I wanted a Fakahatchee ghost orchid, in full bloom, maybe attached to a gnarled piece of custard apple tree, and I wanted its roots to spread as broad as my hand and each root to be only as wide as a toothpick. I wanted the bloom to be snow-white, white as sugar, white as lather, white as teeth. I knew its shape by heart, the peaked face with the droopy mustache of petals, the albino toad with its springy legs. It would not be the biggest or the showiest or the rarest or the finest flower here, except to me, because I wanted it.

Okay, fuck the sundial. We'll just go straight and eventually we'll get there. What I mean is that we'll get somewhere. Out of here. I mean, logically, we have to get out as long as we walk straight. I've done this millions of times. Whenever everything's killing me, I just say to myself, screw it, and go straight ahead.

Sometimes I think I've figured out some order in the universe, but then I find myself in Florida, swamped by incongruity and paradox, and I have to start all over again.

You have to simply love writing, and you have to remind yourself often that you love it.

I, too, had set out to be remembered. I had wanted to create something permanent in my life- some proof that everything in its way mattered, that working hard mattered, that feeling things mattered, that even sadness and loss mattered, because it was all part of something that would live on. But I had also come to recognize that not everything needs to be durable. the lesson we have yet to learn from dogs, that could sustain us, is that having no apprehension of the past or future is not limiting but liberating. Rin Tin Tin did not need to be remembered in order to be happy; for him, it was always enough to have that instant when the sun was soft, when the ball was tossed and caught, when the beloved rubber doll was squeaked. Such a moment was complete in itself, pure and sufficient.

Television wasn't getting rid of animals, but they were no longer cast as creatures that were omniscient and heroic. They were talking horses like Mr Ed or an absurdist pig like Arnold Ziffle...Just like the heroic animals in silent films became comedians in talkies, animals on television were becoming jesters, something Rin Tin Tin had never been.