I didn’t know. I feel sometimes like…there are all these rules. Just to be a person. You know? You’re supposed to carry a shoulder bag, not a backpack. You’re supposed to wear headbands, or you’re not supposed to wear headbands. It’s okay to describe yourself as likeable, but it’s not okay to describe yourself as eloquent. You can sit in the front of the school bus, but you can’t sit in the middle. You’re not supposed to be with a boy, even when he wants you to. I didn’t know that. There are so many rules, and they don’t make any sense, and I just can’t learn them all
Sometimes people think they know you. They know a few facts about you, and they piece you together in a way that makes sense to them. And if you don't know yourself very well, you might even believe that they are right. But the truth is, that isn't you. That isn't you at all.
We shouldn't be doing this." Dan broke the silence, his voice low. "We would both get in trouble." He stood up. "Let's go back.""We shouldn't be doing what?" I scrambled to my feet. "What exactly are we doing?""This.""You mean consorting?""Sure, consorting. Cavorting. Carousing." He paused to take a deep breath."Kissing." Then he leaned in and pressed his mouth to mine.
Why did you do this?" He was shaking. "Just tell me why."I tried to muster up some of the righteous indignation that I'd felt on Friday night as I said, "You knocked over my gravestone!" But even to my ears the words sounded tinny and pathetic.Dan's face was pale. "It was just a gravestone, Chelsea. And it was a mistake. I told you that already, and I meant it. I've never lied to you. My God, can't you tell the difference between a gravestone and a person you love? Can't you tel which one matters?"But if I had to point to the real problem in my life, it's that I've never known the difference between a gravestone and a person I love. I have never known which is which until it's too late. "All's fair in love and war," I reminded him, aiming for Tawny's tone. But my voice came out sounding just like me."Oh, yeah? And which is this?" he asked. "Love or war?
History doesn't intend to have some particular emotional value, or any particular moral. History doesn't have any intentions at all. It's just a never-ending web of events that can have pretty much any meaning at all. But we, in retrospect, make this web into a story that makes sense. We superimpose onto it a beginning, middle, and end. We decide who the main characters are, the good guys and the bad guys. We decide what the moral of the story is, and how everyone is supposed to feel about it.""But history is facts," I said. "It's not a matter of opinion.""To a certain extent," Dad granted. "The facts matter, to a certain extent. You can't create a story without some facts to base it on. But what 'really happened' doesn't matter. What matters is how we agree to remember it.
You think it's so easy to change yourself. You think it's so easy, but it's not True, things don't stay the same forever: couches are replaced, boys leave, you discover a song, your body becomes forever scarred. And with each of these moments you change again, your true self spinning, shifting positions - but always at last it returns to you, like a dancer on the floor. Because throughout it all you are still always, *you*: beautiful and bruised, known and unknowable. And isn't that - just you - enough?
The thing about being an artist," Dad said, folding his newspaper and setting it down on the table, "is that there are always going to be people who want to stop you from doing your art. But this usually says more about them and their issues than it does about you and your art. Trust me.