When she opened her eyes, she was both in her body and watching it, nowhere near the cavity of the tree. The Blue that was before her stood inches from a boy in an Aglionby sweater. There was a slight stoop to his posture, and his shoulders were spattered darkly with rain. It was his fingers that Blue felt on her face. He touched her cheek with the backs of his fingers. Tears coursed down the other Blue's face. Though some strange magic, Blue could feel them on her face as well. She could feel, too, sick, rising misery she'd felt in the churchyard, the grief that felt bigger than her. The other Blue's tears seemed endless. One drop slid after another, each following an identical path down her cheeks.The boy in the Aglionby sweater leaned his forehead against Blue's. She felt the pressure of his skin against hers, and suddenly she could smell mint. It'll be okay. Gansey told the other Blue. She could tell that he was afraid. It'll be okay.Impossibly, Blue realized that this other Blue was crying because she loved Gansey. And that the reason Gansey touched her like that, his fingers so careful with her, was because he knew that her kiss could kill him. She could feel how badly the other Blue wanted to kiss him, even as she dreaded it. Though she couldn't understand why, her real, present day memories in the tree cavity were clouded with other false memories of their lips nearly touching, a life this other Blue had already lived.Okay, I'm ready- Gansey's voice caught, just a little. Blue, kiss me.

Voicemail #1: “Hi, Isabel Culpeper. I am lying in my bed, looking at the ceiling. I am mostly naked. I am thinking of … your mother. Call me.”Voicemail #2: The first minute and thirty seconds of “I’ve Gotta Get a Message to You” by the Bee Gees. Voicemail #3: “I’m bored. I need to be entertained. Sam is moping. I may kill him with his own guitar. It would give me something to do and also make him say something. Two birds with one stone! I find all these old expressions unnecessarily violent. Like, ring around the rosy. That’s about the plague, did you know? Of course you did. The plague is, like, your older cousin. Hey, does Sam talk to you? He says jack shit to me. God, I’m bored. Call me.”Voicemail #4: “Hotel California” by the Eagles, in its entirety, with every instance of the word California replaced with Minnesota. Voicemail #5: “Hi, this is Cole St. Clair. Want to know two true things? One, you’re never picking up this phone. Two, I’m never going to stop leaving long messages. It’s like therapy. Gotta talk to someone. Hey, you know what I figured out today? Victor’s dead. I figured it out yesterday, too. Every day I figure it out again. I don’t know what I’m doing here. I feel like there’s no one I can —”Voicemail #6: “So, yeah, I’m sorry. That last message went a little pear-shaped. You like that expression? Sam said it the other day. Hey, try this theory on for size: I think he’s a dead British housewife reincarnated into a Beatle’s body. You know, I used to know this band that put on fake British accents for their shows. Boy, did they suck, aside from being assholes. I can’t remember their name now. I’m either getting senile or I’ve done enough to my brain that stuff’s falling out. Not so fair of me to make this one-sided, is it? I’m always talking about myself in these things. So, how are you, Isabel Rosemary Culpeper? Smile lately? Hot Toddies. That was the name of the band. The Hot Toddies.”Voicemail #20: “I wish you’d answer.

Cole,” I said, “do you think I’m lovable?”“As in ‘cuddly and’?”“As in ‘able to be loved,’” I said.Cole’s gaze was unwavering. Just for a moment, I had the strange idea that I could see exactly what he had looked like when he was younger, and exactly what he’d look like when he was older. It was piercing, a secret glimpse of his future. “Maybe,” he said. “But you won’t let anybody try.”I closed my eyes and swallowed. “I can’t tell the diference between not fighting,” I said,“and giving up.”Despite my eyelids being tightly shut, a single, hot tear ran out of my left eye. I was so angry that it had escaped. I was so angry.Beneath me, the bed tipped as Cole edged closer. I felt him lean over me. His breath, warm and measured, hit my cheek. Two breaths. Three. Four. I didn’t know what I wanted. Then I heard him stop breathing, and a second later, I felt his lips on my mouth. It wasn’t the sort of kiss I’d had with him before, hungry, wanting, desperate. It wasn’t the sort of kiss I’d had with anyone before. This kiss was so soft that it was like a memory of a kiss, so careful on my lips that it waslike a memory of a kiss, so careful on my lips that it was like someone running his fingers along them. My mouth parted and stilled; it was so quiet, a whisper, not a shout. Cole’s hand touched my neck, thumb pressed into theskin next to my jaw. It wasn’t a touch that said “I need more”. It was a touch that said “I want this.”It was all completely soundless. I didn’t think either of us was breathing.Cole sat back up, slowly, and I opened my eyes. His expression, as ever, was blank, the face he wore when something mattered.He said, “That’s how I would kiss you, if I loved you.

I smiled sweetly at his embarressment, beginning to walk again, kicking up golden leaves. I heard him scuffling leaves behind me. "And what was the point of this again?" Forget it!" Sam said. "Do you you like this place or not?"I stoped in my tracks, spinning to face him. "Hey." I pointed at him; he raised his eyebrows and stopped in his tracks. "You didn't think Jack would be here at all, did you?"His thick black eyebrows went up even farther. Did you evan intend to look for him at all?"He held his hands up as if a surrender. "What do you want me to say?"You were trying to see if I would reconize it, wern't you?" I took anouther step, colsing the distance between us. I could feel the heat of his body, even without touching him, in the increasing cold of the day. "YOU told me about this wood somehow. How did you show it to me?"I keep trying to tell you. You wont listen. Because you're stubbon. It's how we speek- it's the only words we have. Just pictures. Just simple little picters. You HAVE changed Grace. Just not your skin. I want you to believe me." His hands were still raise, but he was starting to grin at me in the failing light.So you brought me here to see this." I stepped forward again, and he stepped back.Do you like it?"Under false pretence." Anouther step forward; anouther back. The grine widenedSo do you like it?"When you knew we wouldn't come across anybody else."His teeth flashed in his grin. "Do you like it?"I punched my hands into his chest. "You know I love it. You knew I would." I went to punch him, and he grabed my wrists. For a moment we stood there like that, him looking down at me with a grin half-caught on his face, and me lookingup at him: Still Life with Boy and Girl. It would've been the perfect moment to kiss me, but he didn't. He just looked at me and looked at me, and by the time I relizeed I could just as easily kiss him, I noticed that his grin was slipping away. Sam slowly lowered my wrists and relesed them. "I'm glad." he said very quietly.My arms still hung by my sides, right where Sam had put them. I frowned at him. "You were supposed to kiss me."I thought about it."I just kept looking at the soft, sad shape of his lips, looking just like his voice sounded. I was probably staring, but I couldn't stop thinking about how much I wanted him to kiss me and how stupide it was to want it so badly. "Why don't you?" He leaned over and gave mr the lightest of kisses. His lips, cool and dry, ever so polite and incredibly maddening. "I have to get inside soon," he whispered "It's getting cold

I built an idea in my head of the hero I wanted to be, a grab bag of traits from heroes, villains, and side characters. I did not have book role models, I had book blueprints.But there remained a huge gap between the person I wanted to be and the person who I was. This was because no matter how many book blueprints I had, as much as I wanted to make myself the hero of my own life, it didn’t matter as long as I kept telling the story wrong.Nowadays, as a storyteller, I know what the problem was. I had all the elements I needed to tell a good story. But I was telling it the wrong way, so I could never get to the ending I wanted.If you tell yourself you’re a winner, you know what kind of story you’re telling, and you will march toward that... Likewise, if you tell yourself you’re a loser, you’ve made that your story, and you will march toward that instead. The same setbacks could happen in the loser’s story as in the winner’s story, but the self-defined loser would let them be proof that they were never going to be anything.Here’s the story I was telling myself back when I was little edible child waiting to be carried away by hawks and making OCD rituals for herself: once upon a time, there was a girl who was afraid of everything. When I was 16, I realized that I knew what this story looked like and how it ended, and it wasn’t the life I wanted for myself. If I wanted my ending to look different, I needed to change the kind of story I was telling about myself. I needed to shape my events into a different genre: once upon a time, there was a woman who was afraid of nothing. At age 16, I legally changed my name from my birthname — Heidi — to one I thought sounded like the hero I wanted to be: Maggie. And I vowed that I would never be afraid of anything ever again.Did it work? No, of course not. Not right away. But it became a mission statement, my hero’s journey.

While I pressed the tissue to my face, Beck said, “Can I tell you something? There are a lot of empty boxes in your head, Sam.”I looked at him, quizzical. Again, it was a strange enough concept to hold my attention.“There are a lot of empty boxes in there, and you can put things in them.” Beck handed me another tissue for the other side of my face.My trust of Beck at that point was not yet complete; I remember thinking that he was making a very bad joke that I wasn’t getting. My voice sounded wary, even to me. “What kinds of things?”“Sad things,” Beck said. “Do you have a lot of sad things in your head?”“No,” I said.Beck sucked in his lower lip and released it slowly. “Well, I do.”This was shocking. I didn’t ask a question, but I tilted toward him.“And these things would make me cry,” Beck continued. “They used to make me cry all day long.”I remembered thinking this was probably a lie. I could not imagine Beck crying. He was a rock. Even then, his fingers braced against the floor, he looked poised, sure, immutable.“You don’t believe me? Ask Ulrik. He had to deal with it,” Beck said. “And so you know what I did with those sad things? I put them in boxes. I put the sad things in the boxes in my head, and I closed them up and I put tape on them and I stacked them up in the corner and threw a blanket over them.”“Brain tape?” I suggested, with a little smirk. I was eight, after all.Beck smiled, a weird private smile that, at the time, I didn’t understand. Now I knew it was relief at eliciting a joke from me, no matter how pitiful the joke was. “Yes, brain tape. And a brain blanket over the top. Now I don’t have to look at those sad things anymore. I could open those boxes sometime, I guess, if I wanted to, but mostly I just leave them sealed up.”“How did you use the brain tape?”“You have to imagine it. Imagine putting those sad things in the boxes and imagine taping it up with the brain tape. And imagine pushing them into the side of your brain, where you won’t trip over them when you’re thinking normally, and then toss a blanket over the top. Do you have sad things, Sam?”I could see the dusty corner of my brain where the boxes sat. They were all wardrobe boxes, because those were the most interesting sort of boxes — tall enough to make houses with — and there were rolls and rolls of brain tape stacked on top. There were razors lying beside them, waiting to cut the boxes and me back open.“Mom,” I whispered.I wasn’t looking at Beck, but out of the corner of my eye, I saw him swallow.“What else?” he asked, barely loud enough for me to hear. “The water,” I said. I closed my eyes. I could see it, right there, and I had to force out the next word. “My …” My fingers were on my scars.Beck reached out a hand toward my shoulder, hesitant. When I didn’t move away, he put an arm around my back and I leaned against his chest, feeling small and eight and broken.“Me,” I said.