Lay your life down. Your heartbeats cannot be hoarded. Your reservoir of breaths is draining away. You have hands, blister them while you can. You have bones, make them strain-they can carry nothing in the grave. You have lungs, let them spill with laughter. With an average life expectancy of 78.2 years in the US (subtracting eight hours a day for sleep), I have around 250,00 conscious hours remaining to me in which I could be smiling or scowling, rejoicing in my life, in this race, in this story, or moaning and complaining about my troubles. I can be giving my fingers, my back, my mind, my words, my breaths, to my wife and my children and my neighbors, or I can grasp after the vapor and the vanity for myself, dragging my feet, afraid to die and therefore afraid to live. And, like Adam, I will still die in the end.
A man's words reveal, first, the man. The words are not the man, and yet they reveal him faithfully and are to be identified with him. Out of the abundance of the heart, the man speaks. The foundational nature of all language is therefore metaphorical because every word a man speaks reveals himself—just as God reveals Himself through the Word. Every word spoken ultimately reveals the speaker.
Henry successfully kept his mind on the game, which might seem strange for a boy who slept beside a wall of magic. But baseball was as magical to him as a green, mossy mountain covered in ancient trees. What's more, baseball was a magic he could run around in and laugh about. While the magic of the cupboards was not necessarily good, the smell of leather mixed with dusty sweat and spitting and running through sparse grass after a small ball couldn't be anything else.
Affectation is really a question of heart motive. Growing into a persona is an essential part of maturing. Anything you might choose to do is going to contribute to one persona or another. People will only call attention to it if it is markedly different from the course you were apparently on before.
Henry flopped onto his bed, and his steam leaked slowly out. He began telling himself a story in his head. It was about how just and kind and understanding he was. It was about right he had been, how necessary his tone and word choice. It was about a girl who just didn't understand, who was completely ignorant. Then, for some reason, the narrator of the story included an incident in which Henry ha pushed an envelope into a strange place just to see what would happen. It hadn't even been an accident. The incident did not fit with the rest of the story, so Henry tried to ignored it. He couldn't ignore it, so he tried to explain it. Completely different things. The post office was obviously not dangerous. It was yellow. I just wanted to see what the mailman would do. The flashlight was stupid. I didn't shine a flashlight into the post office. She didn't even act sorry. I would have acted sorry. I always act sorry when people get upset. She didn't even care that I probably saved her life. She didn't know. She was unconscious. Oh, shut up.
To exist in this poem [of creation] is a greater gift than any finite creature can imagine. To be so insignificant and yet still be given a speaking part, to be given scenes that are my own, and my own only, scenes where the audience is limited to the Author Himself (scenes that I often flub), to have been here with my frozen nose, to have been crafted with at least as much care as a snowflake (though I'm harder to melt), and to hear and feel and see and taste and smell the heavy poetry of God, that is enough.
When you depart from standard usage, it should be deliberate and not an accidental lapse. Like a poet who breaks the rules of poetry for creative effect, this only works when you know and respect the rule you are breaking. If you have never heard of the rules you are breaking, you have no right to do so, and you are likely to come off like a buffoon or a barbarian. Breaking rules, using slang and archaic language can be effective, but it is just as likely to give you an audience busy with wincing.
Frank, I ran into Gladys and Billy at the store yesterday. Do you know what he said to me?"The girls went very quiet. Frank didn't look up."Hello?" he asked, and kept rubbing Henry's knife.Dotty hit him with her rag. "He said that. And so did she. But the important part was when he said, 'Frank ever get that door open?' Do you know what I said? What I said was--Are you ready for this? I said, 'No,'""Ah" Frank said. He lifted Henry's knife up to his mouth and dabbed the blade with his tongue. "That's my honest wife. I appreciate you lookin' out for my dignity.