It was very damp and misty–which some people from outside the Pacific Northwest consider to be rain, but I do not. This is typical weather for the Pacific Northwest and Olympia. It is often wet in Olympia, but we have an average of only 49.95 inches a year of actual precipitation. That’s less than in Denver. In Olympia, the air is damp, and water collects and drips from everywhere. We do not get big downpours, but we get damp and spongy. I don’t care. It helps the trees grow, and I climb the trees.
Under the sanctuary are the catacombs where the dead wait for resurrection. The living do not venture there. The caverns here underneath the Sanctuary are illuminated only by dim shafts of light from the sanctuary. The walls are etched with flowers of frost, but at least I am out of the wind. Dark bays line the hall in front of me, a vast rabbit warren, each hold filled to the brim with the scent of the past.
Rooks have clustered on either side of the long road. It is as if they line a grand parade route for our passage. Their black feathers are stark as soot against the white road and the snow. They stab at the ground with their strange bare bills and gray unfeathered faces. The birds are like rough-edged black stones on a string around this stripped cold neck of road. The old books tell us rooks bring the virtuous dead to heaven’s gate.
Stars flicker above, points of bright ice in a dark river. I pull a heavy sheepskin around my legs and stretch my feet toward the fire. Despite the cold, Liam plays his flute, the sound whistling through the night. Soon my eyes are heavy, my head nodding.I open my eyes at the deep melodious baritone of Salvius’s voice telling a tale. Liam’s flute is silent now. I have heard Salvius tell many tales on market days; he is known for his memory of wandering minstrels and mummers who visit us at Whitsunday and through Midsummer. Salvius is a mockingbird: he can give a fair charade of the rhythmic tones of any wandering bard or any noble of the Royal Court.In this darkness, his eyes catch the light like a cat in the night.
I reached down to feel the soil, and I touched the outreaching roots of the trees that bore horizontally and vertically hundreds of feet through the forest. I stroked the earth with my palm, and I could almost feel that invisible network of capillary roots that sucks moisture and nutrients out of every inch of the soil I was standing on. I breathed in and out. I was part of the forest. I was alive.
I do not like this idea that we have begun to kill off—at great velocity and accelerating speed—all of the things that sustain us. I didn’t like it at all when I first thought of it, but most people around me do not seem that disturbed by it, even though the knowledge of this is obvious and readily available to anyone who looks up trees on the Internet. At least, no one seems bothered, because no one has taken action to amend it. So they must not care. That is the only explanation I can think of for the lack of reaction to this fact.
Most of the trees are already dying. All across North America from Mexico to Alaska, forests are dying. Seventy thousand square miles of forest—that's as much land as all of the state of Washington—that much forest has died since I was born. What if I am growing up in a world that will not have trees anymore by the time I am my grandfather's age?
I watched water dripping off the ferns and the needles of the Western Red Cedar next door. I watched it running in runnels down the bark of the Cherry tree, and I looked at the small droplets of misty water that were accumulating on the broad leaves of the Bigleaf Maple.I touched one of the accumulated droplets, and instantly it was gone.
The forest was all around me now... The ground soft and warm with light and growth... I could almost hear the ceaseless excavations of the flowing bloodstream underneath the earth skin of this vast organism. I touched the outreaching roots of the trees... I could feel that nearly invisible network of capillary roots... I breathed in and out. I was part of the forest. I was alive.