Life—the way it really is—is a battle not between good and bad, but between bad and worse

For darkness restores what light cannot repair.

...in the business of writing what one accumulates is not expertise but uncertainties. Which is but another name for craft.

... Now to die of griefwould mean, I'm afraid, to die belatedly, while latecomersare unwelcome, particularly in the future. ...

There are worse crimes than burning books. One of them is not reading them.

Whether pleasant or dismal, the past is always a safe territory, if only because it is already experienced, and the species' capacity to revert, to run backward -especially in its thoughts or dreams, since there we are safe as well - is extremely strong in all of us, quite irrespective of the reality we are facing. Yet this machinery has been built into us, not for cherishing or grasping the past (in the end, we don't do either), but more for delaying the arrival of the present - for, in other words, slowing down a bit the passage of time.

The real history of consciousness starts with one's first lie.

[T]he accumulation of things not spelled out, not properly articulated, may result in neurosis.

Man is what he reads.

[T]he longer you stay skeptical, doubtful, intellectually uncomfortable, the better it is for you.

I always adhered to the idea that God is time, or at least that His spirit is... In any case, I always thought that if the Spirit of God moved upon the face of the water, the water was bound to reflect it. Hence my sentiment for water, for its folds, wrinkles. and ripples, and - as I am a Northerner - for its grayness. I simply think that water is the image of time, and every New Year's Eve, in somewhat pagan fashion, I try to find myself near water, preferably near a sea or an ocean, to watch the emergence of a new helping, a new cupful of time from it.

Men canreturn to where they have done evil deeds,but men do not return to where they’ve beenabased. On this point God’s design and ourown feeling of abasement coincideso absolutely that we quit: the night,the rotting beast, the exultant mobs, our homes,our hearthfires, Bacchus in a vacant lotembracing Ariadne in the dark.

Of all the parts of your body, be most vigilant over your index finger, for it is blame-thirsty. A pointed finger is a victim’s logo.

Try not to pay attention to those who will try to make life miserable for you. There will be a lot of those--in the official capacity as well as the self-appointed. Suffer them if you can’t escape them, but once you have steered clear of them, give them the shortest shrift possible. Above all, try to avoid telling stories about the unjust treatment you received at their hands; avoid it no matter how receptive your audience may be. Tales of this sort extend the existence of your antagonists....

When hit by boredom, let yourself be crushed by it; submerge, hit bottom. In general, with things unpleasant, the rule is: The sooner you hit bottom, the faster you surface. The idea here is to exact a full look at the worst. The reason boredom deserves such scrutiny is that it represents pure, undiluted time in all its repetitive, redundant, monotonous splendor.Boredom is your window on the properties of time that one tends to ignore to the likely peril of one's mental equilibrium. It is your window on time's infinity. Once this window opens, don't try to shut it; on the contrary, throw it wide open.

Try to embrace, or let yourself be embraced by, boredom and anguish, which anyhow are larger than you. No doubt you'll find that bosom smothering, yet try to endure it as long as you can, and then some more. Above all, don't think you've goofed somewhere along the line, don't try to retrace your steps to correct the error. No, as the poet said, "Believe your pain." This awful bear is no mistake. Nothing that disturbs you is. Remember all along that there is no embrace in this world that won't finally unclasp.

In general, dividing literature into prose and poetry began with the appearance of prose, for only in prose could such a division be expressed. By its nature, by its essence, art is hierarchical, automatically, and in this hierarchy, poetry stands above prose. If only because poetry is older. Poetry really is a very strange thing, because it belongs to a troglodyte as well as to a snob. It can be produced in the Stone Age and in the most modern salon, whereas prose requires a developed society, a developed structure, certain established classes, if you like. Here you could start reasoning like a Marxist without even being wrong. The poet works from the voice, from the sound. For him, content is not as important as is ordinarily believed. For a poet, there is almost no difference between phonetics and semantics. Therefore, only very rarely does the poet give any thought to who in fact comprises his audience. That is, he does so much more rarely than the prose writer.