly chaos of breaking-apart May and reassembling May. That if there can be a logic an order even in May, then there can be in all seasons and all things.
Children see God every day; they just don't call it that. It's the summer sky painted with cumulus clouds by day and sequined with a million stars by night. It's the sweet whispers of sweet gum trees and the sounds riding the tops of honeysuckle-scented breezes. Children feel God stuffed into brown fluffy dogs with stitches strong enough to withstand a good squeeze, and on the lips of round women who can't get enough sugar from Chocolate.I began to believe that God is us and nature, beauty and love, mystery and majesty, everything right and good.
The truth is that the more intimately you know someone, the more clearly you’ll see their flaws. That’s just the way it is. This is why marriages fail, why children are abandoned, why friendships don’t last. You might think you love someone until you see the way they act when they’re out of money or under pressure or hungry, for goodness’ sake. Love is something different. Love is choosing to serve someone and be with someone in spite of their filthy heart. Love is patient and kind, love is deliberate. Love is hard. Love is pain and sacrifice, it’s seeing the darkness in another person and defying the impulse to jump ship.
You, my reader, who see me close, wonder about my heartbeats and measure my words, you my close friend who know my eyes and the home of their prose, you, my only lover, who always move my life, my poetry's pace and rhyme,...I can not disclose the shape of metaphors, nor what they bashfully display behind the robes of their naked source; but you can use the eyes of heart to feel what they are made of. And if it's a tear or a smile I evoke, it means we are human, it means we care and we love. It means we are both beautiful. (Soar)
Galinda didn't see the verdant world through the glass of the carriage; she saw her own reflection instead. She had the nearsightedness of youth. She reasoned that because she was beautiful she was significant, though what she signified, and to whom, was not clear yet...She was, after all, on her way to Shiz because she was smart. But there was more than one way to be smart.
Gina was beautiful like a sunset. You see it and you think of how beautiful it is, and then it’s over and you move on. But Trista was beautiful like a song. The kind of song you play over and over and never get sick of hearing. The kind of song he wanted to write for her, but he knew he would never be able to string together the right combination of notes to show her how he really felt.
Don't tell me I'm "too tall" just because my height happens to threaten your rather fragile sense of masculinity. The fact that men cannot physically look down upon women who are taller than them is the very reason that many men find tall women so intimidating.
Dear Men Everywhere,Please don't think that being a feminist means we hate you or don't need you. -We absolutely love you and couldn't live without you! ...We are just on a mission to be treated equally and with respect. No hard feelings. With love, Feminists of the World xoxoox P.S. Yes we do shave our legs!
I am a woman with thoughts and questions and shit to say. I say if I'm beautiful. I say if I'm strong. You will not determine my story — I will. I will speak and share and fuck and love, and I will never apologize to the frightened millions who resent that they never had it in them to do it. I stand here and I am amazing, for you. Not because of you. I am not who I sleep with. I am not my weight. I am not my mother. I am myself. (2014 Gloria Awards and Gala)
From her handbag she takes a round gilt compact with violets on the cover. She opens it, unclosing her other self, and runs her fingertip around the corners of her mouth, left one, right one; then she unswivels a pink stick and dots her cheeks and blends them, changing her shape, performing the only magic left to her.Rump on a packsack, harem cushion, pink on the cheeks and black discreetly around the eyes, as red as blood as black as ebony, a seamed and folded imitation of a magazine picture that is itself an imitation of a woman who is also an imitation, the original nowhere, hairless lobed angel in the same heaven where God is a circle, captive princess in someone's head. She is locked in, she isn't allowed to eat or shit or cry or give birth, nothing goes in, nothing comes out. She takes her clothes off or puts them on, paper doll wardrobe, she copulates under strobe lights with the man's torso while his brain watches from its glassed-in control cubicle at the other end of the room, her face twists into poses of exultation and total abandonment, that is all. She is not bored, she has no other interests.
As far as cosmetics are used for adornment in a conscious and creative way, they are not emblems of inauthenticity: it is when they are presented as the real thing, covering unsightly blemishes, disguising a repulsive thing so that it is acceptable to the world that their function is deeply suspect. The women who dare not go out without their false eyelashes are in serious psychic trouble.
Being exposed to those beauty queens and Praying Mantises at the same time made me ask myself some hard questions. Would I have been so radical had I not been so fat? Could I have been one of the women on the other side parading my beauty of which I was so proud? As I stood there holding my JUDGE MEAT NOT WOMEN picket sign, I recalled all the people who had said to me throughout my life, "You've got such a pretty face." But they never finished the thought. The whole phrase is "You've got such a pretty face, too bad you're fat." But what if I weren't fat? Would I still have attacked this "Meat Parade" so fiercely? The truth is, my fat has informed my politics. And while I'd like to think I would have been just as ardent in my opposition to the objectification of women had I been thin, I'll never know for sure.
Why did they all have to tread so very delicately around Celeste's money? It was like wealth was an embarrassing medical condition. It was the same with Celeste's beauty. Strangers gave Celeste the same furtive looks they gave to people with missing limbs, and if Madeline ever mentioned Celeste's looks, Celeste responded with something like shame. "Shhh," she'd say, looking around fearfully in case someone overheard. Everyone wanted to be rich and beautiful, but the truly rich and beautiful had to pretend they were just the same as everyone else. Oh, it was a funny old world.
There’s no escaping it,” he’d been fond of telling us when he was well, “the way you look defines who you are. You might argue for your soul, or your heart, but everyone else in the world will judge you on your big nose or your weak chin. Six billion people could be wrong, but you’ll never get them to admit it.
Be sure that if you are unhappily celebrated for either beauty, wit, intellect, or all three together, half society wishes you dead already, and the other half tries to make you as wretched as possible while you are alive.
Imagine you are in a classroom and they hand you a test with many interesting multiple choice questions, until you get to “Can you just explain what exactly you believe how the Universe started?” & here are the options. a) The Big Bang b) It’s always been therec) God! or Godsd) A bowl of cherries e) I don’t know…. If you choose (a) then what or who & why caused it? & the test continues…..If you choose (b) that would be my choice. If you choose (c) then who or what created God or Gods? And where do they come from? And if you think they have always been there, the same thing could be said about the universe. If you choose (d) It doesn’t make sense, it is odd, an anomaly, not supposed to be etc :) if you choose (e) then you are being honest. There’s nothing wrong with not knowing. You can make “assumptions” or “pretending” that you know or a book (bible) “knows” or “tells” you but I just don’t buy that. The beauty of it is that you are here today & you can be thankful & enjoy all the life that you have ahead of you. And the test (life) continues with more wonderful questions and experiences :)
someday we will forget the hardship, and the pain its cause us; we will realise, hurt is not the end. lessons appear to teach us strength, we learn happiness is an inside job and to cure our insanity we must not fear what is to come, but believe in what we've been taught.
There’s all this pressure in our society to be beautiful, to be strong, to be sexy. So we spend our time and money on trying to become these things. We put on the high heels, the suits, the makeup, the mask. Then, we feel more awkward than confident, so we drink away our anxieties. That doesn’t make us look any sexier – it just makes us stop caring about how we look.Everyone is beautiful. Everyone is sexy. Everyone is strong. It’s lunacy. We’re all running around trying to become something that we already are.You know what’s really sexy? A person who’s 100% comfortable with themselves. And you know what’s really funny? It is just as time consuming and difficult to learn to accept yourself as it is to pretend to be someone else. The only difference is – with self acceptance, one day, it’s not hard anymore. One day, you feel like your sexiest, strongest self just rolling out of bed in the morning.You’re either going to spend the little time you have in your life on trying to know yourself or trying to hide yourself. The choice is yours. You can’t do both.And you know what’s really amazing about choosing self-love? You’ll be setting an example for all the people around you and all the kids of the coming generation. You’ll be part of a revolution to take back the precious moments of our lives out of the hands of shame-inducing advertisers and back into the hands and hearts of real people like you, like me, like all of us.I know you’ve dreamt about changing the world. So this is your chance. Learn to love yourself, accept yourself, and unleash your strongest, sexiest self. It’s in there. You just have to believe it.
I you can't see anything beautiful about yourself, get a better mirror. Look a little closer, stare a little longer. Because there is something inside you that made you keep trying despite everyone who told you to quit. You built a cast around your broken heart and signed it yourself, you signed it THEY WERE WRONG.
....let her be loved not only for her beauty and amiable character, but also for her strength of mind and loftiness of purpose, which enliven and raise the feeble and the timid and ward off all vain thoughts. Let her be the pride of her country and let her command respect.
No matter who we are, where we live, what we look like, the circumstances of our birth or the situations we face; each of us has gifts within us. Strength, beauty, courage, compassion, hope, joy, talent, imagination, reverence, wisdom, love and faith are among them. They are not like material presents we unwrap and hold in our hands. We can’t see these gifts with our eyes. But they are real and powerful. When we open ourselves to them, they can enrich every aspect of our lives. They can help us transform challenges into opportunities and tragedies into triumphs. They can help us make a difference in the world.
But the healing place is within you. Healing is a gift you were granted at birth, just as you were granted others. Use your gifts, child. Use the beauty, the courage, the hope and the love that is in you. Call upon your strength. Use compassion and faith. Even during sad times joy is within you. Bring it forth. Wisdom is there to guide you. Use any one of your gifts and you will rouse the power of your healing place. Use all of them and you will sustain it.
Everybody is Beautiful and Unique in Their Own Special Way, Beauty goes Beyond the Outer Appearance. I think it's More Important to have a Beautiful Mind. Stop Comparing Yourselves Amongst Yourselves. Nobody is like You and Never will be You. Stop being Jealous of Others. Stop Hating on Others. Appreciate your Qualities and Characteristics.
Let’s only care about the place where we are.There’s beauty enough in being here and not anywhere else.If there’s someone beyond the curve in the road,Let them worry about what’s past the curve in the road,That’s what the road is to them.
Even when it seems that there is no one else, always remember there's one person who never ceased to love you - yourself.
The exact proportion and combination of the qualities within you, as they are, even while you search and struggle for them to be different or better, is a unique beauty.
As a soul, you have the freedom – and earned responsibility – to transpose your personal process of evolution, to manifest your greatest talents and vision, into the work that matters to you most as a means to personal redemption.
Human beings are not separate from nature. We are nature. The beauty of the sunset is your own beauty. The power of the ocean is your power. We are inseparable from the beauty of the mountains, rivers, and forests that surround us. The more that you can allow your natural self to come out – to honour your natural beauty, your natural creativity, your natural thirst for leadership and compassion – the happier and healthier you’ll be.
You know, the whole thing about perfectionism. The perfectionism is very dangerous. Because of course if your fidelity to perfectionism is too high, you never do anything. Because doing anything results in...it's actually kind of tragic because you sacrifice how gorgeous and perfect it is in your head for what it really is. And there were a couple of years where I really struggled with that.
Great beauty and youth capture our attention, excite a deep pleasure; however, why shouldn't our souls gaze at a countenance over which the years have passed? Isn't there a story there, one unknown, full of pain or beauty, which pours its reflection into the features, a story we can read with some compassion or at least get a slight hint of its meaning? The young point toward the future; the old tell of a past.
There is beauty everywhere on earth, but there is greater beauty in those places where one feels that sense of ease which comes from no longer having to put off one’s dreams until some improbable future – a future inexorably shrinking away; where the fear that has pervaded one’s life suddenly vanishes because there is... nothing to be afraid of.
Look at this site - it is beautiful and deep. When we come here, we get ourselves lost in its beauty and vastness. Years of sorrow and pain lies in the depth of this lake. You do not know what was here 40-50 years back. Probably, a ditch full of stagnant water and mud breeding mosquitoes. Now here we have beautiful lake surrounded by lush green bushes and beautiful flowers. The place is beautiful today, so we come and enjoy its company, its presence. We do not think about its past or we do not to know what will happen here years later. We enjoy the beauty of its present.
The topic was eloquence, something Christians had been conflicted about since the first-century church when Paul wrote that in bringing the gospel, he did not come with “eloquence.” A few centuries later, Saint Augustine wrestled with the value of eloquence, associating it with his pagan background and training in Greek rhetoric while simultaneously employing it winsomely in his Christian writings. Such suspicion of beauty and form, whether in art, literature, speech, or human flesh, has shadowed Christian thought throughout the history of the church; sadly so, considering God is the author of all beauty.
I want to be a woman who lives totally abandoned to the first commandment: to love my Lord, my God, with all my heart. I don’t want the reputation that I love God, I don’t want to write songs about loving God, I don’t want to talk about loving God. I want to actually love God. When I close my eyes, I want my heart to move. When I close my eyes and I look at Him, I want to feel alive on the inside. I want to look at Him with a fire in my heart and it’s real.
The moon was up now and the trees were dark against it, and he passed the frame houses with their narrow yards, light coming from the shuttered windows; the unpaved alleys, with their double rows of houses; Conch town, where all was starched, well-shuttered, virtue, failure, grit and boiled grunts, under-nourishment, prejudice, righteousness, inter-breeding and the comforts of religion; the open-doored, lighted Cuban boilto houses, shacks whose only romance was their names
The most important legacy you will ever leave is your vision planted in the minds of your disciples and a passion as strong as a storm in their hearts.
[Giordano] Bruno died, despised and suffering, after eight years of agony. From that moment, his works have attracted interest, and he has long been recognized as an important figure in the development of modern thought. Nevertheless, few are familiar with the many and often bewildering pages of his writings. His Italian works have their place in the history of Italian literature. The Latin works in prose and verse are much more bulky and diffuse, but the few who grapple with them are rewarded by passages of great beauty and eloquence.
Midland City had a goddess of discord all its own. This was a goddess who could not dance, would not dance, and hated everybody at the high school. She would like to claw away her face, she told us, so that people would stop seeing things in it that had nothing to do with what she was like inside. She was ready to die at any time, she said, because what men and boys thought about her and tried to do to her made her so ashamed. One of the first things she was going to do when she got to heaven, she said, was to ask somebody what was written on her face and why had it been put there.
Wealth earned may disappear, beauty will fade, honor may recede and fame diminish; all that shall remain, is a soul that is humane within that would leave a trail in the thoughts of your loved ones;And even if that fails,your God in heaven above will never fail you or fail to rejoice in a life you've managed to live worthy of His praise.
I dwell on positive and beauty of life.
This was the first time I thought of S— that day. Her music was beautiful, her voice was beautiful, her body was beautiful. Even the dirty little pads of her feet were beautiful. I cursed myself then. For once, heaven had sent me Beauty in its most perfected form and I abandoned it. She might not have been a girl after all but an angel: a force to guide me on this hazardous path of life I hurry down. How can life be hazardous if it can only end in death?
Here is to all the brilliant minds that love deeply, for they write the stories that make us dream of true love. Here is to all the visionaries that create a miracle when others give up hope. Here is to all the artists, musicians, actors, singers, songwriters, dancers, screenwriters, philosophers, inventors and poetic hearts that create a perspective of heaven we can experience in this lifetime. But most of all, here is to the wild souls that the world calls broken, insane, abnormal, weird or different because they are the ones that renew our faith, by what they overcome and create, in a world that needs a sign that God doesn’t forget the least of us.
By means of poetry all this suffering and effort could be transformed into dream; no matter how much of the ephemeral existed, poetry could immortalize it by turning it into song. Only two or three primitive passions had governed me until this time: fear, the struggle to conquer fear, and the yearning for freedom. But now two new passions were kindled inside me: beauty and the thirst for learning.
Over the years, one comes to measure a place, too, not just for the beauty it may give, the balminess of its breezes, the insouciance and relaxation it encourages, the sublime pleasures it offers, but for what it teaches. The way in which it alters our perception of the human. It is not so much that you want to return to indifferent or difficult places, but that you want to not forget.
I grow into these mountains like a moss. I am bewitched. The blinding snow peaks and the clarion air, the sound of earth and heaven in the silence, the requiem birds, the mythic beasts, the flags, great horns, and old carved stones, the silver ice in the black river, the Kang, the Crystal Mountain. Also, I love the common miracles-the murmur of my friends at evening, the clay fires of smudgy juniper, the coarse dull food, the hardship and simplicity, the contentment of doing one thing at a time… gradually my mind has cleared itself, and wind and sun pour through my head, as through a bell. Though we talk little here, I am never lonely; I am returned into myself. In another life-this isn’t what I know, but how I feel- these mountains were my home; there is a rising of forgotten knowledge, like a spring from hidden aquifers under the earth. To glimpse one’s own true nature is a kind of homegoing, to a place East of the Sun, West of the Moon- the homegoing that needs no home, like that waterfall on the supper Suli Gad that turns to mist before touching the earth and rises once again to the sky.
I sit in meditation…and soon all sounds, and all one sees and feels, take on imminence, an immanence, as if the Universe were coming to attention, a Universe of which one is the center, a Universe that is not the same yet not different from oneself: within man as within mountains there are many parts of hydrogen and oxygen, of calcium, phosphorus, potassium, and other elements. ‘You never enjoy the world aright, till the Sea itself flows in your veins, till you are clothed with the heavens, and crowned with the stars…’(Thomas Traherne, Centuries of Meditation)The secret of the mountains is that the mountains simply exist, as I do myself: the mountains exist simply, which I do not. The mountains have no ‘meaning,’ they are meaning; the mountains are. The sun is round. I ring with life, and the mountains ring, and when I can hear it, there is a ringing that we share.
THE MOTH AND THE BUTTERFLYWhen the sun rises over the horizon,the butterfly emerges to dance in its brilliant light.It flickers its colorful wings with euphoria,To celebrate all the beauty foundin the majestic garden of life.When the moon arrives in the darkness,The moth appears at the disappearance of sunlight.It flickers its pale wings as it shakes from its deep slumber,To go search for foodTo carry it through the night.The moth prefers the moon and detests the sun,while the butterfly loves the sun and hides from the moon.Every living creature responds to light,But depending on the amount of light you have inside,Determines which lamp in the skyYour heart will swoon. Poetry by Suzy Kassem
When I was no longer of the world, I would miss its extravagant beauty. I would miss the complex and charming layers of subterfuge by which the truth of the world's mysteries were withheld from us even as we were tantalized and enchanted by them. I would miss the kindness of good people who were compassionate when so many were pitiless, who made their way through so much corruption without being corrupted themselves, who eschewed envy in a world of envy, who eschewed greed in a world of greed, who valued truth and could not be drowned in a sea of lies, for they shone and, by the light they cast, they warmed me all my life.
The art of tea, whichever way you drink it, or whichever country you are from, has one underlining thread for all of us. It is the cultivation of yourself as you follow the ceremony of preparing your tea, the way in which you make your tea, how and where you drink it, and with whom. Making a cup of tea creates a space for just being.
After midday, the rain eased, and the Land Rover rode into Pokhara on a shaft of storm light. Next day there was humid sun and shifting southern skies, but to the north a deep tumult of swirling grays was all that could be seen of the Himalaya. At dusk, white egrets flapped across the sunken clouds, now black with rain; on earth, the dark had come. Then four miles above these mud streets of the lowlands, at a point so high as to seem overhead, a luminous whiteness shone- the light of snows. Glaciers loomed and vanished in the grays, and the sky parted, and the snow cone of Machhapuchare glistened like a spire of a higher kingdom. In the night, the stars convened, and the vast ghost of Machhapuchare radiated light, although there was no moon.
The light irradiates white peaks of Annapurna marching down the sky, in the great rampart that spreads east and west for eighteen hundred miles, the Himalaya- the alaya (abode, or home) of hima (snow).Hibiscus, frangipani, bougainvillea: seen under snow peaks, these tropical blossoms become the flowers of heroic landscapes. Macaques scamper in green meadow, and a turquoise roller spins in a golden light. Drongos, rollers, barbets, and white Eqyptian vulture are the common birds, and all have close relatives in East Africa.
And we're not alone, you know, children," came Mrs. Whatsit, the comforter. "All through the universe, it's being fought, all through the cosmos, and my, but it's a grand and exciting battle. I know it's hard for you to understand about size, how there's very little difference in the size of the tiniest microbe and the greatest galaxy. You think about that, and maybe it won't seem strange to you that some of our very best fighters have come right from your own planet, and it's a little planet, dears, out on the edge of a little galaxy. You can be proud that it's done so well.""Who have our fighters been? Calvin asked."Oh, you must know them, dear," Mrs. Whatsit said. Mrs. Who's spectacles shone out at them triumphantly. "And the light shineth in darkness; and the darkness comprehended it not." "Jesus!" Charles Wallace said. "Why of course, Jesus!""Of course!" Mrs. Whatsit said. "Go on, Charles, love. There were others. All your great artists. They've been lights for us to see by.
Me? Beautiful? I'm plain as cardboard. That may be how you see yourself, but the rest of the world would be hard to agree. You shine brighter than the Milky Way.Now there are those who might try to take that from you, but you don't have to give it away. Keep on shining Pattyn.And when the right young man comes along, he'll love you all the more for giftin' this sad planet with your light.
She sheltered her colors in the dark, where others were blind to see; I caught a glimpse of her lastly when she gave me a chance, before disappearing into the day. There was beauty locked in her that unfolded like an umbrella's claw, her true self that desired compassion, trust, protection and the potential to soar. But I missed to late, that what I wasn't looking for, when she left her reasons in the rain.
She was not the sort of woman guys settle for. She was the one they lust after and strive for. She was the one who ruins other people's relationships simply by existing, but she will always be surmounted as guys come to realize the virtues of the approachable girl next door. She was, in brief, too pretty to be trusted or had.
Why do women waste their time trying to convince their insecure family members and girlfriends that they are beautiful? Self esteem is not a beauty cream that you can rub all over them and see instant results. Instead, convince them they are not stupid. Every intelligent woman knows outward beauty is a nip, tuck, chemical peel or diet away. If you don't like it, fix it.
Sometimes it seems that light can transform anything! That it is an undeniable and irreducible metaphor for grace. But do the people of the ranchitos know this? Is it for beauty that they do it? Or do they merely want a comfortable illumination in their little shacks?It doesn't matter.We can't stop ourselves from making beauty. We can't stop the world.
Light - both physical and moral - was a central concern to the men and women living in the medieval age. They attempted to explore its properties in the colors of a stained glass canopy, in the tenor of a brisk saltarello, in the lilt of a Jongleur's ballad, in the sweet savor of a banqueting table, in the rhapsody of a well planned garden, indeed, in every arena and discipline of life.
Love Just Happens"Love just happensWhen you are not looking for it,Not paying attention,Unaware.You could miss it the first few times,But then, unexpectedly, Somehow this invisible magnetic energyPulls you and another person together.And you feel this beautiful magic,Like a gravitational force -As if the moon were kissing the sun.And their name,Becomes the most hypnotic nameAnd you die to see their eyesWhen you open yoursEvery time.Love just happensWhen you least expect itAt any locationAt any time.It never announces its arrivalBut when it does find youIts warmth is so strongIt may frighten youYou could close your eyes and feel itAnd feel themNo matter where you areOr they areEvery time.Love just happensAnd it happens to everybody.But some people have their sensors off,Or hide from it,Or constantly look for it.Just don't think about it.Open your heart and it will find you.It always does.Whenever you think it forgot about you,It will hit you.Just like that – Every time.Love just happens.
And what if you try to kill me? Or worse: to kiss me?
But there is a beauty every girl has—agift from God, as pure as the sunlight,and as sacred as life. It is a beauty that all men love, a virtue that wins all men's souls. That beauty is chastity. Chastity without skin beauty may enkindle the soul; skin beauty without chastity can kindle only the eye. Chastity enshrined in the mold of true womanhood will hold true loveeternally.
If you’re really listening, if you’re awake to the poignant beauty of the world, your heart breaks regularly. In fact, your heart is made to break; its purpose is to burst open again and again so it can hold evermore wonders. -Andrew Harvey
He smiled his shy smile at her as he went into the yard. Anne took the memory of it with her when she went to her room that night and sat for a long while at her open window, thinking of the past and dreaming of the future. Outside the Snow Queen was mistily white in the moonshine; the frogs were singing in the marsh beyond Orchard Slope. Anne always remembered the silvery, peaceful beauty and fragrant calm of that night. It was the last night before sorrow touched her life; and no life is ever quite the same again when once that cold, sanctifying touch has been laid upon it.
I’m not sure about all the particulars that led to this moment. Do I believe life is a series of dots to be connected…or that no one can outrun destiny…or that all roads lead to truth and coincidence is a lie to distract us? The reason I was in this place no longer mattered. The harsh reality stared me in the face and demanded an immediate decision. Walk away and blame it on my age. Or stay and try to help a woman who had slowly become my friend over the last few weeks.
Pain and grief have been kept buried for ages, bred in secrecy and shame, wrapped by an ongoing conspiracy of smiles and well-being. Pain and grief are most healing and ecstatic emotions. Yes, sure, they can be hard, yet what makes them most devastating is the perverted idea that they are wrong, that they need to be hidden and fixed. The greatest perversion I can conceive is the idea that illness and pain are a sign that there is something wrong in our life, that we have unresolved issues, that we have made mistakes. In this world everyone is bound to get ill, experience pain and die. The greatest gift I can give to myself and the world is the joyful acceptance of this. Today I want to be real, I will not hide my pain as well as my happiness. I will not care if my gloomy face or desperate words cause concern or embarrassment in others. I do not need be fed with reassuring words about the beauty of life. The beauty of life resides in the full acceptance of All That Is.
Love for the beauty of the soul. I shall love you always. When the flower of life has gone, ever I shall find you. When all is lost and winter comes, I shall be your spring time. And memory fades and wilts then, I shall always find you.... I shall always find you....
She loved your mother', Taliesin said gently. 'This is her farewell.' As he spoke, a chanted melody began inside the chamber, a song without words. Yet it spoke of the beauty in the heart of the flame, of the passing glory of the white bird on the wing, and the blossom of the sea spray under the shining prow. It sang of a mother with her baby, of the hard love between men and women, and the gentle rest that comes at last to all.
I finally gave in today. Admitting that I haven't been able to do it alone, that's defeat right? But do a couple pills change why I'm here? Will my spirit be altered? Do my passions change? Will I lose hope either way? My madness is what makes me. It’s my most unique beauty.
The cloudless day is richer at its close;A golden glory settles on the lea;Soft, stealing shadows hint of cool reposeTo mellowing landscape, and to calming sea.And in that nobler, gentler, lovelier light,The soul to sweeter, loftier bliss inclines;Freed form the noonday glare, the favour’d sightIncreasing grace in earth and sky divines.But ere the purest radiance crowns the green,Or fairest lustre fills th’ expectant grove,The twilight thickens, and the fleeting sceneLeaves but a hallow’d memory of love!
I’m a keeper of flocks.The flock is my thoughtsAnd my thoughts are all sensations.I think with my eyes and with my earsAnd with my hands and feetAnd with my nose and mouth.Thinking about a flower is seeing and smelling itAnd eating a piece of fruit is knowing its meaning.That’s why when on a hot dayI feel sad from liking it so much,And I throw myself lengthwise on the grassAnd shut my hot eyes,And feeling my whole body lying on reality,I know the truth and I’m happy.
I find beauty in sadness, and peace... and a mystery waiting to be solved.. the more you unfold the mystery, the more you are mesmerized by the layers of mystery lying underneath.. and solitude becomes the perfect company for sadness..but again, the feeling you get when you realize you're not alone gives you inexplicable happiness.. and there's satisfaction in happiness,, and another mystery which is unknotted yet difficult to penetrate
Most days I live awed by the world we have still, rather than mourning the worlds we have lost. The bandit mask of a cedar waxwing on a bare branch a few feet away; the clear bright sun of a frozen winter noon; the rise of Orion in the eastern evening sky-every day, every night, I give thanks for another chance to notice. I see beauty everywhere; so much beauty I often speak it aloud. So much beauty I often laugh, and my day is made.Still if you wanted to, I think, you could feel sadness without end. I’m not even talking about hungry children or domestic violence or endless wars between supposedly grown men…but ‘you mustn’t be frightened if a sadness rises in front of you, larger than any you even seen,' said Rilke, 'you must realize that something is happening to you, that life has not forgotten you, that it holds you in it hand and will not let you fall.
To reach only for that which pleasantly enchants you is the least of imagination, if even imagination at all, by the obvious reality of remaining within your means. The greater of imagination is parallel to risk. It extends beyond your comfort zone or haven, or sense of beauty, or what you personally believe suits you in exploration of what may not.
I have dreamed of that song, of the strange words to that simple rhyme-song, and on several occasions I have understood what she was saying, in my dreams. In those dreams I spoke that language too, the first language, and I had dominion over the nature of all that was real. In my dream, it was the tongue of what is, and anything spoken in it becomes real, because nothing said in that language can be a lie. It is the most basic building brick og everything. In my dreams I have used that language to heal the sick and to fly; once I dreamed I kept a perfect little bed-and-breakfast by the seaside, and to everyone who came to stay with me I would say, in that tongue, 'Be whole.' and they would become whole, not be broken people , not any longer, because I had spoken the language of shaping.
Do you know, Mrs. Allan, I'm thankful for friendship. It beautifies life so much." "True friendship is a very helpful thing indeed," said Mrs. Allan, "and we should have a very high ideal of it , and never sully it by any failure in truth and sincerity. I fear the name of friendship is often degraded to a kind of intimacy that had nothing of real friendship in it.
In his younger days a man dreams of possessing the heart of the woman he loves; later, the feeling that he possesses the heart of a woman may be enough to make him fall in love with her. And 50, at an age when it would appear - since one seeks in love before everything else a subjective pleasure - that the taste for feminine beauty must play the larger part in its procreation, love may come into being, love of the most physical order, without any foundation in desire. At this time of life a man has already been wounded more than once by the darts of love; it no longer evolves by itself, obeying its own incomprehensible and fatal laws, before his passive and astonished heart. We come to its aid; we falsify it by memory and by suggestion; recognising one of its symptoms we recall and recreate the rest.
I look in the glass sometimes at my two long, cylindrical bags (so picturesquely rugged about the knees), my stand-up collar and billycock hat, and wonder what right I have to go about making God's world hideous. Then wild and wicked thoughts come into my heart. I don't want to be good and respectable. (I never can be sensible, I'm told; so that don't matter.) I want to put on lavender-colored tights, with red velvet breeches and a green doublet slashed with yellow; to have a light-blue silk cloak on my shoulder, and a black eagle's plume waving from my hat, and a big sword, and a falcon, and a lance, and a prancing horse, so that I might go about and gladden the eyes of the people. Why should we all try to look like ants crawling over a dust-heap? Why shouldn't we dress a little gayly? I am sure if we did we should be happier. True, it is a little thing, but we are a little race, and what is the use of our pretending otherwise and spoiling fun? Let philosophers get themselves up like old crows if they like. But let me be a butterfly.
Do you have any idea how mad you sound?’‘Indeed I do. I have in moments of doubt considered the question of my sanity.’ (...)‘And?’‘Then I consider what a piece of work is man. How defective in reason, how mean his facilities, how ugly in form and movement, in action how like a devil, in apprehension how like a cow. The beauty of the world? The paragon of animals? To me the quintessence of dust.
This is God's beauty!The Elegant nature of Esther,The Meek nature of Moses,The Pius nature of Paul,The Passionate nature of Peter,The Just nature of Jesus and thenThe wise nature of you!
He must have been handsome when he was alive and was handsome still, although made monstrous by his pallor and her awareness of what he was. His mouth looked soft, his cheekbones as sharp as blades, and his jaw curved, giving him an off-kilter beauty. His black hair a mad forest of dirty curls.
A lover of comfort might shrug after looking at the whole apparent jumble of furniture, old paintings, statues with missing arms and legs, engravings that were sometimes bad but precious in memory, and bric-a-brac. Only the eye of a connoisseur would have blazed with eagerness at the sight of this painting or that, some book yellowed with age, a piece of old porcelain, or stones and coins.But the furniture and paintings of different ages, the bric-a-brac that meant nothing to anyone but had been marked for them both by a happy hour or memorable moment, and the ocean of books and sheet music breathed a warm life that oddly stimulated the mind and aesthetic sense. Present everywhere was vigilant thought. The beauty of human effort shone here, just as the eternal beauty of nature shone all around.pp. 492-493
Ladies and gentlemen, when you paint your lips, eyes, nails, hair, side-beards, or whatever, to look beautiful or handsome, don't forget your up stairs, if you don't go up there to put things in order, then, consider the former attributes null and void.
A full moon, although less splendid than that earlier on,lit everything around. Before I reached the point where I would have to leave the road and set off across country, the narrow path I was following seemed suddenly to end and disappear behind a large hedge, and there before me, as if blocking my way, stood a single, tall tree, very dark at first against the transparently clear night sky. Out of nowhere, a breeze got up. It set the tender stems of the grasses shivering, made the green blades of the reeds shudder and sent a ripple across the brown waters of a puddle. Like a wave, it lifted up the spreading branches of the tree and, murmuring, climbed the trunk, and then, suddenly, the leaves turned their undersides to the moon and the whole beech tree (because it was a beech) was covered in white as far as the topmost branch.It was only a moment, no more than that, but the memory of it will last as long as my life lasts.
Every work cancels the dark. Every work is a hymn from the other side of memory to a memory that is spellbound. Beauty is death's gift to vulgar life so that it can live in beauty.
Life has this beautiful way of opening doors when you least expect it. How thy open is sometimes never known. But does that not only further justify the magic and the possibility to the thought, that there is more to life than that which meets thee eye.
To deny the existence of God would be to close your eyes to the beauty around you, to close your ears to the symphony of nature, to close your nostrils to the scents wafting on the breeze, to close your mouth to the delicacies of nourishment, to close your hands to the feel of luxury, to close your mind to the ability to think, and to close your heart to the only love that can penetrate the depths of the soul. For in Him all things consist, in Him we live, and move, and have our being, and without Him we cannot help but be fools.
We are touched by magic wands. For just a fraction of our day life is perfect, and we are absolutely happy and in harmony with the earth. The feeling passes much too quickly. But the memory – and the anticipation of other miracles – sustains us in the battle indefinitely.
If only you could be yourself." they shouted. So, she did. "You are not like me or anyone I have met!" they screamed. So, she blended. "You are so fake." they laughed. So, the caterpillar retreated to her cocoon to find peace alone. One day, they came to find her gone. She left a message, “God knew I was different and gave me these beautiful wings because he meant for me to fly. You see...I wasn’t meant to be like you. I was meant to be me--better.
A homely face does not guarantee a homely character. Appearance is the body, character is the spirit, and the soul bears the most vital qualities.
You can’t eat beauty, it doesn't feed you...beauty was not a thing that I could acquire or consume, it was something that I just had to be. You can’t rely on how you look to sustain you. What actually sustains us, what is fundamentally beautiful, is compassion--for yourself and for those around you. That kind of beauty inflames the heart and enchants the soul.
Between the wrinkles of age and her features which indicated a number of years resided a beauty that was touching and awakened trust. Since by now I had observed many faces quite closely in order to sketch them, I fully realized that it was more than mere beauty, it was the soul which shone through so kindly and self-contained, which had such a striking effect on whoever came into contact with her.
When you're traveling you need to take care of yourself to get by, you have to keep an eye on yourself and your place in the world. It means concentrating on yourself, thinking about yourself and looking after yourself. So when you travel all you really encounter is yourself, as if that were the whole point of it. When you're at home you simply are, you don't have to struggle with anything or achieve anything. You don't have to worry about the railways connections, and timetables, you don't need to experience any thrills or disappointments. You can put yourself to one side - and that's when you see the most.
It is not your beauty, success or money that should define you; neither should your church calling, your charitable contributions or talents. Humility is the cornerstone of character, by which God judges our truth worth, and wisdom is the door he opens when we use it.
Then it was that Jo, living in the darkened room, with that suffering little sister always before her eyes and that pathetic voice sounding in her ears, learned to see the beauty and the sweetness of Beth's nature, to feel how deep and tender a place she filled in all hearts, and to acknowledge the worth of Beth's unselfish ambition to live for others, and make home happy by that exercise of those simple virtues which all may possess, and which all should love and value more than talent, wealth, or beauty.
I looked deeply into the fire, and the timeless, eternal dance of colors I saw there was so beautiful, I wanted to cry. Cal's deep voice floated toward me as clearly as a whisper in a tunnel, as if his words were meant for me alone, and the found me unerringly even as the group dissolved into talking. He said the words under his breath, his gaze fixed on my face. "I banish loneliness.
I used to walk out, at night, to the breakwater which divides the end of the harbor form the broad moor of the salt marsh. There was nothing to block the wind that had picked up speed and vigor from its Atlantic crossing. I’d study the stars in their brilliant blazing, the diaphanous swath of the milk Way, the distant glow of Boston backlighting the clouds on the horizon as if they’d been drawn there in smudgy charcoal. I felt, perhaps for the first time, particularly American, embedded in American history, here at the nation’s slender tip. Here our westering impulse, having flooded the continent and turned back, finds itself face to face with the originating Atlantic, November’s chill, salt expanses, what Hart Crane called the “unfettered leewardings,” here at the end of the world.
The simple truth is that love is a part of who we are, not something that others "give" to us if we're worthy of it. We're taught that if we just find that right person, and that person "falls in love" with us, everything will be fine. We're not taught about recognizing the love that is a part of our spirits, the love that we radiate when we recognize the beauty and need in all the people that surround us. Love is ours to share, at all moments and in all situations, but for some reason we fear doing so.
Whenever you should doubt your self-worth, remember the lotus flower.Even though it plunges to life from beneath the mud, it does not allow the dirt that surrounds it to affect its growth or beauty. Be that lotus flower always. Do not allow any negativity or ugliness in your surroundings destroy your confidence, affect your growth, or make you question your self-worth.
Great people will always be mocked by those who feel smaller than them. A lion does not flinch at laughter coming from a hyena. A gorilla does not budge from a banana thrown at it by a monkey.A nightingale does not stop singing its beautiful song at the intrusion of an annoying woodpecker. Whenever you should doubt your self-worth, remember the lotus flower. Even though it plunges to life from beneath the mud,it does not allow the dirt that surrounds it to affect its growth or beauty.
i think through it all, the hardest part was un-attaching myself to the ones I thought would stay around forever. People change and life changes with it, you've got to fight like mad for everything you love and let go with ease for everything that isn't fitting for you anymore. It is apart of maturing your soul, you attract what you need for that stage of your life, and you grow, as people change and so does life.
No one ever said aloud any of the kinds of things he was so constantly thinking, because no one in the parish, not Alice, not Lady Higgs, not anybody, ever seemed to see the things he saw. If they thought as he did, if they saw what he did, they never mentioned it; and to have things which are precious to one eternally unmentioned makes one, he had long discovered, lonely. These August nights, for instance--quite remarkably and unusually beautiful, warm and velvety as he had never known them, ushered in each evening by the most astonishing variety of splendid sunsets--nobody had said a single word about them. They might have been February ones, for all the notice they got. Sometimes he climbed up to the top of Burdon Down towards evening, and stood staring in amazement at what looked like heaven let loose in flames over England; but always he stood alone, always there was no one but himself up there, and no one afterwards, when he descended from his heights, seemed to be aware that anything unusual had been going on.
Who put the S in comic to make cosmic? / The Self, which is the self of all beings - / choosing to disguise from themselves / that everything is just a game. // With a laugh we could turn / from all the seriousness we learned / and connect with every atom to create / breathtaking beauty with graceful ease.
Caroline had felt more comfortable thinking of beauty as something separate from her, like a scarf or a coat you could check before going in to a show. She wondered now, however, if she had treated more things as a part of herself rather than an accessory, perhaps everything would have turned out differently.
What does this beauty or than music mean to you? You cannot see the waves rolling up the beach or hear their roar. What do they mean to you?' In the most evident sense they mean everything. I cannot fathom or define their meaning any more than I can fathom or define love or religion or goodness.
[Mathematics] is security. Certainty. Truth. Beauty. Insight. Structure. Architecture. I see mathematics, the part of human knowledge that I call mathematics, as one thing—one great, glorious thing. Whether it is differential topology, or functional analysis, or homological algebra, it is all one thing. ... They are intimately interconnected, they are all facets of the same thing. That interconnection, that architecture, is secure truth and is beauty. That's what mathematics is to me.
Look everywhere. There are miracles and curiosities to fascinate and intrigue for many lifetimes:the intricacies of nature and everything in the world and universe around us from the miniscule to the infinite; physical, chemical and biological functionality; consciousness, intelligence and the ability to learn; evolution, and the imperative for life; beauty and other abstract interpretations; language and other forms of communication; how we make our way here and develop social patterns of culture and meaningfulness;how we organise ourselves and others; moral imperatives; the practicalities of survival and all the embellishments we pile on top; thought, beliefs, logic, intuition, ideas; inventing, creating, information, knowledge; emotions, sensations, experience, behaviour.We are each unique individuals arising from a combination of genetic, inherited, and learned information, all of which can be extremely fallible.Things taught to us when we are young are quite deeply ingrained. Obviously some of it (like don’t stick your finger in a wall socket) is very useful,but some of it is only opinion – an amalgamation of views from people you just happen to have had contact with.A bit later on we have access to lots of other information via books, media, internet etc, but it is important to remember that most of this is still just opinion, and often biased.Even subjects such as history are presented according to the presenter’s or author’s viewpoint, and science is continually changing. Newspapers and TV tend to cover news in the way that is most useful to them (and their funders/advisors), Research is also subject to the decisions of funders and can be distorted by business interests. Pretty much anyone can say what they want on the internet, so our powers of discernment need to be used to a great degree there too.Not one of us can have a completely objective view as we cannot possibly have access to, and filter, all knowledge available, so we must accept that our views are bound to be subjective. Our understanding and responses are all very personal, and our views extremely varied. We tend to make each new thing fit in with the picture we have already started in our heads, but we often have to go back and adjust the picture if we want to be honest about our view of reality as we continually expand it. We are taking in vast amounts of information from others all the time, so need to ensure we are processing that to develop our own true reflection of who we are.
The strangest thing was, as beautiful as I found her to be, she admitted that she wasn’t always comfortable in her own skin. I found that hard to believe until she explained herself. All of the sudden I was not so much in awe of her but found myself empathizing with her.
How do you know if someone loves herself? No hairstyle, religion, or ethnicity has ownership of self-love or a greater propensity toward self-hatred. The best way to tell if a woman loves herself is by how she treats herself and others. She makes self-loving choices.
People who love themselves, don’t hurt other people. People who love themselves have no reason to ever judge another person on looks. There is simply no need. People who love themselves no longer look at beauty on a sliding scale or as a competition. There is nobody more beautiful or less beautiful than anyone else, including themselves. People who love themselves no longer see fat or skinny, tall or short, fair or dark skin, gay or straight, strong or weak. They only see people. Beautiful, beautiful people.
Do you love yourself? The test is simple. Do you look at others and see anything besides another beautiful human being? Do you see somebody who is more beautiful or less beautiful than you? If so, look down a little deeper and ask yourself why. It may be painful. The whys usually are. Do it anyway.
I know how mirrors work. They're all in league with the cosmetics trade. They tell a woman lies. Drawing her gaze from one imagined flaw to another, until all she sees is a constellation of imperfections. If you could get outside yourself, borrow my eyes for just an instant... There is only beauty.
The Tao Te Ching is partly in prose, partly in verse; but as we define poetry now, not by rhyme and meter but as a patterned intensity of language, the whole thing is poetry. I wanted to catch that poetry, its terse, strange beauty. Most translations have caught meanings in their net, but prosily, letting the beauty slip through. And in poetry, beauty is no ornament; it is the meaning. It is the truth. We have that on good authority.
i will tell you, my daughterof your worth not your beauty everyday. (your beauty is a given. every being is born beautiful)knowing your worth can save your life.raising you on beauty alone, you will be starved.you will be raw.you will be weak.an easy stomach.always in need of someone telling you how beautiful you are.
[Letter to his wife, Natalia Sedova]In addition to the happiness of being a fighter for the cause of socialism, fate gave me the happiness of being her husband. During the almost forty years of our life together she remained an inexhaustible source of love, magnanimity, and tenderness. She underwent great sufferings, especially in the last period of our lives. But I find some comfort in the fact that she also knew days of happiness.For forty-three years of my conscious life I have remained a revolutionist; for forty-two of them I have fought under the banner of Marxism. If I had to begin all over again I would of course try to avoid this or that mistake, but the main course of my life would remain unchanged. I shall die a proletarian revolutionist, a Marxist, a dialectical materialist, and, consequently, an irreconcilable atheist. My faith in the communist future of mankind is not less ardent, indeed it is firmer today, than it was in the days of my youth.Natasha has just come up to the window from the courtyard and opened it wider so that the air may enter more freely into my room. I can see the bright green strip of grass beneath the wall, and the clear blue sky above the wall, and sunlight everywhere. Life is beautiful. Let the future generations cleanse it of all evil, oppression and violence, and enjoy it to the full.
When Eleanor was a little girl, she'd thought her mom looked like a queen, like the star of some fairy tale.Not a princess - princesses are just pretty. Eleanor's mother was beautiful. She was tall and stately, with broad shoulders and an elegant waist. All of her bones seemed more purposeful than other people's. Like they weren't just there to hold her up, they were there to make a point.
People always, always talk about confidence, it’s supposed to be such an attractive thing. I wonder why though, why is it supposed to be such an attractive thing? When confidence hides so many other things that are so much more beautiful! When you think of being confident, you think of tucking away all those other things that you consider to be nuisances; but those nuisances make up whom you are! And those nuisances are beautiful. They are beautiful and they are you and they’re always going to be there, even when you try to cover them up! So what happens when they all come out one day? Are you going to feel like less of a person? Are the people who are supposed to love you, going to see you as less of a person? I say that it’s not about going out into the world and putting on a certain face— it’s just about going out into the world. I’ve gone out into the world! And I don’t put on that face! Or any other face, as a matter of fact! I don’t want to hide the way I play with my hair to feel more secure or the way I laugh at all the wrong times. I don’t want to hide those things because those things are a part of me. And I can still go out into the world— and all alone, too! I know so, because I’ve actually done it! So more important than confidence— is serenity and acceptance. The serenity comes from having a deep acceptance of all those little things about you that add up like the trillions of molecules and atoms you are made up of! And that’s just beautiful. Being beautiful is something rooted and strong; being confident is just a matter of putting on something that isn’t even a real part of you. Falling in love with the molecules that make up your essence is so much more attractive. And maybe that’s what confidence really means— the acceptance and belief in every single atom that you are.
Confidence don't mean jack shit in the real world, sis," she once said. I feel myself finding the courage to trust those words more and more with every twist of the knife. Coincidentally, last Tuesday afternoon I was involuntarily exposed to the punch line of an old wise tale that goes something like: "There's beauty that can be found in everything." But why can't the insensitive cunt who said that ever find the courage to look in the mirror? Because poopycock, one might say.
The story concerns the reason why we love to fall in love. Beauty spins and the mind moves. To catch beauty would be to understand how the impertinent stability in vertigo is possible. But no, delight need not reach so far. To be running breathlessly, but not yet arrived, is itself delightful, a suspended moment of living hope.
Then, as a single snowflake flares and flickers upon voicing its final breath, so two eyes make silent conversation with mine. A face as iridescent as candle-fire purls verse and poetry. My eyes read her every intent as a wave of recollections floods my senses.
On the third day Vera said:'I love your body because it is beautiful. But I do not know your soul. I do not know whether there is a soul. Nor is it necessary for me because your body is beautiful.But everything is mutable and you will grow old. At first your face will grow old. Your body will live longer. An old face will be a mockery before a youthful body. And then a wasted body will be a mockery to ravenous desires.This is like the dead light of the setting sun which from the clouds above was reflected in the water... feeble and full of disillusion.Should I not kill you so that I might always possess you for myself.'And Vera became terrifying.I found this unpleasant.But from these words I understood that she had decided upon the day.("Thirty-Three Abominations")
Overheard on a Saltmarsh"Nymph, nymph, what are your beads?Green glass, goblin. Why do you stare at them?Give them me.No.Give them me. Give them me.No.Then I will howl all night in the reeds,Lie in the mud and howl for them.Goblin, why do you love them so?They are better than stars or water,Better than voices of winds that sing,Better than any man's fair daughter,Your green glass beads on a silver ring.Hush, I stole them out of the moon.Give me your beads, I want them.No.I will howl in the deep lagoonFor your green glass beads, I love them so.Give them me. Give them.No.
It is another unsolved mystery in a world full of unsolved mysteries.Now stand up and walk out the way you came, and the moment that fresh air caresses your face, you will realize that that is what makes the world so beautiful. All those unsolved mysteries. And you won't ever want to interfere with that beauty again.
It is sometimes said that the tragedy of an artist's life is that he cannot realize his ideal. But the true tragedy that dogs the steps of most artists is that they realize their ideal too absolutely. For, when the ideal is realized, it is robbed of its wonder and its mystery, and becomes simply a new starting point for an ideal that is other than itself. This is why music is the perfect type of art. Music can never reveal its ultimate secret.
One thing, however, did become clear to him—why so many perfect works of art did not please him at all, why they were almost hateful and boring to him, in spite of a certain undeniable beauty. Workshops, churches, and palaces were full of these fatal works of art; he had even helped with a few himself. They were deeply disappointing because they aroused the desire for the highest and did not fulfill it. They lacked the most essential thing—mystery. That was what dreams and truly great works of art had in common: mystery.
If I learned anything about her it was that she lived with a vehemence most of us never have the courage for." Banks tells me. "But there was something about her that precluded an ordinary existence. In some ways, I'm not surprised she's dead. A job, husband, kids, a beach house? That wasn't her. I can't explain why, except she was more like a force that whipped through life, defying logic, scaring you, even hurting you because she was everything you wanted to be, but you knew you'd never have the guts - and then she was gone. That was my experience with Ashley Cordova.
I was recently living more comfortably surrounded by secrets... Like dozens of luxurious satiny pillows, they were embracing me from all directions into safe lulling warmth, thus isolating me from the sharp dead-cold edges of the truth hiding behind their endearingly smooth textures and tender soothing colours.Secrets could be so irresistibly beautiful...
Your life plays out as a reflection of your genetic makeup and potentiality as expressed through your environment and choices. Love yourself enough to create an environment in your life that is conducive to the nourishment of your personal growth. Allow yourself to let go of the people, thoughts, and situations that poison your well-being. Cultivate a vibrant surrounding and commit yourself to making choices that will help you release the greatest expression of your unique beauty and purpose.
When did you star here?” I ask her.“Three days ago. Sir. Aspirant. Um—” She wrings her hands.“Veturius is fine.”She walks carefully, gingerly—the Commandant must have whipped her recently. And yet she doesn't hunch or shuffle like the others slaves. The straight-backed grace with which she moves tells her story better than words. She'd been a freewoman before this—I'd bet my scims on it. And she has no idea how pretty she is—or what kind of problems her beauty will cause for her at a place like Blackcliff. The wind pulls at her hair again, and I catch her scent—like fruit and sugar. “Can I give you some advi
She must not give herself up as hopeless, as many a plain girl does, scrape her hair back into an unsymmetrical bundle, have her clothes "cut out with a hatchet and put on with a pitchfork," ill-use her skin with coarse soaps and neglect her figure. Only a beauty may dare all this, and even the loveliest cannot afford it.
Today may be your last chance to be you, someone you forgot to completely immerse yourself in because you were too worried about the details. The details that, no matter how many times you thought them through, brought you no closer to understanding. They just tied up your mind and prevented you from really letting in the things you love. Your demon that is standing before the beautiful floodgate and is keeping you in a dehydrated nothingness.Give him permission to walk away. He is not your keeper. You are his.
Self-love is not the process of ignoring things, paying attention to fewer flaws or forcing yourself to look away from the parts of you that you perceive as ugly or unwanted. Self-love is the process of expanding your awareness, of seeing those flaws and imperfections alongside the incredible potential of the universe flowing within you, alongside the eternal truth of life flowing within your veins in each second, alongside the flickers of creativity and opportunity present within each moment of your existence. Like this, the imperfections persist, but only as lovable quirks, like a bad doorknob on the front door of a cottage in paradise, like a few thorns on a beautiful rose, like a cloud in a sunset. Like this, what was once unwanted becomes essential, memorable, humbling.
I find it really fascinating that while in an attempt to look beautiful we tend to go for what's easily acceptable.But when it comes to portraits, it is only our facial flaws that make that picture worth its while, setting it apart.Isn't it amazing to find that beauty is something that makes us alike? While our flaws are the real contributors to our uniqueness.
Who will you love if not yourself? Other people? How can you love someone for anything but their raw, naked humanity? How can you say you love someone if it is not for their flaws and quirks, snorts and hurts, triggers and tears? Anything else is not love. It is idealization. And, as long as you do it to yourself, you will do it to everyone. You will not love anyone or anything until those eyes in the mirror soften up and embrace the beauty that is already within.
Inside, I found three things: a silver mirror, a silk handkerchief, and a glass flask of ointment. These items will help you on your journey. use them when need be. If you ever lose faith in yourself, the mirror will show your inner beauty. In case your reputation is stained, the handkerchief will remind you of how pure your heart is. As for the balm, it will heal your wounds, both inside and outside.
Anyone can take a picture of poverty; it’s easy to focus on the dirt and hurt of the poor. It’s much harder—and much more needful—to pry under that dirt and reveal the beauty and dignity of people that, but for their birth into a place and circumstance different from our own, are just like ourselves. I want my images to tell the story of those people and to move us beyond pity to justice and mercy.
[She had] a gay adventuresome spirit that was never to die, though it led her into curious places and she often found, at the end, only a trackless waste from which she had to retrace her steps painfully. But always, to her, red and green cabbages were to be jade and burgundy, chrysoprase and porphyry. Life has no weapons against a woman like that.
Fine art refers to an accomplished or advanced skill being used to testify and reveal the knowledge, ability, and wisdom of the creator. There is no art more exquisite than the work of the Master Artist Himself. Even those who choose to deny Him credit for His own creation are often engaged as an admirer of His work. Refusing to acknowledge the Source will never minimize His glory or extinguish the truth.With God’s loving guidance our life can be a great masterpiece filled with beauty, adventure, hope and purpose.
We don't value craftsmanship anymore! All we value is ruthless efficiency, and I say we deny our own humanity that way! Without appreciation for grace and beauty, there's no pleasure in creating things and no pleasure in having them! Our lives are made drearier, rather than richer! How can a person take pride in his work when skill and care are considered luxuries! We're not machines! We have a human need for craftsmanship!
The noble buoyancy of her attitude, its suggestion of soaring grace, revealed the touch of poetry in her beauty that Selden always felt in her presence, yet lost the sense of when he was not with her. Its expression was now so vivid that for the first time he seemed to see before him the real Lily Bart, divested of all the trivialities of her little world, and catching for a moment a note of that eternal harmony of whichher beauty was a part.
Cosette, by learning that she was beautiful, lost the grace of not knowing it; an exquisite grace, for beauty heightened by artlessness is ineffable, and nothing is so adorable as dazzling innocence, going on her way, and holding in her hand, all unconsciousness, the key of a paradise.
Within a moment of silence, all is known that needs to be known. Within a moment of breath, all of life surrounds you...from the stars, the sun, the trees and all of humanity. Within a moment of a smile, love embraces the universe and beyond. It only takes a moment of being open to the wisdom, the beauty and the Grace. ~jh
All his court were cast down in slumber, and all the fires faded and were quenched; but the Silmarils in the crown on Morgoth's head blazed forth suddenly with a radiance of white flame; and the burden of that crown and of the jewels bowed down his head, as though the world were set upon it, laden with a weight of care, of fear, and of desire, that even the will of Morgoth could not support. Then Lúthien catching up her winged robe sprang into the air, and her voice came dropping down like rain into pools, profound and dark. She cast her cloak before his eyes, and set upon him a dream, dark as the outer Void where once he walked alone.
All we Karamazovs are such insects. And angel as you are, that insect lives in you, too, and will stir up a tempest in your blood. Tempests, because sensual lust is a tempest - worse than a tempest! Beauty is a terrible and awful thing! It is terrible because it has not been fathomed and never can be fathomed, for God sets before us nothing but riddles. Here the boundaries meet and all contradictions exist side by side. I am not an educated nor cultured man, Alyosha, but I've thought a lot about this. It's terrible what mysteries there are! Too many riddles weigh men down on earth. We must solve as we can, and try to keep a dry skin in the water. Beauty! I can't bear the thought that a man of lofty mind and heart begins with the ideal of the Madonna and ends with the ideal of Sodom. What's still more awful is that a man with the ideal of Sodom in his soul does not renounce the ideal of the Madonna, and his heart may be on fire with that ideal, genuinely on fire, just as in his days of youth and innocence. Yes, man is broad, too broad. I'd have him narrower. The devil only knows what to make of it! What to the mind is shameful is beauty and nothing else to the heart. Is there beauty in Sodom? Believe me, that for the immense mass of mankind beauty is found in Sodom. Did you know that secret? The awful thing is that beauty is mysterious as well as terrible. God and the devil are fighting there and the battlefield is the heart of man.
Love is stronger than both fear and hope - if you can love the natural beauty around you, the amazing gifts and skills we have, the fact that you are alive to experience life, each moment that you have, and love yourself and those around you just as they are, then there is no need to be owned by fear, or even hope, you just live the best you can, being the truth of that love that you are being, representing the stream of consciousness experiencing itself, always knowing that you will someday return to it again, and flow as part of it infinitely on.
She emerged from the shadows like an apparition, and he was taken aback by her beauty. Never in his wildest dreams had he expected to chance upon such a vision of loveliness in those harsh and unforgiving mountains. Her beautiful face, long black hair, and slender figure enchanted him.
Oh little Poupchette, some may tell you that you are nobody's child, a child of defilement, a child begotten in fear and horror. Some may tell you that you are a child of abomination conceived in abomination, a tainted child, a child polluted long before you were born. Do not pay attention to them, my little sweetheart, please do not listen to them; listen to me. I say you are my child and I love you. I sometimes say that out of horror, beauty and purity and grace are born. I say I am your father for ever. I say the loveliest rose can bloom in contaminated soil. I say you are the dawn, the light of all my tomorrows, and the only thing that matters is the promise you represent. I say you are my luck and my forgiveness. My darling Poupchette, I say you are my whole life.
I tended to find lines of poetry beautiful only when I encountered them quoted in prose, in the essays my professors had assigned in college, where the line breaks were replaced with slashes, so that what was communicated was less a particular poem than the echo of poetic possibility. Insofar as I was interested in the arts, I was interested in the disconnect between my experience of actual artworks and the claims made on their behalf; the closest I'd come to having a profound experience of art was probably the experience of this distance, a profound experience of the absence of profundity.
My second thoughts condemnAnd wonder how I dareTo look you in the eye.What right have I to swearEven at one a.m.To love you till I die?Earth meets too many crimesFor fibs to interest her;If I can give my word,Forgiveness can recurAny number of timesIn Time. Which is absurd.Tempus fugit. Quite.So finish up your drink.All flesh is grass. It is. But who on earth can thinkWith heavy heart or lightOf what will come of this?
When hip-hop was born she had no commercial home, and was an invention of beautiful creativity. Born from a beautiful struggle, today she is mostly a 'ratchet' bitch spitting nonsense from her pimp's mansion.
... he was like a man into whose life a woman, whom he has seen for a moment passing by, has brought a new form of beauty, which strengthens and enlarges his own power of perception, without his knowing even whether he is ever to see her again whom he loves already, although he knows nothing of her, not even her name.
Don't be carried away by beauty, for the faeces also stays in the rectum of ravishing faces, and their private life is not beautiful as their public life...fear beauty!
No doubt there are some who, when confronted with a line of mathematical symbols, however simply presented, can only see the face of a stern parent or teacher who tried to force into them a non-comprehending parrot-like apparent competence--a duty and a duty alone--and no hint of magic or beauty of the subject might be allowed to come through.
An ordinary man gets arrogant with beauty, conceited with knowledge and ruthless with power.
Yet even so, Jon Snow was not sorry he had come. There were wonders here as well. He had seen sunlight flashing on icy thin waterfalls as they plunged over the lips of sheer stone cliffs, and a mountain meadow full of autumn wildflowers, blue coldsnaps and bright scarlet frostfires and stands of piper's grass in russet and gold. He had peered down ravines so deep and black they seemed certain to end in some hell, and he had ridden his garron over a wind-eaten bridge of natural stone with nothing but sky to either side. Eagles nested in the heights and came down to hunt the valleys, circling effortlessly on great blue-grey wings that seemed almost part of the sky.
REFLECTIONS OF A MIRRORBeautiful is he who recognizes what is truly beautiful,Even if the surface is ugly.Truthful is he who says what is true,Even if the truth is ugly.Ugly is he who measures beauty by its exterior,Without first weighing the interior.And ugly is the man who judges harshly what he sees looking out,Without first judging what he sees in the mirror.
A woman in her glory, a woman of beauty, is a woman who is not striving to become beautiful or worthy or enough. She knows in her quiet center where God dwells that he find her beautiful, has deemed her worthy, and in him, she is enough.
I've spent so much time feeling ugly and being treated as ugly as a result. But I changed my attitude and said, “I’m beautiful because I love everybody as much as I can. I’m beautiful because I have wonderful friends. And I’m beautiful because I say I am. I’ve earned it, and I’m gonna be it.
As the first hard drops of rain fell, the Witch caught sight, not of the girl's face, but of the shoes. Her sister's shoes. They sparkled even in the darkening afternoon. They sparkled like yellow diamonds, and embers of blood, and thorny stars.
Before them is the most beautiful city she has ever seen, has ever imagined. Golden rooftops shine brightly; windows made from diamonds and rubies gleam; tall buildings reach toward the clouds. She is again overwhelmed, this time with gratitude. All this, for her.
A girl stood before him in midstream, alone and still, gazing out to sea. She seemed like one whom magic had changed into the likeness of a strange and beautiful seabird. Her long slender bare legs were delicate as a crane's and pure save where an emerald trail of seaweed had fashioned itself as a sign upon the flesh. Her thighs, fuller and soft-hued as ivory, were bared almost to the hips, where the white fringes of her drawers were like feathering of soft white down. Her slate-blue skirts were kilted boldly about her waist and dovetailed behind her. Her bosom was as a bird's, soft and slight, slight and soft as the breast of some dark-plumaged dove. But her long fair hair was girlish: and girlish, and touched with the wonder of mortal beauty, her face.
Darker and darker, he said; farther and farther yet. Death takes the good, the beautiful, and the young - and spares me. The Pestilence that wastes, the Arrow that strikes, the Sea that drowns, the Grave the closes over Love and Hope, are steps of my journey, and take me nearer and nearer to the End.
If there is one thing I have come to believe over the years, it’s the notion that there really is somebody for everybody. Every single person is going to look at beauty from a different angle. Every single person is going to be attracted to certain features and characteristics that are completely different than the next person. And… there isn’t a person on earth that everybody on earth finds attractive.
The world population is nearing seven billion. John Travolta and Farrah Fawcett didn’t procreate and produce all seven thousand million of us. Audrey Hepburn and Burt Lancaster didn’t personally populate the world. Almost every child that was ever born is the byproduct of two everyday people who found each other attractive enough to go jump in the sack together. Almost every child that was ever born came about because two everyday people thought the other was attractive enough to warrant a second glance. If you want proof that attraction belongs to the individual, go sit on a bench at the mall and look at all the different couples walking by.You will believe that there literally is someone for everyone.
I saw a woman who physically and spiritually blocked out the definition of being celestial, and replaced it with her own divine beauty. She was transcendent. She was beyond astonishing in her presence. But what she truly did, which was beyond the scope of an average woman's power, was step above the barriers of reality and illusion with her pure, majestic, and omnipotent beauty.
True beauty express itself automatically. It's not only visible in the material, but around one's being, and within their aura. I once met a female, who was like that of a jeweled flower. Her celestial atmosphere and genuine conception could not separate from the true expression of the definition of beauty.
What a face this girl possessed!—could I not gaze at it every day I would need to recreate it through painting, sculpture, or fatherhood until a second such face is born. Her face, at once innocent and feral, soft and wild! Her mouth voluptuous. Eyes deep as oceans, her eyes as wide as planets. I likened her to the slender Psyché and judged that the perfection of her face ennobled everything unclean around her: the dusty hems of her bunched-up skirt, the worn straps of her nightshirt; the blackened soles of her tiny bare feet, the coal-stained balcony bricks upon which she sat, and that dusty wrought-ironwork that framed her perch. All this and the pungent air!—almost foul, with so many odors. Ô, that and the spicy night! …Pungency, spice, filth and night, dust and light; all things dark did blossom in sight; flower and bloom, the night has its pearl too—the moon! And once a month it will make the face of this tender girl bloom.
All my life I have refused to be for or against parties, for or against nations, for or against people. I never seek novelty or the eccentric; I do not go from land to land to contrast civilizations. I seek only, wherever I go, for symbols of greatness, and as I have already said, they may be found in the eyes of a child, in the movement of a gladiator, in the heart of a gypsy, in twilight in Ireland or in moonrise over the deserts. To hold the spirit of greatness is in my mind what the world was created for. The human body is beautiful as this spirit shines through, and art is great as it translates and embodies this spirit.
If the Pentateuch is not inspired in its astronomy, geology, geography, history or philosophy, if it is not inspired concerning slavery, polygamy, war, law, religious or political liberty, or the rights of men, women and children, what is it inspired in, or about? The unity of God?—that was believed long before Moses was born. Special providence?—that has been the doctrine of ignorance in all ages. The rights of property?—theft was always a crime. The sacrifice of animals?—that was a custom thousands of years before a Jew existed. The sacredness of life?—there have always been laws against murder. The wickedness of perjury?—truthfulness has always been a virtue. The beauty of chastity?—the Pentateuch does not teach it. Thou shalt worship no other God?—that has been the burden of all religions.
The desert at night was black and a strange madder-tinted silver; the sky was black, and the great contorted cliffs, and the vast expanses of sand that stretched out in all directions. But the red moon cast a pale crimson-tinged luminescence over everything, and far above the stars were glittering points of silver.
Do I love you because you're beautiful, or are you beautiful because I love you? Am I making believe I see in you, a woman too perfect to be really true? Do I want you because you're wonderful, or are you wonderful because I want you? Are you the sweet invention of a lover's dream, or are you really as beautiful as you seem?
The word God can mean whatever you believe it to mean, for me it is the conscious stream of life from which we all come, and to which we can stayconnected throughout our lives as a source of peace, wisdom, love, support, knowing, inspiration, vitality, security, balance, and inner strength.I think that awareness is paramount, because in awareness we gain understanding, which then enables us to regain our feeling of empowerment.We need to feel empowered to make our choices conciously, about how to deal with changes in life, rather than reacting in fear (which tends to make us blind and weak).If we are aware, we can be realistic yet postive, and we can properly focus our intentions.Awareness can be quite sensual (which can add to your sense of feeling empowered). Think about how your body moves as you live your life, how amazing it is; think about nature, observe the intricate beautiful details of natural thngs, and of things we create, and breathe deeply to soak it all in.. Focus on the taste of food, the feel of textures in cloth, the feel of you partner's hand in yours; smell the sea breeze, listen to the wind in the trees, witness the colours of the leaves, the children playing; and be thankful for this life we are experiencing - this life we can all help to keep wonderful. Feel the wonder of being alive flood into you anytime you want, by taking a deep breath and letting the experience of these things fill you, even just by remembering.We all have that same stream of life within us, so you are a part of everything. Each one of us has the power to make a difference to everything.Breathe in that vital connection to the life source and sensual beauty everywhere, Feel loved and strong.
Jesus, why would he hook up with Becca?" "Well, she's not known for her personality or generosity of spirit, so it's probably because she's hot." "She's not as hot as you," I said, before I could think better of it. "That's always seemed so ridiculous to me, that people would want to around someone because they're pretty. It's like picking your breakfast cereals based on color instead of taste.
In the dynamics of the main family of the story, a rising socialist in England's postwar government expects his grandparents to be pleased that the local aristocrat's garden is commandeered to allow the people to get coal underneath. Instead, the grandparents grieve because the garden represents something more than a resource to be divided. It is a symbol of community and beauty.
The scientific creation story has majesty, power and beauty. and is infused with a powerful message capable of lifting our spirits in a way that its multitudinous supernatural counterparts are incapable of matching. It teaches us that we are the products of 13.7 billion years of cosmic evolution and the mechanism by which meaning entered the universe, if only for a fleeting moment in time. Because the universe means something to me, and the fact that we are all agglomerations of quarks and electrons in a complex and fragile pattern that can perceive the beauty of the universe with visceral wonder, is, I think, a thought worth raising a glass to this Christmas.
But Sir Alistair’s gaze was different. Those other men had looked at her with lust or speculation or crass curiosity, but they hadn’t been looking at her really. They’d been looking at what she represented to them: physical love or a valuable prize or an object to be gawked at. When Sir Alistair stared at her, well, he was looking at her.
When you give your heart away, you usually get it back in pieces, fragments. And often, a great deal of time passes before you realize that every piece wasn’t returned to you—and probably never will be. You crave nothing more than to get those small—but vital—fragments back; to return to the unbroken, undamaged version of yourself. But what's been broken cannot be unbroken, and so all you can do is learn to live with the void of the missing pieces, to somehow find beauty in the wreckage.And so I did.Sophie Lenon
Logan looked at her and wondered how someone so beautiful could be so oblivious to their own beauty, how someone so smart could be so foolish to the extent of their own intellect and how someone so loving and compassionate could ever think she wasn’t worthy of love? It was like watching a blind man trapped and wandering aimlessly and helplessly in a scorching hot desert unable to see the small puddle of water that lay just a foot away. The only difference was that she had eyes. Two beautiful ones, yet she could not see. Is that what madness was? Was it to be able to view and appreciate every form of beauty but to be blind to the value and exquisiteness of one’s own? Logan believed in many forms of insanity but he knew in that instant watching her trembling frame on the train tracks that hers, that her illness, surpassed any clinical or psychological term known. Maybe she did suffer from depression or bipolar or schizophrenia. Who knew? All he was certain of in that moment that she suffered from no greater illness than the blindness of the heart.
Confession: I don't want everybody to be beautiful, not in that unlined, creaseless, symmetrical way. Android beauty, like it comes out of a test tube. Beauty without blemish or mark. Not only do I not identify with such people, I don't believe in them either. I don't even find them attractive. This is what makes watching television so hard: they don't cast actors anymore, only models. When they make a movie of my life, they'd better cast a character actor in the lead. Don't try to tell me I'm not a character.
[Donald] Keene observed [in a book entitled The Pleasures of Japanese Literature, 1988] that the Japanese sense of beauty has long sharply differed from its Western counterpart: it has been dominated by a love of irregularity rather than symmetry, the impermanent rather than the eternal and the simple rather than the ornate. The reason owes nothing to climate or genetics, added Keene, but is the result of the actions of writers, painters and theorists, who had actively shaped the sense of beauty of their nation.Contrary to the Romantic belief that we each settle naturally on a fitting idea of beauty, it seems that our visual and emotional faculties in fact need constant external guidance to help them decide what they should take note of and appreciate. 'Culture' is the word we have assigned to the force that assists us in identifying which of our many sensations we should focus on and apportion value to.
In South Africa, they dig for diamonds. Tons of earth are moved to find a little pebble not as large as a little fingernail. The miners are looking for the diamonds, not the dirt. They are willing to lift all the dirt in order to find the jewels. In daily life, people forget this principle and become pessimists because there is more dirt than diamonds. When trouble comes, don’t be frightened by the negatives. Look for the positives and dig them out. They are so valuable it doesn't matter if you have to handle tons of dirt.
If all men are made in God's reflection, then why do some people continue to acknowledge only what is in their part of the mirror? If every man was truly created equal, and in the image of God, then how can any man claim that one race is better than another, or that one nation is less deserving than another?
People have seen that I intend to sweep away everything we have been taught to consider - without question - as grace and beauty; but have overlooked my work to substitute a vaster beauty, touching all objects and beings, not excluding the most despised - and because of that, all the more exhilarating.... I would like people to look at my work as an enterprise for the rehabilitation of scorned values, and, in any case, make no mistake, a work of ardent celebration.... I am convinced that any table can be for each of us a landscape as inexhaustible as the whole Andes range... I am struck by the high value, for a man, of a simple permanent fact, like the miserable vista on which the window of his room opens daily, that comes, with the passing of time, to have an important role in his life. I often think that the highest destination at which a work of art can aim is to take on that function in someone's life.
I don’t have a problem with someone using their talents to become successful, I just don’t think the highest calling is success. Things like freedom and the expansion of knowledge are beyond success, beyond the personal. Personal success is not wrong, but it is limited in importance, and once you have enough of it it is a shame to keep striving for that, instead of for truth, beauty, or justice.
I sat up in the strange bed fearing it had been a dream, afraid I would never see her again. Not because I wanted anything from her, only her presence. The disappearance of the presence of beauty is the most despairing of events on this time-wheel of ours that rolls onward towards death.
Summer sticks to her skirt sumptuously, in the shiny gray fabric hanging loosely from her curves. Her chestnut eyes, apparently hidden from strangers; her simple but graceful face, unpainted by Madison Avenue; and her straight black hair, parted down the middle without ego, all suggest a minimalist - almost pastoral - beauty that is oddly discordant with her fashionable attire, comfortable indifference to the crowds, and quasi-attentive perusal of the Time magazine unfolded over her hand.
Now yes, yes, creation sometimes screams a confusing message—fear, pain, grief. Fire burns, rivers flood, winds go hurricane, the earth shudders so hard it levels cities. But you must remember—this was not so in Eden. Mankind fell, surrendering this earth to the evil one. St. Paul says that creation groans for the day of its restoration (see Rom. 8:18–22), making it clear that everything is not as it was meant to be. People come to terrible conclusions when they assume this world is exactly as God intended. (An assumption that has wrought havoc in the sciences.) The earth is broken.Which only makes the beauty that does flow so generously that much more astounding. And reassuring.
Night was falling. Birds were singing. Birds were, it occurred to me to say, enacting a frantic celebration of day's end. They were manifesting as the earth's bright-colored nerve endings, the sun's descent urging them into activity, filling them individually with life nectar, the life nectar then being passed into the world, out of each beak, in the form of that bird's distinctive song, which was, in turn, an accident of beak shape, throat shape, breast configuration, brain chemistry: some birds blessed in voice, others cursed; some squeaking, others rapturous.
Why did the world go on being so beautiful in spite of the ugliness he had experienced? The lake was beautiful, serenely beautiful. The forest was beautiful, greenly beautiful. Lake and forest, the whole shimmering world was painfully beautiful. He loved this world, but he was too hurt to enjoy it.
Yet the human heart is disheartened by the most unreasonable self-judgments, because even when we take on giants, we too often confuse failure with fault, which I know too well. The only way back from such a bleak despondency is to shape humiliation into humility, to strive always to triumph over the darkness while never forgetting that the honor and the beauty are more in striving than in winning. When triumph at last comes, our efforts alone could not have won the day without that grace which surpasses all understanding and which will, if we allow it, imbue our lives with meaning.
I am impressed anew by... how much the harshness that challenges life is what causes the beauty. Birds fly because they must escape predators and search for food. Trees grow skyward because they compete fiercely with other trees for light. Living things need something to push off of. Each of us needs challenges to give us the right shape.
Something very beautiful happens to people when their world has fallen apart: a humility, a nobility, a higher intelligence emerges at just the point when our knees hit the floor. Perhaps, in a way, that's where humanity is now: about to discover we're not as smart as we thought we were, will be forced by life to surrender our attacks and defenses which avail us of nothing, and finally break through into the collective beauty of who we really
Every person sees the world through lenses of his or her own design—individual goggles that alter focus and perspective as desired. For those who wish the world to be dark and ugly and unapproachable, it is. But for those who wish it to be beautiful, it is a garden playground blooming with bright, happy colors.
When we maintain a conscious connection with Gratitude, our presence will naturally radiate a certain beauty and undisturbed, inner tranquillity. Such individuals glow. All such individuals look beautiful and seem irresistible to those who value goodness. They have an attractor field of loveliness which, likewise, tends to bring out the beauty in other people.
So seek beauty, Miss Prim. Seek it in silence, in tranquillity; seek it in the middle of the night and at dawn. Pause to close doors while you seek it, and don't be surprised if it doesn't reside in museums or in palaces. Don't be surprised if, in the end, you find beauty to be not in Something but Someone.
-I don't know that thin and pretty is what Nat is supposed to be, though. Does that make any sense?"If she'd been holding on to any illusions about how much she liked Vince Grasso-not lusted for him, which she also did-that last speech would have cinched it. "It makes perfect sense. She's beautiful in her own way, but pretty is something...else. And I've had friends who were really pretty-it didn't always help them all that much.'"Yeah," he said. "My wife was pretty, and she was miserable her whole life. I just want my girls to be happy. Be themselves, you know, whatever it is.
Once you are able to move beyond the concept of time, so too will you move beyond having any judging or condemning thoughts or feelings about any being, situation or event. When you have nothing to measure the successes and failures of you or anyone else against, then the perfection of each moment will be revealed to you consistently and with unwavering beauty.
Everyone is beautiful and talented in their own special way. Some people can sing, dance, play instruments, teach, and more. You may not be in the hall of fame, but you possess the ability to inspire others. Recognize your talents and continue to be creative. Share your beautiful gifts with the world
Gazing around, looking up at the lofty pinnacles above, which seemed to pierce the sky, looking down upon the world,--it seemed the whole world, so limitless it stretched away at her feet,--feeling that infinite unspeakable sense of nearness to Heaven, remoteness from earth which comes only on mountain heights, she drew in a long breath of delight, and cried: "At last! at last, Alessandro! Here we are safe! This is freedom! This is joy!
When they had hurried to the train station with their violin cases, they had drawn almost as many stares as they would on any normal day when their hair was to their knees and sheeting behind them like red silk. A poetic fruit-seller had told them once that they looked like dryads, and they did still, only now they looked like dryads who had tired of snagging their hair on brambles and sliced it all off on the edge of a knife.
I feel ugly” I said and you looked at me as if I spoke a different language. There are things you will never understand and if there were words to describe the rapture that takes place in my head from time to time I would put my hand in front of your eyes to protect you from all the ugliness in the world. I kept my eyes on the streetlights outside the window and you kissed every inch of my body as if you could kiss the pain away.
The Three of them were beautiful, in the way all girls of that age are beautiful. It can't be helped, that sort of beauty, nor can it be conserved; it's a freshness, a plumpness of the cells, that's unearned and temporary, and that nothing can replicate. None of them was satisfied with it, however; already they were making attempts to alter themselves into some impossible, imaginary mould, plucking and pencilling away at their faces. I didn't blame them, having done the same once myself.
Do not ridicule my effort. Everybody likes a comedian’s company. That’s why they give them tips after watching theshow, not their hard earned money for a mutual fund investment. Give him tips, not your heart. I guess youunderstand the difference.
Beauty works perfect miracles. All inner shortcomings in a beauty, instead of causing repugnance, become somehow extraordinarily attractive; vice itself breathes comeliness in them; but if it were to disappear, then a woman would have to be twenty times more intelligent than a man in order to inspire, if not love, at least respect.
For our face and body were beautiful. Our face was not like the faces of our brothers, for we felt not pity when looking upon it. Our body was not like the bodies of our brothers, for our limbs were straigth and thin and hard and strong. And we thought that we could trust this being who looked upon us from the stream, and that we had nothing to fear with this being.
When we accept our own wild beauty, it is put into perspective, and we are no longer poignantly aware of it anymore, but neither would we forsake it or disclaim it either. Does a wolf know how beautiful she is when she sleeps? Does a feline know what beautiful shapes she makes when she sits? Is a bird awed by the sound it hears when it snaps open its wings? Learning from them, we just act in our own true way and do not draw back from or hide our natural beauty. Like the creatures, we just are, and it is right.
The universe and the events in it are thus perfect examples to imitate. However, no matter how perfect the example is, everyone will draw and interpret objects according to their abilities. Charles Lako, commenting on aesthetics once said, that the magnificent scene at sunset would remind a farmer of the rather unaesthetic thought of dinner; the physicist, not of beauty or ugliness, but of the rightness or wrongness of the analysis of a matter. Thus, for Lalo, the sunset is beautiful only for those who are aware of beauty. Therefore, only those who see with God and hear with God can appreciate the beauty that spreads throughout existence as their senses are tuned to the spiritual realms.
I've played Romeo for Juliet(But in depth)It's vignettes of silhouettes(And then read)And watched Russian roulette, yeah red SovietYet doing it simultaneouslyWhile dropping down shed oubliettesTurned around and took truth to the head thatLove is the ugliest thing too beautiful for death
I’d like to sit there,” I said softly to the girl sitting in front of the other mirror. She scampered. I took over her abandoned make-up and painted my face. Red cheeks, to attract hungry vampyre glances. Black liquid eyeliner and mascara, to draw attention away from my bitter eyes. My silky-thin, raven hair, undone in waves over my bare shoulders. The magenta shade of apple gloss on my lips, to make them plump and inviting. Finally, a strapless golden dress that hugged my hips and not much lower. I stood up, feeling the cold air slide down the bare skin of my back like fingers, and panicked. I couldn’t wear something like this! Not without a cardigan! A light dress jacket, at least!I took a gulp of Amrit’s wine and detached myself from the fretting child in my head. Then I strode from the sleeping chambers.
Her problem is with pretty,” Tennyson said. "She thinks I’ll need all these dresses in college. Like I would ever in a billion years pledge a sorority. I’ll pack a few of these to be ironic, though. I can wear them to, like, truck stops at night with mascara running down my cheeks and stuff.
The budstands for all things,even for those things that don’t flower,for everything flowers, from within, of self-blessing; though sometimes it is necessaryto reteach a thing its loveliness,to put a hand on its browof the flowerand retell it in words and in touchit is lovelyuntil it flowers again from within, of self-blessing
Clara smoked in the shallow pool as Lana del Rey poured from her phone. She shaded her eyes. She liked the shallow pool because she could lay out, half in the sun, half in the water, and not get her hair wet. She had black eyeliner smeared under her eyes from who-knows-when, and while she never bothered to fix it, she did apply more, so she looked permanently hung over. She liked that.
Sorcha took the elevator down to the basement of the fashion house. She glanced at her stunningly beautiful reflection in the mirror and smiled to herself. How fortunate she was to be a vampire - no gray hairs, no wrinkles, no broken nails, no weight problems, and no PMT. What bliss! And how fortunate it was that all the legends about vampires were not true. She could not imagine an existence where she could not see and admire her own likeness - such a life to her would be intolerable and tedious. How could any female, even a vampire, survive without being able to see their own reflection? How could they do their hair and makeup? The very idea was totally preposterous.
As we drew nearer the green shore the bearded man told me of that land, the Land of Zar, where dwell all the dreams and thoughts of beauty that come to men once and then are forgotten. And when I looked upon the terraces again I saw that what he said was true, for among the sights before me were many things I had once seen through the mists beyond the horizon and in the phosphorescent depths of the ocean.
The beauty of this world where almost everyone was gone. If hell is other people, what is a world with almost no people in it? Perhaps soon humanity would simply flicker out, but Kirsten found this thought more peaceful than sad. So many species had appeared and later vanished from this earth; what was one more? How many people were even left now?
Earth processes that seem trivially slow in human time can accomplish stunning work in geologic time. Let the Colorado River erode its bed by 1/100th of an inch each year (about the thickness of one of your fingernails.) Multiply it by six million years, and you’ve carved the Grand Canyon. Take the creeping pace of which the continents move (about two inches per year on average, or roughly as fast as your fingernails grow). Stretch that over thirty million years, and a continent will travel nearly 1,000 miles. Stretch that over a few billions years, and continents will have time to wander from the tropics to the poles and back, crunching together to assemble super-continents, break apart into new configurations- and do all of that again several times over. Deep time, it could be said, is Nature’s way of giving the Earth room for its history. The recognition of deep time might be geology’s paramount contribution to human knowledge.
An oceanic expanse of pre-dawn gray white below obscures a checkered grid of Saskatchewan, a snow plain nicked by the dark, unruly lines of woody swales. One might imagine that little is to be seen from a plane at night, but above the clouds the Milky Way is a dense, blazing arch. A full moon often lights the planet freshly, and patterns of human culture, artificially lit, are striking in ways not visible in daylight. One evening I saw the distinctive glows of cities around Delhi diffused like spiral galaxies in a continuous deck of stratus clouds far below us. In Algeria and on the Asian steppes, wind-whipped pennants of gas flared. The jungle burned in incandescent spots in Malaysia and Brazil. One clear evening at 20,000 feet over Manhattan, I could see, it seemed, every streetlight halfway to the end of Long Island. A summer lightning bolt unexpectedly revealed thousands of bright dots on the ink-black veld of the northern Transvaal: sheep.
When the sun goes down, melting away his caresses into the sky which consonants with the ocean, lively colors are scattered through the deep pale depth during some short sensuous instants. Later, as by art of magic, light is consumed into the infinite horizon giving space to the poked voidness and its full-cristal-covered vastness. Then, to mystify the night, a marvelous and alluring sentinel rests next to us through the vivid night, just until the next prismatic fest arrives with its celebrating aperture.
Because sometimes the Church seems like those posed circus tableaus where the curtain lifts and men, white, zinc-oxide, talcum-powder statues, freeze to represent abstract Beauty. Very wonderful. But I hope there will always be room for me to dart about among the statues, don't you, Father Stone?
Products produced cheaply create ugly work lives and ugly households and ugly communities. Profits produced quickly cannot purchase patience and care. Patience is beautiful. Restraint and care are beautiful. Peace is beautiful. A small, diversified organic farm is beautiful.
I just hope that one day, in one gloriously farcical moment I will be taken completely by surprise. I hope that I trip and fall. And when that day comes I hope that all of the doom and gloom that fill my black balloon will burst and ignite something so beautiful, so overwhelming that I find myself seeing beauty in the ugliest of places.
When you die, you want to die a beautiful death. But what makes for a beautiful death is not always clear. To die without suffering, to die without causing trouble to others, to die leaving behind a beautiful corpse, to die looking good -- it's not clear what is meant by a beautiful death. Does a beautiful death refer to the way you die or the condition of your corpse after death? This distinction is not clear. And when you start to stretch the image of death to the method of how to dispose of your corpse as befitting your image of death, everything grows completely out of hand.
We see, at least with intellect, that beyond both true and false is truth; that there is beauty beyond our present views on the beautiful and ugly; that pleasure-pain can now alike be transcended, and that some day we shall truly see that 'form is emptiness and the very emptiness is form'.
I had travelled from Spain into Morocco and from there south to the Atlas Mountains, at the edge of the Sahara Desert…one night, in a youth hostel that was more like a stable, I woke and walked out into a snowstorm. But it wasn’t the snow I was used to in Minnesota, or anywhere else I had been. Standing bare chest to cool night, wearing flip-flops and shorts, I let a storm of stars swirl around me. I remember no light pollution, heck, I remember no lights. But I remember the light around me-the sense of being lit by starlight- and that I could see the ground to which the stars seemed to be floating down. I saw the sky that night in three dimensions- the sky had depth, some stars seemingly close and some much farther away, the Milky Way so well defined it had what astronomers call “structure”, that sense of its twisting depths. I remember stars from one horizon to another, making a night sky so plush it still seems like a dream.It was a time in my life when I was every day experiencing something new. I felt open to everything, as though I was made of clay, and the world was imprinting on me its breathtaking beauty (and terrible reality.) Standing nearly naked under that Moroccan sky, skin against the air, the dark, the stars, the night pressed its impression, and my lifelong connection was sealed.
With my naked eye, on nights the moon climbs slowly, sometimes so dusted with rust and rose, brown, and gold tones that it nearly drips earth colors and seems intimately braided with Earth, it feels close, part of this world, a friend. But through the telescope, the moon seems- ironically- farther away…the gray-white moon in a sea of black, its surface in crisp relief, brighter than ever before. I am struck too, by the scene’s absolute silence.
In these countless stars, in their clusters and colors and constellations, in the “shooting” showers of blazing dust and ice, we have always found beauty. And in this beauty, the overwhelming size of the universe has seemed less ominous, earth’s own beauty more incredible. If indeed the numbers and distances of the night sky are so large that they become nearly meaningless, then let us find the meaning under our feet.
My feeling is that an observer needs to see four hundred and fifty stars to get that feeling of infinitude, and be swept away…and I didn’t make that number up arbitrarily, that’s the number of stars that are available once you get dimmer than third magnitude. So in the city, you see a dozen stars, a handful, and it’s attractive to no one. And if there’s a hundred stars in the sky it still doesn’t do it. There’s a certain tipping point where people will look and there will be that planetarium view. And now you’re touching that ancient core, whether it’s collective memories or genetic memories, or something else form way back before we were even human…astronomer Bob Berman quoted in The End of Night
These are maybe the most exciting stars, those just above where sky meets land and ocean, because we so seldom see them, blocked as they usually are by atmosphere…and, as I grow more and more accustomed to the dark, I realize that what I thought were still clouds straight overhead aren’t clearing and aren’t going to clear, because these are clouds of stars, the Milky Way come to join me. There’s the primal recognition, my soul saying, yes, I remember.
Beauty could be defined simply as 'that which pleases.' But there is another aspect to art, and that... is the sublime. Like the mushroom cloud of the atom bomb, or the vastness of space as projected to us by satellite... the greatness of the experience goes beyond your ethical and aesthetic judgment, cutting you free from the binding ego of yourself. With the diminishment of your ego, the less there is of you, the more you see the sublime.
Why may you not kiss me?” she had demanded. “Am I a corpse?”“Of course not.”“Do you find me less attractive now that weather and wind have scoured the bloom from my cheeks?”“Skaytha, it’s nothing like that. If anything you are more beautiful now than when we lived on Skyrl. Often enough I have no breath when I look at you. You rob me of any other thoughts.”“So you’re afraid my kisses will take what little brain you have left?”“I’m afraid the angels will do something I don’t want them to do if I fly in the face of their commands, commands I can only assume are divine as well as angelic.”“Did you ever think to ask them the reasons behind their demands?”“When it is an angel I just want to get out of the conversation alive or at least without being struck dumb. So I don’t prolong the chat.”“You might have wanted my kisses more than that. If you had any romance in you you’d have told them you were ready to fight ten legions of angels for my love.”Hawk had reached out to hold her. “If I’d told them that they might have taken me up on it. Angels are not just useful for gallant flourishes the moment you declare your intention to battle all comers for the woman you love. Angels burn like fire and blaze like a hundred suns – they strike fear in my heart.”She had pulled away from his embrace and jumped to her feet. “Oh, no, you don’t. If I’m not good enough to kiss I’m not good enough to take in your arms either. It’s angels or me. Make up your mind whom you fear more. Or love more.”“I don’t love the angels.”“Clearly you don’t love me either.”They had been in a tipi. She’d gone to the opening, lifted the flap, bent, and stalked away, passing by warriors of the tribe with her head as high as a goddess and her back as straight as the shaft of the spear. The chief had poked his head in.“All is well, Hawk?’ he had asked.Hawk had learned their tongue.“It couldn’t be better,” Hawk had responded. “Only being slain in battle would be greater than this.”The chief had thought this over and laughed. "That would bring you great honor.""I am in short supply of honor right now and such short supply never pleases a woman like her. Better to die at the end of a spear and have it for a few moments and win her back."The chief had nodded. "Sound wisdom. Would you like to join a raiding party against our enemy tonight?""I couldn't be happier."(from The Name of the Hawk, Book 2)
Ultron: Stark asked for a savior, and settled for a slave.The Vision: I suppose we're both disappointments.Ultron: [laughs] I suppose we are.The Vision: Humans are odd. They think order and chaos are somehow opposites and try to control what won't be. But there is grace in their failings. I think you missed that.Ultron: They're doomed!The Vision: Yes... but a thing isn't beautiful because it lasts. It is a privilege to be among them.Ultron: You're unbelievably naïve.The Vision: Well, I was born yesterday.
Writing the poems, I came to think that regarding is a form of love, but the regarding is not necessarily accurate. In the poems, people are always misperceiving one another. But misperceptions are a part of being alive to others. You don’t need truth or beauty. All you do is perceive. That’s all you need to have loved and lived fully.
Indira was surrounded by people who had given up hope, who blamed their own misery on the influence of Christianity and western cultures, and yet, literally in the midst of squalor, her family had created a place of real beauty. It really makes you stop and think. Uncle Google should be spitting out eight hundred million things American schools have done right. The fact things are so screwed up makes no sense. If you believe Uncle Google, then we’ve done the exact opposite from Indira’s family—in the land of hope and plenty we’ve created a place that’s ugly. We have so much. Can things really be so bad? Maybe we can’t fix our schools because as individuals we’ve never truly been broken. Or maybe Chinese lanterns make everyone wax philosophical.
Roses and thorns are parts of the same plant. Somehow though, some people are concerned mainly about the roses. The rose is not on the plant for more than a week, but the thorns are there forever.Roses are teaching that the beauty of life will bloom, once you have taught yourself the lessons given by living with the thorns.
And she was not beautiful asleep. Her expression slack and not angelic. The very ordinariness of it so beautiful he felt a yearning to be something more than he was or could be. And as good a player as he was, he knew as he turned on the reel to reel and hugged the Fender once again that nothing he composed would ever be as beautiful as her ordinary sleep.Watching her he played the music of her sleeping. And by surrendering made something beautiful.
She had not heard him enter, and hardly realized his presence there. She was yawning, and he saw the red interior of her mouth as if it had been a snake's. She had stretched one arm so high above her coiled-up cable of hair that he could see its satin delicacy above the sunburn; her face was flushed with sleep, and her eyelids hung heavy over their pupils. The brim-fulness of her nature breathed from her. It was a moment when a woman's soul is more incarnate than at any other time; when the most spiritual beauty bespeaks itself flesh; and sex takes the outside place in the presentation.
Many Americans first fell in love with the poetry of the thirteenth century teacher and spiritual leader Jelalludin Rumi during the early 1990s when the unparalleled lyrical grace, philosophical brilliance, and spiritual daring of his work took modern Western readers completely by surprise. The impact of its soulful beauty and the depth of its profound humanity were so intense that they reportedly prompted numerous individuals to spontaneously compose poetry.
I look back at the glimpse of light in the center of Magdalene, near her heart, and remember the beauty to be found even in sorrow--beauty as a result of transformation, an admission of weakness, and a total dependence on the Creator. Even in the darkest hour, our hearts can allow us to see the light.
Every person is attractive to somebody. You are. I am. Jim Bob over there is, too. Every person is probably ugly to somebody, too. You are. I am. Jim Bob over there is, too. Don’t take it personally.And, we all need to do ourselves a favor. We need to believe people when they tell us we’re beautiful, handsome, sexy, attractive, hot, or hunkalicious, especially when that someone is somebody that we think is beautiful, handsome, sexy, attractive, hot, or babealicious.Because you know what? They probably really think so. They probably aren’t lying. They probably don’t give a damn that you don’t look like Pamela Anderson.
All I could think as he was speaking was that, if he touched me at all, all the miles I’d walked, the pain I’d felt, the beauty I’d drunken like milk, like good wine making me happy, the four million steps I’d taken, would all add up to nothing. They’d be stolen.
The rock I'd seen in my life looked dull because in all ignorance I'd never thought to knock it open. People have cracked ordinary New England pegmatite - big, coarse granite - and laid bare clusters of red garnets, or topaz crystals, chrysoberyl, spodumene, emerald. They held in their hands crystals that had hung in a hole in the dark for a billion years unseen. I was all for it. I would lay about me right and left with a hammer, and bash the landscape to bits. I would crack the earth's crust like a piñata and spread to the light the vivid prizes in chunks within. Rock collecting was opening the mountains. It was like diving through my own interior blank blackness to remember the startling pieces of a dream: there was a blue lake, a witch, a lighthouse, a yellow path. It was like poking about in a grimy alley and finding an old, old coin. Nothing was at it seemed. The earth was like a shut eye. Mother's not dead, dear - she's only sleeping. Pry open the thin lid and find a crystalline intelligence inside, a rayed and sidereal beauty. Crystals grew inside rock like arithmetical flowers. They lengthened and spread, adding plane to plane in awed and perfect obedience to an absolute geometry that even the stones - maybe only the stones - understood.
Houses, housetops, like human beings have wonderful character. The lives of housetops. The wear of the seasons. The country is beautiful, young, growing things. The majesty of trees. The backs of tenement houses are living documents.
I think her favorite thing about our . . . collaboration was her actor and musician friends rubbing shoulders with my academic colleagues, she liked the atmosphere of challenge, the way anything that came under discussion could be claimed or rejected by either side. Time and time again the power of an idea or a piece of art was assessed by either its beauty or its technique or its usefulness, and time and time again my wife was surprised by how rarely anything on earth satisfies all three camps.
He embraces all things that are lovely: he seals up the sum of all loveliness. Things that shine as single stars with a particular glory, all meet in Christ as a glorious constellation. Col. 1:19, "It pleased the Father that in him should all fullness dwell." Cast your eyes among all created beings, survey the universe: you will observe strength in one, beauty in a second, faithfulness in a third, wisdom in a fourth; but you shall find none excelling in them all as Christ does. Bread has one quality, water another, raiment another, medicine another; but none has them all in itself as Christ does. He is bread to the hungry, water to the thirsty, a garment to the naked, healing to the wounded; and whatever a soul can desire is found in him, 1 Cor. 1:30
Christ is, then, the perfect art work in the sense of that reality in whom is realised those goals that all artistic making has as its explicit or implicit ends. Because he is infinite meaning, life and being perfectly synthesised with finite form, the cave painters at Lascaux, or Hesiod penning his hymns, or Beethoven working on his last quartets, were all gesturing towards him though they realised it not.
It was partly the war, the revolution did the rest. The war was an artificial break in life-- as if life could be put off for a time-- what nonsense! The revolution broke out willy-nilly like a sigh suppressed too long. Everyone was revived, reborn, changed, transformed. You might say that everyone has been through two revolutions-- his own, personal revolution as well as the general one. It seems to me that socialism is the sea, and all these separate streams, these private, individual revolutions, are flowing into it-- the sea of life, the sea of spontaneity. I said life, but I mean life as you see it in a great picture, transformed by genius, creatively enriched. Only now people have decided to experience it not in books and pictures, but in themselves, not as an abstraction but in practice.
The riot had taken on a beauty of its own now. Arcs of gasoline fire under the crescent moon. Crimson tracer in mystical parabolas. Phosphorescence from the barrels of plastic bullet guns. A distant yelling like that of men below decks in a torpedoed prison ship. The scarlet whoosh of Molotovs intersecting with exacting surfaces. Helicopters everywhere: their spotlights finding one another like lovers in the Afterlife.And all this through a lens of oleaginous Belfast rain.
...real age, as I came to see from the genuine pieces that passed through my hands, was variable, crooked, capricious, singing here and sullen there, warm asymmetrical streaks on a rosewood cabinet from where a slant of sun had struck it while the other side was as dark as the day it was cut.
I can see where this is going, too. Of course, I can, because I am Alex as well. But I want to dress up in gorgeous clothes and strut up and down the runway like they do in the magazines, swishing my tail. I want to dress up with Amina and Julia and giggle and be girlfriends, arm in arm. I want to be beautiful. I want other people to think I am beautiful.
We did not learn how to feel or experience our bodies, how to appreciate our own strengths, how to value or respect or understand the packages we came in. Instead, we learned how to look at them, to pair sexuality with desirability, to measure the worth of our bodies by their capacity to elicit admiration from others.
She held the moth to the light. It was nearer brown than yellow,and she remembered having seen some like it in the boxes that afternoon.It was not the one needed to complete the collection,but Elnora might want it,so Mrs. Comstock held on. Then the Almighty was kind,or nature was sufficient,as you look at it,for following the law of its being when disturbed,the moth again threw the spray by which some suppose it attracts its kind,and liberally sprinkled Mrs. Comstock's dress front and arms. From that instant,she became the best moth bait ever invented. Every Polyphemus in range hastened to her,and other fluttering creatures of night followed. The influx came her way. She snatched wildly here and there until she had one in each hand and no place to put them. She could see more coming,and her aching heart,swollen with the strain of long excitement,hurt pitifully.She prayed in broken exclamations that did not always sound reverent,but never was a human soul more intense earnest.
When he appeared before the lord, his lordship was smitten immediately with the boy's unadorned beauty, like a first glimpse of the moon rising above a distant mountain. The boy's hair gleamed like the feathers of a raven perched silently on a tree, and his eyes were lovely as lotus flowers. One by one his other qualities became apparent, from his nightingale voice to his gentle disposition, as obedient and true as a plum blossom.
The intensest feeling of the beauty of a cloud lighted by the setting sun, is no hindrance to my knowing that the cloud is a vapour of water, subject to all the laws of vapours in a state of suspension; and I am just as likely to allow for, and act on, these physical laws whenever there is occasion to do so, as if I had been incapable of perceiving any distinction between beauty and ugliness.
She was looking into my eyes with that way she had of looking that made you wonder whether she really saw out of her own eyes. They would look on and on after every one else's eyes in the world would have stopped looking. She looked as though there were nothing on earth she would not look at like that, and really she was afraid of so many things.
I, Lexi Anderson, am proud to say that I do, indeed, have a great personality.And it's only a matter of time before the Beautiful People will be wishing they had great personalities, too.Good luck with that, oh Beautiful Ones.Because we Great Girls are the rarest breed.
We are all One. The beauty in one person is shared by all. The life path of one individual blesses everyone. The expression of Life neither originates within a single human, belongs to that person, nor remains within the personal boundary. Life is energy and, as such, it belongs to all, reaches all, and blesses all.
Hannibal knew your beauty was trouble. Only bad things could come from such a pretty girl. You were made for temptation. You would be a source of jealousy and greed. Men would lust, plot and kill to claim you as their own. He decided to place you in the public domain and donate your body to the pimps as a gift to the people.
beauty such as theirs was something with which one lived joyously — racing with the wind, with storm and snow, dancing in the frost or among the golden wattles, galloping, galloping in the spring sun. Life might be dangerous, with beauty that was so difficult to hide, but life was always and ever had been very, very good
sometimes falling raincarries memories of betrayalthere in the woodswhere she was not meant to betoo young she believesin her right to be freein her bodyfree from harmbelieving naturea wilderness she can enterbe solacedbelieving the powerthat there be sacred placethat there can be atonement nowshe returns with no fearfacing the pastready to riskknowing these woods nowhold beauty and danger
Kindly permit me to tell you, sir, that I hate you. I hate you and your child, as I hate the life of which you are the representative: cheap, ridiculous, but yet triumphant life, the everlasting antipodes and deadly enemy of beauty. I cannot say I despise you - for I am honest. You are stronger than I. I have no armour for the struggle between us, I have only the Word, avenging weapon of the weak. Today I have availed myself of this weapon. This letter is nothing but an act of revenge - you see how honourable I am - and if any word of mine is sharp and bright and beautiful enough to strike home, to make you feel the presence of a power you do not know, to shake even a minute your robust equilibrium, I shall rejoice indeed. -
When the devout religion of mine eyeMaintains such falsehood, then turn tears to fires,And these, who, often drowned, could never die,Transparent heretics, be burnt for liars!One fairer than my love? The all-seeing sunNe'er saw her match since first the world begun.
Ah, and then her beautiful face…actually, the level and angle that she was holding the umbrella, the whole time as she passed within Suresh’s view, only allowed him to see the bottom of her chin at most. Still, with a body as beautiful as hers, Suresh was quite certain that her face would be nothing less than positively stunning!
In this busy modernized age, it's easy to be blind to the light all around us. You see, there truly are real angels living among us that look just like you and I. If you pay attention, you can spot one because they're quite easy to find. They're the souls with the eternally deep eyes that always act like something is broken inside, but fail to realize it's just their wings.
Perhaps soul mates don’t exist, I thought. Maybe they were only a way to get over a loss that couldn’t be forgotten, a way to mend a heart that was unredeemable—an aberrant remedy that dissolved long before the healing began. A way to love a numberless amount of times when it was finite all along. Perhaps love was this illusory wonder and we were reaching for the impossible. Maybe it wasn’t likely to know someone so completely and maybe, just maybe… there was no beauty in having a soul.
The sun is roaring, it fills to bursting each crystal of snow. I flush with feeling, moved beyond my comprehension, and once again, the warm tears freeze upon my face. These rocks and mountains, all this matter, the snow itself, the air- the earth is ringing. All is moving, full of power, full of light.
A young woman stood before the railing, speaking to the reception clerk. Her slender body seemed out of all scale in relation to a normal human body; its lines were so long, so fragile, so exaggerated that she looked like a stylized drawing of a woman and made the correct proportions of a normal being appear heavy and awkward beside her. She wore a plain gray suit; the contrast between its tailored severity and her appearance was deliberately exorbitant—and strangely elegant.She let the finger tips of one hand rest on the railing, a narrow hand ending the straight imperious line of her arm. She had gray eyes that were not ovals, but two long, rectangular cuts edged by parallel lines of lashes; she had an air of cold serenity and an exquisitely vicious mouth. Her face, her pale gold hair, her suit seemed to have no color, but only a hint, just on the verge of the reality of color, making the full reality seem vulgar. Keating stood still, because he understood for the first time what it was that artists spoke about when they spoke of beauty.
There was something else,--something quite undefinable, that gave a singular glow and radiance to the whole countenance, and suggested the burning of a light through alabaster,--a creeping of some subtle fire through the veins which made the fair body seem the mere reflection of some greater fairness within.
You are beautiful like demolition. Just the thought of you draws my knuckles white. I don’t need a god. I have you and your beautiful mouth, your hands holding onto me, the nails leaving unfelt wounds, your hot breath on my neck. The taste of your saliva. The darkness is ours. The nights belong to us. Everything we do is secret. Nothing we do will ever be understood; we will be feared and kept well away from. ..It’s you and me in this room, on this floor. Beyond life, beyond morality. We are gleaming animals painted in moonlit sweat glow. Our eyes turn to jewels and everything we do is an example of spontaneous perfection. I have been waiting all my life to be with you. My heart slams against my ribs when I think of the slaughtered nights I spent all over the world waiting to feel your touch. The time I annihilated while I waited like a man doing a life sentence. Now you’re here and everything we touch explodes, bursts into bloom or burns to ash. History atomizes and negates itself with our every shared breath. I need you like life needs life. I want you bad like a natural disaster. You are all I see. You are the only one I want to know.
Through pain and growth, I have come to appreciate -no, more than that-I've come to love my fence, even though it may be different than the neighbors'. The concept of perfection is not flawless or ripped from a magazine. It's happiness. Happiness with all itsmessiness and not-quite-thereness. It's knowing that life is short, and the moments we choose to fill our cup wiht should be purposeful and rich. That we should be present for life, that we should drink deeply. And that's perfection. And my dad and my mom and my family-my past, present, and future with Nella, what the world may view as broken or damaged-have taught me what true beauty really is.
Judge that boy if you must; for debauchery, for objectifying innocence... but before you finalize your verdict, oh innocent reader, I beg you to scan again that last stanza. What you and I overlooked in our cloud of perversion and nasty objectification was the unrestrained joy of a little girl playing dress-up for the very first time.
Being reveals itself in all its beauty, splendor, and mystery “to him who contemplates it reverently.” ... What's the most beautiful part of the world, the part that has the greatest dignity? It’s not really a part but a person – it’s every person. Personal being is the greatest wonder of the cosmos.
To speak of sparing anything because it is beautiful is to waste one’s breath and incur ridicule in the bargain. The aesthetic sense- the power to enjoy through the eye, and the ear, and the imagination- is just as important a factor in the scheme of human happiness as the corporeal sense of eating and drinking; but there has never been a time when the world would admit it.
If the pirate with a scarf had been more poetically minded he’d have thought that her eyes were like a thousand emeralds, glittering in a far-off pirate treasure chest. But he wasn’t, so he just thought that she had really really green eyes, a bit like seaweed.
It is as if the stuff of which we are made were totally transparent and therefore imperceptible and as if the only appearances of which we can be aware are cracks and planes of fracture in that transparent matrix. Dreams and percepts and stories are perhaps cracks and irregularities in the uniform and timeless matrix. Was this what Plotinus meant by an 'invisible and unchanging beauty which pervades all things'?
If you are ready to trade the hollow self-made beauty of this world for the glorious Christ-built beauty of a set-apart young woman, this is where it all begins. Denying self, taking up your cross, and following the Lamb wherever He leads. In other words, letting go of all preoccupation with self: our comfort, our pleasure, our agenda, our popularity, our ability to gain the world's approval, even our own dreams and desires. And, as Paul did, treating all those things as rubbish for the excellence of the knowledge of Him and the power of His resurrection and the fellowship of His sufferings (Philippians 3:7-9).
I see an actress smoking a cigarette in an old Fred McMurray movie. She’s clever and beautiful and manipulative. I feel envy. I suddenly wish I smoked cigarettes and was as clever and beautiful and manipulative as she. I want to be that way at the restaurants I visit, as I’m walking to my car, with certain friends who might understand. The actress has played her part well; she’s made me want to emulate her base desires if only for a while. Does that make me impressionable, a fool, or someone who will recognize the deepest secrets of her heart?I fight hard to stay young—to keep the lines from further etching my face and hands and breasts, presumably to trick the world into believing I am young. I’m an actress playing a part. I’m afraid to tell the truth. I fear losing those younger or becoming those older. In the presence of youth, a sort of unseen age-osmosis occurs within me. The years drop away and I don’t want to leave. It’s utterly selfish but I don’t care. After all, I’m no older than they—I’ve just been so longer. I was nineteen only yesterday and they don’t retire nineteen-year-old actresses.
Intelligence, goodness, humanity, excitement, serenity. Over time, these are the things that change the musculature of your face, as do laughter, and animation, and especially whatever peace you can broker with the person inside.It's furrow, pinch, and judgement that make us look older - our mothers were right. They said that if you made certain faces, they would stick, and they do. But our mothers forgot that faces of kindness and integrity stick as well.
I once laughed at the vanity of women of thirty or forty who whitened their ruddy old skin with lead, but now I know such salves are not disguises for old crones who wish to catch a young husband. Instead they are only a mask we wear so that we can, for a little while, still recognize ourselves.
Do you suppose you will look the same when you are an old woman as you do now? Most folk have three faces—the face they get when they’re children, the face they own when they’re grown, and the face they’ve earned when they’re old. But when you live as long as I have, you get many more. I look nothing like I did when I was a wee thing of thirteen. You get the face you build your whole life, with work and loving and grieving and laughing and frowning.
It must be murder to be an aging beauty, a former Tadzio, to see your future as an ignored spectator rushing up to meet you like the hard pavement. What a small sip of gall to be able to time with each passing year the ever-shorter interval in which someone's eyes focus upon you. And then shift away.
What a face this girl possessed!—could I not gaze at it every day I would need to recreate it through painting, sculpture, or fatherhood until a second such face is born.
He said, I won't have one of those things in the house. It gives a young girl a false notion of beauty, not to mention anatomy. If a real woman was built like that she'd fall on her face.She said, If we don't let her have one like all the other girls she'll feel singled out. It'll become an issue. She'll long for one and she'll long to turn into one. Repression breeds sublimation. You know that. He said, It's not just the pointy plastic tits, it's the wardrobes. The wardrobes and that stupid male doll, what's his name, the one with the underwear glued on.She said, Better to get it over with when she's young. He said, All right but don't let me see it.She came whizzing down the stairs, thrown like a dart. She was stark naked. Her hair had been chopped off, her head was turned back to front, she was missing some toes and she'd been tattooed all over her body with purple ink, in a scrollwork design. She hit the potted azalea, trembled there for a moment like a botched angel, and fell.He said, I guess we're safe.
...A mother is the one who fills your heart in the first place. She teaches you the nature of happiness: what is the right amount, what is too much, and the kind that makes you want more of what is bad for you. A mother helps her baby flex her first feelings of pleasure. She teaches her when to later exercise restraint, or to take squealing joy in recognizing the fluttering leaves of the gingko tree, to sense a quieter but more profound satisfaction in chancing upon an everlasting pine. A mother enables you to realize that there are different levels of beauty and therein lie the sources of pleasure, some of which are popular and ordinary, and thus of brief value, and others of which are difficult and rare, and hence worth pursuing.
How is destruction beautiful?" He asked in a challenging tone."You may think that a broken egg is ugly and messy," she answered, "but the cake it goes into is beautiful and won't hold together without it.""Eggs don't get blown up. They get broken.""You've never seen me bake," she replied with a smirk.
Oh fair enough are sky and plain,But I know fairer far:Those are as beautiful againThat in the water are;The pools and rivers wash so cleanThe trees and clouds and air,The like on earth was never seen,And oh that I were there.These are the thoughts I often thinkAs I stand gazing downIn act upon the cressy brinkTo strip and dive and drown;But in the golden-sanded brooksAnd azure meres I spyA silly lad that longs and looks And wishes he were I.
The old face, crinkled and dented with canals running every which way, pushed and shoved up against itself for a while, till a big old smile busted out from beneath 'em all, and his grey eyes fairly glowed. It was the first time I ever saw him smile free. A true smile. It was like looking at the face of God. And I knowed then, for the first time, that him being the person to lead the colored to freedom weren't no lunacy. It was something he knowed true inside him. I saw it clear for the first time. I knowed then, too, that he knowed what I was - from the very first.
As a young man, he had instinctively husbanded the freshness of his powers. At the time, it was too soon to see that this freshness was giving birth to vivacity and gaiety, and shape to the courage needed to forge a soul that does not pale, no matter what life brings, regards life not as a heavy burden, a cross, but merely as a duty, and does battle with it with dignity.He had devoted much mental care to his heart and its wise laws. Observing the reflection of beauty on the imagination, both consciously and unconsciously, then the transition from impression to emotion, its symptoms, play, and outcome and looking around himself, advancing into life, he derived for himself the conviction that love moves the world like Archimede's lever, that it holds as much universal and irrefutable truth and good as misunderstanding and misuse do hypocrisy and ugliness.p. 494
If we only arrange our life in accordance with the principle which tells us that we must always trust in the difficult, then what now appears to us as the most alien will become our most intimate and trusted experience. How could we forget those ancient myths that stand at the beginning of all races, the myths about dragons that at the last moment are transformed into princesses? Perhaps all the dragons in our lives are princesses who are only waiting to see us act, just once, with beauty and courage.
It comforted her, in the confused unhappy welter of her emotions, to see the mountains always tranquil, remote, in their lonely splendour; untouchable, serenely inviolate. It was an obscure comfort to her to know that man's hectic world wasn't the only one — that there were others, where agitation and passion and bewilderment had no place. When her love turned into a chaotic fever-dream, in which she was tossing, hallucinated, frightened and miserable, she had longed to escape to the cold, austere, changeless beauty and peace of the snow.
Blessed be the inventor of photography! I set him above even the inventor of chloroform! It has given more positive pleasure to po or suffering humanity than anything else that has "cast up" in my time or is like to--this art by which even the "poor" can possess themselves of tolerable likenesses of their absent dear ones. And mustn't it be acting favourably on the morality of the country?
There is an aesthetic dimension to virtue. In real life, as opposed to in celluloid, we are attracted to the good and repelled by the bad. Even the woman who says she prefers the archetypal 'bad boy' probably doesn't actually like it when he is bad toward her.
Who was this girl alone so late at nightin search of a faded cassette illusion to disembowel the clocks of time’s intrusion? Those eyes belonged to the most beautiful maniac I’ve ever met. Our love is a vine of entrails that can follow any coffin anywhere, no matter how deep any gravedigger might travel.
The dude feels right fatherly. Takes her down to the crick to wash the underground off of her. Just can't bring himself to shoot her while she's filthy and starving. There's time. Offers her a cake of French-milled soap he brought all the way out from Chicago. Smells like gardenias if you know your flowers, and the dude does. Snow White knows something's skewed but she grabs it, strips off like it's nothing and climbs in the water. She don't shiver even though that stream has to be as cold as a wagon tire. The miner's crud comes off her in black ribbons. The duded watches another girl come out of the blind mole-skin she was walking around it. This one has muscles like a mountain cat and a kind of pretty he doesn't know what to do with. For fairness he'd take her stepmother six days and twice on Sunday. The beauty Snow White's got has nothing to do with him. She's scarred up and suspicious an shameless. Her pretty's not for him. It's like saying the moon's got a fine figure on her. Maybe true, but what good is that to a man?
And is not all of life material- based on the material- permeated by the material? Should not one learn, gladly, to utilize the beauty of the fine material? I do not speak of the gross crudities of soporific television, of loud brash convertibles and vulgar display- but rather of grace and line and refinement- and there are wonderful and exciting things that only money can buy, such as theater tickets, books, paintings, travel, lovely clothes- and why deny them when one can have them? The only problem is to work, to stay awake mentally and physically, and NEVER become mentally, physically, spiritually flabby or over complacent!
Sylvia’s inherent appreciation for beauty as both artist and consumer is evident in her journals and letters…….she wrote beautifully about clothes. She wrote about them with irony and wit mixed in with all the rococo prettiness.
Antoinette had squinty eyes she could barely open under the six pounds of mascara and teal eye shadow she must’ve applied with a paint roller, and lips that were puckered on a permanent basis as if she were storing lemons in the deep recesses of her jowls. She smelled like a bull that got loose in a perfume shop, and had pointy high heeled shoes that threatened to burst out the sides at any moment from the pressure of being three sizes too small.
I walk in the sprinkling rain like a lion. Pretty soon there won't be lions anymore. If I have to die to be a lion I'll die. I'm roaring, but in the language of rain and sand: I am invisible, I blend in, and I'm not hungry so everyone is safe. I can just observe them, join them, I can admire them, I can pity them and love them. They're so pathetically beautiful I could cry. How could I ever forget that this world is gorgeous and interesting? Every little detail is a gateway to huge canyons of knowledge and understanding. And it's all so sexy. Nothing is restrained, everything is perfectly, ripely, ravishingly itself, and swollen with signs and information that link it in the web.
The lunatic, the lover, and the poetAre of imagination all compact:One sees more devils than vast hell can hold,That is, the madman: the lover, all as frantic,Sees Helen's beauty in a brow of Egypt:The poet's eye, in a fine frenzy rolling,Doth glance from heaven to earth, from earth to heaven,And as imagination bodies forthThe forms of things unknown, the poet's penTurns them to shapes and gives to airy nothingA local habitation and a name.
When I go to describe something as remarkable as what I saw that day, I could only say it was a place of dreams. The water is crystalline clear, a mixture of opalescent colors and frosted with white tips. It surges forward and crashes up against the rocks below us as the sun cast a fire-like glare in the distance. Adding to my reverie is the salty smell in the air that lingers and enlivens senses that seem to have been dormant before this moment. I don't recall moving in this dream-like state but my hand moves up and cups the wind as if trying to capture it's essence. If I could have pocketed every smell and sound of this place I would have and I would defended it with my life.
The coast is an edgy place. Living on the coast presents certain stark realities and a wild, rare beauty. Continent confronts ocean. Weather intensifies. It's a place of tide and tantrum; of flirtations among fresh- and saltwaters, forests and shores; of tense negotiations with an ocean that gives much but demands more. Every year the raw rim that is this coast gets hammered and reshaped like molten bronze. This place roils with power and a sometimes terrible beauty. The coast remains youthful, daring, uncertain about tomorrow. The guessing, the risk; in a way, we're all thrill seekers here.
Something, most certainly, happens to a diver’s emotions underwater. It is not merely a side effect of the pleasing, vaguely erotic sensation of water pressure on the body. Nor is it alone the peculiar sense of weightlessness, which permits a diver to hang motionless in open water, observing sea life large as whales around him; not the ability of a diver, descending in that condition, to slowly tumble and rotate in all three spatial planes. It is not the exhilaration from disorientation that comes when one’s point of view starts to lose its “lefts” and “down” and gains instead something else, a unique perception that grows out of the ease of movement in three dimensions. It is not from the diminishment of gravity to a force little more emphatic than a suggestion. It is not solely exposure to an unfamiliar intensity of life. It is not a state of rapture with the bottomless blue world beneath one’s feet…it is some complicated mix of these emotions, together with the constant proximity of real terror.
If Los Angeles is a woman reclining billboard model and the San Fernando Valley is her teenybopper sister, then New York is their cousin. Her hair is dyed autumn red or aubergine or Egyptian henna, depending on her mood. Her skin is pale as frost and she wears beautiful Jil Sander suits and Prada pumps on which she walks faster than a speeding taxi (when it is caught in rush hour, that is). Her lips are some unlikely shade of copper or violet, courtesy of her local MAC drag queen makeup consultant. She is always carrying bags of clothes, bouquets of roses, take-out Chinese containers, or bagels. Museum tags fill her pockets and purses, along with perfume samples and invitations to art gallery openings. When she is walking to work, to ward off bums or psychos, her face resembles the Statue of Liberty, but at home in her candlelit, dove-colored apartment, the stony look fades away and she smiles like the sterling roses she has brought for herself to make up for the fact that she is single and her feet are sore.
Once all the blocks were on the quad, Rowena grew obsessed with arranging them perfectly. I didn’t care at this point and busied myself texting a message to Sydney on the Love Phone, letting her know that my art was a paltry thing compared to the brilliance of her beauty. She texted back: This is me rolling my eyes. To which I replied: I love you too.
I have always loved the many moods of the sky at Rocky Flats. Turquoise and teal in summer, fiery red at sunset, iron gray when snow is on the way. The land rolls in waves of tall prairie grass bowed to the wind, or sprawling mantles of white frosted with a thin sheath of ice in winter.
In taking that photograph, I understood something I will never forget: how I wished to arrest all the beauty that came before me. Not the classical beauty of symmetry and exact proportions or the fancy of fashion, which is ever-changing with the seasons, but the beauty of a soul, that inner life that reveals itself so seldom, just for an instant, and only if you look closely and learn to see with an open heart.
Every person has one particular time in his life when he is more beautiful than he is ever going to be again. For some it is at seven, for others at seventeen or seventy, and as Laura Fleischman read out loud from Shakespeare, I remember thinking that for her it was probably just then.
A rose lay open in full bloomand, looking from my garden room,I watched the sun-baked flower fill with rain.It seemed so fragile,resting there,and such a silence filled the air,the beauty of the moment caused me pain."What more?" I thought. "There must be more."As if in answer then, I sawone weighty drop that caused my rose to fall.It trembled, then cascaded downto earth just staining gentle brownand, since then, I've felt different.That's all.
Physics is the ultimate intellectual adventure, the quest to understand the deepest mysteries of our Universe. Physics doesn’t take something fascinating and make it boring. Rather, it helps us see more clearly, adding to the beauty and wonder of the world around us. When I bike to work in the fall, I see beauty in the trees tinged with red, orange and gold. But seeing these trees through the lens of physics reveals even more beauty.
Maybe you're getting into the rhythm of sailing life," says James. He looks out at the waves that are rolling in to lap against the dock. "You know, the tides going in and then out, the wind blowing east and then west, the high of a perfect day out on the water, the low of a thunderstorm or a wind that won't go your way.
I wished I could paint this ineffable beauty but I had never been artistic. I hadn’t even packed a camera, and my phone was out of charge. It didn’t matter. I just breathed in the feeling, savouring it. Suddenly I knew that I’d enjoy many more moving moments and visions of beauty, and that they’d sustain me for the rest of my life.
People make a great deal of the flowers of spring and the leaves of autumn, but for me a night like this, with a clear moon shining on snow, is the best -- and there is not a trace of color in it. I cannot describe the effect it has on me, weird and unearthly somehow. I do not understand people who find a winter evening forbidding.
There was a filmy veil of soft dull mist obscuring, but not hiding, all objects, giving them a lilac hue, for the sun had not yet fully set; a robin was singing ... The leaves were more gorgeous than ever; the first touch of frost would lay them all low to the ground. Already one or two kept constantly floating down, amber and golden in the low slanting sun-rays.
-Back there our sun doesn't speak.-Where's "there," Miss Marta?-Back there, in Europe. Here, it's different. Here, the sun moans, whispers, shouts.-Surely-I commented delicately-the sun is always the same.- You're wrong. There, the sun is a stone. Here it's a fruit.
And that was the thing: you couldn't just stand there gawking at the world. A car slipped by. Then another. It was as if she'd stood frozen by the river of the world and gratefully stepped back into it, resuming her place... The world waited, cold, grim, alive, beautiful. There was no saying no to it.
Some one has defined a work of art as a “thing beautifully done.” I like it better if we cut away the adverb and preserve the word “done,” and let it stand alone in its fullest meaning. Things are not done beautifully. The beauty is an integral part of their being done.
It's not as if we're running a hospital for sick children down here, let's put it that way. Where's the nobility in patching up a bunch of old tables and chairs? Corrosive to the soul, quite possibly. I've seen too many estates not to know that. Idolatry! Caring too much for objects can destroy you. Only—if you care for a thing enough, it takes on a life of its own, doesn't it? And isn't the whole point of things—beautiful things—that they connect you to some larger beauty? Those first images that crack your heart wide open and you spend the rest of your life chasing, or trying to recapture, in one way or another?
He looked up and I realised how close we were, both of us leaning in together. I blinked a few times, suddenly light-headed, but not like before when I'd passed out. Being so close to the smooth dark skin of his face, getting lost in the shifting shades of his green eyes, it felt like my insides were fluttering and melting.
Beauty is what we have seen and what we are going to see in the future. It is the totality of physical, emotional and biological structures we have created within generations intentionally or unintentionally for our enjoyment and satisfaction. We consider ourselves beautiful, because we have seen it and imagine for thousands of years. If we had five feet, nine eyes and twenty fingers we still were beautiful.
Flowers and fruits are always fit presents; flowers, because they are a proud assertion that a ray of beauty outvalues all the utilities of the world. These gay natures contrast with the somewhat stern countenance of ordinary nature: they are like music heard out of a work-house. Nature does not cocker us; we are children, not pets; she is not fond; everything is dealt to us without fear or favor, after severe universal laws. Yet these delicate flowers look like the frolic and interference of love and beauty. Men use to tell us that we love flattery even though we are not deceived by it, because it shows that we are of importance enough to be courted. Something like that pleasure, the flowers give us: what am I to whom these sweet hints are addressed?
Later that summer, as rain fell, such a moment shimmered and paused on the brink, and then began the ancient dance of numbers: two, four, eight, sixteen, thirty-two, and a new life took root and began to grow. And thus the generations past were joined to the unknowable future.
Mathematics, rightly viewed, possesses not only truth, but supreme beauty—a beauty cold and austere, like that of sculpture, without appeal to any part of our weaker nature, without the gorgeous trappings of painting or music, yet sublimely pure, and capable of a stern perfection such as only the greatest art can show.
A far cicada rings high and clear over the river’s heavy wash. Morning glory, a lone dandelion, cassia, orchids. So far from the nearest sea, I am taken aback by the sight of a purple land crab, like a relict of the ancient days when the Indian subcontinent, adrift on the earth’s mantle, moved northward to collide with the Asian landmass, driving these marine rocks, inch by inch, five miles into the skies. The rise of the Himalaya, begun in the Eocene, some fifty million years ago, is still continuing: an earthquake in 1959 caused mountains to fall into the rivers and changed the course of the great Brahmaputra, which comes down out of Tibet through northeastern India to join the Ganges near its delta at the Bay of Bengal.
As the beautiful does not exist for the artist and poet alone—though these can find in it more poignant depths of meaning than other men—so the world of Reality exists for all; and all may participate in it, unite with it, according to their measure and to the strength and purity of their desire.
You could say that life just happens and it's the way it goes, you either accept it or you fight it... Or You can be one of the few that rises above this perception and fights in all their glory to create the life they want, regardless of the struggle. Who do you want to be? Someone to remember or someone easy to forget...
Minimalism is a way of living at the maximum of your potential.
It didn't matter; by now she knew she loved him in any skin. In her book there was another tale - one of the original eighteen - of a dragon who had a human wife, and Neve had never understood it before, at least from the wifes point of view. Love was love. But she hoped that he was not a dragon.
HERMIAGod speed fair Helena! whither away?HELENACall you me fair? that fair again unsay.Demetrius loves your fair: O happy fair!Your eyes are lode-stars; and your tongue's sweet airMore tuneable than lark to shepherd's ear,When wheat is green, when hawthorn buds appear.Sickness is catching: O, were favour so,Yours would I catch, fair Hermia, ere I go;My ear should catch your voice, my eye your eye,My tongue should catch your tongue's sweet melody.Were the world mine, Demetrius being bated,The rest I'd give to be to you translated.O, teach me how you look, and with what artYou sway the motion of Demetrius' heart.HERMIAI frown upon him, yet he loves me still.HELENAO that your frowns would teach my smiles such skill!HERMIAI give him curses, yet he gives me love.HELENAO that my prayers could such affection move!HERMIAThe more I hate, the more he follows me.HELENAThe more I love, the more he hateth me.HERMIAHis folly, Helena, is no fault of mine.HELENANone, but your beauty: would that fault were mine!
In your travels, do not draw your attention to those stones in the dirt that cause your feet to ache. But rather draw your attention to the loveliness of all that does surround you. Marvel at the blades of grass that seem to turn silk under the loom of golden leaves that share with you the sun’s warmth and ponder the impression of that morning fog whose kiss good morning gently asks Mother Nature to arise so that her spirit can bask in the beauty of her own imagination as she gazes into the distance, not in fear, but in awe of that beauty which will cause the imagination to create all endless possibilities that the spirit knows to already exist. Remember that your spirit is not a device that heeds to walls and streets that tell you where to go. Your spirit is your attention drawn to that beauty in the distance that only you can look to. Your spirit is connected to your environment by the imagination and the travel that you possess. Walk with your spirit in front of you and you will become part of that beauty in the distance that causes you to marvel with gladness. You will always be beautiful because this is who you are.
Imagination is haunted by the swiftness of the creatures that live on the mountain - eagle and peregrine falcon, red deer and mountain hare. The reason for their swiftness is severely practical: food is so scarce up there that only those who can move swiftly over vast stretches of ground may hope to survive. The speed, the whorls and torrents of movement, are in plain fact the mountain's own necessity. But their grace is not necessity. Or if it is - if the swoop, the parabola, the arrow-flight of hooves and wings achieve their beauty by strict adherence to the needs of function - so much the more is the mountain's integrity vindicated. Beauty is not adventitious but essential.
He tries to get close to her because he wants to know what her glow feels like. She’s alone on the dance floor and even though she’s dancing, there’s a kind of sadness lurking about her, like her heart is somewhere else. Roman doesn’t think he has ever seen a woman look this beautiful. It’s not just her halo either. Even in that one brief moment Roman feels it. He feels her become a part of his life. Her halo is glowing a little less bright now, and Roman doesn’t know why. But he wants to find out.
Throughout human history beauty has been seen as a gift from God, but Mom had another notion; she thought that beauty could be earned through self-knowledge. It may be a revolutionary idea, but it has offered me great comfort.
Vanity was the beginning and the end of Sir Walter Elliot's character; vanity of person and of situation. He had been remarkably handsome in his youth; and, at fifty-four, was still a very fine man. Few women could think more of their personal appearance than he did; nor could the valet of any new-made lord be more delighted with the place he held in society. He considered the blessing of beauty as inferior only to the blessing of a baronetcy; and the Sir Walter Elliot, who united these gifts, was the constant object of his warmest respect and devotion.