It is not history. But I am beginning to wonder strongly what is the nature of history. Is it only memory in decent sentences, and if so, how reliable is it? I would suggest, not very. And that therefore most truth and fact offered by these syntactical means is treacherous and unreliable. And yet I recognise that we live our lives, and even keep our sanity, by the lights of this treachery and this unreliability, just as we build our love of country on these paper worlds of misapprehension and untruth. Perhaps this is our nature, and perhaps unaccountably it is part of our glory as a creature, that we can build our best and most permanent buildings on foundations of utter dust.
I was well aware how famously or infamously secretive these old institutions can be, no more than ourselves, a mixture of worry, lost power, perhaps even concern. That the truth may not always be desirable, that one thing leads to another thing, that facts not only lead forward to resolution, but backwards into the shadows, and sometimes into the various little hells we make for each other.
I wanted to listen to him, but I did not want to answer now. That strange responsibility we feel towards others when they speak, to offer them the solace of any answer. Poor humans! And anyway he had not asked a question. He was merely floating there in the room, insubstantial, a living man in the midst of life, dying imperceptibly on his feet, like all of us.
And what else could we have come here for, except to sense these tiny victories? Not the big victories that crush and kill the victor. Not the wars and civil ructions, but the saving grace of a Hollandaise sauce that has escaped all the possibilities of culinary disaster and is being spread like a yellow prayer on a plump cod steak - victoriously.
And be thinking, remembering. Trying to. All difficult dark stuff, stories stuffed away, like old socks into old pillowcases. Not quite knowing the weight of truth in them much more. And things that I have let be a long time in the interests of happiness, or at least that daily contentment that I was once I do believe mistress of
In the darkness as we lie side by side John Cole's left hand snakes over under the sheets and takes a hold of my right hand. We listen to the cries of the night revellers outside and hear the horses tramping along the ways. We're holding hands then like lovers who have just met or how we imagine lovers might be in the unknown realm where lovers act as lovers without concealment.