If you've ever read one of those articles that asks notable people to list their favorite books, you may have been impressed or daunted to see them pick Proust or Thomas Mann or James Joyce. You might even feel sheepish about the fact that you reread Pride and Prejudice or The Lord of the Rings, or The Catcher in the Rye or Gone With the Wind every couple of years with some much pleasure. Perhaps, like me, you're even a little suspicious of their claims, because we all know that the books we've loved best are seldom the ones we esteem the most highly - or the ones we'd most like other people to think we read over and over again.
A long time ago, I opened a book, and this is what I found inside: a whole new world. It isn't the world I live in, although sometimes it looks a lot like it. Sometimes, though, it feels closest to my world when it doesn't look like it at all. That world is enormous, yet it all fits inside an everyday object. I don't have to keep everything I find there, but what I choose to take with me is more precious than anything I own, and there is always more where that came from. The world I found was inside a book, and then that world turned out to be made of even more books, each of which led to yet another world. It goes on forever and ever. At nine I thought I must get to Narnia or die. It would be a long time before I understood that I was already there.
Adventure,' then, is what might otherwise be called hardship if it were attempted in a different spirit. Turning a difficult task or a perilous journey into an adventure is largely a matter of telling yourself the right story about it, which is one thing that Lewis's child characters have learned from reading, 'the right books.
Desire acts as a honey trap to the unwary male, luring him into unworthy and catastrophic enterprises. The beauty of the Narnian witches isn't ancillary to their evil, but integral to it, one of the weapons in their arsenal. Evil must, after all, appear attractive if it's going to be tempting, and from there it's only a small step further to the conclusion that feminine beauty is inherently wicked.
Words are great, but even I can admit they have certain short-comings. No word can ever give justice to a smile from a man who never smiled or to an old woman who gives up her seat on the bus to a soldier who lost his leg. And I’m still convinced there’s no word out there for the feeling you get the first time you ever hit home plate or bury your first dog or muster up enough courage to tell a girl you love her.
A part of me will probably always be waitin’ for her. And even when I get to the end of this life and she’s not there, I think I’ll still just wait. It’s the cruel reality of love, I think—that once you find it, it’s yours to carry. And even if you lose it and never find it back again, I think you still just keep on carrying it...and waitin’—long after the curtain closes.
We’re all livin’ in the past...we’re really always eighty milliseconds behind life happenin’. ...that’s how long it takes our brains to comprehend what’s already taken place right in front of our eyes. So, I guess I’m not alone. Everyone’s livin’ in the past, to some extent. I’ve just become a prisoner of mine. ... I’ve become a prisoner—willingly. But then I guess you really can’t be called a prisoner if you willingly carry the chains.
She always used to say that the past is a relentless parasite in its quest, feeding off of the senses, looking for anything that will trigger a memory–forever there to complicate the present, forever there to remind us that it will always be a piece of us. I never had a clue as to what she meant, until now.
I set my face toward the sun again, and I think about my old life—the one I feel as though I’ve abandoned somehow. It hurts to think of it that way. And even though I know it wasn’t perfect, I look back now, and all I see is perfection. Every soft whisper, every spoken word, every gentle touch—it’s all perfect. Time won’t let me see it otherwise. They’re all just perfect memories—perfect, untouchable moments that came and went so softly that they almost feel as if they were always just a dream.
Little girl, little boyIf love has a wayFill their fields with laughterAnd scatter the sun on their dayAnd if it should happen to rainMake their raindrops kissesStraight from heaven aboveThat touch their hands and facesAnd that fill them with loveAnd make the moon reflect their smilesAnd their stars plentyAnd, above all, keep them togetherAnd hold them as you mayForever and everUntil their last day.
There is an uncharacteristic radicalism to Lewis’s further suggestion that if we can find “even one reader to whom the cheap little book with its double columns and the lurid daub on its cover had been a lifelong delight, who had read and reread it, who would notice, and object, if a single word were changed, then, however little we could see in it ourselves and however it was despised by our friends and colleagues, we should not dare to put it beyond the pale.
Now, you and I both know that I’ll wait a lifetime for you – remember, Butterfly Weeds never give up – so take your time down there. And tonight, as you watch that big, orange sun disappear into the earth and your world gradually grow dark, I’ll help God turn on the stars, and I’ll wait for my dawn – when you return to me, Julia Stephens.I love you, My Butterfly. You’ll always be my endless song.Love always and forever,Your one and only Butterfly Weed, Will
How does the story really go?Does she ever cross your mind?Does she ever steal your nights?Is she still a part of you?Do you ever wish she were still by your side?And what would you do?If she walked up here tomorrow And told you that she loved you?Would you drop it all and run to her?Would you tell her you love her too?Or would you simply send her home?And tell her you’ve moved on?Tell me, Buddy, what would you do?