Let me not to the marriage of true minds Admit impediments. Love is not love Which alters when it alteration finds, Or bends with the remover to remove. O no, it is an ever-fixed mark That looks on tempests and is never shaken; It is the star to every wand'ring barque, Whose worth's unknown, although his height be taken. Love's not Time's fool, though rosy lips and cheeks Within his bending sickle's compass come; Love alters not with his brief hours and weeks, But bears it out even to the edge of doom. If this be error and upon me proved, I never writ, nor no man ever loved.
Shall I compare thee to a summer's day? Thou art more lovely and more temperate: Rough winds do shake the darling buds of May, And summer's lease hath all too short a date: Sometimes too hot the eye of heaven shines, And too often is his gold complexion dimm'd: And every fair from fair sometimes declines, By chance or natures changing course untrimm'd; By thy eternal summer shall not fade, Nor lose possession of that fair thou owest; Nor shall Death brag thou wander'st in his shade, When in eternal lines to time thou growest: So long as men can breathe or eyes can see, So long lives this and this gives life to thee.
Lovers and madmen have such seething brains,Such shaping fantasies, that apprehendMore than cool reason ever comprehends.The lunatic, the lover and the poetAre of imagination all compact:One sees more devils than vast hell can hold,That is, the madman: the lover, all as frantic,Sees Helen's beauty in a brow of Egypt:The poet's eye, in fine frenzy rolling,Doth glance from heaven to earth, from earth to heaven;And as imagination bodies forthThe forms of things unknown, the poet's penTurns them to shapes and gives to airy nothingA local habitation and a name.
To be, or not to be: that is the question:Whether 'tis nobler in the mind to sufferThe slings and arrows of outrageous fortune,Or to take arms against a sea of troubles,And by opposing end them? To die: to sleep;No more; and by a sleep to say we endThe heart-ache and the thousand natural shocksThat flesh is heir to, 'tis a consummationDevoutly to be wish'd. To die, to sleep;To sleep: perchance to dream: ay, there's the rub;For in that sleep of death what dreams may comeWhen we have shuffled off this mortal coil,Must give us pause: there's the respectThat makes calamity of so long life;For who would bear the whips and scorns of time,The oppressor's wrong, the proud man's contumely,The pangs of despised love, the law's delay,The insolence of office and the spurnsThat patient merit of the unworthy takes,When he himself might his quietus makeWith a bare bodkin? who would fardels bear,To grunt and sweat under a weary life,But that the dread of something after death,The undiscover'd country from whose bournNo traveller returns, puzzles the willAnd makes us rather bear those ills we haveThan fly to others that we know not of?Thus conscience does make cowards of us all;And thus the native hue of resolutionIs sicklied o'er with the pale cast of thought,And enterprises of great pith and momentWith this regard their currents turn awry,And lose the name of action.--Soft you now!The fair Ophelia! Nymph, in thy orisonsBe all my sins remember'd!
Our revels now are ended. These our actors, As I foretold you, were all spirits and Are melted into air, into thin air: And, like the baseless fabric of this vision, The cloud-capp’d towers, the gorgeous palaces, The solemn temples, the great globe itself, Yea, all which it inherit, shall dissolve And, like this insubstantial pageant faded, Leave not a rack behind. We are such stuff As dreams are made on, and our little life Is rounded with a sleep.
All the world's a stage,And all the men and women merely players;They have their exits and their entrances,And one man in his time plays many parts,His acts being seven ages. At first, the infant,Mewling and puking in the nurse's arms.Then the whining schoolboy, with his satchelAnd shining morning face, creeping like snailUnwillingly to school. And then the lover,Sighing like furnace, with a woeful balladMade to his mistress' eyebrow. Then a soldier,Full of strange oaths and bearded like the pard,Jealous in honor, sudden and quick in quarrel,Seeking the bubble reputationEven in the cannon's mouth. And then the justice,In fair round belly with good capon lined,With eyes severe and beard of formal cut,Full of wise saws and modern instances;And so he plays his part. The sixth age shiftsInto the lean and slippered pantaloon,With spectacles on nose and pouch on side;His youthful hose, well saved, a world too wideFor his shrunk shank, and his big manly voice,Turning again toward childish treble, pipesAnd whistles in his sound. Last scene of all,That ends this strange eventful history,Is second childishness and mere oblivion,Sans teeth, sans eyes, sans taste, sans everything.
To-morrow, and to-morrow, and to-morrow,Creeps in this petty pace from day to day,To the last syllable of recorded time;And all our yesterdays have lighted foolsThe way to dusty death. Out, out, brief candle!Life's but a walking shadow, a poor player,That struts and frets his hour upon the stage,And then is heard no more. It is a taleTold by an idiot, full of sound and fury,Signifying nothing.
Cressida: My lord, will you be true?Troilus: Who, I? Alas, it is my vice, my fault:Whiles others fish with craft for great opinion,I with great truth catch mere simplicity;Whilst some with cunning gild their copper crowns,With truth and plainness I do wear mine bare.Fear not my truth: the moral of my witIs "plain and true"; there's all the reach of it.
LEONATOWell, then, go you into hell?BEATRICENo, but to the gate; and there will the devil meet me, like an old cuckold, with horns on his head, and say 'Get you to heaven, Beatrice, get you to heaven; here's no place for you maids:' so deliver I up my apes, and away to Saint Peter for the heavens; he shows me where the bachelors sit, and there live we as merry as the day is long.
LEONATOWell, niece, I hope to see you one day fitted with a husband.BEATRICENot till God make men of some other metal than earth. Would it not grieve a woman to be overmastered with a pierce of valiant dust? to make an account of her life to a clod of wayward marl? No, uncle, I'll none: Adam's sons are my brethren; and, truly, I hold it a sin to match in my kindred.
To be, or not to be: that is the question: Whether ’tis nobler in the mind to suffer The slings and arrows of outrageous fortune, Or to take arms against a sea of troubles, And by opposing end them? To die: to sleep; No more; and, by a sleep to say we end The heart-ache and the thousand natural shocks That flesh is heir to, ’tis a consummation Devoutly to be wish’d. To die, to sleep; To sleep: perchance to dream: ay, there’s the rub.
That time of year thou mayst in me beholdWhen yellow leaves, or none, or few, do hangUpon those boughs which shake against the cold,Bare ruin'd choirs, where late the sweet birds sang.In me thou seest the twilight of such dayAs after sunset fadeth in the west,Which by and by black night doth take away,Death's second self, that seals up all in rest.In me thou see'st the glowing of such fireThat on the ashes of his youth doth lie,As the death-bed whereon it must expireConsumed with that which it was nourish'd by.This thou perceivest, which makes thy love more strong,To love that well which thou must leave ere long.
O, that this too too solid flesh would meltThaw and resolve itself into a dew!Or that the Everlasting had not fix'dHis canon 'gainst self-slaughter! O God! God!How weary, stale, flat and unprofitable,Seem to me all the uses of this world!Fie on't! ah fie! 'tis an unweeded garden,That grows to seed; things rank and gross in naturePossess it merely. That it should come to this!But two months dead: nay, not so much, not two:So excellent a king; that was, to this,Hyperion to a satyr; so loving to my motherThat he might not beteem the winds of heavenVisit her face too roughly. Heaven and earth!Must I remember? why, she would hang on him,As if increase of appetite had grownBy what it fed on: and yet, within a month--Let me not think on't--Frailty, thy name is woman!--A little month, or ere those shoes were oldWith which she follow'd my poor father's body,Like Niobe, all tears:--why she, even she--O, God! a beast, that wants discourse of reason,Would have mourn'd longer--married with my uncle,My father's brother, but no more like my fatherThan I to Hercules: within a month:Ere yet the salt of most unrighteous tearsHad left the flushing in her galled eyes,She married. O, most wicked speed, to postWith such dexterity to incestuous sheets!It is not nor it cannot come to good:But break, my heart; for I must hold my tongue.
All things that we ordained festival,Turn from their office to black funeral;Our instruments to melancholy bells,Our wedding cheer to a sad burial feast,Our solemn hymns to sullen dirges change,Our bridal flowers serve for a buried corse,And all things change them to the contrary.
Zu früh, befürcht ich; denn mein Herz erbangtUnd ahnet ein Verhängnis, welches, nochVerborgen in den Sternen, heute NachtBei dieser Lustbarkeit den furchtbarn ZeitlaufBeginnen und das Ziel des läst'gen Lebens,Das meine Brust verschließt, mir kürzen wirdDurch irgendeinen Frevel frühen Todes.Doch er, der mir zur Fahrt das Steuer lenkt,Richt' auch mein Segel!I fear, too early. For my mind misgivesSome consequence, yet hanging in the stars,Shall bitterly begin his fearful dateWith this night's revels, and expire the termOf a despisèd life, closed in my breast,By some vile forfeit of untimely death.But He that hath the steerage of my courseDirect my sail!Romeo: Act I, Scene 4
Every subject's duty is the King's; but every subject's soul is his own. Therefore, should every soldier in the wars do as every sick man in his bed, wash every mote out of his conscience; and dying so, death is to him advantage; or not dying, the time was blessedly lost wherein such preparation was gained; and in him that escapes, it were no sin to think that, making God so free an offer, He let him outlive the day to see His greatness and to teach others how they should prepare.
No longer mourn for me when I am deadThan you shall hear the surly sullen bellGive warning to the world that I am fledFrom this vile world, with vilest worms to dwell;Nay, if you read this line, remember notThe hand that writ it; for I love you so,That I in your sweet thoughts would be forgot,If thinking on me then would make you woe.
My mistress' eyes are nothing like the sun;Coral is far more red than her lips' red;If snow be white, why then her breasts are dun;If hairs be wires, black wires grow on her head.I have seen roses damask'd, red and white,But no such roses see I in her cheeks;And in some perfumes is there more delightThan in the breath that from my mistress reeks.I love to hear her speak, yet well I knowThat music hath a far more pleasing sound;I grant I never saw a goddess go;My mistress, when she walks, treads on the ground: And yet, by heaven, I think my love as rare As any she belied with false compare.
This fellow is wise enough to play the fool;And to do that well craves a kind of wit:He must observe their mood on whom he jests,The quality of persons, and the time,And, like the haggard, check at every featherThat comes before his eye. This is a practiseAs full of labour as a wise man's artFor folly that he wisely shows is fit;But wise men, folly-fall'n, quite taint their wit.
So may the outward shows be least themselves:The world is still deceived with ornament.In law, what plea so tainted and corrupt,But, being seasoned with a gracious voice,Obscures the show of evil? In religion,What damned error, but some sober browWill bless it and approve it with a text,Hiding the grossness with fair ornament?There is no vice so simple but assumesSome mark of virtue on his outward parts.
I wasted time, and now doth time waste me; For now hath time made me his numbering clock: My thoughts are minutes; and with sighs they jar Their watches on unto mine eyes, the outward watch, Whereto my finger, like a dial's point, Is pointing still, in cleansing them from tears. Now sir, the sound that tells what hour it is Are clamorous groans, which strike upon my heart, Which is the bell: so sighs and tears and groans Show minutes, times, and hours.
When I do count the clock that tells the time,And see the brave day sunk in hideous night;When I behold the violet past prime,And sable curls all silver'd o'er with white;When lofty trees I see barren of leavesWhich erst from heat did canopy the herd,And summer's green all girded up in sheavesBorne on the bier with white and bristly beard,Then of thy beauty do I question make,That thou among the wastes of time must go,Since sweets and beauties do themselves forsakeAnd die as fast as they see others grow;And nothing 'gainst Time's scythe can make defenceSave breed, to brave him when he takes thee hence.
HAMLET I will receive it sir with all diligence of spirit. Put your bonnet to his right use, 'tis for the head.OSRIC I thank you lordship, it is very hot.HAMLET No believe me, 'tis very cold, the wind is northerly.OSRIC It is indifferent cold my lord, indeed.HAMLET But yet methinks it is very sultry and hot for my complexion.OSRIC Exceedingly my lord, it is very sultry, as 'twere - I cannot tell how. But my lord, his majesty bade me signify to you that a has laid a great wager on your head. Sir, this is the matter -HAMLET I beseech you remember.(Hamlet moves him to put on his hat)
Nay, 'twill be this hour ere I have done weeping. All the kind of the Launces have this very fault. I have received my proportion, like the prodigious son, and am going with Sir Proteus to the Imperial's court. I think Crab, my dog, be the sourest-natured dog that lives. My mother weeping, my father wailing, my sister crying, our maid howling, our cat wringing her hands, and all our house in a great perplexity, yet did not this cruel-hearted cur shed one tear. He is a stone, a very pebble stone, and has no more pity in him than a dog. A Jew would have wept to have seen our parting. Why, my grandam, having no eyes, look you, wept herself blind at my parting. Nay, I'll show you the manner of it. This shoe is my father. No, this left shoe is my father. No, no, this left shoe is my mother. Nay, that cannot be so neither. Yes, it is so, it is so -- it hath the worser sole. This shoe with the hole in it is my mother, and this my father. A vengeance on't! There 'tis. Now, sir, this staff is my sister, for, look you, she is as white as a lily and as small as a wand. This hat is Nan, our maid. I am the dog. No, the dog is himself, and I am the dog -- O, the dog is me, and I am myself. Ay, so, so. Now come I to my father: 'Father, your blessing.' Now should not the shoe speak a word for weeping. Now should I kiss my father -- well, he weeps on. Now come I to my mother. O, that she could speak now like a wood woman! Well, I kiss her -- why, there 'tis: here's my mother's breath up and down. Now come I to my sister; mark the moan she makes. Now the dog all this while sheds not a tear nor speaks a word!
POLONIUS My lord, the queen would speak with you, and presently.HAMLET Do you see yonder cloud that's almost in shape of a camel?POLONIUS By th'mass, and 'tis like a camel indeed.HAMLET Methinks it is like a weasel.POLONIUS It is backed like a weasel.HAMLET Or like a whale?POLONIUS Very like a whale.HAMLET Then I will come to my mother by and by. - They fool me to the top of my bent. - I will come by and by.
I could a tale unfold whose lightest wordWould harrow up thy soul, freeze thy young blood,Make thy two eyes like stars start from their spheres,Thy knotted and combined locks to part,And each particular hair to stand on endLike quills upon the fretful porpentine.But this eternal blazon must not beTo ears of flesh and blood.List, list, O list!
Ay, but to die, and go we know not where;To lie in cold obstruction and to rot;This sensible warm motion to becomeA kneaded clod; and the delighted spiritTo bathe in fiery floods, or to resideIn thrilling region of thick-ribbed ice;To be imprison'd in the viewless winds,And blown with restless violence round aboutThe pendent world; or to be worse than worstOf those that lawless and incertain thoughtImagine howling: 'tis too horrible!The weariest and most loathed worldly lifeThat age, ache, penury and imprisonmentCan lay on nature is a paradiseTo what we fear of death.
If we shadows have offended, Think but this, and all is mended,That you have but slumbered hereWhile these visions did appear.And this weak and idle theme,No more yielding but a dream,Gentles, do not reprehend:If you pardon, we will mend:And, as I am an honest Puck,If we have unearned luckNow to 'scape the serpent's tongue,We will make amends ere long;Else the Puck a liar call;So, good night unto you all.Give me your hands, if we be friends,And Robin shall restore amends.
True, I talk of dreams,Which are the children of an idle brain,Begot of nothing but vain fantasy,Which is as thin of substance as the air,And more inconstant than the wind, who woos Even now the frozen bosom of the north,And, being anger'd, puffs away from thence,Turning his side to the dew-dropping south.
I have had a most rare vision. I have had a dream, past the wit of man to say what dream it was: man is but an ass, if he go about to expound this dream. Methought I was--there is no man can tell what. Methought I was,--and methought I had,--but man is but a patched fool, if he will offer to say what methought I had. The eye of man hath not heard, the ear of man hath not seen, man's hand is not able to taste, his tongue to conceive, nor his heart to report, what my dream was. I will get Peter Quince to write a ballad of this dream: it shall be called Bottom's Dream, because it hath no bottom...
Don Pedro - (...)'In time the savage bull doth bear the yoke.'Benedick - The savage bull may, but if ever the sensible Benedick bear it, pluck off the bull's horns and set them in my forehead, and let me be vildly painted; and in such great letters as they writes, 'Here is good horse for hire', let them signify under my sign, 'Here you may see Benedick the married man.
DON PEDROCome, lady, come; you have lost the heart of Signior Benedick.BEATRICEIndeed, my lord, he lent it me awhile; and I gave him use for it, a double heart for his single one: marry, once before he won it of me with false dice, therefore your grace may well say I have lost it.DON PEDROYou have put him down, lady, you have put him down.BEATRICESo I would not he should do me, my lord, lest I should prove the mother of fools.
What is your substance, whereof are you made,That millions of strange shadows on you tend?Since everyone hath every one, one shade,And you, but one, can every shadow lend.Describe Adonis, and the counterfeitIs poorly imitated after you.On Helen’s cheek all art of beauty set,And you in Grecian tires are painted new.Speak of the spring and foison of the year;The one doth shadow of your beauty show,The other as your bounty doth appear,And you in every blessèd shape we know.In all external grace you have some part,But you like none, none you, for constant heart.
Look on beauty,And you shall see 'tis purchased by the weight;Which therein works a miracle in nature,Making them lightest that wear most of it:So are those crisped snaky golden locksWhich make such wanton gambols with the wind,Upon supposed fairness, often knownTo be the dowry of a second head,The skull that bred them in the sepulchre.Thus ornament is but the guiled shoreTo a most dangerous sea; the beauteous scarfVeiling an Indian beauty; in a word,The seeming truth which cunning times put onTo entrap the wisest.
What you doStill betters what is done. When you speak, sweet.I'ld have you do it ever: when you sing,I'ld have you buy and sell so, so give alms,Pray so; and, for the ordering your affairs,To sing them too: when you do dance, I wish youA wave o' the sea, that you might ever doNothing but that; move still, still so,And own no other function: each your doing,So singular in each particular,Crowns what you are doing in the present deed,That all your acts are queens.
DESDEMONACome, how wouldst thou praise me? IAGO I am about it; but indeed my invention Comes from my pate as birdlime does from frieze; It plucks out brains and all: but my Muse labours, And thus she is deliver'd. If she be fair and wise, fairness and wit, The one's for use, the other useth it. DESDEMONA Well praised! How if she be black and witty? IAGO If she be black, and thereto have a wit, She'll find a white that shall her blackness fit. DESDEMONA Worse and worse. EMILIA How if fair and foolish? IAGO She never yet was foolish that was fair; For even her folly help'd her to an heir. DESDEMONA These are old fond paradoxes to make fools laugh i' the alehouse. What miserable praise hast thou for her that's foul and foolish? IAGO There's none so foul and foolish thereunto, But does foul pranks which fair and wise ones do.
Not marble nor the gilded monumentsOf princes, shall outlive this powerful rhyme,But you shall shine more bright in these contentsThan unswept stone, besmeared with sluttish time.When wasteful war shall statues overturnAnd broils roots out the work of masonry,Nor mars his sword nor war's quick fire shall burnThe living record of your memory.'Gainst death and all-oblivious enmityShall you pace forth; your praise shall still find roomEven in the eyes of all posterityThat wear this world out to the ending doom.So, till judgement that yourself arise,You in this, and dwell in lovers eyes.
If there were a sympathy in choice,War, death, or sickness, did lay siege to it,Making it momentary as a sound,Swift as a shadow, short as any dream,Brief as the lightning in the collied nightThat, in a spleen, unfolds both heaven and earth,And ere a man hath power to say 'Behold!'The jaws of darkness do devour it up;So quick bright things come to confusion.
Thy husband is thy lord, thy life, thy keeper,Thy head, thy sovereign, one that cares for thee,And for thy maintenance; commits his bodyTo painful labor, both by sea and land;To watch the night in storms, the day in cold,Whilst thou li’st warm at home, secure and safe;And craves no other tribute at thy handsBut love, fair looks, and true obedience-Too little payment for so great a debt.Such duty as the subject owes the prince,Even such a woman oweth to her husband;And when she is froward, peevish, sullen, sour,And no obedient to his honest will,What is she but a foul contending rebel,And graceless traitor to her loving lord?I asham’d that women are so simple‘To offer war where they should kneel for peace,Or seek for rule, supremacy, and sway,When they are bound to serve, love, and obey.Why are our bodies soft, and weak, and smooth,Unapt to toil and trouble in the world,But that our soft conditions, and our hearts,Should well agree with our external parts?
Wooing, wedding, and repenting is as a Scotch jig, a measure, and a cinque-pace: the first suit is hot and hasty like a Scotch jig--and full as fantastical; the wedding, mannerly modest, as a measure, full of state and ancientry; and then comes repentance and with his bad legs falls into the cinque-pace faster and faster, till he sink into his grave.
Lorenzo: In such a night stood Dido with a willow in her hand upon the wild sea-banks, and waft her love to come again to Carthage Jessica: In such a night Medea gathered the enchanted herbs that did renew old Aeson. Lorenzo: In such a night did Jessica steal from the wealthy Jew, and with an unthrift love did run from Venice, as far as Belmont. Jessica: In such a night did young Lorenzo swear he lov'd her well, stealing her soul with many vows of faith, and ne'er a true one. Lorenzo: In such a night did pretty Jessica (like a little shrow) slander her love, and he forgave it her. Jessica: I would out-night you, did nobody come; but hark, I hear the footing of a man.
By the sweet power of music: therefore the poet did feign that Orpheus drew trees, stones and floods; since nought so stockish, hard and full of rage, but music for the time doth change his nature. The man that hath no music in himself, nor is not moved with concord of sweet sounds, is fit for treasons, stratagems and spoils; The motions of his spirit are dull as night and his affections dark as Erebus: Let no such man be trusted. Mark the music.
ROMEOThere is thy gold, worse poison to men's souls,Doing more murders in this loathsome world,Than these poor compounds that thou mayst not sell.I sell thee poison; thou hast sold me none.Farewell: buy food, and get thyself in flesh.Come, cordial and not poison, go with meTo Juliet's grave; for there must I use thee.
Were I the Moor I would not be Iago.In following him I follow but myself;Heaven is my judge, not I for love and duty,But seeming so for my peculiar end.For when my outward action doth demonstrateThe native act and figure of my heartIn compliment extern, ’tis not long afterBut I will wear my heart upon my sleeveFor daws to peck at. I am not what I am
Thou, my slave,As thou report'st thyself, was then her servant,And for thou wast a spirit too delicateTo act her earthy and abhorred commands,Refusing her grand hests, she did confine thee,By help of her more potent ministersAnd in her most unmitigable rage,Into a cloven pine, within which riftImprisoned thou didst painfully remainA dozen years; within which space she diedAnd left thee there, where thou didst vent thy groansAs fast as mill wheels strike.
No more light answers. Let our officersHave note what we purpose. I shall breakThe cause of our expedience to the QueenAnd get her leave to part. For not aloneThe death of Fulvia, with more urgent touches,Do strongly speak to us, but the letters tooOf many our contriving friends in RomePetition us at home. Sextus PompeiusHath given the dare to Caesar and commandsThe empire of the sea. Our slippery people,Whose love is never linked to the deserverTill his deserts are past, begin to throwPompey the Great and all his dignitiesUpon his son, who - high in name and power,Higher than both in blood and life - stands upFor the main soldier; whose quality, going on,The sides o' th' world may danger. Much is breedingWhich, like the courser's hair, hath yet but lifeAnd not a serpent's poison.
Well, in that hit you miss. She'll not be hitWith Cupid's arrow. She hath Dian's wit,And, in strong proff of chastity well armed,From Love's weak childish bow she lives uncharmed. She will not stay the siege of loving terms,Nor bide th' encounter of assailing eyes,Nor ope her lap to saint-seducing gold.O, she is rich in beauty; only poorThat, when she dies, with dies her store.Act 1,Scene 1, lines 180-197
Good name in man and woman, dear my lord,Is the immediate jewel of their souls:Who steals my purse steals trash; ’tis something, nothing;’twas mine, ’tis his, and has been slave to thousands;But he that filches from me my good nameRobs me of that which not enriches him, And makes me poor indeed.
What infinite heart's-easeMust kings neglect, that private men enjoy!And what have kings, that privates have not too,Save ceremony, save general ceremony?And what art thou, thou idle ceremony?What kind of god art thou, that suffer'st moreOf mortal griefs than do thy worshippers?What are thy rents? what are thy comings in?O ceremony, show me but thy worth!What is thy soul of adoration?Art thou aught else but place, degree and form,Creating awe and fear in other men?Wherein thou art less happy being fear'dThan they in fearing.What drink'st thou oft, instead of homage sweet,But poison'd flattery? O, be sick, great greatness,And bid thy ceremony give thee cure!Think'st thou the fiery fever will go outWith titles blown from adulation?Will it give place to flexure and low bending?Canst thou, when thou command'st the beggar's knee,Command the health of it? No, thou proud dream,That play'st so subtly with a king's repose;I am a king that find thee, and I know'Tis not the balm, the sceptre and the ball,The sword, the mace, the crown imperial,The intertissued robe of gold and pearl,The farced title running 'fore the king,The throne he sits on, nor the tide of pompThat beats upon the high shore of this world,No, not all these, thrice-gorgeous ceremony,Not all these, laid in bed majestical,Can sleep so soundly as the wretched slave,Who with a body fill'd and vacant mindGets him to rest, cramm'd with distressful bread;Never sees horrid night, the child of hell,But, like a lackey, from the rise to setSweats in the eye of Phoebus and all nightSleeps in Elysium; next day after dawn,Doth rise and help Hyperion to his horse,And follows so the ever-running year,With profitable labour, to his grave:And, but for ceremony, such a wretch,Winding up days with toil and nights with sleep,Had the fore-hand and vantage of a king.The slave, a member of the country's peace,Enjoys it; but in gross brain little wotsWhat watch the king keeps to maintain the peace,Whose hours the peasant best advantages.
That such a slave as this should wear a sword,Who wears no honesty. Such smiling rogues as these,Like rats, oft bite the holy cords atwainWhich are too intrinse t' unloose; smooth every passionThat in the natures of their lords rebel,Being oil to the fire, snow to the colder moods,Renege, affirm, and turn their halcyon beaksWith every gale and vary of their mastersKnowing naught, like dogs, but following.
Macbeth: How does your patient, doctor?Doctor: Not so sick, my lord, as she is troubled with thick-coming fancies that keep her from rest.Macbeth: Cure her of that! Canst thou not minister to a mind diseased, pluck from the memory a rooted sorrow, raze out the written troubles of the brain, and with some sweet oblivious antidote cleanse the stuffed bosom of that perilous stuff which weighs upon her heart.Doctor: Therein the patient must minister to himself.
Seems," madam? Nay, it is; I know not "seems."'Tis not alone my inky cloak, good mother,Nor customary suits of solemn black, Nor windy suspiration of forced breath,No, nor the fruitful river in the eye, Nor the dejected 'havior of the visage,Together with all forms, moods, shapes of grief, That can denote me truly: these indeed seem, For they are actions that a man might play: But I have that within which passeth show; These but the trappings and the suits of woe.
When Rosencrantz asks Hamlet, "Good my lord, what is your cause of distemper? You do surely bar the door upon your own liberty, if you deny your grief to your friends"(III, ii, 844-846), Hamlet responds, "Why, look you now, how unworthy a thing you make of me! You would play upon me; you would seem to know my stops; you would pluck from my lowest note to the top of my compass; and there is much music, excellent voice, in this little organ, yet cannot you make it speak. 'Sblood, do you think I am easier to be played on than a pipe? Call me what instrument you will, though you can fret me, you cannot play upon me." (III,ii, 371-380)
O for a Muse of fire, that would ascendThe brightest heaven of invention,A kingdom for a stage, princes to actAnd monarchs to behold the swelling scene!Then should the warlike Harry, like himself,Assume the port of Mars; and at his heels,Leash'd in like hounds, should famine, sword and fireCrouch for employment. But pardon, and gentles all,The flat unraised spirits that have daredOn this unworthy scaffold to bring forthSo great an object: can this cockpit holdThe vasty fields of France? or may we cramWithin this wooden O the very casquesThat did affright the air at Agincourt?O, pardon! since a crooked figure mayAttest in little place a million;And let us, ciphers to this great accompt,On your imaginary forces work.Suppose within the girdle of these wallsAre now confined two mighty monarchies,Whose high upreared and abutting frontsThe perilous narrow ocean parts asunder:Piece out our imperfections with your thoughts;Into a thousand parts divide on man,And make imaginary puissance;Think when we talk of horses, that you see themPrinting their proud hoofs i' the receiving earth;For 'tis your thoughts that now must deck our kings,Carry them here and there; jumping o'er times,Turning the accomplishment of many yearsInto an hour-glass: for the which supply,Admit me Chorus to this history;Who prologue-like your humble patience pray,Gently to hear, kindly to judge, our play.
He reads much;He is a great observer and he looksQuite through the deeds of men: he loves no plays,As thou dost, Antony; he hears no music;Seldom he smiles, and smiles in such a sortAs if he mock'd himself and scorn'd his spiritThat could be moved to smile at any thing.Such men as he be never at heart's easeWhiles they behold a greater than themselves,And therefore are they very dangerous.
Not marble, nor the gilded monuments Of princes, shall outlive this powerful rhyme;But you shall shine more bright in these contents Than unswept stone, besmear'd with sluttish time. When wasteful war shall statues overturn, And broils root out the work of masonry, Nor Mars his sword nor war's quick fire shall burnThe living record of your memory. 'Gainst death and all-oblivious enmityShall you pace forth; your praise shall still find roomEven in the eyes of all posterity That wear this world out to the ending doom.So, till the judgment that yourself arise, You live in this, and dwell in lovers' eyes.
Ye elves of hills, brooks, standing lakes and groves,And ye that on the sands with printless footDo chase the ebbing Neptune and do fly himWhen he comes back; you demi-puppets thatBy moonshine do the green sour ringlets make,Whereof the ewe not bites, and you whose pastimeIs to make midnight mushrooms, that rejoiceTo hear the solemn curfew; by whose aid,Weak masters though ye be, I have bedimm’dThe noontide sun, call’d forth the mutinous winds,And ‘twixt the green sea and the azured vaultSet roaring war: to the dread rattling thunderHave I given fire and rifted Jove’s stout oakWith his own bolt; the strong-based promontoryHave I made shake and by the spurs pluck’d upThe pine and cedar: graves at my commandHave waked their sleepers, oped, and let ‘em forthBy my so potent art. But this rough magicI here abjure, and, when I have requiredSome heavenly music, which even now I do,To work mine end upon their senses thatThis airy charm is for, I’ll break my staff,Bury it certain fathoms in the earth,And deeper than did ever plummet soundI’ll drown my book.
Well, I must do’t. Away, my disposition, and possess me Some harlot’s spirit! My throat of war be turn’d, Which quier’d with my drum, into a pipe Small as an eunuch, or the virgin voice That babies lull asleep! The smiles of knaves Tent in my cheeks, and schoolboys’ tears take up The glasses of my sight! A beggar’s tongue Make motion through my lips, and my arm’d knees, Who bow’d but in my stirrup, bend like his That hath receiv’d an alms! I will not do’t, Lest I surcease to honor mine own truth, And by my body’s action teach my mind A most inherent baseness.
Ay, that I had not done a thousand more.Even now I curse the day—and yet, I think,Few come within the compass of my curse,—Wherein I did not some notorious ill,As kill a man, or else devise his death,Ravish a maid, or plot the way to do it,Accuse some innocent and forswear myself,Set deadly enmity between two friends,Make poor men's cattle break their necks;Set fire on barns and hay-stacks in the night,And bid the owners quench them with their tears.Oft have I digg'd up dead men from their graves,And set them upright at their dear friends' doors,Even when their sorrows almost were forgot;And on their skins, as on the bark of trees,Have with my knife carved in Roman letters,'Let not your sorrow die, though I am dead.'Tut, I have done a thousand dreadful thingsAs willingly as one would kill a fly,And nothing grieves me heartily indeedBut that I cannot do ten thousand more.
Those lips that Love's own hand did makeBreathed forth the sound that said, 'I hate'To me that languished for her sake,But, when she saw my woeful state,Straight in her heart did mercy come,Chiding that tongue that ever sweetWas used in giving gentle doom,And taught it thus anew to greet:'I hate,' she altered with an endThat followed it as gentle dayDoth follow night, who like a fiendFrom Heaven to Hell is flown away.'I hate' from hate away she threwAnd saved my life, saying 'not you'.
Alas, that love, whose view is muffled still,Should, without eyes, see pathways to his will!Where shall we dine? O me! What fray was here?Yet tell me not, for I have heard it all.Here’s much to do with hate, but more with love.Why, then, O brawling love! O loving hate!O any thing, of nothing first create!O heavy lightness! Serious vanity!Mis-shapen chaos of well-seeming forms!Feather of lead, bright smoke, cold fire, sick health!Still-waking sleep, that is not what it is!This love feel I, that feel no love in this.Dost thou not laugh?
Love is not love which alters it when alteration finds, or bends with the remover to remove: O no! It is an ever fixed mark that looks on tempests and is never shaken; it is the star to every wandering bark whose worth's unknown, although his height be taken. Love's not Time's fool, though rosy lips and cheeks within his bending sickle's compass come: Love alters not with his brief hours and weeks, but bears it out, even to the edge of
He that commends me to mine own contentCommends me to the thing I cannot get.I to the world am like a drop of waterThat in the ocean seeks another drop,Who, falling there to find his fellow forth,Unseen, inquisitive, confounds himself:So I, to find a mother and a brother,In quest of them, unhappy, lose myself.
Wonder of time,' quoth she, 'this is my spite,That, thou being dead, the day should yet be light.'Since thou art dead, lo, here I prophesy:Sorrow on love hereafter shall attend:It shall be waited on with jealousy,Find sweet beginning, but unsavoury end,Ne'er settled equally, but high or low,That all love's pleasure shall not match his woe.'It shall be fickle, false and full of fraud,Bud and be blasted in a breathing-while;The bottom poison, and the top o'erstraw'dWith sweets that shall the truest sight beguile:The strongest body shall it make most weak,Strike the wise dumb and teach the fool to speak.'It shall be sparing and too full of riot,Teaching decrepit age to tread the measures;The staring ruffian shall it keep in quiet,Pluck down the rich, enrich the poor with treasures;It shall be raging-mad and silly-mild,Make the young old, the old become a child.'It shall suspect where is no cause of fear;It shall not fear where it should most mistrust;It shall be merciful and too severe,And most deceiving when it seems most just;Perverse it shall be where it shows most toward,Put fear to valour, courage to the coward.'It shall be cause of war and dire events,And set dissension 'twixt the son and sire;Subject and servile to all discontents,As dry combustious matter is to fire:Sith in his prime Death doth my love destroy,They that love best their loves shall not enjoy.
Alack, sir, no; her passions are made of nothing but the finest part of pure love. We cannot call her winds and waters sighs and tears; they are greater storms and tempests than almanacs can report: this cannot be cunning in her; if it be, she makes a shower of rain as well as Jove.
Orsino: For, boy, however we do praise ourselves,Our fancies are more giddy and unfirm,More longing, wavering, sooner lost and won,Than women's are. ...For women are as roses, whose fair flow'rBeing once display'd doth fall that very hour.Viola: And so they are; alas, that they are so!To die, even when they to perfection grow!
What if it tempt you toward the flood, my lord?Or to the dreadful summit of the cliffThat beetles o'er his base into the sea,And there assume some other horrible formWhich might deprive your sovereignty of reasonAnd draw you into madness? Think of it.[The very place puts toys of desperation,Without more motive, into every brainThat looks so many fathoms to the seaAnd hears it roar beneath.]
Sometime [Queen Mab] driveth o'er a soldier's neck, And then dreams he of cutting foreign throats,Of breaches, ambuscadoes, Spanish blades,Of healths five fathom deep; and then anonDrums in his ear, at which he starts and wakes,And being thus frighted, swears a prayer or twoAnd sleeps again
My story being done,She gave me for my pains a world of sighs:She swore,––in faith, twas strange, 'twas passing strange;'Twas pitiful, 'twas wondrous pitiful:She wish'd she had not heard it, yet she wish'dThat heaven had made her such a man: she thank'd me,And bade me, if I had a friend that lov'd her,I should but teach him how to tell my story.And that would woo her.
...and what's his reason? I am a Jew. Hath not a Jew eyes? Hath not a Jew hands, organs, dimensions, senses, affections, passions? Fed with the same food, hurt with the same weapons, subject to the same diseases, healed by the same means, warmed and cooled by the same winter and summer as a Christian is? If you prick us, do we not bleed? If you tickle us; do we not laugh? If you poison us, do we not die? And if you wrong us, shall we not revenge? If we are like you in the rest, we will resemble you in that. If a Jew wrong a Christian, what is his humility? Revenge. If a Christian wrong a Jew, what should his sufferance be by Christian example? Why, revenge! The villainy you teach me I will execute, and it shall go hard but I will better the instruction.
Mislike me not for my complexion,The shadowed livery of the burnished sun,To whom I am a neighbor and near bred.Bring me the fairest creature northward born,Where Phoebus' fire scarce thaws the icicles,And let us make incision for your loveTo prove whose blood is reddest, his or mine.
But if the cause be not good, the king himself hath a heavy reckoning to make, when all those legs and arms and heads, chopped off in battle, shall join together at the latter day and cry all 'We died at such a place;' some swearing, some crying for a surgeon, some upon their wives left poor behind them, some upon the debts they owe, some upon their children rawly left. I am afeard there are few die well that die in a battle; for how can they charitably dispose of anything, when blood is their argument? Now, if these men do not die well, it will be a black matter for the king that led them to it; whom to disobey were against all proportion of subjection.[Henry V, Act IV Scene I]
He stopped the flyersAnd by his rare example made the cowardTurn terror into sport. As weeds beforeA vessel under sail, so men obeyedAnd fell below his stem. His sword, Death's stamp,Where it did mark, it took; from face to footHe was a thing of blood, whose every motionWas timed with dying cries. Alone he enteredThe mortal gate o' th' city, which he paintedWith shunless destiny; aidless came offAnd with a sudden reinforcement struckCorioles like a planet. Now all's his,When by and by the dim of war gan pierceHis ready sense; then straight his doubled spiritRequickened what in flesh was fatigate,And to the battle came he, where he didRun reeking o'er the lives of men as if'Twere a perpetual spoil; and till we calledBoth field and city ours, he never stoodTo ease his breast with panting.
I'll read enoughWhen I do see the very book indeedWhere all my sins are writ, and that's myself.Give me that glass and therein will I read.No deeper wrinkles yet? Hath sorrow struckSo many blows upon this face of mineAnd made no deeper wounds?O flattering glass,Like to my followers in prosperityThou dost beguile me!
DESDEMONA: I hope my noble lord esteems me honest.OTHELLO: Oh, ay, as summer flies are in the shambles,That quicken even with blowing. O thou weed,Who art so lovely fair and smell’st so sweetThat the sense aches at thee, would thou hadst ne'er been born!DESDEMONA: Alas, what ignorant sin have I committed?OTHELLO: Was this fair paper, this most goodly book,Made to write “whore” upon?
Either to die the death or to abjureFor ever the society of men.Therefore, fair Hermia, question your desires;Know of your youth, examine well your blood,Whether, if you yield not to your father's choice,You can endure the livery of a nun,For aye to be in shady cloister mew'd,To live a barren sister all your life,Chanting faint hymns to the cold fruitless moon.Thrice-blessed they that master so their blood,To undergo such maiden pilgrimage;But earthlier happy is the rose distill'd,Than that which withering on the virgin thornGrows, lives and dies in single blessedness.
ROMEO :'Tis torture and not mercy. Heaven is here,Where Juliet lives, and every cat and dogAnd little mouse, every unworthy thing,Live here in heaven and may look on her,But Romeo may not. More validity,More honorable state, more courtship livesIn carrion flies than Romeo. They may seizeOn the white wonder of dear Juliet’s handAnd steal immortal blessing from her lips,Who even in pure and vestal modesty,Still blush, as thinking their own kisses sin.But Romeo may not. He is banishèd.Flies may do this, but I from this must fly.They are free men, but I am banishèd.And sayst thou yet that exile is not death?Hadst thou no poison mixed, no sharp-ground knife,No sudden mean of death, though ne'er so mean,But “banishèd” to kill me?—“Banishèd”!O Friar, the damnèd use that word in hell.Howling attends it. How hast thou the heart,Being a divine, a ghostly confessor,A sin-absolver, and my friend professed,To mangle me with that word “banishèd”?
Yet she must die, else she'll betray more men.Put out the light, and then put out the light:If I quench thee, thou flaming minister,I can again thy former light restore,Should I repent me: but once put out thy light,Thou cunning'st pattern of excelling nature,I know not where is that Promethean heatThat can thy light relume.
The single and peculiar mind is boundWith all the strength and armor of the mindTo keep itself from noyance, but much moreThat spirit upon whose weal depends and restsThe lives of many. The cess of majestyDies not alone, but like a gulf doth drawWhat's near it with it; or it is a massy wheelFixed on the summit of the highest mount,To whose huge spokes ten thousand lesser thingsAre mortised and adjoined, which, when it falls,Each small annexment, petty consequence,Attends the boist'rous ruin. Never aloneDid the king sigh, but with a general groan.
How stand I, then,That have a father killed, a mother stained,Excitements of my reason and my blood,And let all sleep, while to my shame I seeThe imminent death of twenty thousand menThat for a fantasy and trick of fameGo to their graves like beds, fight for a plotWhereon the numbers cannot try the cause,Which is not tomb enough and continentTo hide the slain? O, from this time forthMy thoughts be bloody or be nothing
If to do were as easy as to know what were good to do, chapels had been churches, and poor men’s cottages princes’ palaces. It is a good divine that follows his own instructions: I can easier teach twenty what were good to be done, than be one of the twenty to follow mine own teaching.
Then must you speakOf one that loved not wisely but too well,Of one not easily jealous but, being wrought,Perplexed in the extreme; of one whose hand,Like the base Indian, threw a pearl awayRicher than all his tribe; of one whose subdued eyes,Albeit unused to the melting mood,Drop tears as fast as the Arabian treesTheir medicinable gum. Set you down this,And say besides that in Aleppo once,Where a malignant and a turbaned TurkBeat a Venetian and traduced the state,I took by th' throat the circumcised dogAnd smote him thus.
BOTTOMThere are things in this comedy of Pyramus and Thisby that will never please. First, Pyramus must draw a sword to kill himself; which the ladiescannot abide. How answer you that?SNOUTBy'r lakin, a parlous fear.STARVELINGI believe we must leave the killing out, when all is done.BOTTOMNot a whit: I have a device to make all well.Write me a prologue; and let the prologue seem tosay, we will do no harm with our swords, and thatPyramus is not killed indeed; and, for the morebetter assurance, tell them that I, Pyramus, am notPyramus, but Bottom the weaver: this will put themout of fear.QUINCEWell, we will have such a prologue; and it shall bewritten in eight and six.BOTTOMNo, make it two more; let it be written in eight and eight.
They met me in the day of success: and I havelearned by the perfectest report, they have more inthem than mortal knowledge. When I burned in desireto question them further, they made themselves air,into which they vanished. Whiles I stood rapt inthe wonder of it, came missives from the king, whoall-hailed me 'Thane of Cawdor;' by which title,before, these weird sisters saluted me, and referredme to the coming on of time, with 'Hail, king thatshalt be!' This have I thought good to deliverthee, my dearest partner of greatness, that thoumightst not lose the dues of rejoicing, by beingignorant of what greatness is promised thee. Lay itto thy heart, and farewell.
What win I, if I gain the thing I seek?A dream, a breath, a froth of fleeting joy.Who buys a minute's mirth to wail a week?Or sells eternity to get a toy?For one sweet grape who will the vine destroy?Or what fond beggar, but to touch the crown,Would with the sceptre straight be strucken down?
Those that much covet are with gain so fond,For what they have not, that which they possessThey scatter and unloose it from their bond,And so, by hoping more, they have but less;Or, gaining more, the profit of excessIs but to surfeit, and such griefs sustain,That they prove bankrupt in this poor-rich gain.
The quality of mercy is not strain'd,It droppeth as the gentle rain from heavenUpon the place beneath: it is twice blest;It blesseth him that gives and him that takes:'Tis mightiest in the mightiest: it becomesThe throned monarch better than his crown;His sceptre shows the force of temporal power,The attribute to awe and majesty,Wherein doth sit the dread and fear of kings;But mercy is above this sceptred sway;It is enthroned in the hearts of kings,It is an attribute to God himself;And earthly power doth then show likest God'sWhen mercy seasons justice.
My noble father,I do perceive here a divided duty.To you I am bound for life and education.My life and education both do learn meHow to respect you. You are the lord of my duty,I am hitherto your daughter. But here’s my husband,And so much duty as my mother showedTo you, preferring you before her father,So much I challenge that I may professDue to the Moor my lord.
O, beware, my lord, of jealousy;It is the green-ey'd monster, which doth mockThe meat it feeds on. That cuckold lives in bliss,Who, certain of his fate, loves not his wronger:But O, what damnèd minutes tells he o'erWho dotes, yet doubts, suspects, yet strongly loves!(Act 3, scene 3, 165–171)
How sweet the moonlight sleeps upon this bank!Here will we sit and let the sounds of musicCreep in our ears: soft stillness and the nightBecome the touches of sweet harmony.Sit, Jessica. Look how the floor of heavenIs thick inlaid with patines of bright gold:There's not the smallest orb which thou behold'stBut in his motion like an angel sings,Still quiring to the young-eyed cherubins;Such harmony is in immortal souls;But whilst this muddy vesture of decayDoth grossly close it in, we cannot hear it."- Lorenzo, Acte V, Scene 1
From this day to the ending of the world,But we in it shall be remembered-We few, we happy few, we band of brothers;For he to-day that sheds his blood with meShall be my brother; be he ne’er so vile,This day shall gentle his condition;And gentlemen in England now-a-bedShall think themselves accurs’d they were not here,And hold their manhoods cheap whiles any speaksThat fought with us upon Saint Crispin’s day.
This goodly frame, the earth, seems to me a sterile promontory, this most excellent canopy, the air, look you, this brave o'erhanging firmament, this majestical roof fretted with golden fire, why, it appears no other thing to me than a foul and pestilent congregation of vapours. What a piece of work is a man! how noble in reason! how infinite in faculty! in form and moving how express and admirable! in action how like an angel! in apprehension how like a god! the beauty of the world! the paragon of animals! And yet, to me, what is this quintessence of dust?
Antonio: Will you stay no longer? nor will you not that I go with you? Sebastian: By your patience, no. My stars shine darkly over me; the malignancy of my fate might, perhaps, distemper yours; therefore I shall crave of you your leave that I may bear my evils alone. It were a bad recompense for your love to lay any of them on you.
To die, is to be banish'd from myself; And Silvia is myself: banish'd from her, Is self from self: a deadly banishment! What light is light, if Silvia be not seen? What joy is joy, if Silvia be not by? Unless it be to think that she is by, And feed upon the shadow of perfection.Except I be by Silvia in the night, There is no music in the nightingale; Unless I look on Silvia in the day, There is no day for me to look upon; She is my essence, and I leave to be, If I be not by her fair influence Foster'd, illumin'd, cherish'd, kept alive.
-Gardener: ...Go thou, and like an executioner,Cut off the heads of too fast growing sprays,That look too lofty in our commonwealth:All must be even in our government.You thus employ'd, I will go root awayThe noisome weeds, which without profit suckThe soil's fertility from wholesome flowers.+Servant:Why should we in the compass of a paleKeep law and form and due proportion,Showing, as in a model, our firm estate,When our sea-walled garden, the whole land,Is full of weeds, her fairest flowers choked up,Her fruit-trees all upturned, her hedges ruin'd,Her knots disorder'd and her wholesome herbsSwarming with caterpillars?-Gardener:Hold thy peace! He that hath suffer'd this disorder'd springHath now himself met with the fall of leaf.,,
[Act 5, Scene 4, ROSALIND] If I were a woman I would kiss as many of you as had beards that pleased me, complexions that liked me and breaths that I defied not: and, I am sure, as many as have good beards or good faces or sweet breaths will, for my kind offer, when I make curtsy, bid me farewell.
No, take more! What may be sworn by, both divine and human, Seal what I end withal! This double worship, Where [one] part does disdain with cause, the other Insult without all reason; where gentry, title, wisdom, Cannot conclude but by the yea and no Of general ignorance— it must omit Real necessities, and give way the while To unstable slightness. Purpose so barr’d, it follows Nothing is done to purpose. Therefore beseech you— You that will be less fearful than discreet; That love the fundamental part of state More than you doubt the change on’t; that prefer A noble life before a long, and wish To jump a body with a dangerous physic That’s sure of death without it— at once pluck out The multitudinous tongue; let them not lick The sweet which is their poison. Your dishonor Mangles true judgment, and bereaves the state Of that integrity which should become’t; Not having the power to do the good it would, For th’ ill which doth control’t.
Tis like she comes to speak of Cassio’s death,The noise was high. Ha! No more moving?Still as the grave. Shall she come in? Were ’t good?I think she stirs again—No. What’s best to do?If she come in, she’ll sure speak to my wife—My wife! my wife! what wife? I have no wife.Oh, insupportable! Oh, heavy hour!Methinks it should be now a huge eclipseOf sun and moon, and that th' affrighted globeShould yawn at alteration.
LXXVSo are you to my thoughts as food to life,Or as sweet-season'd showers are to the ground;And for the peace of you I hold such strifeAs 'twixt a miser and his wealth is found.Now proud as an enjoyer, and anonDoubting the filching age will steal his treasure;Now counting best to be with you alone,Then better'd that the world may see my pleasure:Sometime all full with feasting on your sight,And by and by clean starved for a look;Possessing or pursuing no delightSave what is had, or must from you be took. Thus do I pine and surfeit day by day, Or gluttoning on all, or all away.
Friar Laurence:O, mickle is the powerful grace that liesIn herbs, plants, stones, and their true qualities: For nought to vile that on the earth doth live, But to the earth some special good doth give; nor aught so good, but, strain'd from that fair use, Revolts from true birth, stumbling on abuse: Virtue itself turns vice, being misapplied, And vice sometime's by action dignified.
When icicles hang by the wall, And Dick the shepherd blows his nail,And Tom bears logs into the hall, And milk comes frozen home in pail, When blood is nipp'd, and ways be foul,Then nightly sings the staring owl, To-whit! To-who!—a merry note, While greasy Joan doth keel the pot. When all aloud the wind doe blow,And coughing drowns the parson's saw, And birds sit brooding in the snow, And Marian's nose looks red and raw, When roasted crabs hiss in the bowl, Then nightly sings the staring owl,To-whit! To-who!—a merry note, While greasy Joan doth keel the pot.
Then is courtesy a turncoat. But it is certain I am loved of all ladies, only you excepted: and I would I could find in my heart that I had not a hard heart; for, truly, I love none. Beatrice: A dear happiness to women: they would else have been troubled with a pernicious suitor. I thank God and my cold blood, I am of your humour for that: I had rather hear my dog bark at a crow than a man swear he loves me. -Much Ado About Nothing
Why then, O brawling love! O loving hate!O any thing, of nothing first create!O heavy lightness, serious vanity,Misshapen chaos of well-seeming forms,Feather of lead, bright smoke, cold fire, sick health,Still-waking sleep, that is not what it is!This love feel I, that feel no love in this.
Make me a willow cabin at your gateAnd call upon my soul within the house;Write loyal cantons of contemned loveAnd sing them loud even in the dead of night;Hallo your name to the reverberate hillsAnd make the babbling gossip of the airCry out "Olivia!" O, you should not restBetween the elements of air and earthBut you should pity me
HERMIAGod speed fair Helena! whither away?HELENACall you me fair? that fair again unsay.Demetrius loves your fair: O happy fair!Your eyes are lode-stars; and your tongue's sweet airMore tuneable than lark to shepherd's ear,When wheat is green, when hawthorn buds appear.Sickness is catching: O, were favour so,Yours would I catch, fair Hermia, ere I go;My ear should catch your voice, my eye your eye,My tongue should catch your tongue's sweet melody.Were the world mine, Demetrius being bated,The rest I'd give to be to you translated.O, teach me how you look, and with what artYou sway the motion of Demetrius' heart.HERMIAI frown upon him, yet he loves me still.HELENAO that your frowns would teach my smiles such skill!HERMIAI give him curses, yet he gives me love.HELENAO that my prayers could such affection move!HERMIAThe more I hate, the more he follows me.HELENAThe more I love, the more he hateth me.HERMIAHis folly, Helena, is no fault of mine.HELENANone, but your beauty: would that fault were mine!
There's some ill planet reigns:I must be patient till the heavens lookWith an aspect more favourable. Good my lords,I am not prone to weeping, as our sexCommonly are; the want of which vain dewPerchance shall dry your pities: but I haveThat honourable grief lodged here which burnsWorse than tears drown: beseech you all, my lords,With thoughts so qualified as your charitiesShall best instruct you, measure me; and soThe king's will be perform'd!
No longer mourn for me when I am deadthan you shall hear the surly sullen bell give warning to the world that I am fled from this vile world with vilest worms to dwell: nay, if you read this line, remember not the hand that writ it, for I love you so, that I in your sweet thoughts would be forgot,if thinking on me then should make you woe. O! if, I say, you look upon this verse when I perhaps compounded am with clay, do not so much as my poor name rehearse; but let your love even with my life decay; lest the wise world should look into your moan, and mock you with me after I am gone.