You know, there used to be a difference between authentic music and sellout music. I'm talking about when I was young, in the sixties? Back then we knew there was a soullessness to the sellouts, and we wanted to be on the side of the artists. But now? Being a sellout is the authentic thing. When Molly Miller says 'I'm just being real,' what she means is that everyone wants money and fame and any artist who claims otherwise is lying. the only fundamental truth is greed, and the only question is who is up front about this. That's the new authenticity. Molly Miler can never be accused of selling out because selling out was her goal all along.

Working with the morning pages, we begin to sort through the differences between our real feelings, which are often secret, and our official feelings, those on the record for public display.

Creativity is always a leap of faith. Writers sit down in front of empty pages. Painters stare before blank easels. Thespians rehearse looking toward empty stages. Creativity is experimental by nature.

Ultimately, the artist and the revolutionary function as they function, and pay whatever dues they must pay behind it because they are both possessed by a vision, and they do not so much follow this vision as find themselves driven by it. Otherwise, they could never endure, much less embrace, the lives they are compelled to lead.