You're a Dark One," said Anton. "All you see in everything is evil, treachery, trickery.""All I do is not close my eyes to them," Edgar retorted. "And that's why I don't trust Zabulon. I distrust him almost as much as I do Gesar. I can even trust you more—you're just another unfortunate chess piece who happens by chance to be painted a different color from me. Does a white pawn hate a black one? No. Especially if the two pawns have their heads down together over a quiet beer or two.""You know," Anton said in a slightly surprised voice, "I just don't understand how you can carry on living if you see the world like that. I'd just go and hang myself.""So you don't have any counterarguments to offer?"Anton took a gulp of beer too. The wonderful thing about this natural Czech beer was that even if you drank lots of it, it still didn't make your head or your body feel heavy... Or was that an illusion?"Not a single one," Anton admitted. "Right now, this very moment, not a single one. But I'm sure you're wrong. It's just difficult to argue about the colors of the rainbow with a blind man. There's something missing in you... I don't know what exactly. But it's something very important, and without it you're more helpless than a blind man.
There is no abstract Evil; you have to understand that! Its roots are here, all around us, in this herd that goes on chewing and having a good time only an hour after a murder! That's what you have to fight for. For people. Evil is a hydra with many heads, and the more of them you cut off, the more it grows! Hydras have to be starved to death, do you understand that? Kill a hundred Dark Ones, and a thousand more will take their place.
An assassin can be found for every president. And for every prophet there are a thousand interpreters to distort the essence of the religion, to replace the bright flame with the heat of the inquisitors' pyres. The time came when every book was cast into the fire, when every symphony was reduced to a popular tune and played in all the drinking dens. A sound philosophical basis could be set in place under any vile nonsense.
The laws of nature are not intelligent,’ I replied. ‘The force of gravity is not intelligent. Electricity is not intelligent. A savage looking at a television might assume that it’s a sapient being, but we—’‘A sapient being? Looking at a television these days, the only possible assumption is that it’s a loud-mouthed, hysterical madman suffering from progressive mental debility,’ Anna Tikhonovna said derisively.
People don't usually think about the meaning of the words they say. It seems to them that words convey truth. That when someone hears the word "red" he will think of a ripe raspberry and not a pool of blood. That the word "love" will evoke Shakespeare's sonnets and not the erotic films of Playboy. And they find themselves baffled when the word they've spoken doesn't evoke the right response.
What if it turns out there really are witches and vampires and werewolves living right here alongside us? After all, what better disguise could there be than to get your image enshrined in the culture of the mass media? Anything that's described in artistic terms and shown in the movies stops being frightening and mysterious. For real horror you need the spoken word, you need an old grandpa sitting on a bench, scaring the grandkids in the evening: 'And then the Master of the house came to him and said: "I won't let you go, I'll tie you up and bind you tight and you'll rot under the fallen branches!"' That's the way to make people wary of anomalous phenomena! Kids sense that, you know–it's no wonder they love telling stories about the Black Han and the Coffin on Wheels. But modern literature, and especially the movies, it all just dilutes that instinctive horror. How can you feel afraid of Dracula, if he's been killed a hundred times? How can you be afraid of aliens, if our guys always squelch them? Yes, Hollywood is the great luller of human vigilance. A toast–to the death of Hollywood, for depriving us of a healthy fear of the unknown!