Lowell’s best friend was the heroically moustached art director of a tobacco magazine that published in the same building where Lowell worked at plumbing. His name was Harry Balmer, and despite the evidence of his moustache he was nervous, compulsive, and wracked with small fears. He looked his best from across a wide room; the closer you got to him, the more he seemed to fall apart into a mass of twitches and gnawed finernails and the clearer it became that this big, smart-looking moustache was a kind of bush he was trying to hide behind.