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  3. Louise Penny
Voltar

People wandered in for books and conversation. They brought their stories to her, some bound, and some known by heart. She recognized some of the stories as real, and some as fiction. But she honored them all, though she didn't buy every one.

em The Brutal Telling
truth books stories

I was tired of seeing the Graces always depicted as beautiful young things. I think wisdom comes with age and life and pain. And knowing what matters.

em A Fatal Grace
wisdom age three-graces

Normally death came at night, taking a person in their sleep, stopping their heart or tickling them awake, leading them to the bathroom with a splitting headache before pouncing and flooding their brain with blood. It waits in alleys and metro stops. After the sun goes down plugs are pulled by white-clad guardians and death is invited into an antiseptic room.But in the country death comes, uninvited, during the day. It takes fishermen in their longboats. It grabs children by the ankles as they swim. In winter it calls them down a slope too steep for their budding skills, and crosses their skies at the tips. It waits along the shore where snow met ice not long ago but now, unseen by sparkling eyes, a little water touches the shore, and the skater makes a circle slightly larger than intended. Death stands in the woods with a bow and arrow at dawn and dusk. And it tugs cars off the road in broad daylight, the tires spinning furiously on ice or snow, or bright autumn leaves.

em Still Life
death contrast country

…and all the other tools that mistook information for knowledge

em Bury Your Dead
knowledge information

Clara shrugged and immediately knew her betrayal of Peter. In one easy movement she'd distanced herself from his bad behavior, even thought she herself was responsible for it. Just before everyone had arrived, she'd told Peter about her adventure with Gamache. Animated and excited she'd gabbled on about her box and the woods and the exhilarating climb up the ladder to the blind. But her wall of words hid from her a growing quietude. She failed to notice his silence, his distance, until it was too late and he'd retreated all the way to his icy island. She hated that place. From it he stood and stared, judged, and lobbed shards of sarcasm.'You and your hero solve Jane's death?''I thought you'd be pleased,' she half lied. She actually hadn't thought at all, and if she had, she probably could have predicted his reaction. But since he was comfortably on his Inuk island, she'd retreat to hers, equipped with righteous indignation and warmed by moral certitude. She threw great logs of 'I'm right, you're an unfeeling bastard' onto the fire and felt secure and comforted.

em Still Life
relationships self-righteousness arguments

Let every man shovel out his own snow, and the whole city will be passable," said Gamache. Seeing Beauvoir's puzzled expression he added, "Emerson.""Lake and Palmer?""Ralph and Waldo.

em A Fatal Grace
misattributed funny snow neighborliness civic-duty ralph-waldo-emerson

Myrna could spend happy hours browsing bookcases. She felt if she could just get a good look at a person’s bookcase and their grocery cart, she’d pretty much know who they were.

em Still Life
books still-life louise-penny

Eventually he'd let the answering machine take over and had hidden in his studio. Where he's hidden all his life. From the monster. He could feel itin their bedroom now. He could feel its tail swishing by him. Feel its hot, fetid breath.All his life he knew if he was quiet enough, small enough, it wouldnn't see him. If he didn't make a fuss, didn't speak up, it wouldn't hear him, wouldn't hurt him. If he was beyond criticism and hid his cruelty with a smile and good deeds, it wouldn't devour him. By now he realized there was no hiding. It would always be there, and always find him. He was the monster.

fear

Bang. You’re dead.’Gamache swung around, but had recognised the voice an instant after he’d begun to turn.‘You’re a sneak, Jean Guy. I’m going to have to put a cow bell on you.’‘Not again.’ It wasn’t often he could get the drop on the chief. But Beauvoir had begun to worry. Suppose he snuck up on Gamache sometime and he had a heart attack? It would certainly take the fun out of it.

em Still Life
humour

You know for sure Jane would be annoyed she gave you all her money and you’re not even enjoying it. Should have given it to me.’ Myrna had shaken her head in mock bewilderment. ‘I’d have known what to do with it. Boom, down to Jamaica, a nice Rasta man, a good book—’‘Wait a minute. You have a Rasta man and you’re reading a book?’‘Oh, yes. Each has a purpose. For instance, a Rasta man is great when he’s hard, but not a book.’Clara had laughed. They shared a disdain for hard books. Not the content, but the cover. Hardcovers were simply too hard to hold, especially in bed.‘Unlike a Rasta man,’ said Myrna.

em A Fatal Grace
humour

She put her hands together and Saul hoped she wasn’t about to say—‘Namaste,’ said CC, bowing. ‘He taught me that. Very spiritual.’She said ‘spiritual’ so often it had become meaningless to Saul.‘He said, CC Das, you have a great spiritual gift. You must leave this place and share it with the world. You must tell people to be calm.’As she spoke Saul mouthed the words, lip-synching to the familiar tune.‘CC Das, he said, you above all others know that when the chakras are in alignment all is white. And when all is white, all is right.’Saul wondered whether she was confusing an Indian mystic with a KKK member. Ironic, really, if she was.

em A Fatal Grace
humour

Why did he kill his own mother?’ Ruth asked.‘The oldest story in the book,’ said Gamache.‘Ben was a male prostitute?’ Gabri exclaimed.‘That’s the oldest profession. Where do you keep your head?’ asked Ruth. ‘Never mind, don’t answer that.

em Still Life
humour

Nice hair.’ Olivier turned to Clara, hoping to break the tension.‘Thank you.’ Clara ran her hands through it, making it stand on end as though she’d just had a scare.‘You’re right.’ Olivier turned to Myrna. ‘She looks like a frightened doughboy from the trenches of Vimy. Not many people could carry off that look. Very bold, very new millennium. I salute you.’Clara narrowed her eyes and glared at Myrna whose smile went from ear to ear.

em A Fatal Grace
humour

She strong-armed the swinging door and walked through. Straight into an acid flashback.Clara’s first reaction was to laugh. She stood stunned for a moment then started to laugh. And laugh. And laugh until she thought she’d piddle. Peter was soon infected and began laughing. And Gamache, who up until this moment had only seen a travesty, smiled, then chuckled, then laughed and within moments was laughing so hard he had to wipe away tears.‘Holy horrible taste, Batman,’ said Clara to Peter who doubled over, laughing some more.‘Solid, man, solid,’ he gasped and managed to raise a peace sign before having to put both hands on his knees to support his heaving body.

em Still Life
humour

A lot of what we know to be history isn’t…it serves a purpose. Events are exaggerated, heroes fabricated, goals are rewritten to appear more noble than they actually were. All to manipulate public opinion, to manufacture a common purpose or enemy. And the cornerstone of a really great movement? A powerful symbol. Take away or tarnish that and everything starts to crumble, everything’s questioned.

em Bury Your Dead
history public-opinion movements

When someone stabs you it's not your fault that you feel pain.

em A Fatal Grace
hurt pain

Three Pines wasn’t on any tourist map, being too far off any main or even secondary road. Like Narnia, it was generally found unexpectedly and with a degree of surprise that such an elderly village should have been hiding in this valley all along. Anyone fortunate enough to find it once usually found their way back.

em Still Life
home fantasy

He had his treasure, but finally all he wanted was his family. And peace.

em Bury Your Dead
peace family treasure

Where there is love there is courage,where there is courage there is peace,where there is peace there is God.And when you have God, you have everything.

em The Brutal Telling
peace courage god

Who hurt you, once, so far beyond repairthat you would meet each overturewith curling lip?While we, who knew you well, your friends, (the focus of your scorn)could see your courage in the face of fear,your wit, and thoughtfulness, and will remember you with something close to love.

em Bury Your Dead
hurt courage ruth-zardo

Joy doesn't ever leave, you know. It's always with you. And one day you'll find it again.

em Bury Your Dead
joy

All Armand’s life Honoré had lived in light. Unchallenged….Armand put out his hand, and touched the door. The last room, the last door [in the longhouse]. The last territory to explore didn't hold monstrous hate or bitterness or rancid resentments. It held love. Blinding, beautiful love.

em A Rule Against Murder
love light blinding-love longhouse

Now here's a good one:you're lying on your deathbed.You have one hour to live.Who is it, exactly, you have neededall these years to forgive?

em A Fatal Grace
forgiveness

…struck. Once. And into that blow he put his childhood, his grief, his loss. He put his mother’s sorrow and his sister’s longing. The menorah, weighed down with that, crushed the Hermit’s skull.

em Bury Your Dead
loss grief-and-loss violence-because-of-grief

Loss was like that, Gamache knew. You didn't just lose a loved one. You lost your heart, your memories, your laughter, your brain and it even took your bones. Eventually it all came back, but different. Rearranged

loss

They'd crossed over to that continent where grieving parents lived. It looked the same as the rest of the world, but wasn't. Colors bled pale. Music was just notes. Books no longer transported or comforted, not fully. Never again. Food was nutrition, little more. Breaths were sighs. And they knew something the rest didn't. They knew how lucky the rest of the world was.

grief

Grief was dagger-shaped and sharp and pointed inward. It was made of fresh loss and old sorrow. Rendered and forged and sometimes polished. Irene Finney had taken her daughter’s death and to that sorrow she’d added a long life of entitlement and disappointment, of privilege and pride. And the dagger she’d fashioned was taking a brief break from slashing her insides, and was now pointed outward.

em A Rule Against Murder
grief hurting-others

That was the danger. Not that betrayals happened, not that cruel things happened, but that they could outweigh all the good. That we could forget the good and only remember the bad.

em Bury Your Dead
memory

She knew that kindness kills. All her life she'd suspected this and so she'd only ever been cold and cruel. She'd faced kindness with cutting remarks. She'd curled her lips at smiling faces. She'd twisted every thoughtful, considerate act into an assault. Everyone who was nice to her, who was compassionate and loving, she rebuffed.Because she'd loved them. Loved them with all her heart, and wouldn't see them hurt. Because she'd known all her life that the surest way to hurt someone, to maim and cripple them, was to be kind. If people were exposed, they die. Best to teach them to be armored, even if it meant she herself was forever alone. Sealed off from human touch.

em The Cruelest Month
kindness

That was why she was happy. He now knew that happiness ad kindness went together. There was not one without the other. For Jean-Guy it was a struggle. For Annie it seemed natural.

em The Long Way Home
happiness kindness

I've been treating you with courtesy and respect because that's the way I choose to treat everyone. But never, ever mistake kindness with weakness.

em Still Life
kindness

…in the library…surrounded by things far more dangerous than what roamed the school corridors. For here thoughts were housed.

em Bury Your Dead
thoughts library dangers

Beauvoir left their home wanting to call his wife and tell her how much he loved her, and then tell her what he believed in, and his fears and hopes and disappointments. To talk about something real and meaningful. He dialed his cell phone and got her. But the words got caught somewhere south of his throat. Instead he told her the weather had cleared, and she told him about the movie she'd rented. Then they both hung up.

em Still Life
love sharing thoughts realtionship

The only thing money really buys?...Space. A bigger house, a bigger car, a larger hotel room. First-class plane tickets. But it doesn't even buy comfort. No one complains more than the rich and entitled. Comfort, security, ease. None of them come with money.

em A Rule Against Murder
wealth money complaining rich-people money-can-t-buy-love what-money-can-buy

Not everything buried is actually dead. For many, the past is alive.

em Bury Your Dead
past buried buried-past

Life is choice. All day, every day. Who we talk to, where we sit, what we say, how we say it. And our lives become defined by our choices. It's as simple and as complex as that. And as powerful. So when I'm observing, that's what I'm watching for. The choices people make.

em Still Life
murder mystery gamache

And Beauvoir knew then the man was a saint. He's been touched by any number of medical men and women. All healers, all well intentioned, some kind, some rough. All made it clear they wanted him to live, but none had made him feel that his life was precious, was worth saving, was worth something.

em Bury Your Dead
life worth healing

Jesus, is Gamache hiring fetuses now?

em Glass Houses
humorous

I just sit where I'm put, composedof stone and wishful thinking:that the deity who kills for pleasurewill also heal,that in the midst of your nightmare,the final one, a kind lionwill come with bandages in her mouthand the soft body of a woman,and lick you clean of fever, and pick your soul up gently by the nape of the neckand caress you into darkness and paradise.

em The Brutal Telling
poem

They spoke in semaphore, all punctuation unnecessary.“You?”“Great.”They’d trimmed the language to its essentials. Before long it would just be consonants. Then silence.

em A Rule Against Murder
language hateful-speech

What killed people wasn't a bullet, a blade, a fist to the face. What killed people was a feeling. Left too long. Sometimes in the cold, frozen. Sometimes buried and fetid. And sometimes on the shores of a lake, isolated. Left to grow old, and odd.

em A Rule Against Murder
feelings murder

She’d forgotten to love, but she also forgot to hate. (about Clara’s mother, who had dementia)

em Bury Your Dead
hate dementia

Maybe this was now normal for Olivier. Maybe every now and then he simply wept. Not in pain or sadness. The tears were just overwhelming memories, rendered into water, seeping out.

em The Long Way Home
tears memories weeping memories-quotes tears-quotes tears-crying

Don't be so sure," said Gamache. "It's a little humbling to realize the pedestal isn't quite so high after all."Brebeuf chuckled. "Welcome to earth, Armand. It's a little dirty down here.

em A Great Reckoning
human humbling

To be silent. In hopes of not offending, in hopes of being accepted. But what happened to people who never spoke, never raised their voices? Kept everything inside?Gamache knew what happened. Everything they swallowed, every word, thought, feeling rattled around inside, hollowing the person out. And into that chasm they stuffed their words, their rage.

em Bury Your Dead
silence acceptance rage

They stared ahead. Silent. Morin had never realized murderers were caught in silence. But they were.

em The Brutal Telling
silence

As the boys screamed and hauled off handfuls of mulch, Olivier had slowly, deliberately, gently taken Gabri’s hand and held it before gracefully lifting it to his lips. The boys had watched, momentarily stunned, as Olivier had kissed Gabri’s manure-stained hand with his manure-stained lips. The boys had seemed petrified by this act of love and defiance. But just for a moment. Their hatred triumphed and soon their attack had re-doubled.

em Still Life
love romance lovers violence gay-partners

But we don't have to react. That's what I'm saying. A police force, like a government, should be above that. Just because we're provoked doesn't mean we have to act. -- Still Life

government restraint police-brutality

The fault lies with us, and only us. It's not fate, not genetics, not bad luck, and it's definitely not Mom and Dad. Ultimately it's us and our choices...but the most powerful spectacular thing is that the solution rests with us as well.

choices fault solutions

Gamache nodded. It was what made his job so fascinating, and so difficult. How the same person could be both kind and cruel, compassionate and wretched. Unraveling a murder was more about getting to know the people than the evidence. People who were contrary and contradictory, and who often didn't even know themselves.

em Bury Your Dead
human-nature duality

Murder was deeply human. A person was killed and a person killed. And what powered the final thrust wasn't a whim, wasn't an event. It was an emotion. Something once healthy and human had become wretched and bloated and finally buried. But not put to rest. It lay there, often for decades, feeding on itself, growing and gnawing, grim and full of grievance. Until it finally broke free of all human restraint. Not conscience, not fear, not social convention could contain it. When that happened, all hell broke loose. And a man became a monster.

em A Rule Against Murder
emotions murder

I often think we should have tattooed on the back of whatever hand we use to shoot or write, 'I might be wrong.

em A Fatal Grace
mistakes humility tattoos guns gamache

We're all blessed and we're all blighted, Chief Inspector," said Finney. "Everyday each of us does our sums. The question is, what do we count?

em A Rule Against Murder
blessings attitude

But you knew what would happen. Why would you choose to walk right into a situation where you know the person is going to be hurtful? It kills me to see you do that, and you do it all the time. It's like a form of insanity. - Peter MorrowYou call it insanity, I call it optimism. - Clara Morrow

em Still Life
optimism

Homes, Gamache knew, were a self portrait. A person's choice of color, furnishing, pictures, every touch revealed the individual. God, or the devil, was in the details. And so was the human. Was it dirty, messy, obsessively clean? Were the decorations chosen to impress, or were they a hodgepodge of personal history? Was the space cluttered or clear? He felt a thrill every time he entered a home during an investigation.

em Still Life
home personality

Photos sat on the piano and shelves bulged with books, testament to a life well lived.

em Still Life
life home

They were home. He always felt a bit like a snail, but instead of carrying his home on his back, he carried it in his arms.

em A Rule Against Murder
love home

Life is choice. All day, everyday. Who we talk to, where we sit, what we say, how we say it. And our lives become defined by our choices. It's as simple and as complex as that. And as powerful. so when I'm observing that's what I'm watching for. The choices people make

em Still Life
life choice observation

Wait, Armand, he heard behind him but kept walking, ignoring the calls. Then he remembered what Emile had meant to him and still did. Did this one bad thing wipe everything else out?That was the danger. Not that betrayals happened, not that cruel things happened, but that they could outweigh all the good. That we could forget the good and only remember the bad.But not today. Gamache stopped.

em Bury Your Dead
friendship betrayal choice

She taught me that life goes on, and that I had a choice. To lament what I no longer had or be grateful for what remained.

em A Rule Against Murder
life gratefulness survival life-goes-on lament

. .his cell phone didn't work in Three Pines, and neither did email. He almost expected to see messages fluttering back and forth in the sky above the village, unable to descend.

technology three-pines

Life is change. If you aren't growing and evolving, you're standing still, and the rest of the world is surging ahead.

em Still Life
life responsibility

When Olivier had been taken away Gamache had sat back down and stared at the sack. what could be worse than Chaos, Despair, War?What would even the Mountain flee from? Gamache had given it a lot of thought.What haunted people even, perhaps especially, on their deathbed? What chased them, tortured them and brought some of them to their knees? And Gamache thought he had the answer.Regret. Regret for things said, for things done, and not done. Regret for the people they might have been. And failed to be.Finally, when he was alone, the Chief Inspector had opened the sack and looking inside had realize he'd been wrong. The worst thing of all wasn't regret.

em The Brutal Telling
regret haunted deathbed

I saw a lot of men die there. Most men. Do you know what killed them?”…”Despair,” said Finney. “They believed themselves to be prisoners. I lived with those men, ate the same maggot-infested food, slept in the same beds, did the same back-breaking work. But they died and I lived. Do you know why?” “You were free.” “I was free. Milton was right…the mind is its own place. I was never a prisoner. Not then, not now.

em A Rule Against Murder
death despair milton prisoners being-free mind-is-free mind-is-its-own-place what-kills-us

The bistro was his secret weapon in tracking down murderers. Not just in Three Pines, but in every town and village in Quebec. First he found a comfortable café or brasserie, or bistro, then he found the murderer. Because Armand Gamache knew something many of his colleagues never figured out. Murder was deeply human, the murdered and the murderer. To describe the murderer as a monstrosity, a grotesque, was to give him an unfair advantage. No. Murderers were human, and at the root of each murder was an emotion. Warped, no doubt. Twisted and ugly. But an emotion. And one so powerful it had driven a man to make a ghost.Gamache's job was to collect the evidence, but also to collect the emotions. And the only way he knew to do that was do get to know the people. To watch and listen. To pay attention, and the best way to do that was in a deceptively casual way in a deceptively casual setting.Like the bistro.

em A Fatal Grace
murder cafe people-watching bistro

Rules meant order. Without them they’d be killing each other. It began with butting in, with parking in disabled spaces, with smoking in elevators. And it ended in murder.

em A Rule Against Murder
murder rules order breaking-the-rules

A murder was never about brawn, it began and ended in the brain and the brain could justify anything.

em Bury Your Dead
murder brain

…believing sarcasm and rude remarks kept the monsters at bay. They didn’t.

em A Rule Against Murder
sarcasm rudeness

You weren't lost. You were exploring. There's a difference.

lost exoloring

Houses are like people, Agent Lemieux. They have secrets. I'll tell you something I've learned.'Armand Gamache dropped his voice so that Agent Lemieux had to strain to hear.'Do you know what makes us sick, Agent Lemieux?'Lemieux shook his head. Then out of the darkness and stillness he heard the answer.'It's our secrets that make us sick.

em The Cruelest Month
secrets

…the most devastating thing Finney could have said. Not that Peter was hated by his father. But that he’d been loved all along. He’d interpreted kindness as cruelty, generosity as meanness, support as tethers. How horrible to have been offered love, and to have chosen hate instead. He’d turned heaven into hell.

em A Rule Against Murder
love hatred heaven-and-hell messed-up-people fathers-and-sons hatred-and-imagination fathers-and-love messed-up-families

Gamache watched the old poet. He knew what was looming behind the Mountain. What crushed all before it. The thing the Hermit most feared. The Mountain most feared.Conscience....Which is why, Gamache knew, it was vital to be aware of actions in the present. Because the present became the past, and the past grew. And got up, and followed you.And found you ...Who wouldn't be afraid of this?

em The Brutal Telling
fear actions conscience

We have a solemn pact.' Kaye nodded to Mother and looked over at Em talking to some neighbors. 'If one of us is unconscious in the hospital, the others will make sure it's pulled.''The plug?' Ruth asked.'The chin hair,' said Kaye, eyeing Ruth with some alarm. 'You're off the visitors list. Mother, make a note.

aging

I respect people who have such passion. Emile was saying. "I don't. I have a lot of interests, some I'm passionate about, but not to the exclusion of everything else. I sometimes wonder if that's necessary for geniuses to accomplish what they must, a singularity of purpose. We mere mortals just get in the way. Relationships are messy, distra

em Bury Your Dead
passion help

After more than a thousand years," he continued, "an enemy finally broke through. Not because of superior firepower. Not because the Manchus were better fighters or strategists. They weren't. The Manchus breached the Great Wall and took Beijing because someone opened a gate. From the inside. As simple as that. A general, a traitor, let them in and an empire fell.

em A Great Reckoning
betrayal traitor

Don't mistake dramatics for a conscience.

em A Fatal Grace
conscience

Conscience. Imagine being pursued by your own conscience….A mountain of conscience. Throwing a lengthening shadow. Growing. Darkening.

em Bury Your Dead
conscience pursued

Shakespeare: …the best way to peace is to have a still and quiet conscience. Or none at all, thought Gamache.

em Bury Your Dead
peace conscience

Do you know the sums that I do?” “I count my blessings.

em A Rule Against Murder
blessings count-your-blessings finney

Her voice was flat, in a way Myrna recognized from years of listening to people trying to rein in their emotions. To squash them down, flatten, them, and with them their words and their voices. Desperately trying to make the horrific sound mundane.

em The Long Way Home
trauma telling-the-truth

In winter the very ground seemed to reach up and grab the elderly, yanking them to earth as though hungry for them.

em Bury Your Dead
winter elderly

He'd shoved his toque and mitts into the sleeve of his parka when he'd come in the night before, and now, thrusting his right arm into the armhole, he hit the blockage. At a practiced shove the pompom of the toque crowned the cuff followed by his mitts, like a tiny birth.

em A Fatal Grace
winter quebec

…while men and women perished, and cities fell, symbols endured, grew. Symbols were immortal.

em Bury Your Dead
immortality symbols

Beauvoir was quiet, watching the Chief, taking in the gleam in his eye, the enthusiasm as he described what he'd found. Not the physical landscape, but the emotional. The intellectual.Many might have thought the Chief Inspector was a hunter. He tracked down killers. But Jean Guy knew he wasn't that. Chief Inspector Gama he was an explorer by nature. He was never happier than when he was pushing the boundaries, exploring the internal terrain. Areas even the person themselves hadn't explored. Had never examined. Probably because it was too scary.

em A Trick of the Light
emotional psychological

Our lives are like a house. Some people are allowed on the lawn, some onto the porch, some get into the vestibule or the kitchen. The better friends are invited deeper into our home, into our living room.''And some are let into the bedroom,' said Gamache.

em How the Light Gets In
intimacy

There are generally three parties to child abuse: the abused, the abuser and the bystander.

em A Fatal Grace
child-abuse

Do you know why we’re all happy here, monsieur? Because it’s the last house on the road.

em A Rule Against Murder
happiness safety

The reason Armand Gamache could go there was because it wasn't totally foreign to him. He knew it because he’d seen his own burned terrain, he’d walked off the familiar and comfortable path inside his own head and heart and seen what festered in the dark. And one day Jean Guy Beauvoir would look at his own monsters, and then be able to recognize others. And maybe this was the day and this was the case. He hoped so.

em A Rule Against Murder
monsters monsters-within

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