I love you without knowing how, or when, or from where. I love you simply, without problems or pride: I love you in this way because I do not know any other way of loving but this, in which there is no I or you, so intimate that your hand upon my chest is my hand, so intimate that when I fall asleep your eyes close.
Well, nowIf little by little you stop loving meI shall stop loving youLittle by littleIf suddenly you forget meDo not look for meFor I shall already have forgotten youIf you think it long and mad the wind of banners that passes through my lifeAnd you decide to leave me at the shore of the heart where I have rootsRememberThat on that day, at that hour, I shall lift my armsAnd my roots will set off to seek another land
I want you to knowone thing. You know how this is: if I look at the crystal moon, at the red branch of the slow autumn at my window, if I touch near the fire the impalpable ash or the wrinkled body of the log, everything carries me to you, as if everything that exists, aromas, light, metals, were little boats that sail toward those isles of yours that wait for me. Well, now, if little by little you stop loving me I shall stop loving you little by little. If suddenly you forget me do not look for me, for I shall already have forgotten you. If you think it long and mad, the wind of banners that passes through my life, and you decide to leave me at the shore of the heart where I have roots, remember that on that day, at that hour, I shall lift my arms and my roots will set off to seek another land. But if each day, each hour, you feel that you are destined for me with implacable sweetness, if each day a flower climbs up to your lips to seek me, ah my love, ah my own, in me all that fire is repeated, in me nothing is extinguished or forgotten, my love feeds on your love, beloved, and as long as you live it will be in your arms without leaving mine.
I have named you queen.There are taller than you, taller.There are purer than you, purer.There are lovelier than you, lovelier.But you are the queen.When you go through the streetsNo one recognizes you.No one sees your crystal crown, no one looksAt the carpet of red goldThat you tread as you pass,The nonexistent carpet.And when you appearAll the rivers soundIn my body, bellsShake the sky,And a hymn fills the world.Only you and I,Only you and I, my love,Listen to it.
Amor"So many days, oh so many daysseeing you so tangible and so close,how do I pay, with what do I pay?The bloodthirsty springhas awakened in the woods.The foxes start from their earths,the serpents drink the dew,and I go with you in the leavesbetween the pines and the silence,asking myself how and whenI will have to pay for my luck.Of everything I have seen,it's you I want to go on seeing:of everything I've touched,it's your flesh I want to go on touching.I love your orange laughter.I am moved by the sight of you sleeping.What am I to do, love, loved one?I don't know how others loveor how people loved in the past.I live, watching you, loving you.Being in love is my nature.You please me more each afternoon.Where is she? I keep on askingif your eyes disappear.How long she's taking! I think, and I'm hurt.I feel poor, foolish and sad,and you arrive and you are lightningglancing off the peach trees.That's why I love you and yet not why.There are so many reasons, and yet so few,for love has to be so,involving and general,particular and terrifying,joyful and grieving,flowering like the stars,and measureless as a kiss.That's why I love you and yet not why.There are so many reasons, and yet so few,for love has to be so,involving and general,particular and terrifying,joyful and grieving,flowering like the stars,and measureless as a kiss.
Then I speak to her in a language she has never heard, I speak to her in Spanish, in the tongue of the long, crepuscular verses of Díaz Casanueva; in that language in which Joaquín Edwards preaches nationalism. My discourse is profound; I speak with eloquence and seduction; my words, more than from me, issue from the warm nights, from the many solitary nights on the Red Sea, and when the tiny dancer puts her arm around my neck, I understand that she understands. Magnificent language!
I stalk certain words... I catch them in mid-flight, as they buzz past, I trap them, clean them, peel them, I set myself in front of the dish, they have a crystalline texture to me, vibrant, ivory, vegetable, oily, like fruit, like algae, like agates, like olives... I stir them, I shake them, I drink them, I gulp them down, I mash them, I garnish them... I leave them in my poem like stalactites, like slivers of polished wood, like coals, like pickings from a shipwreck, gifts from the waves... Everything exists in the word.
The days aren't discarded or collected, they are beesthat burned with sweetness or maddenedthe sting: the struggle continues,the journeys go and come between honey and pain.No, the net of years doesn't unweave: there is no net.They don't fall drop by drop from a river: there is no river.Sleep doesn't divide life into halves,or action, or silence, or honor:life is like a stone, a single motion,a lonesome bonfire reflected on the leaves,an arrow, only one, slow or swift, a metalthat climbs or descends burning in your bones.
Each in the most hidden sack keptthe lost jewels of memory,intense love, secret nights and permanent kisses,the fragment of public or private happiness.A few, the wolves, collected thighs,other men loved the dawn scratchingmountain ranges or ice floes, locomotives, numbers.For me happiness was to share singing,praising, cursing, crying with a thousand eyes.I ask forgiveness for my bad ways:my life had no use on earth.
You know how this is:if I lookat the crystal moon, at the red branchof the slow autumn at my window,if I touchnear the firethe impalpable ashor the wrinkled body of the log,everything carries me to you,as if everything that exists,aromas, light, metals,were little boatsthat sailtoward those isles of yours that wait for me.
And tell me everything, tell chain by chain, and link by link, and step by step; sharpen the knives you kept hidden away, thrust them into my breast, into my hands, like a torrent of sunbursts, an Amazon of buried jaguars, and leave me cry: hours, days and years, blind ages, stellar centuries.
Te amo sin saber cómo, ni cuándo, ni de dónde, te amo directamente sin problemas ni orgullo: así te amo porque no sé amar de otra manera, sino así de este modo en que no soy ni eres, tan cerca que tu mano sobre mi pecho es mía, tan cerca que se cierran tus ojos con mi sueño.
Settle your perfect hips here and the bow of wet arrowsloosens into the night the petals that form your formlet your clay limbs climb the silence and its pale ladderrung by rung taking off with me in my dream.I can sense you scaling the shade tree that sings to the shadows.Dark is the world’s night without you my love,
you, my friend, could be the smoke’s daughter,you who may not have known you were born of fire and rage,lightning over flaming lava etched your violet mouth,your sex in the scorched oak’s moss like a ring in a nest,your fingers there in the flames, your compact bodyrose from leaves of fire that make me recallthere were bakers in your family tree,you’re still the rainforest’s bread, ash from violent wheat,
Body of a woman, white hills, white thighs,you look like a world, lying in surrender.My rough peasant's body digs in youand makes the son leap from the depth of the earth.I was lone like a tunnel. The birds fled from me,and nigh swamped me with its crushing invasion.To survive myself I forged you like a weapon,like an arrow in my bow, a stone in my sling.But the hour of vengeance falls, and I love you.Body of skin, of moss, of eager and firm milk.Oh the goblets of the breast! Oh the eyes of absence!Oh the roses of the pubis! Oh your voice, slow and sad!Body of my woman, I will persist in your grace.My thirst, my boundless desire, my shifting road!Dark river-beds where the eternal thirst flowsand weariness follows, and the infinite ache.
Die slowlyHe who becomes the slave of habit,who follows the same routes every day,who never changes pace,who does not risk and change the color of his clothes,who does not speak and does not experience,dies slowly.He or she who shuns passion,who prefers black on white,dotting ones "it’s" rather than a bundle of emotions, the kind that make your eyes glimmer,that turn a yawn into a smile,that make the heart pound in the face of mistakes and feelings,dies slowly.He or she who does not turn things topsy-turvy,who is unhappy at work,who does not risk certainty for uncertainty,to thus follow a dream,those who do not forego sound advice at least once in their lives,die slowly.He who does not travel, who does not read,who does not listen to music,who does not find grace in himself,she who does not find grace in herself,dies slowly.He who slowly destroys his own self-esteem,who does not allow himself to be helped,who spends days on end complaining about his own bad luck, about the rain that never stops,dies slowly.He or she who abandon a project before starting it, who fail to ask questions on subjects he doesn't know, he or she who don't reply when they are asked something they do know,die slowly.Let's try and avoid death in small doses,reminding oneself that being alive requires an effort far greater than the simple fact of breathing.Only a burning patience will leadto the attainment of a splendid happiness.
So that you will hear memy wordssometimes grow thinas the tracks of the gulls on the beaches.Necklace, drunken bellfor your hands smooth as grapes.And I watch my words from a long way off.They are more yours than mine.They climb on my old suffering like ivy.It climbs the same way on damp walls.You are to blame for this cruel sport.They are fleeing from my dark lair.You fill everything, you fill everything.Before you they peopled the solitude that you occupy,and they are more used to my sadness than you are.Now I want them to say what I want to say to youto make you hear as I want you to hear me.The wind of anguish still hauls on them as usual.Sometimes hurricanes of dreams still knock them over.You listen to other voices in my painful voice.Lament of old mouths, blood of old supplications.Love me, companion. Don't forsake me. Follow me.Follow me, companion, on this wave of anguish.But my words become stained with your love.You occupy everything, you occupy everything.I am making them into an endless necklacefor your white hands, smooth as grapes.
And it was at that age ... Poetry arrived in search of me. I don't know, I don't know where it came from, from winter or a river. I don't know how or when, no they were not voices, they were not words, nor silence, but from a street I was summoned, from the branches of night, abruptly from the others, among violent fires or returning alone, there I was without a face and it touched me.
Fear envelops bones like new skin,envelops blood with night’s skin,the earth moves beneath the soles of the feet -it is not your hair but the terror in your head,like long hair made of vertical nails,and what you see are not shattered streets,but rather, within you, your own crushed walls,your frustrated infinity, again the city comescrashing down: in your silence, only water’s threatis heard, and in the waterdrowned horses gallop through your death.
You came to my lifewith what you were bringing,madeof light and bread and shadow I expected you,and Like this I need you,Like this I love you,and to those who want to hear tomorrowthat which I will not tell them, let them read it here,and let them back off today because it is earlyfor these arguments.