In her mind's eye she saw it, saw it all at last: the rolling armies and the flames of battle; the graves and pits and dying cries of a hundred million souls; the spreading darkness, like a black wing stretching over the earth; the last, bitter hours of cruelty and sorrow, and the terrible, final flights; death's great dominion over all, and, at the last, empty cities, becalmed by the silence of a hundred years. Already these things were coming to pass.
I would not say I was a nonbeliever; rather, that I gave little if any thought to celestial concerns. It did not seem to me that God, whoever he was, would be the sort of god to take an interest in the minutiae of human affairs, or that this fact released us from the duty to go about our lives in a spirit of decency to others.
I wanted to kill them. No, not kill. "Kill" is too dull a word for that which I desired. I wanted to annihilate them. I wanted to tear them limb from limb. I wanted to crack their bones and bury my face in the wet remains. I wanted to reach inside their chests and yank out their hearts and devour the bloody meat as the last stray current twitched the muscle and watch their faces as they died.
She thought she should take a moment to pray. But, as she was holding a loaded rifle, conventional prayer did not seem entirely suitable. Sister Peg hoped that God would help her, but it was her belief that He much preferred for people to attend to themselves. Life was a test; it was up to you to pass it or not. She raised the gun to her clavicle and angled one eye down the length of the barrel.
It was more than physical attraction; it was the broken thing inside him she loved most of all, the unreachable place where he kept his sadness. Because that was the thing about Peter Jaxon that nobody knew but her, because she loved him like she did: how terribly sad he was. And not just in the day-to-day, the ordinary sadness everyone carried for the things and people they had lost; his was something more. If she could find this sadness, Sara believed, and take it from him, then he would love her in return.
The restraints were nothing, like paper. The rivets popped from the table and shot across the room. First his arms and then his legs. The room was dark but hid nothing from his eyes, because the darkness was part of him now. And inside him, far down, a great devouring hunger uncoiled itself. To eat the very world. To take it all inside him and be filled by it, made whole. To make the world eternal, as he was.
Behind every great hatred is a love story. For I am a man who has known and tasted love. I say “a man” because that is how I know myself. Look at me, and what do you see? Do I not take the form of a man? Do I not feel as you do, suffer as you do, love as you do, mourn as you do? What is the essence of a man, if not these things?
Last night they came again. The soldiers had set up a defense perimeter, but there were simply too many—they must have come by the hundreds of thousands, a huge swarm that blotted out the stars. Three soldiers killed, as well as Cole. He was standing right in front of me; they actually lifted him off his feet before they bored through him like hot knives through butter. There was barely enough of him left to bury.
For the first time he considers the full emotional dimensions of the day. His life is changing but his parent’s lives are changing too. Like a habitat, abruptly deprived of a major species, the household will be wrenched into realignment by his departure. Like all young people, he has no idea who his parents really are. For 18 years he has experienced their existence only in so far as it is related to his own needs. Suddenly his mind is full of questions. What do they talk about when he's not around? What secrets do they hold from each other? What aspirations have been left to languish? What private grievances held in check by the shared project of child rearing will now in his absence, lurch into the light?
Below lies the dark core, that great iron ball beneath all things. Its compressed weight is fantastic; it is older than time itself. It is a vestige of the blackness that predates all existence, when a formless universe existed in a state of chaotic un-creation, lacking awareness even of itself.
The things of your life arrived in their own time, like a train you had to catch. Sometimes this was easy, all you had to do was step onto it, the train was plush and comfortable and full of people smiling at you in a hush, and a conductor who punched your ticket and tousled your head with his big hand, saying, Ain’t you pretty, ain’t you the prettiest girl now, lucky lady taking a big train trip with your daddy, while you sank into the dreamy softness of your seat and sipped ginger ale from a can and watched the world float in magical silence past your window, the tall buildings of the city in the crisp autumn light and then the backs of the houses with laundry flapping and a crossing with gates where a boy was waving from his bicycle, and then the woods and fields and a single cow eating grass............Because sometimes it was one way, easy, and sometimes it was the other, not easy; the things of your life roared down to you and it was all you could do to grab hold and hang on. Your old life ended, and the train took you away to another...
But I suppose it's part of being old to feel that way, half in one world and half in the other, all of it mixed together in my mind. No one's left who even knows my name. Folks call me Auntie, on account of I never could have children of my own, and I guess that suits me fine. Sometime it's like I've got so many people inside of me I'm never alone at all. And when I go, I'll be taking them with me.
Kittridge closed his eyes. So, the end. It would happen instantaneously, a painless departure, quicker than thought. he felt the presence of his body one last time: the taste of air in his lungs, the blood surging in his veins, the drumlike beating of his heart. The bomb was dropping toward them."I've got you," he said, hugging Tim fiercely; and again, over and over, so that the boy would be hearing these words. "I've got you, I've got you, I've got you, I've got you.