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A Jewish woman in exile in the 1930s is an antihero.

Núria Añó
women humanity feminism society woman past history politics women-s-fiction woman-s-strength woman-s-character womanhood social women-s-strength feminist historical woman-s-charm nazis antihero nazism exile woman-quotes women-empowerment jews women-and-men women-quotes jewish-identity women-s-rights jew women-s-inspirational womens-rights women-writers jewish nazi woman-quotations nazi-germany history-repeating-itself 1930s woman-s-secrets historical-perspective 1930 1930-s antiheroes antiheroine antiheros exiled exiles exilio feminist-memoir history-of-religion history-of-the-united-states jewish-diaspora jewish-question nazi-german-1945 woman-to-woman womanism

The Beetle’s body, whether it be a ’49 split or a ’73 Jeans Bug, or an ‘03 Mexican, was originally conceived in the mid 1930’s. This is evident in it’s body styling which aside from it’s rear engine layout and absence of front radiator (or radiator!) grille, is very similar to other cars of the same period. Believe it or not, in those days streamlining was a hot new concept, kind of like how wireless networking is today with computing.The only problem was, in the beginning they didn’t seem to realize that streamlining ought to be applied sideways as well as longitudinally!

Christina Engela , em Bugspray
body problem cars concept not period realize networking 49 computing bug layout 1930-s sideways mexican grille longitudinally mid radiator styling

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