The sky was overcast with thick, grey clouds drifting in the direction of Idasa. That meant rain. It would come, as long as the clouds drifted in that direction. Lightening flashes momentarily parted the clouds...Shango, the god of lightening and thunder, was registering his anger as this strange talk of a new God is taking hold of simple folk who were once unquestioning votaries of his order. The new malady must be nipped in the bud.
Does rough weather choose men over women? Does the sun beat on men, leaving women nice and cool?' Nyawira asked rather sharply. 'Women bear the brunt of poverty. What choices does a woman have in life, especially in times of misery? She can marry or live with a man. She can bear children and bring them up, and be abused by her man. Have you read Buchi Emecheta of Nigeria, Joys of Motherhood? Tsitsi Dangarembga of Zimbabwe, say, Nervous Conditions? Miriama Ba of Senegal, So Long A Letter? Three women from different parts of Africa, giving words to similar thoughts about the condition of women in Africa.''I am not much of a reader of fiction,' Kamiti said. 'Especially novels by African women. In India such books are hard to find.''Surely even in India there are women writers? Indian women writers?' Nyawira pressed. 'Arundhati Roy, for instance, The God of Small Things? Meena Alexander, Fault Lines? Susie Tharu. Read Women Writing in India. Or her other book, We Were Making History, about women in the struggle!''I have sampled the epics of Indian literature,' Kamiti said, trying to redeem himself. 'Mahabharata, Ramayana, and mostly Bhagavad Gita. There are a few others, what they call Purana, Rig-Veda, Upanishads … Not that I read everything, but …''I am sure that those epics and Puranas, even the Gita, were all written by men,' Nyawira said. 'The same men who invented the caste system. When will you learn to listen to the voices of women?
In those sticky summer nights in South London our windows stay open and our tiny apartment becomes our secret garden. The magic of the secret garden is that it exists in our imagination. There are no limits, no borderlines. The secret garden leads to the marigolds of Mogadishu and the magnolias of Kingston and when the heat turns us sticky and sweet and unwilling to be claimed by defeat we own the night. We own our bodies. We own our lives.
Africa! Africa! Africa! Africa my motherland!Africa, your people cries for you!Africans must educate their citizens.Africans must reach out to it's people and empower them to build the nation.Africans you are the only people who can liberated your citizens from poverty through education. Africans must pay the price to rebuild the continent.
Notwithstanding the memories of slavery, and in the face poverty, ignorance, terrorism, and subjugation still deeply woven into their lives, the embittered past of blacks was taken onto a much higher plane of intellectual and artistic consideration during the Renaissance.
To be able to influence Tanzanian literature and African literature, and sell our books in Tanzania as well as in our continent, we need to be committed to what we do. And what we do is writing. Write as much as you can. Read as much as you can. Use the library and the internet carefully for research and talk to people, about things that matter. To make a living from writing, and make people read again in Tanzania and Africa; we must write very well, very good stories.
The God of Imagination lived in fairytales. And the best fairytales made you fall in love. It was while flicking through "Sleeping Beauty" that I met my first love, Ivar. He was a six-year-old bello ragazzo with blond hair and eyebrows. He had bomb-blue eyes and his two front teeth were missing.The road to Happily Ever After, however, was paved with political barbed wire. Three things stood in my way.1. The object of my affection didn't know he was the object of my affection.2. The object of my affection preferred Action Man to Princess Aurora.3. The object of my affection was a boy and I wasn't allowed to love a boy.
i have been told many times by family, friends, colleagues and strangers that I, a black African Muslim lesbian, am not included in this vision; that my dreams are a reflection of my upbringing in a decadent, amoral Western society that has corrupted who I really am. But who am I, really? Am I allowed to speak for myself or must my desires form the battleground for causes I do not care about? My answer to that is simple: ‘no one allows anyone anything.’ By rejecting that notion you discover that only you can give yourself permission on how to lead your life, naysayers be damned. In the end something gives way. The earth doesn’t move but something shifts. That shift is change and change is the layman’s lingo for that elusive state that lovers, dreamers, prophets and politicians call ‘freedom’.
You can no longer see or identify yourself solely as a member of a tribe, but as a citizen of a nation of one people working toward a common purpose.
The Whiteman told of another country beyond the sea where a powerful woman sat on a throne while men and women danced under the shadow of her authority and benevolence. She was ready to spread the shadow to cover the Agikuyu. They laughed at this eccentric man whose skin had been so scalded that the black outside had peeled off. The hot water must have gone into his head.Nevertheless, his words about a woman on the throne echoed something in the heart, deep down in their history. It was many, many years ago. Then women ruled the land of the Agikuyu. Men had no property, they were only there to serve the whims and needs of the women. Those were hard years. So they waited for women to go to war, they plotted a revolt, taking an oath of secrecy to keep them bound each to each in the common pursuit of freedom. They would sleep with all the women at once, for didn't they know the heroines would return hungry for love and relaxation? Fate did the rest; women were pregnant; the takeover met with little resistance.
Most people write me off when they see me.They do not know my story.They say I am just an African.They judge me before they get to know me.What they do not know isThe pride I have in the blood that runs through my veins;The pride I have in my rich culture and the history of my people;The pride I have in my strong family ties and the deep connection to my community;The pride I have in the African music, African art, and African dance;The pride I have in my name and the meaning behind it.Just as my name has meaning, I too will live my life with meaning.So you think I am nothing?Don’t worry about what I am now,For what I will be, I am gradually becoming.I will raise my head high wherever I goBecause of my African pride,And nobody will take that away from me.