As the Greeks saw it, to be a man was to be defined by your ability to exert power in a world articulated through transcendent forces ultimately beyond human control. The apparent futility of this perspective was outweighed by the nobility that came with the struggle.
our contemporary ideas about manliness, reflected in action movies and westerns, generally prohibit so-called real men from displaying high emotion, with the exception of anger. John Wayne doesn’t cry. By contrast, Achilles, the epitome of manliness in Homer’s Iliad, weeps openly and at length over the loss of his friend Patroclus.
To grow up, a man must stand apart not only from his mother but from his fellows. Human achievement, according to this perspective, is always to be measured in difference, who is the fastest, the most handsome, the richest. The quarrel between Achilles and Agamemnon highlights this way of looking at human achievement. Not only do the two men compete for the most honor, symbolized by possessions, but they see their contest as a zero-sum game. That is, they—and all the other warriors—assume that there is a finite amount of honor available, so that if one man gets more, then someone else gets less.Achilles, with his semidivine nature and abundant physical gifts, would seem to be an example of a man fully equipped for success in this system. And yet, Achilles does not prosper in the world of the poem. As he pursues honor and status among his fellows, he becomes more and more isolated, the price of distinction in a competitive society.
women had to be controlled and kept from going wild because of their inherent susceptibility to lust; thus men had to exercise aidos, “shame,” and sophrosyne, “soundness of mind,” to keep women from transgressing the bounds of propriety.