When you're single, you are often buried in time, your mouth and eyes and ears stuffed with it. You hate it, rail against it, do whatever you can to get rid of it--work too much, drink too much, sleep around, make unsuitable friends, create an imaginary future filched from the lives of dead forgotten female writers...
The question I’d long posed to myself—whether to be married or to be single—is a false binary. The space in which I’ve always wanted to live—indeed, where I have spend my adulthood—isn’t between those two poles, but beyond it. The choice between being married versus being single doesn’t even belong here in the twenty-first century.
At first I thought it was simply that the specter of the crazy bag lady has been branded so simply into the collective female consciousness that we’re stuck with her. Now I realized I was wrong. What is haunting about the bag lady is not only that she is left to wander the streets, cold and hungry, but that she’s living proof of what it means to not be loved. Her apparition will endure as long as women consider the love of a man the most supreme of all social validations.
Being single is like being an artist, not because creating a functional single life is an art form, but because it requires the same close attention to one's singular needs, as well as the will and focus to fulfill them. Just as the artist arranges her life around her creativity, sacrificing conventional comforts and even social acceptance, sleeping and eating according to her own rhythms, so that her talent thrives above all else, nurtured the way a child might be, so a single person has to think hard to decipher what makes her happiest and most fulfilled.