Mama, Mama, help me get homeI'm out in the woods, I am out on my own.I found me a werewolf, a nasty old muttIt showed me its teeth and went straight for my gut.Mama, Mama, help me get homeI'm out in the woods, I am out on my own.I was stopped by a vampire, a rotting old wreckIt showed me its teeth and went straight for my neck.Mama, Mama, put me to bedI won't make it home, I'm already half-dead.I met an Invalid, and fell for his artHe showed me his smile, and went straight for my heart.-From "A Child's Walk Home," Nursery Rhymes and Folk Tales
You can build walls all the way to the sky and I will find a way to fly above them. You can try to pin me down with a hundred thousand arms, but I will find a way to resist. And there are many of us out there, more than you think. People who refuse to stop believing. People who refuse to come to earth. People who love in a world without walls, people who love into hate, into refusal, against hope, and without fear.I love you. Remember. They cannot take it.
Who knows? Maybe they’re right. Maybe we are driven crazy by our feelings. Maybe love is a disease, and we would be better off without it. But we have chosen a different road. And in the end that is the point of escaping the cure: We are free to choose.We are even free to choose the wrong thing.
There are so many things I want to tell her, so many things she doesn't know; like how I remember when she first came home from the hospital, a big pink blob with a perma-smile, and she used to fall asleep while grabbing on to my pinter finger; how I sued to give her piggyback rides up and down the beach on Cape Cod, and she would tub on my ponytail to direct me one way or the other; how soft and furry her head was when she was first born; that the first time you kiss someone you'll be nervous, and it will be weird, and it won't be as good as you want it to be, and that's okay; how you should only fall in love with people who will fall in love back... I feel an ache in my throat, but i manage to smile. Two conflicting desires go through me at the same time, each as sharp as a razor blade: I want to see you grow up and Don't ever change.
I’ll tell you another secret, this one for your own good. You may think the past has something to tell you. You may think that you should listen, should strain to make out its whispers, should bend over backward, stoop down low to hear its voice breathed up from the ground, from the dead places. You may think there’s something in it for you, something to understand or make sense of.But I know the truth: I know from the nights of Coldness. I know the past will drag you backward and down, have you snatching at whispers of wind and the gibberish of trees rubbing together, trying to decipher some code, trying to piece together what was broken. It’s hopeless. The past is nothing but a weight. It will build inside of you like a stone.Take it from me: If you hear the past speaking to you, feel it tugging at your back and running its fingers up your spine, the best thing to do—the only thing— is run.
They couldn’t have known that even this was a lie—that we never really choose, not entirely. We are always being pushed and squeezed down one road or another. We have no choice but to step forward, and then step forward again, and then step forward again; suddenly we find ourselves on a road we haven’t chosen at all.But maybe happiness isn’t in the choosing. Maybe it’s in the fiction, in the pretending: that wherever we have ended up is where we intended to be all along.
Are you sure that being like everybody else will make you happy?""I don't know any other way.""Let me show you."And then we're kissing. Or at least, I think we're kissing—I've only seen it done a couple of times, quick closed-mouth pecks at weddings or on formal occasions. But this isn't like anything I've ever seen, or imagined, or even dreamed: this is like music or dancing but better than both.
Lord, help us root our feet to the earthAnd our eyes to the roadAnd always remember the fallen angelsWho, attempting to soar,Were seared instead by the sun and, wings melting,Came crashing back to the sea.Lord, help root my eyes to the earthAnd stay my eyes to the roadSo I may never stumble.)
In my dream I know I am falling. But there is no up or down, no walls or sides or ceilings, just the sensation of cold and darkness everywhere. I am so scared I could scream. But when I open my mouth, nothing happens. And I wonder if you fall forever and never touch down, is it really still falling? I think I will fall forever.
Two weeks until your cure" she says finally. "Sixteen days" I say, but in my head I'm counting: Seven days. Seven days until I'm free and away from all these people and their sliding superficial lives brushing past one another gliding, gliding, gliding from life to death. For them there's hardly a change between the two.
It was all very strange, Mr. Gray thought, as he wiped the coffee canister clean with a sponge. Very, very mysterious. You were born; you lived a whole life; and at the end, you wound up in a coffee canister."Ah, well," he said out loud quietly. "That's just the way things are. Life's a funny business." Death, he supposed, was the punch line.
Of all the miracles Po had seen in the time and space of its death, Po thought this--the absorption of another, the carrying of it--was the most bewildering and remarkable of all. Whenever Bundle separated again, Po was left with an ache of sadness that reminded the ghost of the body it had left behind.
Here's one of the things I learned that morning: if you cross a line and nothing happens, the line loses meaning. It's like that old riddle about a tree falling in a forest, and whether it makes a sound if there's no one around to hear it. You keep drawing a line farther and farther away, crossing it every time. That's how people end up stepping off the edge of the earth.
Sometimes I feel like if you just watch things, just sit still and let the world exist in front of you - sometimes I swear that just for a second time freezes and the world pauses in its tilt. Just for a second. And if you somehow found a way to live in that second, then you would live forever.
The secret is,” I say, whispering right into his ear, “that yours was the best kiss I’ve ever had in my life.”“But I’ve never kissed you,” he whispers back. Around us the rain sounds like falling glass. “Not since third grade, anyway.” I smile, but I’m not sure if he can see it.“Better get started, then,” I say, “because I don’t have much time.
My point is: maybe you can afford to wait. Maybe for you there's a tomorrow. Maybe for you there's one thousand tomorrows, or three thousand, or ten, so much time you can bathe in it, roll around it, let it slide like coins through your fingers. So much time you can waste it.But for some of us there's only today. And the truth is, you never really know.
It's weird how much people change...It's kind of sad, if you think about it. Like there's no continuity in people at all. Like something ruptures when you hit twelve, or thirteen, or whatever the age is when you're no longer a kid but a "young adult", and after that you're a totally different person. Maybe even a less happy person. Maybe even a worse one.
Recently I've been having the fantasy more and more" the one where Tack and I run away, disappear under the wide-open sky into the forest with leaves like green hands, welcoming us. In my fantasy, the more we walk, the cleaner we get, like the woods are rubbing away the past few years, all the blood and the fighting and the scars - sloughing off the bad memories and the false starts, leaving us shiny and new, like dolls just taken out of the package.And in this fantasy, my fantasy life, we find a stone cottage hidden deep in the forest, untouched, fitted with beds and rugs and plates and everything we need to live - like the owners just picked up and walked away, or like the house had been built for us and was just waiting all this time.We fish the stream and hunt the woods in the summer. We grow potatoes and peppers and tomatoes big as pumpkins. In the winter we stay inside by the fire while snow falls around us like a blanket, stilling the world, cocooning it in sleep.
That’s a funny thing: you think, when awful things happen, everything else just stops, like you would forget to pee and eat and get thirsty, but it’s not really true. It’s like you and your body are two separate things, like your body is betraying you, chugging on, idiotic and animal, craving water and sandwiches and bathroom breaks while your world falls apart.
He Is looking at me through the smoke, across the fence. He never takes his eyes off me. His hair Is a crown of leaves, of thorns, of flames. His eyes are blazing with light, more light than all the lights in every city in the whole world, more light than we could ever invent If we had ten thousand billion years.
I’ll tell you another secret, this one for your own good. You may think the past has something to tell you. You may think that you should listen, should strain to make out its whispers, should bend over backward, stoop down low to hear its voice breathed up from the ground, from the dead places. You may think there’s something in it for you, something to understand or make sense of.But I know the truth: I know from the nights of Coldness. I know the past will drag you backward and down, have you snatching at whispers of wind and the gibberish of trees rubbing together, trying to decipher some code, trying to piece together what was broken. It’s hopeless. The past is nothing but a weight. It will build inside of you like a stone.Take it from me: If you hear the past speaking to you, feel it tugging at your back and running its fingers up your spine, the best thing to do—the only thing—is run.
We are such small, stupid things. For most of my life I thought of nature as the stupid thing: Blind, animal, destructive. We, the humans, were clean and smart and in control: we had wrestled the rest of the world into submission, battered it down, pinned it to a glass slide and the pages of The Bool of Shhh.
I am falling, tumbling through the air, but this time the darkness is alive around me, full of beating things, and I realize that I'm not surrounded by dark but have only had my eyes closed all this time. I open them, feeling silly, and at the same time a hundred thousand butterlies take off around me, so many of them in so many brilliant colors they are like a solid rainbow, temporarily obscuring the sun. But as they wing higher and higher they reveal a landscape below us, all green and gold and sun-drenched fields and pink-tinged clouds drifting underneath me, and the air around me is clear and blue and sweet smelling, and I'm laughing, laughing, laughing as I spin through the air because, of course, I haven't been falling all the time.I've been flying.
As Steve draws me closer to the band, all I can see is a frenzied mass of seething, writhing people, like a many-headed sea snake, grinding, waving their arms, stamping their feet, jumping. No rules, just energy - so much energy, you could harness it; I bet you could power Portland for a decade. It is more than a wave. It's a tide, an ocean of bodies.
This music ebbs and flows, irregular, sad. It reminds me, weirdly, of watching the ocean during a bad storm, the lashing, crashing waves and the spray of sea foam against the docks; the way it takes your breath away, the power and the hugeness of it.That’s exactly what happens as I listen to the music, as I come up over the final crest of hill, and the half-ruined barn and collapsing farmhouse fan out in front of me, just as the music swells, a wave about to break: The breath leaves my body all at once, and I’m struck dumb by the beauty of it. For a second it seems to me like I really am looking down at the ocean—a sea of people, writhing and dancing in the light spilling down from the barn like shadows twisting up around a flame.
I feel as though I’m in a dream, where strange things are happening but they don’t feel strange. Everything is cloudy—everything is wrapped in a fog—and I’m filled from head to toe with the single, burning desire to get closer to the music, to hear the music better, for the music to go on and on and on.
Her eyes are shining; she’s excited now, ready to go. For a moment, standing in the fuzzy haze of sunlight still penetrating the blinds, she appears to be glowing, as though lit up by some internal flame. And now I know why they invented words for love, why they had to: It’s the only thing that can come close to describing what I feel in that moment, the baffling mixture of pain and pleasure and fear and joy, all running sharply through me at once.
Things weren’t always as good as they are now. In school we learned that in the old days, the dark days, people didn’t realize how deadly a disease love was.For a long time they even viewed it as a good thing, something to be celebrated and pursued. Of course that’s one of the reasons it’s so dangerous: It affects your mind so that you cannot think clearly, or make rational decisions about your own well-being. (That’s symptom number twelve, listed in the amor deliria nervosa section of the twelfth edition of The Safety, Health, and Happiness Handbook, or The Book of Shhh, as we call it.) Instead people back then named other diseases—stress, heart disease, anxiety, depression, hypertension, insomnia, bipolar disorder—never realizing that these were, in fact, only symptoms that in the majority of cases could be traced back to the effects of amor deliria nervosa.
Maybe Lindsay and I are best friends and we hate each other, both. Maybe I’m only one math class away from being a slut like Anna Cartullo. Maybe I am like her, deep down. Maybe we all are: just one lunch period away from eating alone in the bathroom. I wonder if it’s ever really possible to know the truth about someone else, or if the best we can do is just stumble into each other, heads down, hoping to avoid collision.
Grief is like sinking, like being buried. I am in water the tawny color of kicked-up dirt. Every breath is full of choking. There is nothing to hold on to, no sides, no way to claw myself up. There is nothing to do but let go.Let go. Feel the weight all around you, feel the squeezing of your lungs, the slow, low pressure. Let yourself go deeper. There is nothing but bottom. There is nothing but the taste of metal, and the echoes of old things, and days that look like darkness.
That was what her parents did not understand—and had never understood—about stories. Liza told herself storied as though she was weaving and knotting an endless rope. Then, no matter how dark or terrible the pit she found herself in, she could pull herself out, inch by inch and hand over hand, on the long rope of stories.
Maybe you can afford to wait. Maybe for you there's a tomorrow. Maybe for you there's one thousand tomorrows, or three thousand, or ten, so much time you can bathe in it, roll around it, let it slide like coins through you fingers. So much time you can waste it.But for some of us there's only today. And the truth is, you never really know.
Sometimes I feel as though there are two me's, one coasting directly on top of the other: the superficial me, who nods when she's supposed to nod and says what she's supposed to say, and some other, deeper part, the part that worries and dreams... Most of the time they move along in sync and I hardly notice the split, but sometimes it feels as though I'm two whole different people and I could rip apart at any second.
I keep quiet and look out the window. The light is weak and watery-looking, like the sun hast just spilled itself over the horizon and is too lazy to clean itself up. The shadows are as sharp and pointed as needles. I watch three black crows take off simultaneausly from a telephone wire and wish I could take off too, move up, up, up, and watch the ground drop away from me the way it does when you're on an airplane, folding and compressing into itself like an origami figure, until everything is flat and brightly colored - until the world is like a drawing of itself
This is the past: It drifts, it gathers. If you are not careful, it will bury you. This is half the reason for the cure: It clean-sweeps; it makes the past, and all its pain, distant, like the barest impression on sparkling glass.But the cure works differently for everybody; and it does not work perfectly for all.
Sympathizer.It’s only slightly better than the other word that followed me for years after my mom’s death, a snakelike hiss, undulating, leaving its trail of poison: Suicide.A sideways word, a word that people whisper and mutter and cough: a word that must be squeezed out behind cupped palms or murmured behind closed doors. It was only in my dreams that I heard the word shouted, screamed.
....love and desire enjoy a symbiotic relationship, meaning that one cannot exist without the other. Desire is an enemy to contentment; desire is illness, a feverish brain. Who can be considered healthy who wants? The very word want suggests a lack, an impoverishment, and that is what desire is: an impoverishment of the brain, a flaw, a mistake.
Could it be? Samantha Kingston? Home? On a Friday?” I roll my eyes. “I don’t know. Did you do a lot of acid in the sixties? Could be a flashback.” “I was two years old in 1960. I came too late for the party.” He leans down and pecks me on the head. I pull away out of habit. “And I’m not even going to ask how you know about acid flashbacks.” “What’s an acid flashback?” Izzy crows. “Nothing,” my dad and I say at the same time, and he smiles at me.
Sometimes day and night reverse. Sometimes up goes down and down goes up, and love turns into hate, and the things you counted on get washed out from under your feet, leaving you pedaling in the air. Sometimes people stop loving you. And that's the kind of darkness that never gets fixed, no matter how many moons rise again, filling the sky with a weak approximation of light.
Because I am terrified by what I want: for him, and worst of all, from him. Because I do want. I'm not even sure what, exactly, but the want is there, just like the hate and anger were there before. But this is not a tower. It is an endless, tunneling pit; it drives deep, and opens a hole inside me.
I keep having the urge to cross my hands over my chest, to cover up my breasts, to hide. I'm suddenly aware of how pale I look in the sunshine, and how many moles I have spotting up and down my chest, and I just know he's looking at me thinking i'm wrong or deformed. But the he breathes, 'Beautiful' and when his eyes meet mine I know that he really, truly means it.
See?” my mother would say, smiling at me and my sister, Carol, in turn. “We live in the greatest country on earth. See how lucky we are?”And yet the ash continued swirling down, and the smells of death came through the windows, crept under the door, hung in our carpets and curtains, and screamed of her lie.Is it possible to tell the truth in a society of lies? Or must you always, of necessity, become a liar?And if you lie to a liar, is the sin somehow negated or reversed?These are the kinds of questions I ask myself now: in these dark, watery hours, when night and day are interchangeable. No. Not true.
Raven looks at me. “What about you, Lena?”I can feel Alex’s eyes on me. My mouth is so dry; the sun is so blinding. I look away, toward the hundreds and hundreds of people who have been driven out of their homes, out of their lives, to this place of dust and dirtiness, all because they wanted the power to feel, to think, to choose for themselves. They couldn’t have known that even this was a lie—that we never really choose, not entirely. We are always being pushed and squeezed down one road or another. We have no choice but to step forward, and then step forward again, and then step forward again; suddenly we find ourselves on a road we haven’t chosen at all.But maybe happiness isn’t in the choosing. Maybe it’s in the fiction, in the pretending: that wherever we have ended up is where we intended to be all along.Coral shifts, and moves her hand to Alex’s arm.“I’m with Julian,” I say at last. This, after all, is what I have chosen.
You do not know what will happen if you take down the walls; you cannot see through to the other side, don't know whether it will bring freedom or ruin, resolution or chaos. It might be paradise or destruction. Take down the walls. Otherwise you must live closely, in fear, building barricades against the unknown, saying prayers against the darkness, speaking verse of terror and tightness. Otherwise you may never know hell, but you will not find heaven, either.
And then, just at that moment, when I'm no longer sure if I'm dreaming or awake or walking some valley in between where everything you wish for comes true, I feel the flutter of his lips on mine, but it's too late, I'm slipping, I'm gone, he's gone, and the moment curls away and back on itself like a flower folding up for the night.
Is it true?” I ask him.“Is what true?” His eyes are the color of honey. These are the eyes I remember from my dreams.“That you still love me,” I say, breathless. “I need to know.”Alex nods. He reaches out and touches my face—barely skimming my cheekbone and brushing away a bit of my hair. “It’s true.”“But . . . I’ve changed,” I say. “And you’ve changed.”“That’s true too,” he says quietly. I look at the scar on his face, stretching from his left eye to his jawline, and something hitches in my chest.“So what now?” I ask him. The light is too bright; the day feels as though it’s merging into dream.“Do you love me?” Alex asks. And I could cry; I could press my face into his chest and breathe in, and pretend that nothing has changed, that everything will be perfect and whole and healed again.But I can’t. I know I can’t.“I never stopped.” I look away from him. I look at Grace, and the high grass littered with the wounded and the dead. I think of Julian, and his clear blue eyes, his patience and goodness. I think of all the fighting we’ve done, and all the fighting we have yet to do. I take a deep breath. “But it’s more complicated than that.”Alex reaches out and places his hands on my shoulders. “I’m not going to run away again,” he says.“I don’t want you to,” I tell him.His fingers find my cheek, and I rest for a second against his palm, letting the pain of the past few months flow out of me, letting him turn my head toward his. Then he bends down and kisses me: light and perfect, his lips just barely meeting mine, a kiss that promises renewal.
I can't stop thinking about what Caroline said to Minna about death. It isn't an infection, she said. She might be right. Then again, we've nested in the walls like bacteria. We've taken over the house, its insulation and its plumbing - we've made it our own. Or maybe it's life that's the infection: a feverish dream, a hallucination of feelings. Death is purification, a cleaning, a cure.
It’s kind of sad, if you think about it. Like there’s no continuity in people at all. Like something ruptures when you hit twelve, or thirteen, or whatever the age is when you’re no longer a kid but a “young adult,” and after that you’re a totally different person. Maybe even a less happy person. Maybe even a worse one.
But for now, the future, like the past, means nothing. For now, there is only a homestead built of trash and scraps, at the edge of a broken city, just beyond a towering city dump; and our arrival-hungry, and half-frozen, to a place of food and water and walls that keep out the brutal winds. This, for us, is heaven.
I came to find you last night," Lena says more quietly. "When I knew there was going to be a raid...I snuck out. I was there when—when the regulators came. I barely made it out. Alex helped me. We hid in a shed until they were gone..."I close my eyes and reopen them. I remember wiggling into the damp earth, bumping my hip against the window. I remember standing, and seeing the dark forms of bodies lying like shadows in the grass, and the sharp geometry of a small she shed, nestled in the trees.Lena was there. It was almost unimaginable."I can't believe that. I can't believe you snuck out during a raid—for me." My throat feels thick again, and I will myself not to start crying. For a moment I am overwhelmed by a feeling so huge and strange, I have no name for it: It surges over the guilt and the shock and the envy; it plunges a hand into the deepest part of myself and roots me to Lena.
I want to apologize to you,” she says calmly.“Oh yeah? For what?” I don’t have time for this. We don’t have time for this. I push away thoughts of what will happen to Hana even if I manage to escape. She’ll be here, in the house . . .My stomach is clenching and unclenching. I’m worried the bread will come straight back up. I have to stay focused. What happens to Hana isn’t my concern, and it isn’t my fault, either.“For telling the regulators about 37 Brooks,” she says. “For telling them about you and Alex.”Just like that, my brain powers down. “What?"“I told them.” She lets out a tiny exhalation, as though saying the words has given her relief. “I’m sorry. I was jealous.”I can’t speak. I’m swimming through a fog. “Jealous?” I manage to spit out.“I—I wanted what you had with Alex. I was confused. I didn’t understand what I was doing.” She shakes her head again.I have a swinging, seasick feeling. It doesn’t make any sense. Hana—golden girl Hana, my best friend, fearless and reckless. I trusted her. I loved her. “You were my best friend.”“I know.” Again she looks troubled, as though trying to recall the meaning of the words.“You had everything.” I can’t stop my voice from rising. The anger is vibrating, ripping through me like a live current. “Perfect life. Perfect grades. Everything.” I gesture to the spotless kitchen, to the sunshine pouring over the marble counters like drizzled butter. “I had nothing. He was my one thing. My only—” The sickness surges up and I take a step forward, clenching my fists, blind with rage. “Why couldn’t you let me have it? Why did you have to take it? Why did you always take everything?
Every day, streets papered with more and more for .Reward, reward, reward.Reward for information.If you see something, say something.A paper town, a paper world: paper rustling in the airm whispering to me, hissing out a message of posion and jealousy.If you know something, do something.I'm sorry, Lena.
While other girls were blurry, displaying cracks or, at the very least, seams — ripped jeans, coffee-stained T-shirts, hair that poufed up in the rain — Sophia always looked sharp, clear, as if the resolution had been turned up on a microscope and angled straight at her, as if the money had formed a kind of shrink wrap that kept her protected from the normal destruction of the everyday.
Alex, please.”He balls his fists. “Stop saying my name. You don’t know me anymore.”“I do know you.” I’m still crying, swallowing back spasms in my throat, struggling to breathe. This is a nightmare and I will wake up. This is a monster-story, and he has come back to me a terror-creation, patched together, broken and hateful, and I will wake up and he will be here, and whole, and mine again. I find his hands, lace my fingers through his even as he tries to pull away. “It’s me, Alex. Lena. Your Lena. Remember? Remember 37 Brooks, and the blanket we used to keep in the backyard—”“Don’t,” he says. His voice breaks on the word.“And I always beat you in Scrabble,” I say. I have to keep talking, and keep him here, and make him remember. “Because you always let me win. And remember how we had a picnic one time, and the only thing we could find from the store was canned spaghetti and some green beans? And you said to mix them—”“Don’t.”“And we did, and it wasn’t bad. We ate the whole stupid can, we were so hungry. And when it started to get dark you pointed to the sky, and told me there was a star for every thing you loved about me.” I’m gasping, feeling as though I am about to drown; I’m reaching for him blindly, grabbing at his collar.“Stop.” He grabs my shoulders. His face is an inch from mine but unrecognizable: a gross, contorted mask. “Just stop. No more. It’s done, okay? That’s all done now.”“Alex, please—”“Stop!” His voice rings out sharply, hard as a slap. He releases me and I stumble backward. “Alex is dead, do you hear me? All of that—what we felt, what it meant—that’s done now, okay? Buried. Blown away.”“Alex!”He has started to turn away; now he whirls around. The moon lights him stark white and furious, a camera image, two-dimensional, gripped by the flash. “I don’t love you, Lena. Do you hear me? I never loved you.”The air goes. Everything goes. “I don’t believe you.” I’m crying so hard, I can hardly speak.He takes one step toward me. And now I don’t recognize him at all. He has transformed entirely, turned into a stranger. “It was a lie. Okay? It was all a lie. Craziness, like they always said. Just forget about it. Forget it ever happened.”“Please.” I don’t know how I stay on my feet, why I don’t shatter into dust right there, why my heart keeps beating when I want it so badly to stop. “Please don’t do this, Alex.”“Stop saying my name.
Here's one of the things I learned that morning: if you cross a line and nothing happens, the line loses meaning. It's like that old riddle about a tree falling in a forest, and whether it makes a sound if there's no one around to hear it. You keep drawing a line farther and farther away, crossing it every time. That's how people end up stepping off the edge of the earth. You'd be surprised at how easy it is to bust out of orbit, to spin out to a place where no one can touch you. To lose yourself--to get lost. Or maybe you wouldn't be surprised. Maybe some of you already know.To those people, I can only say: I'm sorry.
And now I realize Lindsay's not fearless. She's terrified. She's terrified that people will find out she's faking, bullshitting her way through life, pretending to have everything together when really she's just floundering like the rest of us. Lindsay, who will bite at you if you even look in her direction the wrong way, like on of those tiny attack dogs that are always barking and snapping in the air before they're jerked backward on the chains that keep them in one place.
Hana?" Lena says softly. "Are you okay?"That single stupid question breaks me. All the metal fingers relax me at once, and the tears they've been holding back come surging up at once. Suddenly I am sobbing and telling her everything: about the raid, and the dogs, and the sounds of skulls cracking underneath regulator's nightsticks. Thinking about it again makes me feel like I might puke. At a certain point, Lena puts her arms around me and starts murmuring things into my hair. I don't even know what she's saying, and I don't care. JUst having her here—solid, real, on my side—makes me feel better than I have in weeks. Slowly I manage to stop crying, swallowing back the hiccups and sobs that are still running through me. I try to tell her that I've missed her, and that I've been stupid and wrong, but my voice is muffled and thick
You’re angry at me,” she says.I stop crying at once. My whole body goes cold and still. She squats down beside me, and even though I’m careful not to look up, not to look at her at all, I can feel her, can smell the sweat from her skin and hear the ragged pattern of her breathing.“You’re angry at me,” she repeats, and her voice hitches a little. “You think I don’t care.”Her voice is the same. For years I used to imagine that voice lilting over those forbidden words: I love you. Remember. They cannot take it. Her last words to me before she went away.She shuffles forward and squats next to me. She hesitates, then reaches out and places her palm against my cheek, and turns my head toward hers so I’m forced to look at her. I can feel the calluses on her fingers.In her eyes, I see myself reflected in miniature, and I tunnel back to a time before she left, before I believed she was gone forever, when her eyes welcomed me into every day and shepherded me, every night, into sleep.“You turned out even more beautiful than I’d imagined,” she whispers. She, too, is crying.The hard casement inside me breaks.“Why?” is the only word that comes. Without intending to or even thinking about it, I allow her to draw me against her chest, let her wrap her arms around me. I cry into the space between her collarbones, inhaling the still-familiar smell of her skin.There are so many things I need to ask her: What happened to you in the Crypts? How could you let them take you away? Where did you go? But all I can say is: “Why didn’t you come for me? After all those years—all that time—why didn’t you come?” Then I can’t speak at all; my sobs become shudders.“Shhh.” She presses her lips to my forehead, strokes my hair, just like she used to when I was a child. I am a baby once again in her arms—helpless and needy. “I’m here now.”She rubs my back while I cry. Slowly, I feel the darkness drain out of me, as though pulled away by the motion of her hand. Finally I can breathe again. My eyes are burning, and my throat feels raw and sore. I draw away from her, wiping my eyes with the heel of my hand, not even caring that my nose is running. I’m suddenly exhausted—too tired to be hurt, too tired to be angry. I want to sleep, and sleep.“I never stopped thinking about you,” my mother says. “I thought of you every day—you and Rachel.
She always imagined their voices entangled somewhere in the wires when they spoke, caught up in a grid she didn't fully understand, passing back and forth. Once the calls were disconnected, she imagined the echoes of old conversations would be trapped there, floating back and forth with no exit, like ghosts.
But I am terrified by what I want: for him, and worst of all, from him. Because I do want. I'm not even sure what, exactly, but the want is there, just like the hate and anger were there before. But this is not a tower. It is an endless, tunneling pit; it drives deep, and opens a hole inside me.
I thought if I followed the rules, things would turn out all right. that's the thing about the cure, isn't it? It isn't just about deliria at all. It's about order. A path for everyone. You just have to follow it and everything will be okay. That's what the DFA is about. That's what I belevied in-what I've had to believe in. Because otherwise, it's just...chaos.
I thought you were dead,” I say. “It almost killed me.”“Did it?” His voice is neutral. “You made a pretty fast recovery.”“No. You don’t understand.” My throat is tight; I feel as though I’m being strangled. “I couldn’t keep hoping, and then waking up every day and finding out it wasn’t true, and you were still gone. I—I wasn’t strong enough.”He is quiet for a second. It’s too dark to see his expression: He is standing in shadow again, but I can sense that he is staring at me.Finally he says, “When they took me to the Crypts, I thought they were going to kill me. They didn’t even bother. They just left me to die. They threw me in a cell and locked the door.”“Alex.” The strangled feeling has moved from my throat to my chest, and without realizing it, I have begun to cry. I move toward him. I want to run my hands through his hair and kiss his forehead and each of his eyelids and take away the memory of what he has seen. But he steps backward, out of reach.“I didn’t die. I don’t know how. I should have. I’d lost plenty of blood. They were just as surprised as I was. After that it became a kind of game—to see how much I could stand. To see how much they could do to me before I’d—”He breaks off abruptly. I can’t hear any more; don’t want to know, don’t want it to be true, can’t stand to think of what they did to him there. I take another step forward and reach for his chest and shoulders in the dark. This time, he doesn’t push me away. But he doesn’t embrace me either. He stands there, cold, still, like a statue.“Alex.” I repeat his name like a prayer, like a magic spell that will make everything okay again. I run my hands up his chest and to his chin. “I’m so sorry. I’m so, so sorry.”Suddenly he jerks backward, simultaneously finding my wrists and pulling them down to my sides. “There were days I would rather they have killed me.” He doesn’t drop my wrists; he squeezes them tightly, pinning my arms, keeping me immobilized. His voice is low, urgent, and so full of anger it pains me even more than his grip. “There were days I asked for it—prayed for it when I went to sleep. The belief that I would see you again, that I could find you—the hope for it—was the only thing that kept me going.” He releases me and takes another step backward. “So no. I don’t understand.
Lena Ella Haloway Tiddle." I pronounce her full name, very slowly, partly because I need to reassure myself of her existence—Lena, my friend, the worried one, the one who always pleaded for safety first, who now makes secret appointments to meet with boys. "You have some explaining to do.""Hana, you remember Alex," Lena says weakly, as though that—the fact of my remembering him—explains any