It was only after two years' work that it occurred to me that I was a writer. I had no particular expectation that the novel would ever be published, because it was sort of a mess. It was only when I found myself writing things I didn't realise I knew that I said, 'I'm a writer now.' The novel had become an incentive to deeper thinking. That's really what writing is—an intense form of thought.
[His research into biblical criticism had lead him to the conclusion that most of what was contained in traditional religion simply wasn't true]Was I to lie in order to teach the truth? ...Was I to repeat these words? It was impossible. It was certain they would stick in my throat. On these grounds the separation was decided by me.
We write, edit, and rewrite the story of our own life employing descriptive words, metaphors, and symbols. Our lives are full of symbols including those supplied by nature and religion, which touch upon the mystical and spiritual aspects of life. Symbols inspire enduring hope by formulating idealist expectations.
Choking with dry tears and raging, raging, raging at the absolute indifference of nature and the world to the death of love, the death of hope and the death of beauty, I remember sitting on the end of my bed, collecting these pills and capsules together and wondering why, why when I felt I had so much to offer, so much love, such outpourings of love and energy to spend on the world, I was incapable of being offered love, giving it or summoning the energy with which I knew I could transform myself and everything around me.
Authors can write stories without people assuming that they are autobiographies, but songwriters and poets are often considered to be the characters in their works. I like Michelangelo's vision, 'I saw the angel in the marble and carved until I set him free.
Archie Henderson has won no awards, written no books and never played any representative sport. He was an under-11 tournament-winning tennis player as a boy, but left the game when he discovered rugby where he was one of the worst flyhalves he can remember. This did not prevent him from having opinions on most things in sport.His moment of glory came in 1970 when he predicted—correctly as it turned out—that Griquas would beat the Blue Bulls (then still the meekly named Noord-Transvaal) in the Currie Cup final. It is something for which he has never been forgiven by the powers-that-be at Loftus. Archie has played cricket in South Africa and India and gave the bowling term military medium a new and more pacifist interpretation. His greatest ambition was to score a century on Llandudno beach before the tide came in.
Literature supplements the lives of people and enables us to feel connected with the world. Shared stories blunt a sense of tragic aloneness, and endow us with the tools to understand our humanness. Reading about the lives of other people acquaints us with the hardships of other people. The authorial voices of narrative prose express our shared feelings of deprivation
...Whilst on board the Beagle I was quite orthodox, and I remember being heartily laughed at by several of the officers... for quoting the Bible as an unanswerable authority on some point of morality... But I had gradually come by this time, i.e., 1836 to 1839, to see that the Old Testament from its manifestly false history of the world, with the Tower of Babel, the rainbow at sign, &c., &c., and from its attributing to God the feelings of a revengeful tyrant, was no more to be trusted than the sacred books of the Hindoos, or the beliefs of any barbarian....By further reflecting that the clearest evidence would be requisite to make any sane man believe in the miracles by which Christianity is supported, (and that the more we know of the fixed laws of nature the more incredible do miracles become), that the men at that time were ignorant and credulous to a degree almost uncomprehensible by us, that the Gospels cannot be proved to have been written simultaneously with the events, that they differ in many important details, far too important, as it seemed to me, to be admitted as the usual inaccuracies of eyewitnesses; by such reflections as these, which I give not as having the least novelty or value, but as they influenced me, I gradually came to disbelieve in Christianity as a divine revelation. The fact that many false religions have spread over large portions of the earth like wild-fire had some weight with me. Beautiful as is the morality of the New Testament, it can be hardly denied that its perfection depends in part on the interpretation which we now put on metaphors and allegories.But I was very unwilling to give up my belief... Thus disbelief crept over me at a very slow rate, but was at last complete. The rate was so slow that I felt no distress, and have never since doubted even for a single second that my conclusion was correct. I can indeed hardly see how anyone ought to wish Christianity to be true; for if so the plain language of the text seems to show that the men who do not believe, and this would include my Father, Brother and almost all of my friends, will be everlastingly punished. And this is a damnable doctrine.
Our children are an integral component of our stories as we are of theirs and, therefore, each child acts as the knighted messengers to carry their forebears’ stories into the future. To deprive our children of the narrative cells regarding the formation of the ozone layer that rims the atmosphere of our ancestors’ saga and parental determination of selfhood is to deny them of the sacred right to claim the sanctity of their heritage. Accordingly, all wrinkled brow natives are chargeable with the sacrosanct obligation of telling their kith and kin the memorable story of the scenic days they spent as children of nature splashing about in their naked innocence in the brook of infinite time and space. We must scrupulous document our family’s history as well as scrawl out our personal story.
On Sunday evenings, there was a comparatively vast array of radio shows from which to choose. Frequently I would lie in my bed with my father, who would pull the covers over our heads and pretend that we were in a cave. This is how we would listen to shows such as Jack Benny, The Great Gildersleeve with Harold Peary, The Fred Allen Show, and The Edgar Bergen Show. As a ventriloquist, Edgar Bergen had Charlie McCarthy and the slow-witted Mortimer Snerd as puppets. For us the last show of the evening was always Your Hit Parade sponsored by Lucky Strike Cigarettes, starring Snooky Lanson, Gisele MacKenzie and a host of other well-known singers of that period. Although my father was a strict disciplinarian, on Sunday evenings he usually relaxed things and we would enjoy our time listening to the radio together.
It was after our breakfast that I was told to go up along with the parlour maid and serve the family breakfast. I was very nervous, but the parlour maid told me not to worry. So up I went, shaking in my boots, and into the breakfast room where the sideboard was laden with kidneys and rice and bacon and all sorts of delicious things. There were just four people at the table: three elderly men and a woman with a green parrot on her shoulder. Now, the thing about the parrot was that it had messed all down her shoulder and all down the front of her dress and she wasn't in the least bothered. She just smiled into the distance and every now and then fed the bird something from her hand.
9/11/01Gina:Especially today, with the enormity of current events, I want to convey to you again, how much you mean to me and how proud I am to be your husband. The hard work that you are engaged in right now is exhausting, invisible and largely thankless in the short term. But honey, please know that buried at the core of this tedium is the most noble and important work in the world- God's work; the fruits of which you and I will be lucky enough to enjoy as we grow old together. Watching these little guys grow into men is a privilege that I am proud to share with you, and the perfect fulfillment of our marriage bonds. You are a great mom. You are a great wife. You are my best friend. You are very pretty. Happy Birthday. -Matt
I revealed my affection towards my former employer and felt sick at myself for betraying him. My grandfather stood and poured me another tall glass. He offered me a sour tomato to take the edge off of the vodka. Pappy pulled his chair up next to mine then put his oversized arm around my shoulder and offered me his wisdom. "Feel no pity for this man James," he whispered. "A fool and his money are lucky to come together in the first place. More so, it's the responsibility of much smarter, more dubious men to party them," he finished.
I knew that if I allowed fear to overtake me, my journey was doomed. Fear, to a great extent, is born of a story we tell ourselves, and so I chose to tell myself a different story from the one women are told. I decided I was safe. I was strong. I was brave. Nothing could vanquish me. Insisting on this story was a form of mind control, but for the most part, it worked. Every time I heard a sound of unknown origin or felt something horrible cohering in my imagination, I pushed it away. I simply did not let myself become afraid. Fear begets fear. Power begets Power. I willed myself to beget power. And it wasn't long before I actually wasn't afraid.
It seemed I'd always been chasing after something, anything that moved -a car, a bird, a blowing leaf -anything that might lead me into some more lit place, some unknown land downriver. I had not even the vaguest notion of the broken world I was living in, what society could do with you.
The dominant myth of the day seemed to be that anybody could do anything, even go to the moon. You could do whatever you wanted -in the ads and in the articles, ignore your limitations, defy them. If you were an indecisive person, you could become a leader and wear lederhosen. If you were a housewife, you could become a glamour girl with rhinestone sunglasses. Are you slow witted? No worries -you can be an intellectual genius. If you're old, you can be young. Anything was possible. It was almost like a war against the self.
The humanitarian philosophies that have been developed (sometimes under some religious banner and invariably in the face of religious opposition) are human inventions, as the name implies - and our species deserves the credit. I am a devout atheist - nothing else makes any sense to me and I must admit to being bewildered by those, who in the face of what appears so obvious, still believe in a mystical creator. However I can see that the promise of infinite immortality is a more palatable proposition than the absolute certainty of finite mortality which those of us who are subject to free thought (as opposed to free will) have to look forward to and many may not have the strength of character to accept it.Thus I am a supporter of Amnesty International, a humanist and an atheist. I believe in a secular, democratic society in which women and men have total equality, and individuals can pursue their lives as they wish, free of constraints - religious or otherwise. I feel that the difficult ethical and social problems which invariably arise must be solved, as best they can, by discussion and am opposed to the crude simplistic application of dogmatic rules invented in past millennia and ascribed to a plethora of mystical creators - or the latest invention; a single creator masquerading under a plethora of pseudonyms. Organisations which seek political influence by co-ordinated effort disturb me and thus I believe religious and related pressure groups which operate in this way are acting antidemocratically and should play no part in politics. I also have problems with those who preach racist and related ideologies which seem almost indistinguishable from nationalism, patriotism and religious conviction.
Life's a book filled on pages Just awaiting to be written.Some don't open it for ages,Maybe afraid of being bitten.
I am, as it were, the created creating—a paradox, for all its rhetorical trappings, at the beating heart of our shared human journey, and one I invite you to struggle with just as I have while, day in and day out, word by word and line by line, constructing a fictitious autobiography for myself in these pages.
Let us make sure that future generation writes our biography.
I'm working on my own life story. I don't mean I'm putting it together; no, I'm taking it apart. If you'd wanted the narrative line you should have asked earlier, when I still knew everything and was more than willing to tell. That was before I discovered the virtues of scissors, the virtues of matches.
Know before whom thou stands. Understand your friends for who they are, not who you wish them to be. Accept them for their flaws as well as their attributes. Turn to them for their strengths, what good stuff they can bring to your life, and forget about the rest. To ask for more only sets you up for failure.
I am halfway through Hillary Clinton's latest called "Living History"...pretty lighthearted on the scale...unlike David Hick's autobiography...I had to skip a couple of hundred pages in the middle of that one because it was too distressing for me to read. Undoubtedly yours will be the same...I will read the beginning, skip all the awful bit in the middle and read your happy ever after bit at the end.
Unless we understand how the twists and turns of life operate to make us, we cannot comprehend who and what we are. Without self-awareness, we are blind to registering the intertexture of other people’s inner life. Gracefully enduring personal hardships expands our minds to extend sympathy and empathy for other people. By casting our personal life experiences into a supple storytelling casing, we create the translucent membrane that quarters the fusion of our flesh, nerves, blood, and bones. Self-understanding is an essential step in loving the entire world.
It was one of those situations I often find myself in while traveling. Something's said by a stranger I've been randomly thrown into contact with, and I want to say, "Listen. I'm with you on most of this, but before we continue, I need to know who you voted for in the last election.
It's about personal development. It's about creating your own character and pushing it to the limit. It's about pushing yourself so far out of your own and everybody else's idea of who you are and what you're capable of, that you no longer believe in limits. It's about reaching beyond your so-called potential, because your potential is never where you or anyone else expects it to be, not even close. It's about being able to say with the last breath of your life “I used all my potential and all my talents and pushed myself to the limit. I could not have fought any harder.
Telling our personal story constitutes an act of consciousness that defines the ethical lining of a person’s constitution. Recounting personal stories promotes personal growth, spurs the performance of selfless deeds, and in doing so enhances the ability of the equitable eye of humanity to scroll rearward and forward. Every person must become familiar with our communal history of struggle, loss, redemption, and meaningfully contemplate the meaning behind our personal existence in order to draft a proper and prosperous future for succeeding generations. Accordingly, every person is responsible for sharing their story using the language of thought that best expresses their sanguine reminiscences. Without a record of pastimes, we will never know what were, what we now are, or what we might become by steadfastly and honorably struggling with mortal chores.
A shaman and a writer each serve as their communities’ seers by engaging in extraordinary acts of conscientious study of the past and the present and predicting the future. An inner voice calls to the shaman and an essayistic writer to answer the call that vexes the pernicious spirit of their times. Shamanistic writers induce a trance state of mind where they lose contact with physical reality through a rational disordering of the senses, in an effort to encounter for the umpteenth time the great unknown and the unutterable truths that structure existence. An afflicted person seeking clarification of existence cannot ignore the shamanistic calling of narrative exposition. Thus, I shall continue this longwinded howl – making a personal immortality vessel – into the darkness of night forevermore.
Writing is an exhausting and demoralizing task that destroys human conceits. Writing an elongated series of personal essay opens a person’s mind to explore paradoxes and discover previously unrealized personal truths. Writing is as arduous as any trek into the wilderness. Every sentence takes a writer deeper into the jungle of the mind, a world of frightening inconsistencies created by our waking life’s desire that the world of chaos conform to our convenience.
Necessary features of the human mind impose structure upon our experiences. Language acts as a gatekeeper for the mind. We learn and embark on personal transformation by formulating, revising, and refining our conception of the world each time that we encounter new facts, experiences, ideas, and viewpoints. To understand the world a person must employ reason and organize their episodic personal experiences into a system of narrative thought. The language that we employ to internalize our personal experiences constructs our mental system, and our mental thoughts in turn regulate us. We become of a personification of our language, as expressed in narrative stories of the self.
The womb of the world births us. My filth comes from the same earthwork that gives rise to all stories. My interior light connects me with all the other creatures that inhabit this world of rocks, air, grass, woods, and water. My genetic code links me inextricably with all of nature. I enter the medley in the river of life with the ability to respond as life unfolds before my childlike eyes. My homemade medicinal poultice might not be of any benefit to other people. Nonetheless, we should each write our stories because each of us aims to attain a greater degree of awareness of our own authenticity. We owe a moral obligation to our family, friends, and ourselves as well as to the community to make a determined effort to wring the most out of life. We must applaud all efforts to investigate the human condition. Even if my writing amounts to nothing more than a clumsy attempt to travel the same tracks other people burnished with much more insight, clarity, precision, and style, it is an act of self-definition to ascribe to any philosophy. Philosophy represents a living charter; it is a life of action.
An author’s operating charter is to unearth embedded symbols that reflect complementary and inconsistent relationships of our collective assemblage, combine harmonizing and contradictory conceptions that motivate us, and delve larger truths out of variable and erratic elements of human nature.
[Jürgen Habermas' obituary to friend and philosopher, Richard Rorty]One small autobiographical piece by Rorty bears the title 'Wild Orchids and Trotsky.' In it, Rorty describes how as a youth he ambled around the blooming hillside in north-west New Jersey, and breathed in the stunning odour of the orchids. Around the same time he discovered a fascinating book at the home of his leftist parents, defending Leon Trotsky against Stalin. This was the origin of the vision that the young Rorty took with him to college: philosophy is there to reconcile the celestial beauty of orchids with Trotsky's dream of justice on earth. Nothing is sacred to Rorty the ironist. Asked at the end of his life about the 'holy', the strict atheist answered with words reminiscent of the young Hegel: 'My sense of the holy is bound up with the hope that some day my remote descendants will live in a global civilization in which love is pretty much the only law.
Every human being carries with them the stories of their ancestors, the story of their generation, and the rudiments of pliable clay to build future storylines that will shape their community of kindred souls. Storytelling unites us as a species and supplies texture to our lives. By listening to other people’s stories and by sharing our personal story, we deftly weave the threads that compose the sacred hoop of the tribe.
But you can't fault me on my footnotes. I've worked hard on them and they look pretty impressive. And almost all the sources I quote actually exist. I must confess, however, that the idea of putting footnotes in chapter 5, the autobiographical chapter, started out simply as a joke. Who but a biblical scholar would think of footnoting an autobiography? But the joke quickly got out of hand and become a significant part of that chapter. I plan someday to write a scholarly article consisting of a single sentence and a twenty-page footnote.
It was her smile that took me captive the day we met, and never once let me go. There was an authentic quality to her smile that made people stop and look; a basic human truth that seemed to emanate from deep within her and naturally find its way upward and out. Like the magma flow from Vesuvius, there was simply no stopping Cathy's smile. It could freeze people where they stood and hold them there, sometimes forever.That's what happened to me anyway.
Autobiographical writing stands as lasting memorial for enduring the travails of an earthly life. Writing is an apt technique to score our storyline into the annuals of time. To endure a mortal life is merely a transitory experience whereas writing about how one lived is an internalized exposition of what it means to be human. Writing is an external exhibition injecting the author into the world’s consciousness.
Human souls enfold the elemental elements that we configure to provide our own distinctive explanation of what it means to be alive. By opening our hearts and minds, by engaging in intuitive self-exploration, by telling our life stories full of prejudices and mindboggling idiosyncrasies, and by listening to the multivariate stories of our brethren, we add a ray of light to the spiraling consciousness of humankind.
Storytelling entails weaving a narrative out of the disturbing, strange, inspirational, and unremarkable detritus of life. By picking among the litter of our personal experiences to select evocative anecdotes to weave into a narrative format, we reveal which of life’s legendary offerings prove the most sublime to us. Acts of omission are momentous. Our narration of personal sketches divulge what factoids inspire us or do not stir us into action, or contain obdurate truths that prove virtually impossible to crack.
Listen: I don't have anything against autobiographies, so long as the writer has a penis that's twelve inches long when erect. So long as the writer is a woman who was once a whore and is moderately wealthy in her old age.
Writing a personal essay or memoir addresses how a person thinks and behaves in the context of society’s prevailing moral and ethical codes, informal rules, laws, and customs. A self-ethnographer emphasis what he or she considers important regarding how people perceive and categorize the world, their meaning for behavior, how they imagine and explain things, and ascertaining what has meaning for them. Expository writing, a discursive examination of a broad field of subjects, is one method of cohering the dimensions of a person’s emic and etic thoughts and a linked series of memorable events into a unified personal ideology how to live a purposeful life. In cultural anthropology, the emic approach focuses on what people of a local culture think and how they interpret events whereas the etic approach takes a more objective view of how an outsider evaluates the behavior and customs of a culture. Usage of both emic and etic analysis provides the richest description of a cultural or a society in which the personal essayist operates within.
When writing a comprehensive self-investigatory scroll, the writer attempts to weave a network of strands capable of enmeshing all sizes of ideas including those with no obvious interconnection. The writer must also trace all lingering thoughts to their original source in personal experiences, and revaluate each exquisite nuance notched into a person’s conscious mind including acts of depravity, violence, and the almost imperceptible intrusions of grace.
It’s a bit burned,” my mother would say apologetically at every meal, presenting you with a piece of meat that looked like something — a much-loved pet perhaps — salvaged from a tragic house fire. “But I think I scraped off most of the burned part,” she would add, overlooking that this included every bit of it that had once been flesh. Happily, all this suited my father. His palate only responded to two tastes - burned and ice cream — so everything suited him so long as it was sufficiently dark and not too startlingly flavorful. Theirs truly was a marriage made in heaven, for no one could burn food like my mother or eat it like my dad.
...The singing of a man cast away upon a desolate island might be as appropriately considered as evidence of contentment and happiness, as the singing of a slave; the songs of the one and of the other are prompted by the same emotion.
The poet gives his whole life such a voluntarily steep incline that it is impossible for it to exist in the vertical line of biography where we expect to meet it. It is not to be found under his own name and must be sought under those of others, in the biographical columns of his followers. The more self-contained the individuality from which the life derives, the more collective, without any figurative speaking, is its story.
Have you ever really wanted to be able to do something, but you came across a roadblock of some kind?You have a difficult choice. I made that choice once and it changed my whole life, by giving me experiences I never would have had if I took the easy street and had not tried.
In the pre-war era when itinerant home-remedy salesmen still wandered the country, they had a traditional patter for selling a potion that was supposed to be particularly effective in treating burns and cuts. A toad with four legs in front and six behind would be placed in a box with mirrors lining the four walls. The toad, amazed at its own appearance from every angle, would break into an oily sweat. This sweat would be collected and simmered for 3,721 days while being stirred with a willow branch. The result was the marvelous potion.When writing about myself, I feel something like that toad in the box.
Opportunities may come along for you to convert something -something that exists into something that didn't yet. That might be the beginning of it. Sometimes you just want to do things your way, want to see for yourself what lies behind the misty curtain. It's not like you see songs approaching and invite them in. It's not that easy. You want to write songs that are bigger than life. You want to say something about strange things that have happened to you, strange things you have seen. You have to know and understand something and then go past the vernacular.
Fear is the primary tool of the mafiya. It's how they contain their vast criminal enterprise. For the mafiya, fear is the grease in the wheel. Fear is much stronger than love | Fear lasts much longer. Love fades and is replaced by hatred and contempt. Fear lingers and brings forth other emotions such as doubt. Fear encourages procrastination and cowardice. Besides, you always hurt the ones you love. Most are too afraid to hurt the ones they fear.
Wanting to leave communist Russia is all fine and well | Actually leaving the country is where you might run into a few setbacks. Obtaining a visa for a simple vacation outside the soviet block was a long and arduous process. To immigrate to a free society was about as easy as finding whiskey in a church.
The Jewish center on Kings Highway scheduled an interview at the local labor hall downtown for my father to meet one of their counselors in order to asses his skills and capabilities. When my father sat down with the fellow and asked all sorts of questions, his reply was a blank stare. Boris didn't understand a word. He did speak a little English | He knew two words, pipe and chair. So Boris did the smart thing. He kept saying pipe over and over. Whatever question, he simply replied... pipe. The counselor soon got the gist | Boris must be a plumber. He was handed a small slip of paper and was instructed to report to the address penciled on it at 6 am sharp the following day.
Every American autobiography, someone once said, is about one thing—escape. Look into the frightened heart of an American life, and you’ll find a compulsion to flee—a seed planted in the national character at the start by those ships sailing out of Europe and landing on our shores. — Teller: A Novel
Expensive illogicalities and inefficiencies do not worry the monsters of American bureaucracy, and the taxpayers are enthusiastic and eager to spend fortunes in the name of fighting crime. Prison places cost the US taxpayer more than university places. The American belief that prisons are the best way to combat crime has led to an incarceration rate that is at least five times that of almost any industrialised nation. Overcrowding is endemic. Conditions are appalling, varying from windowless, sensory-deprived isolation to barren futile brutality.
This is a rumour-filled society and if people want to sit around and talk about whom I've dated, then I'd say they have a lot of spare time and should consider other topics. Or masturbation. - Johnny Depp