All told, she owned fourteen books, but she saw her story as being made up predominantly of ten of them. Of those ten, six were stolen, one showed up at the kitchen table, two were made for her by a hidden Jew, and one was delivered by a soft, yellow-dressed afternoon.
I am clumsy, drop glasses and get drunk on Monday afternoons. I read Seneca and can recite Shakespeare by heart, but I mess up the laundry, don’t answer my phone and blame the world when something goes wrong. I think I have a dream, but most of the days I’m still sleeping. The grass is cut. It smells like strawberries. Today I finished four books and cleaned my drawers. Do you believe in a God? Can I tell you about Icarus? How he flew too close to the sun?I want to make coming home your favourite part of the day. I want to leave tiny little words lingering in your mind, on nights when you’re far away and can’t sleep. I want to make everything around us beautiful; make small things mean a little more. Make you feel a little more. A little better, a little lighter. The coffee is warm, this cup is yours. I want to be someone you can’t live without.I want to be someone you can’t live without.
Sometimes it's your fragrance that comes to me, out of the blue, on a crowded road in a Sunday afternoon.But more often, it's memories of us that cross my mind almost every lone evening.All I want is to lessen the pain I feel every night.But every morning I wake up is another day, hopeless and miserable, with nothing but a deafening silence, a wave of tears, memories and your absence.
It was normal for it to rain, but in October- who could forget the rains of October?- now this disturbingly silent rain was falling. That was so nebulous that it was pretty; that, if it had not been wet, no one would have believed it was raining; that was so slow that it was possible to follow its fall with one's eyes. That which villagers called 'the rains of October' was the accumulation of the serenity of such a life. Eyes almost broke into tears on looking at the sun subdividing itself, at the end of the afternoon, in each drop of that snail's-pace precipitation, as if the great star had dissolved each day an infinitesimal bit more.
The morning was a wretched time of day for him. He feared it and it never brought him any good. On no morning of his life had he ever been in good spirits nor done any good before midday, nor ever had a happy idea, nor devised any pleasure for himself or others. By degrees during the afternoon he warmed and became alive, and only towards evening, on his good days, was he productive active and sometimes, aglow with joy.
Now he sat alone; on a disabled starship about fifty years from anywhere on conversion drive – assuming he still had that. Insurance was a good thing – a very good thing - but it wasn’t going to help him much out here. The highlight of his afternoon was going to be staring at the blinking bridge instrumentation – which just happened to be running on the emergency batteries and actually blinking, like for real. Moreover, since his mutinous crew had made off with the Short Shit, the ships only shuttle, he was facing quite a problem
Kansas afternoons in late summer are peculiar and wondrous things. Often they are pregnant, if not over-ripe, with a pensive and latent energy that is utterly incapable of ever finding an adequate release for itself. This results in a palpable, almost frenetic tension that hangs in the air just below the clouds. By dusk, spread thin across the quilt-work farmlands by disparate prairie winds, this formless energy creates an abscess in the fabric of space and time that most individuals rarely take notice of. But in the soulish chambers of particularly sensitive observers, it elicits a familiar recognition—a vague remembrance—of something both dark and beautiful. Some understand it simply as an undefined tranquility tinged with despair over the loss of something now forgotten. For others, it signifies something far more sinister, and is therefore something to be feared.