No one fights dirtier or more brutally than blood; only family knows it’s own weaknesses, the exact placement of the heart. The tragedy is that one can still live with the force of hatred, feel infuriated that once you are born to another, that kinship lasts through life and death, immutable, unchanging, no matter how great the misdeed or betrayal. Blood cannot be denied, and perhaps that’s why we fight tooth and claw, because we cannot—being only human—put asunder what God has joined together.
The best men tell you the truth because they think you can take it; the worst men either try to preserve you in some innocent state with their false protection, or are ‘brutally honest.’ When someone tells, lets you think for yourself, experience your own emotions, he is treating you as a true equal, a friend…And the best men cook for you.
…brotherhood of the firstborn, which can be both a blessing and a curse: the overwhelming attention to the detail of their lives and development. The expectations that run too high: being the bridge between adults and children, one foot in either place and the accompanying hollow lonely feeling of being nowhere.
If the photographer isn't going to pay attention to the picture he is making, that if he thinks the camera is just a machine and not an avenue of expression, then he has no business asking anyone for anything, let alone their time and interest. Don't show the world, he said, invent the world.
Among the things she said: "Women seem to possess all the natural gifts essential to a good portraitist ... such as personality, patience and intuition. The sitter ought to be the predominating factor in a successful portrait. Men portraitist are apt to forget this; they are inclined to lose the sitter in a maze of technique luxuriating in the cleverness and beauty of their own medium.