Ô, the wine of a woman from heaven is sent,more perfect than all that a man can invent.

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From personal experience, I know for sure that the number one thing that saddens the dead more than our grief — is not being conscious of their existence around us. They do want you to talk to them as if they were still in a physical body. They do want you to play their favorite music, keep their pictures out, and continue living as if they never went away. However, time and "corruption" have blurred the lines between the living and the dead, between man and Nature, and between the physical and the etheric. There was a time when man could communicate with animals, plants, the ether, and the dead. To do so requires one to access higher levels of consciousness, and this knowledge has been hidden from us. Why? Because then the plants would tell us how to cure ourselves. The animals would show us their feelings, and the dead would tell us that good acts do matter. In all, we would come to know that we are all one. And most importantly, we would be alerted of threats and opportunities, good and evil, truth vs. fiction. We would have eyes working for humanity from every angle, and this threatens "the corrupt". Secret societies exist to hide these truths, and to make sure lies are preserved from generation to generation.

Daddy?”“I’m right here, baby.”Lumps form in my throat, going all the way down into the core of me.It’s his voice. His. Right there. I reach toward the doorknob but I don’t get to turn it.Nick smashes at me with his head, pushing against my lower jaw and cheek, like a blow. His muzzle moves my head away from the door. He presses his face in between me and the wood. Fur gets in my mouth. I spit it out and push at him.“That’s my dad. My dad.” I slap the door. “He’s on the other side. The pixies will get him.”Nick shows me his teeth.“I can’t lose him again, Nick.”The wolf snarls like he’s ready to bite. My head jerks back and away, but then I steady myself.“Get . . . out . . . of . . . the . . . way.”Pushing against his thick neck, I slam my hands against him over and over again, pummeling him. He doesn’t budge.“Move!” I order. “Move.”“Zara, is there a wolf in there with you? Do not trust him,” my dad’s voice says, calmly, really calmly.I grab a fistful of fur and freeze. All at once it hits me that something is not right. My dad would never be calm if I was in my bedroom with a wolf. He’d be stressed and screaming, breaking the door down, kicking it in like he did once when I was really little and had accidentally locked myself in the bathroom and couldn’t get the lock out of the bolt because it was so old. He’d kicked that door down, splintering the wood, clutching me to him. He’d kissed my forehead over and over again.“I’d never let anything happen to you, princess,” he’d said. “You’re my baby.”My dad would be kicking the door in. My dad would be saving me.“Let me in,” he says. “Zara . . .”Letting go of Nick, I stagger backward. My hands fly up to my mouth, covering it.Nick stops snarling at me and wags his fluffy tail.How would my dad know that it is a wolf in here and not a dog? How would he know that it isn’t pixies?I shudder. Nick pounds next to me, pressing his side against my legs. I drop my hands and plunge my fingers into his fur, burying them there, looking for something. Maybe comfort. Maybe warmth. Maybe strength. Maybe all three.