Some seasons later, the Princess of the kingdom was riding with her handmaiden on the edge of the dark woods. Though once she had been very ill, the Princess had recovered miraculously and was now married to a fine prince. She lived a full and happy life: walked and danced and sang, and enjoyed all the vast riches of health. They had a dear baby girl who was much loved and ate pure honey and drank the dew from rose petals and had beautiful butterflies for playthings.

Hope, how she had grown to hate the word. It was an insideious seed planted inside a person's soul, surviving covertly on little tending, then flowering so spectacularly that none could help but cherish it.

Because desperate people cling to hope like sailors to their wreaks.

Cassandra wondered at the mind's cruel ability to toss up flecks of the past. Why, as she neared her life's end, her grandmother's head should ring with the voices of people long since gone. Was it always this way? Did those with passage booked on death's silent ship always scan the dock for faces of the long-departed?

Those who live in memories are never really dead.

It'll be a change," says Marcus. "Something different.""Not a mystery."Marcus laughs. "No. Not a mystery. Just a nice safe history."Ah, my darling. But there is no such thing.

No two people will ever see or feel things in the same way, Merry. The challenge is to be truthful when you write. Don't approximate. Don't settle for the easiest combination of words. Go searching instead for those that explain exactly what you think. What you feel.

I sound contemptuous, but I am not. I am interested--intrigued even--by the way time erases real lives, leaving only vague imprints. Blood and spirit fade away so that only names and dates remain.

But though it had prevailed against such fierce adversaries as fire and flood, it had fallen victim softly and swiftly to television in the 1960's.

I don’t have many friends, not the living, breathing sort at any rate. And I don’t mean that in a sad and lonely way; I’m just not the type of person who accumulates friends or enjoys crowds. I’m good with words, but not spoken kind; I’ve often thought what a marvelous thing it would be if I could only conduct relationships on paper. And I suppose, in a sense, that’s what I do, for I’ve hundreds of the other sort, the friends contained within bindings, pages after glorious pages of ink, stories that unfold the same way every time but never lose their joy, that take me by the hand and lead me through doorways into worlds of great terror and rapturous delight. Exciting, worthy, reliable companions - full of wise counsel, some of them - but sadly ill-equipped to offer the use of a spare bedroom for a month or two.

My fingers positively itched to drift at length along their spines, to arrive at one whose lure I could not pass, to pluck it down, to inch it open, then to close my eyes and inhale the soul-sparking scent of old and literate dust.

She was the sort of person for whom fear was the natural response to that beyond explanation.

Wars make history seem deceptively simple. They provide clear turning points, easy distinctions.: before and after, winner and loser, right and wrong. True history, the past, is not like that. It isn't flat or linear. It has no outline. It is slippery, like liquid; infinite and unknowable, like space. And it is changeable: just when you think you see a pattern, perspective shifts, an alternate version is proffered, a long-forgotten memory resurfaces.

Impending war was evidenced by the faraway expression in the older villagers' eyes, the shadows on their faces, not of fear but of sorrow. Because they knew; they had lived through the last war and they remembered the generation of young men who had marched off so willingly and never come back. Those too, like Daddy, who had made it home, but left in France a part of themselves that they could never recover. Who surrendered to moments, periodically, in which their eyes filmed and their lips whitened, and their minds gave over to sights and sounds they wouldn't share but couldn't shake.

She'd slept terribly the night before. The room, the bed, were both comfortable enough, but she'd been plagued with strange dreams, the sort that lingered upon waking but slithered away from memory as she tried to grasp them. Only the tendrils of discomfort remained.

Nature is cruel. Isn't that right, Daddy? Every living thing has to die. And they're still beautiful. Now they'll stay that way.

It is a cruel, ironical art, photography. The dragging of captured moments into the future; moments that should have been allowed to be evaporate into the past; should exist only in memories, glimpsed through the fog of events that came after. Photographs force us to see people before their future weighed them down....

What she really felt like doing was reading. Escaping into the Enchanted Wood, up the Faraway Tree, or with the Famous Five into Smuggler's Top.

Those afternoons in the library, breathing the stale sun-warmed dust of a thousand stories (accented by the collective mildew of a hundred years of rising damp), had been enchanted.

Will history remember us, I wonder? I do hope so - to imagine that one might do something, touch an event somehow, & thereby transcend the bounds of a single human lifetime!

That was the nature of history, of course: notional, partial, unknowable, a record made by the victors.

History in the storyteller's hand was a potent force indeed,....

Every so often a reader tells me, somewhat disappointedly, that their family doesn't have any secrets. To which I always reply that of course it does, they just don't know them yet. For where there are people living in close proximity, there will always be secrets.

To abandon a child, she had once said to someone, when she thought Cassandra couldn't hear, was an act so cold, so careless, it refused forgiveness.

They were young; time hadn't yet rubbed at them, polishing their differences and sharpening their opinions...

...home is a magnet that lures back even its most abstracted children. But whether tomorrow or years from now, I cannot guess.

Had any poet adequately described the wretched ugliness of a loved one turned inside out with grief?

You make a life out of what you have, not what you're missing.

They'd fallen into an easy routine, the three of them. Breakfast together in the morning, then Hughie would leave for work and she and Nell would get started in the house. Lil found she liked having a second shadow, enjoyed showing Nell things, explaining how they worked and why. Nell was a big one for asking why-why did the sun hide at night, why didn't the fire flames leap out of the gate, why didn't the river get bored and run the other way?-and Lil loved supplying answers, watching as understanding dawned on Nell's little face. For the first time in her life, Lil felt useful, needed, whole.

As Linus grew into his teens, became even more awkward, with long, gangly arms and odd ginger hairs sprouting from his spotty chin, Georgiana blossomed into a beautiful child, beloved of all on the estate. She brought a smile to the face of even the most hardened tenants, farmers who hadn't had a kind word for the Montrachet family in years would send baskets of apples to the kitchen for Miss Georgiana to enjoy.

It's a cruel, ironical art, photography. The dragging of captured moments into the future; moments that should have been allowed to evaporate with the past, should exist only in memories glimpsed through the fog of events that came after. Photography forces us to see people before their future weighed down on them. Before they knew their endings.

Poisons are more my thing

How was a boy who'd tasted poverty ever expected to choose the poorer road?

I had forgotten, I suppose, that there were bright memories in amongst the dark.

As if I hadn't spent a lifetime pretending to forget.

The simplest falsehoods are the strongest.

His words had tossed the book that was her life into the air and the pages had been blown into disarray, could never be put back together to tell the same story.

Then he led her to sit by him on a fallen gum trunk, smooth and white, and he leaned to whisper in her ear. Transferred the secret he and her mother had kept for seventeen years. Waited for the flicker of recognition, the minute shift in expression as she registered what he was telling her. Watched as the bottom fell out of her world and the person she had been vanished in an instant.

The prospect of an early death sits differently upon each person. In some it gifts maturity far outweighing their age and experience: calm acceptance blossoms into a beautiful nature and soft countenance. In others, however, it leads to the formation of a tiny ice flint in their heart. Ice that, though at times concealed, never properly melts.Rose, though she would have liked to be one of the former, knew herself deep down to be one of the latter.

As the boat drew nearer to shore, and tiny dots in the distance became seagulls, she opened the book across her lap and gazed at the beautiful black-and-white sketch of a woman and a deer side by side in the clearing of a thorny forest. And somehow, though she could not read the words, the little girl realized the she knew this picture's tale. Of a young princess who traveled a great distance across the sea to find a precious, hidden item belonging to someone she dearly loved.

There was some part of me that never left that house. Rather, some part of the house that wouldn't leave me.

Alice felt a surge of pity for them, stuck as they were within the white-hot glow of youth, when everything seemed so vital, so essential, so important.

Winter passed, and the world around began to wake. The birds returned to the kingdom and set about readying their nests, deer could be seen once more grazing where the fields met the woods, and buds burst forth upon the branches of the kingdom's trees.

There was much work to be done in the crone's cottage, but the Princess was never heard to complain, for she was a true Princess with a pure heart. The happiest folk are those that are busy, for their minds are starved of time to seek out woe. Thus did the Princess grow up contented. She came to love the changing seasons and learned the satisfaction of sowing seeds and tending crops. And although she was becoming beautiful, the Princess did not know it, for the crone had neither looking glass nor vanity and thus the Princess had not learned the ways of either.

This was the power of the story weaver, Nell realized. An ability to conjure color so that all else seemed to fade.

Vivien thought how ugly adults could be, how weak. So used to getting what they wanted that they didn't know the first thing about being brave.

You'll beat this. I know it doesn't feel like it, but you will. You're a survivor.""I don't want to survive it.""I know that, too," Nell had said. "And it's fair enough. But sometimes we don't have a choice...

The happiest folks are those that are busy, for their minds are starved of time to seek out woe. -The Crone's Eyes

Apart from such visits, for the first time in her life Eliza was truly alone. In the beginning, unfamiliar sounds, nocturnal sounds, disturbed her, but as the days passed she came to know them: soft-pawed animals under the eaves, the ticking of the warming range, floorboards shivering in the cooling nights. And there were unexpected benefits to her solitary life: alone in the cottage, Eliza discovered that the characters from her fairy tales became bolder. She found fairies playing in the spiders' webs, insects whispering incantations on the windowsills, fire sprites spitting and hissing in the range. Sometimes in the afternoons, Eliza would sit on the rocking chair listening to them. And late at night, when they were all asleep, she would spin their stories into her own tales.

Apart from such visits, for the first time in her life Eliza was truly alone. In the beginning, unfamiliar sounds, nocturnal sounds, disturbed her, but as the days passed she came to know them: soft-pawed animals under the eaves, the ticking of the warming range, floorboards shivering in the cooling nights. And their were unexpected benefits to her solitary life: alone in the cottage, Eliza discovered that the characters from her fairy tales became bolder. She found fairies playing in the spiders' webs, insects whispering incantations on the windowsills, fire sprites spitting and hissing in the range. Sometimes in the afternoons, Eliza would sit on the rocking chair listening to them. And late at night, when they were all asleep, she would spin their stories into her own tales.

It was the sibling thing, I suppose. I was fascinated by the intricate tangle of love and duty and resentment that tied them together. The glances they exchanged; the complicated balance of power established over decades; the games I would never play with rules I would never fully understand. And perhaps that was key: they were such a natural group that they made me feel remarkably singular by comparison. To watch them together was to know strongly, painfully, all that I'd been missing.

Mrs. Bird smiled at me as I arrived at her side. "They can surprise us, can't they, our parents? The things they got up to before we were born.""Yes," I said. "Almost like they were real people once.

That, my dear, is what makes a character interesting, their secrets.

I blame what happened next on the door. The one right across the hall from me, a mere three feet away. I love doors. All of them, without exception. Doors lead to things and I’ve never met one I haven’t wanted to open. All the same, if that door hadn’t been so old and decorative, so decidedly closed, if a thread of light hadn’t positioned itself with such wretched temptation across its middle, highlighting the keyhole and its intriguing key, perhaps I might have stood a chance; remained twiddling my thumbs until Percy came to collect me. But it was and I didn’t; I maintain that I simply couldn’t. Sometimes, you can tell just by looking at a door there’s something interesting behind it.

Ah, my darling. But there is no such thing [as a nice safe history].

Nell was like a witch. Her long silvery hair rolled into a bun on the back of her head, the narrow wooden house on the hillside in Paddington, with its peeling lemon-yellow paint and overgrown garden, the neighborhood cats that followed her everywhere. The way she had of fixing her eyes so straight on you, as if she might be about to cast a spell.

Tragedy has been described as 'the conflict between desire and possibility.' Following this definition, is The Forgotten Garden a tragedy? If so, in what way/s?

it was enough just to free the words so that the voices in her head were stilled.

Even the most pragmatic person fell victim at times to a longing for something other.

Loneliness had made the Queen bitter, bitterness had made her selfish, and selfishness had made her suspicious. --The Changeling

And I knew then that there would be no telling me what he saw. I understand somehow that certain images, certain sounds, could not be shared and could not be lost.

Give someone more time and they'll appear to have done more with it.

She forced herself to stroll casually and appraise her plants. The wisteria was shedding its final leaves, the jasmine had long lost its flowers, but the autumn had been mild and the pink roses were still in bloom. Eliza went closer, took a half-opened bud between her fingers and smiled at the perfect raindrop caught within its inner petals. The thought was sudden and complete. She must make a bouquet, a welcome-home gift for Rose. Her cousin was fond of flowers, but more than that, Eliza would select plants that were a symbol of their bond. There must be ivy for friendship, pink rose for happiness, and some of the exotic oak-leaved geranium for memories...

It was a garden, a walled garden. Overgrown but with beautiful bones visible still. Someone had cared for this garden once. The remains of two paths snaked back and forth, intertwined like the lacing on an Irish dancing shoe. Fruit trees had been espaliered around the sides, and wires zigzagged from the top of one wall to the top of another. Hungry, wisteria branches had woven themselves around to form a sort of canopy.Against the southern wall, an ancient and knobbled tree was growing. Cassandra went closer. It was the apple tree, she realized, the one whose bough had reached over the wall. She lifted her hand to touch one of the golden fruit. The tree was about sixteen feet high and shaped like the Japanese bonsai plant Nell had given Cassandra for her twelfth birthday.

With a glance back towards the house, he pulled the secret sketches from within. He'd been working at them on and off for a fortnight now, ever since he'd come across Cousin Eliza's fairy tales among Rose's things. Though they were written for children, magical stories of bravery and morality, they had made their way beneath his skin. The characters had seeped inside his mind and come alive, their simple wisdom a balm for his swirling mind, his ugly adult troubles. He had found himself in moments of distraction scribbling lines that had turned themselves into a crone at a spinning wheel, the Fairy Queen with her long thick plait, the Princess bird trapped in her golden cage.

Mothers tend toward right on most things.

The world was an awfully large place and it wasn't easy to find a person who'd gone missing sixty years earlier, even if that person was oneself.