We knew what we had and what it meant, and though so much had happened since for both of us, there was nothing like those years in Paris, after the war. Life was painfully pure and simple and good, and I believed Ernest was his best self then. I got the very best of him. We got the best of each other.
Denys had a way of seeing everything as if he knew it would never be there exactly the same again. He understood how nothing ever holds still for us, or should. The trick is learning to take things as they come and fully, too, with no resistence or fear, not trying to grip them too tightly or make them bend.
In Paris, you couldn’t really turn around without seeing the result of lovers’ bad decisions. An artist given to sexual excess was almost a cliché, but no one seemed to mind. As long as you were making something good or interesting or sensational, you could have as many lovers as you wanted and ruin them all.