I think the act of reading imbues the reader with a sensitivity toward the outside world that people who don't read can sometimes lack. I know it seems like a contradiction in terms; after all reading is such a solitary, internalizing act that it appears to represent a disengagement from day-to-day life. But reading, and particularly the reading of fiction, encourages us to view the world in new and challenging ways...It allows us to inhabit the consciousness of another which is a precursor to empathy, and empathy is, for me, one of the marks of a decent human being.
What do you believe in?’ asked David.‘I believe in those whom I love and trust. All else is foolishness. This god is as empty as his church. His followers choose to attribute all of their good fortune to him, but when he ignores their pleas or leaves them to suffer, they say only that he is beyond their understanding and abandon themselves to his will. What kind of god is that?
I believe in those whom I love and trust. All else is foolishness. This god is as empty as his church. His followers choose to attribute all of their good fortune to him, but when he ignores their pleas or leaves them to suffer, they say only that he ignores their pleas or leaves them to suffer, they say only that he is beyond their understanding and abandon themselves to his will. What kind of god is that?
Before she came ill, David's mother would often tell him that stories were alive. They weren't alive in the way that people were alive, or even dogs or cats. (...) Stories were different, though: they came alive in the telling. Without a human voice to read them aloud, or a pair of wide eyes following them by torch light beneath a blanket, they had no real existence in our world. (...) They lay dormant, hoping for the chance to emerge. Once someone started to read them, they could begin to change. They could take root in the imagination and transform the reader. Stories wanted to be read, David's mother would whisper. They needed it. It was the reason they forced themselves from their world into ours. They wanted us to give them life.
These stories were very old, as old as people, and they had survived because they were very powerful indeed. They were the tales that echoed in the head long after the books that contained them were cast aside. They were both an escape from reality and an alternative reality themselves. They were so old, and so strange, that they had found a kind of existence independent of the pages they occupied. The world of the old tales existed parallel to ours, but sometimes the walls separating the two became so thing and brittle that the two worlds started to blend into each other. That was when the trouble started. That was when the bad things came. That was when the Crooked Man began to appear to David.
The Detective was different. Not that he wasn't a good man; Willie had heard enough about him to understand that he was the kind who didn't like to turn away from another's pain, the kind who couldn't put a pillow over his ears to drown out the cries of strangers. Those scars he had were badges of courage, and Willie knew that there were others hidden beneath his clothes, and still more deep inside, right beneath the skin and down to the soul. No, it was just that whatever goodness was there coexisted with rage and grief and loss.
It is a curious fact that small boys are more terrified of their babysitters than small girls are. In part, this is because small girls and babysitters, who are usually slightly larger girls, belong to the same species, and therefore understand each other. Small boys, on the other hand, do not understand girls, and therefore being looked after by one is a little like a hamster being looked after by a shark. If you are a small boy, it may be some consolation to you to know that even large boys do not understand girls, and girls, by and large, do not understand boys. This makes adult life very interesting.
And I told him that I believed in God because I had seen His opposite. I had seen all that He was not, and been touched by it, and so I could no more deny the possibility of an ultimate goodness to set against such depravity than I could deny that daylight followed darkness, and night the day.
It didn't help when he told David that his mother would always be with him, even if he couldn't see her. An unseen mother couldn't go for long walks with you on summer evenings, drawing the names of trees and flowers from her seemingly infinite knowledge of nature; or help you with your homework, the familiar scent of her in your nostrils as she leaned in to correct a misspelling or puzzle over the meaning of an unfamiliar poem; or read with you on cold Sunday afternoons when the fire.
The nature of compassion isn't coming to terms with your own suffering and applying it to others: It's knowing that other folks around you suffer and, no matter what happens to you, no matter how lucky or unlucky you are, they keep suffering. And if you can do something about that, then you do it, and you do it without whining or waving your own fuckin' cross for the world to see. You do it because it's the right thing to do.
David could tell, by looking at her face as she read, whether or not the story contained in the book was living inside her, and she in it, and he would recall again all that she had told him about stories and tales and the power that they wield over us, and that we in turn wield over them.
Samuel understood at last why this being hated men and women so much: he hated them because they were so like himself, because the worst of the was mirrored in them. He was the source of all that was bad in men and women, but he had none of the greatness, and none of the grace, of which human beings were capable, so that by only by corrupting them was his own pain diminished, and thus his existence made more tolerable.
It has always seemed to me that there are two types of people in this world: those rendered impotent by the sheer weight of evil it contains, and who refuse to act because they see no point, and those who choose their battles and fight them to the end, as they understand that to do nothing is definitely worse than to do something and fail. --The Collector
No matter how hard Evil tries, it can never quite match up to the power of Good, because Evil is ultimately self-destructive. Evil may set out to corrupt others, but in the process corrupts itself. That's just the way Evil is. All things considered, it's better to be on the side of Good, even if Evil occasionally has nicer uniforms.
If there is anything worse than evil, it is nothingness. At least evil has a form, and a voice, and a purpose, however depraved. Perhaps some good can even come out of evil: a terrible deed of violence against someone weaker may lead others to act in order to ensure that such a deed is not perpetrated again, whereas before they might have been unaware of the reasons why an individual might behave in such a way, or they might simply have chosen to ignore them. And evil, as we saw with the Blacksmith, always contains within itself the possibility of its own redemption. It is not evil that is the enemy of hope: it is nothingness.
Stories come alive in the telling. Without a human voice to read them aloud, or a pair of wide eyes following them by flashlight beneath a blanket, they had no existence in our world. They were like seeds in the beak of a bird, waiting to fall to earth. Or the notes of a song laid out on a sheet, yearning for an instrument to bring their music into being. They lay dormant, hoping for the chance to emerge. Once someone started to read them, they could begin to change. They could take root in the imagination and transform the reader. Stories wanted to be read. They needed it. It was the reason they forced themselves from their world into ours. They wanted us to give them life.
And the Crooked Man heard her dreams, because that was where he wandered. His place was the land of the imagination, the world where stories began. The stories were always looking for a way to be told, to be brought to life through books and reading. That was how they crossed over from their world into ours. But with them came the Crooked Man, prowling between his world and ours, looking for stories of his own to create, hunting for children who dreamed bad dreams, who were jealous and angry and proud. And he made kings and queens of them, cursing them with a kind of power, even if the real power lay always in his hands. And in return they betrayed the objects of their jealousy to him, and he took them into his lair deep beneath the castle...
And Nurd, who had never had a mother and father, and who had never loved or been loved, marvelled at the ways in which feeling so wonderful could also leave one open to so much pain. In a strange way, he envied Samuel even that. He wanted to care about someone so much that it could hurt.
We all have our routines," he said softly."But they must have a purpose and provide an outcome that we can see and take some comfort from, or else they have no use at all. Without that, they are like the endless pacings of a caged animal. If they are not madness itself, then they are a prelude to it.
But don't they say that all is fair in love and war? I heard that somewhere.""'They?' Who are 'they?'""I don't know. Just people.""That's what the victorious claim, not the defeated; the powerful, not the powerless. 'All is fair.' 'The end justifies the means.' Is that what you believe?
I used to think this was all about good and evil,” said Rickett, “but it’s not.”“No?”“There’s a kind of evil that isn’t even in opposition to good, because good is an irrelevance to it. It’s a foulness that’s right at the heart of existence, born with the stuff of the universe. It’s in the decay to which all things tend. It is, and it always will be, but in dying we leave it behind.”“And while we’re alive?”“We set our souls against it, and our saints and angels, too.” He patted Parker on the shoulder. “Especially the destroying ones.