He shook his head, just looking at me. - "What?" I asked.- "Nothing" he said.- "Why are you looking at me like that?"Augustus half smiled. "Because you`re beautiful. I enjoy looking at beautiful people, and I decided a while ago not to deny myself the simpler pleasures of existence." A brief awkward silence ensued. Augustus plowed through: "I mean, particularly given that, as you so deliciously pointed out, all of this will end in oblivion and everything."I kind of scoffed or sighed or exhaled in a way that was vaguely coughy and then said, "I`m not beau-"- "You are like a millennial Natalie Portman. Like V for Vendetta Natalie Portman."- "Never seen it."- "Really?" he asked. "Pixie-haired gorgeous girl dislikes authority and can`t help but fall for a boy she knows is trouble. It`s your autobiography, so far as I can tell."His every syllable flirted. Honestly, he kind of turned me on. I didn`t even know that guys could turn me on - not, like, in real life.
For fortune having hitherto seconded him in his designs, made him resolute and firm in his opinions, and the boldness of his temper raised a sort of passion in him for surmounting difficulties; as if it were not enough to be always victorious in the field, unless places and seasons and nature herself submitted to him.
When you fear nothing, you have nothing to fear
Mankind in the aggregate I have found to be brutish, ignorant and unkind, whether those qualities were covered by the coarse tunic of the peasant of the white and purple toga of a senator. And yet in the weakest of men, in moments when they are alone and themselves, I have found veins of strength like gold in decaying rock; in the cruelest of men, flashes of tenderness and compassion; and in the vainest of men, moments of simplicity and grace.
The young man, who does not know the future, sees life as a kind of epic adventure, an Odyssey through strange seas and unknown islands, where he will test and prove his powers, and thereby discover his immortality. The man of middle years, who has lived the future that he once dreamed, sees life as a tragedy; for he has learned that his power, however great, will not prevail against those forces of accident and nature to which he gives the names of gods, and has learned that he is mortal. But the man of age, if he plays his assigned role properly, must see life as a comedy. For his triumphs and his failures merge, and one is no more the occasion for pride or shame than the other; and he is neither the hero who proves himself against those forces, nor the protagonist who is destroyed by them. Like any poor, pitiable shell of an actor, he comes to see that he has played so many parts that there no longer is himself.