I have undertaken, you see, to write not only my life, but my opinions also; hoping and expecting that your knowledge of my character, and of what kind of a mortal I am, by the one, would give you a better relish for the other: As you proceed further with me, the slight acquaintance which is now beginning betwixt us, will grow into familiarity; and that, unless one of us is in fault, will terminate in friendship.
I am this month one whole year older than I was this time twelve-month; and having got, as you perceive, almost into the middle of my fourth volume—and no farther than to my first day's life—'tis demonstrative that I have three hundred and sixty-four days more life to write just now, than when I first set out; so that instead of advancing, as a common writer, in my work with what I have been doing at it—on the contrary, I am just thrown so many volumes back—
I could wish to spy the nakedness of their hearts, and through the different disguises of customs, climates, and religion, find out what is good in them, to fashion my own by. It is for this reason that I have not seen the Palais Royal - nor the facade of the Louvre - nor have attempted to swell the catalogues we have of pictures, statues, and churches - I conceive every fair being as a temple, and would rather enter in, and see the original drawings and loose sketches hung up in it, than the Transfiguration of Raphael itself.
Cursed luck! —said he, biting his lip as he shut the door, —for man to be master of one of the finest chains of reasoning in nature, —and have a wife at the same time with such a head-piece, that he cannot hang up a single inference within side of it, to save his soul from destruction.
Crack, crack—crack, crack—crack, crack—so this is Paris! quoth I (continuing in the same mood)—and this is Paris!—humph!—Paris! cried I, repeating the name the third time— The first, the finest, the most brilliant— —The streets however are nasty; But it looks, I suppose, better than it smells—crack, crack—crack, crack—