Those who live in the country get idiotic in time, without noticing it, for a while they think it's original and good for their health, but life in the country is not original at all, for anyone who wasn't born in and for the country it shows a lack of taste and is only harmful to their health. The people who go walking in the country walk right into their own funeral in the country and at the very least they lead a grotesque existence which leads them first into idiocy, then into an absurd death.
After my parents were dead, I found in a box and in two chests of drawers nothing but hundreds of bright red Alpine caps, I said, nothing but bright red Alpine stockings. Every one of them knitted by my mother. My parents could have gone into the High Alps with these bright red caps and bright red stockings for thousands of years. I burnt every one of those bright red caps and bright red stockings, I said. I put on one of my mother's hundreds of bright red Alpine caps and in this costume burnt all the others, laughing, laughing, continuously laughing, I said.(Goethe Dies, p.65)
The art historians are the real wreckers of art, Reger said. The art historians twaddle so long about art until they have killed it with their twaddle. Art is killed by the twaddle of the art historians. My God, I often think, sitting here on the settee while the art historians are driving their helpless flocks past me, what a pity about all these people who have all art driven out of them, driven out of them for good, by these very art historians. The art historians’ trade is the vilest trade there is, and a twaddling art historian, but then there are only twaddling art historians, deserves to be chased out with a whip, chased out of the world of art, Reger said, all art historians deserve to be chased out of the world of art, because art historians are the real wreckers of art and we should not allow art to be wrecked by the art historians who are really art wreckers. Listening to an art historian we feel sick, he said, by listening to an art historian we see the art he is twaddling about being ruined, with the twaddle of the art historian art shrivels and is ruined. Thousands, indeed tens of thousands of art historians wreck art by their twaddle and ruin it, he said. The art historians are the real killers of art, if we listen to an art historian we participate in the wrecking of art, wherever an art historian appears art is wrecked, that is the truth.
People are always talking about it being their duty to find their way to their fellow men — to their neighbour, as they are forever saying with all the baseness of false sentiment — when in fact it is purely and simply a question of finding their way to themselves. Let each first find his way to himself! And since hardly anyone has yet found his way to himself, it is inconceivable that any of these unfortunate millions has ever found his way to another human being — or to his neighbour, as they say, dripping with self-deception.
We must allow ourselves to think, we must dare to think, even though we fail. It is in the nature of things that we always fail, because we suddenly find it impossible to order our thoughts, because the process of thinking requires us to consider every thought there is, every possible thought. Fundamentally we have always failed, like all the others, whoever they were, even the greatest minds. At some point, they suddenly failed and their system collapsed, as is proved by their writings, which we admire because they venture farthest into failure. To think is to fail, I thought.
The facts are always frightening, and in all of us fear of the facts is constantly at work, constantly being fuelled; but this morbid fear must not lead us to conceal the facts and so to falsify the whole of human history -- which is of course part of natural history -- and pass it on in falsified form just because it is customary to do so, when we know that all history is falsified and always transmitted in falsified form.
Whatever condition we are in, we must always do what we want to do, and if we want to go on a journey, then we must do so and not worry about our condition, even if it's the worst possible condition, because, if it is, we're finished anyway, whether we go on the journey or not, and it's better to die having made the journey we're been longing for than to be stifled by our longing.